#wow that is…. a lot of information

[lilaspose]

avi’li sostomi

thank you @thevikingwoman for tagging me! here is avi because I can’t resist talking about him ever

basics

Name: Avi’li Sostomi

Nicknames: Lia, formerly just used within his family and clan, but he has recently taken to introducing himself as Lia. Most of Thavnair knows him by that name, and he will introduce himself as Lia in Tural.

Age: 32 as of Dawntrail

Nameday: I can’t remember, but he’s a Leo

Race/Clan: Miqo’te, Keepers of the Moon

Gender/pronouns: Cisman, he/him

Orientation: Bisexual, demi-romantic

Profession: Warrior of Light, adventurer by trade, hero by circumstance

physical aspects

Hair: A cool white

Eyes: bright jade green

Skin: cool pale skin, with pink undertones

Tattoos/scars:

facial tattoos that represent age in his clan for men (one side is tattooed when you’re a teenager, the other side if tattooed when you become an adult; Avi’li got his second set of tattoos after Stormblood)

covered in scars from numerous battles; most notably is the gaping scar over his heart

family

Parents: Read about Avi and Toki’to here

Siblings: Read about Aya, Sina, Fen, and Toa here

Grandparents: He would only know his maternal grandparents, who are both dead now, but he had fond memories of them that are TBD.

Other: The Fourtemps, who he will always think fondly of, and keep in his heart; the Scions, who he is forever devoted to for as long as he loves

skills

Abilities: so many… he’s primarily a blade wielder, and channels his aether into a variety of weapons (PLD, NIN, DRK, DNC); recently picked up and is practicing with a bow, turns out he’s a pretty good marksman, all of that target practice with lightning must have helped his aimed (BRD)

Special mention, he has charisma and rizz for days

Hobbies: picking up any intellectual pursuit that interests him at the time (SMN, SCH, AST, SGE, alchemy, etc…MCH*)

MCH: picked up as a favor to Aymeric; Avi’li and Stephanivien actually have a lot in common in how much they love experimenting with shit; Avi’li is NOT happy about this fact

traits

Most Positive Trait: the limitless, transformative love he has for others; his love runs deep and is often overwhelming for him to wrap his mind around, but he loves so strongly; should a friend leave his side, go their own way, never to be seen for years after, Avi’li will still love them as strongly as before; should a romance end, hearts broken, Avi’li won’t just stop loving them, his love for them transforms into something different but just as powerful

Most Negative Trait: his selfishness; it’s something he’s grown out of and sunken into in waves; he is the spoiled youngest of his family and empathy and compassion and patience for others is something that he had to hone and refine

likes

Colors: he doesn’t have a favorite color, but he likes dressing in cool, jewel tones

Smells: Maple, pine, mint, coconut

Textures: Soft surfaces you can sink into, sand beneath your feet, warm surfaces in the sun

Drinks: Black coffee

other details

Smokes: no

Drinks: yes; overindulges in social settings

Drugs: probably

Been arrested: I’m 95% sure he was arrested in Ishgard at some point when he was moonlighting as a Dark Knight

[supertaliart]

A continuation of my previous Skywalker Twins comic - feat Yoda part 3

[utilitycaster]

I firmly believe that pre-taping has been, overall, good, and that anyone who claims the stream is different than when it was live is fucking making that shit up because it's indistinguishable, with the singular exception of Sam posting The Full Chetney on Twitter 2 minutes after the end of the stream with an admission that he couldn't figure out Reddit.

[formereldestdaughter]

ok wait i need to hear more of your thoughts on peeta owning a bakery....

This is one of those rare times where I’m pretty sure this anon isn’t someone I know personally bc I’ve subjected anyone who will listen to my rant about the Peeta Bakery Headcanon. Anyway, you’re gonna regret asking this anon bc there are fucking Layers here.

I know this is probably a controversial take based on the number of fics where I’ve seen it, but I simply do not think that Peeta would open a commercial bakery after Mockingjay!! Like on a metatextual level, I don’t think it really fits with the point of the ending of the series. It actually sort of fascinates me that it’s just such a common headcanon because the ending of Mockingjay is exceedingly vague. I think that vagueness invites us, as readers, to imagine a better world post-revolution. A world where Katniss would feel confident that her children would be safe from injustice, where she’d feel confident that her children would never know want the way she did as a child. A just world. A kinder world. Can a capitalist society ever be just? Is a capitalist society where a disabled teenager has no other means to subsist himself (or feels like there’s no other way he can be a contributing member of his community) really the post-revolution world we dream of? Is that really the best we can imagine?

(This got so insanely long I’m adding a read more lmao)

I get that showing a better world is not always the point of post-mockingjay headcanons/fics. Like there are plenty of really great post-mockingjay fics I’ve seen where, yeah, part of the fic is that society like ISN’T all that different or all that much better. I’ve seen that really well done! Hell, I’ve written them myself! It’s easy to imagine how a lot of aspects of society would not get an overhaul, a lot of the same structural inequalities would continue to exist. One headcanon that really stuck with me (I can’t remember which fic it was from) was that Peeta sells basically mail order baked goods to people on the Capitol, sending them iced cakes and pastries by train, because there are still people who were “fans” of theirs during the Games. And idk this doesn’t actually have much to do with my point lol but I liked it because it’s kind of fucked up and like! Yeah! It makes sense! If he needed money that would be a good way to make it! War often makes people rich, often for horrible reasons, and often it’s people who already have capital in the first place.

Anyway, more about the hypothetical bakery because alright. I bring up the fact that “yeah society not being all that different post-revolution and still being an unjust capitalist hellscape” could be a reason why Peeta re-opens a bakery because that’s actually never the types of fics where I see the bakery headcanon. Fics where Peeta opens a bakery are usually trying to make the exact opposite point. Like. Things are getting better, now he can open a bakery! Look at how much better the world is now, plus he’s got a bakery! Peeta is healing, that’s why he can open a bakery now! And I am so, so sorry to inform everyone who’s never had the grave misfortune of owning a family business, but there is truly nothing further from the truth lmao. Like just putting aside the immense amount of emotional baggage that Peeta has about his family, running a small business is an insane amount of work in any context and being a baker especially is physically grueling and involves early hours (and long hours) that aren’t really the best fit with the multiple ways that Peeta is disabled now. (I could go into this more because I have a lot of thoughts. But I will spare you.). I also think it’s seen throughout the books that Peeta is someone who needs time to pursue creative outlets to process his feelings and someone who values leisure and values quality time with his loved ones. And having grown up in his family’s bakery, I think he’d understand the reality that running a bakery wouldn’t leave much space of those pursuits and wouldn’t leave much space for him to have the things that keep him healthy and stable. I think he’d know that the way he is now— after two Games and the war and unspeakable torture at the hands of a dictator—isn’t compatible with the lifestyle necessary for running a commercial bakery.

And tbh with that in mind, I don’t think he’d push himself to re-open a business (one that would be a constant reminder of his dead family and his complicated relationships with them that got no closure) that would require him to sacrifice his physical and emotional well-being. Like I think he might look into the possibility, I think he might even start trying to open a bakery out of a sense of obligation/duty, maybe harboring some idea that this is who he was supposed to be, who he would've been without the Games, or that it’s this last piece of his family that can live on, or that it’s this last connection to his family so he can’t let it die too. But ultimately, I think any attempt to open a bakery wouldn’t get very far. Maybe he'd start wading into the logistical nightmare that is small business ownership and realize it's not for him (because it's probably also true that as much as him and his brothers were involved in the business, there's almost certainly parts they weren't involved with and didn't see, i.e., filing taxes). Or maybe looking into opening a bakery— how triggering it is, the stress of it— causes a downward spiral. Maybe he hates how much he's worrying everyone by unraveling. Maybe having a breakdown from the stress of just trying to open a bakery makes him realize, yeah, maybe in another life he would have ran his family’s bakery but the way he is now just doesn’t work with running a bakery, not without great sacrifices he's not willing to make. I just can’t see a bakery coming to fruition.

I know a lot of fics include Peeta deciding to reopen a bakery as a big step in his healing or include him rebuilding a bakery as part of his healing process but honestly, I think the opposite would be more true: I think Peeta either trying/failing to open a bakery or ultimately deciding not to open a bakery would be hugely healing for him. I think it would be a huge part of him accepting the way he is now as a person, his new limitations but also his strengths. I think it would be a huge part of him accepting the way his life his now and accepting that he likes his life the way it is, that he’s satisfied with his life without needing to own a bakery. I think it would be an important part of him coming to terms with the loss of his family. I think he knows he can never have things back as they were and I don’t think he would try to recreate them, especially because his family’s legacy isn’t a business. I think he’s emotionally intelligent enough and self reflective enough to realize that what mattered to him about the bakery— taking care of others by feeding them, being integrated into his community and being actively involved in it, brightening people’s days with delightful things whether that’s beautiful cakes or hearty food or delicious treats— and the things he learned from his family through the bakery, are things that he can carry on in other meaningful ways.

(Do you regret sending this ask yet, anon? Because if not, you will soon. I’m not done yet. There’s more.)

I wasn’t really sure where to put this next part in what is rapidly becoming an essay because it sort of combines the points about like “what do we imagine a post-mockingjay society to look like” with the practical difficulties of starting this bakery but here’s another thing: do people really think that the Mellarks owned the land the bakery was on?? Like, sure, the merchants are the petit bourgeois of Twelve but I still don’t imagine they really own anything. In a society where houses are assigned to people upon marriage, where property ownership and capital are so closely interconnected with citizenship (as shown by the Plinths who, by having immense capital, are able to leave their District and become citizens of the Capitol) do people really think the Mellarks would be allowed to own the land their bakery is on?? I always imagined it sort of like a tenant farming situation: the Capitol gives them the raw materials for the bakery and in return the bakery give them some absurdly high portion of their profits, or the Capitol sells them a year’s supply of raw materials at a premium on credit and at the end of the year the Mellarks have to use the money they made with those materials to pay it back, except it’s never enough to turn a profit so they always have to buy next year’s materials on credit and the cycle continues.

We (understandably) get a really skewed view of the merchant class through Katniss’s perspective so I can see why people come to the conclusion that his family owned the property and, as the last surviving member, he would’ve inherited it. I’ve seen the inheritance thing in fics a lot or a hand wavey “well Twelve was decimated to no one owns anything anymore so it can be his” or even like an almost sort of reparations type situation where he’s entitled to the land as a surviving refugee of Twelve. But I don’t know. I guess I don’t think it fits with everything else we know about Panem that the Mellarks would’ve owned that land and I think the question of whether the government would’ve let him take ownership of the land post-revolution brings up a lot of issues about the structure of society post-Mockingjay that I find more interesting to explore in other ways, especially when, from an emotional perspective, 1) I find the idea of Peeta not opening a bakery more compelling and 2) I don’t think it really fits his character arc by the end of Mockingjay to reopen a bakery, as I went on about at length above lol.

On the flip side: literally who cares!! Do whatever you want!! Headcanon whatever you want!! I get why people go for the bakery!! It’s fun, it’s wholesome, it’s a built in bakery AU that isn’t even an AU. It doesn’t matter if it’s practical or realistic!! It doesn’t need to be practical or realistic!! It’s fanfic of a dystopian YA series!! My unfortunate affliction is that I grew up in a family that owned a restaurant and that I have multiple degrees in the social sciences so I can’t see the bakery without being like “What about the overheard? What about the start up costs? Who’s spending long nights balancing the books? Is Peeta covering shifts when an employee calls in sick? Is Peeta the sole person working there until the bakery is open long enough (often a year or more) to start turning a profit? How does that sleep schedule work with his nightmares? How does that work with Katniss’s nightmares? What happens when he has an episode and suddenly needs to take the day off before he has any employees? Does the bakery just remain closed for the day? Can the profit margins withstand regular unexpected closures? Can the supplies withstand regular unexpected closures?” And if the answer is “Elliott none of those things matter he’s not doing the bakery because he needs the money but because he wants to”, then my question is why does he want to? Does he not get the same sort of satisfaction out of feeding his loved ones? Doesn’t Peeta seem like someone who would rather give away baked goods than sell them?? Doesn’t Peeta seem like someone who would prefer to make cakes for people’s special occasions upon and then when they insist on paying him for it, he only lets them “pay for the ingredients” which actually cost significantly more than he says they did??

So yeah my point is that it’s a matter of personal taste! It doesn’t fit the way I see the series but that doesn’t mean it’s like wrong, I’m not an authority on Peeta lmao.

It’s also a matter of personal taste in the sense that I find the themes that most resonate with me at the end of Mockingjay (and the end of Peeta’s arc specifically) more interesting to explore in other ways. Grief, living with loss, relearning yourself, finding hope, figuring out your place in a dramatically different world when you don’t even know who you are anymore, healing, building a new life after such complete and total destruction of your old life— those are all things I find compelling about the end of Mockingjay but for me the bakery isn’t the most compelling way to explore them.

Not to say I find the concept of the bakery totally uninteresting. I have this fic about Johanna that I’ll probably never finish where the point sort of is that, yeah, her life really isn’t all that much better after the war. It’s been years at this point and she’s still miserable and she doesn’t know how to be a person but by the end she’s trying to figure it out. And towards the end, Peeta tells her that he’s spent years sort of passively, half-heartedly trying to figure out how to inherit the land his family’s bakery was on, only to find out it was never theirs in the first place. They’d been renting it the whole time and he’d never even known as a kid. So he sort of passively, half-heartedly went on another wild goose chase to find the owner and now, finally, after years of writing to various government agencies and being sent in circles and things being barely functional, he’s managed to track down the owner. Now it’s owned by the daughter of the man who owned it when he was a kid because the original owner (who was likely up to some sketchy war crime shit) died during the war and she inherited it (the irony…). He got in contact with her and asked how much it would take for her to sell it and she told him she’s not interested in selling but in light of the situation, in light of the fact that he’d have to build a new building in order to operate a bakery, that she’d cut him a deal— she’d only require 50% of the bakery’s profits as rent instead of the 80% his family used to pay. And of course Johanna is outraged, that’s not right, the owner shouldn’t be allowed to do that, they should do something about it, they should fight back. And Peeta is like. Not interested. He was actually sort of relieved that opening wasn’t very feasible. Getting the answer was a lightbulb moment where he saw that over the years of trying to look into this, he’s built a life that he likes— one where he’s stable, where his loved ones are stable, where he’s cared for and can care for others— and he doesn’t really want to change it drastically by opening a bakery anyway. He just needed an answer, one way or another, before he could get some closure and move on. (And the point of the conversation is Johanna is having her own lightbulb moment that it’s okay to move on, it’s okay to change, it’s not a betrayal of the people and things she’s lost but that’s not my point here!!).

But anyway. That’s obviously not about running the bakery— it’s about the choice to not run one.

Anyway!! Anyway… are you satisfied anon? Is this what you wanted?

Lastly, here is my most important qualm with the bakery headcanon: must Peeta be gainfully employed? Is it not enough for him to be Katniss’s boytoy? Can’t he just paint and garden and bake and hang out with his girlfriend all day? Is that really too much to ask?

[sciderman]

I swear I have read your big post regarding Peter Parker's neurodivergence and why it is best to avoid labelling him, but he definitely has a weird brain

Can't find it and feel kinda sad about it cuz I deeply related to it

i know exactly which post you're talking about and i can't find it either! i've raked through my archive, and it's just - nowhere to be seen. i think tumblr eated it (it happens.)

really, tumblr's search functionality is so so useless, i don't know what to tell you. there are plenty of keywords i can search to find it that post, but the search functionality actually just does not work!

undiagnosed audhd-addled peter parker, my darling, my light, my life, my everything.

i think peter parker's such an interesting creature to write, because a lot of people will point to a certain behaviour about him and say "this is an autistic thing, right?" but a lot of those behaviours are actually, in my head, tied to certain traumas in peter's life too.

people say "oh, the food thing, peter's a picky eater because he's autistic" and yes, absolutely. but also it's tied to his trauma with his parents.

peter gets overstimulated, and yes, it's an autism thing, but also he was bitten by a radioactive spider and his senses are dialled to 11.

it's a similar case i've found for myself, too – where a lot of friends i have kind of diagnose me because i have autistic traits, but actually - i'm hesitant to claim the label or pursue diagnosis because, actually, i know where these certain behaviours come from, and they come from certain traumas. there are events i can pinpoint in my life and say "yep. that's where this behaviour comes from."

so - i think there's a lot of overlap between trauma and autistic traits. the brain is very complex! i think the reason for that overlap is maybe as simple as the fact that people with autism and people with trauma are both doing the same thing - developing behaviours to protect themselves or soothe themselves. so - i think it's nice to be able to see a character like peter parker, who may or may not be autistic, but recognise behaviours in him and see yourself in him.

people who go undiagnosed for whatever reason - people who are really good at masking - so good, in fact, that they have no idea they might be on the spectrum - everyone and anyone at all can look at peter parker and recognise themselves. because i think we discredit the thought that every single brain does the same thing! develops certain behaviours in order to survive. every brain has that same software - we've just all been faced with different hardships that we need to overcome, and that's were all the differences come in.

autism is a spectrum, i guess - everyone falls into it to some degree. and i think events in your life probably push you along on it. but i don't know, i didn't study brain science. probably what i'm saying is very stupid and uninformed. of course there's brain chemistry involved. but i know people in my life living with autism and certain events in their life have exacerbated certain behaviours or made coping with it a lot more difficult. so maybe trauma is a catalyst.

[fellhellion]

looking up video essays analysing the queer themes of persona 4 has been such an Experience. You will ping pong between white men condescending to u that there’s absolutely no way to read queer subtext (LET ALONE TEXT!) and tiny channels made by queer fans passionately explaining their readings of this game.

[navree]

this is dc twitter discourse at the moment so i thought i'd ask your thoughts on it do you think red hood jason hurting children is ooc/a bad writing choice???

And this ladies and gents is why I avoid DC Twitter because I don't think I've seen any good takes there ever, no matter where you are. Sometimes people post panel compilations that hurt my heart, that's the like the only good thing to come out of it, I don't even click on the MAWS hashtag if it trends while the show is airing because last time I did it was people bitching that 25 year old Slade did not look or act the same way that current in his forties Slade does (not to mention, how can you complain about MAWS Slade? he's the best part about the show how did anyone not just fall over laughing with delight the second he showed up and proclaimed himself to be literal Slade Wilson?).

With that said, yeah I would consider that to be a bad writing choice. Talking about characterization for comics is hard because, as I've mentioned, comics is an incredibly decentralized creative medium in a way none others are. Movies, TV shows, novels, they all tend to have a main core group of people or even just one solitary person in charge of the creative direction, and for a lot of them, a very finite "this is where we start and this is where we end" mentality that comics do not. These characters have had constantly changing creative heads, with new directions and ideas for characterization attached, since their inception, and they've all been around for a very long time. This is why comics are kind of the only medium where you can, in fact, really pick and choose your canon, because the canon has changed so much depending on who is in charge at a giant company. Like, canonical eighties Batman characterization would be considered super OOC for someone writing canonical modern Batman, and vice versa. So talking about characterization is hard, especially with Jason when nobody has had any idea what to fucking do with him for decades at this point. But, when it comes to Red Hood Jason, there is something I consider gospel canon, which is the Under the Red Hood arc, since that is what nearly all subsequent canon imaginings of Jason take from. That is our gold standard here. And based on UTRH, yeah, Jason harming children is out of character and it is bad writing.

When Jason comes back, he has two very clear goals. Goal one: the Joker's gotta die, preferably Batman kills him so Jason gets concrete proof that he was loved and mourned (Jason is not mentally healthy so his thought process doesn't make sense just roll with it), but Jason is fine killing the man himself, so long as he dies. Goal two: essentially fulfill Batman's mission in a way where it actually accomplishes his goals. Jason outlines this pretty specifically in Batman #641, he tells Bruce "You. I'll be you. The you you're supposed to be." Jason's goal as the Red Hood is to make Gotham better (in his head), safer, and cleaner, but unlike Batman he is willing to take that goal as far as he can and will kill if necessary. What he wants is to just take Batman's mission to its logical extreme. Eradicate the various elements that have caused suffering in Gotham throughout the years, just with more permanence than Batman does, and less of a focus on rehabilitation, because you can't rehabilitate a dead person. And as part of this, Jason does not act unnecessarily. When he kills, it is people who (arguably) deserve it, and it is never innocents. It is always the criminal element, and people he believes are past the point of no return, as well as those who might be trying to stop him in that. His mission statement is literally "Death will come to those who deserve death, and death may come to those who stand in my way of doing what's right." and he means that. This is not a character you've created to then go out and harm children, because kids have not done anything to deserve it, and they are not the cause of the issues that he is trying to eliminate.

There's also the fact that Jason, even in his early Red Hood days where editorial just decided that he's a straight villain now, was never someone who went after kids, but in fact actively tried to help them. He makes it a point to tell his people that they do not sell drugs to kids and that if they do, he'll kill them (along with telling them not to get previously clean people hooked and only sell to repeats, which also paints him as someone who isn't just hurting others willy-nilly). The first person Jason ever kills, as seen in Red Hood: Lost Days, is a man who was involved in child trafficking, and he does it specifically because he wants to save those kids and future victims from him, and considers him scum of the Earth as a result (I think his name was Egan? Egon? idfk I don't reread Lost Days because I find their whole "look at fully adult Talia fucking the mentally ill sixteen year old under her care who is reliant on her for everything, how sexy" shtick abhorrent, and using Talia as their child rapist doubly so). So Jason, even at his most villainous, at his most "this is a bad dude" characterized, is someone who deliberately avoids harming innocents because it's not compatible with his mission or his personal code, and includes children very specifically in that.

It is also out of character and a bad writing choice because of Jason's own childhood. You might think a rebuttal to this is "Jason wants to kill/hurt criminals, what if kids are criminals" well guess what Jason was a kid criminal! It is actually illegal to steal parts off of people's cars, even if that person can afford it because he's Batman (to say nothing of the multiple very heavy handed hints dropped that Jason solicited as a prostitute during his time being homeless, which is also a crime, it is illegal and he would have been picked up by the cops for it if found out). Unless you want to argue that Jason thinks he himself should have been taken out with a Glock at the big of age of eleven for doing illegal things in the name of survival, you can't say that Jason's philosophy would allow him to harm children and remain in character or decently written, you just can't. Like, your other gospel for Jason's characterization should be his original Robin run from the 80s, since that's literally what introduced him to this world in the first fucking place, so duh. And there's nothing in that characterization to suggest that he would harm anyone unnecessarily, especially kids. Like, Robin Jason spares Two-Face's life, after having found out days ago that Two-Face murdered Willis Todd in cold blood; he tries to save Sheila Haywood's life after she straight up helps murder him; this isn't someone whose characterization allows for him to hurt children later in life. Especially once you factor in his struggles as a child, and how that most likely just breeds empathy for other children, especially children who are having a hard time.

Now, I can guess that some of this comes up in discussions of one of my most loathed subjects, the stupid bad stupid dumb stupid attack on fucking Titan's Tower. Now, even beyond the fact that the stupid attack on stupid Titan's Tower is less about Jason wanting to beat up children and more his specific issues with Bruce and the concept of Robin that can't be transplanted to other people, the attack itself is bad writing. It is out of character for Jason. It does not jive at all with his stated characterization and motivations that he himself outlined (also the only other closest thing to that is his fight with Mia Dearden, where he's pretty tame in just warning her to leave vigilantism and straight up beats her twice before letting her go relatively unscathed of his own free will, just saying) and it makes no sense. His issues are that the Joker is alive and Batman didn't do anything about it. Why the fuck would he care about Tim? Tim means nothing to him, he never even met the little dude, he doesn't have an issue with him. He doesn't even have an issue with the idea of Robin being passed down because Jason literally said he was perfectly content to not be Robin and just be Jason, and his problems don't arise from Robin! The issues at the heart of Jason's conflict with Bruce hinge on the Bruce and Jason relationship of father and son, not Batman and Robin! And not fucking Tim! Tim means nothing, he is a nonentity. The only reason this fuckass plot exists is because DC didn't know what to do with Jason and threw shit at the wall to see what would stick, similar to what we saw with that dumb plot with Nightwing from this time that also has similar issues, in that why would Jason care enough to cause problems for Dick, he doesn't have an issue with Dick, he legit interacts with Dick in UTRH and he's fine! (a better writing decision would have been post-UTRH Jason immediately writing the entire Batfam off and treating them as hostiles whenever they wander into Crime Alley and them having to regain his trust back/him agreeing to let down more and more barriers as time goes on and they all reconnect, but I was like seven when all this was being written so DC didn't seek my input) The fucking dumb Titan's Tower thing that people are gonna use to prove that Jason hurting kids isn't bad writing isn't even about Jason, the only reason this shit gets trotted out again and again is because Tim Drake has a lot of fans who are absolutely convinced their poor uwu baby has suffered more than Jesus when the only person in the Batfam who's suffered less than him is, like, Alfred (although I can make the argument that Alfred has still suffered more by having had to put up with Bruce Wayne almost singlehandedly for most of his adult life). It exists in people's minds even tho it is objectively bad writing and out of character for one of the main players because fanon Tim has to be the most special boy ever (and also because these people wanna use it to make Tim interesting which is impossible because nothing can make Tim interesting).

Jason hurting children deliberately is, indeed, bad writing. It is, in fact, incredibly out of character. It does not compute to his explicit motivations and how he was characterized in the stories that have since been used as a jumping off point for his characterization ever since. And ultimately, the thing is this: if Red Hood Jason is just trying to do Batman's job better than Batman, who is he doing it for if not children? Who is he trying to clean up Gotham for, make Gotham a better place for, if not her children? And if that's the case, as it obviously is, why on Earth would him then harming her children be any kind of good character writing or coherent characterization?

TL;DR, yes it is.

[add1ctedt0you]

Not something new, but, while I do think that the number of women dead in mdzs is problematic, I also think that mdzs women are well written. Mdzs narrator isn't the most flattering (if you are not a certain someone), but mdzs women have their own motivations, desires, and fears, they have depth. Jiang Yanli shows love through food, but she decides to not offer some of her soup to Jiang Fengmian. The cultivation world makes fun of Wen Qing and her theories about the golden core, until someone willingly offers to do the transfer, and she succeeds. Qin Su fights to marry Jin Guangyao, because she loves him. Yu Ziyuan despises Wei Wuxian's guts, and yet, she still decides to save him with Jiang Cheng... Again, the fact that they are all dead is problematic, but they are well written characters.

[mbat]

world of warcraft is wild in that they have a species that is an antisemitic caricature (which said species commonly is in fantasy but they really go hard on it) and then they let you play as said species which i think is already wild. also if you play the default starting area you are made to play a horrible person as that species

and then i, a jewish person, made a character of that species as a way to somehow spite them (?? i still dont know how that spites them but it was why i did it) but then i got like really attached to her and shes one of my favorite characters ive made in general and i think about her a lot. also i didnt play the default starting area so she wasnt forced to be a totally completely bad person at least for any of that

tfw you make one dimensional antisemitic caricature species but then you make them playable and therefore allow your players to get attached and make non one dimensional characters of them. wild

[flowery-whump]

hello my 22 followers please vote what you'd like the first thing I write to be

(ppl that don't follow me are obviously allowed to as well I just think saying "hello my 22 followers" is funny)

edit: followup to results on third day

these are mainly just character establishing moments!! if walenty is doing the whumpering I'll probably go to one of those fantasy name generators and randomize a few picrews and nekas to get an idea of a character because the whumpee being named "whumpee" while the whumper gets a name is awkward to me

I REACHED 30 TAGS!!! I love tagmaxxing this better reach so many ppl

[riddlerosehearts]

i know it's past halloween when i'm posting this, but as a vildia shipper i've been thinking a lot about what vil and idia would do together for halloween--ignoring the existence of the halloween event that we already have--and since i imagine them getting together post-book 6, when ortho has joined the film club and idia is trying to be a better brother to him and be less of a shut-in overall, i think it's a lot of fun to imagine the two of them taking him trick-or-treating!!

i think ortho has tried to get idia to take him trick-or-treating before, but every year idia always says no because he thinks going around to a bunch of rando's houses to get candy is scary, lame, and pointless (they can literally just buy candy at the store, after all!) and he has too many special halloween events to play in his video games anyway. so one day during a film club meeting a few weeks before halloween, ortho offhandedly mentions this, saying he's always wished idia would take him trick-or-treating, and vil decides to talk to idia about it. it actually doesn't take much for idia to agree that yes, it is wrong of him to stay in his room all day when his little brother wants to spend time with him on a holiday, and he absolutely should do it this year, no matter how nervous the thought of it makes him.

he asks vil to come with them, and vil initially says no because as much as he enjoys the aesthetic of halloween, he has a certain reputation and image as a celebrity that does not include doing such childish activities at the age of 18. but idia gets him to change his mind by convincing him that, actually, a lot of his fans would love to see photos and videos of him taking a little kid trick-or-treating because it would be gap moe! a term which vil understands without explanation thanks to idia--and he can see how such a thing just might actually be good for his image, simply by making him seem less otherworldly and unrelatable. so, he agrees, and the three of them spend the next several weeks trying to make their costumes absolutely perfect.

they really go all out, and they have a ton of fun with it. idia's costume has a mask that he keeps on at pretty much all times, so that keeps him from being nearly as nervous as he thought he'd be... except for when ortho gets so excited that he tries to just blast off from house to house without him or vil. but, he and vil both are incredibly happy to see that ortho is so happy, and throughout the night idia's ego gets inflated from all the compliments the three of them get on their costumes, and he and vil constantly exchange snarky comments under their breath about the quality and craftsmanship, or lack thereof, of the costumes and decorations they come across. they collect tons of candy and idia makes sure to add a special attachment to ortho's gear to allow him to actually eat it. vil started thinking he was too old for trick-or-treating a long time ago, but he ends up being pretty glad he went, especially when he sees all of the positive reactions from his fans on magicam.

i also think that before and after the trick-or-treating, ortho would hang out and do halloween stuff with his fellow first years while idia and vil take some time for themselves! the first thing they would do is that idia would introduce vil to one of his favorite survival horror video games, one that has a 2-player co-op mode, and vil might take a bit to get the hang of it but would ultimately really enjoy playing the game with idia.

later at night, they cuddle up and have a bit of a halloween movie marathon. based on idia's love of pumpkin hollow, he's definitely into horror movies, and i also think vil is as well, since he was directing a gothic horror for the film club in silver's PE uniform vignette and then based pomefiore's halloween costumes on gothic horror aesthetics. so, vil would get idia to watch his favorite classic gothic horror film, idia would force vil to watch pumpkin hollow (which vil did not think he would enjoy based on idia's description of its story, but by the end, while he still found it a bit silly, he was able to admire its craftsmanship and creativity and see why idia loved it so much), and then they decide to wind down and watch something more lighthearted. they pick howl's moving castle and idia compares howl to vil several times during the movie, which vil briefly gets annoyed by but then uses as an opportunity to tease idia back.

[druidonity2]

Combining "What if Anduin embraced shadow and Shadowreaper became canon in WoW" and "What if Anduin ran away to become a pirate under the name Jerek".

[reticent-fate]

part 11/26ish

anyone remember those scales with the springs in 'em? all i ever see these days are digital scales but those things made the best noises. i think i've seen some kitchen scales that still use spring mechanisms, but it's been a while.

technology is weird.

from the beginning

[welcome-to-neighborhood-park]

Poppy Partridge

Let's give a warm, but too warm, welcome to Home's most cautious neighbor! Playfellow Engineering is delighted to introduce you all to Poppy Partridge. The most significant changes to her design were made for stability purposes, so no one has to worry about toppling over.

Character Information Below

Poppy Partridge may be the most worrisome neighbor in Home, but that also makes her the most prepared. Always there with a gentle wing Poppy is prone to fussing over not just her neighbors, but visitors as well. The hustle and bustle of Neighborhood Park is too much for our frazzled, feathered friend so Poppy is rarely seen leaving the quiet atmosphere of her barn. Poppy always has an assortment of colorful bandages in her home and will most certainly give one if asked. Though she will ask if you’re alright.

Inside Poppy’s barn is Neighborhood Park’s café, Poppy’s Kitchen. Poppy’s Kitchen is smaller and has a quieter atmosphere compared to the rush of Caterpillar Corner. With a delightful variety of coffee, teas, and pastries, visitors can satisfy their sweet tooth and need for caffeine! Poppy is often found in her chair knitting but may also be helping in the kitchen to make her signature creations, such as her Everything Seed muffins. When she’s in the sitting room, visitors can cozy on the couch and strike friendly conversation with the bird herself! She loves to her all the going ons of the neighborhood and would be especially delighted to hear about Sally’s recent play. The café is meant to be relaxing, and is more geared towards teens and adults, though anyone of all ages is welcome in Poppy’s Kitchen.

If you’re just passing through but still want a treat, Poppy’s Kitchen Window is just what you need. With every visit to Neighborhood Park, visitors can get one free pastry from Poppy’s Kitchen Window! Poppy’s really good at remembering visitors so don’t try to trick her, it’s not very neighborly.

Poppy’s Teatime Spin really puts a Spin on teatime! This teacup ride is designed after Poppy’s favorite tea set from pot to saucer. Every visitor is welcome to take a ride in the teacups and whirl around in the fun! Poppy just wishes everyone stays safe and be careful. With a wheel in is each teacup, visitors are able to control the speed of their spin for the most enjoyment.

On the other side of the barn is the primary first aid station. It is separated from the café and can be accessed from the inside and through Poppy’s back door. Poppy’s barn is closest to the most thrilling rides at the park, making it a fitting location. First Aid was designed with the children in mind and is decorated with fun and relaxing imagery.

Eye Color: Green Height: 7'8" or 92 inches Age: late 20s Additional Details: longer shawl with yellow star shaped clasp, talon like feet and thicker legs for stability

Sentient. Unaware.

[fixhbones]

i’m soooo insanely normal about lab baby chuuya. just So normal.

[theirloveisgross]

You make more drama for H's companies, but you don't say anything about the fact that Louis is with the Nizam who is openly homophobic, transphobic, racist and other things. So tell me: why do you say horrible things about H and not Louis? You should hide your hatred for H

nah, of course, nizam is shit. but do you know they've been friends since they were teenagers? do you not have shitty friends that you've had since you were in school? i mean, some people don't and that's fine. and of course, it depends on each person's personalities to keep shitty friendships or not. sometimes you think you can make them better. sometimes you just glaze over it. sometimes you give them a second, a third, or a fourth chance. friendships, especially OLD ones can be complicated. remember how nizam's bit got cut from aotv once people unearthed nizam's disgusting tweets? yeah, me too. idk, if louis still keeps him around maybe he's learning to not be a shitty dick? or maybe not, but louis is an idiot and keeps a shitty friend. of course we've seen old friends of louis not in his entourage anymore. this is also a reminder of how we don't know shit, everybody. the star difference i see with harry's friends is that these are people that befriended him when he was already famous, not to mention they're raging zionists, very very publicly. again, we don't know what their friendship is like, if it's only work related or what, but it's all very public. so i'm sorry for seeing a difference between their entourages and a bit of nuance.