#you could even call them

[witchykale]

every day i become

more and more tempted

to create a daemos religion

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[poorly-drawn-mdzs]

Laios's three Boy Best Friends. And yes, they hate him.

[lucabyte]

Perceptive kid, I wonder just how much they pretend not to overhear.

[silusvesuius]

baby👶 drawings. these are very dear to me rn.. 2nd pic is my Nelavis with @barvin0k's Varonur 🩵 last one is a baby bosmer and snow elf, hairiest of them all. although the bosmer was meant to be my girl Barletta too lols

[bixels]

vague-posting about this here cuz i don't feel comfortable yapping about my su takes on twitter, but after everything that's happened the most interesting thing about the su fandom to me is that so many are 100% there for applying the "everyone can change and deserves a second chance" message to everyone, even the diamonds. except for one ☝️ she doesn't count. cuz she's dead.

[clairenatural]

okay but you see sam has ALSO fallen for dean's act. sam also believes dean to be the macho, daddy's soldier, beer boobs cars guy he presents himself as. this is why sam makes fun of dean whenever he even lightly steps out of that mold and thinks it's harmless banter instead of attacking an insecurity. it's why he laughs when john talks down to dean in the early seasons and it's why he seems surprised when dean is more comfortable with himself in the later seasons. it's why he just scoffs but doesn't push it when dean puts up a front and refuses to talk about his emotions and just accepts whatever excuse he makes at face value. it's why he offers dean a strip club to make him feel better when cas dies. and this isn't his fault!! dean has spent a very long time perfecting this image in front of everyone and ESPECIALLY to sam because along with it comes safety and security and stability and the only person. who has consistently been able to see through it. is castiel

[genderqueerpond]

We don't talk enough about the fact that Amelia Pond, s5 Amelia Pond, before the timeline is reset, isn't just a normal orphan. Her parents didn't die, didn't abandon her, and didn't send her away. They never existed in the first place.

And if her parents never existed, then Amelia cannot exist. She is a causal impossibility.

"People fall out of the world sometimes, but they always leave traces." A photograph. A face carved into an apple. Yes. Sure.

A child.

Now that's too big, surely.

But that's what she is. She is exactly the same as these things. A trace. An echo of something that could never be, never was, never could have been.

And the universe should never allow it. A whole person, that's just too much. She could not have continued to exist indefinitely, in normal circumstances, after her parents never existed.

In normal circumstances.

Because the Doctor didn't just save her from things coming out of the crack in her wall. He saved her from going into it. And he didn't just save her from the threat of going into it simply because of its vicinity.

No, by arriving when he did, he interrupted a process that was probably already in motion. And then by arriving again only moments later on a cosmic relative timestream (too quickly for the process to complete) and yet in the local relative timestream, years later --- years of a potential future caught midway through the process of rewriting -- he solidified that existence. Amy is a creature from another timeline, caught in amber. The Doctor prevented her from never existing, but only after she could already never exist.

And so, no one around Amelia thinks about it. Neither does she. There's some kind of consciousness block, because if you thought about it, really thought about it, for two seconds you'd realize she cannot exist. And the human mind can't deal with that. So, to protect itself, everyone's brain simply slides off it before ever noticing. They just assume that her existence makes sense, and don't question it, and don't notice what they don't question, that is staring them in the face.

But of course, to some extent they do notice. They can't think it, but they notice subconsciously that there's something they can't think. They notice there's something wrong with her, something uncanny. And they don't like it, and they alienate her even more because of it.

"Does it ever bother you Pond that your life existence doesn't make any sense?"

[justaz]

thinking about arthur who has crazy quick reflexes and is a relatively light sleeper who woke up to the sound of someone in his room and saw merlin crouched down messing with his keys before softly asking “whatre you doing?…before breakfast?”

[anna-scribbles]

they should've been at the club(infertility treatment centers)

[claraoswalds]

It's racist, my dear, to be blunt. People come from outside, they think we're all witches and druids. For God's sake, child, you walked into a piece of string!

[casualavocados]

Learn from who? Learn from you?

Chen Bowen as CHEN YI & Chiang Tien as AI DI KISEKI: DEAR TO ME (2023)

[almondpiglet]

(wips) who here likes serijose or joserei!!! *exactly three ppl in the crowd cheer*

[front-facing-pokemon]

[hyperfocusthusly]

Season 8, episode 1 cold open

- Buck is just done in the shower, drying off his hair, towel on, in a bathroom we don’t recognise

- he comes out of the bathroom and into a bedroom, simply laid out, wooden furniture, maybe some exposed brick

- Tommy is sat on the edge of the (double) bed, comfy clothes, he’s fiddling with something (maybe a little pebble Buck found the last time they went on a hike)

- Buck goes over, cutest little forehead kiss and then goes to get some clothes out his overnight bag on the floor

- Tommy is still fiddling and Buck picks up on it, asks him if everything is alright

- “yeah, I actually cleared out a couple of drawers for you.” He gestures to the chest of drawers at the side of the room. “You’re here a lot, which I love, and I thought you could just leave some stuff here and you wouldn’t have to live out of a bag forever.”

- Buck has the biggest wettest eyes you’ve ever seen

- He also pounces. Knocks Tommy flat back onto the bed for a big smooch

- Tommy brings his arms up around Buck’s back and holds them together as the camera pans out to the left, going out through the open balcony door and onto the city skyline as the opening credits start

[poorly-drawn-mdzs]

Peeped the horrors

[First] Prev <–-> Next