On Horror, Queerness, Mirrors, and Dracula
Your wish is my command (you may or may not regret this).
Here’s the thing - I love horror, and I love patterns, and I think the best horror is always in some sense symmetrical. It might not be obvious, but what’s the point of staring into an abyss if you can’t see your own face reflected back? The symmetry itself comes in any number of different twists, whether it is familial, communal, erotic, or individual, and most of these apply to Bram Stoker’s Dracula.
The centre of our novel rests on the Harkers. So, starting with Jonathan - his experience in Transylvania is a twisted version of his life back home. Dracula is reserved but eloquent, seemingly caring and occasionally affectionate, he reads train schedules and they spend hours upon hours in conversation; which is a dark mirror to Jonathan’s train schedule-loving, passionate but serious Mina. It may even be said that the Count is re-enacting a caricature of traditional heteronormative domesticity - he maintains the household, waits on his guest himself, and blows him kisses from the stairs. His possessiveness of Jonathan is the only way a vampire like Dracula is capable of understanding the bond Jonathan shares with Mina. The Count states that he, too, feels love; but he is written by a closeted gay man in the late 19th century, so his imitation of married life is both a lie and a tragedy. He is a shorthand for forbidden, wrong, and corrupting desires.
At the same time, Mina herself also has a same-sex connection in the beginning of the story, and her relationship with Lucy mirrors the relationship between Jonathan and Dracula. They cling to each other, in a sense; despite being excited about the prospect of their impending marriages, there is some trepidation associated with this new stage in life. A common part of a dowry used to be a shroud, simply due to the frequency at which Victorian wives died in childbirth soon after the wedding; and even provided a survival, the transition to married life was still a loss of innocence. As such, Lucy’s affection for Mina is the last expression of her girlhood, and she herself is the personification of Mina’s. Lucy is, therefore, the direct antithesis of the Count; her death and subsequent rising change Mina the same way that Dracula does Jonathan, establishing a firm duality between the Harkers and their respective vampires.
The other characters are reflections of each other, as well; the suitors defend while the brides terrify, Van Helsing wants to preserve life while Renfield wishes to consume it - and even further, the old Hungarian lady cares enough about a stranger to give Jonathan a cross for protection, while Lucy’s own mother lets Dracula into the house herself, selfishly ignorant of her daughter’s needs and the doctor’s orders. Another parallel is drawn again between Jonathan and Renfield, who represents directly what he could have been, had he not escaped from Dracula’s grasp; which makes Renfield’s vehement, last-ditch attempt to protect Mina perhaps all the more poignant. In him, she sees the resilience of Jonathan’s humanity; while he gets to see exactly what she could become after her turning - in Dracula himself. These dualities are integral to the story’s thematic structure, and therefore inextricable from each character’s development.
There is really too much to say about each individual dynamic to fit into one rant, but for the current purposes, I can forgo the details. They all converge as it is on Jonathan and Mina, and thus, the central theme of this story is devotion. If Jonathan had truly broken, like Renfield, Mina would have stayed by his side; and if she had fully turned, like Dracula, he would have adored whatever shred of her still remained. In madness and in death, in happiness and sorrow, in sickness and in health - until the echoes start to sound like wedding vows.
@stripedshirtgay
@bluberimufim
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"I've been waiting for ages for somebody to unmask them."
This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.
I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.
Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)
His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:
A) a short lived person
B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.
The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.
But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".
So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.
Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.
The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.
Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.
Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!
Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!
On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.
That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.
The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.
And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.
And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.
Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.
Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.
Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!
I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.
Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!
and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.
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Crow services
After Danny died he noticed that some animals had become more attached to him while others had moved away. Aggressive or death related animals seemed to react positively to his presence, although friendlier animals such as birds tended to fly away.
Of course, none of this prepared him for the number of crows that landed on his window daily. At first he was scared that they would consider him a corpse and try to eat him but after the third time they brought him a shiny object he assumed they just liked him.
Those crows became very fond of him, they let him pet them, they would perch on his head or shoulders, always present and sometimes even watching over him (A particularly intelligent crow he named Poe would drive his parents away with distractions).
So when he moved to Gotham to complete his studies he prepared for a farewell to his feathered friends; said friends simply ignored him and followed him around the city. Danny assumed he wasn't going to be able to fight them, so he let them be.
This is how the phenomenon called "The Invasion of Crows" began in Gotham, the animals were not aggressive but mostly indifferent, some of them agreed to carry letters as homing pigeons (After Danny asked them for the favor) starting "Crow services"
As long as you had the money or something shiny to pay them the birds would carry messages from one place to another, ironically they would give that payment to Danny, who only sighed and let them pass to his apartment, giving them: some food, shelter and a place to sleep, although he was worried the moment his neighbor would complain about the noise.
At first he let them stay on the streets because they were supposed to be free, but after the sixth time he caught Damian Wayne trying to adopt one he just rolled his eyes and now the little ones were living with him.
So yes, when Jason finally decided to visit his neighbor he didn't expect the red eyed crowd staring at him and judging his actions, one in particular lunged at him and he swore he was about to gouge his eyes out before a voice yelled "Poe, wait! "
Said crow looked at him for a few more seconds before perch on the head of the prettiest boy he had ever seen, who approached to offer him a hand "I'm sorry, they're very overprotective" he muttered worried.
Jason almost fell over laughing when he noticed that this was B's "weird case" about the rise in crows alongside the supposed "new rogue" in town, when all he saw was a college boy with a murder of crows living in his house, maybe creating a new messaging system.
He was going to have so much fun with this, maybe he'd even manage to go on a date with his eyes intact, who knows.
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Hundreds of people have said it before me, but it's really so powerful Donna's first WILLING adventure with the Doctor is an insanely emotionally moving one with a very deep message that arose from her compassion (The Fires Of Pompeii)
Even if you don't know Catherine Tate is known for her wit and comedy, Donna herself is introduced as a very comical character. Her theme is comical, her actions and sass is meant to be read as comical and both Runaway Bride and Partners In Crime have a totally different narrative structure because of it. Like, both episodes having a lot of humour based around an unexpected scenario forcing both to improvise in funny and chaotic DIY ways.
When you first watch these two episodes you have no reason to believe their run together is going to be anything else! So it was such a brilliant decision to have the episode right after she joins the Doctor be one in which SHE'S pushing a moral dilemma onto the Doctor. To be all fun and games until she learns people are going to die and the Doctor plans to do nothing about it. To then also KEEP on pushing the subject DESPITE the Doctor, this alien she at this point still knows very little about, speaking about the world and time with a sense of authority like there Truly Really is nothing they could do.
The fact that the character who's introduced to us as the comic relief IMMEDIATELY turns around and tells the Doctor he's guilty of the death of a teenager and everyone around him if he refuses to help at all... That's such a powerful move.
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Secret Boyfriend
Jason met his boyfriend in a rather peculiar way: he was doing his usual rounds, disposing of the dregs of society with a couple of bullets and offering shelter to hapless victims when one of his victims began to...revive?
The easiest way to put it was that the bastard turned glowing green, and Jason had collaborated enough times with Justice League Dark to know that something supernatural was coming.
Before the whole process was complete, however, another portal opened and out stepped a pretty pissed off guy. The spirit that had just been born was intimidated by the new spirit and Jason could only watch dumbfounded as the twink destroyed the former serial killer with scathing words and scolding.
He was instantly smitten and began flirting with the rabid spirit. It wasn't long before Danny reciprocated his flirtations and well, Jason could tell it was the best thing that had happened to him all year.
On the other hand, the Batfamily was worried about Jason's constant disappearances and his sudden calmness. Fearing the worst (and seeing that they couldn't leave a matter unresolved) they decided to investigate, much to the chagrin of the Crime Lord who responded to their interrogations with deflections and continued to hide his boyfriend as best he could.
Danny thought it was a fun game and just went along with it. Tim was stressed and wanted to get it all over with.
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