#which i say not to be like 'jim bad' but 'maybe we should let the baddies be more than cardboard evil cutouts...?'

[dreamcrow]

@falling-hand-in-unlovable-hand + @babblish, from (this fic author meta meme)

here's the thing tho: you're both right.

wizards introduced a trio of the tightest, coolest antagonist concepts in the entire toa franchise. it then proceeded to run them directly into the ground through a combination of 1.) rushed writing (wizards) and 2.) bad writing (rott). it's late and i'm not particularly interested in beating this crumbling horse skeleton for the nth time in public, but i'm on my soapbox and the editor has already eaten one version of this post.

the order should be scary. these are the things merlin is afraid of, or at least that he doesn't want to tangle with head-on. they made morgana. but that means nari is scary, too. which is borne out! in her very first appearance, she's the one merlin (!) turns to for help; she's the one who boosts camelot, singlehandedly, to stand against bellroc and skrael. her second appearance introduces her as a necromancer, one, again, powerful enough to accomplish (as if in play) what bellroc and skrael cannot, even working together. she also straight up kills humans at killahead, handily, and never once uses magic to do it. most importantly: her dialogue consistently places her as "one of the order," even if she's currently apart from the other two.

but wizards fails to take its own premises seriously. nari should be terrifying; but the narrative presents her as charming, sweet, having done terrible things but ultimately "heroic," concerned with setting things right. but by her own definition, she's still one third of the arcane order. gdt's entire brand is monster apology. more importantly, we have MULTIPLE on-screen attempts to reach out to "villains" in both trollhunters and 3 below. jim tries to make a connection with fucking bular, of all people! so what's stopping us from extending the same gracious assessment to bellroc and skrael?

"uh, they can't be three-dimensional, they're the bad guys."

a lazy, flimsy justification. and one that doesn't hold up if you've watched even one (1) season of the previous franchise installments.

[theminecraftbee]

task: answer the following question. do you believe in curses? respond as completely with relevant information as possible.

Grian: Well, that's a lie. This isn't a task. I know it's not a task, I set the things up! Not sure why we're getting a question as pointless as this one, but sure, mysterious scroll, I'll answer. There's no such thing as curses, unless you're Timmy, in which case it's funny, yeah? Besides, I didn't actually kill Etho. Even if that did count, self-fulfilling prophecies aren't the same thing as curses, and I know which one I fall under.

Joel: Do I believe in bloody curses what kind of question is that? Do I really get hearts just for answering this? This feels like a prank or something... well, whatever. There are no such thing as curses, except the Boogeyman curse, which I sort of had today, but it wasn't actually the same at all. A lot of the bloodlust, sure, but a lot more... Etho had to be the one to do it, huh? And it's not the same. Not comforting. That's a stupid thing to say actually. Take it out of wherever you're putting this. Cut it out of the recording. Comforting. Please. As if it were ever... Yeah, I'm done actually. Don't have a good answer. Go away.

Scott: What, other than Jimmy? Bless that man, he may not have died first, but he sure tried his best. Sure, I'll believe Jimmy is cursed. I mean, mostly he's just kind of stupid. Lovingly so. I mean, despite him being stupid, I put up with him, right? That seems like a complete answer to this question. Jimmy's an omen but we put up with him anyway. That's all.

Mumbo: NO RESPONSE GIVEN.

Pearl: Oh, I mean, I'm probably cursed. That's what everyone liked to say at one point. I think... I mean, I think this time I have good friends, which is nice. They don't think I'm cursed. And it's not like I--I mean, it's surprisingly fun, acting cursed! And I am just acting. Acting scary, blowing up dance floors, all of that. And I don't really have to this time, so... Maybe I'm not cursed? And since it's acting, it's not real? This is a weird question.

Etho: Oh, man, that's a question. Um, do I have to answer? Because I feel like if I say no, that's really just asking for it, but if I say yes, I have to explain myself. Uh, I think I'm abstaining, unless the zombie thing from earlier counts. That was scary and I hated it. Curses are scary and I hate them in general, but apparently I'm good at them, if you ask everyone else. Um, it's not the only thing I find scary that apparently I'm good at.

Scar: Why, of course I believe in curses! Look at poor, poor... Timbert? Timmy? Jim? Gosh, sorry, I'm very tired right now. That's more proof of curses, by the way! That I'm tired. I've been tired straight since the desert, let me tell you what. And that, my friends, is a curse like no other. What a terrible beast, loneliness is. Wish me luck breaking it, because it's not happening this season!

Cleo: Oh, you mean the thing people like to blame instead of their own actions? Nah. My soulbond was kind of a curse, I guess, but even that's at least half just... bad people. Bad relationships. Good ones, too. We're all just doing what you can, you know? No script, no curses, no characters, just... Oh, I hope everything turns out tomorrow. Sorry, that's unrelated. It's just nicer to hope than to preemptively blame things on curses that don't exist.

Impulse: Well, I mean, I didn't until you just asked me that, but now I feel like I should. Wouldn't that be nice? Being cursed instead of just sort of unlovable? Sorry, no, that's mean to Gem. I shouldn't say that about Gem, she's been good this season. Super, super cursed, mind you, in the like, game mechanic sense? But she's been good, no backstabbing or inability to get love involved. Um, and I guess that's not fair to Bdubs, kind of, except it also totally is and I haven't forgiven him. So I guess if they ask I said I believed in curses, and that's why my life keeps circling clocks? Don't put any of that other stuff down, I'm trying to work on that.

Lizzie: NO RESPONSE GIVEN.

Gem: I was just cursed for a task, but that probably isn't what you're asking about, right? I'm new, so I don't know! A task is a concrete thing to believe in, like bloodshed or victory or fun and games. You don't have to believe in those to know they're real, either! They just are, whether you like it or not. I understand that much!

Tango: Gah, don't talk to me about... Deep breaths. Look, I don't care if it's a curse, or if it's just me being really bad, or what, I'm not going out pointlessly this time. Jimmy managed not to die first, I can manage to not go out to a stray arrow or my own bomb or a misstep this time, right? Is that so much to ask?

Skizz: Huh? Curses? I mean, I don't think so, and to be totally honest I think it's kind of mean the way people sometimes rag on people about them. Everyone's got so many good things about them! Why do people like to focus on the unfortunate luck, huh?

Bdubs: Hah! Curses! Let me tell you about curses. When I see curses, I eat them for breakfast. I don't got curses, I've got better things to do! I've got my buddies with the Mounders, and I've got-well, I'd say keeping Etho safe, but he's being weird at me again this season. Not that it matters. It never matters. Etho and I, we're... The point is, that doesn't matter anyway, because I have the Mounders, and they're the ones who matter here. And because I'm a strong, independent Bdubs, who doesn't need anyone but my bow and my perfect, flawless fighting prowess! Sorry, what was the question? I've been thinking so much lately that it's just sort of made everything else pop out of my head, so it's hard to keep track. I'm sure I answered it flawlessly, though.

Martyn: Of course there are curses. That's half the fun for you lot, isn't it? Putting your little curses on us and watching us rail against them. Bet you think it's real cute to ask us what we think of the things, too. "Oh, what do you think of curses," like we have any control over them. Please. If I had any control over curses, Jimmy--or, well, no, I guess that one was technically broken, wasn't it? Sure doesn't feel like it. Point is, curses are bad, and they're definitely real, and I hate you for them, got it?

BigB: Look, man, if you're trying to get me to write my character out for you, just say so! I won't tell anyone. We can come up with a hole thing about holes and red tasks and the Backrooms together! It'll be fun! After all, you probably don't know what kind of curse to say I have, right? Haha, just kidding. I have no idea what I'm talking about. Luckily, neither does anyone else, so I think that evens out between the lot of us.

Jimmy: NO RESPONSE GIVEN.

[m1ssunderstanding]

If Paul can't be who he is, or talk to people, keeping it in him who's to blame for this. If he has problems he doesn"t talk about or we older fans see him the way we do, whom is he hiding from? Is it really fare to blame his fans for thinking like he's happy and got it together. Do the younger generation see things differently? I care and adore Paul and don't want to think he isn't. Is that it? Or do we need to feel he's lying and all pr I know pretty much everything public about Paul. I dont mean to be rude or disagree with you. I enjoy seeing new fans and sees him from your pov but I wanna know what you think what he feels he can't share.

Hi! Okay, let's break this down.

Question one: Who is to blame for Paul not being more open about his private life?

Jim McCartney. Next question. No, it's a lot more complicated than that. Besides it being just a natural part of his personality, the foundation of this trait was formed through the whole context of his upbringing which laid the groundwork for how Paul would react to fame, as opposed to the other three. Then, because he was already set up to do so, fame and its side-affects and consequences made Paul double down on closing up. Then during the breakup, John's diarrhea of the mouth syndrome and Linda's encouraging Paul to lean into his home life and let his public life be, put Paul further into a pattern of craving privacy.

Question two: Is it fair to blame older fans for taking Paul's public self as his private self?

Firstly, I don't see the point in talking about blame in the first place. A) being a private person, putting on a face in public, is neither bad nor uncommon. (Maybe nobody really does it to the degree Paul does it. Maybe it does have some negative outcomes and does point to a lack of self-assurance and a strong tendency to emotional avoidance) but to some degree, Paul's cagey and fake public self is normal and healthy. B) blame is the least interesting mystery here.

Secondly, no one is trying to blame older fans for Paul's behavior. What I personally am frustrated with is what such a large group of people taking the surface as the entire ocean does to Paul's character as a historical figure and to the Beatles narrative as a whole. However, this large group is certainly not limited to older fans, nor does it contain all the older fans. Additionally, people can do, think, and say what they want. It's not some pressing humanitarian concern if people misunderstand Paul McCartney and the Beatles. It does seem to indicate and contribute to a large-scale cultural deficiency which may negatively impact more important social issues, but it is certainly far from a life and death situation.

Question three: Does the younger generation see things differently?

I'd actually never thought of these views in terms of generations, but yes, I guess many younger fans do look beyond the surface more than many older fans do.

Question four: Do we need to assume Paul is lying and all PR?

Again. Nobody needs to do anything. Do what you want. But. If you are looking to gain a more serious understanding of one of the most influential people of the twentieth century, then I suggest you don't take every word from his mouth as one-hundred-percent truthful as you should with anyone. This is absolutely not to say Paul is a liar and only cares about looking good to the public for business reasons. In fact, I believe if he was completely open about a lot of the things he guards against fully sharing, he would come off a lot better.

My personal rules of thumb with the Beatles are these: 1. John (and to a lesser extent George) often speaks from a place of strong emotion and uses talking about his experiences and feelings to regulate and soothe. Therefore, his statements are often extreme and often emphasize the negative. Paul (and to a lesser extent Ringo) cannot express strong emotion and fears talking about his experiences and feelings without disguising them or softening them. Therefore, his statements are often evasive and often emphasize the positive. If John says "I was going through murder," he means, "my mental health struggles were particularly difficult at that time even with all the good things I had going for me." If Paul says, "but it wasn't all, you know, great," he means, "Despite what I've made it seem like, that period of my life was not even safe, let alone perfect." 2. Take into account the culture these men were raised in and the attitude that culture would've pushed on them about certain topics. None of them are going to be particularly open about anything they would've been in any way punished for during the bulk of their life experience.

Question five: What do you think Paul feels he can't share?

If you were internationally famous, would you share absolutely everything about your personal life, innermost thoughts, politics, desires, regrets, hurts, and loves? I don't think so. Now, imagine you had most of your ability to be emotionally vulnerable beaten out of you as a child, you and your three best friends experienced death threats and permanent career damage due to one seemingly innocuous comment, and the person you trusted most in the world turned on a dime and exploited all your insecurities and the entire world followed suit for decades. I imagine there would be galaxies filled with all the things you feel you can't share and that you would use whatever protective measures necessary to keep yourself sane.

[mysadblacksoul]

Backslide - 3/13 of the Clancy album

Grab a coffee and let's start this madness

MV

Tyler is wearing the same clothes that he wore in Overcompensate MV to I would assume that this MV takes place right after

Let's break down the signs first

We see the return of Ned Bayou as well as FPA, now standing for Food Petrol Etc.

You can buy 9 buns for $21, love the symbolism

There is a Jim sign omg. Baby is having his own bubblegum business

Of course the Bishops sign with 9 lines marked on it

I could've sworn that the black sign says "Dema Vapes", but looking closely I believe it's "Velma Vapes" lol

What is more, the cones (?) are yellow and I'm pretty sure that the fact that there are 5 of them is not an accident

They sold him bread that went bad lol. Nah for sure it's not the case since he gives the same bread to a child

But I believe that the scene and the lyrics are closely tied with Stressed Out

Now the next scene is interesting

I think that the bad weather is a simple metaphor for feelings of anxiety or fear

We can see that Tyler was contemplating then he was suddenly pulled from his thoughts

This is when the scene changes to normal, right? Exactly on the line It's over my head

Then we move to the scene with the kid

And I really believe that this little lad is personification of Ned

Like he has the same boba eyes lol

No but for real, this is parallel to Chlorine - kid is giving Tyler a cup just like Tyler gave to Ned. Yet he accepts it and drinks whatever is inside and Ned just shudders

Another interesting thing, that could make my point more valid is that the kid literally asks Is that a stain? You should change / Are you doin' good? / Did you solve all of your problems? like he knows Tyler very well and is in a way looking out for him

It's like he's keeping Ned by him - okat I'll stop

It might be a stretch, but the N kinda looks like a mirrored band symbol, do you also see it?

If 0.75c is equivalent to the cost of one bun than Tyler is being ripped off since he paid $21 for the pack instead of $6.75 lmao

Something is really wrong with those buns lmao

Then the mood changes again, but this time is even worse. Like his mental health is declining even more and even faster

The bread is wet, the day is ruined, thanks Mr. Joseph

You killed it Josh, love your creative mind

*funny music stops*

Now let's talk about the way how the MV is looping itself

I would say that it is a demonstration of the twisted circle that is life

Maybe it's a very basic analysis but I think of all the complicated lore-oriented MVs this one is uncomplicated

What is shown here is how our psyche can play tricks on us and how we can complicate a rather simple situation ourselves

If Tyler hadn't had dark thoughts then nothing would have happened to the bread, so he would have just gone and given it to Josh

This shows how our psyche itself can abolish the situation in which we find ourselves

Looping, on the other hand, shows that as long as we don't do anything about it ourselves, we will be stuck in this fishbowl (see what I did there?)

Maybe it's one big AD to check your mental health and a sign to try to get better

Lyrics!

Rat race, place to place, adding weight / Tendencies on repeat, innit? - rat race for sure happened in Dema, and repeat is literaly the loop, innit meand that Clancy is canonicaly British

Benefit from a shoe with no lace - shoe with no lace would make you fall back on the behaviour that you are running from

Take the seat with the crease in it - seat of someone who already tried to change their life, or even who had the same dreams and hopes for better future like Clancy

This could be parallel to When I leave, don’t save my seat/ I’ll be back when it’s all complete from Chlorine

I don't care, you control me / Leading me anywhere - well, all I should say is Dema don't control me and we all know the rest of the story

I don't wanna backslide to where I've started from - he doesn't wanna go back to his back habits as well as doesn't wanna go back to his life before he tried to escape

There's no chance I will shake this again - if he falls back one more time that will be the end of him. His psyche won't take it anymore and his plans will be buried

'Cause I feel the pull, water's over my head - this is parallel to Fall Away And I, I can feel the pull begin. But it also gives me the parallel to Holding On To You MV, the scene with the rope

Strength enough for one more time - like I said, this would be the last attempt to change everything

Reach my hand above the tide - it could indicate that his physical strength is also wearing out

I'll take anything you have / If you could throw me a line - again with the line. But it also can mean that he can endure anything now, he just needs a little helping hand

I should've loved you better - this line can be directed both to himself but also to the person who extends his hand to help. He might not have appreciated both parts before and now regrets it

Do you think that now's the time / You should let go? - This line is like both a request and an apology. As if he wants to say “I'm sorry I treated you badly before but please don't leave me when I need help”

Bad place, on a hundred-dollar bass - this line is also giving me Stressed Out. You can imagine the cheap bass being transported on the bicycle right?

Kinda wishin' that I never did "Saturday" - I think that he doesn't mean the MV irl lol, but the regret of taking part in Bishops' manipulation altogether

Is that a stain? You should change - a play with mentioning Saturday and the lirycs She said that I should change my clothes

Are you doin' good? / Did you solve all of your problems? - like I said before I believe that this is Ned looking out for Clancy, wishing him well

Thanks for asking, in a way, but / Accidentally uncovered a new one yesterday - safe to say that he is not doing better lol

What happened to what I brushed under the rug? - what happened to how well he used to be able to hide his problems and true feelings

I used to be the champion of a world you can't see / Now I'm drowning in logistics - if viewed as a fact that he created this world it now looks like he wants to regain all control over it. Logistics is to take care of the management of planning. And once again we see the mention of drowning

The bridge is acting as an externalization of his myhs and fears that even if he is outside the Dema, the Bishops will still have control over him

The entire song is about both regaining conrol over the world of Dema but also regaining control over himself, his psyche.

The main theme is about not going back to old habits.

The most important thing here is progress and pushing forward.

Because one wrong move can make all the work in vain and we will sink to the very bottom.

Safe to say that I liked it haha

[thatstheproblemwithnapkinman]

disclaimer, i cannot write movies, this is just how i want the batman 2 to go

ok

we get a batman fight, dark and gritty but not as much as the batman 1, which then bleeds into some bruce wayne philanthropist stuff, not massively brucie wayne but it's creeping in there and we see that bruce is trying to help rebuild gotham but better ( we see this throughout the movie btw, just little snippets)

and then we see it from a distance, no people, but whisperings about something

anyway, in this endeavour to make gotham better haly's circus comes to gotham and we get shots of bruce in the audience and then the graysons die and we get more shots of the audience including one lingering on a little toddler with black floppy hair and blue eyes

batman appears and comforts dick and that's the last of that

then we cut to bruce trying to do some stuff at WE and he goes out onto a balcony or a rooftop to take a phone call or something (maybe as batman from jim gordon) and then he gets attacked by the assassin, and we don't really see the assassin in full, just a black mass with some gold flashes, and idk how but the assassin gets interrupted and jumps off the roof and bruce is still alive

so he's trying to figure out who or what that was and is looking at it on the bat computer (maybe he got some of it's clothing or something he can track) and gets a ping so goes to investigate and on the way he bumps into this little 9 year old who's on the rooftop of some building (hmmmm i wonder who it is)

it's dick, he's trying to track down the man who killed his parents (you knew this) and bruce is like "nO don't do that it's dangerous" and dick is like "but someone needs to"

anyway bruce takes dick back to the orphanage or wherever he is and has lost the trail for the assassin

this happens multiple times (montage time bois) and we see bruce finding dick on patrol, on rooftops and in dangerous situations and basically his dad senses are tingling and he decides to foster dick, so goes and picks him up and takes him to the manor

note: dick does not know that bruce is batman

anyway, bruce catches dick. trying to sneak out one night and the conversation goes like:

bruce: whatchadoin? dick: finding the man who killed my parents, people like that shouldn't be in the world" bruce: you want to kill him dick: justice bruce: murder isn't justice, it's revenge

he takes dick back to bed and goes out to finally track down the assassin BUT during this he get's a call from alfred going "bruce, dick is missing" so bruce is freaking out bc he's had this child for less than a day and he's lost him until a ransom comes up telling bruce wayne to go to x location

so he does and he himself gets kidnapped but he escapes once he's wher he should be, he suits up (bc he managed to get the suit there, either under his stupid coat or something i'm not good at this)

he finds his way to this arena where dick is being held but he's not tied up or anything, he's just kind of stood there, and there's the assassin, stood there, looking at him through golden goggles (how else would you describe it)

and surrounding them on a higher level are loads of people in black dresses and suits and white masks that resemble barn owls

it's the motherfuckin' court of owls

and bruce is like "i saved bruce wayne, i'm here to take the boy back home" and the person near dick is like "how about we let the boy choose, back to bruce wayne, where you will be paraded around as his community service project, or with us, where we can train you to get justice for your parents deaths, to take his life like he took you parents lives, and also that dude in the weird owl costume is your undead great-great-grandfather" and dick is stood there trying to choose and bruce says "murder isn't justice, it's revenge" and dick has his little lightbulb "omg bruce wayne is batman" moment, flashback to batman being the only person to comfort him at the circus, and he chooses bruce (obviously)

bruce fights the court and wins (badly injured tho) and they go home

we get a short shot of the court still existing like the gray son of gotham will be ours" and then we go to wayne manor, a few weeks later

dick is swinging from a chandelier and bruce calls for him to get down, he does and runs over to bruce and alfred in the sitting room and he's like "can i see it yet?" and bruce takes him to the batcave, dick bounces around before coming back to bruce

and bruce is like "we will find the man who killed your parents and make sure he is put away for life" and dick is like "we?" and bruce is like "yes"

dick takes the oath, which ends with the bruce calling him robin,

credits roll

[livelovecaliforniadreams]

Angela Well, now Pam and Cece are in the car and they call Jim. They call daddy. This is really cute. So sweet. 

Jenna But this is where Pam is going to find out that Jim is still in Philly and he's not going to make the recital. This investor might back out and Jim can't leave. 

Angela So Jim says Pam will you please film the recital. And he sort of starts talking to her, kind of condescending about how to film it. And she's like, look, I know how to point a rectangle at something and film it. 

Jenna And then he's like, okay. And then it's time to say goodbye. And then there's this pause, and then he's like, hey, Pam, you have to press end, you know, which is sort of meant to be like a dig at her phone skills. Lady... 

Angela Why can't Jim just hang up the phone? 

Jenna This is the scene. 

Angela Oh, that people were pissed off about? 

Jenna For so many reasons. I saw the mail for this episode, and I couldn't believe it. Where should I begin? I'll begin with Amanda C from Montreal, Canada. Amanda says, I have to go on a little rant about Jim, but maybe not from the moment you think. What absolutely grinds my gears about Jim's behavior is when Pam is on the phone with him in the car, and he implies that she doesn't know how to use her phone to video the recital by saying, See, Pam, you still need to hang up the phone. Excuse me, sir. She is driving. Can you not hang it up yourself? And then it will automatically end the call on her phone. Samantha L from Tampa, Florida said, The thing I actually cannot get past is the incident when Pam is in the car on the way to Cece's recital. Why is Jim giving Pam such a hard time for being bad with technology because she doesn't hang up the phone? Pam is driving with your child in the backseat. You hang up the phone, Jim! You're not the one that would need to take your hand off the wheel of a moving vehicle! Let's see. Samantha goes on to say, Who's the one who's really bad with the cell phone technology, huh? Spoiler alert, not Pam. Another letter from Nora E in New Orleans, Louisiana. I want to go on record to say that the tipping point moment when Jim has clearly gone full ass (BLEEP) is in this episode, when he's on the phone with me and he berates her for not hanging up the phone. She's driving. He's at work. He's clearly not in a huge rush to return to his meeting, since he's able to stay at his desk and what? Have a gotcha moment with his own wife? This scene in the car makes me so deeply angry. I need this full dickhead moment to be acknowledged. 

Angela I love that she puts full in front of her curse word. 

Jenna I know. 

Angela Full (BLEEP). I want to use that. He's gone full (BLEEP). 

Jenna I know. I know. So Ange, it's literally what you said. You said it. You're like, why can't he hang up the phone? This is just three of the letters we got about this moment. But this is very good foreshadowing for what is going to happen later, and I think an interesting dynamic in their relationship, which is that and I think some relationships have this. They've got the gotcha person. Oh, I got to point out the little thing. Gotcha. You know, you said that you are good at cleaning out the fridge, but- gotcha. Found a rotten tomato or whatever it is. You know, the gotcha people, the gotcha moments which are just, like, so toxic for a relationship. 

Angela It's petty. 

Jenna Pettiness. 

Angela It's pettiness. 

Jenna Yeah. But Jim's in a mood. He's stressed. He's not handling it well. In conclusion, I hope that us discussing it today on the podcast has brought some of you relief, because the number of heated letters we got about this moment, I felt it. 

Angela We also asked Kelly Cantley about directing this scene, and here's what she had to say. 

Kelly Cantley Cece in the car. Surprisingly, Cece in the car was really hard to shoot because Cece was a little girl and little kids don't do lines. So Jenna, I don't know if you remember, we shot all of your dialogue and then we shot lots of both of us taking turns just saying the lines. I think we started with you doing it. And then we wanted to go from you to the little girl so we would see you talking. So you did it a few times where you would just say her line and she would say it back. And I believe I did it a bunch of times on the speaker in the car. So I actually had forgotten that until I watched the episode again. 

Jenna actually did remember that. I had such a great rapport with those little girls. Not to toot my own horn, but I'm 50 now, which is the decade of tooting your own horn. 

Angela It's time to toot. 

Jenna Bailey and Sienna. I just loved them so much, and we would do a thing where we would do, like, repeat me. So I would say their line and they would say their line, and we made a little game out of it. They did great. 

Angela I thought it was so cute. Those girls were so cute. 

[luckybyler]

From an actually good question posted on Reddit, here’s how I think the Stranger Things grandparents are:

Joyce: I think she had low-ish-income parents who were good people with good values, loved her and fulfilled her basic needs (fed, roof over her head, clothes, school), but for some reason couldn’t take care of her or guide her much. Maybe they had problems with drugs or alcohol, or maybe they were old and frail (or her grandparents because her bio parents weren’t in the picture), or had some illness. That made her driven, self-reliant, but also drove her to make some bad decisions. However, because she remembered what actual love looked like, she was able to correct course and protect her kids. Probably dead by the time Jonathan was born.

Hopper: I’d say he grew up in a non-abusive, but strict, home, with a father who valued honor and war and stuff. I imagine his mom was a little homemaker lady who baked cookies and loved him a lot, but who also instilled the fear of God in him and in dad. Basically a “men rule the world and women rule the home” type of family (which is actually a super hyper traditional mindset).

Lonnie: Could have been literally any kind of parents, because his fucked-up-ness seems entirely like a Lonnie problem. He could’ve had the worst or the best parents in the world and it wouldn’t have made a difference. Maybe he killed them for the insurance and made it look like an accident.

Karen: She was super popular in school, so her parents must have been at least middle class, the picture of a perfect 50s marriage and active in the church. Not rich tho, so they encouraged her to latch on to her older boyfriend from a good family for dear life to remain financially stable.

Ted: Likewise, except I imagine his parents were slightly more affluent than Karen’s. I imagine they were the pronto-Ted and Karen and Ted was a proto-Mike as a kid, until life and depression beat every ounce of joy and personality out of him.

Sue Sinclair: She most likely had loving, strategic parents most likely went ABOVE AND BEYOND to give her EVERY. TOOL. at their disposal so she could have the middle class life she ended up enjoying, keeping in mind that she grew up as a black girl during Jim Crow. In Lucas on the Line Lucas says his dad met his mom when she was in typing school or working as a typist. Her parents probably made sacrifices so she (and her siblings, if any) could have a higher education. They couldn’t afford to make a single wrong choice or even to let her become a homemaker and depend on a man.

Charles Sinclair: We know what his white foster parents were like: assholes. He fled out of there the second he was allowed to (or had to) and probably went immediately to the military recruiter. That crucial decision made the difference between a life of poverty and the comfortable life he ended up having.

Claudia Henderson: Most likely loving, reasonably progressive parents who encouraged her to get some sort of higher education or to work. I think she has only known healthy relationships.

Mr. Henderson: no idea, but judging by Dustin and Claudia’s personalities, he was probably a loving, caring husband and father who died (and most likely left them a pension or life insurance). Maybe that means his own parents were ok people.

Susan Hargrove: Probably very traditional parents who taught her that women should be seen and not heard, or at least that being a housewife was her only alternative for a decent life. Maybe she rebelled against her parents by choosing “love” instead of convenience, and so ended up dating and/or marrying a long line of losers and abusers. Her parents gave her zero tools at all for her own life so she depended on whatever dude entered her and Max’s lives.

Mr. Mayfield: described in Runaway Max as a smart but unmotivated and undisciplined man who commits petty crime, he probably comes from a long line of petty criminals who don’t feel any drive to better themselves, not even for those they supposedly love.

Neil Hargrove: Most likely raised in an abusive home and grew up to perpetuate the cycle of abuse.

[dailycass-cain]

How I Came to Appreciate Batgirl: Redemption Road More...

Once upon a time, I wasn't really fond of this story. I hated and loathed it. Since 2020 however, I gained a greater appreciation for the mini-series. Now it isn't on the top tier of Cassandra Cain stories, but I don't see it lower tier list anymore.

Why?

Well, I'm going to tell you, and maybe you'll appreciate this story too.

I fully confess this story more as a "Schrödinger's Cassandra Cain" story. There is a lot of bad in it, and yet there is a lot of good in it. First off, the one element I do enjoy is the art by Jim Calafiore.

There's a grit Calafiore brings to this story. It helps balance the good and the bad. The good is that he draws a very scary Cass. That and I do enjoy the opening homage to a certain two-clawed Wolverine in the opening spread:

Now for the very title of the series, you can interpret "redemption road" as two-fold: in writer Adam Beechen redeeming not only Cassandra in the eyes of the Bat-Family but redeeming himself with readers for well turning her heel back in Robin #150 and "Titans East" (Teen Titans #42-47). Cause let's face it-- it was not a good story by any means and did neither Cass or Beechen any further favors (but I digress, Geoff Johns, plotted that all out and there are "reasons" for Slade getting away free).

You have those factors and this little tale. So at Wizardworld Chicago 2008 I attended a panel where the infamous Dan DiDio revealed that Beechen bugged him for pitches and the one of approved was this mini.

He also revealed Beechen was the only one pitching stories on Cass (which was a half-lie, if you've seen my "Lost Tales of Cass" post, you know Chuck Dixon had a fill-in issue of Detective Comics ready to go telling how Cass/Bruce mended).

Course, by this time period Dixon was exiting Robin and Batman & the Outsiders so, yeah it was a "half-truth".

That made me angry back then, but now I see the why, and I'm okay with it. In his original ways of writing Cass, Beechen's attempts were-- not good. This was his chance to show readers he had really looked into the character's history and fix these issues that he himself put in.

Think about it we came from this in Robin #152:

To this. Beechen calling out the grand problem within the Bat-books (even now it seems). Cass is important in the Bat-Family, SO TREAT HER AS SUCH. Which he does by having Alfred (of course) pointing these things out.

But Alfred isn't the only one being meta in this story. I didn't even realize it, until 2020, but there is one other character playing a meta part in this comic, Nightwing.

If there's one HUGE gripe with this particular volume it is the relationship of Cass/Dick in it. We went to them being brother/sister.. to well. We have Dick literally acting like a dick to her.

Then it hit me.

Who was writing Nightwing at the time period? Peter Tomasi. Who treated the character of Cassandra like what Alfred says? Then suddenly Dick's characterization here began making sense much more sense (when you have this going right after this series as if that writer was flipping off Beechen) in Tomasi's final page of Nightwing:

Cass was supposedly living in the Manor at this time (per this story). Funny how she was "forgotten" in Nightwing. I guess Tomasi was REALLY spiteful because he revisited this subplot during the New 52 Batman & Robin too with Bruce even twisting the knife further:

Though for Beechen's purposes he revisits on WHY Cassandra should be a key member of the Bat-Family. Not only that, but Cass goes thru a journey that explores the limits of the Bat-Family's underlying culture of vengeance. And she reaches a natural conclusion to this (more on that later).

So let's get to the real bad. No not the 90s designed goons of David Cain or Deathstroke. No not the David Cain characterization. I'm talking about #1's wall of text that would make even Brian Michael Bendis blush.

This is only one page of it in the issue. We got TWO.

Until this issue, we never really got a "defined" timeline of Cass's EVIL period. We just figured OYL, Supergirl #14, Robin #161-162, and Titans East was how it happened. Turns out we were WRONG. Did we really need to see these pages of text? Not really.

In all honesty, I think a simpler solution would have been just tiny panels of Cass seeing the various people she killed when drugged up. At the very least, it would put faces on those Cass was forced to do. You could feel her rage on why she's hunting Slade/David Cain then.

Plus it feels like we're missing something as Tim was basically like Dick in Titans East. But now he's changed. Why? There could have been panels of Tim showing care for Cass in this. Instead, he just feels muted throughout this mini.

The first issue ends with Cass confronting another mystery lady murdering some of Slade/David Cain's assassins. And again, a problem I have with this mini.

These "children of Cain" feel so nameless save for Marque, who is the opposite of Cass. She embraces the violence that she was taught and is David Cain's own Frankenstein Monster. Throughout the mini she just comes off as superfluous and edgy. Really edgy...

I really think Beechen missed a prime chance here in having Cass trying to save someone like herself. Someone unlike Cass, didn't realize life as much as she did. That finally, Cain cracked the code (with help from the Slade juice). And Cass could try to redeem her.

So this whole theme of redemption could be all over the place then. Marque throughout this just feels, meh. Speaking of meh say hello to meaningless male love interest #3 for Cass.

This subplot just feels pretty meh. I get the why Beechen tried it. The writer from Batman: City of Light attempted this. Dylan Horrocks with Black Wind during his run on Vol. 1, and Andersen Gabrych attempted this in his run with Zero (and let's face it we only remember his name because he died).

The whole love subplot just feels so unnecessary here. Again we could have more stuff with Tim helping her. Something. Instead, we get someone we care little about. Because A.) we've seen it before and are so over it.

B.) Compare it with Shadow of the Batgirl which did this right. It balanced everything by showing Cass being the focus here (you know the actual main character), and less on the intended male love interest (until later when she gets to know him, Erik, more as the reader does too)

Which leads to this positive in #2. In one page we are given Babs realizing what Cass has been up too and is all for her going on this quest (probably knowing where this will end). Which is again, a good contrast to where Babs and Cass are here. Babs knows Cass needs this.

Bruce doesn't. Dick SOOOOO doesn't. But Babs fully understands. And I do love me some Babs being a good mentor.

Another positive in this issue does is laying the groundwork on how David Cain/Deathstroke forged this partnership when Cass/Marque visit a former colleague of both men.

That these two knowing one another was hinted at in Batgirl Vol. 1 by Kelley Puckett himself when Cain told Bruce in #5 of a job that was beneath him, Slade, and Lawton's talents. So in that regard, that's a nice callback.

Speaking of callbacks, you can't have Cass hunting Slade and not have run into Ravager (who was also actively hunting her father too during this time period of DC). And here the two's interaction is hit or miss.

Rose equally has a grudge against Slade for pulling the same stuff that he did to Cass. So they can easily relate to the other. Also, you have a built-in Rose going to more extremes than Cass (thanks to Sean McKeever's underrated Teen Titans run character arc involving her).

This is why Marque again comes off as the third wheel in all of this. If you're reading DC Comics at the time (or even now). You want the Cass/Rose interactions here. You don't care about the gritty edgy third person who's ruining the antics between the other two.

Like literally, the tension between Cass/Rose should be all that you need. There's history between them both. There are similar goals each wants. But it comes off as meh throughout this due to Marque. I mean look at this panel below and tell me who sticks out as the sore thumb?

Cause then you have panel later on in the book that makes you want to fist pump with these two now that are Marqueless. Who doesn't want to read THAT?!

Look, the idea of Marque is intriguing but there should have been a clear subject spawned from Deathstroke/David Cain's alliance. An assassin. A roadblock. A hurdle. Not nameless ninja assassins with badly designed outfits.

If this was just Marque fighting Rose/Cass then at least the fight could have meant more meaning. A face to go along with someone who's being down there as Rose/Cass got away from their murderdads.

Because there's no weight to any of these fights which should have more impact. Instead, they come off as weightless. And more blood spilled by Marque because the EDGE MUST FLOW!

But if #3 has another problem is Dick really being a bastard. Seriously, WHAT THE HELL DICK?! But then again, I get it now on why Dick is acting as such. Just that this bad characterization does come at the expense of Nightwing. Like WOW.

So here I am bashing the heck out of this third issue, with very little good finding in it. Well, there is one other additional good. That's the opening page/panel when Cass is out (due to Rose from last issue).

Where does this love of Cass/Shiva together come from? This comic! Beechen of all writers laid the seed that Bryan Edward Hill in Batman & the Outsiders and Michael Conrad & Becky Cloonan on Batgirls would use. The hidden desire Cass has: she wants Shiva to be a mother to her. Yes, Barbara is a good mother too (and dammit where is she in this panel above?!)

Regardless, Beechen does understand a want Cass has that James Tynion opened (and failed at) while Hill fleshed out WAAAAAAY more. So much more that now this has to be the standard of their relationship now. Literally, this is just gold between the two of them now.

But if you want to know where this hunger for Cass/Shiva to have an actual daughter/mother relationship came? You can thank Adam Beechen for that!

#4 finally has the long-awaited fight between Cass and Slade with it well being quite lackluster thanks in due part to Marque and the nameless daughters of Cain.

But I do confess there are a few dialogue pieces in #4 I do enjoy. Like Slade twisting the mental knife to get the better of Cass here.

We get no cathartic scenes for either Rose or Cass here (everyone seems to get robbed of having them with Slade at this time period in DC). Just a rushed end to a rushed subplot.

Again, this could have been the point where Cass was reaching to Marque and that could have been the point for Slade to decide, "WHELP TIME TO EXPLODE AND RUN!" Setting up the next issue. Instead, these nameless kids all die and we the reader feel nothing for them.

When in fact we should feel more. But so it is comics and we get the abrupt ending of the Cass/Rose union. Because this is all we get of Slade and her after this issue. Which is a pity.

Again given how both have similarities with horrible fathers. There should be much pathos here between Cass/Rose. How Cass sees going down this path of vengeance can poison you still (as it is doing to Rose). With Marque being.. ugh.

If that wasn't enough we get again nameless male love interest and ugh. Yeah, I'm just not gonna post more of that. Other than Cass realizes just who Slade and her pop would target to announce their alliance but also hurt the heroes: Oracle.

Which makes complete sense. I just wish the comic did a better job with it like Bruce Wayne: Murderer did only now David Cain this time going after Barbara (as he went after Bruce in that event story). There's a lot of things this comic could have done better at.

#5 opens with Dick, Bruce, and Tim fighting Cass due to the former ratting out her plans to kill David Cain to the latter two. Still, it is kind of cathartic Dick getting punted.

...

I hate myself for enjoying that.

If you're expecting any sort of closure between Dick/Cass here you aren't going to get any in this series. Dick continues to be a dick to Cassandra in Frank Tieri's fill-in arc of Batman & the Outsiders #13-14. After that, Dick FINALLY stops acting so OOC.

Here we go back into the positives of this series. I do enjoy Cass scoping the eventual scene of the crime out. She looks at the evidence she's got and with her skills predicts how and where her father will try to take the shot at Babs.

These pages come to show that Cass indeed can be a fine detective on her own right (thanks to Babs, Bruce, and Tim teaching her). Knowing how and when the crime could occur before it even does with what she knows.

And so we get probably the second-best part of this series. These next two pages.

I mean it's not Damion Scott, but Calafiore does have the nice little details here and there. Also nice of Beechen to use TWO homages of Cass here. From this set-up shot from Vol. 1 from above too…

To Cain about to strike a Gordon down and once again, his daughter stops him from taking the killshot. There's a bit of poetry there.

So in some callbacks, the creative team does nail them. I have to confess other than Marque, #5 is probably the portion of the story where it actually gets good. Even if it does come at the small price of David Cain's characterization.

Look, yes David Cain is a monster, but there's a difference between monsters who aren't portrayed as human and the ones who are. Cain had a perfect balance of this in Vol. 1 The stuff in this volume (and until again Shadow of the Batgirl) David just is a complete monster.

In that regard, the pathos of the villain just feels more hollow. If save Slade talked to him while in prison. Told him he could perfect and deliver that perfect child soldier. Bring a reason for his life again. I'd buy that more than what we got here in Vol. 2.

Why going into the final issue why I go into that mindset. It helps the reasons flow better for the character then what we actually got. And the ultimate fight between the two is handled well.

I also love that both Babs/Bruce are doing crowd control here (both at this point knowing this is something Cass NEEDS). I love that Charlie sees what is going on and her first instinct is to help Cass.

It's a pity we never got more interactions between Charlie/Cass. If only there were some subplots that could have been dropped so we could have got that.

While we don't get the cathartic stuff with Slade we do get it with Cass going up against her father. Just unloading the life he never gave her with a fury.

It's an almost Return of the Jedi moment of Vader/Luke's final duel with Cass just unleashing it all on her own father who cannot defend himself against the rage of his child. And much like Vader/Luke there's that moment when the later realized what will happen if he continues.

Like Luke, Cass has that realization too. That if she has her vengeance what will it solve? All this pain. All this suffering that's she has dealt with these last few months. Will killing him solve it? Of course, we know the answer cause it's Cass.

No. Being a killer is not who she is. She is a hero. So she attempts to save her father, but well as we find out this is where Bruce and Tim were hiding. Waiting and watching to see if Cass would come to this realization.

And we come to the best moment of this comic where Bruce puts his batdad side full-on. I love that the focus is on Cass here. Hearing what Bruce is saying and you just see the raw emotion of her just cracking up wanting this so bad until...

The hug from her true dad with a proud brother looking on. If only you know a stupid tie-in didn't have to ruin the good moment making any readers go, "What the hell is R.I.P.?!"

Like seriously, I'm surprised no one has photoshopped that R.I.P. out of the panel. If you take it out. Damn does this work more. But by putting it in there. "Oh yeah, Bruce is about to die. ...." And that emotion just leaves you to do this.

So if any of you great Photoshoppers out there can take that R.I.P. out? That'd be just great.

So Batgirl vol. 2 looking under this lens isn't the worst Cass story, nor does have enough good to be amazing to recommend. It's just there with both good and bad. It's average.

Hence it is Schrödinger's Cass. It is exactly this. But it was worth talking about. Because it is a period of Cass that should be talked of more. Because it does redeem Adam Beechen with the character.

Along with redeeming Cass with the Bat-Family. It's just a pity only Frank Tieri decided to follow on this and NO OTHER WRITER. Sadly not soon after we'd be getting the teases that Babs would be back as Batgirl from the Blackest Night mini caps at the end of BoP and Nightwing.

For certain folk at DC already made up their mind with the character, and she wouldn't be Batgirl or apart of the Bat-Family that much longer. I guess they assumed this Volume would be considered a "gift". That Cass got closure... Ugh.

If you want to know more about DC meddling. Then see here when I go more into detail on that.

That said, Batgirl Vol. 2 gets a lot of bad rap, but it isn't all bad. It's highly flawed, but there is some good in it. … And here's me going all RoTJ fully with it. 😋

With that, I'm gonna call it a night. Because tomorrow there are things I hope for tomorrow. REALLY AMAZING THINGS for us Cass fans tomorrow at long last.

But not freaking Batman/Catwoman: Gotham War. That can go to hell...

[ourflagmeansgayrights]

ofmd s2e4 rewatch where i pause to jot down my thoughts and other random shit

it's been a busy week since last thursday and shit's only gonna get busier for me after tomorrow so hopefully i can get through these two episodes out before i go to bed lol!!! anyway once again these posts are just me rambling so i can process the insane amount of information in these episodes and if u want to read them too that's fine.

s2e1, s2e2, s2e3, s2e4, s2e5, s2e6, s2e7, s2e8

rip everyone who wanted homoerotic sword fighting in the gentebeard reunion. have a headbutt as a consolation prize.

obsessed with stede holding raw room-temperature meat against his bruised face bc that's not even a little bit how that works. i love this show.

ok so jim saying "he'll probably get around to killing you after he's rested" in response to stede saying ed needs to regain his strength actually gives some pretty good context to why they want ed of the ship so bad. bc they DID fully try to kill ed and now he's here and alive and like. if i were jim i would be pretty worried abt ed holding a grudge abt that.

wont lie stede being like "we dont just banish people, that's not us!" makes me thinkg abt how they fully banished izzy from the ship in e6. i mean technically izzy banished himself on accident but. lol.

also izzy's absence in this scene indicating he is not yet considered part of the entire crew

roach: i need that steak back, it's dinner stede: (pulling the steak away) oh, right fang: maybe let's put the banishment to a vote? stede: (steak back on his face, apparently having forgotten he was literally just about to give the meat to roach) aw do we have to :(

ed chained to the ship is doing. a lot for me. i wont lie.

buttons saying he's been to the gravy basket a few times... how many times has this man almost died??????

it is deeply funny to me that they edit the split second flashback of the drowning and mermaid hallucination to look all creepy as if that whole scene wasn't set to an incredibly sappy 80's love song (said with immense affection)

OBSESSED with stede trying to be like. encouraging to izzy. and being like "he cant hear you he's got no head" about izzy yelling at the ruined figurehead. this fucking dork.

so ive seen ppl talking abt how the crew's in a deadlock abt banishing ed and which ppl they think were pro-banishment and which were against, but the scenes with the crew make it look like everyone's voting for ed to get kicked out. so tbh i think like either of the following interpretations are pretty valid: the crew is split 50/50 on if they should banish ed OR the crew 100% wants to banish ed and stede was gonna try and leverage izzy's vote to try and get more ppl to change their mind. doesnt rlly matter either way tho

also the fact that izzy was the one to keep ed's body is. interesting. the others must've known abt it and helped izzy hide the body in the secret room. but izzy being the one to be like "no we're not throwing him overboard" is. something. no conclusions abt this atm im just rotating this fact in my brain.

i also just have a lot of thoughts abt the mutiny and the fact that like, jim's a trained assassin and the others are also pretty experienced killers and they probably knew they hadn't completely finished the job. and there was plenty of opportunity for them to do something about that. but instead they hid his body and waited for ed to succumb to his injuries. it feels kinda like ed's "technically i outsource the big job" rule. idk. thoughtssss.

frenchie in this scene is so funny bc he seems both actually apologetic abt kicking ed off the ship but also very relieved/vindicated to see him go.

didnt realize olu almost said smthng to ed lol i thought ed was just saying "fuck you" to him for no reason ghfjkghjkfh

"first time i've ever been on this side of a walk of shame" wee john i have so many questions. how many times have you been banished from a ship.

obsessed with archie just being like "way to make this awkward brah." her shitty boss put her life at risk in an attempt to make her and her coworkers kill him in a weird roundabout suicide attempt and her summary of the situation is "well, this is awkward :/"

"shitty sailing with you" sick burn, jim

"you're making it really hard to look up to you, man" LOVE how black pete is still a blackbeard stan. despite everything.

just ONCE i want someone to appreciate roach's sandwiches :(

"dont you want your sammy" STEDE I WOULD DIE FOR YOU

also i disagree with the subtitles here im like 99% sure says "you're no fuckin mermaid" not "you're not a fuckin mermaid" but that's just me ¯\_(ツ)_/¯

stede looks SO sad abt not being a mermaid

love how everyone in this episode just sort of nods and is like "yeah okay" every time buttons tells them he's turning into a bird

altho with stede in this scene specifically im convinced that he's just jumping at the chance to follow ed to the island. he was absolutely gonna come up with some shitty excuse to go ashore anyway but it's nice of buttons to give him plausible deniability

i love how much ed hates nature

why do the subtitles say "gyp-" this has been bothering me all week. the line is "like a drifter"

i also love ed's line delivery of "a wolf?"

anyway dumb posts abt the spider tattoo backstory: 1, 2, 3

i love to see ed getting hugs... wish i could give him a hug :(

ok also buttons talking abt the gravy basket made me think ed needed like some sort of spell or smthng to snap out of it but instead it just kinda wore off by the end of the episode (maybe, depends on how you read the whole buttons turning into a bird scene). this is very funny to me for some reason

anne rubbing the cup she's holding against her tit. queen.

stede bonnet idiot dumbfuck moments

i LOVE anne's line delivery of "eddie motherfuckin teeeeach" like yeah that's cj's girl alright. or was cj's girl. who knows.

SECRET HANDSHAKE im cryinggggg. i love them.

stede's voice sounds so weird when he says "i wasn't looking for you" and that's because he's fucking lying through his teeth

LOVE how anne and mary look at each other after the "shipmates" "former" interaction like they are immediately on the same wavelength. and that wavelength is fucking with ed and his ex. they sniffed out a messy relationship dynamic and were like "oh hell yeah we need more of this in our lives"

ed is SO bitchy this whole scene i fucking love it. ed's face when he says "him?" fdhjksgfjhdgkj

ed: whatever 🙄 anne: whatever? 👀 mary: whatever! 😈

wee john getting more goth is so good

drunk izzy rambling at the ship's figurehead is so funny to me tho i miss drunk izzy

ed's crew lady macbeth "out damned spot" moments

i like how there's a goat in the background of this scene in anne and mary's house and it is unexplained and also never seen again.

ed's face after stede says "that's romance" is soooo good this bitch is so pissed. like oh would you have met me at the docs if i peeled the guard's face off instead of just paying him off? is that what fuckin does it for you???? not that it matters bc i dont care. but. cunt.

yeah im just focusing in on all of ed's faces in this scene. "quite the shift going from wearing people's faces to antique collectors" gets ed to freeze in the middle of bringing his drink up to his lips and just kinda stare off into the distance.

"how did you meet" has ed kind of frowning for a split second before stede starts answering and then he rolls his eyes very dramatically and sighs deeply

ed immediately being like "actually i was gonna kill him myself!" trying to undermine stede's meet-cute story. also anne and mary nodding along in complete unison bc this is just normal pirate conversation to them.

~~~

also as someone who has been team "no ed was dead serious abt the plan to steal stede's identity" this was very vindicating for me. it's a bad plan and it doesn't make any sense but logistics literally dont matter in this show. what matters is giving this story the "falling for the mark" trope makes ed's character arc in season 1 that much tastier!!!!

ed and stede going back and forth telling their story i cant fucking wait until theyre happily together telling this story and instead of ed trying to downplay it and ruin the meet-cute-iness of it they're just building on each other and being sappy and adorable

"more like i relented" one of the biggest lies i've ever heard this man say fjhkgjkfdhk

"until he completely boned it" SAY IT. FUCKING SAY IT. SOOOOO TRUE ED.

auauhghgh the beard bit......... crying

THE!!!!! QUIETEST LITTLE "thank you" OF ALL TIME. TIED MAYBE WITH ED SAYING "thank you" AFTER "i think you're very sophisticated" IN 1.05

i dont blame stede for trying to get ed to open up right after that bc that was the first bone ed's thrown stede's way since he woke up. unfortunately ed is not in the mood to talk abt his near-death experience and mermaid hallucination sequence.

LOVE anne's little gesture when she says "rabbit" and the little hip cocking

stede being like "uhhhh we could leave" during the knifeplay exhibitionism moment

i giggle every time at the way the crew is instantly like "fuck closing our eyes we're doing any fucking surprises"

ngl idgw the crew yelled abt the piñata reveal. but ok

loooove stede's half of the crew just blowing past all the screaming and tension from ed's half. jim screams "STAY THE FUCK AWAY FROM ME!!!" abt the blindfold and roach is like "you won't want to stay the fuck away from this caaaake!" like roach fdhsjfgdhfjkghkj read the room?????

i love how much stede just. completely misses all of annie's flirting

ed coughing during the blunt session i love himmmmm

ok but ed's trying to be like "im totally over stede i dont even like him" and then ed reminiscing fondly with a distant smile abt the 1.06 stabbing scene

"and that was the... second time you left your wife?" underrated line

love how annie's been all quiet and seductive and then when she goes to make her move she's just like "WOUND THIS" and aggressively sits in stede's lap

also ok. "they're gonna be so jealous" is that annie talking abt ed and mary or is that annie using they/them pronouns for mary.

BUTTONS JUMPSCARE

also i love how they have that one medusa painting just. in their kitchen. im obsessed with the interior decor of this lesbian antique store that annie and mary live in

the way she's so touched by the poisoning attempt hjfgfjksghskjhgjkh

buttons being like "aahhhhhh do i give her... this bowl......????" fhjkghkfsjhk

"yeah, babe" TEALORANGES WIN

im honestly sad izzy's pathetic wet beast moment only really went for like three tiny scenes in one episode bc this shit was so funny to me. crawling away saying "you're born alone you die alone" over and over again. sir what are you even doing.

god buttons in this episode is so fucking funny bc i keep forgetting he's there. also why is he even there. like was he even invited to dinner or did he just sit down and annie and mary were like "oh ok i uh. guess we'll go make another plate??"

ed's face after buttons says the bit abt "i can tell this rabbit was intelligent" is soooo funny why is he so fucking pissed fdhsjkgyjdfkghjk

NO WAIT HE'S PISSED BC THAT WAS HIS FRIEND. THAT WAS HIS FRIEND THE WOLF HE WAS TELLING HIS SECRETS. NOW IM KINDA SAD :(:(:(

stede talking abt the sea when what he's actually talking abt is ed part 2 electric boogaloo

ed very calmly. standing up. and smashing the chair. im obsessed with him.

stede bonnet stupid dumbass moments

IMPROMPTU BLANKET FORT TIME

ed's voice is so quiet at the start of this scene he's not even yelling at stede until stede says "it's not fair" ohhhhhh my babygirl is so fucking sad........

"you ditching me without a note or anything" ed's literacy confirmed

"expecting me to just melt back into your arms" eddie my man. stede has not given literally any indication that he expected this at all. you are telling on yourself fhdjskghfkjshd

this scene is so fucking good i barely have anything to say abt it. just. u can rlly tell david jenkins wrote this ep himself lolll

"i was all in, mate. i was all in." IM SOBBING

oh nooooo i forgot that ed's line delivery of "im sorry my horrible naked chin disgusts you so much" isnt actually as sarcastic as the words itself make it seem. like it feels like ed wanted to say that all angrily and bitter but instead he just sounds sadddddd

ok ok but the way stede says "i love your chin naked or otherwise" and then after a pause (during which ed is keeping INCREDIBLY still bc u know otherwise he's just gonna burst into tearssss) stede whispers "ed" and ed is immediately like "don't" and then. stede going in for the "i love you" but like the way he's so slow with it?? he's literally like "i. love." and idk if it's bc he's trying to make this as clear as possible or if he's giving ed enough time to cut him off if he doesn't want to hear it

and ed DOES he DOES cut him off with "you don't get to say that to me" and he like. keeps glancing at stede out of the corner of his eye but not quite looking at him directly bc he knowwwwws it's like staring into the sun baby and ed knows if he looks at stede's face it's literally all over.

but also ed's face after stede pivots to "i love everything about you" he's SO pissed. he quietly groans and rolls his eyes bc this bitch. finding stupid loopholes to not being allowed to say "i love you." fuck this guy ed hates him so fucking much (lying)

oooooh when stede says "you don't have to say it back to me" ed's mouth opens and closes a bit before "not about to" bc this man is trying. SO hard not to cry (so am i but it's not working sorry there are tears on my face right now)

idk idk idk smthng abt "it's nice. feels good." makes me hurt so fucking bad bc the entire time since ed's woken up stede's been getting headbutted and snarked at passive-aggressively but stede's still like "i love being near you it makes me happy :)" brb i need. a fucking moment.

honestly tho how did annie and mary even overhear that bit bc they were on the other side of the room and stede was whispering SO quietly. opposite of when ppl in this show dont hear things despite the things being said like two feet away from them (1.03 geraldo and jackie talking abt how blackbeard was looking for stede, 2.01 zheng saying the indigo was worth way more than she spent on it)

LOVE how anne being like "stede likes the ladies" is how ed figures out "ohhhh wait ok theyre just fucking with us, got it" bc this guy??? liking women????? lmao

this also HAS to be why he gets over mary like his brain mustve gone "wait hang on why the fuck would he go back to her he doesn't even like women. guess maybe he really did panic huh" hdjksghfckghkjsh

obsessed with these TINY tiny details abt the ed/jack/annie/mary polycule dynamics we're given. ed would've expected as much from annie bc she's a fucking psycho. mary apparently used to not be like this. im putting the pieces together im connecting the dots.

ed and stede's knowing smug looks at each other. im obsessed.

annie being rlly sensitive to the word "bitch" im considering that more hints abt the polycule backstory

yayy fanny newspaper

"really? i mean she stabbed you, you poisoned her, and then she jumped on my face" stede this is all part of their very elaborate and deeply toxic sex life ok stop kinkshaming them

~~~

curious if ed and stede are too distracted by mary spelling out their worst fears to comment on all the smoke coming into the room

"everything must go" like a fucking clearance sale. this is such a silly line. this is a silly show. i love it here.

WHY DONT THEY MAKE OUT SLOPPY STYLE HERE THO

wait are they crying while they hug??? bro these girls are so fucking messy i love them

ed saying "see you guys" before he leaves them in their burning house. i would die for him

ok team arts and craft time while making a prosthetic for izzy. obsessed with how the b plot of this episode is literally "the crew struggles to get along but they eventually set aside their differences and work together when they realize there's someone even more cringe and pathetic than any of them"

"YOU ARE!!! HARASSING A CRIPPLE!!!!!!" is suchhhh a funny line im sorry im gonna miss izzy at his lowest fhsjkhjksf. literally they just knocked on the door my dude calm downnnn

obsessed with izzy being genuinelly touched and expressing it by saying "fucking cocksuckers." this man is allergic to having feelings.

stede and ed painfully talking over each other bc everything is awkward and difficult. i love them.

ed's face when stede offers to let ed stay. his very quiet "yis." the way he says "might be nice" and then VERY QUICKLY looks away

stede yelling GREAT at the top of his lungs fhdsjkguydfgfjkhl

i love when these guys try to play it cool bc theyre so fucking bad at it hgdfgvjfxdkgjjdkkgjhfdkh

stede bonnet dumb idiot moron moments

ed staring off lovinglyyyyyy

buttons jumpscare

also is that fucking sage. are we doing cultural appropriation here

buttons saying "Earth Wind and Fire i wanna go higher" hfjkhgfdjkhgjkh

i love how ed. does not question this "fuck yeah, brother. fly."

ed teach lovesick fool moments

i love how happy ed sounds telling stede abt buttons he sounds like his old goofy self for the first time all season.... im gonna cry

also i like how the crew adopts izzy as their new creature. 10/10

post credits scene is annie and mary at dinner with buttons. i guess it's after stede goes to comfort ed but before they go eavesdrop on that convo.

buttons enjoying his last meal as a human. and also he's like "there's too much fucking on that ship i need to get away from it all." and his way of doing this is becoming a bird. love that.

[asoulwithadream]

ANALysis and THEORIES- OFMD EDITION #1

Objective: PROMO GIFS

Time to analyse these bad boys, because I think I may have figured out what they are. They're lines from the show. Each individual little subtext to the official gifs are something which someone will say in the new season, and I'm determined to find out what, when, where and who (I determine that 3/4 would equal success).

I) "I've never seen Blackbeard like this."

This is the same shot from the trailer, possibly either before or after the infamous "Fuck you, Stede Bonnet." However, there may be a Clue in the second shot which may be able to somehow place this on a timeline (not by myself—this has drained my powers). I can't really tell, because of the low quality and high contrasting shadows, whether or not the side of the Stede topper has been smudged with Ed's make-up yet.

It was clear in the teaser when Ed played with the toppers that he'd caressed fake-Stede against his cheek as if he were some rather exquisite cashmere because of the smudges, but we couldn't tell during the teaser if this has already happened by this point because of the angle of the toy. But if anyone manages to get a better picture or spots something I missed that may contradict or strengthen this little thought, do let me know.

I'm pretty sure though that the person who says "I've never seen Blackbeard like this," is someone who has seen Blackbeard enough to know how he was. Someone that perhaps served by his side? So I think that the speaker in this context may be Izzy. There are two options of who he's saying this too: either Stede, once they team up, or to the crew of the Queen Anne's Revenge, this being the old Revenge crew (Frenchie, Jim, and we count Fang). Maybe even Lucius in the walls.

II) "I should have just told him how I feel."

I just want to take a moment just to appreciate the fact how much this gif resonated with me personally. This was the entire basis of all stages of grief I went through after the season finale, the bottomline of all my thoughts: "why couldn't he have just told him how he felt?". Brilliant delivery and shot planning from the designers of OFMD.

Anyways, let's get on with it. This gif is similar to the first one, in it having the potential of being also shot before or after the Vanity Fair picture with the crew (minus Swede) standing under the bridge(?) in the rain. I do think it's before the scene where Stede takes Blackbeard's poster and very confidently elaborates on Ed's goodness. He has his red cravat on, and is looking so pathetic in the rain looking at a wanted poster of his ex-boyfriend, that the scene is loveably laughable in it's entirety.

It's a bit obvious as to who is the speaker for this line: our very own Stede Bonnet. He's regretting on his actions back at the sailor academy, where he chose to keep quiet about his own opinions on Ed's willingness to leave to China, fast, because of his own deep-rooted issues with speaking up about what he thinks about serious, possibly life-chaning topics. Or maybe he's thinking of why he didn't tell anyone, especially not Ed, about the happiness he felt around him, how great he felt in his company, and how much love he felt for the man.

I can imagine this pretty early on in the season (as we know they reconcile or at least get a long decently early, from the leaked promo), and for some reason I have a picture of Stede laying slumped down on some form of furniture, ragdoll-style, whining about this to someone he knows: either Oluwande (probably the most probably option) or, hear me out, Spanish Jackie. I think she's going to become better friends with the Genital Pirate this season, and be a prevelant character to the narrative.

III) "Feel's like a storm's coming."

This happens during the rapid, quick scenes which we were just able to catch from the teaser. Where Jim is half submerged in water trying their best to reach for someone which I may think might be Ed, and Frenchie working the capstan for whatever purposes needed to hoist something heavy in a storm (don't look at me, I don't sail 18th-century ships). But look, Edward has his cravat on, the cravat given to him by Stede. Why he's kept this eludes me, since this should in theory be before their reconciliation, but we all know that Ed still loves Stede, and perhaps this is his way to hang onto him close to his heart while still matching his new aesthetic.

I would like to think that Ed is the one saying this. After all, he is an expert navigator and weatherman, proving his skills during his first appearances in the previous season. (However, I don't particularly trust his date-keeping skills. He messed up the first one, and then let his other date be held at gunpoint and scared into leaving. Tut tut tut) Another reason as to why I think this is because there is no pronoun indicating that he actively feels the storm, but more passed as a backhanded quip just thrown onto the crew and/or Izzy to alert them.

This could also be interpreted as a metaphor: symbolism for something, foreshadowing to the main plot or villain of the series, which will most likely result in some form of cliffhanger at the end, I tell you that.

I wonder if they're going to have another cloud scene though, talking about how they might show signs of storm. However, instead of shape I'd assume that they'd be commenting on a rather large-scale, dark rain-cloud, and connecting it to perhaps winds stronger than usual.

I also saw someone saying that it was possible that Edward, when he falls off the ship, looses the cravat amongst the waves, and that is why he doesn't have it to what I'd assume is after this scene.

IV) I love a good pirate's tale We can see from this scene that Stede is currently fighting on the beach in the same outfit which he had during the teaser, and if one looks closely you can see that he's excellently accessorised with a beautiful looped earring. However, what we've also learn is that the shot where Ed washes up on the beach is probably in the same scene as this, and by the look on Stede's face (probably augmented by the surrounding chaos) this may be the first time that he's seen Ed in a long time.

I think, as I've said before in previous posts, that Ed has been thrown off the ship in the storm mentioned above. He's been thrown off, and has happened to wash up on this same beach where Stede is fighting, which we know to be possible because of the automatic gaydar in OFMD. (What would be funny though is that he spotted Stede off the shore and decided to make his entrance super dramatic and kraken-like, but ends up just swallowing a shit ton of sea-water and gets his leather ruined, which is why he gets new clothes.)

Why he's fighting? I don't know. But I'm still sure that it's Ocracoke that they're on, because I'm convinced that it'll make an appearance this season—it has too, or else I will send in a formal complaint with our dearest Mr Jenkins.

Now, back to the main bit. The text. Who is it that says "I love a good pirate's tale?" I think that it's either said genuinely, but by someone like Stede, eager to hear about the adventures of experienced and famous seafaring pirates, OR flirtatiously, to insinuate something directed as a romantic quip to get Stede or someone else (a pirate) to talk more about himself. By who, I can't be sure, but I have a list of possible speakers:

Edward Teach

Spanish Jackie

Anne Bonny

Anne Bonny's campy friend

Lucius Spriggs

Stede Bonnet

If there's anything I've missed that you want me to add/change, which I find suitable, do tell.

I'm not sick at all. I'm a normal functioning member of society. I have a life.

[cygnusmori]

Good Omens S2 thoughts ahead, beware of spoilers

It's been already two days since I binge watched the season in one go, and I wanna share some thoughts. However, they aren't positive, if you're looking for praise you won't like this.

I won't talk about the big bad end or Aziraphale, I think there's already enough posts covering the issue and explaining Aziraphale, or theorizing about Metatron, or that Crowley wasn't in the right either.

I wanna talk about him.

For many, it seems like he was the only positive sweet thing about that ending, and that this was his redemption arc.

But I digrees.

See, I've always been fan of Gabriel, and I always thought he was a nuanced character, I don't think Gabriel is anywhere near of perfection. I like him with his flaws, I think he's funny, ignorant, mean at times, and has that alienating "non human" feeling. He did bad things, but I never saw him as an evil big bad force, I never thought he was a villain. He was on the opposing side of our protagonists, which is different.

But that's the S1, let's talk about S2 and why I'm disappointed.

Maybe just showing that he isn't all evil a didn't want to try to destroy the world is enough of a development for most. But not for me, because we didn't see this development.

I'm grateful that he wasn't shown as an evil edgelord compulsive serial abuser? Yeah. Thanks.

But for most of the season, we didn't see Gabriel, we saw Jim. This amnesiac, empty, thoughtless person. I loved him, we all love him, I know! He's sweet, cute, empathetic, dumb, and apologized for something he didn't know he did.

But he didn't have any actual meaningful "eye-opening" experiences with the ineffables. He didn't have like, let's say an attempt at bonding or friendship, or getting to know and discover earth. Everyone theorized and was eager to have Gabriel discovering the wonders of earth and humanity, realizing is worth saving.

And what did we go? ...A flashback in the last episode that lasted less than, what, 6 minutes? Where he just enjoys the same song that Beelzebub. Everything about their relationship is left as just guess work, there's not even a fraction of growth like the ineffables had.

But not just that, is that it was mostly told. Not shown.

We didn't see Gabriel having any actual feelings, or conflicts, or problems, or worries. Nothing.

We're shown he could sacrifice himself to save the humans and trying to avoid the problems he was causing, which is sweet and beautiful! I love him! But that's still Jim...Would Gabriel do it? I wanna say yes, I wanna believe that he would! But that's the problem. we don't really know because we just got about less than 10 minutes of the actual Gabriel.

He remained as this silly amnesiac character for the first 5 episodes. And then on the last 20 minutes he got his memories back, and what did he do, after being protected and cared by Aziraphale and Crowley?

Nothing. There wasn't an exchange of words, there wasn't a "They helped me". There was nothing, there wasn't any explanation for why he actually seeked Aziraphale, besides that little implication made by Metatron that maybe Gabriel thought Aziraphale should be the next leader (which, let me add, could be a lie).

I, even as a fan of Gabe, feel like he had barely anything to offer. No much more relevant bits of his personality than what we already knew. I still thought he was super funny and loveable as Jim, but yeah...not growth. Especially between Aziraphale and him, after all...they knew each other for ages, Aziraphale thought he was awful but also that he would protect him, and this amnesiac Gabriel was eager to apologize and help, where are the follow ups of that?

I get it, he's a side character.

But this season he's a Plot Device.

What about these "lucid moments" where he spoke with the voice of God? Or those "It hurts to remember!"? They meant nothing? They weren't clues, he was just so ready to drop everything?

And as an audience I have to accept he really changed that much, he really didn't care about falling or losing his over 6000 years job. That's so...empty.

I didn't see any eye-opening, or mind-changer experience for him. We saw he's capable of love and respect and selfless actions, I guess, but that's just the most bare minimum, and one that I already always believed, so there's not excitement for me at all.

I think maybe I feel like this because I always thought he wasn't evil, but all of the reasoning for him not being evil, barely got touched. I mean the responsability maniac, the workaholic tendencies, the extreme obedience, the stress, the emotional familiarity with other archangels, the fear of falling... he had none of these things, he apparently changed in four years. That's it. "He's changed, and doesn't care about being the leader! And now he's singing a love song and disappearing happily on the sunset!" is not the direction I expected.

They just left, without consequences besides stepping down of their ranks? Gabriel's memories loss wasn't even a punishment. He had no real consequences for anything and that hurts me, because those are needed for a character to learn and progress. He got rewarded for loving freely, but that love wasn't even actually shown (no, cheesy and super sappy pet names aren't a relationship development)

I'm just sad...or more like devastated about almost everything in this S2. I guess I can just enjoy the fact that him being just a random dude and not worse than the devil himself is my consolation prize. And even with that I was left feeling like I don't have any reason to be in the fandom.

That said, those are just my thoughts. You can disagree and think this season was wonderfully done on every aspect, that's what opinions are.

[discount-limeade]

Slipknot: A Review

This is a JOKE. That being Said.....

Conrad's Ratings On How much "Pull Game" The Knot Members Had. (And if they use Spray or Stick Deodorant)

This is 100 Percent Biased. This isn't a News source, welcome to My Hyperfixation.

Pull Game: We're gonna Loosely Define this as, If they could Hypothetically get bitches.

0. Sid Wilson

9/10

Starting Strong, Sid's got it on Lock. Docking One Point Because The Hyperfixations can Be DETRIMENTAL to getting bitches and Some people might not think Transformers are Cool.

Spray: Old Spice

1. Joey Jordison

8/10

Joey was For SURE getting Hoes in the Book. No questions. But this Specific picture (because I chose it), What in the 'Just Crawled out from under the Sink' is he doing.

-1 For Posture, tighten up man. Your neck is about to be at a Permanent Right angle. -1 for, idk I feel like he'd Say some strange shit.

Stick: He puts it on by going through the bottom of his shirt.

2. Paul Gray

7/10

Personally, LARGE fan of Paul. But we gotta think about this Logically alright. It's 2000, you're approached by this Man, he offers you a Cigarette. You take it OBVIOUSLY, he's just a being Nice.

-1 for possible Off puttingness. -1 Approachability (??). -1 When he lets you hit the bong he tells you it's not that bad and you end up coughing your eye out.

Stick: He looks like he has a Cool Sock Collection.

3. Chris Fehn

9/10

In our Hearts we all Know this man was a Ten. The eyebrows on His Mask Here are Very Good, which May Cancel out this lost Point.

-1 For Public Masturbation.

Stick: There's a Bite Missing

4. James Root

7/10

Now, if this was Blonde Jim, 10. I'd Find no reason to criticize, but it's not and this One picture will dictate his Entire Rating.

-1 Gay. Self Explanatory. -1 touched his balls and Wiped his hand on your neck. -1 pissed and didn't wash hands.

Does NOT wear deodorant and if he does it's that Paste organic kind.

5. 133

6/10

Once Again We All know he's Ten. Love a Strong Silent Guy. You know how this goes though, the picture selected Has Sealed his Fate.

-1 for, is this a school photo??. Update your portfolio. -1 I don't have my shots and those definitely have something. -1 he looks like a Train Guy. -1 beer cooler says 'for the boys'.

Stick. Looks like he tried to finger it.

6. Clown

5/10

Yo look how Whimsical he is. We got Elderman Shawn here. Physically, jumping this man's bones. Personality wise, he makes me MAD AS FUCK.

-1 if you pulled his hair it would come out in CLUMPS. -1 smells like fish. -1 definitely has a Foot Fetish. But I'm not talking NORMAL foot fetish I mean this man wants to put HIS feet on YOU. -1 says 'Honk Honk' when he grabs your Tits. Fucking YIKES. -1 keeps Muttering to Himself about The Circus, You should probably go...

Stick? It's Somewhere amongst his Things.

7. Mick Thomson

10/10

Any Day of the Week. He's just Got everything Going Right. Possible only downfall would be How strange his Wrist is Bent up in this pic but I will not Dock him for that.

Stick. He gets the Twin Packs to Share With Crew.

8. Corey Taylor

4/10.

Before you Say it, Yes, I would. But this isn't about That. This is about the fact that He gets NO BITCHES. And I'm not Talking about the Occasional, I mean this guy has never doesn't even know what Sex IS.

-2 he's COMING UP THE STAIRS FROM HIS DWELLING. -1 eats His own Ear wax. -1 how do you have lice and you only have Maybe 13 Pieces of Hair. -1 there Are Juice Stains around his mouth. -1 ate a mouse.

Spray. He likes to Stab The Cans So they Explode.

-----

In conclusion, I started Writing this at 4 am. It is now almost Seven. Have a Wonderful rest of your day.

[scarrletmoon]

this is going to keep bothering me unless i finally put it down but let’s really quickly talk about ed, gender and trans femme headcanons

just right off the bat, i’m not saying that you can never HC ed as trans femme, and if you say that’s what i’m demanding, please point to the exact paragraph where i said that

moving on

my reticence to jump into the babygirlification of ed teach in the first few months of the fandom comes from the fact that i’ve felt this undercurrent of discomfort around masculinity in fandom and online queer community.

i mean, i say undercurrent but any trans masc can tell you how much (online) queer spaces hate trans men, especially bc they think of them as gender traitors. people will proclaim how progressive they are, how they’re fighting for queer liberation and bodily autonomy, and then turn around and say the most vile shit about men that you’ve ever heard. people will often excuse it in a myriad of ways — “obviously I don’t mean all men, but you asking me to qualify that means you’re a misogynist” or “i’m allowed to say this bc men have hurt me” or “if trans men are men then why are they trying to escape their compliance in patriarchy. i’m actually affirming their gender by assuming they’re dangerous as soon as they come out”

all of these reasons are fucked in different ways but this ain’t about them. this is about ed

i bring up the adversity towards masculinity bc i thought it might be a possible explanation for what i was seeing; some people seemed to be treating ed like a closeted trans woman, especially based on his actions in s1 ep10. he’s acting more soft and “feminine” so maybe he’s a trans woman and just doesn’t get it! and this bothered me for a bunch of reasons

first, ofmd goes out of its way to depict many different kinds of masculinity, across race, gender identity, sexuality and even hobbies and interests. all of the men on the revenge aren’t the idealized version of what masculinity is supposed to be. and yet they’re all still men.

second, there’s nothing inherently wrong with being a man. the real problem is patriarchy, which even women (and which especially white women) uphold too. this demonization of masculinity makes it so much harder to talk about how patriarchy actually functions. women are not inherently pure, non-violent angels. men are not inherently evil and irredeemable

third, ed is not white. we should know by now that gender and gender presentation are not exact matches across all cultures

so i think part of the reason why people HC a brown indigenous man as trans femme is bc they see some feminine traits — long hair, emotional vulnerability, a penchant for finery, etc — and bc they’re uncomfortable thinking of ed as still a man, they can incorporate him into womanhood in a way that matches their worldview (namely, that women are harmless and victims to protect, and worthy of that protection in a way that men are not)

(btw the first time i tried to explain this on twitter i had to delete the whole thread bc people started calling me transphobic and let me tell you, white trans people telling me, a black trans person this? not a good time)

anyway, i don’t think trans femme headcanons of ed are bad. i think they’re pretty cool actually. but being a woman is more than your hobbies and the way you dress and your actions. the single requirement for being a woman is choosing to exist as one, in any capacity, whether you come out or not

another thing is that ed doesn’t have the same gender shift that jim does, at least not from my perspective. i think ed is pretty comfortable with being a man. he’s just a queer man who also likes soft things, and gets to be softer and more traditionally “feminine” around stede. so it feels very uncomfortable when white people in particular assign ed as female when he’s shown no indication of being so

it also bothers me bc i love seeing a man of colour get to explore that part of himself. it means a lot to me to see depictions of masculinity that aren’t white, that are about being emotional and loving and feminine as well as protective and masculine and strong. and when people say “ed’s a closet trans woman” it feels like “there is one way to be a man, and that’s not ed”. and as a person who spent their whole life feeling like their gender was decided for them by others, it hits home (in a bad way)

it took me a long time to be comfortable with calling ed babygirl and all that stuff; i know it’s mostly tongue in cheek but it sometimes wasn’t. i eventually decided that i wasn’t going to let others ruin my fun, even if it means that when i talk about babygirl ed, it’s different to what everyone else is doing

so i guess TL;DR: ed is a man, but he’s also an indigenous man, and trying to contort him to fit a white supremacist version of gender isn’t going to work

[narastories]

what we can have

I want to say ‘this is a weird one’ but let’s face it: when have I ever written something that’s not?

That said… this is: a) a crossover b) wizardbaron

Fandom: The Dresden Files - Jim Butcher, The Fetch Phillips Archives Series - Luke Arnold Rating: Teen And Up Audiences Relationships: Harry Dresden/Johnny Marcone, Thurston Niles/Fetch Phillips Tags: Crossover, Alternate Universe - Canon Divergence, Dimension Travel, POV Alternating, POV First Person, POV Third Person, Marcone POV, Fetch POV, in terms of the Dresden Files it's set after Fool Moon, in the FPA universe after OFITF, pining Wizardbaron, established Philes, because I said so, somehow Philes ended up being the emotionally more mature couple in this which is hilarious, Unresolved Sexual Tension, Fae & Fairies, Niles & Marcone bromance, Fluff

Summary:

John Marcone has a bad start of his day when he manages to get his favorite wizard to help him, only for them to be transported to a different city. Fetch Phillips also faces trouble when a self-proclaimed wizard and a trigger-happy mafia boss enter his café unexpectedly.

The story of four men grappling with the unpredictable nature of magic and their impractical crushes.

Read on AO3

To answer a few questions you might have in advance:

Can I read this if I haven’t read the Dresden Files?

Yes, totally! There are a few minor spoilers from book 1 & 2 but nothing big. If you are familiar with the general premise of the Dresden Files, you should be fine.

Can I read this if I haven’t read the Fetch Phillips Archives?

Technically, yes, but from the FPA perspective, this takes place after the third book, and there are some pretty significant spoilers alluded to. If you have no intention of reading the FPA or don’t care about the spoilers, you should be fine. However, I think if you like the Dresden Files, you should really give the Fetch Phillips Archives a go, and maybe save this fic after you read the first three books ;)

Nara you never seemed like a huge Wizardbaron fan, how come you wrote this ship? Can we expect more Harry x Marcone fics in the future?

GODS I HOPE NOT

I’m sorry for being so antagonistic about this. I have a real love/hate relationship with Marcone and this ship.

I get everything I ever wanted from enjoying Harry/Nic and Fetch/Niles. The reason why this fic ended up being Harry/Marcone is because they are much closer in vibe to Fetch/Niles, and I thought Marcone and Niles would get along pretty well. These ships and characters mirrored each other nicely so Marcone fit my idea better.

If I could have gotten away with making this Harry/Nic I would have, believe me.

I will always respect Wizardbaron enjoyers as the backbone of the DF fandom. And I also liked the idea of writing something that they could realistically enjoy without having to descend into the rarepair hell with me lol

I have no intention of writing more wizardbaron tho, sorry. Although as all fanfic writers know we have limited control of what we end up writing, am I right?

Also I re-listened to Even Hand while editing, and I highly recommend the audiobook version of that if you’re far enough into the DF series. It’s narrated by Mr. Author himself (btw I don’t know why I always call him that but you know, I think I’d better stick to Fae rules and don’t call him by his name on a fanfic lmao) and he clearly had so much fun with it. Certain implications for future theories aside it’s also one of the good parts with Marcone.

Anyway, if you read all that ramble i love you hope you enjoy the fic <3

[spaceorphan18]

fic writer 20 questions - ask game

Thank you @bitbybitwrites for letting me self indulge more.

i still have issues with tagging, but -- @wowbright or @redheadgleek or @coffeegleek wanna try - go for it!

1. how many works do you have on ao3?

Right now - 59. But there are some I think I'm going to take down, mostly the MCU related WIPs I started and have no intention of finishing.

2. whats your ao3 word count?

899,883

3. what fandoms do you write for?

Right now - only Glee. But I started with The Office, and have written MCU related things, too.

4. top 5 fics by kudos

1. 99 Perspectives on a Single Love Story 417 2. The Accident 336 3. Chasing Pavements 312 4. Faking It 303 5. How I Met My Soul Mate - A Drunken Kurt Story 275

5. do you respond to comments? why or why not?

I do! But I get so behind. I'm finally caught up again, but I'll go months without responding (and I always feel bad). I feel like - if you've taken the time to write, I should take the time and thank you for acknowledging my work.

6. what is the fic you wrote with the angstiest ending?

I don't really have any that have angsty endings - I'm not big on that. I do have bittersweet and sad endings, though -- such as Things We Say in the Shadows, Scenes from December, and The End of the Story

7. whats the fic you wrote with the happiest ending?

Ooh, I don't know - maybe Chasing Pavements?

8. do you get hate on fics?

Not really. I think I had one comment once that said they thought I needed more editing. (which, fair) and one that didn't like how I did vampires in Things We Say in the Shadows -- but since I know nothing about Vampire lore - I wasn't too worried about it.

9. do you write smut? if so, what kind?

Clearly, I do. But here's the thing about smut. I feel like - when you start writing, it can be like this scary thing, and then the more you do it, the more almost... routine it starts becoming? It's been an interesting journey...

10. do you write crossovers? whats the craziest one youve ever written?

Not really? Only when it's kind of done in a cracky way. I wrote Scam School as a joke, which is a Glee/MCU crossover. And Blurring Lines is a RPF crack fic about Kurt and Blaine's reaction to Darren and Mia getting engaged.

11. have you ever had a fic stolen?

God, I hope not. Please let me know if someone has!

12. have you ever had a fic translated?

Yes! I had someone ask if they could translate my works into German! So they are!

13. have you ever cowritten a fic before?

I have! @ckerouac and I wrote a silly MCU fic about fake dating and @darriness and I wrote a cute one-shot together.

14. fave all time ship?

Hmmm, I don't know! I'm still having fun writing Klaine. I will always have a special place in my heart for Jim and Pam - and sometimes think about writing more of them. And there are lots out there that I enjoy - but I wouldn't necessarily write fic about.

15. wip you want to finish but doubt you will?

Idk about doubt completely, but I'd love to finish writing The CrossRhodes Saga -- it's a 40s noir mystery, and it's so fun.

16. what are your writing strengths?

Probably conversation -- also, the ability to weave in canon elements. Plus, I think I'm funny - I don't know if other people think I am though.

17. what are your writing weaknesses?

Details and descriptions. Also transitions. And probably mechanical things like where to use a comma. Plus, my inability to just proofread and clean it up before posting.

18. thoughts on writing dialogue in another language in a fic?

Make sure you know what you're doing? Or have someone proofread it? Idk - I've never done it.

19. first fandom you wrote for?

I mean, if you want to get technical, it'd be The Mighty Ducks when I was ten... but the first thing anyone read was for The Office.

20. fave fic youve written?

It's really a toss up between With Every Broken Bone -- which, was really a fic written for me and how to reconcile between seasons 5 and 6. I still will go back and reread that one. The month of June still manages to be one of my favorite things I've ever written. And 99 Perspectives on a Single Love Story which may have been a long, tedious journey to write, but it ended up being just exactly what I wanted it to be. I also have hopes for my current project: Head Over Feet but we'll have to see how that works out when I finish it.

[drysaladandketchup]

Oh I have so many thoughts on how people talk about Leon Draisaitl! He is one of my favorite players. (I’m US by the way) I absolutely love that he lets himself have real reactions during interviews, I love that he doesn’t put up with bullshit from the media (or at least, doesn’t put up with it as much as some of the other players do), and I love how comfortable he is with showing his emotions, positive and negative. He’s so expressive and funny, I think. Perfect deadpan humor.

I think many people who talk about him being bitchy mean it as a great compliment — of course I could be wildly misinterpreting! But women were called bitchy for SO MANY YEARS for being honest when they were annoyed or tired or frustrated or just over shit. So now I just think of bitchy as being a shorthand for “someone who doesn’t tolerate bullshit very well” and to me, that perfectly describes my perfect beautiful hockeyboy Leon

I love that he is so expressive! He cannot keep his emotions to himself. By his own admission, he wears his heart on his sleeve. He knows that. He doesn't try to hide it. It's why I laugh when people call him hard to read or impassive, because like... yeah maybe he's plagued by resting bitch face, particularly during games, but he's actually very open, I find? And he does just outright say how he's feeling a lot. As you said, his humour is quite deadpan, and sarcastic, so maybe he comes across as harsh to some people. But I've said before, I think the way he talks trips people up more than what he's actually saying.

And as I've mentioned before, most of the time he gives the same generic, 'clean' or 'scripted' responses as other players, because he surely has had media training and figured out how to behave on camera over the years. He definitely has put his foot down with regards to poor behaviour or bad questions (as he should! we love to see it), but it's not like everything out of his mouth is snarky or groundbreaking.

I will clarify, I don't actually think everyone who calls Leon 'bitchy' means it in a bad way. As you say anon, a lot of people (myself included at times!) use it kind of as an endearment for bold behaviour. And I like when people are bold and unapologetic when expressing themselves. But calling someone 'bitchy' does still have negative connotations, so I just try to keep in mind that not everyone will find calling someone a 'bitch' to be anything other than an insult.

Honestly, I just feel like some people got so caught up in the 'pissy German' jokes (that jim matheson clip is going to haunt Leon for the rest of his life), that they started to genuinely believe Leon to be this wholly curt and aggressive person. He's called 'bitchy' or 'pissy' even when he's not even saying or doing anything of the sort, like that's his entire personality. And then it goes back to those people who say he's bitchy because he's German, which... just no.

Now I know it's usually a joke. Please don't take this as me trying to tell people what to do, or thinking I have to defend the honour of some guy that yes I like a lot but don't personally know. It's not that serious. I certainly don't hold any kind of hate towards people saying it as a joke. I'd be a hypocrite. All I feel is that Leon's 'pissy' persona still prevails heavily in fan spaces despite all evidence to the contrary, and I won't pretend like it hasn’t become kind of exhausting or that it doesn’t rub me the wrong way at times.

But hey, I'm just some silly schmo on the internet with my own feelings and opinions haha. What's important is that we're all united by our love for our beautiful german hockeyboy :)