#which is also a really interesting thing to explore!

[teeny-tiny-revenge]

Look, when Ed leaves with Jack it isn't Ed choosing Jack over Stede as the better partner/love interest. This is what Stede thinks is happening. Stede hasn't even entirely admitted to himself at this point that his investment in Ed is romantic, but he does treat it as a breakup, he sees Jack as a rival for Ed's attention/love, so from Stede's perspective, yes, Ed is leaving him for Jack.

Stede thinks he is in the romance novel plot and has to compete with his love interest's ex for his affections.

This is also what Jack is intending to make Stede feel.

Jack is playing a con. He is actively working towards Stede coming to the conclusion that Love Triangle Business is happening, but Jack's motivation isn't winning back Ed as a boyfriend from Stede. I don't think Jack does boyfriends. Jack does dalliances. He would probably agree with Lucius's "we don't own each other". And this would apply if Jack happened to randomly come across the Revenge and decide to fuck with Ed's new crush for kicks and giggles (which is what Anne and Mary do when in that situation!). But Jack doesn't come across the Revenge by accident. He is on a mission, given to him by Izzy. We don't know if Jack gets paid for it or if he does it because he's worried about Ed and doesn't want the Navy to get him, or some combination of both, but Jack is the only one in this equation who actually knows what is happening, and what is happening is a plan to drive a wedge between Ed and Stede to make Ed leave the Revenge so he's out of the picture when the Navy shows up.

But neither of this is what's going on from Ed's perspective. (This entire episode is a masterpiece in the "characters completely misunderstanding each other and what's going on" trope.) Ed doesn't really figure that he's been cast as the pivotal point of a love triangle. Ed isn't spending the episode trying to choose the better boyfriend candidate and then leaving with him.

Ed is busy having a personal identity crisis.

This crisis has been ongoing for a while when Jack shows up. With Izzy's pressure to pirate a certain way gone, Ed is freer to explore what Ed wants to do now and how he wants to live and who he wants to be. He is tired of the traditional pirate life, he wants to try something different. He also isn't ready to fully do a hard cut. He just figured out Stede might return his feelings during the treasure hunt. They just decided to co-captain. A lot of things are changing for Ed.

And then comes by a very old pal. Jack and Ed have history, they used to sail together, they survived their difficult youth under a cruel captain together. Jack represents a different type of pirate life than Izzy. Jack is fun. (Everyone but Stede thinks Jack is fun, and that's in no small parts because Jack is actively working towards making Stede uncomfortable but everyone else have fun and take Jack's side - this works on everyone in the crew including Ed!)

From the beginning on, Ed is struggling to make Stede and Jack get along and like each other. He's trying to somehow combine his old life and his new life because he doesn't want to choose between one of them. He wants to have the best of both worlds. He wants his old friend and his new friend/his ex and his crush to be friends and get along. He wants to keep what was fun about traditional piracy (as represented by Jack) but also move on to Stede's new brand of doing things. He wants fancy breakfasts, and then has to realise that Jack pours alcohol into his teacup. He wants to play coconut war like the old times, but has to realise Stede hates the idea. A big part of this episode, from Ed's perspective, is about trying to reconcile these two worlds and failing.

Ed's main problem, through both seasons, is that he doesn't really know who he is or who he wants to be. He struggles massively with self-worth and self image. He views himself as an unlovable monster and spends his entire life bending over backwards and wearing masks to cater to what he thinks other people want him to be. He plays up Blackbeard for Izzy, Blackie for Jack, and he isn't sure if who he is being with Stede is actually Ed or not. Ed thinks nobody can possibly like him, so he constantly tries to perform to whatever expectation his direct peers have of him.

Next to this main crisis, Ed is having another secondary crisis called "fuck I'm in love with this guy" and "does my crush like me back". This secondary crisis is heavily influenced by the first, because Ed thinks he is a terrible unlovable person, remember, so "does this guy who I think is the bee's knees return my feelings" becomes a lot more fraud than it would be for a person with a modicum of self-esteem.

Ed, who struggles with "who/what am I as a person", sees Jack as a person who is similar to Ed. They have a lot in common. They share a lot of backstory. They are both pirate captains. They used to do the same things. Ed always played Yardies and Whippies and Turtle Vs Crab, because really that's just pirate culture. The main difference between Jack and Ed is that at some point Ed outgrew this life, and Jack didn't. But Ed, who is bad at recognising himself as a person and to define his identity, is only sorta vaguely aware of that. In Ed's perception, him and Jack are very much alike.

So when Stede, Ed's new friend and crush who he already thinks is too good for someone like Ed, starts rejecting Jack and Jack's behaviour, and says things like "I don't like who you are around this guy", what Ed hears is "I don't like who you are". Ed hears Stede thinks Jack is a bad person, and because in Ed's head a) he and Jack are the same and b) Ed is a bad person anyway, Ed hears "you are a bad person".

"You were always going to realise what I am", says Ed, as he is leaving with Jack after Stede tells Jack to leave the ship. Note the dehumanising "what" instead of "who" Ed used for himself. Ed, who thinks he sucks and is an unlovable monster, thinks this is the other shoe dropping, and he's been waiting for it to drop all along, because someone great like Stede isn't for a guy like Ed. Stede was always going to see what Ed is.

Ed's leaving the Revenge/Stede is 100% down to Ed's abysmal self-worth. It's a self-perception born from childhood trauma that fucks Ed over several times during the show (and ultimately leads to his suicide attempt).

Ed is so busy having All That going on that he mostly fails to notice that Jack is playing him, or what exactly happens between Jack and Stede, that Stede perceives Jack as a romantic rival for Ed's attention/affection or that Stede too struggles with self-worth and that Jack is hitting him where it hurts all the time. Ed's headspace in this episode isn't "oh, two sexy guys I like, which one should I choose to be with". It isn't even "oh my old pal is being a real dick to my new friend who is feeling really insecure here". Ed's headspace is "I'm a terrible person and Stede is seeing it now and Jack wants me to do more pirate party stuff but Stede hates that so now they both hate me and I probably deserve that because I'm a monster".

Ed leaves for Jack as much as Stede an episode later leaves for Mary. It's the exact same situation. For Stede, his own trauma and self-worth issues show up in the form of Chauncey Badminton, telling him he is a monster and ruins beautiful things, and Stede's reaction is to agree because he already thinks that of himself, so he takes his horrible ruinous monster self away from beautiful things (Ed) and back to where it belongs (to a miserable life he was hoping to leave behind). And for Ed, no Chauncey Badminton is required, because he's already constantly thinking these things about himself anyway. From Ed's perspective, Stede tell him he is a bad person (just as Jack), so Ed agrees and takes his horrible self away from beautiful things he doesn't deserve (Stede) to a miserable life he was going to leave behind.

Neither Jack nor Mary actually feature into the leaving much. Neither situation is "leaving the new guy for the ex". They're both situations of "I have a fuckload of trauma and self-hatred and it destroys my actually pretty nice new relationship".

And this is very interesting as a parallel. It doesn't even end there! When Stede returns, and Ed hears where he went, Ed too goes to "you left me for Mary". Same as Stede went to "you left me for Jack". And neither of it is actually what was happening!

Stede doesn't leave Ed for Mary, and Ed doesn't leave Stede for Jack. They both decide, driven by very similar trauma, to leave because surely the other one is going to be better off without them.

[youremyheaven]

Jupiter & Rahu Influence Among Popstars

When I look at pop-stars across industries, I have noticed them all often having the same planetary influence showing up one way or another (usually nakshatra's ruling planet but less often, rashi lord as well).

Now, lets look at what or who a "pop-star" is. The simplest definition is that "a pop-star is a highly successful singer of pop music". Some would say that being a pop-star is the pinnacle of fame. They are at the very top of the entertainment industry food chain.

Actors pretend to be other people for a living but a pop-star is one who has to pretend to be an exaggerated version of themselves for a living. Most pop-stars have an alter ego or stage persona that they project, sometimes these alter egos have different names, other times they don't.

If you think about it, being exalted to the status of a superstar, akin to a God or deity and being adored, worshipped and obsessed over by millions of people, for being "you" is a bit bizarre in itself. Actors spend months making movies and playing a character, someone singing and dancing on stage and "being" themselves sounds simpler even though, in truth, it is a much harder job. If your full time job was being an exaggerated version of you, you'd struggle immensely with your sense of self. Most people would have some kind of breakdown, being unable to distinguish between what is "really" them and what belongs to the persona.

I'm by no means suggesting that Jupiter influenced people are exempt from having an identity crisis. In fact, I would say its the opposite. I think due to the expansive and boundless nature of Jupiter, which has a tendency to exaggerate the effects of whatever it touches, most Jupiter natives kind of permanently live in a state of "in-between-ness" , this feeling of being stuck in limbo is reflected in how each Jupiter ruled nakshatra falls between two rashis, one air and another water.

Punarvasu- Gemini & Cancer

Vishaka- Libra & Scorpio

Purvabhadrapada- Aquarius & Pisces

These 2 elements are very different from one another, Air element is typically associated with the intellect and ideas, whereas the Water element is associated with emotions, spirituality, wisdom etc. So, Jupiter, the planet of luck and abundance, the "Guru" (teacher) is one that is "well rounded" in the sense that it is both practical as well as spiritual and emotional. This also insinuates that, in order to amass abundance and be fortunate in life, one has to have a mixture of opposite qualities and be "well rounded". Duality is an innate theme of Jupiter, and whilst many think of duality as having opposite qualities, its wiser to think of Jupiter as the union of opposites. Light and dark, good and evil, feminine and masculine, peace and violence, love and hatred, all co-exist together here. Due to the scholarly "Guru" nature of Jupiter, it becomes the duty of its native to rise above the lower manifestations of these energies and embody the principled nature of it. In this sense, its not just the "meeting" of good and evil but the triumph of good over evil.

I had already explored in a previous post about how having an alter ego/multiple identities is kind of a Jupiter thing. Most Jupiter influenced individuals majorly struggle with their identity simply because they feel like they're "all things" and this sort of commercial marketing of "aesthetics" and "niches" is very limiting. They're all things, all at once. This can be disorienting for others who struggle with their identity for other reasons (Nodals who struggle with over-attachment and detachment, Malefic gworls who don't have very many hobbies/interests/passions to base their personality off of). Its hard to explain what "being everything" is like to people who don't have a sense of self/reality to begin with, or those who have a very narrow or rigid understanding of themselves. We're familiar with Rahu mania but Jupiter mania often flies under the radar because they seem so put together on the outside, unlike Rahuvians who wear their madness on their sleeve.

Most people would have a tough time figuring out how a Jupiter native actually felt or if they were going through something in their personal life because they're usually stoic af and very well kept. Their world could be falling apart but they will never lose their etiquette or their manners. This can lead to scenarios where they're either not given adequate consideration for their suffering because they dont "look/seem" like they're going through it OR people tear them apart for seeming too "cold/nonchalant" even in the face of crisis. People like to see vulnerability because it makes others more humane and relatable and sometimes the stoicism of Jupiter natives can irk others because it makes them seem robotic or beyond human.

How does all of this tie into Jupiter being the most common planetary influence among pop-stars?

I had already mentioned that pop-stars are idolized for simply existing. Having the expansive energy of Jupiter helps one become a vessel for the projections of others. You can be anything or anyone to everyone. I have observed Jupiter influenced individuals code switching irl, in the sense that they have an entirely different personality depending on who they're interacting with and usually have several different friend groups that have nothing remotely in common with each other.

Many anons have mentioned dating Jupiter men who seem very sweet and giving and then being mindblown when they turn out to be insane party animals who smoke and drink till they drop and go batshit insane at the club. They seem too "goody two shoes"-y to be about that life, yet they are.

Being a performer/pop-star seems to suit Jupiter natives because it gives them an outlet to channel their manyyyy sides. Even their alter egos have alter egos and if they had to live normal lives, it would kinda drive them crazy unless they found some phenomenal ways to compartmentalize all that stuff. Not to rely on anecdotal evidence (I'll cite more "celebrity" examples after this) but there's a guy I know whose chart is heavily Jupiter influenced and he is the most responsible family man ever and provides for his whole family but he is also extremely passionate about weed, does not say no to a drink and LOVES to party. He lives in an apartment complex with a lot of people our age and mf is always at someone's house party 😭😭 I am in no way implying that these things CANNOT co-exist, that you can't both be a hardworking family guy who looks after everyone AND drown yourself in booze but typically the kind of person you associate with one kinda lifestyle is not who you associate with the other, if ykwim

There are many examples of these "contradictions"

Miley Cyrus, Vishaka Moon

She is known for her wild, freaky stage performances and her no-nonsense personality but beyond all that, Miley is a homebody who has a gazillion animals and lives a very "simple" (or simple, for a celebrity anyway) life.

Beyonce, Vishaka Moon

Beyond all her glamour, Bey is veryyyy lowkey and raises honeybees in her backyard and harvests her own honey. She's very spiritual and is all about her family and minding her own business. I know this isn't news to anyone but isn't it interesting how the biggest pop-star of our time, known for her fierce performances and larger than life persona, is actually a tradwife? A proper Southern lady, if you will.

Jennie, Vishaka Moon

In a recent interview, she said:

"Anyone who meets me will say I’m so far from what I represent as me onstage...it's a part of me , a switch inside of me that I can just click.”

(This is SOOO Jupiter coded of her)

Jennie's friend Deb Never described her as:

“She’s shy and really humble and very sweet,” she says. “And then as soon as it comes to music and how she performs, it’s this flip side, this opposite person where it’s like in your face and very outspoken. It’s not like she’s acting. It’s being able to let out a whole other side of you that you don’t get to in real life. There’s a vulnerability in that.”

I had mentioned a few times previously about how Jupiter and Rahu's energies can be veryyyy similar. Jupiter has more structure and can keep the mania and obsession under wraps a bit more than the average Rahuvian (Jupiter is a benefic, Rahu is a malefic, so the limitless energies are channelled in more "beneficial" ways by a Jupiterean and in less beneficial ways by a Rahuvian). Looking at the charts of entertainers who were/are highly successful, the Jupiter + Rahu influence recurring is crazyyyy.

Frank Sinatra is considered one of the earliest pop-stars. He is a Shatabhisha Moon.

Elvis Presley, Shatabhisha Moon

Aretha Franklin, Punarvasu Moon, Vishaka Rising

Billy Joel, Punarvasu Rising

Michael Jackson, Shatabhisha/Purvabhadrapada Moon

I am not trying to imply that people without Jupiter influence can't be pop-stars, they can!! But when they aren't Jupiter influenced, they're usually Nodal

Mariah Carey, Punarvasu Moon

Whitney Houston, Shatabhisha Rising

Celine Dion, Venus atmakaraka in Purvabhadrapada and Mercury amatyakaraka in Purvabhadrapada

Taylor Swift, Ardra Moon

Diana Ross, Vishaka Rising

Eric Clapton, Swati Moon

The shapeshifting ability of these natives is what allows them to flourish in an industry where you're essentially selling yourself as a product.

Adele, Ardra Rising

Lady Gaga, Swati Moon

Ariana Grande, Ardra Sun

Rihanna, Shatabhisha Sun

Dua Lipa, Ardra/Punarvasu Moon

Katy Perry, Swati Sun/Mercury/Rising and Vishaka Moon

Billie Eilish, Purvabhadrapada Rising

Shakira, Punarvasu Moon

Lana Del Rey, Ardra Sun, Vishaka Rising

Halsey, Punarvasu Moon & Mars, Vishaka stellium (Venus/Jup/Rahu) and Swati Mercury conjunct Rising

Janet Jackson, Ketu conjunct Rising in Vishaka

Lorde, Vishaka Sun & Mercury

Sabrina Carpenter, Purvabhadrapada Moon & Rising (she's also Bharani Sun and that's why she's an it girl)

Chappell Roan, Shatabhisha Sun/Jupiter/Ketu

Charli XcX- Ardra Rising

[wilcze-kudly]

Using the Avatar state scenes as an example and saying this is katara relationship with aang is so vile 🤦‍♂️

https://www.tumblr.com/sunandmoongobrrr/662596151677190144?source=share

Ugh this take again. It honestly always exhausts me to see this because the thing about Aang going into the Avatar state is that it is, at it's core, a defence mechanism. Aang goes into it in life threatening situations, or otherwise, incredibly distressing situations. I've even pointed out its similarities to panic attacks:

Katara is an incredibly empathetic person, and she is able to emphasise with Aang's pain. Because a) she's just that type of person and b) her and Aang share the trauma of genocide and loss.

Katara's interactions with Aang when he is in the Avatar's state aren't based around tempering his anger, but providing comfort and reassurance. It almost seems that Katara just reminding Aang that she is there and that she cares is usually enough to calm him which makes sense. Because, at the core of it, Aang's greatest pain, likely the root of most of his nrgative emotions is that he is the last airbender. His people are dead, have been dead for ages. He is alone, the last of his kind, and it destroys him.

Aang: [To the winged-lemur.] You, me and Appa; we're all that's left of this place. [Looks at the lemur.] We have to stick together.

Enter Katara, who reassures Aang that she is with him, that she cares, that she won't leave him. Because she sees that he is hurting. She hugs him as normal people hug their friend when they are upset, and later, when their relationship is more established, it's just enough for her to make eye contact with him and remind him that she's there.

Katara : Aang! I know you're upset and I know how hard it is to lose the people you love. I went through the same thing when I lost my mom. Monk Gyatso and the other airbenders may be gone, but you still have a family. Sokka and I! We're your family now!

And I truly don't think Katara does this out of a sense of obligation or fear. She does this because she sees her friend, and later, romantic partner, is hurting. And she knows that pain intimately. So she offers her comfort. Of her own free will, because she cares.

Katara : Do you remember when we were at the air temple and you found Monk Gyatso's skeleton? It must have been so horrible and traumatic for you. I saw you get so upset that you weren't even you anymore. I'm not saying the Avatar State doesn't have incredible and helpful power ... but you have to understand ... for the people who love you, watching you be in that much rage and pain is really scary.

I think the emphasis on "the people who love you" is important here. Katara isn't afraid of the Avatar state itself. She is saddened and scared for Aang, because she knows he is in pain. And he is someone she loves, be that platonically, or romantically.

Side note; I always found it so cool that when Aang went into the Avatar State in the Avatar State episode and wreaked havoc on general Fong's base, Katara, who was literally in the middle of it, remained completely unharmed.

See, the theme with Avatar is that holding onto anger and pain can be incredibly self destructive. We see this, of course, with Zuko, but also with Aang and Katara.

Of course, we're shown how one's anger affects others, but we also see how painful it can be on oneself. Which is a very poignant theme that isn't often explored.

This is what Aang was trying to communicate to Katara in The Southern Raiders. And this is what people like this, who commented under OP's post don't get.

Oh, something crazy? Like for example going against her entire morality and do something she might regret for the rest of her life? That type of crazy? Hell, look at how strongly "The Southern Raiders" ties back to "The Puppetmaster", an episode about a victimised Southern Waterbender driven to near madness by her grief pain, and rage.

Aang isn't stopping Katara from feeling anger, he's trying to make sure she doesn't do something that will weigh on her and compromise her morals and ideals, because he knows how important they are to her.

Aang: The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.

Hell, he even supports and believes in her, letting her take Appa and believing she would make the choice right for her. Which she did, in the end.

Aang: I wasn't planning to. This is a journey you need to take. You need to face this man. But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

And no, I don't think he was trying to save face, since he has never had a problem disagreeing with Katara before, for example in the Avatar State episode, where he followed his sense of duty as the Avatar, despite acknowledging and valuing her criticisms of the matter.

Aang and Katara's relationship is one of mutual support, particularly in helping alleviate each others pain, since they are both genocide survivours, both lost a parental figure to the fire nation, both value their cultures and desperately try to perserve them etc.

I think some excellent aymbolism of this can be in how Aang tries to help Katara with her dismay and discomfort around losing her mother's necklace, something she's expressed was very valuable to her due to her loss. First by making a symbollic replacement, and then risking himself by retrieving the necklace from Zuko.

I also genuinely enjoy that in both of these instances, Katara put the necklace on herself? Like it would be so easy to just make a cliche meaningful scene where Aang puts it on her and "proposes" but theres almost something more appealing to me of Katara taking the necklace from Aang and putting it on completely on her own.

Katara does not need Aang to calm her down when she's angry, because, with the exception of the Southern Raiders, her anger is usually benign squabbling which is completely normal 14 year old behaviour. Wheras for Aang, his anger usually rears its head on rare occasions when he's in deep distress.

But Aang is there to comfort Katara, to bolster her confidence, to support her, make sure she's having fun almost whenever she needs it.

These are just a few examples of Aang providing comfort to Katara.

These actions may not be as bombastic and awe worthy as Katara ripping Aang out of a state of deity like power, but they are nonetheless important to Katara and make a big difference.

Aang and Katara's live language with each other is providing comfort, in any way they can. Be it by alleviating anger and pain, making the other feel good about themself, or connecting over the horrific genocides that brutally deprived them of their loved ones. You know, just normal couple things 💗

And this is where I could slander Zutara, but I'll simply tactfully say that Zuko... prioritised things other than Katara's comfort and happiness.

Also, incredibly rich that one of OP's examples of Aang going into the Avatar state out of anger was in the comics. OP neglected, however, to include the scene leading up to this where Aang is extremely calm and nonconfrontational until Zuko grabs Katara and refuses to let go of her despite both Aang and Katara telling him he's hurting her and then attacking Aang after Aang knocks him away from Katara.

Like hun this is not a good look.

And another point I'd like to raise is this persob in the comments who apparently watched the show blindfolded.

why are we still here just to suffer etc etc. Like have you folks even watched the show why do you have beef with a twelve year old who commited the crime of loving a girl his age. If you're that fucking upset about it you can just not have him do that in your mind palace you don't have to pick violence.

Aang is a genuinely amazing character who deserves so much more than what his haters say. It's fine if he's not your fave character I just don't understand why people have to be dicks about it.

Genuinely the only good thing I get from examining this type of bullshit rethoric is that it lets me inspect Kataang more closely and find new things I genuinely love about it.

[silenzahra]

My first Super Mario fankid: Violet "Violetta" Fiorella 💜✨

Surprise! 😄

(I know I'm VERY late jumping on the trend of Super Mario fankids, but I'm afraid I'm a very slow writer, and also, I've been incredibly busy lately, but hey, better late than never I guess!)

Even before I lost my old blog, I came up with the idea of my very first Super Mario fankid, and since Luaisy are my favorite couple, of course they had to be the parents! 💚🧡

Since I can't draw, I've used a couple of picrews to create my girl, both as a little child and as a teen, and you'll see that I actually really liked the second picrew as I just couldn't stop creating more and more outfits for her 🤭 (There are actually a couple that I haven't included but I'm always happy to show them if you're interested because she looks so CUTE).

I've been working on this little girl for a couple of months now and I couldn't wait any longer to introduce her to you all at last! Besides, today is the perfect day because it's her birthday, so I hope you're ready to meet Luigi and Daisy's first daughter! 😄💜 (in my lore of course!)

Special thanks to my beloved big sister @vulpixfairy1985 for helping me out regarding some of the nicknames for my beloved Violet! I owe you big one 🫂💖

@bberetd @megamagimugi @peaches2217 @oh-my-gosh-its-j0sh @pepperycar

@kelbreyworshipper @keakruiser @dragon-fly34 I thought perhaps you'd be interested in meeting this little girl 😊 Also, @itsavee4117, you might find a little surprise regarding this post 🤭💖

You'll also find hints to two of my stories, Green, Orange and a bit of Purple and Biggest fear, as well as my own headcanon posts: Mario and Luigi Musicians, Luigi the Bookworm and Luigi serenades Daisy. Also, here are the picrews I used: this one and this one.

Without further ado, let's-a go! ✨

✨💜 Violet "Violetta" Fiorella 💜✨

Violet: age 5 - age 13

Violet Fiorella is Luigi and Daisy's first daughter. She was born at dawn on the first day of autumn, being a late baby, as she was expected five days earlier. She inherits Daisy's facial shape and Luigi's slim, lanky body. Her mouth and nose are like her mother’s, while her eyes and hair, she got them from her father. Her skin is tanned like Daisy's, and her cheeks, rounded like her uncle's, are dotted with freckles.

Her name was chosen not only because of the flower, but also because it alluded to her mom's favorite color, purple. Her dad wanted to add a middle name reminiscent of flowers, but in Italian, his native language, so that his daughter’s European roots would be important in her life from the very beginning.

Early years

Almost from the moment she was born, Violet proved to be a very sweet and giggly child. She’s always smiling and showering everyone with hugs, and as soon as she learns to give kisses, it becomes her favorite way to interact with others. Her father holds her in his arms? Kiss on the cheek. Her mother tucks her in to sleep? Kiss on the forehead when Daisy leans into her. Aunt Peach and Uncle Mario bring her a new toy to add to her collection? She hugs and kisses them as she laughs nonstop, and of course, they melt.

Violet is brave, daring and very curious. She wants to explore the world on her own, no matter how dangerous it can be or how small she still is. Everything catches her attention. Her dad's mustache, which she starts to pull almost every day as soon as she learns to grab things. Her mom's freckles, which she traces so enthusiastically that more than once she’s been about to stick her tiny finger in Daisy's eye. Uncle Mario's hat, which she doesn't hesitate to steal from him every time she’s with him, which gets a few laughs out of Mario, especially when he sees how big the garment is for his niece. Aunt Peach's brooch, so bright and shiny that she can't help but try to take it off. Always so practical, Peach finds the perfect solution: she gives Violet a small pendant with the same type of jewel embedded in it, so that aunt and niece match.

Because of the adventurous spirit that runs through her veins, Violet is not afraid of anything. From the instant she starts crawling, she starts wandering around her home on her own, taking advantage of the slightest occasion when her parents look away from her, even if it's only for a mere second. This makes Luigi and Daisy twice as vigilant, especially when she starts to walk. They’re forced to take certain measures to make their house completely safe for their intrepid little daughter, such as covering all the sockets or putting fences in the most unexpected places.

Violet learns at a very early age that, when she wakes up, it’s better not to cry, but to climb the bars of her crib, so that she can escape to explore on her own without her parents' supervision. Luigi and Daisy, exhausted after watching over her safety and dealing with her inexhaustible energy during the day, receive no warning that their daughter has woken up and thus they must be alert again. Also, because their little girl is so active, Luigi and Daisy often fall fast asleep after putting her to bed and sleep very soundly, so Violet knows that every morning, she has precious time before either parent wakes up and the fun is over.

Fortunately, from the first time this happens, Polterpup is quick to come to the aid of his new little friend. As soon as he notices that Violet has climbed out of her crib, he rushes to her side. Luigi and Daisy usually leave their bedroom door open so that Polterpup can comfortably get in and out during the night instead of walking through the walls, which is why Violet has no trouble reaching the stairs. Polterpup barks at her, worried that she might hurt herself, but since the toddler won’t stop exploring, the dog lunges forward just as she jumps up and the girl falls onto his back with a loud laugh that turns into a squeal of excitement.

Which, at last, causes her parents to wake up, and as they rush out of their room, they find Violet riding on Polterpup and laughing happily while the puppy, barking enthusiastically, carries her back and forth through the house as if they were in the middle of a race. It is here that Luigi and Daisy realize that they must do something if they want to prevent their daughter from getting hurt and their poor ghost dog from having to babysit her.

While Daisy was pregnant, Luigi acquired the habit of reading for some minutes every night before bedtime, not only to her as it’s become their custom since they started dating, but also to their baby. He has vivid memories of his mama reading to him and Mario when they were little, and he wants to keep this beautiful tradition. He used to stand cross-legged next to Daisy, holding a book in his hand while stroking her belly with the other, and Daisy used to fall asleep to the soft cooing of his voice. After Violet was born, Luigi continues to do this, this time carrying his little girl in one arm while Daisy, after breastfeeding her, rests at his side. Both mother and daughter fall peacefully asleep listening to Luigi, giving him a few minutes to enjoy the warm presence of his two flowers without interruption.

Because of this, as she grows older, Violet proves unable to rest without her dad's goodnight story, which fills him with pride and joy. As soon as she learns to grasp things, like a good curious child, Violet begins to take her father's books away from him to glance through them and examine them herself, observing them as closely as if they held all the secrets of the universe. Luigi has to hold back tears of emotion when he realizes that his beloved little daughter will be a bookworm like him.

In Luigi and Daisy's home, music is never absent. It was key during their courtship and continued to be so after they got married, and of course also when they welcomed their first daughter. In fact, soon after returning home from giving birth, Daisy gets into the habit of taking her baby in her arms and gently rocking while sweetly singing and cuddling her, and Violet giggles with delight. Luigi often joins them, sometimes even grabbing his ukulele to improvise some tunes, as he used to do for Daisy.

This way, Violet begins to adore music and dance from a very young age and falls completely in love with her dad's instruments when he uses them for her for the first time, especially his guitar. She grows up surrounded by notes, chords and dances, and learns to keep time almost at the same time as she learns to clap her hands. Music and dance are in her blood, and her parents couldn't be prouder.

Since Violet is named after a flower, Luigi takes her to his garden when she’s only a few months old and begins to show her the plants and flowers and tell her about each one. To no one's surprise, as soon as Violet discovers the beautiful flowers with which she shares a name, she begins to feel a special fondness for them, and as soon as she learns to express herself a little, she asks to always wear something purple in her outfit, preferably with a flower pattern. Luigi teaches her how to braid flower crowns, and him and Violet together, they create a series of different crowns that she then gives to Daisy under Luigi's attentive and moved gaze.

Given that both her father and uncle are of Italian descent, they often speak in their native language to the girl ever since she’s born. Luigi, moreover, often calls her Violetta, the diminutive form of her name in Italian, and she adores it and always showers him with kisses whenever her dad addresses her by that nickname. She also loves that Uncle Mario calls her by her middle name, Fiorella, or that he uses some of the affectionate nicknames he’s given her, such as Fiorellino or Petalo, both words that refer to flowers in Italian. After all, as Mario always tells her, she is his favorite flower of all those that exist in the world.

Daisy, for her part, usually speaks to her little girl in Spanish. Most of the songs she sings to her as a baby while rocking her in her arms are in her native language, many of them written and composed by Luigi, Daisy's favorites. The princess also buys tales in Spanish for her daughter, and joins her husband in reading them to her, with Luigi narrating and Daisy playing the characters, gesturing in an exaggerated manner to make Violet laugh. Besides, Daisy calls her Violeta, the Spanish version of her name, but she does so with a different intonation from Luigi, which makes Violet always able to differentiate the way her name sounds in her parents' respective languages. Daisy often chooses to call her “florecilla” or “mi pequeña flor,” which brings the most radiant smile to the little girl's face, and she doesn’t hesitate to hug her mom and shower her with kisses.

Besides being very active and curious, Violet is also very imaginative. The stories Luigi tells her prompt her to ask him many questions in search of other ways in which this or that story could have ended, and Luigi always encourages her to invent the ending she likes the most. And Violet does: with her eyes sparkling with excitement, she tells him how the evil witch or the ruthless ogre is defeated by a brave warrior in shining armor who defends and protects the princess before anyone can harm her. Many times, she even draws the scenes she invents with her colored pencils. Luigi treasures each of her drawings with all his affection, but Daisy worries that they have almost no room left on the fridge to hang them.

From a very young age, Violet shows a great affinity for sweets that becomes excessive over time. She is often discovered by Daisy or Luigi in the kitchen, climbing on the counter with the help of Polterpup and stealing cookies, and this scene keeps repeating over time even after her parents start to devise new hiding places for the cookie jar. Also, when Luigi and Peach prepare a cake together, they can't leave it unattended for a second, especially if it's chocolate, Violet’s favorite flavor, or else they'll run into the toddler attacking the cake with her tiny fingers and devouring the cake frosting before going for the sponge cake. Just like her mother.

Over the years, her parents try hard to teach her to be patient and wait for the cake or cookies to be served during tea time, and, of course, they set her limits when it comes to sweets. For, on more than one occasion, Violet has been sick to her stomach for having such a sweet tooth and disregarding her parents' advice and warnings.

One thing she’s inherited from Uncle Mario, besides his adventurous spirit, is his stubborn side. Even though Violet is usually a quiet baby, on very rare occasions she throws tantrums that cause her face to turn as red as her uncle's cap and Luigi to seriously fear for the endurance of her lungs. Fortunately, Daisy soon discovers that, as in Mario's case, it is Luigi and Peach who can get little Violet to calm down as quickly as possible.

As she grows up, Violet’s stubbornness continues to show up, although, fortunately, not very often, as the gentleness inherited from her father is stronger.

Family

Luigi and Violet often have fun gardening, singing together around the house and going to the children's section of the library or bookstore. The girl already has her own bookshelf in her room, and Luigi is more than happy to help her expand it so they can read her new addition together. As his daughter slowly grows up, Luigi develops the habit of telling Violet stories at any time beyond bedtime: while feeding her, while dressing her, while bathing her... And Violet is always spellbound listening to him. It is, in fact, thanks to Luigi that Violet develops a love for reading and stories and, indeed, she ends up becoming a bookworm like her father.

Since becoming a father, Luigi has composed numerous songs for his daughter, many of them created half-heartedly with Mario, who also melts with love for his niece. Often, Luigi grabs his guitar and starts singing to Violet, who promptly joins him in clapping her hands and singing the lyrics in unison. This is how many mornings tend to pass in Luigi and Daisy's home, and it isn't long before Violet asks to attend a concert by her dad and uncle. Unfortunately, she’s too young by then (four years old), so she still has to stay at home.

When Violet is one year old, her parents try playing a movie for the first time, and find that the girl seems entertained, but, halfway through the film, Violet suddenly gets up and asks her parents to go out into the garden to run and play a bit. Daisy almost melts when she realizes that her daughter has inherited this from her, as she needs to do exactly the same thing every time she sits down to watch a movie with Luigi. Little Violet's energy is just as inexhaustible as that of her mother.

It's thanks to this that Violet and Daisy start to go out into the garden to run and climb trees together as a way to let out their endless adrenaline. They also have a great time dancing around the house and improvising karaoke sessions that delight Luigi. Daisy encourages her daughter to unleash all her energy and bring out her wild side, no matter what anyone says. Not only does she not scold her for wallowing in the mud after the rain, but she joins her and they end up laughing together in the middle of a mud puddle, with Luigi shaking his head resignedly, but unable to erase the loving smile off his face.

Eventually, moreover, Daisy begins to teach her daughter how to fight, not only as another way to let her adrenaline loose, but also so that she can stand on her own two feet. At the same time, she shows her the different dances typical of the four kingdoms of Sarasaland and encourages her to continue cultivating her mind in the company of her father. Thanks to Daisy, Violet becomes an excellent warrior, as well as an expert in the original dances of the empire over which she will one day rule.

Aunt Peach loves to organize tea parties with her niece, and Violet has a great time playing princesses with her and all her toys. Peach also loves to do her hair and sew her not only clothes, but also stuffed animals, and she often takes her niece shopping. Violet doesn’t have a specific preference for one type of clothing, but likes everything: dresses, skirts, pants, overalls, blouses, shirts... And the same goes for colors, although she has a certain inclination for blue, purple and pastel shades.

So she loves it when Peach surprises her with new dresses or a trendy jeans and blouse outfit, clearly influenced by the culture Mario and Luigi come from. Peach and Daisy often get together for snacks and shopping and take little Violet with her, whether it's to buy her clothes or books, treat her to ice cream or take her to the park to play. And she has a great time going out with her mom and aunt.

Later on, moreover, Peach decides that she should start teaching Violet how to behave in court, because, after all, her niece is the heiress of the Sarasaland empire. Luigi, despite not being an expert in the matter, joins her whenever he can, imitating his friend's gestures to make sure he instills them in his daughter, but Peach is the main one in charge of telling Violet about the best way to run a country and about the importance of diplomacy to establish good relations with other kingdoms.

With Uncle Mario, the girl has even more ways to release all her adrenaline. He always encourages her to play active and fun games that make her run around the house or the garden and laugh out loud, so that when it's time to go to sleep, she usually falls asleep right away, which both Luigi and Daisy appreciate. Mario has a great time playing tag with his niece, playing hide-and-seek, or pretending to be a huge monster that wants to catch her to tickle her. Other times, on the other hand, he happily pretends that she’s a brave and fearless heroine who valiantly faces the monster and takes it down with the same weapon: tickling. Mario himself often sleeps like a baby after spending an afternoon in the company of his niece.

Just as Daisy begins to teach her daughter how to fight, Mario does the same. He teaches her different techniques from Daisy's, so that Violet knows a variety of ways to defend herself if necessary, and he’s also the first one to show her the power-ups. With Luigi's permission, Mario starts with the simplest one: the mushroom, which makes Violet laugh hysterically as she looks much bigger and taller than she is. Later, both brothers show her the Tanooki Leaf, with great enthusiasm from both of them, although Luigi can’t help but feel a bit nervous and even fearful for his daughter’s safety. For the Fire Flower though, they decide to wait until she is older.

Violet loves alone time with each member of her family, especially her father, but she loves it when they all go out together to enjoy a picnic or shopping at the Coconut Mall. This gives her the opportunity to sing and dance with them all, to play her craziest games with Uncle Mario, and to take her favorite plushies for her and Aunt Peach to take care of together.

From a very young age, Violet loves to be dressed like Peach and Daisy, with long and beautiful dresses and wearing on her head her own “little princess” crown, a gift from Aunt Peach for her eighth birthday, when she also gives her this nickname. This is a custom that Violet never loses, as she’s very aware of her role as future heiress of Sarasaland, and wears her dresses and crown with pride, always feeling comfortable in her princess attire.

Even though she has dresses of all colors and for all tastes, her favorites are those in her parents' signature colors, being the ones that remind her of her uncle and aunt the second ones in the list. Of course, Violet loves to give them her own distinct touch with her light blue or lilac stockings, always with floral patterns.

On the other hand, she also loves to wear overalls and pretend to be a great plumber like her dad and uncle, and she continues to wear these garments as she grows up, as she finds them very comfortable and manageable. And both Luigi and Mario are unable to hide their excitement at the sight of their beloved Violet wearing an outfit so similar to their own, even when she’s no longer a child.

Violet loves to combine her parents' colors in her outfit and mix them with the blue of her overalls or the purple and orange of the flower crowns she often wears in her hair and that her mother gladly lends her. Her favorite overalls are dark blue, similar to her father's, although she also has some lilac ones that she adores dearly. She also loves the striped socks that Luigi usually wears, though in Violet's case, she prefers to wear them green, orange or yellow. Sneakers are her favorite footwear, comfortable and perfect for running, dancing or fighting, and she has them in several colors.

Mario and Luigi's family adore little Violet with a passion. Mia and Pio are always over the moon when her parents bring her to Brooklyn, and they often go out together as a family to show her where her dad and uncle grew up. Mia also sews tons of clothes for her granddaughter, often agreeing with Peach to combine their skills and create a lovely outfit for Violet between the two of them. Pio loves to take her out and play with her and is incredibly proud every time he discovers that his granddaughter has inherited some of his traits.

Violet loves devouring the delicious pizzas at Punch-Out Pizzeria and running around Central Park chasing the ducks, especially after hearing the story of the vampire duck that attacked Luigi the first time he and her mom went out together. Also, when Luigi first takes her to his favorite bookstore in Brooklyn, she falls in love with it at first sight.

In the Mushroom Kingdom, as the niece of Princess Peach and her consort husband, Violet is treated with all the comforts and luxuries, as befits a little princess. She’s adored by all the Toads, court, palace guards and ordinary citizens alike, and they keep greeting her and giving her gifts whenever Luigi and Daisy take her for a visit. Mario and Luigi's best friend even proclaimed himself as little princess Violet's new best friend from the day he met her, and she always has lots of fun going on picnics with him or embarking on a new and not at all dangerous adventure together. Like spotting squirrels around Peach's castle or hanging on to the legs of a bramball for at least five seconds without getting a puncture. Besides, Toad tells the best jokes and always knows how to make his little friend laugh.

In Sarasaland, of course, Violet is treated with all the honors that the future empress deserves. King Crisanto is delighted in his role as grandfather, and all of Daisy's other parents also shower her with attention and make sure to remind Daisy of all the fighting techniques she learned with them so that she can pass them on to her daughter when the time comes.

Pre-adolescence

At age thirteen, Violet is a happy child who has a multitude of hobbies and skills and who knows she’s loved and adored in her family. Despite her young age, she’s well aware of her future responsibilities as the ruler of such a large and immense country and has made an effort to learn all about the different cultures native to each kingdom. She’s visited them many times with Daisy and Crisanto, and thanks to Luigi, she’s able to recite the history and customs of each of them without a moment's hesitation. Of course, the values and knowledge that Peach has instilled in her make her a very educated and intelligent little princess.

Violet loves to read. Usually, shortly after returning from school and after spending some time with her parents, she usually locks herself in her room to read and is absorbed by the stories she consumes in exactly the same way as her dad. Even so, the restless and energetic nature she inherited from Daisy requires that, after a couple of hours, she switches from reading to a more lively activity, such as dancing or going out into nature to run with Polterpup and climb trees. Daisy often joins her, and the two feel as connected as they did when Violet was a girl.

Despite this, there are times when their characters clash. Violet is still as sweet as the first day, but when she gets angry she’s more prone to have an argument with her mom, who tends to get angry very easily. That's when Luigi intervenes: alone or with Peach's help, he prepares a delicious cake and leaves it, on purpose, in the middle of the living room, so that both mother and daughter are attracted by such a delicacy and end up attacking it together, with their bare fingers, just like Violet did when she was little. It is during this little moment that they begin to talk and end up making peace, after which Luigi comes out of his hiding place and hugs his beloved flowers tight, satisfied that he achieved his purpose. Fortunately, these discussions don't happen very often, or else not only Violet would get sick, but Daisy as well.

Thanks to Uncle Mario, Violet is quite an expert on all the types of power-ups that exist, and Luigi and Daisy have made sure to extend this knowledge to her as far as Sarasaland is concerned, since, as Mario well made sure to teach her, not all power-ups can be found with the same ease everywhere. Her favorite is, without a doubt, the Tanooki Leaf, as there’s nothing that matches the feeling of flying and freedom that this power-up gives her. However, she also loves how powerful throwing fireballs or ice balls makes her feel and has no qualms about admitting that she loves seeing her dad and uncle transformed into cats. She often giggles hysterically before she starts chasing after them to cuddle with them, something she’s done since she was a little girl.

At last, after much insistence, Violet has obtained parental permission to attend Luigi and Mario's concerts. In the reserved area set aside for their families, Violet stands against the fence, with her arms resting on it, screaming and jumping up and down during the concerts. She considers herself her father and uncle's number one fan, and knows absolutely all their songs by heart, whether they are in English, Spanish or Italian. Violet speaks all three languages fluently and has no preference when it comes to singing or communicating.

Shortly before her twelfth birthday, she began attending royal receptions in the company of her parents. At these times, Luigi encourages her to remember everything that Aunt Peach has taught her, and Violet proves that she’s very good at handling herself in court. Maybe even better than her parents, as she seems to have inherited it naturally from her grandpa In addition, she usually dresses very stylishly, especially thanks to her aunt, who always takes her wishes and opinions into account when it comes to giving her new dresses or sewing them herself. However, as a rule, Violet usually wears leggings under her wide skirts, mostly influenced by her mom, who insists that she should always be prepared for a fight and therefore as comfortable as possible. Peach supports this decision and even starts sewing her own leggings for Violet as well.

Violet is an expert in the specific care that each flower and plant needs to grow. Even though she has many interests, being surrounded by nature is what she’s most passionate about in the world, so she’s decided that while she must become the empress of Sarasaland someday, she wants to have her own corner full of beautiful flowers just for herself. Her grandfather has immediately made sure to set up a beautiful greenhouse on the grounds of Sarasaland Castle and has ordered seeds to be brought in from all over the empire so that his granddaughter will feel right at home every time she comes to visit.

Crisanto never hides how proud he is of his granddaughter and how much he adores her just the way she is. Violet loves spending time with him and listening to him talk about the plants native to the different kingdoms of Sarasaland, and often Luigi and Daisy join them and add a few details. Luigi also brings some seeds from Earth for his daughter, and with Peach's help, they grow them together in the Sarasaland greenhouse.

Mario and Daisy continue to train her daily and give her new challenges and tests, both with and without power-ups, to further reinforce her strength and defense skills. At the same time, Peach and Luigi educate her in manners, culture, history and other important subjects for her education and future.

Thanks to Luigi and Peach, Violet knows how to be the perfect princess.

Thanks to Daisy and Mario, Violet knows how to be the perfect warrior.

EDIT: Adding here the links to the beautiful drawings made by some of my incredibly talented friends!

-@bberetd's sketch of Violet Fiorella (+ Daisy + NES Peach). -@itsavee4117's fanart of Violet, her family and his fankiddos. -@megamagimugi's drawing of Toddler Violet and Polterpup.

Thank you all so so much! I'm truly so blessed 💖

[nitrowyverine]

I think I write dating sim/VNs/etc reviews now? Anyway,

LOST IN LIMBO REVIEW/THOUGHTS

This VN piqued my interest, so I gave the demo a shot! This review will follow the same general format as my Obscura/Touchstarved review, except there's 7 (!!!) romance options.

Since I totally loved this game, I'm going to put the conclusion promo up here too: if Lost in Limbo interests you, consider playing it Here, Here on steam, and/or backing it Here!

ALSO! THIS REVIEW CONTAINS SPOILERS FOR THE DEMO!

My (long winded) thoughts are below:

(Banner image courtesy of the Ravenstar Games tumblr account pinned post. Individual character pics courtesy of tumblr posts from the studio. Individual posts are linked in character titles.)

Gameplay design thoughts:

the plot immediately sucked me in, I'm pretty invested in whatever the hell is going on with the protag, the realms, the lords, etc. I think the setup/land are deep enough to draw me in, but not so intimidating in it's depth that I'm afraid to explore more.

I always enjoy a little bit of nightmare fuel in my games, so the voidbound are perfect. They're so gross and horrible, but not just a stock zombie/nightmare creature design. Whenever the voidbound pop up, it makes the back of my neck itch, which is perfect.

I have no idea whose route I'll pick first. Usually I have one candidate that I can pick out as number 1. This game however? I go back and forth all the time, since I love all of them. I do think I have bias for Ara/Gael/Amon/Envy, maybe?

I really want to design an MC to doodle for this, but I feel like I don't know enough about other people in the realm. (Mostly, I'm assuming that standard humans don't have pointy ears? how close to our reality is the regular world?) I might say "screw it" and design an MC anyway (with some speculative clothing for once they get cleaned up)

The backgrounds have been great set pieces so far. Sometimes I catch myself just kinda staring into space at them. They've got a fantastic flavor.

Misc. Thoughts written during a replay

Fun touch to have Evie's rock image from the beginning fortune shop scene line up with the 7 LI's color schemes.

Each of the VA's does a lovely job with their voices. I've been turned off of certain dating sims because of bad voice acting, but the acting in this game is superb so far. It really helps set the richness of the story.

I have a theory that the LI's (and possibly people in Limbo in general) experience pain differently. The characters seem largely uninterested in the MC's stabbed, weakened state, beyond a "Oh that sucks....we'll clean you up later" mentality. I wonder if they have different pain tolerances, or are just less attached to such things. (Then again, Amon and Raeya have full missing limbs/eyes, so they probably have a decent perspective on pain altogether)

What does wielder/non-wielder mean? Xal says the MC "Can't wield, can't see." What do the LI's see that we don't? Ara mentions that the MC seems "Completely normal". Many mysteries.

I need those monster forms like crazy oh my goodness. Please devs PLEASE SHOW THE MONSTER FORMS

Now, to the lovely love interests!

Amon

WHO LET THIS MAN BE OVER 7 FEET TALL? PRIDE YOU HAVE SOME EXPLAINING TO DO

I only just noticed he also has a few freckles, *chefs kiss* (Waaaiit do all of them have little freckle skin textures??? Oh this is a glorious day.)

It's hard not to love a big friendly guy. I was honestly relieved when he first showed up, because I did Envy's route first, and I was thrilled to see a friendly face in the big dark scary woods.

This does not mean, however, that I'm not excited to see what this guy turns into when he's mad.

I like that he has pity for MC when they first show up, but I do worry it makes his resolve weaker. I'm not as confident that he could handle society/reality breaking down as well as the others. Can he put aside his affable nature for when shit hits the fan?

Question: What level of fight had to happen for Amon to lose his eye? He's already huge, and has some sort of telekinetic powers. My theory is that he was taken by surprise, maybe by someone close to him.....(Envy I'm looking at you)

RIP Amon you would have loved Hawaiian shirts

Conclusion: Most likely to be the camp counselor who hurts his back from always giving piggy back rides. Least likely to keep his composure during a badly timed pun/dad joke.

Raeya

I'm fighting for my life whenever shes on screen good LORD

Similarly to Amon, I GOTTA know the story behind her prosthetic arm. Its so rad looking, but how did she lose a whole arm? (I am also considering that she was also not born with one)

Playing the demo again, she makes a specific comment about the monsters having not "infected a limb" of the MC. My bet is that's how she lost her arm.

I wish I could have spent 1:1 time with her, but it wasn't offered in the demo. I'd love to have like, a sit down discussion with her about history. (Well I'd be fine getting lectured about history and drinking tea and hanging out)

Out of everyone's motivations, I think I understood Raeya's the most. Even if she was against MC, I think her concerns are completely valid. If an alien fell out of the sky from a different reality to earth I'd ALSO be taking every precaution

She and Amon have matching ear chains, that's adorable....

I hope I can take her on a nice date and spoil her and let her relax in the full game, pretty please. Nothing bad will happen right???

Conclusion: Most likely to gently remind the waiter that you said NO pickles with your order, thank you very much. Least likely to admit to being the one who farted in a crowded room.

Envy

every other line from him is "UGGGHHH" and i love that for them.

After playing, I think I've finally realized that I've got a soft spot for grumps. just grumpy lil friends with their pouty faces

I want (vivi's) Envy's nails SO BAD. I need him to do my nails because theirs are perfect. Envy, envy PLEASE

They pretend not to care, but are already getting attached to the MC by the end of the demo. I can't wait to see what they're like when they actually DO get attached

Elephant in the room, what could he have possibly done to get himself demoted so severely? Everyone seems to be fine with him being demoted except Amon, who sheepishly vouches for him when he can.

I just wanna wrap him in a blanket burrito like you do with a spicy kitten. and then give him little smooches

Conclusion: Most likely to be they guy who gets one drink at a party and sits in the corner with the dog/cat all night. Least likely to allow their partner to willingly boop their nose with any regularity.

Pride

Old man yells at cloud? No....old man IS cloud.

The dev's tumblr has mentioned that he's a pathetic old man, but for now at least, I am afraid of his authority and power. since hes like. yaknow. the big god of this world

The VA did some fabulous work for his voice. I definitely got actual chills in certain parts. 10/10

Okay, so WHAT is this guy's deal with mirrors? He looks great, why is he worried about it. I sincerely doubt he's just 52 though, if he's a god. (as a note for all these interests, I have a feeling that the ages are their physical ages, and not their actual ages. Or at least, age relative to ours. I think they're much older in our years than in their years.)

We also didn't get any 1:1 time with Pride in the demo, so I'm fascinated to see what alone time with Pride would be like. Is he quiet? a chatterbox? Just a guy??? does he only play piano and not talk to you. (power move)

Conclusion: Most likely to show up WAY over-prepared for Parent-Teacher conferences. Least likely to understand and survive the cinnamon challenge.

Ara

Certified CUTIE PIE

We got a pretty clear demonstration of everyone's powers in the demo, except for Ara. Unless it was too subtle for me to realize, I'm not actually sure what her cool powers are yet.

If she DOESN'T have plant powers I'd be very surprised.

I keep wanting to think things like "I have to protect her" or "keep her safe at all costs". But then I remember she's likely absolutely terrifying, and I honestly should be actually afraid for anyone who gets in her way.

I would like to remind/inform everyone that so far, she is the only member of the cast who is visibly armed at all times. (Raeya doesn't count even if her arm claws look really really sharp.)

If I have to pick anyone to party with, it's probably Ara. I know she'd throw an absolute rager, but would also make sure you stay hydrated. I wanna hold her hand too. Please?

I'll go butch for her, i'll do it if thats what she wants. I'm weak

Conclusion: Most likely to be able convince you to give her your kidney. Least likely to let you skip a bloodthirsty game of monopoly because you "Have a headache"

Gael

where did he find pants long enough for him.

Okay. So its HIS fault that Amon has the deepest V-cut since time immemorial. Do you think Amon and Gael had an extensive argument about the minimum amount of clothes Amon has to wear at any given time? Because I do.

His powers certainly did not. Awaken anything in me. Nope.

he has the shortest and most perfect arc from stranger -> friendly -> ???? -> BETRAYAL

I am MASSIVELY curious about his dissociation/spacing out during the demo. He was 8 million miles away in the tower for some reason, and I HAVE to find out why. I just KNOW this man is doing some questionable shit with good intentions and I can't wait to find out what it is.

So, he has SOME issue with touch. No idea what it is, but I can't wait to find out what it is. Also noting he's the only one with full-coverage gloves in the cast. Interesting...

Conclusion: Most likely to cry after being sent those sad FB/insta animal stories. Least likely to let you open your own car/carriage/etc door under any circumstances.

Xal

He looks so soft. I have to bully him, in a good way. (Like grim from Date with Death)

I am fascinated as to why he would lie for MC. That's such a great hook to his character. What does a guy who so desperately wants to be left alone have to see to stick his neck out for a stranger?

SOMEONE get this man a NINTENDO DS POST HASTE

THIS GAME HAS TO GET FUNDED BECAUSE XAL SAYS HE HAS A CAT AND I WANT TO SEE IT!!!!!!!!!!!!!!!!!

I will do it, I will be the one to tuck him in when he is too eepy. I will carry him to bed and kiss his little head good night

Wait, if he can "Figure something out" by touching it, he could be like, the worlds greatest doctor. Xal please get off the couch and help me diagnose mystery ailments in a medical sitcom

Conclusion: Most likely to injure himself rigging up a Rue Goldberg machine to scratch his back. Least likely take it easy on you once he learns how to play super smash bros. (He's a fox/falco main)

Concerns:

What the Ravenstar team has already been able to accomplish is incredible. I'm worried that with 7 whole love interests (with a possible two more on the way if the kickstarter goes well), i'm worried the devs are taking on a whole lot of work. I think they're fully capable of taking this on, but I hope they don't burn themselves out in the process.

I'm pretty happy to see the kickstarter is moving along, but there's always the chance that something happens, and/or the kickstarter goal isn't met. BY THE TIME I FINISHED WRITING THIS IT GOT FUNDED LETS GOO!!! I still hope this project makes it all the way to completion beyond the kickstarter. Things can always happen, so Ive got my fingers crossed for the Ravenstar team!

OVERALL CONCLUSION:

I loved the demo, and I have now backed the project! The team is trying to hit stretch goals now, so share Lost in Limbo with your buddies! I crave content for this game like nothing else.

[ghoulfuckersincorporated]

I really don't think there's enough fics involving butt stuff with The Ghoul. He defo strikes me as the type who fingers your asshole while fucking you from behind just to watch you squirm. It's like a dominance thing for him when you've been disobedient, but you'll never admit how much you love being his submissive little slut. Are readers and writers just not into it? Or have I just been looking in the wrong places?

To comment: from what I've seen in the years I've been consuming and writing erotic fan content, stuff that involves anal does, in fact, seem to be weirdly polarizing (depending entirely on the writer and the audience you're publishing to, of course). I'm not entirely sure whether that's due to writers' own personal taste, audience preference, stigma...a combination of factors? It's definitely a phenomenon I've noticed. I also wonder if there isn't just a contingent of folks who have no experience with anal and therefore no interest in it.

Personally, I try to incorporate lots of different tastes and "moves" into my work, and I think the people that subscribe to this blog have come to expect that. Butt stuff is nowhere near the most potentially scarring thing I've exposed y'all to, and will continue to not be. :)

However, at the same time, when I feature actual anal sex in any of my stuff, I try to be at least somewhat tactful and depict is as a realistic sex act, which can be kind of a task sometimes when you're trying to be both erotic and not completely impossible. Poorly written anal scenes both aren't hot and kinda ruin the vibe of the entire work, in my opinion. I think there's a difference between "suspension of reality for sexual fantasy" and "spreading bad sex ed information through fiction". There's certainly a place for pain play/painal type stuff, but there's also a place for the complete opposite. It's a bit intimidating for me when I write it sometimes; maybe some others feel the same, so they don't write it as often compared to other things? Complete conjecture.

To answer your actual ask:

You're absolutely right. That motherfucker absolutely loves making you squirm by giving you pleasure in ways that gross you out. He sees a sliver of his old self in you, himself when he was new to this ghastly world, when he clung desperately to anything that would give him a sense of normalcy. In this, there's a sick thrill for him; he gets to be the one to show you how things really work, his sheltered little vaultie. The world out here is even meaner and more disgusting than you could ever imagine.

He'll prove it.

You aren't inexperienced, but pretty much all of the experience you do have is vanilla, very straightforward sex. Exploration on this topic isn't exactly at the forefront of your mind, either, what with how much of an adjustment period you're having to go through after leaving home for the first time in your life. The stress of it all is what initially drives you into his arms, seeking any form of real comfort you can find from the only companion you have.

The sex is a good stress reliever when he isn't springing things on you. He is rather good for such a hot-and-cold old prick, and he clearly knows it by his demeanor; the way he preens over your crumpled form after he makes you cum so hard you forget how to speak is infuriating. You like fucking him, but you can't let him know just how much. He'd be genuinely insufferable if he found out.

Whether it's your reserved reactions to his obvious smugness, or something else internal, you're unsure, but he quickly begins to push your buttons for bigger and bigger returns. Most of the tricks he pulls you enjoy the feeling of, but the way he watches you to gauge your reaction makes it feel like he's winning, somehow, and it doesn't sit right with you. Doubling down your efforts, you try your hardest to be unshakable.

Unfortunately, the first time he slides his tongue down to tease at your asshole while he's eating you out makes you fold completely.

"That's disgusting!" you huff, wriggling beneath him. Telling him to stop doesn't follow like you want it to; the words get caught in your throat as he pushes the tip of the wriggling muscle into you, his other hand playing softly with your clit as your aching pussy throbs.

"Had my tongue much worse places, believe me." he replies, his eyes burning up at you from between your legs. It's so embarrassing.

However, the next time he's helping you out, before you even realize it, your hips are moving in a pronounced arc, trying your best to will him to slide his tongue further down without having to suffer the indignity of asking for it, of him knowing he's gotten this over on you. It feels amazing and you refuse to beg. Fortunately, he doesn't make you...this time.

When he's finished with you, he doesn't immediately pull away, both of you lying together in a spent puddle of limbs for a breathless moment.

"It's still gross, you know." you say, flat and halfhearted in exhaustion.

"Oh, shut the fuck up." he grunts back, eyes rolling as he pulls himself into an upright sitting position. "I didn't see you whining when you were tryin' to crush my head with your thighs, princess."

"I can't help it! It tickles when you do that!" you argue, indignant and searing hot in the face.

"Oh yeah, kid. I bet it tickles real good. That why you came so hard?" he smirks, leaning back so he can right his clothing, his eyes never leaving yours. You pull yourself up and storm off to the other side of the room to redress, annoyed.

And yes, probably his favorite overall move is to sneak one of his fingers or his thumb into your ass while he fucks you from behind; the shock in your posture, in your voice, along with the tight, hot feeling of your little hole (holes) around him...it's probably for the best that he can't see your face, no matter how badly he wishes he could. He knows he'd cum instantly.

As for you, the feeling is infuriatingly electrifying, right on the line between pleasure and discomfort. His long, nimble digit isn't even all the way inside you, only sunk to just above the second knuckle, but he's quickly working it further and further in, the rest of his hand curling to cup the roundness of your cheek as he supports your hips. The stretch isn't too intrusive, but his skin is so rough in texture that it makes you squirm as he presses on, spit and your other body fluids the only lubrication you're given.

"Fuck, be careful!" you hiss. His only response is a harsh swat to your bare ass with his unoccupied hand, which draws a yelp from your parched throat as he yanks you back even more firmly by the leverage he now has. Your hands scramble for purchase across the sandy desert floor, unable to hold yourself up properly as he hammers away at you with an almost possessed vigor. Quickly, your head falls further down with the force of his movements, sending you sliding forward a few inches.

He doesn't like that.

"Don't fuckin' run from me." he growls, the hand that isn't spearing you wrapping quickly around your shoulder to yank you back again. His hips snap into yours viciously, the pace increasing as he loses his grip on whatever remaining self-control he has. Your battered cunt clenches hard around him at the feeling, at his words, and soon you're both howling out your release as he digs his nails into your thighs, rutting you so hard you fully face-plant into the ground. When it's over, he at least has the courtesy to make sure you didn't bump your head too hard. He does not, however, apologize for the massive bruise on your ass from where he struck you more than once. Typical.

Eventually, you allow him enough control to restrain you, which you know is almost certainly a mistake. However, by now you're addicted to the feeling he gives you when he takes over, when he pushes your boundaries and uses you to sate whatever passion burns inside him. Besides, he's protected and saved you enough times by now to have earned your trust, even if you know that he'll sometimes use it against you for devious reasons.

The rope he always carries doesn't hurt against your skin like you'd feared it would, but he's also quite delicate in how he secures your arms and legs, each limb immobilized and leaving you on your back, completely at his mercy. He spends forever teasing you, worshiping every part of you with his mouth and hands until you're begging, begging for release, begging for him to stretch you.

"It's alright. I'll take care of you." he promises, the tone he uses with you now so much softer than when you met. You feel relief at his words, ready to feel your aching cunt wrap around him, but he doesn't move to expose himself. Instead, he produces a small bottle of what you quickly discover is some sort of neutral oil, which he applies liberally. The feeling of the cool, thin substance running down your folds makes you shiver in the best way, but you're tense when his teasing fingers move from your clit, prodding at your taut ass.

Slowly, he works his middle finger inside you, the sensation more pleasant now that you've become accustomed to it. After a minute or two, he's moving it back and forth freely, adding another dribble of oil before setting the bottle aside, placing his free fingers on your clit. The way he rubs at you as he fucks you with his other hand makes your toes curl, and you get lost in the sensation until you feel his index finger start to prod at you, as well.

"You trust me?" he asks. Your eyes dropping closed, you nod silently.

He's incredibly gentle as he works the second finger in alongside the first, stretching you further than ever before and making your mouth fall open in a silent groan. He watches your face, your body language, closely, trying his best to stay calm and steady as he begins to move his hand once more, the other never stilling on your clit.

The sensation is incredibly overwhelming, a fullness you've never felt before, especially when he eventually adds a third finger. Your body is lit up with sensation and twitching eagerly the entire time, both wanting to pull off of his hand and to plunge yourself down further. When he leans down and seals his lips around your clit, you scream out an orgasm that leaves you trembling against your restraints, which he actually lets you out of before fucking you so hard you literally cannot stand immediately afterwards.

"You're so mean to me, you know. I don't want to like this stuff." you sigh, mostly joking.

"Don't worry, I'll have you begging for my cock in your ass soon." he promises, that wicked glint back in his eye that makes you nervous.

You hide your burning face in his throat as he chuckles at you, the sound of him lighting a cigarette snapping through the air, his other arm wrapped around your waist as you lean against him. Biting your tongue, you hold back the urge to snarkily respond to him.

You know he's right. It's only a matter of time.

[dearweirdme]

https://www.tumblr.com/dearweirdme/760787222147547136/httpswwwtumblrcomdearweirdme7606164166353879?source=share

Hi, Korean American anon here so I'm familiar with shipping culture in South Korea (though I don't think what I'm about to say is exclusive to South Korean culture)

I'm catching up but OP is very right about the strange contradiction and it's usually that some shippers feel safe shipping m/m relationships because at heart, they don't believe that their idols can be homosexual/bisexual. Their idols are perfect and, in their opinion, anything outside of heterosexuality is flawed and abnormal...so it's a low risk form of denial over the fact that they might have to one day deal with seeing their faves in a hetero relationship.

So shipping them with a male or group member is a safer way of exploring that fantasy romantic side of their idol, seeing how cute they can be, what they'd look like as their boyfriend etc without any of the risk of having to face their idol being in a real relationship (which according to them is a hetero one) because their homophobia (concious or subconcious) won't allow them to really consider the possibility that their fave might be gay or bi and they also know that companies and artists themselves might be less willing to expose same sex relationships.

So TLDR; it's a low risk deniability and form of mental escapism from facing the reality that they nightshade to watch their idol go through a relationship.

Now in Korea, its the same thing but with a little bit of an added element to it....because fans know that Korean entertainment companies and artists are far more indulgent than western counterparts when it comes to pleasong fans and delivering what they want and protecting them from having to acknowledge that their idols are human beings with their own lives. So with Korean idols and fans, there's also an element of control.

They know that if they ship group members or idols together, companies will often jump on it and use it to foster the parasocial element that is heightend and more greatly exploited in KPOP. That means idols and companies will go to far greater lengths to hide their real relationships and so fans won't have to be exposed to something they don't want to see or acknowledge.

They can make their faves dance to the beat of their drum by shipping them with each other because they genuinely don't believe anything will ever come of it

And the fact is that these fans would react the same way if their idol dated opposite or sex---because shipping them with the same sex is their way of essentially shipping them with nobody (if that makes sense)

Now obviously, I 'ship' Tàekook or I wouldn't be here but it's the fact that Hybe not only haven't exploited their biggest ship for fan engagement and fan interaction but seem to have gone to lengths to cover it that makes me more suspicious as to the reality of it.

But ultimately, homophobics shipping their m/m faves is really just them trying to exert whatever control they can while also holding a belief that they'll never have to face the reality of their ship coming to life.

Hi Korean-American anon!

So good to see you around! As always thanks for your input!

You're responding to this ask:

One of the reason's why I always found the explanation of less Taekook focus from BH being because Tae and Jk weren't close anymore such nonsense, is because it makes no sense from a business perspective. BH could literally make them do content together because people enjoyed it so much. Taekook is the biggest ship, has been for years.. and yet they make none to little use of it.

I've read people (the other side) say Tae and Jk are less interesting to watch... freaking bs.. which is basically proven by AYS where all Jm and Jk do is just eat and talk about how much they love to eat. Tae and Jk are also hilarious, cute, and comforting together. I grant everyone that an AYS from Jk and Tae would gather the same attention as AYS from Jk and Jm.

[genericpuff]

Was your Kore/Persephone portrayal inspired by dissociative disorders? I interpreted it more as her dark internal monologue that she was suppressing. Like when you have dark thoughts of know things inherently, but try to rationalize your way out of thinking them. I figured it was just a more dramatic way of portraying intrusive thoughts.

Ahh this isn't really a question I can answer with a simple "yes" or "no". Especially when considering everything you just listed are often inherently symptoms of many interlinked mental disorders like DID and BPD haha (especially when it comes to the suppressing).

As I mentioned in my previous post I've been writing these types of characters for years. Uzuki is a big one that comes to mind. I love writing conflicts of the self, mind vs. reality, identity vs. instinct, past vs. present, etc.

CW: BLOOD/GORE, GRAPHIC VIOLENCE, DEPICTION OF TRAUMATIC BREAKDOWNS AND DISSOCIATION AHEAD!!!

(note the black and grey pages are read right to left like a manga, this was from my weeb days LOL)

It wasn't until years later after I was diagnosed with ADHD and autism that I realized my love for those tropes was rooted in something far more internal. Sure, sometimes a trope is just a trope, but now I fully understand why I've found myself pulled back to that trope time and time again, because I myself have struggled with a lot of the same internal conflicts that characters like Uzuki and Kore have struggled with. It wasn't just me loving a trope, it was me finding solidarity and representation in characters who shared my experiences, even if they were largely hypothetical or for the sake of creative expression.

That realization came long before Rekindled, of course, but it hit me like a sack of bricks when it did, as any realization of an undiagnosed disorder tends to do after years of thinking you're just "broken". That said, it's allowed me to explore these topics with even more nuance and understanding, while also pointing out my own weaknesses and blind spots in the pre-conceived notions I had about myself that I was then able to challenge once I knew what was really going on. It was still challenging as it was so personal, but it ultimately made me a stronger person and a stronger writer.

Skip to the future though with Rekindled, everything I just explained is why I was so interested in LO's AoW plotline to begin with, because a lot of it played to my own interests in those sorts of characterizations - consequently, it was one of the plotlines I wanted to overhaul the most when I started coming up with the basis for Rekindled, as I was disappointed that it was forgotten about over the course of S2 and completely retconned by the trial arc. In a weird way, it almost feels like all the time I spent working with characters like Uzuki was preparing me for a character like Kore/Persephone. And conversely, writing about Kore/Persephone has helped me harness my skills more which I can take back with me when it comes time to continue Uzuki's story.

All that said, mental disorders and neurodiversity were never "inspiration" to me when I was learning how to write and/or designing these characters, but that didn't make them any less intersectional. It was more like something that just came naturally to me as someone who is neurotypical and has diagnosed mental disorders (I am my own worst inspirations LOL) and I wanted more characters like that who weren't just automatically "villains". I try to always treat them with care to ensure that I'm being kind to both the characters as well as myself as someone who heavily relates to these experiences, but I'm also not really afraid to express the more "ugly" sides of those experiences either. Especially with characters like Uzuki who are largely problematic to their core in their actions - much of those actions, as I would learn about myself in my own healing journey as well, are often spurred on by a lack of care, empathy, and understanding in their unique struggles.

There is so much I'd love to say about Kore and Persephone's characterizations and what led them to this point, but I got about a paragraph in before realizing that it would be WAY too massive of a spoiler LOL I'm really, really excited to get into it - though nervous too - but I hope that, at the very least, readers can have patience for her as she goes through everything that's on the horizon. There are times it may get ugly, even outright bleak, but that is simply one side of the coin that represents her duality as a goddess - the dreaded Bringer of Destruction, and the merciful Goddess of Spring.

[saintsenara]

Hello! Just binged all of your Remadora works! I love how you write her, and your take on their relationship. I’m an unapologetic Lupin stan (PoA had me at ‘werewolf professor’, nothing beats that), but I do hate when the incredibly compelling character of Tonks gets thrown under the bus to favour his characterisation. So I just wanted to say thank you for writing amazing work! I’m also aware Remadora is surprisingly not that popular of a ship - why do you think that is?

thank you so much, anon! this is extremely kind of you.

i've got some longer thoughts on remadora as a pairing here:

but i think the reasons for its relative underappreciation in the fandom come down to the fact that:

a. a chunk of the fandom are primarily wolfstar - rather than lupin - fans, and are therefore disinterested in seeing how his character can be explored in another pairing - particularly one which is so deeply intertwined with his negative characteristics [his cowardice, his self-loathing, his capacity for cruelty] which are often less present in wolfstar fics.

b. a chunk of the fandom are primarily happy rom-com couple fans, which is a genre remadora don't lend themselves to massively well if an author's intention is to keep things vaguely canon coherent.

c. tonks is a woman, which means lots of fans who prefer m/m slash think she doesn't - and shouldn't - exist.

d. tonks is a woman in a canon endgame pairing with a man, which means lots of fans who prefer m/f writing are reluctant to engage with aspects of her [and lupin's] canon characterisation which suggest that she might not be straight or cisgender, which has led - in my personal opinion - to a lot of the more interesting character work on tonks being done in writing on non-canon, usually f/f, pairings.

[the person fighting the good fight against this is @evesaintyves - do yourself a favour and read her searingly correct take on how uncomfortable a lot of this discourse is; then visit her ao3]

[rocaillefox]

honestly. the eeveelutions vn is directly inspired by the many 'eevee love story' videos six year old me watched on youtube that were made in what mightve been a slideshow program set to music and by pmd. and also hatoful boyfriend. and also bc i want to make something that will hopefully have aspects of both the analytical and storytelling aspects of pokemon fan creations and entertainment.

i want it to be both a silly story, and one that also incorporates themes of figuring out who youre going to be in life- and figuring out who you are in relation to other people. sometimes life throws a curveball and your plans drastically change. sometimes you dont know if the path youre going down is right for you- sometimes you even regret it. thats life! nobody knows whats going to happen until it does.

i also definitely want to incorporate a balance here of self and others; when figuring out who you are, you have to figure out who others around you are, too.

so yeah! some thoughts from during the creative process and a few goals for the game, and why i chose primarily eevee characters. ^^

will likely not be streaming script-working later, but might be streaming something else, and ppl are always free to pop in and ask questions!

[vaggieslefteye]

ᴍᴀᴋᴇ ᴍᴇ ᴄʜᴏᴏꜱᴇ ↳ anonymous asked: HUSK and ALASTOR or angel and valentino?

[sysig]

You keep underestimating others and it’ll come back to bite you (Patreon)

[aroaessidhe]

2024 reads / storygraph

Outdrawn

f/f contemporary romance

two cartoonist who’ve been rivals since uni, and now have competing webcomics online, have to work together on the relaunch of a cult classic at the comic press they both work at

they both struggle with art-related physical and mental health issues, and complicated families

[aroaceleovaldez]

I think one of the problems with the HoO characterizations is Rick kind of forgot to give half the cast hobbies and general interests, and maybe like people they know outside of their families and outside of camp, or if he did remember to it rarely gets brought up for most of them, or in the special case of Annabeth - she randomly develops a hobby in weaving for exactly one scene and then never again. Apparently she just knew how to do that, even though it is a skill she has literally never used before nor uses again.

The best examples I can give of this are comparing/contrasting the examples of when we do actually get this with the lack-thereof: Hazel and Frank are good examples. Hazel has hobbies and interests generally unrelated to all her demigod stuff (horses and art) and we see this repeatedly discussed and brought up. She also knows and interacts with people outside of the necessities of her quest/Camp Jupiter or her family - Sammy was her best friend at school and they hung out and stuff! Meanwhile, Frank, as far as we know, doesn’t know anybody outside of his family even though he presumably went to school before Camp Jupiter? His hobby is... archery? That’s the only thing he ever really shows interest in but at the same time it only rarely gets brought up except for him using a bow as his main weapon and the like two instances of noting that Frank had hoped he was an Apollo kid for a little bit. The closest other detail we get to Frank having any other kind of hobby/interest is him mentioning off-hand that he used to play Mythomagic.

Piper and Leo - We can presume that Piper knew Shel before moving to Oklahoma, because Piper used to visit her grandpa often and as far as we know that’s also where Shel lives. But we never see Piper ever mention knowing anyone else in her grandfather’s community. Heck, when she’s introduced we’re basically outright told that she doesn’t interact much at all with any of her classmates outside of necessity, and we don’t even have any confirmation that before Hera’s mind-meddling that she even acknowledged Leo’s existence. Also, Piper has like, exactly zero hobbies. We do not know what Piper does in her free time or what she likes (except vaguely that she has surfed before), only really what she dislikes. Leo at least does have some kind of excuse for not really knowing anybody, and an explicit explanation about why that is the case and how he feels about it. Leo also has a repeatedly referenced interest/hobby in mechanics that’s very core to his character.

Percy and Annabeth? Pre-HoO, they both have plenty of interests and know people outside their general circles! Percy knows kids at school. Annabeth’s general outer social circle is Camp Half-Blood, because she grew up there, but she clearly knows people at camp. She’s also super into architecture! And Percy does a ton of stuff in his free time - he skateboards! He plays basketball! He has two pets he takes care of (Blackjack and Mrs. O’Leary)! Post-HoO he’s on a swim team! But during HoO? Percy’s hobbies just kind of disappear, besides “oh yeah he uh. Does water stuff.” There’s no acknowledgement of like, “Yeah Percy sets up a little basketball hoop on the back of his door on the Argo 2 and shoots trash at it.” Literally anything! And yeah, Annabeth’s architecture interest is somewhat acknowledged, but also like, not really? We at least get some kind of “Yeah, in her spare time she’s usually on her laptop working on stuff” but we also barely get any instances of Annabeth thinking about her friends at camp except for like, Tartarus.

For Jason it at least kind of works because a.) he has amnesia and it’s implied he doesn’t really have close friends at Camp Jupiter besides Reyna, so it figures he only ever really references random other legionaries like, twice. and b.) there is also the heavily implication that Jason doesn’t have hobbies, because his entire life was so focused around his training at Camp Jupiter. This works less with Reyna, but she also kind of has an excuse for not knowing people besides like, her sister and Jason, given she ran away when she was young, Circe’s island was destroyed, and she could have only been at Camp Jupiter for like 3 years maximum at that point. And she’s not exactly the most social character. We also don’t get much indication of her hobbies, besides she also likes horses and it’s heavily implied she likes nature/gardens? Presumably, given we get like, one note of that in HoO, maybe two if you count her living on Circe’s island, and then like one more nod to that in TOA. And we only get her POV chapters in BoO anyways so again, she has some excuses. Coach Hedge also is incredibly bland besides maybe him having a hobby in sports, and... violence? Which definitely does not count. And him lacking any POV chapters doesn’t really help.

I think this is why Nico continually feels like such a strong character, simply because we know what he does in his spare time. We know he knows people outside of the camps (most of those people are gods or ghosts, but he at least knows people) and technically you could argue him knowing about Camp Jupiter between BoTL and TLO counts too. He even references his old neighbor at one point. Obviously, he’s very into Mythomagic, and that comes up a lot because it’s his special interest and is usually also relevant to their quests. He travels a lot, and apparently used to when he was younger as well. We also learn he used to have a special interest about pirates and that apparently may have played into his crush on Percy. Like, all that is so simple and minor but it makes such a difference for how Nico feels as a character. Most of Nico’s stuff though is established in the first series, which definitely helps because the first series was pretty good about giving characters hobbies and maybe some people they know - Annabeth, Percy, and Nico we’ve already covered, but also like, Grover knows other satyrs and is usually practicing music and also we know what foods he likes. Thalia is very into punk culture and music. We know she particularly likes Green Day. We know she knew the Hunters of Artemis before the events of TTC. Rachel's whole thing is that she’s super into art and she has a bunch of connections through her rich family, and she’s basically Percy’s only mortal friend. They have lives!

If you put a protagonist in a room and told them to occupy themselves, you should have an answer for what they do. They should be able to name one person outside their immediate social circle who they are generally friendly with or vaguely know, unless they have a specific reason for that to not be the case. HoO crew needs to occupy their time by themselves, no weaponry, for twenty minutes? Hazel could be drawing, Nico could be organizing his cards, Leo could be tinkering, Annabeth could be working on her laptop, Percy could be trying out little skateboard tricks. Jason, Piper, Frank, and Reyna? What would they be doing?

TOA does actually answer that question for Jason, at least, because we learn that Jason makes tiny dioramas! That’s adorable! Why doesn’t he do that in HoO?! TOA also gives us more depth to Will Solace besides “He’s a medic and does medic things” with telling us that he’s into Star Wars. Like, that’s actually so much information to work with! Thank you! And then we also find out in TOA that Nico’s also kinda into art! We still don’t get anything new for Piper, Frank, or Reyna - besides again one more potential implication that Reyna thinks plants are Pretty Okay, and that nature is Mildly Alright. Like, not even “maybe she keeps a houseplant” territory, all we have is “if she had the option, she might be interested in visiting a flower garden.” But honestly TOA at least gives us something for most of the characters we see. Like at least one thing. Most of the rest of the writing is a mess but at least the characters are mildly interesting.

Anyways, give your characters hobbies, it’s good for them.

[ilovebeingaturtle]

for art recs what if… 2012 venus…

AA THANK YOU ANON!! I’ve been wanting to draw a 2012!Venus for months AHA, thanks for the final push!

To avoid repetition of Karai in the narrative, I think it’d be cute if Venus actually grew up with the turtles and was never separated from them? This would mean she’d likely have Miwa’s tessen (aa sorry April!!!) but she’d also still be way more spiritually focused than the boys like usual. I wanted to draw her working with April on her psychic powers during the farmhouse arc for this too, also her interacting with Karai and also something for her and Leo’s dynamic but I realised quickly if I kept drawing her I wouldn’t get to the other asks!! AHA so those sketches will have to wait 💚

[incesthemes]

as i've rewatched seasons 1 and 2 of supernatural i've been pondering and hypothesizing reasons why john was so adamant on not letting sam know about his destiny. why he was so intent on keeping this secret, why he didn't want sam knowing about monsters, why his role in their hunts appeared to be research-oriented and thus away from the action. my perspective on ignorance and censorship is that it enables further harm, so if john were going to effectively protect sam, it would stand to reason that sam should have a comprehensive understanding of his destiny and what he's up against: give him the tools to fight.

this is obviously not the route john went, so then i have to question why that is—what about censorship was so appealing to him that he thought it not only the best way to keep sam safe, but perhaps even the only way to keep him safe, based on how he begged even dean to keep sam's fate a secret from him in his final words?

so i got to thinking. namely, about the fact that azazel wants sam to be hunting: he killed jessica with the intent to drag him back into the life, which implies that if sam is hunting, he is going down the path azazel wants him to go—he's following his destiny. this aligns with the everpresent theme throughout season 1 that hunting is a monstrous lifestyle, that hunting turns people into monsters. if sam is destined to become a monster, then hunting is the most sure-fire way to get him there.

if azazel wants sam to hunt, then john would need to take the logical opposition and keep sam out of hunting—so, he wouldn't tell sam about monsters until he has to, he'd give sam more passive roles once sam is participating in hunts, he'd train sam in self-defense but not explain why. and importantly, he wouldn't talk about mary, who is the root cause of this lifestyle, the impetus for their revenge quest, more than he has to. if the goal is to keep sam as far away from hunting as possible, and if john is someone who thinks ignorance keeps someone safe, then this more or less explains most of how sam was raised: on the fringes of the family, excluded and sheltered.

but weirdly enough, it wasn't until i was reading east of eden the other night that i finally understood the perspective being presented: late in the novel, the character lee says "when the first innocence is gone, you can't stop."

it made me remember that sam picks. he is a character who wants to understand the world around him and his place in it. if something is bothering him, he turns it over in his head until it consumes him. dean places doubt in sam's head in 2x10 and it obliterates him by 2x11. he's convinced he's going to become some horrible monster because he never stops thinking and trying to figure things out. when his memory is wiped in 4x17 and normal guy sam wesson finds out his coworker is the guy from his weird dreams, he pursues him relentlessly until they're back hunting. when he discovers the wall death put in his mind to keep his hell trauma out in season 6, he pushes and can't stop until it starts crumbling around him. he's intelligent and clever and he wants to know everything. and when he doesn't know, he picks.

and the only way to stop a person like that from picking is to not let them know that there's something to pick at in the first place. that's what the quote from east of eden means: once you catch wind of something, you want to pursue it until you're satisfied. curiosity kills the cat.

and what john is up against is fate itself. something that isn't supposed to be messed with, something that's supposed to be unavoidable. so trying to thwart it is tricky business. he has to be careful.

i think working under that logic his response makes sense, even if it wound up being a self-fulfilling prophecy anyway—sam was always going to find out, and sam was always going to pick. there was nothing john could do in the end to stop it, and trying to keep sam ignorant only made him that much more desperate to know. but that's the great tragedy of it all: john was given an impossible choice, and he's a deeply flawed character. he did what he thought was best, and it only made things worse.

i like this interpretation because it ties all of john's choices together really well; it explains a lot about his character and gives a nuanced and rather reasonable explanation for why he did what he did: a dad who wants the best for his kid does what he believes will set him up on the path to success. when the first innocence is gone, you can't stop—so john does his damnedest to keep sam innocent, even to his dying breath.

the problem comes down to that someone's damnedest isn't always good enough, and that sometimes someone's damnedest ends up benefiting the enemy instead.