#which i feel into and then in front of
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microwave-core · 2 years ago
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what if you wanted to write but ended up falling flat on your face and it was bad enough to where, for a brief moment while laying in semi-shock on the ground, you thought you broke your glasses and now your head hurts but you don't want to take anything because you have to chew ibuprofen man that would be fucked up
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egophiliac · 5 months ago
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don't think I'm not still obsessing over 7-12
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 12 spoilers#twisted wonderland book 7 part 12 spoilers#sorry it's even scribblier than usual :') hopefully my chickenscratch is legible#anyway come here and join me in the corner where we go to be embarrassing about anime characters#just. between riddle and trey's dreams i've been thinking a lot about how#trey knew this kid for like two months when he was nine and then never really got over him or how their friendship ended#which. honestly. understandable given the circumstances#and then when they finally met again riddle acted like they'd never met before and neither he nor trey ever intended trey to be his vice#but every time riddle talks about his childhood post-incident it's basically#'oh yeah i constantly thought about trey and che'nya and fantasized about still being friends with them! this is fine and normal'#(there's a bit in one of his birthday cards where he talks about crossword puzzles and shit man that one got me)#idk. i can't put this into words very well#just...the implications that riddle was actively resisting trey's friendship#(presumably because it ended SUPER badly last time and he's learned that if he shows he wants something it gets taken away from him)#and trey had to work REALLY hard to just to get to the point they were at by the time canon starts#that was progress somehow#y'all can call him boring all you want but trey's defining feature really is that he keeps being like#'everything's fine :) this isn't a big deal :) i don't care that much'#(trey on the inside: THIS IS THE BIGGEST DEAL THAT I CARE SO MUCH ABOUT AND I WILL NEVER LET IT GO)#anyway i continue to be absolutely murdered by the timing of riddlepunzel directly after this#riddle's line about not wanting to keep standing in front of a door that's never going to open...#hey. hey silly gacha game about anime disney boys.#you are not actually allowed to do this to me#oh shit oh damn i'm out of tags and i haven't even talked about cater yet. NO BUT I HAVE LOTS OF FEELINGS THERE TOO --#(i am crushed under a falling safe looney tunes style)
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stemmmm · 7 months ago
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the scene people keep screaming about from chapter 5 of theseus' guide
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idontmindifuforgetme · 1 year ago
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friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me
#It’s just so different#even though it’s public it still feels secret and safe. i feel comfy sharing a lot more on here than I do in my actual day to day life lol#in my head I’m also just speaking to myself 90% of the time which helps#if a friend off tumblr saw my thoughts I’d feel so weird ab it#esp bc they might get the vagueposting about certain situations and tell mutual friends#no thank u. this is for me. I’m not about to start censoring my thoughts bc someone I know knows my tumblr#u guys literally saw me have LIVE BREAKDOWNS#meanwhile I’ll have the worst fucking day in history and tell no one about it. I’m already cripplingly private but way more so in real life#this is basically a low stress journaling outlet for me. it’s so important for me to maintain the separation#like this is actually my diary & has been so handy for letting out emotions / articulating thoughts / staying on track !!#& I’ve met so many kind people on here who actually get me. which is so hard to find irl bc I’m surrounded by pre-med gunners/overachievers#who are by standard not very good w emotion & can be competitive/judgmental. or at least it’s hard for me to be vulnerable in front of them#and I’m part of that crowd so I reserve my emotions only to a handful of very close friends#it’s nice to hop on here and express negative emotions!! or positive emotions!! just whatever I want and it’s low stress and people get me#I don’t have to worry about judgment or competitiveness etc etc#like everyone on here is so kind & nice & understanding. & just a breath of fresh air from the types I run w. it’s just nice to have this#so idk that’s why I think I’ll always be strict about keeping the worlds separate. it just works#p
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thebrainrotsreal · 5 months ago
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Was pondering how Mark’s rigid ass mask/lens is prob a Budget Thing (since squishy, bendy lens are pretty much a mandate for all hero animated series, like JL, BTAS, TNBA, Spider-Man, etc), and then I was slapped with a vision of Mark in a more JL/BTAS-ish style and I had to see it through. I am a genius btw.
#i had MANY thoughts while drawing my brain melted while posting so if ya have questions send 'em / ask 'em#but rapid fire: leans more into nightwing's look b/c bro's name is legit grayson + moves away from his father's sidekick/protege +#and legit has a blue and black outfit. that is soooo winking at robin (dick grayson specifically)#mark has a more casual / athletic fit and tried to keep his usual kicked puppy expression / mood#which then contrasts his more emotional (hero) side he acts upon when he's suited up as ANOTHER wink to the whole dual persona#mark does it unintentionally as he's eager to prove himself as invincible and thus more emotional/confidential/eager + feels lackluster#as just mark grayson.#but it's such a comic book trope it's interesting el show ignores the potential stakes for that + prob cause they dont focus on#villains#mark has debbie's cheek bones + pearls both so he skip the whole copy paste design tactic cartoons annoyingly use + wink at batman w/ pearl#nolan wears pink and debbie wears green b/c they have conflicting views on raising Mark but (used to?) stand on a somewhat#united front by having same collared shirt. but mark leans more on debbie's stuff visually w/ cooler colors + white shirt underneath#mark keeps his cape as another wink/nod at robins (tim drake TNBS specifically) which mimics his Dad + kid-like eagerness for hero stuff#which he gets rid off when he goes blue/black suit arc (cough cough nightwing looking ass) so just leaned MORE into it#mark has a heart on his chest because he's TRYING to do what he think he's best + emotional asf#lens/goggles are diff to keep the audiences' eye back at HIS eyes + look more ominous and predatory which the black/blue combo#already COULD do in canon but in show its just pallete swapped which ruins the more ominious look it probably intended#and doesnt really scream “OH NO! THERE'S NO GOLD! WHICH could be a marker of mark's joy vanishing!!!”#but i hope it does now but ALSO having design changes#the brainrotsreal's art tag ✧˖°:*♡#invincible rotating in my mind#mark grayson#invincible fanart#invincible#fanart#digital art#procreate art#i wish the style leaned more this way since it is messing with or TRYING to mess with some superhero tropes before it does its own thing#just straight up use nostalgia bait while it has his JL knock off#artists on tumblr
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teratomatica · 3 months ago
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you always land on all fours
#umineko#umineko spoilers#ikuko hachijo#ikukos turn for a more serious piece... the old man has reigned for too long#now. INCREDIBLY LONG INCOHERENT TAGS RANT INCOMING FAIR WARNING HAS BEEN GIVEN:#it makes me so so sad how little discussion there is about specifically ikuko because imho she fits so neatly into a lot of the more#overarching Big Themes of the game in a way that i have not ever really seen people take notice of or point out in a meaningful way#like even just off of the top of my head. the significance of names and what it means to go by a name that's Not Yours (she has like 4+)#what it Means to be a witch how it represents a person's deepest insecurities and flaws & how its at its core a coping mechanism#the fact that it takes two to create a universe and trying to do it on your own anyways has the capacity to bring you intense misery#^ (how she's shown to be extremely dismissive of her own work and skill until a collaborator comes into her life and helps/encourages her)#and even the family/patriarchy/misogyny stuff that is so prevalent in the rest of the game comes back around to her. even her Only Friend#(young&stupid atp to be fair) remarks that shes Weird for being unmarried + the little she does say about her past invites the question of#to what extent her self-image stems from her family deeming her a freak outcast & effectively disowning her while celebrating her brothers#and i have lot in my mind about the witch thing specifically because i think her particular situation is very reflective of what umineko's#entire magic system and fantasy facet as a whole is meant to represent for an individual. from what little we see of (what is presumably)#her Real personality she is shown to be deeply self conscious in a way that is JARRINGLY diametrically opposed to both 1.) what we see in#featherine and 2.) what we see when she is acting as a Public Figure. because both of the above are very much purposeful acts that she is#putting on in order to obfuscate her true self. and i have always been very resolute & adamant about not totally equating her to featherine#not only because im very firmly in the camp of “featherine is the avatar of the Pen Name & tohya is part of her too” but also very much b/c#i feel very strongly that the stark differences between the two are very centrally relevant to her character & her psyche. as is the case#with most other witches featherine's personality traits serve to reveal/magnify a lot of ikukos inner workings by playing on her#insecurities/reversing them e.g. ikuko being very quick to downplay her skill/achievements becomes featherine being the COMPLETE opposite#to the point where she barely registers even other witches as living beings rather than just fun touys. BUT even though i do champion the#ikuko/featherine separation so hard i ALSO think it is purposefully relevant that at first glance the line between them seems so blurry#her introduction implying a more nebulous separation between her reality/fantasy counterpart is i think is an intentional move on her part#like it is part of the front she is putting up when acting as the Author. as opposed to Ikuko the person who we (in a way ironically very#similar to the way that the Real Battler is presumably only shown during the boatscene) only very briefly get to see take up screentime#which even on a meta level lines up very well with her apparent underlying nature as a like. extremely private largely reserved/shy person#hit tag limit but if by some miracle anyone is still reading this thank you... please see ikuko with the love she deserves... ok ily byeee
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sivsii · 4 months ago
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I haven’t really posted anything about my vi felt despite having been working on it since october, but here’s a WIP of pants + torso.
anyone who needlefelts or works with natural fiber will know how shitty dark wool is about light absorption. to make sure you can actually *see* any of the form of the sculpt or the details I’ve added, let alone differentiate between different elements of her completely chromatic design, I’ve had to try and manually add the look of digital rendering with hand-mixed colors. insanely time consuming but I think it’s so so worth it
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screwpinecaprice · 8 months ago
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Actually cute. Had to do a quick redraw.
Screenshot is from when Jay lit up the Jack-o'-lantern in the living room.
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paesagex · 29 days ago
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“…Why?”
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deadpoetsandlivinglegends · 4 months ago
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Something something every time Charlie isn’t fighting to be the center of attention, he is always looking around to others to gauge their reactions and silently observing them all something something he is searching for connection, to fit in and be loved but he doesn’t know how to ask for love so instead he gains their attention by acting out in ways he knows they’ll notice and tries to pretend their attention and love are the same thing
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#Charlie knows how to push people’s buttons just right to make them pay attention to him because he’s always observing them first; like he’s#not as reckless as we all think he is; he’s fairly smart and also#like Charlie seems so emotionally intelligent in the way he can gauge most peoples reactions from observing them and I think that’s why he#liked keating because keating didn’t act the way he expected and so it was amusing and enthralling to see someone he couldn’t clock#keating would do weird things and Charlie would watch in amusement and he would try to push Keatings buttons in the ways that would make#other teachers upset but they all just slid off Keatings back without him getting upset so Charlie had to try harder but keating seemed to#praise him so Charlie actually started getting what he was craving and so he tried to do something big for keating only to be confused when#keating didn’t like what he did; but then Keating still gave that unconditional support even tho Charlie didn’t get the right action and I#think that’s at the root of their relationship like you can’t have the keating and Charlie dynamic without Charlie being smart#charlie dalton#dps#dead poets society#dps fandom#dps symposium#dead poets fandom#like it’s so interesting to watch him in scenes not about him cause it feels like he is such a more dynamic and complex character when you#do cause we all say he doesn’t know how to be quiet but so often he is silently in the background watch and observing like the walking#scene is a good example and idk I just feel like Charlie is silent and observing more than we think he is we just don’t realize cause he is#so loud in his other moments we take those as him#and ignore him otherwise which feels like exactly what he wants because he wants to connect with people but he wants it to be on his terms#because he spent so long manipulating people’s perception of him that to be vulnerable or not in control makes him scared and he can have#this front he puts on criticized and made fun of because it’s not the real him but if the real him was ever rejected I don’t know if he#could handle it and I think he knows that; idk I just think we need to give Charlie more credit than we are giving him cause hes so complex
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lukazade · 4 months ago
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naptime ☺️
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elodieunderglass · 5 months ago
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Just for the sake of scientific curiosity- is O Holey Thunder a horrible thing with legs?
(In reference to Killie the Jockey OC and his ghastly racehorse frenemy, O Holy Thunder)
Yes! That’s very observant of you! It isn’t immediately obvious, because Thunder is overtly just a horse. But his ghastliness transcends his mortal form, and on the secret plane upon which horsegirls and horses connect psychically, he’s an eldritch horror, sending messages of violence and hatred that corrupt you. Unholy Thunder.
Quick, fantasy AU where most things are exactly the same, but Thunder is a dragon, but it’s exactly the same
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“Fuck me about here and you’ll be MINCED for BURGER in FRANCE”
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redstonedust · 4 months ago
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i don't mean during in arguments or if you accidentally let one slip, i mean whether it'd seem normal if you casually sprinkled swear words in a regular conversation or if you'd feel weird doing so.
feel free to elaborate in tags on your reasoning/upbringing/if it depends on the parent/etc!
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presidentkamala · 2 months ago
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https://www.tumblr.com/presidentkamala/783304700743286784
It just feels like they've turned the online space into a new version of a religious confessional/indulgence of sorts. They're not actually caring of the situation, they just want to be absolved of any responsibility they might have had in causing this mess or to even try to help fix things, and expect to still be allowed to harm everyone else with their near perpetual whining.
Exactly :( and the biggest telling-on-themselves moments are when they get hopping mad that we DARE to call them out and call a spade a spade. They will literally crash out and rapid cycle in front of you when they're not SEEKING OUT your vent posts or w/e that accurately call out their own behavior and start losing their shit lmao.
It's always the same thing, too. Blaming Liberals for not preventing this outcome single-handedly (mean girls voice so you agree? This WAS the worse outcome? You guys WERE relying on us to save you and maybe even subconsciously relying on our labor/sacrifice/efforts to do all the real work?)
And/or then an immediate about-face using their various geopolitical stances/outright antisemitism "abt" i/p or gaza, which then allows them to slither away from the logical next step of the previous point (actually working with material reality to promote desired outcomes) bc then they get to really warm to the exceptionalist take of usa thee worst and should be destroyed, actually, and democrats are feckless and the same as Rs bc liberalism and capitalism and poorly defined buzzwords and second-hand, misunderstood theory etc.
Which you know all roads lead back to your point anon the contortions and tortured logic are ALL ALWAYS in service of personal ego and aggrandized self-concept for these guys, INCLUDING smart academic types as well as the more rabid type of online Poaster. Many someones on here said it best abt the moral purity culture around online social justice and how it makes taking responsibility for and growing from your actions impossible to square w that world view.
I want to say that based on how rabid some of my notes are, the hollering dogs at least know they've been hit. There is ALWAYS time to take up responsibility because it doesnt ever go away even when its been abdicated or denied, but it would be shattering at this point for people to really accept the calamity of what they've done, and yelling at me as though im a democratic member of congress is much much much easier, so.
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kiatnirans · 11 days ago
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KNOCK OUT (2025) หมัดน็อกล็อกหัวใจ dir. Tee Bundit Sintanaparadee
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becausebuckley · 2 months ago
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the longer speculation is, the better🙏💕✍️
alright, since you all asked so nicely <3 i’m posting this with the warning that i don’t do screenwriting, so who knows how pacing works in episodic format, and i definitely don’t have any sort of medical knowledge or fire knowledge or whatever lol. what i do have is sleep deprivation and a fever! it’s been A Day.
9x01
So, the season opener, 9x01. We start out not with one of our favourite characters, but someone mysterious. This person wakes up in the morning and goes through her morning routine while something upbeat plays in the background. We see her getting dressed, heading to work etc, but we never see who, exactly, she is. She makes breakfast, but doesn’t eat it. Her workplace looks like a lab of some sort. She greets the security guard, then a colleague, who warns her that the microwave keeps sparking and she shouldn’t use it. The mystery scientist says something about the fire suppression system going down two weeks ago only being the starting point and they bemoan budget cuts together. Her voice sounds vaguely familiar, but we still don't know who we're following. As she enters her own lab, we see her two assistants squabbling over a lunch-related issue. They jump apart once they see our mystery scientist walk in. One of them says that they're all ready and that today is the big day. The mystery scientist agrees, says she’s been too nervous to eat, and examines a vial of some sort of medicine that's waiting for her. As she leans away, her face becomes visible on a reflective surface.
Moira stares right into the camera, smiling.
Cut to the 911 intro.
We pick up again at the Diaz (and Buckley) residence. Buck wakes up on the couch, groaning as he pops his back. He shuffles to the kitchen and begins making breakfast. It's clear that he's been living here for a while, fully settled in. The furniture is a mix of his and Eddie's stuff. Christopher and Eddie come in and the three of them have breakfast together. They have a short conversation that establishes the following: Buck is looking for a new place, but hasn't found anything fitting in part due to Eddie's criticism of them, he's been crashing on the Diaz couch even though Eddie keeps telling him to take the bed for a night (it's unclear if he means they should swap sleeping places or if they should share the bed), and Christopher thinks that Buck should stay and make him breakfast every morning. Buck says something about breakfast dishes being where his and Bobby's cooking lessons started (as a fun little callback, he's made the same dish that he made Maddie way back in season 2 - i think it was an omelette?). Cue melancholy expressions. Someone checks the time. They rush off to school/work. Buck and Eddie nearly trip over each other when they grab their work stuff: Buck says he promises he'll be out of their hair soon, and Eddie says there's no rush. He longingly looks after Buck as Buck and Christopher walk towards the car.
Cut to Maddie and Chimney's place. Chimney is balancing getting ready and taking care of the baby. Maddie is doing Jee-Yun's hair while Jee eats breakfast. They're all a bit in a frenzy and the house looks chaotic. They discuss that Maddie's maternity leave is ending soon and how it's more difficult to manage two kids than they expected. Chimney mentions that, now that he's captain of the 118, he's spending more time at work than he was before, and that the paperwork is horrible. Maddie asks if he regrets taking the position. Chimney says he doesn't, that he's glad he's proven to himself and the team that he can do it, but that he wonders if he made the right choice.
Then a quick scene with the Wilsons, just enough for Hen and Karen to announce to the kids that they’re going on their first family vacation in a few weeks. They’ll be going to some sort of all-inclusive family resort and they’re all excited. (this isn’t so much related to this opening arc as it is something that I think would be fun in a future episode, something fun and light for this family after everything they’ve been through these past few seasons. I imagine the kids trying to optimise the all you can eat buffet spread while Hen and Karen deal with assorted mysteries a la FOMO, and then they’ll get a nice big thing later on in the season to kind of spread everything out nicely)
We have the team go on one quick call to establish the dynamics now that Chimney is captain. Something medical, probably, or just someone being stuck somewhere. In any case, it’ll be silly and end well. On the scene, Buck jumps out of the engine, groaning as he lands. Ravi reminds him that he’s happy to help Buck find a new place so he no longer has to sleep on the couch. Eddie cuts him off and tells him to focus on the job, clearly not wanting Buck to move. The call will show us that Chimney is a much better captain than he was last time around. Hen takes the lead on the medical stuff, helped mostly by Eddie and Ravi, with Buck a little more in the background. This would then set up a paramedic arc for either Ravi or Eddie, I’m not sure which of the two.
We cut back to our mystery lab and one of the two assistants we saw earlier. Let’s call the assistants Stevie and Barbara, to make things easier (not significant names, just based on the books I have next to me rn). They’re working, but Stevie and Barbara keep arguing, with Stevie not taking any of Barbara’s suggestions seriously. Moira gets fed up and sends them out of the lab. They go to the break room and continue to fight. Barbara storms out. Stevie heads for the fridge and, in an act of revenge, takes Barbara’s lunch. He eats a few bites, then puts it in the microwave. While the food heats up, Stevie suddenly feels unwell and races to the bathroom. The last thing we see is the microwave, sparking.
Athena is on shift, driving, and taking a hands-free call from May at the same time. May is on a post-graduation vacation with friends, but is worried about her mother, who still hasn’t sold the house. Athena admits that something holds her back every time, even though she can’t stand to live there and spends as much time out of the house as possible. She assures May that there’s no need to worry. May says she’ll be home soon and clearly doesn’t really believe her. Athena gets a call to assist at a fire several blocks from her to help keep the peace. She says goodbye to May and heads to the scene. This both reminds us of Athena’s grief and opens up possibilities for May to rejoin dispatch or something along those lines.
The 118 arrive at the scene before Athena does. Chimney takes the lead and asks the crowd gathered in front of the smoking building what’s going on. They explain that there’s a fire, it started in the communal kitchen, their suppression system doesn’t work, and the fire escape collapsed when they evacuated, so quite a few of them are banged up. When Chimney orders the team to go inside, he’s blocked by the security personnel, who tell him they’re under instructions not to let any First Responders in. One of them looks uncertain and tries to let them help, but she’s overruled by the others.
Athena pulls up. Chimney explains the situation to her. While they try to talk reason into the security guards – way more than a simple lab would require, as Hen and Ravi discuss – several fancy black cars show up. The FBI takes over the scene and tells Chimney that they can extinguish the fire, but only from outside the building. The firefighters try to fight them on this, pointing out that there might be survivors inside and the fire is deep within the building, but the FBI won’t budge. They notice the 118 on their helmets and request a different station to help them. Chimney passes this on to Josh. Cut to Josh, who also has an FBI agent standing next to him at Dispatch, who agrees to send others.
While Chimney instructs Hen to take the lead on triaging the crowd outside, Athena decides to investigate. She pretends to drive away, then sneaks around the building. She finds another entrance to the building. The smoke is thicker back here, and the guard at this door is passed out. She radios Buck to bring Eddie, a med kit, and tells him she needs to borrow his gear. Buck and Eddie tell Ravi to cover for them and slip away. Eddie takes care of the unconscious guard while Buck helps Athena put on his mask and breathing equipment. She tells them that the FBI only told the firefighters not to go inside, not her. Besides, nobody tells her what to do. Athena enters the building.
Hen and Ravi are dealing with Barbara, who has a pretty nasty leg wound and internal bleeding, but who seems more focused on cursing out her colleague, who she’s sure is responsible. She explains that Stevie has been on her case since she started at the lab a few months ago. He’d been there for years, but she was brought in for the start of a new project, and Stevie doesn’t like that she technically outranks him. He’s been misplacing her supplies and eating her food to bully her. This morning, she added a homemade, extra-fast, extra-strong laxative to her lunch, hoping to teach him a lesson, and when she left the break room, she saw him heading for the fridge. Hen asks if Stevie made it out and Barbara says she doesn’t know and doesn’t care. Ravi goes to look for Stevie.
Meanwhile, Chimney meets the 133, who are pulling up, and tells them what’s going on. Their captain looks equally confused, but agrees to set up his men on the outside and at least try to stop the fire from spreading further. Once they get to work, the FBI dismisses Chimney, and when Chimney tells them that they have no right to block firefighters from doing their job like this, he’s told it’s a matter of national security. Chimney wonders out loud what kind of lab this is.
Athena makes her way through the building. There are alarms blaring, the hallways are filled with smoke, but the fire isn’t spreading too rapidly. She hears someone calling from the bathroom and finds Stevie, who refuses to leave the bathroom as the laxatives have truly taken effect. He immediately tells Athena that Barbara must’ve made them and that fast-acting mixtures like this are her specialty. He also says that they’re working on a big experiment and that his boss must be in here still, because she’d never abandon him (he actually says him and not me, so he’s referring to a mystery new person). Athena tells him that she’ll get him help, but Buck and Eddie are already behind her, which doesn’t seem to surprise her at all. She leaves Stevie in their care and continues to look for his boss.
Meanwhile, Ravi finds Chimney and Hen, looking troubled. He tells Chimney that he can’t find Stevie, but that he’s been told there’s another person missing, and her name is Moira. This rings a bell for both of them, but they agree that it can’t be her, because Moira is supposed to be in prison. Barbara pipes up and tells them that Moira was going to be in prison, but never ended up going there because her experiment took a turn. As long as the experiment survives, so does Moira. She says it’s all confidential, but Chimney pushes her and commands her to tell him what the experiment is. She says it’s not a what, it’s a who, and passes out, very dramatically timed.
Athena, following Stevie’s directions, finds Moira’s lab, though she doesn’t know that that is what it is yet. She sees Moira in there, but with her back turned and therefore doesn’t recognise her. The door is sealed shut, so Athena follows the windows alongside the lab and tries to find another entrance or catch Moira’s attention. Moira is aware of the fire, of course, and of Athena’s banging on the windows, but the smoke hasn’t reached into the lab, so she keeps going. She says something to herself about needing more time as she prepares a shot. Athena turns around a corner and is faced with a different section of the lab through a window. There are curtains here, so she can’t see as much, but through a small sliver, she makes out a bed, and she sees an arm. Moira’s experiment is a person.
Moira enters this part of the lab. It causes the curtains to shift. Athena can see more and recognises her husband, lying on that bed. He’s unconscious and pale. The camera zooms in on him. We see his chest rise.
Cue end credits.
9x02
We open with a flashback. Starting back at the end of the Contagion arc, when Bobby’s body is carried out, except we follow the body this time. I don’t really know medical stuff, but essentially, it’s established that Bobby is in critical condition, but not dead, and so they’re monitoring him For Science. Over the next few months, Bobby remains in a coma while Moira, Barbara, and Stevie work on finding him a cure so they can wake him up. The flashback montage ends with the same scene that the last episode opened on, Moira entering the lab on the day of the microwave explosion, except this time, it’s from Stevie and Barbara’s perspective and we get a little more information on what they’re doing.
Intro tune.
Hen and Chimney are trying to save Barbara. Once again, I don’t do medical stuff, but let’s assume that they somehow make sure that she won’t die, but she is still unconscious and needs to get to a hospital as soon as possible. They’re reluctant to leave, though, so Chimney asks Josh for another ambulance, which Josh reluctantly agrees to send. Meanwhile, one of the FBI people approaches Ravi and asks where the rest of their team is, and Ravi very badly lies and tells the FBI person that they went to get coffee. This is clearly not believed, but the FBI agent can’t do much about it yet, and Ravi runs off to triage more people.
Athena is slamming on the window of the lab. Moira finally stops ignoring her and whirls around, yelling something about needing more time. Athena can barely hear her. As Moira moves to inject Bobby with something, Athena kind of loses it.
Buck and Eddie are still with Stevie and try to stabilise his condition while also getting more information out of him. He’s reacting really badly to Barbara’s food experiment and needs proper medical care soon. When they go to carry him out, they find a new guard, weapon and all, at the back entrance. It’s the same one who looked uncertain earlier. The guard doesn’t see them, but they’re basically trapped.
While Barbara is loaded into an ambulance, Chimney, Hen, and Ravi discuss what they think is going on here. When Ravi begins to suggest that it could be Bobby, Chimney cuts him off and tells him not to go there. Hen places a hand on his arm and says that they have to investigate anyway. Through the radio, they learn about Buck and Eddie’s situation. They decide to go to the back and try to distract the new guard.
Smoke finally begins to enter Moira’s lab. She’s doing medical stuff and monitoring Bobby. She says the results are promising and he should wake up soon, but she needs more time. Athena keeps threatening her, still banging on the window. She clearly doesn’t trust Moira.
Ravi walks up to the guard at the back entrance. He tries to engage her in conversation, but it doesn’t work. He eventually decides to fake faint. Somehow, this works, and Hen and Chimney manage to sneak inside.
The fire, meanwhile, is very much not under control. There are three different firehouses working on it now, but they’re still not allowed entry into the building. The three captains discuss their best course of action with Josh. They’re all worried about the structural integrity of the building.
Moira is starting to feel dizzy. It’s a combination of smoke inhalation, heat, and the fact that she hasn’t eaten in days. Athena manages to convince her to open the door. She rushes in, pushes past Moira, and towards Bobby. He’s still unconscious, but colour is returning to his cheeks, and the oxygen mask is keeping him safe from the smoke. Athena, crying, radioes Chimney on a private line and instructs him to come here.
Hen and Eddie stay with Stevie while Chimney and Buck head for Athena. They use some of the fire extinguishers they find in the building to clear a path – neither of them has a full set of gear at the moment. Buck probably took off his helmet, as he does. They still don’t know what they’re walking into exactly. They don’t dare hope that it is what they think it is. They comment that the building is looking unstable.
Athena holds Bobby’s hand. She feels him stir, but he doesn’t open his eyes or seem aware of anything yet. In the background, Moira is fully collapsed on the floor, barely conscious. Buck and Chimney walk in and see Bobby in the bed. Buck drops the fire extinguisher he’s holding. Athena spurs them into action. Chimney goes to take Bobby’s vitals while Buck checks over Moira.
While all of this is going on, Ravi is still distracting the guard. They’re currently flirting. Ravi is doing badly, but the guard seems into it. Ravi sees Hen and Eddie appear behind the guard’s back, Stevie between them. Ravi pretends to faint again. This time, the guard isn’t fooled, and her act drops as she raises her gun at Ravi.
Moira comes to and tells Buck that she was just trying to keep the experiment going so she could get her Nobel prize and stay out of prison. Buck tells her that that’s selfish and that they’ve all been grieving Bobby. Before Moira can reply to this, her attention is caught by the flames licking around the door to her lab. Buck extinguishes them, but they realise they’re well and truly caught. Chimney and Athena turn to face them, too.
Suddenly, a weak voice says something about having bad timing. The camera pans to Bobby, awake, smiling.
A crack appears in the wall behind him.
End credits.
9x03
The episode opens with Bobby, Athena, Chimney, Buck, and Moira in the lab. They decide they have to move. Moira can walk with a little help, but Bobby probably won’t be able to, and Chimney doesn’t really want to move him without understanding his condition more. Moira explains that she’s been keeping Bobby in a stable condition for months and that the injection she gave him earlier is basically a supercharged version of the cure Chimney received, so he’ll make a full recovery, but being in a coma for months is still going to be hard to bounce back from. He tries to sit up, but is too weak to do so. They’ll need help, but when they radio the rest of the 118, they don’t get an answer.
The guard still holds Ravi at gunpoint. Hen and Eddie have ducked back into the corridor, still unnoticed, Stevie slumped against the wall next to them. Eddie tries to convince Hen that he can take the guard down, but Hen tells him not to risk it, and that they can’t control if Ravi will get hurt or not. Before they can decide on anything, they hear Chimney’s request for help. Chimney tells them that their suspicions were right. Hen and Eddie exchange a look and tear up. Eddie jumps up and makes to run outside, but he smacks right into Ravi and the guard, coming around the corner.
Ravi explains that he told the guard about their theory and that Chimney’s message convinced her to lower her weapon and help them out. She hadn’t known anything about what happens at the lap, but she’s been wondering, and this crosses all sorts of limits for her. She reveals that this was supposed to be a temporary job before she applies to the police academy, so she has no company loyalty whatsoever. When Chimney calls for them again, Hen answers and says that they’re on their way. Chimney says they’ll need to grab some gear first, because the fire is closing in on them, and they can’t get out like this, but they also have to hurry, because this building won’t hold itself up for much longer.
Bobby tries to tell the others to go and leave him. Athena says she absolutely won’t be doing that and the others agree. Besides, Buck jokes, the fire is too close now anyway. They just have to wait for the rest of their team.
Accompanied by a guard, Hen, Eddie, and Ravi make their way over to the other firefighters relatively easily. Hen hands Stevie over to another paramedic while Ravi grabs a hose, aided by the guard, and Eddie approaches the captains of the other firehouses. He explains the situation, fully ignoring the FBI agents next to them (or tossing a zingy oneliner at them or something idk). They decide to break with their original orders and rescue the trapped firefighters as soon as possible.
Inside, the flames are getting closer. They’ve moved to a corner of the room, Bobby leaning heavily on the others, as the corner they were in looked so unstable. Things look pretty dicey, but then, the smoke and flames are replaced by a massive gush of water. Hen, Eddie, and Ravi appear through the doorway, carrying a stretcher. There’s no time for a reunion, so they help Bobby onto the stretcher and make their way out. They evacuate the building just before it crumbles. Tears and smiles all around.
The next day, Harry and a newly-returned May reunite with Bobby (and Athena) in the hospital. The hospital room is covered in cards and balloons and other gifts. It’s revealed that Bobby is there for monitoring for a while, but that he’ll be cleared to go home in a few days, though he has a long recovery ahead of him. Athena and Bobby are no longer planning on selling the house. Athena makes a throwaway comment about nobody being able to experiment on Bobby or anyone getting in trouble or whatever, just to tie up those loose ends. Bobby’s physical and mental recovery, as well as more fleshed-out conversations with everyone, will play out over the next few episodes, but for now, everything is okay.
Several days later, at the Grant-Nash house, the firefam is preparing for Bobby’s return home. Buck is in the kitchen, helping Harry finish cooking a dish. When Harry carries it out into the living room, Eddie comes into the kitchen. He tells Buck that they need to talk about something and confesses that he doesn’t want Buck to move out. Buck is shocked by this, but also really happy, and agrees to stay. They’re called into the living room. Athena helps Bobby into the house and everyone yells surprise.
A voiceover begins. Bobby gives a sentimental speech about coming home and being alive and love and all sorts of good stuff. It plays out over the final montage of the episode. Picture the tsunami arc end speech, basically. Maybe there’s a Hozier song too, idk.
We see some scenes of the party and the firefam all together. Later that night, madney put their kids to bed and watch from the doorway, holding each other. Henren curl up on the couch and plan their vacation. Bobby and Athena lie in bed, Athena’s head resting over Bobby’s heart. Bobby lifts her hand and kisses it.
Eddie heads to his bedroom at night. Before he walks through the door, he turns around and looks at Buck. Buck gives him a soft smile and follows. He pulls the door shut behind them.
End credits roll.
The next few episodes get Buddie together officially, have Bobby decide if he wants to retire or go back to work or whatever, have Chimney decide if he wants to stay Captain, have Henren’s fun arc and set up a serious arc for them. Ravi does something, probably, I don’t know. Stuff happens. I’m too tired to think about it. Lucy Donato appears at some point. Couch theory is real.
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