#you know a totally

[onefey]

you're going about your normal day when, suddenly, surprise! you've been pokémon mystery dungeon'd!

unfortunately, due to budget cuts, the pokémon assigning quiz has been canceled. instead, you must spin THE WHEEL, assigning you a random, unevolved, non-legendary and non-mythical pokémon. you must now go on some sort of world-saving adventure as this pokémon. good luck!

tell me in the tags what you rolled, and how you feel about it - for bonus points, you can spin the wheel again for (or just take your pick of) a pokémon to be your partner.

bonus rules:

you're not shiny unless the wheel tells you you're shiny

take your pick of regional forms and evolutions (for example, if you roll vulpix, it's up to you whether that means normal or alolan vulpix)

apply whatever logic you like with regards to gender

have fun and be yourself!

[jellys-compendium]

Imagine Nanami Kento waking up from anesthesia after surgery, his bleary and unfocused gaze landing on you (his wife) standing beside him and holding his hand in yours. You smile at him warmly, softly reassuring him that he's okay and that you're right here beside him as he stares at you silently.

Nanami looks down at your joined hands, his gaze seems to focus on the wedding band adorning his ring finger. He stares at it for a moment before looking back up at you.

"Who are you?" He slurs, his words sloshy and imprecise. So unlike him, and so very adorable. "Are you a nurse?"

You giggle at Nanami's question.

"No, I'm not a nurse."

Nanami seems puzzled at your response. His brows furrow as his fingers move against yours, thumb stroking across your knuckles in that gentle motion he always does to soothe you. Your smile widens. Looks like there are some things that even ketamine can't erase.

"Wow. You got the most gorgeous smile. Are you a model? You're the most beautiful woman I've ever seen in my whole life. You got really pretty teeth too..."

Kento's fingers tighten around yours, his voice falling into a groggy whisper.

"But...I think I'm married. We shouldn't be holding hands like this."

You bite your lip, fighting against the bubbling laughter in your throat and failing.

"O-Oh?"

Nanami nods, his expression shifting from one of appreciative awe to adorable seriousness.

"I want to be a good husband."

Well that just about melted your whole damn heart. Even the hospital staff in the background can't repress their "awww"s and "that's a keeper"s.

"Don't worry, you are a wonderful husband, Kento. I know that for sure."

He's confused again, those unfocused honey brown's searching yours, trying to figure out the situation as best as he can given the circumstances.

"How do you know?"

You raise your left hand, bringing it into his line of sight and wiggle your ring finger, the golden band surrounding it captures Nanami's attention in an instant.

"Because I'm your wife."

Nanami's eyes instantly grow wide, his expression morphing into one of childlike wonder.

"You're my wife?"

You laugh.

"Yes."

He squeezes your hand with a surprising amount of strength given that he was knocked out cold not that long ago.

"We're really married?"

"Yes."

"Wow..." Kento breathes, drifting off for a moment before asking you another question. "Have we kissed yet?"

His innocent yet hilarious question sends you into another fit of laugher.

"Y-yes! Many times."

Nanami rewards you with a dopey smile, his gaze so utterly loving, enchanted by your unrestrained joy.

"My wife." He murmurs adoringly, his fingers reaching up to caress your cheek.

"I love hearing you laugh." His palm cups your face. "You really are so beautiful. I hit the jackpot, didn't I?"

Grinning from ear to ear, you press a tender kiss to Kento's fingertips before guiding his hand back down to the bed.

"Alright sweetest man alive, you need to stop talking before you make every person in this room fall in love with you. I'm going to grab a snack for us for later. I'll be right back, okay?"

Kento nods.

"Okay. Can I get another kiss when you come back?"

[fleshadept]

looking at (vetted) gofundmes for people trying to escape palestine and i don't know how many of you actually click on the gofundme links you reblog but i would like to point out, for what it's worth, just how amazing it is that so many have raised so much money. it may overall feel like a drop in the ocean but the fact that several gofundmes have raised tens of thousands of dollars is amazing. it is so expensive to leave gaza right now, and people still need money after they escape. but regardless of what propaganda the US, UK, canada, and other western nations are trying to pump out, people across the world are doing what they can to help these people survive. many of them are still very far from their goals (like this one and this one and this one) and some of them are very close to high goals (like this one), and some of them have reached almost double their original goal.

and that's not even addressing direct aid or organizations that take continuous donations for distribution of food, menstrual products, etc. the PCRF has raised $16,000,000 of their target goal of $20,000,000 to fund current aid and long-term relief efforts in gaza. ANERA's febuary 13th update discusses the material ways they helped palestinians today:

(ANERA donate link)

my point is, it often feels like the world is turning a blind eye to palestine. but i would like to point out that there is an important difference between "the world" and "western political leaders and media narratives". a breathtaking amount of real people, the people who make up the world, are trying to help. in the face of israel attempting to commit genocide, the world is saying No. These people deserve to live. and literally sending millions of dollars internationally, through the internet connection that israel has desperately been trying to destroy.

it may not feel like it matters in the grand scheme of things. but to the people who get fresh clothes, or a hot meal, or blankets, or the kids who get new toys, or to the people who are able to bring their families to safety, it matters to them. go make someone's day better. i've linked so many options with ways to do that.

[chloesimaginationthings]

The moment FNAF movie Vanessa knew she fucked up

[christadeguchi]

if nothing else can save america this zero-year-old fairy baby otter with no gender can. chiitan's platform is love. and chaos.

[themetalhiro]

[technically-human]

Red string of fate

Be strong, Niko

[chaospikes]

Fish

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[amelie-isnt-french]

Protocol is actually just us Magnus Archives fans rapidly descending into s2-Jon-levels of paranoia. Granted, just like s2 Jon, we have reason to be paranoid, but it's still hilarious to see us all collectively scaling the walls of our enclosure while frothing at the mouth over our theories.

Jonny and Alex are playing us like a cheap harmonica and I'm so here for it

[bigfatbreak]

Birds of a Feather previous / next

[wasabi-gumdrop]

Kabru has a secret admirer in the castle!

[efverse]

eeveelution family that studies pokemon evolution and stuff lineup 2.0

[ionomycin]

Forest Guardians

[chloesimaginationthings]

You think FNAF Pit Bonnie has William’s memories?..

[xxplastic-cubexx]

obligatory beach divorce doodling

bonus rough cover redraw of x-men #41 (1995) But Beach Divorce below cut