#you people cannot actually be getting off on real people's suffering there was a very clear thick line and you crossed it

[itspileofgoodthings]

like. Nina listens to Taylor, moderately keeps up with the front-facing aspects of her life, enjoys her quality, has her minor critiques, recognizes her place in the current culture, can set her down and do other things when she wants to, and most importantly knows who Taylor is through her art.

[poughkeepsies]

just saw a term for the first time that completed the holy trinity of worst things fandom culture is responsible for along with the concepts of real person shipping and real life queerbaiting: real life whump

[desolationtimstoker]

gerry keay (classic flavor):

skinny. not in a way most people notice off the bat, because he's quite tall and very good at looking big, but leitner hunting burns a lot of calories and he's been chronically underfed for most of his life

eye tattoos on each of his joints, placed there by supernatural means as a protective ward against other powers

his hair always looks like shit for several reasons, including but not limited to:

- he doesn't like to dye it when his mother is around, both because of the vulnerability of the position and because he doesn't like to be Perceived by her while doing anything he actually. ya know. enjoys. this means that it has a lot of time to fade and his roots grow out.

- if she's around too often for a stretch of time, he has to find a local business he hasn't already been banned from and rinse it out in one of their sinks. this leaves it looking understandably patchy and rushed.

- the dye he uses is cheap as hell -- having his own money is an occasional luxury which cannot be taken for granted.

- he just. generally doesn't take care of himself and his hair suffers overall as a result. he doesn't shower often enough and when he does he uses precisely one (1) type of soap. and it's like. if they have irish springs bar soaps in england then it's that and if they don't then it's the closest equivalent.

he isn't actually like. goth. as we would think of it.

black clothes don't show bloodstains and they made him feel safe edgy and dangerous as a teenager.

we're talking thrift store jeans purchased when he was 16 an never replaced. maybe some band tees. boots for marching into a den of hunt avatars.

the leather jacket is also secondhand and while yes he does feel very badass and cool in it it's also a practical piece. good for fighting. especially when the people you're fighting might have claws or want to set you on fire.

sewing needle piercings with visible scarring around them.

he just generally looks. kinda sick all the time? again, not something that usually registers because he's also good at being intimidating but if you're looking for it there's all kinds of evidence of chronic sleep deprivation and malnutrition. he looks unhealthy, concerning.

gerry keay (tmagp):

goth. like, real goth. like buying from thrift stores still but more often and having fun with it now.

we're talking fishnets. we're talking eyeliner. we're talking black lipstick. we're talking absurd and impractical jewelry. we're talking dabbles in lacy skirts and definitely owns a corset. and yes he still wears a leather jacket but exclusively because it feels cool and badass. he's goth babey!

no longer skinny. precise body type is whatever your heart tells you is true but three square meals agree with him and he's gained a very noticeable amount of weight.

the hair dye is still not professional, his roots grow in occasionally and it's still a bit patchy, because he's still doing it at home, but also. he's doing it at home. it's fun, and he has fun with it. the dye is better quality. gertrude helps him with touchups. black is still a favorite but he's dabbled in other colors, dark purples and greens and blues.

loves to be covered in stuff. when he's baking, he will intentionally smear flour on his black pants and make it look accidental, and when he paints he doesn't wash his hands. this is partially so he can see the evidence himself, and partially because he wants people to notice it and ask. he wants to say, "oops, i was baking earlier, i must've wiped my hands on my pants."

he still has shitty irresponsible piercings from when he was a teenager. the more recent ones are more professional.

his tattoos are pretty and useless. he designed most of them himself.

there's color in his face. sleeping gets a little easier every night.

[youremyheaven]

Rahu & Ketu: Abuse & Addiction

TW: drug overdose, death, suicide, abuse, childhood abuse

Nodal influence can be very destabilising and intoxicating. They're opposites but as they say the extremes of anything is a meeting point for it's opposite, so Rahu & Ketu share many similarities.

Rahu & Ketu are both shadow planets, Rahu is the head whereas Ketu is the tail. This in itself reveals much about the nature of the two. Rahu is over immersed in the world whereas Ketu is completely cut off from it.

When I say Rahu is over immersed/over stimulated, I don't mean they're profoundly connected to reality, I mean the opposite, they're deeply immersed in Maya/illusion that they often have no sense of reality. Rahu is the head, imagine if you lived in your head all the time? You'd be in your own la la land, disconnected from what is actually happening around you. This is Rahu energy. Without your body, you cannot use your senses, you cannot fully feel alive or experience reality. Rahu being the head means you're cut off from what is "real". You only live in your head and what happens in your head is very subjective and completely illusory.

They are so deeply immersed in an illusory world. This can manifest as substance addiction, video gaming, fame, material success, internet addiction, overly obsessed with "binging" content, maladaptive daydreaming etc, any experience that disconnects you from what is "real" and immerses you in something that feels very real but isn't real. Both Rahu and Ketu people suffer from addiction, Claire had mentioned that Nodal influence can make someone prone to addiction but why Rahu and Ketu are addicted tend to be very different. Rahu is overstimulated, they always need more of everything. There are people who spend 10 hours a day just watching YouTube videos or IG reels or whatever, that's because they need that much stimulation, since they live in their heads. Their minds need that kind of fodder to thrive off of. Once you start using any kind of substance, your brain builds a tolerance for it and you have to start using higher and higher doses to get the same high. When a Rahu native accumulates wealth, they start indulging in it but nothing is ever enough. They never feel "full", they don't have that fuse in their brain that flares up and says "this is enough". Basically they never know when to stop, they just keep going and going and going with anything they immerse themselves in. People play video games for 3-4 days straight without leaving their game set up. They don't ever feel satisfied. This is scary because "feeling full" is our brain's way of asking us to stop. Without that mechanism, we would overindulge and overdo everything which is what these natives do.

This is also why relationships are so tricky for Nodal people. They give too much and immerse themselves to the point where it's detrimental to the relationship. You either feel like you're losing part of yourself to it or the other person feels like you're consuming their energy too much (which makes them feel drained). Moderation does not exist for Nodal people either they're completely detached or they're completely obsessed.

Its similar to Jupiter energy in the sense that Jupiter is also very expansive and has the ability to immerse itself in everything and give so much but Jupiter has other principles that firmly ground it in reality as it is not a shadow planet like Rahu. It is not suspended in an illusion, Jupiter natives give so much or do so much because they have the internal space to do so, not out of a tendency to immerse themselves in Maya/illusion. Jupiter is the opposite, they see through Maya and find it hard to consciously part take in it.

Taylor Swift- Ardra Moon

She works harder than anybody in the biz. Her concerts are like 3 hours long and she does like 40-50 shows on average. She's ALWAYS doing THE most. She releases a new album every 2 years or so, has other projects etc this is a positive manifestation of Rahu energy because it allows you to be deeply immersed in your craft and your world but it also means you live in a bubble and you are cut off from "real life".

Ketu is the tail, it is cut off from reality and feels profoundly disconnected to reality. It is hard for these natives to feel like they relate to anything. This is why Ketuvians struggle with addiction. They use substances because they want to feel something, want to feel tethered, want to feel connected. They have to use higher doses because it helps them feel heightened emotions when they usually don't feel anything at all.

Ketu is connected to spirituality because natives who feel disconnected from the real world to this extent find it easier to immerse themselves in the occult and in esoterica. It is more abstract and requires you to think non-logically, i.e, experientially, but this is something Ketuvians have a hard time with, they themselves feel very "abstract" or like they aren't real or don't exist, so while they're intrinsically drawn to the esoteric, they feel untethered/ungrounded by immersing themselves in it too much. They need something they can cling to, they need something solid that they can attach themselves to.

All Rahuvian nakshatras belong to the Shudra caste, specifically the Butcher caste, this is very interesting because Shudra is the lowest caste (Mleccha is "outcaste" which means it exists outside the system entirely), to be Rahuvian means to operate on the lowest level. Butchers have to slaughter meat to make a living, that is unpleasant and brutal work, and only if they are disconnected from it can they keep doing it. They cannot be too focused on what they actually do because then it will be hard for them to do their tasks. They're not repulsed by it because they're disconnected from it.

2/3 Ketuvian naks are also Shudra caste whereas Ashwini is the only Ketu nak that is upper caste as it is a Vaishya nak.

(table by me hehe)

Rahuvian naks are found in all 3 ganas (Swati is deva gana, Ardra is manushya gana, Shatabhisha is rakshasa gana)

2/3 Ketuvian naks are Rakshasa gana (Mula, Magha) with only Ashwini being a Deva gana nak

I feel like Ketuvians are always made to feel like the bad guy / people villainize them a lot. They're the "ugly ducklings" who have to "win" approval as they're never accepted for who they are.

Rahu needs to immerse itself in something because its sensory perception is limited and they need to really indulge to grasp what is "real". Its very common for people with heavy Rahuvian or Rahu in a malefic placement to experience hallucinations or feel like their grip on reality is very thin.

Ketu has nothing perceive with at all. Its like being completely lost in the shadows or the dark. There's no perception taking place at all, it makes the natives inwardly drawn because its truly hard for them to absorb from their surroundings unlike Rahu which absorbs easily and fully. Rahu is over immersed whereas Ketu lacks immersion at all.

Lets look at the yoni animals of Rahu & Ketu naks respectively

Rahu: Ardra -dog yoni, Shatabhisha- horse yoni, Swati-buffalo yoni

Ketu: Magha-rat yoni, Mula- dog yoni, Ashwini-horse yoni

one common theme is that all these animals are abused, mistreated and exploited

(rats are the go to animal for lab testing, dogs are valued for their loyalty and are at the mercy of their owners, horses are made to endure so much labour, buffalos are farm animals)

all of these animals are also associated with dirt/filth in some way or another which is perhaps why people with Nodal influence often have a dishevelled appearance. They're bad at taking care of themselves.

Both horse yoni & dog yoni are divided among Rahu & Ketu naks whereas the yoni consort for Swati is Hasta (Moon ruled) and Magha is Purvaphalguni (Venus ruled).

Horses are very strong but very fragile animals. They start walking almost immediately after birth, they sleep standing up but they require a lot of attention and care as their health tends to be very fragile. Even though horses are associated with working hard, its not exactly innately part of their nature, it's just that they've been domesticated into being that way. It represents a very powerful active energy, as horses can be highly temperamental and unpredictable.

Dog yoni on the other hand, makes a person very needy and eager to please others. Dogs depend on the affection of their owners and without it they feel unhappy. Both these nakshatras have obsessive tendencies and a people pleasing nature. They're also two nakshatras who endure abuse the most.

I've noticed that a lot of people tend to have both nodes in their chart and I wonder what its like to house such contradictions. On one hand you're extremely involved, on the other, you're supremely detached.

The entertainment industry is one where people with Nodal influence really thrive but also often, self-destruct themselves. Its immensely hard to balance these energies since Rahu heightens whatever is in it, the way Jupiter expands whatever it touches. Both planets make you feel manic but in different ways.

Addiction is the result of an overactive nervous system and a coping mechanism. Ketu feels cut off from society/life/the world so in order to feel connected, it over indulges. Rahu needs something that will help them fully lose themselves, idk if I'm explaining it properly but you know how the best movies you've watched are the ones where you feel like you were in them experiencing those things with the characters? Its like that

There is an unhappy pattern of Rahu & Ketu influenced people being abused, I have especially noted this among child actors but also others.

Taylor Momsen- Swati Moon

Her parents signed her up with Ford Modeling when she was just 2 years old. "No 2-year-old wants to be working, but I had no choice. My whole life, I was in and out of school. I didn't have friends. I was working constantly and I didn't have a real life."

This theme of not experiencing "real life" or reality is very prominent in the lives of Rahuvian and Ketuvian people. It can be interpreted in many ways according to the context but there is always a sense of being deprived of what was "normal" or "real" as a result of which these natives had to live in their imagination or indulge in other things.

Like the child star who worked their whole life playing other people (acting is very Rahuvian) or the loner kid who spends all their time immersed in movies or video games because that feels more "real" to them.

Fame is also an inherently Rahuvian experience bc it's an illusion & a prison.

Judy Garland- Ardra Rising, Mula Moon

She was emotionally abused and controlled by her mother who got her addicted to drugs by the time she was a teenager. She was also sexually abused by the studio executives she worked with. Judy had a very tough life.

Aaron Carter, Ardra Moon, Mula Rising

Aaron Carter claimed that as a teen musician, his family spent $500 million of his money on 15 houses and 30 cars. He claimed that when his parents sold the houses, he didn't get a cut of the profits. He also alleged that his dad shot a .44 magnum near his ear — which resulted in him going 70% deaf in one ear — to force him into signing a $256,000 check.

Being heavily tattooed (more examples at the end of this post) is also a very Nodal thing to do.

He unfortunately passed away in 2022 from an accidental drug overdose. This is also a very unfortunate pattern among Nodal celebrities.

Macaulay Culkin- Shatabhisha Moon, Magha Sun & Mercury

 Macaulay Culkin's father Kit managed him during his childhood career. Macaulay has shared that his father was controlling and had him on a very busy filming schedule in the early '90s. He added his father made him stay up every night to study the lines he would have to say the next day. Macaulay asserted that his father was "such a crazy person" that he forced him to do SNL without cue cards when he hosted the show at 11 years old. Macaulay has explained that he felt his father was jealous of him because “everything he tried to do in his life I excelled at before I was 10 years old.”When Macaulay stopped acting after his 1994 movie Richie Rich, he told his parents, “I’m done, guys — hope you all made your money because there is no more coming from me.”His parents were never married and after he stopped acting, his mother filed for custody. Macaulay ended up taking his parents to court to stop them from controlling his $17 million in earnings. Since then, he and his father have been estranged.

I feel like the "child star gone wild" is a trope meant specifically for Nodal people

Keke Palmer, Magha Sun & Mercury, Mula Moon

Palmer shared on IG:

"Due to traveling and scheduling both of my parents had to stop working to support my career and be present for my three siblings, leaving me with the financial responsibility around age 12. Which I took great pride in because I knew what it would do for generations to come and a huge blessing that I could even help out. However it caused me a lot of pain because I essentially had to abandon my childhood feelings and desires, becoming like a parentalized child, which is something some of you can probably relate to in your own way. This was something that I have had to continuously work through because I am grateful but often feel like.. I missed “IT”. Life can be such a tragic comedy because how funny is it.. that now becoming an actual parent, and the responsibility I’ve always carried being more valid now than ever, has in fact given me the chance to feel what it’s like to be a kid again, I get a chance to explore a lot of the things I missed out on with my son, His freedom is like, the most priceless gift to me. He is already teaching me so much, it’s like he awakened the little me inside that I thought was long gone."

Ketu dominance = being your own parent, being neglected by your family or having to be your parent's parent.

Michael Jackson, Magha Sun & Mercury, Shatabhisha Rising

From a young age Jackson was physically and mentally abused by his father, enduring incessant rehearsals, whippings and name-calling. Jackson's abuse as a child affected him throughout his grown life. reading about the lives of the Jackson siblings and how severely they were all abused is very perspective altering and sad

Mary Kate & Ashley Olsen, Magha Moon, Ashlesha Rising (inc the ashlesha placement bc its another nak often subject to control and abuse)

“With what we were doing in business when we were younger, I don’t think it ever felt like we were actresses,” Mary-Kate “Because we spend so much more of our time not in front of the cameras, building a brand. Ashley agreed, saying: “I always looked at myself, even as a kid, as a business woman.” Mary-Kate said she wouldn't wish her childhood on anyone, and said she felt like a "monkey performer." 

they quit acting in the mid 2000s and rarely make public appearances and god only knows what they endured in the business bc neither of them will talk about it.

Sarah Michelle Geller, Ashwini Sun conjunct Ketu, Shatabhisha Moon

Sarah herself enjoyed the path she'd ended up on, she has rules in place for her own daughter. Recalling the "industry abuses" she experienced as a teenager in Hollywood, she said she hoped she'd "set up a safety net for these actors that I didn't have," but that she and husband Freddie Prinze Jr. have "rules in place" that mean daughter Charlotte "can't be in front of a camera until she graduates high school."

Kylie Jenner, Swati Moon

Kylie started appearing on her family's reality show when she was 10

In 2016, she told her sister Kim in an episode of the show: "I feel like I've had anxiety for too long. I feel too much, I care too much, I read too much. Some people are born for this life and some people aren’t. I just know I’m not supposed to be famous.” in an old IG post she said: "I’m proud of myself, my heart, and my strength. Growing up in the light with a million eyes on you just isn’t normal. I’ve lost friends along the way and I’ve lost myself too sometimes. My first tattoo was 'sanity' to remind myself everyday to keep it. I’ve struggled with anxiety my whole young adult life." "I know I don't want to be famous forever. There's gonna be a time where I feel comfortable, I'm at a good place in my life, and I just stop."

Natalie Wood, Ashwini Moon

The late Natalie Wood was forced into acting by her mother, Maria, who missed her chance to become a performer and instead focussed her efforts on pushing her daughters to stardom.

While young Natalie had a natural talent for performing, it seemed that her reason for going to movie sets was more to please her mother than to quench any desire of her own. 

Bella Thorne, Mula Moon

"I was sexually abused and physically growing up from the day I can remember till I was 14. When I finally had the courage to lock my door at night and sit by it. All damn night." She has also stated that she only started acting as a child to support her family.

Drew Barrymore, Shatabhisha Sun

 Drew's mother took her to clubs and allowed her access to drugs and alcohol, ultimately leading to her institutionalization at the age of 13, and emancipating herself at 14. Drew described fame at such a young age as "a recipe for disaster."

Edith Piaf, Mula Sun & Mercury, Magha Mars

Born in Paris practically on the streets, she struggled from day one, the daughter of street performers. The mother, a singer, eventually abandoned both Edith and her father for a solo career. Piaf spent her youth entertaining passers-by, receiving little formal education in the process. She often accompanied her father's acrobat street act with her singing and at various times was forced to live with various relatives, in alleys or in cheap hotels. An aborted love affair left her with a baby girl at age 17, but little Marcelle died of meningitis at 2 years old. Devastated, Piaf returned to the streets she knew, now performing solo. Her fortunes finally changed when an impresario, Louis Leplee, mesmerized by what he heard, offered the starving but talented urchin a contract. He alone was responsible for taking her off the streets at age 20 and changing her name from Edith Gassion to "La Mome Piaf" (or "Kid Sparrow"). Piaf grew in status entertaining in elegant cafés and cabarets and became a singing sensation amid the chic French society with her throbbing vocals and raw, emotional power. From 1936, Piaf recorded many albums and eventually became one of the highest paid stars in the world.

Later in life she became an addict and died in poverty at the age of 47.

Brittany Murphy, Swati Moon & Venus

she was a child star who was managed by her controlling mom. she battled with eating disorders and drug addiction. rip britt.

Justin Bieber, Shatabhisha Sun conjunct Saturn

Justin shot to fame at a very young age and was severely exploited by his management/everybody around him

Now here are some heavily tatted celebs and their placements

L to R

Rihanna- Shatabhisha Sun

Paris Jackson- Ardra Moon

Cheryl Cole- Ardra Sun & Mars, Shatabhisha Moon

Demi Lovato- Magha Sun

Jungkook- Magha Moon, Mula Rising

Ruby Rose- Swati Rising

Machine Gun Kelly- Ashwini Sun

The 27 club refers to a phenomenon where several musicians have died by age 27, many from an overdose. Unfortunately many of them have Nodal influence.

Brian Jones- Shatabhisha Sun

Jimi Hendrix- Mula Rising

Amy Winehouse- Mula Moon

Kurt Cobain- Shatabhisha Sun, Ardra Moon,

Janis Joplin- Ardra Moon, Mula Mars, Asc conjunct Ketu (in Dhanishta)

Jim Morrison- Ketu conjunct Rising (in Shravana)

several other celebrities who have died from overdoses also tend to have prominent Nodal influence

John Belushi- Mula Rising

Phillip Seymour Hoffman- Mercury in Ardra 2h, Mars conjunct Ketu in Swati

Prince- Shatabhisha Moon, Ketu in Ashwini

Whitney Houston- Shatabhisha Rising

River Phoenix- Magha Sun conjunct Ketu, Swati Ascendant conjunct Jupiter

Elvis Presley- Shatabhisha Moon

Margaux Hemingway- Ashwini Rising

Nodal planets are shadow planets and it can be very difficult for these natives to manage this energy as it is energy without a source, Rahu & Ketu don't have physical form or existence, that is a lot of uncontrolled energy to possess within yourself. Many people turn to spirituality and other esoteric sources and good Rahu & Ketu influence is vital and necessary to study or gain access to gnosis, study astrology or other occult matters but when this energy is imbalanced in their chart, these natives are more prone to self-destruction than any other planetary dominance simply because the unbridled energy is impossible to contain and requires some kind of coping mechanism. I have dated several Nodal men and they all dealt with varying degrees of addiction to varying substances and they all spoke about "wanting to feel more real" or how "nothing feels solid". I will try to focus on the positive manifestations of the Nodes on a future post.

thanks for reading<333

[pastadoughie]

incase 1 of you needs 2 hear this :

a)

ai art is shitty and explotative, and while i dont think that neural networks are bad as a concept, they can be done ethically, but at this point every single large company that has ai shit is doing it in an extremely shitty way. art that is posted on the internet isnt yours to steal and make profit off of. you do not get to take the art of unconsenting random internet users, throw it into a shredder, and sell 7.99 a month subscription packadges for people to be able to eat some of the dust it spits out.

while i previously was more lax on people on reposting my art so long as they credited me, i ask that you not fucking repost my art, under any circumstance if you are on a platform that is scraping art, or on a site that is not properly set up to deal with scraping. the only acception to this is commisions where you have explicitly asked me.

this includes tumblr.

b)

reposting without credit is always bad, even if you dont know who to credit. you should under no circumstance be posting artwork that isnt your own without giving people a way to see the artist, and you need to link it in a way that is ACTUALLY USEFUL, give multiple links to multiple platforms, do not use 3rd party link shorteners, include mirrors and archive captures, provide a plain text spelling of usernames for every platform you link to, ask for explicit permission of the artist, opt out of any ai generation tools. or if you are on a platform that does not allow for this do not post it at all, and you have to have all of this very clearly visable and easily readable

if that is too much effort for you then you shouldnt be posting it. with literally zero exceptions.

c)

biological sex is not real and people can do whatever the fuck they want with their own bodies, even if you deem it as "self harm". under no circumstance should you take away peoples bodily autonomy, someone could literally be sawing their arms off for funsie wunsies and i would still say they need to have freedom and privacy, and it is ultimatly THEIR call what they do with themselves.

gender is similarly also not fucking real, people can dress however they want, fuck whoever they want, and use whatever words to describe themself with that they want. and if you think that boys wearing dresses or some shit is somehow harming you then you are ligitimately fucking pathetic. if i fucking ran a political campain saying everybody wearing a scarf was a pedo and a rapist and we need to ban scarfs forever would you fucking vote for me? are you that scared of people being able to? do what they want? jesus.

d)

genocide is bad. regardless of who does it.

regardless of the scale of cruelty, there is nothing that a group of people from a certain state, ethnicity, religeon, ect, can do that justifies murdering civilians. there is never a justification for genocide.

implying, under any circumstance, that someone is somehow evil for their background, appearance, religous beliefs, country of origin, sexuality, gender, ect. is shitty or worthy of violence because of that is, and i cannot stress this enough, fucking disgusting. nazi shit. even.

e)

i do not support zionism. i do not support antisemitism. i do not support racism.

also the iof is actively commiting a genocide. you should donate to a relief fund for people currently suffering from this, as well as call your house and senate members. as have i.

f)

people often times claim that people they dislike, largely minorities, are pedos or rapists or something of the sort. this is something that has been happening for, and i cannot stress this enough. all of fucking history. people were fucking saying these exact points, verbatim, to argue in favor of SLAVERY okay? if you are spouting the exact same shit as fucking nazis and colonizers and slave traders, then consider, you are a horrible fucking person.

you have to be EXTRODENARILY SKEPTICAL when accusing a minority of a serious crime, and spreading information about it. because if a bigot can just say "oh theyre a pedo" and you believe them at FACE VALUE then guess what? you are just as much of a bigot as they are. minorities are people, and people do terrible things, but just like you should be doing with EVERYBODY, you should be actually looking into things before you accuse someone of being a shit person, and often times, you are not knowlagable enough about someone to make those kinds of claims anyway.

[shizunitis]

Luo Binghe: Original Drafts Edition! Who and why?

“[…] in fact, in his original outline, Bing-gē hadn’t even had a romance plotline; he had been doomed to fade away, alone and unaging forever.” — The Scum Villain’s Self-Saving System, Vol. 4 (Mo Xiang Tong Xiu)

The drafts version of Binghe! Not Bing-gē, nor Bing-mei, but a secret, third thing! (I’m partial to Bing-xióng (兄) myself, just for thematic cohesion. Bing-mei remains as he is: Shizun’s special glass-heart maiden.)

So! Who is this elusive, mythical Binghe we never got the chance to meet? What is he? How do I get to pick this one’s brains?

Why is he haunting me! What does he want! So much to think about.

Listen: I love my trash sons, both the racoon and wet dog variations, but I am curious about this handsome demon lord who did not bed thousands, and did not steal his shizun to lovingly coax him into a loving and respectful marriage. Alas, Airplane-bro, as is custom, has left me hanging.

The solitary quote above has been floating around my brainspace for months. Intermittently, I would look up at the sky and sigh a big sad dog sigh, and think of this lonely demon-man emperor who seems to be both perfectly representative of No-Shizunitis Suffering Binghe, and on the exact opposite end of the line. I have spent many a night trying to rearrange the blocks of both SVSSS and PIDW like a sad toddler with no plan but plenty of amorphous longing.

Thus, Bing-xiong. My beloved new toy.

We know he is left alone and unaging. This means that:

He does not marry even once. (Sorry, Other Bing Variants. This one came broken.)

He is not defeated, killed, or left to suffer his not-father’s fate of sulking under a mountain.

From 1) we can assume two more things! Xin Mo either gets fixed/doesn’t influence this Binghe the same way, or: Xin Mo is completely written off à la Airplane Retconning, making Binghe potentially even more individually powerful than his younger counterparts.

(Or he just. Takes people’s cultivation ad-infinitum. Interesting thought, but too straight-forward for my tastes. Airplane’s thoughts? Unknowable.)

From 2) we can also assume Binghe cannot die, is under the influence of the Protagonist Halo unto infinity, and will only be put out of his misery once the heat death of the universe deems it a worthwhile endeavour. Either that or the story ends, but. It tickles a miserable part of my brain pink to think Binghe will not be let off even then.

Anyway. Bing-xiong, of course, has the same source material to work off of. Up until the Abyss, and including it, the plotline should be if not the same, adjacent enough to be indistinguishable.

However. This means:

Bing-xiong never got coerced into sex by Qin Wanyue, thus not starting him on the path of sex-dependency/addiction, avoiding Bing-gē’s fate by virtue of the Butterfly Effect. (Read this post because it explains Bing-ge's whole thing better than a lot of things I've seen.)

Again, Xin Mo implications.

Alternate Universe Shenanigans make an appearance. (Shen Jiu’s fever and death was actually meant to happen, Bing-ge just got very, very unlucky and his Universe’s Yue Qingyuan very, very lucky. For a few years. Either that or there is a Shen Yuan for every Binghe! Again: sorry, Bing-ge. You need to find your own. Middle child issues…)

Once the drafts/original outline got lost, all bets are off and now the characters become real people, without narrative influence. This also has the very fucked up implication that Bing-ge is actually a result of exclusively external forces and would have never gone down that path if not forced onto it by Airplane’s unwitting hands. I do and do not love this version. Very Mo Ran-esque, if looked at from afar and squinting.

Other options I’m either too not-high to think, or too high to put together. (Cold medicine is insane?)

I am fascinated by this… Schrödinger’s Binghe. A jaded, lonely emperor left in the ashes of his world, gazing upon his own history and finding fucking nothing and no one. Metaphorically and, like, practically, if I’m understanding Airplane’s musings correctly. Isolated, cursed by his own blood in a completely new and fucked up way!

I need Airplane to speak with me for like, half an hour. This is paramount to my mental health, I’m losing my braincells by the hour.

What happened to this impervious, cocky, badass demon bastard lord to become so alone? How did it happen? Why did it not happen to the other two, or at least Bing-ge, who has had every horrible and shitty thing possible and impossible piled onto his head? What the fuck is up with Xin Mo? Why isn’t it eating away at Big Bro Luo? Or, worse: why is it eating away at him in such a way that instead of turning into a violent yet charismatic, horror-creature of a man, it turns him into the existential terror-fate I’ve contemplated and abhorred since I was seven?

Tianlang-jun as the final boss. Discovering Huan Hua Palace Master’s crimes, deceit and… stuff. Perhaps even uncovering Shen Jiu’s backstory.

Ooh! Worse! Or better? What if he finds out everything, after having followed Bing-gē’s path, and simply… gives up? A grown up Bing-ge, minus the marriage and surrogate-lover part(s).

(More unlikely than other options, but still there, I guess.)

Fucking insane of MXTX to do this to me, personally and specifically.

I can only speculate forever, I guess! Left… alone and pondering forever.

So. Not a Bing-ge, and not a Bing-mei. A Bing-xiong, if you will.

[sunderwight]

I keep seeing people argue that Aziraphale is "intelligent" or "not a fool" and that this means he can't possibly have fallen for the Metatron's blatant manipulation tactics or still genuinely believe in Heaven's righteousness.

Setting aside the validity of various theories (most of which I at least find interesting, if not outright compelling!) I think there's an issue here, which is that intelligence doesn't protect you from cult-like thinking. Especially not when you've been more or less born and raised in the environment.

In fact, what intelligence tends to do to people who have been indoctrinated into cults (and a cult is exactly what GO Heaven operates like) is give you even more tools for justifying or thinking your way around the contradictions of the cults actions vs message.

We even see Aziraphale do this, several times!

In fact, at the end of S1 doing this is part of what helps save the day. When he points out that Heaven can't know that they aren't defying God's ineffable plan while trying to follow the Great Plan, he's not just talking them into standing down, he's giving them an out. Because the whole Armageddon thing has already gone to shit and cannot proceed without Adam's cooperation, what they're really dealing with at that point is getting Heaven and Hell to accept that without retaliating. Even when Satan shows up it's because he's pissed, not because doomsday is still on.

Aziraphale uses the cult's own logic to give Heaven (and Hell) a plausible reason to back down without completely losing face. They don't have to admit that they were wrong, they can just file everything under "ineffability". Aziraphale pulls this off so well in part because he's been doing this to himself for millennia.

When he doesn't understand or really approve of the Flood, he files it under "ineffability". God has a plan but it's too complex and beyond even angelic comprehension to understand, so there must be a good reason for the Flood, it's just that Aziraphale can't see it. When he sees Heaven being complicit in Job's suffering and the potential murder of his children, he reconciles it by deciding that what God really wants is for him and Bildad to secretly stop it. But he flounders on that later, because to some extent I think he knows that this reasoning is self-serving.

(Knowing it's self-serving doesn't refute it, though, it just means that he worries about that until he talks himself into a bunch of reasons why it's still probably true.)

In S1, when Crowley broaches the subject of the apocalypse, Aziraphale's initial response is to recite the propaganda. It's all going to go according to plan, and it will all be great! When that doesn't work (because of course it won't be great, he's going to end up losing his true home and the person he loves most if this all goes down no matter who wins), he lets Crowley help talk him into how he could thwart the plan without "really" betraying his concept of God.

Basically, if Aziraphale's values come into conflict with Heaven, he decides that God secretly agrees with him. It's very like people who find their values coming into conflict with the institution of their church or temple, and so decide that there's nothing wrong with their actual religion, it's all just normal human corruption (or in GO's case, angelic corruption) muddying the waters of an otherwise purely good thing.

Now in real life of course this gets to be a thorny issue, but keeping it simple there isn't really a total separation between a faith and its institutions. You can't claim that there's nothing in the religion that lends itself to bad takes, just like you also can't claim that any ideology or belief system is invulnerable to corruption. Likewise, even if every bad thing in GO were to turn out to be the fault of Heaven and Hell and not God, God would still be accountable for a lot of the situation because God still set the stage.

But what matters for Good Omens and Aziraphale and this post is that, Aziraphale has put considerable mental energy into justifying how God and Heaven can still be Good and Right even as both of them do things he finds intolerable. Whether it's "God secretly wants me to do what I think is right instead of what I'm being told" or "Heaven has earnestly misinterpreted the will of God due to not knowing as much as I do", he puts his intelligence to use in protecting himself from the kind of revelation that would uproot his worldview.

The only kind of knowledge that actually protects people from cults is the knowledge of how they operate, and awareness that you're dealing with a cult. Aziraphale has a terrible disadvantage on both fronts because even though he's spent years watching humanity get into hot water with this stuff, he does so with the firm perspective that things are different for angels. He can't necessarily apply what works for humans to himself, because he knows he's a different kind of being (and unlike with IRL cults, it's actually true in his case, though I think demons and angels are both less different from humans than they believe).

Though, interestingly, he's closer to a accepting the truth when it comes to the differences between angels and demons. In S1 he is fully confident that he could possess someone, because even though angels don't do that, demons can. Whether he admits it or not, Aziraphale really does believe that Crowley is not meaningfully different from himself in terms of personhood or ability. If he can make the leap to the idea that angels and demons are not exempt from human-oriented concepts of self-determination and free will and unfair treatment by authority, and reconcile it with his own intense distress at challenging a core belief, then the fact that he's quick on the uptake will really start to work in his favor.

[joys-of-everyday]

SJ and the Pitfalls of Toxic Masculinity

Liking women wasn’t shameful in the least, but treating a woman as your savior, shrinking into her embrace in search of self-confidence—Shen Qingqiu needed no one to tell him how incredibly shameful that was. So he would rather die than tell anyone, particularly not Yue Qingyuan.

- Yue Qingyuan and Shen Qingqiu Extra

Hot take: og!SQQ had toxic ideas about masculinity, and it ruined him.

SVSSS is all about the ✨Toxic Masculinity✨ but this seems to be more associated with SY than SJ??? So yeah, lets talk about SJ (my poor meow meow).

There’s actually some subtlety here, because talking about SJ and masculinity naturally involves an interplay between historical and modern views on masculinity in China, which is something that has developed over time and has influences from other cultures (e.g. the west and our views on masculinity). (Interesting thing if you haven't already come across it) I am… not qualified to read the subtleties here.

To note, SJ is coded as masculine… sort of. He’s the head of the scholarly peak, a master of the Four Arts, which is one facet of ideal masculinity in traditional Chinese values. (Fluttering a fan around was very gentleman-like. Although also, expressing your emotions through poetry and copious amounts of tears was very masculine back in the day. 'Traditional masculinity' has and always will be an elusive ideal.) But I get the feeling nowadays ‘scholarly’ has more feminine connotations than ‘martial’, albeit a slightly weaker one than in the west. Also, on the topic of toxic masculinity, certain groups of people Who Shall Not Be Named would like you to believe that Real Chinese Men are stoic warriors and ‘gayness is a western thing’ (my rage is unreal but we will not talk about that).

Anyway, broad strokes, broad strokes.

Arrogance and Insecurity

A big part of toxic masculinity is a need for social recognition, to be the ‘alpha male’ (not an ABO pun and on a side note I literally cannot take anyone talking about alpha males seriously now, for many reasons, but this is the funniest).

SJ is obsessed with his cultivation, but more pertinently, he is obsessed with his reputation. He demonstrates this in a few ways. Firstly, he works his ass off, which is not bad in itself, but he does this to the extent it is detrimental to his health (that grindset lol). Secondly, he projects a certain image with his actions and mannerisms: reading in order to seem intelligent, looking down at people to seem superior etc. Thirdly, he responds to any perceived slights of his ability with violence. (Fighting with LQG is an example, but also drawing a sword on SQH when he pointed out that he was reading an upside-down book.)

Now interestingly, the unanimous vibe that Cang Qiong seem to get from SQQ is that he is ‘arrogant’. When in truth, all of this is compensating for his insecurity.

Shen Qingqiu was overly suspicious, always feeling as if everyone was talking behind his back about how he was still incapable of forming a core, didn’t accept his position, wanted to sabotage him in secret, and so on and so forth.

- Yue Qingyuan and Shen Qingqiu Extra

Sadly, SJ is justified in being afraid of other people’s opinion. His comfort and security rely entirely on his status, which in turn rely on other people’s opinion of his competence. Of course he wants to get to the top – he’s been under other people’s power before, and suffered terribly as a result. Why should he not desperately defend what he has worked so hard for? Yet ultimately it works against him, because when he’s in serious trouble, he hasn’t been able to build the human connections he needs to get help.

The problem is with the system. The idea that having strength allows you to do whatever you want hurts not only the people regarded as inferior, but also creates a collective sense of anxiety for those who find themselves ‘at the top’. Anyone can be kicked down and treated like scum. Everyone is afraid.

Dominance and Bullying

The phrase ‘toxic masculinity is fragile’ quite often, but to elaborate, these kinds of rigid ideas of masculinity are by nature constantly under threat. Because any crack in the perfect shell is regarded as failure, it requires constant, aggressive maintenance, which takes the form of bullying the weak in order to elevate oneself.

SJ’s treatment of LBH is complicated, but here I want to draw attention to a different character – Ming Fan.

SQQ (SY) would have you know that MF is not a bad kid, other than the fact he’s a huge bully to LBH. And in part that comes from jealousy of NYY’s crush on him, but what allows it to happen is the way SJ runs the peak. It's interesting to note that so much of SJ's bullying of LBH happens through MF, whether it be giving him the faulty cultivation manual, giving him chores or physically assaulting him. In doing this, SJ creates a system that firmly establishes himself at the top, likely in order to give himself some semblance of security.

But ironically, this is the very system that SJ has suffered under his entire life, recreated to it's extreme on the peak that he controls. When he was completely under the power of others (QJL, LBH) he suffered. When other people were under his power, he inflicted suffering. He encouraged other people to do the same. Again, the whole thing is a scam! He is putting all of his energy into things that aren't helping him, things that ultimately bring him down.

Real Men Don’t Cry – the Dangers of Emotional Repression

SJ has many, very justifiable reasons in life to be upset and angry. The things he went through are both terrible and extremely unfair. Being angry at everything is not a healthy outlet for these feelings, but he hasn’t exactly been taught an alternative either. On the streets, tears would have gotten him absolutely nothing. Anger at least gave him energy to fight back.

And this destroys him. He is angry at the fact he had no one in his life who loved him, his talents were wasted because of QJL/WYZ, nobody takes his abilities seriously… and with no healthy way of expressing this, he goes onto bully LBH. LBH then returns to destroy him, literally. More subtly, he is unable to express his fear and anxiety in healthy ways, so acts standoff-ish and aggressive to his those around him. As his relationship with them deteriorates, his fear and anxiety increases. Feedback loops.

SJ puts on a mask of anger and stoicism to the point that everyone around him (including himself) is convinced that he is unrepentant and evil. Suppresses and suppresses until it breaks him, until he has nothing – not his comfort, nor status, nor the one that he truly cared for:

He had single-handedly facilitated Luo Binghe’s today, and now who had single-handedly created this outcome for him? Yue Qingyuan was never supposed to have an end like this. In order to come to a decades-late appointment, to fulfill a completely useless promise. A broken sword and a dead man. It shouldn’t be like this.

A Note on Ambivalent Sexism

It’s funny because I think there’s a fandom vibe that SJ was the secret feminist of SVSSS. Don’t get me wrong, I love this in fanfics. Badass feminist SJ all the way. But my honest opinion is that I don’t think that was the case.

More explicitly, I don’t think SJ took women seriously. NYY, for example. Certainly, SJ valued NYY. But the expression of this care involved doting on her, hiding his treatment of LBH from her, and not particularly pushing her to grow. And PIDW!NYY wasn’t implied to be the most mature of the lot. Okay, while we don’t know a lot about PIDW!NYY (narrator unreliable), it’s probably safe to say some distance from SJ helped her a lot.

Another point – the Qiu massacre. SJ killed the men, but not the women. And while this says more about his distaste for men, it also indicates (possibly - I will float this idea but I won't die on this hill) that he straight up doesn’t see any woman as an enemy, or capable of being a threat. Which is possibly a natural conclusion he’s drawn from his experiences (QHT was not very perceptive, or very threatening) but also inaccurate as a worldview.

And his attitude towards the women he sees as saviours? Has the same vibe as ‘it’s so embarrassing to be protected by a girl’.

Okay, so being doted on and not being killed are positives compared to being abused or murdered, but this kind of attitude is the opposite side of the same coin to ‘women are incompetent and inferior’. And when it comes to raising kids, not allowing them to grow can be extremely harmful as well. See e.g. Ambivalent sexism.

Although I do want to mention that I do not think SJ was like… actively misogynistic. I think he genuinely liked women more than men. The point is you can be sexist without realising it.

Conclusions

To conclude, SJ had ideas of success and self-worth associated with toxic masculinity which were instrumental in his downfall.

Masculinity doesn’t have to be toxic. While the Cang Qiong family aren’t exactly the healthiest bunch, YQY’s calm and patient leadership, LQG’s steadfast loyalty, LBH’s ability to cry like a maiden and still be the strongest… these are all traditionally masculine traits that can be very positive. These are also people who can have feminine traits and explore their gender identity without being prissy or weak.

It's the great tragedy of SJ that he had many positive characteristics. He was talented, intelligent, articulate, perceptive, loyal, and caring… under the right circumstances, he could have grown into a great person.

And maybe he still had that chance, right until the end.

[melancholicmarionette]

[Oh shit I did something. I wrote Val and Sam as podcasters. Warning: this is fucking stupid. I literally had to just stop writing bc it made less and less sense as I went on. But I love writing dialogue and it’s silly and this is tumblr. here have a little snack my dudes]

Graveyard Girls Episode 12: Roasting Ember’s Beauty Guru Era at 1 AM

“Hello and welcome to Local Ghost Smash or Pass—”

“I will fucking kill you.”

Valerie had to admit that Sam Manson’s ability to keep a completely straight face while saying the most unhinged nonsense was probably one of the reasons their video podcast was so popular. Her own ability to refrain from actually killing her was the reason it still existed at all. How they’d made it to episode twelve, however, still remained at least partially an enigma.

Though it was overall Danny’s kindness that slowly made his trio of friends into a tenuous quartet, Valerie had slowly become accepted by all of them, once she finally came to terms with Danny’s secret. Sam was the last to come around, though by the time they were both seventeen their tension was less due to fighting over a boy and more due to the fact that they could agree on almost nothing.

Most of Graveyard Girls was the two girls arguing, originally spawned by a viral TikTok Tucker posted, in which Valerie—at Danny’s bizarre request—tried to explain The Bachelor franchise to them and Sam being convinced she was making some of it up. People had been interested, and with Amity Park being a niche-but-also-hot topic, a weekly podcast was born.

“Okay but,” Sam leaned back in a vintage-looking office chair, “if I returned as a ghost, would you sma—” Sam cut herself off with a grunt as she dodged a throw pillow.

The show was mostly the two competing to see who could get the other to essentially rage quit, and while Sam’s personality was surprisingly just as strange as those of her best friends, Valerie was competitive enough to be a worthy opponent.

“You might just be, like, the worst person,” Valerie said, expertly catching the throw pillow as it was hurled back at her. “We’re not even three minutes in and I’m so uncomfortable with the energy you’ve created.”

“So our very last episode is three minutes long and titled Valerie Quits, then?”

“You’d like that, wouldn’t you Manson?” For a tense moment they stared each other down. “Say it one more time, see what happens.”

“So what is today’s topic, then?”

It was a challenge, to see if Valerie had forgotten it was her turn to start. She had.

They had the Box Ghost to thank for it, too.

“Okay, so—full disclosure,” she began, and she looked at her phone, “it is…1:16 in the morning. And both of us have been awake for like…”

“More hours than usually recommended,” Sam continued, “for reasons. We wanted to get this episode out on time so we are crunching.”

“And suffering.”

“And suffering quite a bit,” Sam concluded, nodding. “So my topic is that Ember McClain is trying to release eyeshadow palettes.”

“You cannot just drop that on me.”

“It was dropped on me,” Sam told her, “I’ve had to live with this. You don’t read the DMs for our official account so you didn’t see it and this poor lady, she has this indie cosmetics company and she slides into our DMs asking ‘is this person for real? I think she’s a ghost? She wants to collab.’”

“Collab…”

“And she sent me like…a mock up. I’m putting it in the google drive so get ready.”

Valerie picked her phone, opening their shared drive and—sure enough—seeing a digital version of a very Ember-esque palette, showcasing both dark and neon shades.

“She’s unhinged. But like…some of the shimmers on here aren’t terrible.”

“That’s the thing—I don’t like the bright blues and greens but there’s potential here. I could make a look out of it.”

“I’ve got conditions—if she wants to start the beauty guru era of her ‘career’ I need a full press release saying it’s not a complex murder plot,” Valerie said.

“I swear under penalty of perjury that I’m not imprisoning your parents in hamster wheels to power my sound system,” Sam affected an impression that would positively enrage the ghostly pop star as she spun around in her chair.

“My mad power-grab via subliminal mind control is so over, okay? That was the old me. Get to fucking swatching.” Valerie continued, snickering. “We kid, but this is actually peak influencer already.”

“We’re writing her YouTube apology for her,” Sam said, and she trained her eyes on the camera before continuing, “you cannot use this. I know you’re watching, I said your name once, and your Obsession is name-searching the universe. You have to do your own YouTube apology.”

“We should edit her name out before we upload.”

“We should.”

“…We’re not going to.”

“No, and a certain somebody’s gonna be on my ass about it. We should perhaps move on…”

[soloorganaas]

champagne problems

@impishtubist and @spindrifters bullied me into writing this 

~

“Yeah well, it’s bullshit,” Sirius declared angrily.

Across the room Marlene scoffed, shooting her friend a disbelieving look, and Professor Binns sputtered slightly. History of Magic had got far out of control this morning, but Sirius was unconcerned.

“Mr. Black, please.”

“No, I’m not gonna sit here and hear this!” Sirius shouted. “She’s fucking justifying Grindelwald!”

“I am not justifying him,” Marlene said acerbically. “What I said was that there was understandable popular anger amongst his supporters that led to his rise. Which you would know if you’d actually bothered to listen instead of being so self-righteous!”

“I’d rather be self-righteous than a fucking fascist apologiser,” Sirius said coldly.

Marlene rolled her eyes and made an aggravated noise in her throat.

“Mr. Black, if you cannot have a civilised conversation I will have to ask you to leave,” Binns said in a rare moment of authority.

“Fine!” snapped Sirius, shoving back his chair. “I don’t wanna be here anyway.”

~

“It was fucking unbelievable, Moony!” Sirius said back in the dorm, pacing back and forth as Remus watched him from his bed with a bemused smile. “He runs through all the shit Grindelwald did and then she goes ‘oh actually well it’s entirely understandable.’” 

“I can’t imagine Marlene thinking what Grindelwald did was understandable…”

“That’s what she said! That it was understandable he had support!”

Remus pursed his lips, sighing slightly.

“Why aren’t you more angry about this?” Sirius demanded, pausing at the end of his bed.

“Well I wasn’t there…”

“That doesn’t matter, you know what he did! People can’t just go around thinking it’s okay! They’ve got no fucking clue, Moony. He was oppressing thousands of people and they just don’t get it!”

“I’m sure you got through to some people today,” Remus said carefully, eyeing Sirius up to see which way his anger was heading.

“Yeah, I hope so,” he said bitterly, and heaved a long-suffering sigh.

“You’re a strong advocate for the oppressed.”

“Yeah, well, someone’s gotta be!”

“A real champagne socialist,” Remus said teasingly. 

Sirius frowned. “What do you mean?”

“A champagne –?” Remus laughed. “No, okay, doesn’t matter.”

“No, Moony,” Sirius said more dangerously, walking round to the side of his bed. “What does it mean?”

“It’s just a phrase... about people with very radical ideas, who, er, have a certain amount of luxury in their lives.” Sirius’s eyes widened, and Remus realised his mistake. “Pads, I’m just joking –” “Moony, I’m…” Sirius broke off with something worse than anger - he looked hurt. “I thought you of all people… I’m not my parents.” “Oh, no, Pads - that’s not what I meant,” Remus said quickly, getting up off the bed. Sirius moved back from him though, shaking his head. “Forget it,” he said sourly, and stormed out of the dorm with a slam of the door.

~

Remus found him, predictably, smoking atop the Astronomy Tower. “Come here to tell me to go back to the poshos?” Sirius said darkly, taking a long drag of his cigarette. Remus sighed. “Pads, could you just - not be so bloody self-righteous for a moment,” he said, coming to sit next to him. “Oh fuck you,” Sirius replied, starting to move away. “No, listen to me,” Remus said firmly, resting a hand on his leg. Sirius stopped, his jaw clenching, but he sat back down against the wall. “What?” “It was a joke. And I am sorry - I really am. It upset you and I - yeah. I’m sorry.”

Sirius was silent, but he gave a small nod of acceptance. “Just felt like I’m not good enough for you, Moony,” he said quietly, stubbing out his cigarette with his boot. “Like you don’t take me fucking seriously.” “I do, Pads,” Remus said earnestly. “That wasn’t what that was about at all. I truly was just joking.” “They’re such fucking idiots,” Sirius said, leaning slightly into Remus. He took that as a sign the argument was over, and slipped his arm around Sirius’s waist. “I know,” he murmured in his ear, brushing a kiss there that drew a shiver from Sirius. “You’re better than all of them.”

—————

“That Umbridge woman is such a piece of shit,” Sirius grumbled at the kitchen table. “She the new Defence professor?” Charlie asked, snagging a biscuit from the plate in front of him. “Yeah, but she’s been sent from the Ministry, and she’s a right fucking bigot. She’s been tryna fucking outlaw werewolves.” “Well, that’s not quite what she’s doing, and I mean I know she’s a piece of work, but –” Arthur began. Sirius’s gaze shot over to him and he seemed to swell with rage. “Arthur, are you kidding me?” “No, what I’m saying is that she only has a certain amount of power –” “Which she’s using to try and stop people like Moony from being able to bloody work!” Sirius exclaimed, gesturing at Remus who was currently leaning against the counter drinking his tea. “Yeah, I understand Sirius, and I really am with you on that –” “And now she’s in the school too! Teaching them all that crap as if it’s not bad enough out here.” “Yes, yes. She really is awful,” Arthur said, apparently making the wise decision to back down. He left the kitchen shortly after, and Charlie, taking one look at Sirius still steaming at the table and Remus with an unreadable expression in the corner, followed him too. Sirius glanced over at Remus, who cocked an eyebrow at him. “Don’t fucking say it.” “I wasn’t going to say anything,” Remus said airily, pushing himself off the counter and walking over to Sirius. “Yeah, you were! I can see it in your eyes.” “I’ve got no idea what you’re talking about.” Sirius glared as Remus sat down next to him, stealing a biscuit from his plate.

“I’m an outlaw, Moony, I’m not bloody posh anymore.” “Mmhmm,” Remus agreed, nibbling on the biscuit. “I was defending you!” “I know. And I appreciated it very much.” Sirius’s eyes narrowed slightly, and Remus’s lips twitched with a smirk. “Fucking ‘champagne socialist,’” Sirius muttered. “And I love you for it.”

—————

“Padfoot, there’s another letter for you,” Harry called up the stairs of the cottage, handing the large barn owl some treats before waving it off out the door. “Another?” Remus asked from the sofa. Harry gave him a look. “Oh, fantastic,” Sirius said, appearing from upstairs. “Is it another –” He paused to check the sender’s address.”Yes, brilliant.” “Another interview request?” Remus said. “Yep!” “Which one’s this for?” “It’s for The Wixen Word. They want to talk about that law we’re battling - that veritaserum one…” Sirius trailed off, scanning through the letter with a widening smile. “Unauthorised veritaserum in interrogations?” “Mmhmm.” “Whenabouts do they want to meet with you?” “Next week, it looks like. They asked me to send them some times - hey, Harry, do you know what this means?” “What?” Harry asked from the kitchen, swallowing a mouthful of toast. “She signed it ‘Ellie Light, pronouns they/them/theirs.’” Sirius made a face of confusion, and handed the letter over to Harry. “Oh - yeah. That just means they’re the pronouns they use.” “What am I missing here?” “You know - they just don’t want to be referred to as she or he. That’s it,” Harry shrugged. “Some people are just, well, they’re more comfortable with that I think, if they don’t really fit a gender.” “Oh, like Tonks?” “Exactly. I mean, she goes by ‘she’, obviously. That works fine for her.” “Yeah,” Sirius said, looking contemplative. “Yeah. Alright - thanks, Prongslet,” he added, snapping himself out of his reverie and dropping the letter on the table. “They’re quite keen, aren’t they?” Remus said, when Sirius headed over to join him on the sofa. “They are,” he said happily, sitting down next to him. “You’re very popular these days.” Sirius eyed him suspiciously. “It’s for a good cause, Moony!” “Oh, absolutely,” Remus smirked, before turning back to his book. “Don’t you fucking start,” Sirius said, swatting the pages playfully. “I couldn’t possibly imagine what you mean.” Remus glanced up and his smirk broadened at the disbelieving look on Sirius’s face. “You’re a man of the people,” he said, squeezing his leg. “Truly.” “Yeah, yeah.”

~

Sirius was very much content in their Shropshire cottage, and couldn’t imagine living anywhere else, at this point. He’d only kept Grimmauld Place around for Harry - but sometimes it did have its uses. Like this evening, for instance, when the great and the good were gathered in its drawing room, champagne glasses in hand as waiters (under the proud and vigilant supervision of Kreacher) were carrying round plates of canapes. “Quite the turnout,” Kingsley smiled. “Yeah, well people can’t say no to free booze,” Sirius said dryly. “I think your celebrity status has something to do with it.” Sirius scoffed, then caught Remus’s eye across the room. “Don’t let my husband catch you saying that.” Kingsley laughed heartily, then downed his champagne. “Whatever gets the job done,” he told him, then headed off towards several members of the Wizengamot. “Having fun?” Sirius asked, sauntering over to Remus. “You’re in your element, aren’t you?” “Oh, absolutely,” Sirius replied, drinking his champagne. “This is bloody good, isn’t it? Well worth the owl order from France.” He cast a look over at Remus, who raised an amused eyebrow. “Well, if the shoe fits you know, Moony.” “Pads, it’s fitted for so long I’m sure its soles are worn through by now.” Sirius tipped his head back in a bark of laughter. “Oh, fuck you.” “Gladly - as long as I hold up to your strict principles, of course.” Remus slipped an arm around Sirius’s waist, smirking down at him as he sipped his glass. Sirius grinned. “I can make some allowances.” “Yes?” “For you, Moony…” Sirius said more lowly, leaning forward to kiss his champagne-soaked lips. “Absolutely.”

[autisticlancemcclain]

fic rec friday 31

welcome to the thirty-first fic rec friday! where, on friday, i rec five of my favourite fics.

1. Skirt, Dirt, Worth by @ardett

Lance wants to see Pidge wear skirts and makeup. (But really he doesn’t.)

i know the description doesn’t give much, so you’re going to have to trust me. and i really truly do recommend this one. this one...it’s one of the first vld fics i read, actually, as it was early 2017, and i’ve only had the strength to read it once. it’s not that it’s traumatizing or gory or particularly hard to read except that it’s...heavy, is the word? it made my heart pound and my breathing go fast. i couldn’t...i was feeling absolutely everything lance was feeling and it was scary in the way being vulnerable is scary. it has influenced everything i have ever written. if you’re looking for really early team dynamics and a quietly emotional exploration of gender that will change your perception of it for eternity then i cannot recommend this enough. and i hope i will find the strength to read it again soon

2. putting it into words by @jilliancares [EXPLICIT]

Lance decides to bottom for the first time. (This one's so full of fluff that you MIGHT have the visit the dentist afterward.)

very soft and sweet and emotional! exactly what the description says, you go into this fic expecting something specific and you are satisfied by the end of it. jillian has always been and will always be very talented at exploring young, barely adult klance learning how to be with each other and be themselves.

3. Say Yes To The Mess by @astrolatte

"Keith?"

"Yes, Lance?"

"Is that a dead Altean boar on our front porch?"

"Yes, it is."

"Did you bring the dead Altean boar and leave it on our porch?"

"...do you like it?"

Keith wants to sweep Lance off his feet with his proposal, that is if he doesn't get himself killed first.

one of my fave post-war fics ever tbh. like this made me LAUGH. i love how awkwardly earnest and affectionate keith is, i love how many mean lesbians are included, i love keith & lance’s family, i love long suffering and endeared lance. the whole thing is a sweet and funny masterpiece

4. competitions by @jilliancares [EXPLICIT]

After a certain competition goes wrong, Allura tells Keith and Lance that they're not allowed to compete anymore. Naturally, they bring the competitions to the bedroom.

i love this one bc its so real. like of COURSE these losers would do this. and of course it would work for them. they are rivals first and foremost. rivals to lovers? no. they are rivals AND lovers. they are somehow something more homoerotic than rivals

5. teamwork makes the meme work by muuni 

Allura creates a groupchat for the newfound members of the Gender-Sexuality Alliance club at Voltron University. Everything goes downhill from there.

Keith Why was I never considered

Shiro You know why.

Keith For fuck’s sake You shank a guy once and suddenly you’re “violent” and have “anger issues”

Pidge keith you;re gonna make me piss my pantsnhdjkljdhjh

people like to shit on chatfics all day long ‘oh they’re cringe’ ‘they’re not funny’ ‘they’re overdone’ false. you need to learn how to have fun. chatfics are SO MUCH FUN. dorky dialogue?? memes?? vines bc this fic is old enough for that?? occasional regular scenes to flesh out the story? a sequel? team as family? klance?? MATT/HUNK, WHICH I HAD NEVER SEEN BEFORE AND HAVE NEVER SEEN SINCE?? this fic is amazing and i will hear no slamming of the genre

that’s it for today (and sorry i was late)!! i’ll see y’all back next friday for the next fic rec post!!!  

[nalyra-dreaming]

Thank you for your consistently detailed analysis and speculation which have frequently calmed me down when I was concerned about the direction of the show. As long time VC fan, I'm not gonna lie, this show has often left me heartbroken- and not in a good way. I've been trying to get through it in hopes when we will finally get to see the real Lestat. But honestly, for me, if the drop is left in, than the character is done. There is no way to redeem him. And it just hurts because not only is it something that Lestat would never do to Louis, but it's something that was actually done to *him*. He suffered for years from that fall and it was one of the main reasons he went in the ground. It's important for his character development. I just don't understand the justification for leaving it as is especially since it isn't canon. I don't think I can take another 2+ years of Lestat being called an evil domestic abuser. How can audiences be expected to root for him. They won't. He will be condemned as the monster who dropped his partner from the stratosphere. Leaving it also ruins the L+L QotD flight. I just don't see the point in irrevocably damaging the main protagonist of the entire story. I'm heartbroken and furious. Please, help me understand.

*sighs* (Sending you a big hug.)

So. Emotions seem to be very high on this already, and it hasn't even aired yet. I'm just pointing that out because... what we have right now is hearsay - maybe directly, maybe over a few people in the middle... but ultimately we haven't watched it yet, right? Other people have. Other people, with their own understanding, and their own takes.

And yes, it was done to him. Exactly. And as just said in another ask, he has not told his side of the story yet. The trial, so also that part of it... will definitely be scripted. And we already know that what we were shown... cannot be trusted. Not a 100%.

Let's watch first and then judge, please.

Because so far this show has excelled at elevating the source material.

Which is not to say that they cannot make mistakes, obviously. And who knows, maybe I'll be disappointed AF after. We'll see.

But... there's a reason why they revisit all that. There's a reason. And, given that we're segueing into s3... and therefore Lestat's story?

I don't know how they re-contextualize it. I don't. But I think we need to see the bigger picture - and that won't be done by s2. (And I have a feeling like it might not even be done by s3...)

IF they follow the book IWTV here... then Lestat will testify against Louis and Claudia at the trial, seemingly out of revenge (but actually under duress), he will witness her burn, he will have the yellow dress. Louis and Armand will break up. Lestat and Louis will meet in the later contested NOLA meeting. Louis will end up alone at the end of the novel.

I don't know how the revisit fits with the trial. You probably know my feelings wrt the diary and the pages etc but it seems they are not used as heavily as anticipated.

IDK. Given the in-universe publication of the book IWTV I think they will follow the beats above - and episode 5, and the drop, are likely part of the accusation then.

Now, we know that it will be revealed later that this was done with manipulation and torture. That it was Lestat who was thrown off the tower later, and who needed decades to heal. Which fits with the "mind call" in 2x05, doesn't it.

IDK. I just want to point out that even if... EVEN IF THAT DROP STAYS FOR NOW - there is a lot more to it and they have already hinted at that.

So.

Yes, I can very well do without another 2 years of shit-show by some people, especially those unwilling to take the step back for the bigger picture. But ... I have become much, much better at blocking.

And I am not going to let them take away my joy. Especially... ESPECIALLY that we know - WE KNOW - that TVL is up in s3. They already confirmed that.

Don't let an unfinished puzzle or some asshats take your joy either, dear.

[vexingwoman]

I’m loving hearing everyone’s thoughts on whump. Many such cases of ostensibly straight or bisexual women consuming nothing but torture porn (with a tasteful side of woobie coddling or “caretaking”) for gay male pairings almost exclusively. Extreme rambling below because I’ve been thinking about this forever and I’ve never seen anyone else talk about it in a meaningful way.

The non-sexual elements of whump are actually even more interesting to me, especially since even that is still reserved for gay male characters (or straight male characters being written as gay for fic). The whole caretaking part, the way so many whump writers often deride canon material for failing to properly explore the sort of pain they think their fandom faves ought to feel (more accurately: exhibit). Many whump fics are non-sexual but the voyeuristic attention to the suffering of its gay male protagonists feels sexual, in a fetishistic way. There is no similar equivalent to people paying this much precious, mawkish attention to the traumas experienced by female characters. Even if it mirrors or exceeds the actual amount of canon emotional catharsis experienced by their male counterparts.

And I really don’t think these women are a 1:1 equivalent to men who can only get off watching extremely violent porn about women. I don’t even think it comes close to the level of harm those men cause. But I would like to ask the people who consume and produce this content: Why is it only ever about gay men? Why is suffering, crying, rape, terminal illness, torture, etc. such a heavy erotic fixation for them?

And unfortunately I cannot picture any response that isn’t either 1) pornsick or 2) violently defensive.

Very eloquently said. In my experience, aside from admitting that it’s a fetish or misogynistically claiming that male characters are more complex and easier to empathize with, the most common answer I’ve received to the question of why this community focuses almost exclusively on male characters is that it’s an “unexpected and intriguing reversal of gendered expectations.” And while this may be true for some, I’m not convinced this is the main reason.

Because obviously, having a female character abuse and torture the male character would also constitute as an unexpected reversal of gendered expectations, but this community isn’t fascinated by that. Both the character executing the abuse, and the character receiving the abuse, are virtually always male—and the character who plays the role of the caretaker, of course. Coincidentally, I just ran into some stats which really emphasize the point, not that they were needed:

Also, have you noticed a strange upsurge in ridiculously abusive and shockingly violent homo-erotic media? I’m referring to stories like Killing Stalking or Hannibal here. Of course, these kinds of stories have always existed, but I feel like the fascination in them has recently spiked. I recall that even ten years ago the most popular media on gay male relationships was mawkishly adorable—what some would call “fluffy.”

You have to wonder how much of a role that plays in all this. I know for many girls, these vicious homo-erotic stories were their first real exposure to whump content. Maybe they prefer gay male whump content because it’s all they know? But again, that seems too convenient an answer.

In conclusion, I think this is just a mixture of fetishization and internalized misogyny, as I’ve said. In another post, I’ll go further into why I think it’s actually false to argue that male characters are more complexly written and easier to empathize with, and how the real culprit is not the writing, but gendered stereotyping and unconscious misogyny.

If anyone wants to chime in and give their perspective on this, please do.

[physalian]

Tackling Characters with Mental Health Issues (or, ‘Write What you Know’)

**Trigger warning for this entire post**

This is completely off the cuff and unplanned but here we go. I just read a book that POV switches between its two romantic leads. One of these leads was intended to be written with a severe case of generalized anxiety. I have confirmation from the author that it’s not an author-insert. This character was entirely based on research, not experience.

Without putting them on blast, because they really did try…. While ‘neurodivergent’ or ‘mental health disorder’ isn’t a protected class, it should still fit squarely under other topics you shouldn’t write about if you don’t experience it with a massive asterisk.

TL;DR: If you yourself aren’t part of X minority or suffer Z physical or mental disability, you should not be barred from writing characters with those traits. ***HOWEVER*** writing these characters struggling, suffering, or overcoming this given trait in a pro-cis, straight, white, neurotypical, able-bodied America is not yours to touch.

This suffering isn’t your story to profit off of, when you didn’t actually suffer any of it.

I cannot remember who said it and I am absolutely paraphrasing but for example: White authors can and should include characters of color (and I am a White author). White authors should *not* write about a character of color as their protagonist experiencing bigotry, discrimination, hate crimes, and all that hardship, at the hands of white society. It’s just not your story to tell, and all the research in the world will never give you the lived experience you need to do it justice.

Like, you can write about the concept of slavery existing in a fantasy novel. Or sci-fi. Or some Alternate Universe historical fiction. You cannot write about the American slave trade like you lived it and still suffer the ramifications of it when you didn’t, especially when it is the thesis of your entire book.

Anyone remember that awful Amazon movie, My Policeman? Based on a book written by a straight, white woman whose straight female lead took an entire narrative to whine about how she was jilted by her gay husband and his gay lover who she got arrested and institutionalized so she could keep her husband… and never told them? With the predatory 3rd love interest and the whole ‘liar revealed’ and… yeah. That one.

Unless you do the work very few authors are willing to do, with permission and encouragement and a backing from whatever minority you’re writing about and their stamp of approval that you knocked it out of the park, just don’t. Save yourself the headache.

—

As I read this book, and this entire character’s arc is about her mental health, for 100k words… why would you *want* to take on that responsibility? Why would you want to take on all that extra research, all the stress of making sure you get it right, all the costs of hiring sensitivity readers and the risk of your character falling apart with readers who do fit these traits?

Characters with mental health problems are very, very tricky to get right for one massive reason: Accurately depicting many disorders and anxieties means your character can come across as extremely unlikeable, uncompelling, confusing, and frustrating. These characters won’t make logical choices or arguments, they’re likely to self-sabotage, contradict themselves, argue in circles, and die on molehills they think are mountains. This is just what anxiety does to people in the real world. We are not always compelling protagonists, and we don’t always get happy endings.

Writing illogical characters takes a lot of practice if you yourself are not an illogical thinker and if you’re writing half a book elbow-deep in 3rd person limited, intimately trying to describe how this disorder impacts their daily life, you, my friend, have so much more work cut out for you than you anticipated.

So why?

It got very sticky very quickly when the message I took away from the book was “character A can love away character B’s anxiety” and that just… it’s just not how it works. That is a very dangerous mindset to have, for both parties involved.

Character A does not exist to “fix” Character B, nor should A exist to be B’s therapist.

Making A B’s “medicine” can encourage some dangerous codependency. Especially if they break up, B backslides and spirals, and A takes on guilt for not being there anymore, as if any of this is A’s fault.

It says that ‘curing’ anxiety just takes a little romance. Which. No. B has to love themselves, first, before they’re able to love anyone else or let anyone else love them.

It got stickier when the author accidentally wrote a trauma-induced ace who wanted to start liking sex to please her partner and not for her own peace of mind (with internalized self-hate for her anxieties around sex as if not liking it after a traumatic experience isn't completely justified), as if she wasn’t good enough with the boundaries she had. And the narrative backed it up because she was *cured* after a couple rounds in the sheets—I worked really hard on my Ace character guide to help stop people from doing this.

Had Character A accepted these boundaries B had, and these two come to a creative compromise around intimacy that B does like, it would have been so much healthier. B liked making out, just not being the 'recieving' partner, while A chose to die on a 'if we can't have the sex I want, I can't be in a romance with you' hill and it just broke my heart for B. B wasn't being picky. B was traumatized.

The worst thing you can do to your ace character is a) reinforce the idea that they’ve failed as a human because they don’t like sex and b) reinforce the idea that they “just haven’t found the right person yet” and this narrative hit both in the bullseye.

The author wasn’t trying to write an ace, I can tell, but aceness aside “good sex is the best cure to your sexual trauma” is… also, not great? If you yourself didn’t experience this? The point of all of this was clearly to attempt exposure therapy, it just got so bogged down with other problems that the nuance necessary to stick the landing was completely lost.

If this was fantasy, like Twilight, with Bella’s dangerous codependency on Edward in New Moon, mental health is not the point of that book. The author didn’t set out on a mission to provide respectful representation of depression and healthy relationship goals. It’s toxic as hell, but it also takes a backseat to the actual story and the audience who loves those books couldn’t care less about how toxic it is.

The books aren’t about Bella overcoming her depression. They’re about sparkly vampires and the dangers of… teen pregnancy?

It got even *stickier* when the character revealed she’d apparently been in therapy for a decade and a half, only for her therapist to shrug and go ‘I guess you’re stuck with it’ while her mental health issue became a physical health issue, because she should have had a crippling eating disorder that the narrative didn't at all take seriously.

Why would you want the stress of writing this?

—

I am not at all saying you can’t write anxious characters if you yourself are not anxious. But make that an ingredient of the pie and not the entire pie, yeah?

Ask yourself why you’re doing this. The fundamental argument of that book seemed to be “anxiety can be loved away” and from the very first page, it was doomed. That was the book’s thesis. The entire story hinged on the success of this depiction.

I can’t even be mad, because it wasn’t intended to be harmful, but it inadvertently reaffirmed so many dangerous and incorrect assumptions and stereotypes about mental health. Good intentions historically do not guarantee good results.

If you do not suffer from anxiety, you are still allowed to write a character who experiences it (Or OCD, specific phobias, BPD, what have you). I tip my hat to anyone willing to do all the work to get it right because those are all tall orders, but you aren’t blacklisted from these characters.

But with any minority, anyone who isn’t “cis, straight, white, male, neurotypical, and able-bodied” write a character who is also X, instead of an X stereotype, who happens to be your character.

[majimasleftasscheek]

Hi, im very sorry if this has already been answered or established somewhere else but im curious, with your Kazumaji stuff, around what time did they start dating (i.e. after the events of Yakuza 0 and all that) and how?

tbh, I dunno!

I don't really have an established date for that cuz sometimes I'm like man they'd be really cute during y0 and then other times I set it between post y0 and the beginning of y1. The latest they would start me thinks is some months after the events of y1 but in general it sorta depends on how I'm feeling and what silly scenarios play in my head

ideas under the cut tho 👀

if we're talking y0: I like to think Kiryu has to go to Sotenbori for some reason, be it business or he's there with Nishiki for some partying. he sees Majima at the Grand being depressed and is like "damn girl those bags under your eyes makes my dick go *boing sound effect*" and asks him out 🥺 Kiryu gets rejected immediately cuz Majima's in this cycle of 'I deserve nothing but pain and suffering' but Kiryu can't read the room so he is persistently showing up at the Grand despite Majima very obviously wanting to kick his ass. eventually he relents and goes on cute™ dates with Kiryu and realizes oof maybe human intimacy be kinda gucci

if between y0 and y1: Majima's fresh in his mad dog era starting shit with people just to be annoying and Kiryu's one of his targets mainly due to the events of y0. he's kinda like "lol this goober really did some important plot stuff, huh?" and his curiosity gets the better of him because Kiryu is an enigma who eats bugs and Majima cannot suppress his need to get some sense of understanding on this weirdo. in this timeline, it's more one-sided affection from Majima that comes in the form of stabbing while Kiryu is desperately trying to fight the gay allegations and failing. eventually he caves but it's a sorta unofficial, on and off thing that Kiryu doesn't really know how to evaluate for himself. Majima doesn't really care what they are since he's high on life atm and has a cute dude with big boobs on his arm

if during y1: literally just everything Majima Everywhere. Goromi. GOROMI 😩💦 Kiryu is all: I LIKE PUSSY but everyone's like okay big man then why's Majima pole dancing for you huh. the two braincells he has start to click and he realizes maybe Majima wants to hold hands or something unthinkable like that. ngl I like to think Kiryu's thing for Yumi is like a demisexual bi thing where he's like, I do love her but she don't zap my brain quite like the bowlcut freak who knows how to punch me real good and it becomes sorta his personal introspective journey during this time. Majima is also floating in the space of am I doing this for his benefit cuz "training" or am I falling for this dork. he's pretty sad about it cuz of the Saejima reminder vibes but eventually Kiryu falls into his own person that Majima really meshes with and the two of them struggle to actually voice how they feel all the while their pants are down in some dirty alley

if after y1: (going to insert shit from a fic I'm working on) Kiryu's absolutely devastated with what happened in the Millennium Tower + now having to take care of Haruka that he's shut himself off from everyone and everything other than doing the bare minimum to live. in comes Majima being a menace like yo you can't like, let a child parent herself you gotta get outta this slump and Kiryu's all fuck you stop breaking into my house. so it's a long pain in the ass process to help Kiryu deal with his grief while Majima keeps unintentionally making googoo eyes at him and both of them are like boy I sure hope this doesn't awaken anything within me. there's also a lotta dadjima stuff going on and Kiryu's like wowie zowie so you do have a heart and Majima's like no way loser while being just 😳👉👈

[unbidden-yidden-deactivated20240]

(Diaspora Jew with extended family in Israel.) I got the red alert app yesterday and there must have been more than two dozen alarms just since then. That awful sound. While I’m in class, making supper, or falling asleep, any and every time of day, it goes off and I get this sick dreadful lurch in my stomach. 1/2

2/2 It immediately cuts through the numbness I’ve developed and makes things real. I cannot imagine what it is like for those living under the actual threat these alerts represent. May Hashem protect his people and all the innocents suffering in this war.

Oh, and happy Honk tonight! May the light within you continue to burn strong even in the face of impossible odds, what little you have left last for as long as there is need. 🕯️ 🕯️

Hi anon,

Yeah, I don't know what else to say, other than (1) having the notifications, even on silent, has been very eye-opening and educational, if heartbreaking, and (2) Baruch Hashem that Israel has such extensive protections and b'ezrat Hashem it holds fast for the safety of all of its citizens.

May we all see a swift and just peace soon. חג חנוכה שמח!