#which is what makes it fun!!

[hailsatanacab]

i have to know

is it hail satan a cab or hail satan acab

if its the second wtf does acab mean

I’ve had this url for yeeaarrrss and when I first thought of it “hail satan” was a meme here, for some reason?? I’d thrown in “a cab” as just a cute little phrase that made me laugh

ACAB - All Cops Are Bastards - is just a fun coincidence that I hadn’t noticed at the time but I’m owning it now, so the answer is both!!

Hail Satan. ACAB. beep beep!

[petricorah]

I love "i would kill for you" ship dynamics but what about "i would stop killing" ship dynamic??

I would lay down my sword for you. I would change my nature and go against everything i've known. I would resist the easy way out of solving my problems. I would give up the adrenaline of battle to stay by your side and make tea instead. I'm not sure I know who I am without a weapon in my hand because I've had to fight for so long but for you I'm willing to try and figure this out.

It must be hard. To put down your weapon that's protected you for so long. It's allowed you to stay alive it's kept you from getting hurt--physically and mentally. Because you've never had to worry about a real relationship if you think you'll be dead at the next battle. And you feel naked without it and it feels like you're ripping off an extension of yourself. Are you even whole without it? Are you worthy of being loved if you can't prove it by risking your life? And yet they've found someone who's asking them for something much harder than dying in battle on their behalf. They've found someone who wants them to live. And that's much more terrifying.

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[spectral-honey]

AU where Jason gets his revenge by becoming a lawyer and getting joker sentenced to the death penalty

Bruce is conflicted about it but any time he tries to say anything on the subject Alfred just talks over him like "oh we're so proud of you master Jason you finished college and you didn't even use your father's extensive resources that could've easily gotten someone in this family a degree aren't we so proud master Bruce that Jason got himself a respectable profession--"

[merrigel]

I want it back = I drag its dead weight forward

[mizgnomer]

David Tennant and Catherine Tate having fun on the set of Wild Blue Yonder / Doctor Who 60th Anniversary

(and Bernard Cribbins too)

[theoppositeofprofound]

not to go off topic but i think that ideal post-canon dungeon meshi situation for kabru is for him to simultaneously have a slowburn domestic cozy noodles and rare escapes to go monster hunting and falling asleep in the same bed situation with mithrun AND some sort of high politics high stakes power dynamics they can't escape, manipulation equally matched by hopeless affection, glances shared over council tables, getting caught in the closet with the king again (explaining basic social protocols to him) thing with laios.

then just as he's coming to terms with his own feelings and the possibility that they might be romantic he learns that mithrun and laios have in fact been carrying on some sort of psychosexual no-strings affair the whole time (mithrun sits on the dresser and dispassionately explains horrific and bizarre monster situations from around the globe while laios gets off seven feet away)

[stuckinapril]

I genuinely love not having a crush like I’m not over here feeling physically sick over some mid guy being dry to me I’m literally chilling

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[hazardsoflove]

[house voice] god, it’s brutal out here

[stil-lindigo]

little dove.

a short comic about Ash and Snow's first meeting / how Snow got her nickname.

Snow's story

Ash’s story

--

notes:

--

all my other comics

store

[rambles-about-minecraft-ocs]

one of my favorite things about zedaph is that on a server full of people that find strange and oft-overlooked minecraft mechanics or rare events and then see just how far they can push them in the name of spectacle or efficiency or world-breaking, zed is over here finding these mechanics in order to do the weirdest things he can think of in as entertaining a manner as possible

like i 100% have faith in zedaph's theoretical ability to be just as efficient or spectacular or world-breaking. if he wanted to do that stuff, i trust that he absolutely could. but thats so far from being his priority. instead, hes going to spend around a week of irl time focused entirely on eventually having the good luck to spawn in something insanely rare so that he can convert it into something even rarer, the result of which being something that 99% of the server reacts with complete and utter shock that it even exists in the first place, just because its zany and funny and he wanted to. and i love that

[ohitslen]

Something other about his eyes

Bonus! Based on this quick thing I did this afternoon and the idea took a bit more shape and turned into that thing from above uEK

[judyalvqrez]

there was something really jim henson-esque and campy about how some of the non-human races were portrayed in the new dnd movie that i really enjoyed. they could’ve easily gone the shitty cgi route or just not shown those races up close at all, but no, they said you want a bird man? we’re gonna get you a bird man

[apathyfairy]

last year i found a wii at goodwill for 25 dollars and it came with everything except a wiimote but it was in such good condition i was like hell yeah ill take it how hard can it be to find a wiimote. the answer is it's nearly impossible to find them at thrift stores now so i've spent like 8 months looking for ones in thrift stores but there wasn't a single one and then online but i just couldn't bring myself to spend 30 dollars on one single wiimote so i waited so. patiently. and then 2 weeks ago i finally found one at goodwill for 9 dollars but it was absolutely disgusting and the battery cover was missing and the compartment was all corroded so i put it back and regretted it the whole week but then this last weekend i went to savers and there was an absolutely perfect wiimote just sitting there with no corrosion and a jacket and the wrist strap and motion plus and the nunchuck was there too and i got it all for 10 dollars so the moral of the story is that sometimes things seem right for you in the moment but you have to recognize that they aren't and leave them behind so the things that are meant for you will in fact find you when the time is right. peace and love <3

[itsnotacostume]

we as a fandom do not talk about this scene enough. what the fuck is this. why did he feel the need to install this? so he could stare at his boybestfriend all day without having to get up?