#you will never see the light of day.

[sluckythewizard]

GUH. i started writing more. ill see if i can find the time to write a lil more while im at work (i will be working for 3 grueling days straight) but in the meantime heeere HEEERE have a small small sip.

[cerubean]

somewhere deep in the forest...

[rendevok]

“Take my hand” pages 5-11

1 - day 2 - truth - 3

[lilybug-02]

Wow. That could not have turned out worse.

Part 23 || First || Previous || Next

--Full Series--

This comic will be on Holiday Hiatus this December and January! While on a cliffhanger? What a scam! >:/

[vee-lociraptor]

arthur lester and his slutty little waist. you agree

[asuuree]

[finnicart]

happy oct 3rd! here’s a short lyric comic cause i have many emotions about these brothers

[cesiscribbles]

OK SO

I had an idea snippet for the ending of the Ineffable Family series but it made me sad and I dunno if I will ever draw it so Im just gonna share my idea with you in written form:

(btw It's not fanfic quality, it's more messy bulletpoints written out within 5min or so)

---

Astra is growing up, getting older and lives a happy life amongst human society with her parents on earth. One day she falls in love with a human and they share the kind of deep bond like Azi and Crowley do. At some point Astra even announces that they gonna get married and her parents are super excited and want to make her the bestest wedding gift ever.

They wrack their brains over what this gift could be for a quite a while but nothing seemed right.

A book? To generic and boring. A kitchen aid? Nah, probably an other persons idea already. Money? Missing the deep meaning behind it.

It's one day before the wedding and Astra asks Crowley and Azira to meet at their special spot at a wonderful lonely flower field somewhere in the nowhere. They loved to visit this special place and spend hours being together, having picknicks or gaze at the stars (Yes, in this version Crowley can see stars). C+A arrive at the spot where Astra is already waiting for them and they are quite curious why she wanted to meet up here.

Astra turns around and looks at them with a smile, but it's a mix of a happy and sad one.

She knows what she would like the gift to be and she describes how she feels different from all the angels and demons and that she never experienced an existence before the beginning or witnessed when everything started. She loved growing up between humans and experience change herself. But she knows her true love, her human, will wither away in what feels just like an eye blink in the life of an immortal being.

Astra comes closer to her parents and holds their hands, telling them how much she loves them and apologizes that what she will say next, won't be easy.

The best gift, she could ever ask for is Azira and Crowley combining their powers and making her mortal.

Ofc both seem bewildered at such request and try to talk sense to their daughter but in the end they recognized that they would have done the same for their partner because a life without them would hurt too much.

With a heavy heart A+C respect Astra's wish and grand it to her.

She lives a happy life with her human, both equally growing older and A+C watching over them like guardian angels to make sure no sickness or harm comes into their house... till the day they have to say goodbye.

Astra and her love are not going to Heaven or Hell. They return back to the stars where they can be together and where A+C can see them from earth.

And then the end says

"Ad Astra"

(lat.= to the stars)

[wolfythewitch]

everyone has a darkness inside of them tempting them to make hamilton fanart i have been waiting patiently for the day you succumb

Jokes on you that time is far behind me

[nastylittleghouls]

All Aether wants for Christmas is Dew

[carnivalcarriondiscarded]

happy halloween! hope everyone watched a scary movie that'll keep you up tonight but was nonetheless enjoyable! i sure did!

[violetvulpini]

A comm for my buddy @morninglarkspur! This piece is for a big crossover the cult has made between our AUs, lovingly dubbed the White Void Crossover.

An Arm for an Arm (red-eyed Rock) is by Lark themself!

Keep the Melody (Blues and Rock) is by @forestlingincorporated

Proto Swap AU (left-hand Protoman, Megaman, and Ruby Spears) is by @wolfoftonight

And Through the Window (the last two) is by me!

If you're interested in a comm of your own, please consider checking out my site!

[slavicviking]

Yellow

@steddiemicrofic December prompt: pine | wc: 508 | G | cw: none | tags: misunderstandings, pre-Steddie

“Looking good, Nance. Did you do something with your hair?” Nancy did not. She knew for a fact her curls looked worse for wear thanks to the raging wind outside. Steve knew that, too – had to, with his in-depth knowledge of maintaining hair, curls or not. Eddie stiffens next to her. “I’m here to return this,” Nancy pulls out a Breakfast Club tape from her bag with a forced smile. “Great movie choice,” Steve trudges on with otherwise admirable perseverance. The ugly green Family Video creases inelegantly as he leans forward. “I think it sucks,” Eddie jumps in. He grins but Nancy knows him well enough to tell how tense he really is. And isn’t that a wild thought in itself? Nancy would never expect to get along so well with Eddie Munson and yet here he was, dare she say it - her best friend at the moment. Steve lets out a nervous laugh, red dotting his cheeks as his hand ventures out to rub his neck. Robin’s bright eyes keep darting back and forth between two boys, an unreadable look on her face. “This is getting ridiculous,” Nancy says once she slips into the driver seat of her car. Eddie joins her on the other side, uncharacteristically quiet. Her eyebrows drop lower. “He’ll get over it soon. You’ll see.” “I don’t know, Wheeler. He seems pretty dedicated.” The thing is, Nancy’s observant. She pays attention to her close circle of friends, and that includes Steve. Something about this isn’t adding up – the compliments, the showering with attention. And it’s not only because she’s usually left with a morose Eddie, unfairly pining away, in the aftermath. It’s been going on for weeks now. Something’s got to give, eventually, she’s sure. It does, a week later, when Steve Harrington knocks on the Wheelers’ front door in the middle of the day, clad in an ironed shirt and beige khakis. “Here,” he hands her a bouquet of yellow roses. “They’re for you.” She makes a point of not taking them. They hang awkwardly between them until Steve drops his hand with a grimace. “We’re not getting back together,” Nancy tells him bluntly. Steve’s a good guy, he is, but he can be a bit obtuse sometimes. To her surprise, Steve doesn’t deter her. Instead, he blinks. “What?” “It’s sweet that you’re trying,” she tries. “But we wouldn’t work out. We just wouldn’t.” He blinks again. “I don’t-uh. This is awkward.” Understatement if she’s ever seen one. “I don’t want to date you, Nancy,” Steve finally says. He winces before adding. “No offense.” “Then what’s with this?” she points to the flowers. “The compliments? All of it?” He sighs. “I know we didn’t really end on good terms. And your opinion matters to him- I mean, he's just so-” “Him?” Nancy questions before realization dawns on her. “Eddie?” “Wait, does he think I – shit!” Steve’s eyes grow wide as he shoves the flowers into Nancy’s chest and backs out towards the car. “Shit! Sorry, Nance. Gotta go!”

Yellow Roses are the symbol of friendship <3

[daydreamerwonderkid]

Alternative answers the Batkids give Bruce whenever he asks "What did you do?"

1) Nothing yet.

2) How much time do you have?

3) What are you a cop?

4) My legal counsel has advised me against answering your question at this time.

5) You'll never be able to prove it.

6) Oh, you're going to love this.

7) Bold of you to assume I'd actually tell you in the first place.

8) You'll see.

[emergingghost]

julien baker live lyric changes masterpost

the many ways that julien changes her lyrics over time and seamlessly alters the lyrics and meanings of her songs to maintain a level of personal authenticity has become so fascinating to me and many others so i thought it'd be nice to do some research and compile as many as i can. enjoy! or cry! whichever!

the original lyrics are in parenthesis, changes are bolded, roughly in chronological order and i’ve added timestamped links to performances [x] where i can! i use mostly youtube because it's the most accessible. some of these seem to be permanent changes and others are just occasional, probably depending on how she's vibing with the song at the time (i'm assuming). let me know of any i’ve missed!

Rejoice: [x] [x] [x] pronoun change, does this lots! "i know there's a god and they hear either way" ("i think there's a god and he hears either way") [x] she uses the 'she' pronoun here this time! [x] she sings 'force' here and also in a version she performed pre-release "asking why did you let them leave and then force me to stay?" ("asking why did you let them leave and then make me stay?")

Good News: [x] [x] [x] these are not full lyric changes but rather some gut-wrenching repetition. side note she performs a cover of paul by big thief in the first clip here too! "it's less about you / it's all about how i ruin everything oh everything i do / everything i do / god i ruin everything oh everything / oh everything i think could be good news." ("it's less about you / it's more about how i ruin everything--- i think could be good news")

Distant Solar Systems: [x] pronoun change speaking of god, she also omits the second last verse. "I send postcards from the road and now and then she answers" ("and now and then he answers")

Turn Out the Lights: [x] [x] [x] this one hurts! a few times in late '18 and in '19 "maybe i'd do it but it's not a joke" ("i'd never do it but it's not a joke")

Sour Breath: [x] [x] another one that hurts!! "think all the liquors gonna keep me warm / burn everything down just to prove i could / leave you inside a body made of wood" ("think all the liquors gonna keep you warm / burn everything down just to prove you could / leave me inside a body made of wood") [x] audio only from 1:16 (same changes as above +) "i don't do too well when everyone's worried about me" ("i don't do too well when nobody's worried about me")

Appointments: [x] [x] [x] in lots of performances post-2018. she switches between using 'know' and 'think' occasionally “i know that i ruined this / but i think i can live with it / nothing turned out how pictured it ... i think that i failed again / but i know you’re still listening” ("i think if i ruin this / that i know i can live with it / nothing turns out like I pictured it ... i think if i fail again / then i know you’re still listening") [x] audio only - from 2:45 (same changes as above +) "i hope you're still listening" ("i know you're still listening")

Happy to Be Here: [x] tiny changes. not sure if she's done this more than once "different me would be inhabiting my body / have two cars, a garage, a dog..." ("different me would be inhabiting this body / have two cars, a garage, a job...")

Something: [x] [x] [x] [x] (she adds 'again' a lot, even since 2015) “asking aloud why you’re leaving again” (“asking aloud why you’re leaving--”) [x] (this was prior to release) "asking aloud why you're leaving again / i know you won't answer me" ("asking aloud why you're leaving --- / but the pavement won't answer me")

Red Door: [x] "beneath before you won't follow me down" ("beneath before you wont follow me there")

Shadowboxing: [x] [x audio only - from 3:09] "tell me that you love me / tell me you love me / i wanted so bad to believe you / so tell me you loved me / tell me you loved me / i wanted so bad to believe you" ) ("when you tell me you love me / tell me you loved me / i wanted so bad to believe it / so tell me you love me / tell me you loved me")

Ziptie: [x] [x] [x] [x] (side note the end of the second clip rules!!) “someone’s/somethings got my heart in a ziptie” (“someone’s got my head in a ziptie”)

Tokyo: [x] [x] [x audio only - from 1:30] in a few performances in 2022 “a seven-car pile-up of every disastrous thing that i am" (“a seven-car pile-up of every disastrous thing that i’ve been”) + also sings "accident" instead of "aftermath" in the audio clip

Relative Fiction: [x] [x] [x] [x] does this lots! "honey you're the only thing i'll wait around for" ("--you’re the only thing i’ll wait around for")

Highlight Reel: [x] [x audio only from 1:45 ] original chorus lyrics are 'you feel' but now in one chorus she sings 'to' and the other she sings 'you' "ooh it's a highlight reel / tell me how to feel" ("ooh it's a highlight reel / tell me how you feel")

Ringside: [x] [x] [x audio only from 3:50] two separate lyrics changes in these clips! "like a scratch-off ticket how i dig my nails into your skin" ("like a scratch-off ticket how you dig your nails into my skin")

(from final verse) “nobody deserves a second chance / so why do i keep getting them?” (“nobody deserves a second chance / but i keep giving them”) [x] [x] (from the second last verse) “nobody deserves a second chance / but somehow i keep fucking getting them” (“nobody deserves a second chance / but honey i keep getting them") Anti-Curse: [x] [x] [x] [x] [x] she doesn't always change 'foreign characters' "writing the words to the best love song you've ever heard" ...“sounding out familiar characters” ("writing the words to the worst love song you've ever heard"...“sounding out the foreign characters”)

Favor: [x] [x] [x] [x] first change - changing to 'why?' in most live performances “why couldn’t you make me do it?” (“well you couldn’t make me do it”) [x] [x] new change from MSG in 2023! “how did you make me do it?” (“well you couldn’t make me do it”)

HONOURABLE MENTIONS:

Funeral Pyre: [x] this is just a funny thing i found on my hunt. the audience accidentally corrected her grammar, theyre singing along and sing "needed so badly" instead of the original "needed so bad" and everyone took a lil' moment to laugh. Funeral Pyre: allegedly. i just read about it somewhere so have no proof!! “while i drank gasoline 'cause it's what i needed so bad” (“while you drank gasoline 'cause it's what you needed so bad”) Shadowboxing: [x] she doesn't really change any lyrics significantly but repeats the final verse for emphasis.

Good News: [x] (i think an early/demo version but i cant find any other recordings/videos of this version!) "how i fuck up everything i think could be good news" ("how i ruin everything i think could be good news") Rejoice: [x] house show performance from 2015 before official release. a few different lyrics! "ask you why did you let them leave and then force me to stay?" ("asking why did you let them leave and then make me stay?") (final verse) "i rejoice anyway / i rejoice either way" ("i rejoice i rejoice / i rejoice i rejoice") Sour Breath: [x] she added a new mini verse repeating "the harder i swim" where there are usually just instrumentals or 'oohs.' then she continued with the original final "the harder i swim the faster i sink" verse.

Sour Breath: [x] house show performance from 2015 before official release. there's an entire additional verse where the repeated 'the harder i swim the fast i sink' usually is. proceed with caution. "...too late to talk just go to sleep been up too long and you've been drinkin' all night it's almost a week and you haven't said a word been thinkin' it isn't worth the tryin' it takes to fix everything you hate about me all that you wouldn't wanna see

the harder i swim, the faster i sink and all i ever wanted was to pull you down with me was to pull you down with me don't you wanna sink with me? don't you wanna drown with me? just let me pull you down..."

[comatosebunny09]

He dreams about you again.

Of course, it’s rare that he doesn’t.

He wakes up to a sea of endless blue, speckled with cotton-white clouds and something hard and textured at his back.

He’s a little groggy when he fully comes to, groaning against the grit of sand in his throat. Sits up carefully, mindful of the dull ache in his temple.

The earth beneath him rocks something steady, soothing. It takes him no time to realize that he’s on a boat, and his vision blurs and bends to make out discernible shapes and colors.

He isn’t surprised to see your back to him, silhouetted by a sky so endless. And you’re a pretty cutout, clad in flowing ivory with bared shoulders and your hair fashioned into something effortless.

The faux angel wings and halo are a nice touch, he notes with an inkling of a smile, pushing some hair out of his face and blinking away the last vestiges of sleep.

“Took ya long enough,” you say against the steady slosh of the sea below and the croak of the wooden boat.

There’s an oar in your hands. He realizes you’re rowing him to nowhere when your outline blurs, and he ingests the space beyond the dip of your shoulder.

The line between sea and sky smudges like pastel sticks. The water beneath is mirror-clear. Devoid of sea life, but it’s peaceful when he reaches over to dip a hand in, and it’s deceptively warm. He studies the ripples his fingers make a moment longer before you speak again.

“Thought you’d never wake up.”

There’s a taste of amusement lancing through your tone. Of course, you’re always like this. Playfully chiding and always so warm-toned, and he doesn’t think he’s ever heard anything so mellifluous. Makes his heart all pitter-patter-y and his cheeks all hot.

“How long have I been out?”

He’s surprised by the grittiness of his voice. Clears his throat, playing it cool as he shakes the water from his hand. Leans back in an easy slouch against the boat’s stern, watching you easily cut through the waters.

You shrug. “Who knows? Time moves different here, ya know?”

Leon finds himself shrugging behind you, fiddling with the buttons of his linen shirt. Linen pants to match, feet bare and sun-kissed.

There’s a stretch of silence between you. Not awkward, but comforting like the summer breeze kissing his skin and the peaceful rhythm of the boat meandering along the water’s surface.

“Where we off to?” asks Leon, sitting up with fingers laced and his elbows propped on his knees.

He’s genuinely curious today, though he’s not worried. It no longer alarms him when he drifts into uncharted dream worlds. Mostly because he knows you’ll never lead him astray.

“You tell me.”

He scoffs, pitching himself forward to poke the small of your back. You give a little yip, reaching back without looking to swat him away. And he wonders how you manage to keep the boat straight with just one hand.

“Alright, smart ass.”

Your responding laugh is like warm milk and honey, and he doesn’t think he could ever tire of the sound.

“Seriously, it’s your dream.”

He throws himself back against the stern, studying the sky for answers. Tries to hide a chuckle behind his hand and mask the swarm of butterflies stewing in his belly.

“Makin’ me do all the work even on my day off. You slave driver.”

Another shrug. “It pays the bills.”

Leon snorts.

“Whatever you decide to do, you better make it quick. You wanna end up on an island with talking animals again?”

He visibly shudders at the recollection. Zombies and BOWs, he could do all day. Bug hunting? Yeesh.

Never again.