@snowshinobi Hiiiii :3 I'm responding to your tags on a new post and not the original since the original was already somewhat lengthy, and I plan on being LONG and RAMBLY, but I have sooo many thoughts on what you said and I'm going to say them. Also my browser crashed TWICE (TWO TIMES. 2) when trying to write this post so I'm really fighting for my life out here to get my silly little OC posts done. Also it's under the cut because it's looooong as hell LMAO
Firstly, you're so nice to me forever <3 Secondly, I think you've basically hit the nail on the head. The majority of the issues Maggie has coming back from death and her 9 years gone are really tied almost exclusively to her close family, because she... never really had anyone else. While in-universe it's only 9 years, realistically the jump in technology and culture is around ~20-30 years (Maggie died in the 90s/early 2000s essentially, and wakes up in a just barely futuristic city), but... the most jarring thing to her in terms of what she missed out on is just. Flipphones are no longer popular. Other than her family, she's only close with one other person... who just so happens to be a ghost, and therefore both 1. Wouldn't change much over the timespan due to how long she's been a ghost and 2. Unlike her family, was aware that something happened, since she could see the ghost-of-a-ghost Maggie left behind (The ghosts name is Opal, she positions herself as a sort of "guardian angel" figure, though she's not actually, and serves as just another parental figure for Maggie while also getting after the ghosts that constantly harass her to pass on messages to the living). Maggie has no real relationships outside of her family, and while her relationships with her family are massively impacted by her unknowing death, other than that... the timeskip itself doesn't weigh on her because she had no one regardless. Her struggle to adjust to everything thats happened would've happened regardless of the timeskip for her, because she was such an isolated shut-in that it's the same whether it happened the next day, or nearly a full decade later
So another very interesting thing is that you've actually completely seen where I was going with everything, in spite of everything I said being very surface level and not actually delving into the plot at all. I completely skimmed over Jenna (She's very important to the plot, but she's by in large a regular person as opposed to Maggie's... everything), but for some additional context, Jenna has a horrendously shitty homelife, so her moving in with Maggie is both a gradual process (It goes from spending time there, to spending nights, to eventually just never going back home and moving in fully), and also serves as an escape for her. Part of that is also, so vitally, the food aspect. For some additional additional context, souls essentially serve as a persons lifeforce, practically every bodily function is improved by a soul that's stronger, though the "strength" of a soul is essentially entirely random, and not dependent on the individuals actions of any kind. Maggie had a generally weird soul before (Seeing ghosts inherently means she has to have something going on with her soul), but when she wakes up after her death, her soul is now even weirder, and part of that is that it essentially lets her get away with bad habits she absolutely should be seeing more consequences for. She barely eats, and when she does, it's basically exclusively crackers and whatever other safe foods she has around the house, because actually making food is a level of care and effort she just... doesn't give to herself in the slightest. Part of Jenna staying with her is that Jenna, without really discussing it, entirely takes up the mantle of caretaker of the apartment, with the biggest task being food prep, Jenna sees Maggie's unwillingness to take care of herself and silently steps up and starts making her actual meals so she's eating properly.
The problem is is that this also kinda... just straight up sucks? Jenna doesn't think much of it, it's something that needed to be done so she's doing it, she wants Maggie to be well fed even if she won't do it herself, and she's already been responsible for making all of her own meals for years prior anyways, so it's just another thing she does. Except that's shitty! Maggie's seen firsthand how terrible her homelife is, and it really weighs on her how even in her escape from that, Jenna's still being put in a position where she feels like she must care for her or else she just won't eat properly. So food is such a massively important thing to both of them, it's this symbol of love for both of them, it's love on the part of Jenna, for stepping in and taking care of Maggie when she can't do it herself, and it's love on the part of Maggie, for realizing how her own bad habits impact the people she cares about and wanting to lift that weight by taking care of herself better. It's also very vital for Maggie because she just... doesn't... have hobbies. Learning how to cook becomes really her only hobby and she puts all of her love and care into it, because for the first time in a long while she's actually passionate about something!
...Unfortunately she also is very very bad at it. She's inventing new dishes like "Burnt Salad" and "Please Help I Fucked Up Kraft Mac N Cheese" and still having to have Jenna come in and help her. But it's the thought that counts, and it'll only be a matter of time before she can make something vaguely edible.
And finally, the stuff about names! I didn't post it here, but while idly talking about her in a Discord server I'm in, I definitely think that had I made Maggie like even a few months later than I would've done she would've been nonbinary. As it stands right now though, I'm saying she's probably some form of genderweird but too busy trying not to die to think about it <3 Growing up knowing that ghosts are real and routinely being shut down by authority figures in her life about it has made her very aware of how bullshit a lot of things are and how the people who claim to be knowledgeable tend to not know what they're talking about (Beyond just the "people don't think ghosts are real", she's also got ghosts willing to tell her when people are lying because they've got nothing better to do than just gossip) , so if she spent even just a moment thinking about gender as a social construct she'd instantly recognize that and probably take up some form of genderweird label, but as it stands she's just too stressed with Being The Protagonist to think about that
Now, the thing with Margaret. I'm not even going to lie to you, I think you made a better connection to how a name connects with community in terms of the narrative themes than I did. The thing with Margaret denying the name "Maggie" existed for two reasons, the in-universe explanation is that, with the little scrap of soul Margaret has leftover from Maggie, it's essentially working overtime just to keep her vitals working, it can't dedicate time and energy to making her an individual with preferences and a personality, so part of that is that she doesn't respond to "Maggie" because ultimately, that is not her name. Her name is Margaret and she's not going to respond to "Maggie" because "Maggie" isn't her name. Of course, out of universe the reasoning is that I wanted an easy way to distinguish between Maggie as she is the protagonist, and the version of her that lived in the years she was gone, so different names makes the most sense.
I think your connection to how name relates to community genuinely works on a level I hadn't fully pieced together myself yet and I really love that because I think that absolutely works with everything. One of the main conflicts of the plot is how Maggie is entirely disconnected from her family thanks to the years she was gone, with Margaret having no priorities beyond "survive", she basically never spoke with her parents or brother for years. While her family tried to reach out to her repeatedly (Especially given that, while they're unaware the truth of what happened the night Maggie was murdered, they do know something happened, and they believe that whatever it was severely traumatized her, and that's where the sudden and drastic shift in personality came from), there's a point where they just... gave up. She wasn't trying to talk with them or contact them in the slightest, so around a year or two after Margaret moved out, her parents gave up on her. Her brother would still be there a bit, but he also didn't really... try... anymore.
When Maggie wakes up, she tries to call her parents... and they don't pick up. They'd grown resentful over the years, and now that Maggie wants to talk to them, they don't forgive her for the years of not speaking to them, and aren't interested in whatever she has to say after nearly a decade of trying to reconnect with her and being met with nothing. It's her insistence that she wants to be called Maggie that actually gets her brother to realize she's telling the truth and that something happened. She shows up at his door, already something that Margaret wouldn't have done, and that combined with her being visibly upset when he calls her Margaret and tells him that's not her and that she's Maggie, it signals to him that whatever's going on is real (...though he would've figured this out eventually, given that she also literally 17 again and not in her mid-20s, and has a giant glowing stab wound in her chest). I think it works absolutely perfectly as being a symbol of community, her disconnect from her community is what led to her being called Margaret, and her desperation to be returned to that community is when she's Maggie again. So uh. Congrats on getting the themes of my OCs better than I did <3
And uhhhh closing thoughts! I honestly did still skim over the majority of the plot (Literally never even mentioned Eli or what's going on with her stab wound </3), but I think you reeeeally hit the nail on the head with everything I'm kinda getting at with these OCs, which is... frankly wild given how little main plot I actually got at. Basically everything I mentioned in my original post was the setup, not the main plot. But waaaaugh thank you for being so niceys to me and also giving me another excuse to ramble endlessly <3
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"the magnus protocol had a whole ARG beforehand? what?"
yes! it did!
"oh so I need to have participated in this whole big thing to actually understand the podcast?"
not at all! from the official post-mortem put out by RQ, "while the ARG was not something that was necessary to participate in to understand the magnus protocol, it was designed to contain a wealth of background story and context that would enrich any player's listening experience."
"a wealth of background context that would enrich my listening experience 👀👀👀 how can I learn about this?"
SO glad you asked. sadly, many of the materials made for the arg have been taken down since the game ended 😔 (ex., the official OIAR, magnus institute, and bonzoland websites. (edit ii: I found partial wayback machine captures! see below) though @strangehauntsuk is still up!), so we're a bit low on primary sources, but in terms of learning about what happened:
for a starting point, I would really recommend this video by @pinkelotjeart
it's super accessible, it was made in real time as the game progressed and follows the solving and revelation of clues as they happened, it hits all the major points of the mystery and moments of community insanity while eliding some of the nitty gritty puzzle grinding, 10/10 would recommend.
here's the official summary put out by RQ, and I'd recommend reading through this once you've already gotten a basic handle on the flow of the story and the basic connections between major clues and events. it's got some fun behind-the-scenes info and lays out the thought process behind the puzzles in simple terms
here's the full masterdoc of all puzzles and resolutions put together in the statement remains discord server. masterdoc my absolute BELOVED, masterdoc my bethrothed, masterdoc my soul mate. I'd recommend this as a second port of call after the above video as it either contains all details about the puzzles or links to other expanded docs that do.
here's the narrative summary doc that lays out all the plot and lore discovered in three pages of plain prose. if you just want to get to the good bits as fast as you can and get blasted directly in the face by contextless lore bombs, this is the doc for you. if you don't want to start with the video, I'd say this is another good entry point.
once you've got the lay of the land, some of the game materials that I found particularly interesting include:
the in-universe east germany expat usenet forum, with all content translated into english. most of it is irrelevant space filler with occasional extremely sus lore, but I still found it fun to read through. love to soak in some fictional forum drama.
chdb.xlsx, the spreadsheet of the names of all the children the protocol 'verse magnus institute was studying/experimenting on. EDIT: here is a version of the sheet without any annotations and with all of the names in their original order, kudos to @theboombutton for catching that the commonly shared copy had the order swapped around.
klaus.xls, a (very corrupted) spreadsheet with what looks like the classifications of a bunch of old OIAR cases.
EDIT: have a few more saved materials from the game that I forgot to include.
an in-universe audio ad to apply to the OIAR that ran before archives episodes and kicked off the whole game.
an in-universe video ad to apply to the OIAR, this one is an official upload that's still up from the game itself. you can subscribe to the OIAR's official youtube channel today, if you so chose.
the robo-voicemail greeting from the OIAR's phone line.
EDIT II:
here is a wayback machine capture of the OIAR's official website.
here is a wayback machine capture of the bonzoland website.
(pretty sure both of the above captures just archived the home pages, though I haven't tried clicking all of the links. I'd say they're still worth looking at, the home pages give a good window into the vibes.)
once you start poking around in these documents, you'll find a bunch of links to others with further information, the materials I've included here just contain what I feel to be the most relevant details to getting a broad feel for the whole game. once again, huge shout out to the statement remains server, I was barely in there as the ARG was in progress and only ducked my head in every so often to find links like these. true mvps of the fandom.
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Rant incoming
I feel like the problem with a lot of Disney's live action remakes (and arguably Wish) is they're trying to appeal to a crowd that no longer exists, namely the people who used to claim that the Disney Princesses were sexist.
All the interviews tend to include, "Well she's not chasing a MAN anymore" which...almost no one sees the princesses like that, anymore. Virtually NO ONE still believes the princesses are man-chasing sexist caricatures of women.
Cinderella is now hailed as an abuse victim who stayed strong long enough to get help to get out of her situation. Anyone who says she should have saved herself is basically regarded as a victim blamer. And it's very clear in the film she wasn't looking to marry the prince, she just wanted a night off. She was the only one who wasn't in line to meet him. She didn't find out she met the prince until he went looking for her!
Snow White is now hailed for her negotiation skills, ability to calm down after extreme stress (she had a moment of panic and had to cry for a bit, but who wouldn't after finding out The Queen hired someone to kill you?), and ability to take charge of a house of adult men. And again, she was an abuse victim, this time trying to escape ASSASSINATION ATTEMPTS. While she dreamed of her prince, it was secondary to her main goal of SURVIVAL. There are also entire video essays about how Snow White gave hope to people during The Great Depression.
Everyone acknowledges that Ariel wanted to be human BEFORE meeting Eric. We all know she was a nerd hyperfixating on humans, and also standing up to her prejudiced father.
We understand Sleeping Beauty wasn't the main character, the Three Good Fairies were, AND PHILLIP WOULD NEVER HAVE BEATEN MALEFICENT WITHOUT THEM! He literally depended on them! WOMEN SAVED THE DAY! But even then, is it really such a sin for a girl to fantasize about romance and fall for someone with corny pickup lines?
We all understand Jasmine just wanted someone to treat her LIKE A PERSON. She rejected every Prince before Aladdin because they treated her like a prize. So why did they need her to want to be Sultan? How did that make her more feminist when she already wanted to be treated like an equal and have a say in her future? Is it only empowering if you want a career in politics?
We admire that Belle, despite living in a judgemental village, was kind to everyone (even though she found the village life dull), and her story teaches girls that the guy everyone else loves isn't always a good guy. What's sexist about teaching girls about red flags? And she didn't start being nice to The Beast until he started treating her with respect and kindness.
Do I really NEED to defend Mulan or Tiana? I think they speak for themselves.
Rapunzel was yet another abuse victim who just needed a little help to get out of her bad situation. In this case, she also needed to learn that she was an abuse victim, and that what Mother Gothel did WASN'T normal, much like many victims of gaslighting.
And don't get me started on the non-princess animals.
Perdita had a healthy relationship with Pongo to the point she was open to express her pregnancy fears to him, and was ready to TEAR APART Cruella's goons for daring to touch her puppies as well as adopting the other puppies. Like, she was so ferocious the goons mistook her for a hyena! She's basically that "I AM THAT GIRL'S MOTHER!" scene from SpyXFamily if Yor were a dog. She and her husband were a TEAM.....but they made a Cruella live action to turn her into a girlboss?! The literal animal abuser!? THAT'S the woman you wanted to put on a pedestal when Perdita was RIGHT THERE!?
Duchess kept her kittens calm after they had been catnapped and was classy as heck. Nice to everyone regardless of social class during a time period where that was uncommon.
Lady stood up to Tramp when she believed he had abandoned her and didn't really care about her. She found out he was a heartbreaker and was like, "Nuh uh. No. You are not doing that to me! You put me through enough."
Miss Bianca from The Rescuers was IN CHARGE the whole movie, and was willing to risk life and limb to save an innocent child. THAT TINY MOUSE TOOK ON ALLIGATORS! And she picked Bernard to accompany her because he was the only one who wasn't ogling her. And then in the sequel SHE DID IT ALL AGAIN! I wish I were as brave as her.
Like, the public haven't accused these ladies of being sexist caricatures since 2014 (Actresses and actors don't count, they're out of touch like the rest of Hollywood) yet Disney is operating under the assumption that the public still thinks that way, hence all the "sHe'S nOt AfTeR a MaN iN ThIs VeRsIOn" talk.
The live action remakes are trying to attract an audience that doesn't really exist much, anymore, and back when it did exist, was comprised mainly of people who didn't actually watch the films. The Disney princesses are no longer seen as sexist, and feminine qualities are no longer seen as weak or undesirable.
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NSFW Alphabet - Logan Howlett Edition
Pairing: Logan Howlett/Reader
Warnings: AFAB pronouns, breeding mention, pet names, bodily fluids, p in v actions, no protection, overall horniness, 18+ MDNI.
Author's Note: This man is renting space in my synapses, send help.
A = Aftercare (what they’re like after sex)
He is so gentle with you, it almost makes you feel like you’re made out of glass. He prefers to hold you close once you’re thoroughly satisfied, enjoying how your body folds into him to be as close as possible.
If you ask him for water and snacks he’s gone within the second, bringing you whatever you need, and then immediately putting you back on his lap so he can feed you. Don’t argue with him on this, he won’t take no for an answer.
You collapse against the sheets with a sigh, legs still shaky from Logan’s excellent bedside service. You’re practically boneless when he pulls you onto his chest, the dark hair tickling your cheek as he cages you in his embrace.
“Logan, I’m sweaty—“
“Do I look like I give a damn princess?” He grumbles, his hands reaching down to smooth over your hair. “Just let me take care of you, alright?”
Your whining is just for show and he knows this, a small part of you feeling guilty because he always treats you with such respect. He’s not sure what kind of assholes you’ve been dating before but he’s damn certain he’ll be the one to teach you how you should be treated.
You melt in his arms, eyes fluttering closed at the feeling of his large hands running down your back. His voice cuts through the silence, far more gentle than you’re used to.
“Need anything else doll?” He asks, to which you shake your head.
No, tonight you just need him.
B = Body part (their favorite body part of theirs and also their partner’s)
He’s an all around man, asking him that is like asking a man to choose between air and food to survive.
He loves playing with your tits, loves biting at the swell of your breasts before sucking on them, loves burying his face in the valley of them—
He loves using your thighs as an anchor when he eats your pussy, rolling his eyes when they squeeze around his head—
He loves the sight of your ass bouncing back when he fucks you into the mattress, the sound of your combined hips ringing loudly in his head—
He really just loves you.
C = Cum (anything to do with cum, basically)
It only took one time for him to be utterly addicted to your pussy. He refuses to cum anywhere that isn’t inside you at least once, just the sight of it falling from your abuser cunt has him going back for seconds. The sloppy sound of your juices and his cum as he thrusts into you is like asmr.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
Masochist to the extreme. You kind of had a feeling with the way he shrugs off pain but you didn’t know how bad it was until you scratched him just a bit too hard while getting your guts rearranged.
Your nails dig into the meat of his arms, a deep-seated groan erupting from the back of his throat at the feeling. Immediately you look down to see the angry red marks left behind that heal within seconds, an apology on your lips interrupted by his voice growling in your ear.
“Do that again.”
E = Experience (how experienced are they? do they know what they’re doing?)
The man is over two hundred years old, he lays down pipe like a master plumber. Knows all your spots better than you do, knows exactly what gets you going because he can practically taste the arousal in the air. Those senses of his are no joke.
F = Favorite position (this goes without saying)
Missionary so he can see your face, doggystyle so he can fuck a hole into the mattress and breed you.
Prefers missionary normally if only for the fact that when he puts even half his full weight on your body you’re forced to lie there and take it, unable to so much as squirm while he fucks you within an inch of your life. Enjoys doggy when the beast inside needs to scratch a particular itch that only seeing you ass up with cum dripping down your thighs can reach.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
A wholesome 50/50 of being love-struck and horny, he has his moments of laughter but they’re almost always immediately followed by pure lust. You’d think he’d be super serious all the time but he’s surprisingly gentle. He prefers to watch you enjoy yourself, he’s much more of a service top in that regard.
Want him to eat you out until you’re pushing his head away? Want him to fuck you nice and slow, keeping you right on the edge? Whatever your flavor is, he’s down for a taste.
That’s not to say he doesn’t have his rough moments as well. It’s very easy for him to lose himself so he tries not to go overboard for your safety, but if you ask him to let loose he’s not going easy on you. Just remember when you wake up unable to walk that you asked for this.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
Not groomed at all, just an overall hairy man. He’s got the prettiest happy trail from his navel to his dick that makes his eyes roll when you drag your nails across it. If it made you uncomfortable he’d make an effort to trim.
I = Intimacy (how are they during the moment? the romantic aspect)
Very intimate, wants you to know just how much you mean to him. Even when he’s being rough with you he makes sure that your comfort is priority. Talks you through it.
You’re face down, ass up, just the way he likes it. Your thighs tremble with the aftershocks of your orgasm, pussy practically drooling for him as your slick dribbles down the plushness of them.
It’s a sight that Logan could never get tired of.
His fingers rub soothing circles around your sensitive clit, gathering your wetness between two fingers and listening to your breath hitch when he replaces them with his cock, lightly prodding at your entrance.
“How we feelin’ princess?” He asks, coating his length with your juices.
You mumble praise into the pillow, and sure he can hear it with his enhanced senses, but that’s not the point—he wants you loud and clear.
Gently he lifts you off the bed, a strong arm around your waist as he rocks himself between your swollen folds, lips trailing at your ear as your head rolls back.
“Come on doll, I need to be able to hear you,” he breathes. “Tell me what you want.”
Your hands grab at his arm, a desperate whine on your lips. “Fuck me, please.”
His chuckle reverberates in your ear. “That’s my girl.”
J = Jack off (masturbation headcanon)
When he was younger and still learning how to fight his animal instincts, absolutely. Nowadays he doesn’t really think about it, but occasionally Logan will struggle with keeping his thoughts off of you, especially when you’re wearing something nice and he doesn’t have the time to drag you back to the bedroom.
He’d prefer if you were the one touching him, but his hand will do for now, if at the very least to hold him over until you get home.
K = Kink (one or more of their kinks)
Praise - Like mentioned before, adores talking you through it. Favorite nicknames for you are princess, baby, and sweetheart, and his voice in your ear is like heaven.
Pain Kink - BIG masochist. Use him like a scratching post, he loves it. He’ll never admit it but if you bite his lip hard enough to bleed he’ll moan like a whore.
Primal Play - Come on now, the man is an animal at the best of times and downright feral at the worst. This extends beyond the bedroom too, he’s very protective of his mate girlfriend and would move mountains for her.
Breeding - This is an extension of his primal play, he adores filling you up with his cum, whether or not you get pregnant. Something about the sight of it just screams at him like a claim that only he can give you. It’s his cum that paints your pussy, and no one else gets to have that honor.
L = Location (favorite places to do the do)
Ideally the bedroom but he’s one of those people that couldn’t care less, if he wants you he wants you. It’s going to be up to you to be the voice of reason, and if that fails? Better learn to keep your volume down.
M = Motivation (what turns them on, gets them going)
Domestic acts, making him feel like a normal man rather than the weapon the world wants him to be.
Making him breakfast? His hands are playing with your hips the whole time, whispering sweet nothings against the skin of your neck, swaying to the imaginary rhythm he sets.
Cleaning the countertops? He drapes his wide frame across your back, pinning you to the cold granite while he tells you how good your ass looks in your pants, heavy hands making it known just how much he appreciates your attire.
Bring him breakfast in bed in nothing but an apron? He’s pulling you into the sheets and not letting you go until you’re screaming his name.
N = No (something they wouldn’t do, turn offs)
As much as a masochist he is, the last thing he’d ever do is hurt you. The most you could ever convince him to do is manhandling you or spanking, but the moment he senses anything but enjoyment he’s on his knees apologizing.
O = Oral (preference in giving or receiving, skill, etc.)
Y’all remember what Doja Cat said about big noses?
If he passes out between your legs he’ll die smiling, if he makes you pass out then he’s never going to let you hear the end of it. Very likely to overstimulate you until you’re pushing him off you, only to pin your hips down and keep on going. Enjoys palming your thighs and burying his face as far into your pussy as he can, his philosophy is if you can still speak he’s not doing well enough.
As for him, he becomes so submissive when you suck him off. It’s the only time he’s guaranteed to let you take the reins, he prefers watching you work rather than taking over. Tucks your hair back, strokes your head, whispers how good you make him feel and how your mouth feels like heaven. When he cums he’ll ask you to open your mouth before swallowing and the sight of your cum-stained lips gets him hard like nothing else.
P = Pace (are they fast and rough? slow and sensual? etc.)
Normally very sensual, can easily change with the drop of a hat. Long, deep strokes that reach all the right places and make you see stars. Massive service top vibes, one of those lovers that always knows what you need at the moment (he totally can’t hear your heart pounding in your chest, no sir.)
Q = Quickie (their opinions on quickies, how often, etc.)
Yes, and proud to admit it too. Always promises that he’ll be quick, but it never is. He can’t help it, y’know? You make him feel too good.
R = Risk (are they game to experiment? do they take risks? etc.)
Yes, but the catch is you have to tell him. You can throw him every hint in the world but he won’t so much as touch you until you use your words. Logan likes hearing how desperate you are, he’s a bit mean like that.
S = Stamina (how many rounds can they go for? how long do they last?)
Why would you ever bother asking that? His limit is when you decide to tap out, if even that.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
Didn’t really understand and thought you were insulting him at first by offering to use toys in the bedroom. It wasn’t until you gave him a show that he realized just how much he was missing before.
If anything, he doesn’t feel the need to use them on you, but loves watching you use them on yourself.
The small toy buzzes in your hand, the sound of it ringing loudly in the four walls you call a bedroom. Soft sighs accentuated by needy whines, baby pink sheets snaking around your soft thighs, the muffled sounds of your moans when you bite your lip—
“Fuckin’ Christ,” Logan says, mesmerized at the view, eyes glued to where the vibrator meets your swollen clit. He palms at the tent in his jeans, cock twitching when your back arches off the bed with a cry of his name.
He can fucking smell it—your arousal, your need—it makes him drunk, intoxicated off your pleasure. It makes his throat go dry, makes him want to crawl over you and keep you locked beneath him, greedily wringing out every last bit of it.
Your voice cuts through the fog of carnality, a gentle distraction from the beast that threatens to break loose with every passing second.
“Enjoying the view?”
He can only bring himself to nod.
U = Unfair (how much they like to tease)
He’s such a fucking tease it’s unreal, but he’s also very impatient. It leads to moments where you’ve been edged for so long that tears are brimming your eyes, and when you look at him with those puppy-dog eyes he can’t bring himself to hold off any longer, all previous plans discarded in favor of folding you in half and exposing your puffy cunt to his hungry gaze.
V = Volume (how loud they are, what sounds they make, etc.)
He gets louder and louder the longer you go on as his animal side overpowers him. He’s no stranger to noise but when he’s deep inside you he can’t help but resort to grunts and growls of your name, makes it known just how good you feel wrapped around his cock.
I personally like the idea that because of his mutation he follows mating rituals like real wolverines do, so if you’re into that he’s extra loud during mating season, to the point that he has to bury his face into your neck or else the whole building will hear him.
W = Wild card (a random headcanon for the character)
Likes it when you wear his clothes because they smell like you afterward. Encourages you to do so, and maybe hides your shirts during laundry day as an excuse (but he’ll never admit it.) When you’re not around he’ll even hold the fabric to his nose and take a deep inhale, imagining it was you.
X = X-ray (let’s see what’s going on under those clothes)
As mentioned before, an overall hairy man. Strong muscles with a healthy layer of fat, likes to laugh at you when you bury your face between his tits because they’re nice and soft.
When it comes to his dick he leaves nothing to be desired—it’s heavy, like real heavy. Nice and girthy with a fat tip that makes your breath catch in your chest every time he glides it in, the slap of his balls against your ass soon following suit. A nice pretty pink with a couple of veins running throughout.
Y = Yearning (how high is their sex drive?)
Always when he’s around you, but trained enough to know there’s a time and place. If he had his way you’d never leave his house, but that’s also his protective nature talking.
Z = Zzz (how quickly they fall asleep afterwards)
Likes watch you fall asleep first to make sure you’re safe and sound—a bit paranoid and overprotective in that sense, but he can’t really help it. You’re the best thing that’s happened to him, so it calms him down to know that you’re not going anywhere. Once he’s sure you’re alright he’ll go to sleep, preferably with you on his chest.
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