#you wouldn't do that to somebody you actually know

[darcytaylor]

Since the first 4 minutes of season 3 part 2 of Bridgerton has been released, people have been getting angry at Eloise for her actions in Bridgerton.

I think people forget that it is okay to have nuanced characters. Its okay to have characters that make mistakes and don't handle situations perfectly.

That's what makes a lot of the characters in Bridgerton great because they have some realistic human traits. They make mistakes. They don't always say the correct things.

And they don't make up in one episode. Arguments and fights take time to get over, they take time to heal from. They take time understand.

All of what I'm saying applies to Penelope as a character as well.

Did Eloise act like a bad friend at times? Absolutely! But is she irredeemable? Absolutely not!

In Eloise and Penelope's friendship, Eloise was the talker and Penelope was the listener. They were also happy with that dynamic. But this is what fundamentally ruins their friendship because they didn't take the time to actually truly know the person. They both gave each other the attention that they needed and craved at the time. Eloise wanted to talk about herself (which is okay) and Penelope wanted/needed a friend.

I also want to point out that these characters are young, they are women in the regency era, and both come from high society. I don't want it to come off as if I think they are stupid, but I do think they are very sheltered and privileged. They haven't really be exposed to a functional and/or healthy friendship. Yes Eloise has her family - but family friendships are completely different.

Eloise made most of the conversations with Penelope about herself. Eloise treated Penelope like she does with all of her family and her family love her. She continued that dynamic with Penelope because that's all she knows.

Penelope grew up in a family where she wasn't noticed or really cared for. It makes sense that she wouldn't talk to Eloise about her secrets or confess to Eloise about loving Colin, the trauma of growing up in a household like hers would make anybody want to stay in their shell. If her family couldn't love or even like her for who she was, why would she open up to somebody outside of her family? She was never taught or shown how to confess one's feelings.

Both of the characters are flawed in their friendship. They both have things to apologize for, and I think once they do, they will actually be able to have an adult friendship.

So let's stop the hatred of characters, let's stop the division within ships, let's just stop the hate. (I know that will never happen, but one can try to make at least one person see the light)

It is okay to be critical of things and not like where a character is going. But let's step back, breath, and know that people are people. They fuck up. They aren't perfect. They will all have good and bad qualities.

Thank you for coming to my TedTalk.

[sunnywalnut]

Shipping real people (celebrities) but only in the way you do those two homoerotic straight men in your friend group. Like yeah. They've kissed. They've held hands. And I've totally seen them exchange longing glances and I'm pretty sure they're completely smitten.

But they also both have girlfriends and I'm not going to go any farther than general teasing.

Some of y'all should really adopt that mindset. Because we can't be thinking it's acceptable to send asks to people's partners asking if they fit our fantasy of whatever the fuck they got going on.

Like dude. If you did that to a normal fucking human being, you'd get your ass kicked. That's literally gross. Don't do that.

[sirenium]

⚠️trigger warning, violence mention⚠️

Thinking about the time I had an exclusionist reblog my post to tell me that queer people are dying, and then they proceeded to yell at me for being an mspec lesbian. 💀

They were unwittingly admitting that there are more important issues than somebody's identity, while trying to invalidate my identity lmfao. I suppose they thought it was some huge ‘gotcha’ moment, cuz ooh I'm so selfish for expressing my distress toward mspec lesbians such as myself being crucified for calling themselves lesbians, while people are facing REAL issues! Give me a break.

I know queer people face acts of violence, and mspec les/gays saying ‘hey guys, we'd like to be allowed labels and spaces too’ isn't in any way invalidating that. Exclusionists need to get over themselves.

[ssaalexblake]

wild that for the whole of chibnall’s run nobody worked out that the man apparently doesn’t find somebody forcing themselves on somebody else funny and that’s why 95% of the kissing in the show disappeared 

[jellyfishgardens]

sometimes your brain just decides to attack you throughout the day and we'll into the night and all you can really do is lay in your bed and be sad about it without really being able to talk to anyone about it to relieve the pressure because it is 5 in the fucking morning.

[airenyah]

ok so today i had my first thai class after a really long christmas break and somehow andreas gabalier (an austrian folk singer) and his music came up. and i don't remember what exactly my teacher said but he made a comment along the lines of "andreas gabalier is considered a standard good looking dude here in austria, right?" (my teacher is from thailand, so he wasn't sure about austrian people's preferences)

and his question was met with complete silence, because the thing is... our class consists of 3 middle aged guys plus one more guy in his mid 30s. and then there's me. the only girl

and since no one answered the question about andreas gabalier's looks, our teacher then addressed me directly and following conversation ensued:

teacher: "[airenyah]?" me: (feeling slightly shy and embarrassed) ".....i don't know what andreas gabalier looks like 🙈" everyone: (breaks out in laughter) middle-aged classmate: (highly amused) "i suspect he's not your type..." (me: "oh 🙈") "you're not missing out on anything :D"

i really like my teacher but god, let me live. don't put me on the spot like that 😩😩😩

[cosmicdenro]

hope u guys don't mind me being a little queer sometimes and talking to myself in the tags, it helps clear my head since people can filter out rant posts easily

[bobbinalong]

the insistence that clark has to be kon's dad is so weird to me.

[witchwhaat]

btw i'd be a great manager if you even care

[theladygazingatemptiness]

hm. I sure have been playing some Very rash and potentially dangerous games as of late ha ha

[loriache]

"I've been waiting for ages for somebody to unmask them."

This moment tends to elicit negative reactions in a first read through, and I've got some opinions about why where Kabru is coming from here actually makes a lot of logical sense. So I thought I'd elaborate on that.

I think people hear this and go, "He thinks they must be hiding something because they gave money to someone? What a cynic." Or "he dislikes them because they did charity?? What's wrong with this guy!". And obviously, a lot, a lot is wrong with him. But I think this makes more sense than it seems at first glance! What people evaluating this judgement miss is why Kabru is paying attention to Laios and co to begin with.

Kabru knows of the Touden siblings because (he's a little bit of a stalker-) he is keeping an eye on all the relevant parties in events developing on the island, in order to be able to guide them to his preferred outcome. This includes adventurers because they are the ones actually exploring the dungeon! He's well aware that something as minor as internal tensions between party members could be key to the historical events that are developing. (He would love the assassination of Archduke Franz Ferdinand.)

His desired outcome is that whatever the rewards are of breaking the dungeon's curse, whether that's kingship or the ancient elven secrets of dungeons, are claimed by:

A) a short lived person

B) Someone who will be a good, effective leader and/or use those secrets and the power they carry wisely, with foresight, and to establish a political bloc for short lived people.

The person he can best trust to do this is, of course, himself. But due to his PTSD regarding dungeons and monsters, he's not able to develop the necessary skills to conquer the dungeon. Once he realises this, he starts looking for someone else who he can support to that end.

But most of the adventurers don't have any intentions of conquering the dungeon, don't have the skills, or are unsuitable in other ways. In fact, it seems like some potentially suitable people are the Toudens. There are a lot of good rumours about them going around - they actually seem to have a very positive reputation! That's what Kabru means when he says "unmask".

So when Kabru is observing something like them giving money to an old comrade from their gold-peeling days, he doesn't consider it a problem because "they're giving money to this person who doesn't actually need it" or because they must have some dark secret if they act superficially nice. I think he actually understands this situation and what it implies about Laios (in particular) perfectly well.

Laios and Falin gave money to an old comrade who got injured and couldn't work. That person then healed up but kept taking their money. Then he used the money to start smuggling illicit goods to the island.

The key is that for Kabru, the problem here is the same as with the corpse retrievers - people using the dungeon's resources to fuel dangerous, selfish, or violent pursuits cause problems for the island, attract more criminals and people with motives other than breaking the curse, and increase the chances of the whole situation ending in tragedy.

Kabru is willing to work with the Shadow Lord of the island if it gets him to his goal - he isn't scrupulous - but the criminal element of the island increasing is something he sees as a major issue.

Also, when you're evaluating someone as a candidate for power, riches, secrets, potentially kingship - then being curious about how the money you give to people is going to be used is kind of a relevant trait!

Interpersonally, Kabru's actually very easygoing - I mean, Mickbell isn't exactly an upstanding guy, is he! But Kabru likes him and they get along well. These traits wouldn't be a problem at all in a friend, or a comrade, or someone Kabru was confident he could use. But he can't get a handle on Laios, and Laios is someone who has the potential to be a major player!

On Laios' end, this is the same as with the marriage seeker who joined their party. She kept asking for things and he gave them to her, because he tries to be nice to others. He even gives her money! It's the exact same thing.

That's fine, but it became a problem because he basically wasn't interested in her motives, didn't notice she was trying to manipulate him, and it also didn't occur to him that the other party members would notice or be affected. We can assume the situation with the gold peeler is the same. When Kabru says that "It's not that they're bad people, they just aren't interested in humans," he isn't wrong.

The extent to which this is true of Laios is linked to his autism imo, (because it isn't just disinterest - he genuinely isn't able to notice nonverbal cues that people are lying to him or have ulterior motives) but to a greater or lesser extent I think it's a very common trait. Most people aren't actually that interested in other people who aren't close to them. Kabru is the weird one here. It isn't an issue except as a leader - which is why we see an immediate comparison to the Island's Lord, because that's how Kabru is evaluating them.

And disinterest in/lack of ability with people to the extent Laios exhibits it, it does, actually, make him a worse leader... it's just that as we see in the story, people can help him out. The rest of the party tell him the marriage seeker is taking advantage of him so he tells her he can't give her special treatment anymore. They're pissed and it's a crisis point - he couldn't have recovered their trust without Marcille and Falin - but that's exactly the point. With Marcille and Falin, he was able to recover their trust.

And he has other good traits that make up for it, such as his intelligence, strategic knowledge, open-mindedness and sense of fairplay.

Kabru doesn't disqualify Laios as a candidate based on what he sees about him from afar, though - he still tries very hard to get close to him, obviously hoping that if he manages he can steer Laios to defeat the dungeon and make up for his lack of people-skills in the aftermath. (Which... he does eventually achieve that goal!) He completely fails until the events of the story, so... definitely I think "They just aren't interested in humans" could also partially be a stung reaction to Laios' complete disinterest in him.

Anyway, that's my read on what exactly Kabru's "issue" with Laios is. Obviously, once he does find out what Laios' true nature is like - about his love for monsters - he develops an entirely new set of fears about Laios' priorities. But since Laios kept that a secret until the start of the story, he has no idea of that yet.

Given all that, I think it's interesting that he says that he doesn't think that the Toudens are suitable to defeat the dungeon, and that he's hoping they'll turn out to be the thieves. As some of his few potential candidates, people who he thinks may play a big role in the island's future, you'd think he'd hope they would be good people!

I suppose it's better, in his eyes, because it means that he's involved in something "interesting". They haven't just had their stuff stolen by regular criminals (boring, puts them further away from his goal) - they've been caught up in the beginning stages of "a historic event". The desperate and dwindling group forgetting morals in their quest to retrieve their lost comrade probably appeals to his sense of melodrama. Because he also just... loves drama.

Despite it being "uglier than anything he was expecting", he still pursues Laios as the person he wants to conquer the dungeon pretty much as soon as it becomes clear that he won't be able to do it himself and they are out of time. That's because... well, to be fair, there aren't any other options. And he fits standard A: he's short-lived!

and Kabru still hopes he can fit standard B, too, and be persuaded to use the power he wins for good. No matter how many nightmares he has about Laios, or whether he thinks about killing him. He doubts him, but ultimately he puts his faith in him and seems happy after the manga's ending that he made the right decision.

[sunnywalnut]

Shipping real people (celebrities) but only in the way you do those two homoerotic straight men in your friend group. Like yeah. They've kissed. They've held hands. And I've totally seen them exchange longing glances and I'm pretty sure they're completely smitten.

But they also both have girlfriends and I'm not going to go any farther than general teasing.

Some of y'all should really adopt that mindset. Because we can't be thinking it's acceptable to send asks to people's partners asking if they fit our fantasy of whatever the fuck they got going on.

Like dude. If you did that to a normal fucking human being, you'd get your ass kicked. That's literally gross. Don't do that.

[astaroth1357]

I have long wanted to write a headcanon where high demons have lesser forms, so take a walk with me on this:

Imagine that the brothers are fighting with each other and one of them takes a serious hit, like, somebody's left hook got them right in the jaw and it was brutal. They fall to the ground, stone cold, and... just. Poof into a tiny little critter. Like a verison of their familiar. And they can't retake human form until they've rested and healed their wounds.

I'm doing that.

Lucifer becomes this fat-ass, little peacock. He's like one of those rotund Chocobo from the Final Fantasy universe, you just want to pick him up and squeeze him but he's slightly too heavy for that. His feathers are black, save for the tail which have black, red, blue, and green markings. If something makes him "Poof!" then he'll hide away in the Castle because he refuses to let his brothers ever see him in that state. MC can visit him, though, and he'll coo and get all fluffy whenever they pet his tummy.

Mammon turns into a three-eyed raven, but not fat like Luci. He basically becomes a bigger verison of one of his familiars, he's about the size of an eagle. For being the second strongest he gets "Poof!-ed" rather often because he gets caught up in so many fights. Most of the time, he's just a bystander then some stray shot hits him and suddenly he's squawking everybody's ear off! Hilariously, he's arguably smarter in this form so when he's stuck as a bird, his grades actually improve (if anyone can read his actual chicken scratch penmanship).

Levi becomes a snake. Duh. He has similar markings along his back to the colorful scales on his neck in his demon form. He isn't even the length of your average scarf, so MC can drape him behind their neck easily and he doesn't get in the way. He's absolutely MISERABLE like this, though, because he has no hands to play games with. He can get extra clingy to people if he's feeling cold, but MC has to invite him to share their body heat because he's too shy to signal what he wants.

As much as Satan would love to be a cat, he becomes a little unicorn (Sorry, I didn't make the lore). He's about the size of one of those miniature horses, but don't be fooled. He will snap your kneecaps and he's at perfect height to rear-kick his brothers right in the crotch. His coat is black but his tail, mane, and the underside of his horn are all his signature green. If he every gets "Poof!-ed!" he's big mad, so he'll spend the entire time trying to kick and spear his brothers so they have to suffer along with him. He's the cause of a lot of chain "Poof!-ings."

Asmo becomes the smallest, cutest scorpion you ever did see. Well, as cute as scorpions can be. His whole body becomes hot pink and he has the biggest widdle eyes (think those jumping spiders who wear raindrops on their heads type energy). He's also venomous as all hell, so his brothers HAVE to make sure that they continously call him "small, cute, and adorable" lest they suffer a week's worth of paralytic toxin. He can fit the palm of a hand and makes MC tie a little bow around his tail so he doesn't feel too bad about being under-dressed.

Beel, unfortunately, becomes a fly. A big fly (by fly standards), but a fly nonetheless. You wouldn't even know that it's him if he weren't traffic cone orange. Literally everyone panics when he gets "Poof!-ed" because it would only take some bozo with a swatter to put an end to the sweetest brother... Belphie never lets Beel out of his sight and even has a tiny leash so he can keep track of him if they have to go out. He's a lot easier to feed like this, but everyone has to resist that automatic urge to smack him away from their dinner plates.

Belphie ironically has the largest lesser form out of his brothers. He's a cow, more specifically a bull, but there's nothing special about him aside from the navy fur. He is a full grown bull and he loves to lord it over the others if they all get "Poof-ed!" at once. Also, good luck getting him to do ANYTHING in this form. He is a bull. If he does not want to move, he will not be moving. Not even Beel can carry him like this. He's the only brother who doesn't mind getting "Poof-ed!" all that much because of it.

[inkskinned]

you're grabbing lunch with a nice man and he gives you that strange grimace-smile that's popular right now; an almost sardonic "twist" of his mouth while he looks literally down on you. it looks like he practiced the move as he leans back, arms folded. he just finished reciting the details of NFTs to you and explaining Oppenheimer even though he only watched a youtube about it and hasn't actually seen it. you are at the bottom of your wine glass.

you ask the man across from you if he has siblings, desperately looking for a topic. literally anything else.

he says i don't like small talk. and then he smiles again, watching you.

a few years ago, you probably would have said you're above celebrity gossip, but honestly, you've been kind of enjoying the dumb shit of it these days. with the rest of the earth burning, there's something familiar and banal about dragging ariana grande through the mud. you think about jeanette mccurdy, who has often times gently warned the world she's not as nice as she appears. you liked i'm glad my mom died but it made you cry a lot.

he doesn't like small talk, figure out something to say.

you want to talk about responsibility, and how ariana grande is only like 6 days older than you are - which means she just turned 30 and still dresses and acts like a 13 year old, but like sexy. there's something in there about the whole thing - about insecurity, and never growing up, and being sexualized from a young age.

people have been saying that gay people are groomers. like, that's something that's come back into the public. you have even said yourself that it's just ... easier to date men sometimes. you would identify as whatever the opposite of "heteroflexible" is, but here you are again, across from a man. you like every woman, and 3 people on tv. and not this guy. but you're trying. your mother is worried about you. she thinks it's not okay you're single. and honestly this guy was better before you met, back when you were just texting.

wait, shit. are you doing the same thing as ariana grande? are you looking for male validation in order to appease some internalized promise of heteronormativity? do you conform to the idea that your happiness must result in heterosexuality? do you believe that you can resolve your internal loneliness by being accepted into the patriarchy? is there a reason dating men is easier? why are you so scared of fucking it up with women? why don't you reach out to more of them? you have a good sense of humor and a big ol' brain, you could have done a better job at online dating.

also. jesus christ. why can't you just get a drink with somebody without your internal feminism meter pinging. although - in your favor (and judgement aside) in the case of your ariana grande deposition: you have been in enough therapy you probably wouldn't date anyone who had just broken up with their wife of many years (and who has a young child). you'd be like - maybe take some personal time before you begin this journey. like, grande has been on broadway, you'd think she would have heard of the plot of hamlet.

he leans forward and taps two fingers to the table. "i'm not, like an andrew tate guy," he's saying, "but i do think partnership is about two people knowing their place. i like order."

you knew it was going to be hard. being non-straight in any particular way is like, always hard. these days you kind of like answering the question what's your sexuality? with a shrug and a smile - it's fine - is your most common response. like they asked you how your life is going and not to reveal your identity. you like not being straight. you like kissing girls. some days you know you're into men, and sometimes you're sitting across from a man, and you're thinking about the power of compulsory heterosexuality. are you into men, or are you just into the safety that comes from being seen with them? after all, everyone knows you're failing in life unless you have a husband. it almost feels like a gradebook - people see "straight married" as being "all A's", and anything else even vaguely noncompliant as being ... like you dropped out of the school system. you cannot just ignore years of that kind of conditioning, of course you like attention from men.

"so let's talk boundaries." he orders more wine for you, gesturing with one hand like he's rousing an orchestra. sir, this is a fucking chain restaurant. "I am not gonna date someone who still has male friends. also, i don't care about your little friends, i care about me. whatever stupid girls night things - those are lower priority. if i want you there, you're there."

he wasn't like this over text, right? you wouldn't have been even in the building if he was like this. you squint at him. in another version of yourself, you'd be running. you'd just get up and go. that's what happens on the internet - people get annoyed, and they just leave. you are locked in place, almost frozen. you need to go to the bathroom and text someone to call you so you have an excuse, like it's rude to just-leave. like he already kind of owns you. rudeness implies a power paradigm, though. see, even your social anxiety allows the patriarchy to get to you.

you take a sip of the new glass of wine. maybe this will be a funny story. maybe you can write about it on your blog. maybe you can meet ariana grande and ask her if she just maybe needs to take some time to sit and think about her happiness and how she measures her own success.

is this settling down? is this all that's left in your dating pool? just accepting that someone will eventually love you, and you have to stop being picky about who "makes" you a wife?

you look down to your hand, clutching the knife.

[a-writer-on-elm-street]

Hii i was wondering if you could do the slashers with an s/o who likes being carried around everywhere (Brahms Bo and any others of your chosing)

slashers with an s/o who likes being carried around everywhere

mentioned: brahms heelshire, bo sinclair, thomas hewitt, stu macher, michael myers, tiny firefly

warnings: mentions of murder

a/n: thank you so much for the request, this was so fun to write!

also, i had to put tiny in here because i just love him so much :((

brahms heelshire

the one thing brahms yearns for in his life is closeness, somebody who will never leave him

so when you express that you like to be carried around he can't really believe his luck

he loves being close to you and this is just another opportunity for just that

he'll probably carry you one of two ways; he'll either carry you in his arms bridal style, or he'll carry you chest to chest (i don't really know how to actually describe it)

he hates being alone so he loves being able to have you with him most of the time

he won't carry you around all the time though because he still has his own things to do

bo sinclair

he hates it...or at least, he claims he does

bo usually spends his days alone, either working in the gas station or playing his part to lure unsuspecting victims into the town

he never really has much going on, and if he's being honest, it gets lonely

his brother vincent rarely comes out from his workshop and lester rarely has much to do with the town itself so he's left to his own devices most days, with nothing but his own mind to slowly drive him crazy

the second he discovers you like being carried everywhere, he takes a lot of enjoyment in doing exactly that

he doesn't really carry you properly, he kind of just drags you

it's somewhat like a half-assed piggy back

and although he'll spend the majority of the time grunting and groaning about it, cussing you out under his breath, he actually really loves finally having somebody so close to him

it certainly makes his days less lonely

whilst he's very uncaring though about how he carries you, if you're ill or you're injured, he'll make sure to be real careful with you

day to day though he really couldn't give a shit about being careful but he'll never admit to how much he loves carrying you

thomas hewitt

thomas doesn't like being away from you much, so being able to carry you around is just a bonus for him

he takes every opportunity to pick you up and carry you places, even if you haven't asked

sometimes he'll pick you up bridal style and sometimes he'll simply sling you over his shoulder because it's easier

his family get on at him for doing it so much because you need to pull your weight and such and he's just letting you laze around but he doesn't listen to them

he continues to carry you around because he really just loves having you with him all the time

he hopes you never stop enjoying being carried everywhere because he loves it

stu macher

he loves carrying you around

he's always offering to give you piggy backs

sometimes he'll take you by surprise and throw you over his shoulder and carry you like that

either way, he finds it fun to carry you around everywhere

he has requested a piggy back or two in the past though, which ultimately ended with you almost collapsing beneath him

michael myers

he doesn't really care either way, but there's no way he'll put any effort into carrying you. you either hang off the back of his shoulders or nothing

michael's pretty strong so having you on his back wouldn't really affect his day to day activities

stalking his sister? no problem. you're not even there

murdering someone who happened to get in his way? he barely even notices you

simply walking down the street, having you on his back makes no difference as he simply couldn't care less

he does secretly enjoy having you with him though as he gets lonely sometimes

you're like a little companion he can just take with him wherever he goes

tiny firefly

tiny likes to be helpful so he definitely doesn't mind carrying you around

he's used to anyone outside of his family shying away from him because of his appearance, so when he learns that you want him to carry you around places, he practically jumps at the chance

he loves that you're not afraid of him like most people and is honestly happy to help you out in this way

he enjoys having the company and he also enjoys being able to be close to you, so this is really a win win situation for you both

[Main Masterlist]

[thethingswedotomorrow]

Crowley has been with humanity since the beginning. The original serpent of eden, he is the first "monster" in humanity's bedtime stories. He is the figurative and literal demon on human's shoulders, always there to guide them one way or another. He's weaved through history itself, and prides himself on an impeccable track record of demonic activity throughout the last 6000 years.

But, naturally, after 6000 years, Crowley finds that he's spent more time pining after a certain Angel than doing any sort of work. Like, an extreme amount of pining.

And it isn't until after the notpocalypse that Crowley realizes that, entirely accidentally and very embarrassingly, he may have accidentally made his pining very, very public.

One of Crowley's favorite ways to waste a day is to take Aziraphale to different museums around the world and watch as the angel wanders around and points out all of the inaccuracies

"Good Lord Crowley, have you seen this painting? Portraying you as a dragon is a tad dramatic, I think. All we were doing were having a picnic. And I have never had my hair looking like that, thank you."

"I don't know Angel, they've got your wings spot on. Wa-Hang on, have they added horns to my head?"

"Oh, I see, suddenly it's only inaccurate when they've got you wrong."

The museums always seem to be miraculously empty, and whenever Crowley mentions this, Aziraphale suddenly finds a new, very interesting piece of art to admire

Crowley admires the lengths Aziraphale goes to to hide the small miracles he's done for Crowley's sake

As if Crowley wouldn't move literal mountains for the angel

*He did, actually, do that once.

In the 12th century, they were having a lovely evening together with multiple caskets of wine, up until Aziraphale complained about the amount of light in his eyes

"Honestly Crowley, all this sun and no shade, it must truly be awful for the humans around here with no shelter. It's a tad much, even for me."

Crowley, even then, immediately recognized this off-hand comment as an underhanded complaint, and knew that would not stand

When the small earthquake passed, Crowley claimed that the nearby church was on a fault line and he was simply doing his demonic duty by damaging holy goods in the area

If Aziraphale realized that the mountain range in the distance suddenly provided much more sun coverage, he never mentioned it.

Currently, however, Crowley follows Aziraphale around, wandering behind him and never truly looking at the things in the museum

In every single place they've ever gone together, there was only ever one thing that deserved Crowley's attention

And it certainly was not an inaccurate model of a 18th century tea set

But when Aziraphale wanders into a hall titled 'Love of the Past', he starts to panic. Just a very tiny amount, basically none at all. A small enough amount of panic that he could deny it, even to himself.

He thinks about the past, towards the beginning, back when Humanity was still getting it's footing and figuring out how to have governments and societies and (the most important part) figuring out the whole alcohol situation

Throughout the years, especially towards the beginning, Crowley began to resent any time not spent with Aziraphale

Everything seemed small and dull when compared to the way the Angel smiled when he saw new type of human dessert, or the way he laughed when Crowley managed to work out a clever comment

And once Crowley experienced those things, he never wanted anything else

He had seen the poetry the humans had written, how much emotion they could pour into a simple piece of parchment or a clay tablet

He never cared for written word, but he was shocked at just how much feeling the humans could manage to pour into words

So after Aziraphale left Rome (after the oysters and the wine and the smiles, for somebody's sake the smiles), he went due east for a new miracle on another continent

Crowley stayed and got well and truly drunk. As he did best.

He had spent a few weeks around the other drunks around the area, most poverty stricken and saddened with some sort of grief of one type or another

It wasn't until a group of poets wandered into his dark corner of the pub that he started to considered writing

Obviously nothing anyone would ever read, he'd ensure that. Every scroll or parchment that he'd touch with a quill would be burnt with hellfire before it left his sight

But, as many of his worst ideas started, he had nothing better to do and too much time to think

So he wrote. He wrote letters, first addressed to nobody, about random thoughts that would pop into his very intoxicated brain. Whether humans would ever find traces of the unicorns they lost on the ark, whether he would ever find a way to count just how many scales he had, whether he would ever reach a point where he didn't have to cover his eyes every day

Slowly, the letters started becoming addressed to 'A'. Whether he was conscious of this or not, he'd never admit.

But he wrote. He wrote to A about Hell, the jobs they required of him, the things they'd have him do. He wrote of the way humans had beaten him to the punch 90% of the time. How they would do things worse than Satan himself could imagine, and they'd never blink an eye while doing it.

He wrote of the way the sun darkened each day that passed without his Angel, the way his wine never seemed to have enough flavor when he was alone.

He wrote of the ways he imagined he could orchestrate an elaborate reunion, a convoluted mess of too much demonic activity in a small area that just happened to have a wonderful new tea, or so he's heard, and wouldn't it be a shame to leave the town without tempting the angel to try it?

He wrote to A about how he was sure he had no heart, no emotions. He was a Demon, for somebody's sake, he certainly had no need for stupid things like that, and so the ache in his corporation's chest when he sees the Angel had to be some sort of malfunction.

Anatural function, surely, that could be fixed with the right amount of aloofness and strong liquor

He wrote of the way the sun always seemed to hit the Angel's hair just right, and Crowley had no faith, he had no God.

But in those moments, with a halo around the angel and that smile aimed towards him, he might consider praying now to a different source altogether, a closer source. One full of life and light and actual proper goodness, not that fake advertised bullshit they plaster on church walls in pretty paintings and sad songs

Crowley wrote for a long while, and found that the writing helped the pain.

Even if only because it brought on memories of Aziraphale, and that was enough to hold him until they met again. It had to be, he had no choice in the matter.

And he wrote so often throughout the ages, and often while he was drunk. And he was so sure, so positive that he had burned every trace of his heart and emotion out of existence.

He had to be. The danger those words could put Aziraphale in was far too great. He couldn't be bothered to care of the danger to himself, but the fact that the very hint of any emotion could come close to hurting his Angel was enough to ensure that they would never come across another being's eyes.

He destroyed every letter and word that described his desire, his pain, his greed. He ripped the words he created out of reality as easily as he had written them. Every time, he burnt the parchment, and every time, it burnt a part of him with it.

And then the Apocalypse had happened. Or, well, didn't happen, he supposed. Really, he wasn't entirely sure if there was a difference.

Because everything had changed, even if the rest of the world hadn't noticed. And he was suddenly allowed to see Aziraphale with no excuse, no half-hearted reasoning behind it. He was allowed to want, and to crave, and he relished it.

And he was allowed to take the angel to museums to watch him fuss over small mistakes humanity had collected throughout the ages

Until he realized that they had, in fact, also collected HIS mistakes.

In a hall. A whole bloody hall. A hall, dedicated to and full of stupid parchment and sappy letters and wine stains over words written so long ago

And honestly who gave them the right? Leave it to the humans to collect other people's belongings and put it on display as their own

And he knew, from the moment Aziraphale read the first page on display, he just knew. This was it. All of it was ruined.

All because Crowley had gotten so drunk and passed out in his room above the pub, and when they'd thrown him out in a drunken stupor, they'd collected his belongings to sell afterwards. And he'd never even realized, so concerned about the next meeting, the arrangement, concerned about anything and everything except the one thing he forgot about and could end them both.

Any moment now, Aziraphale would look up at him, with disgust and confusion and all those emotions that he'd really rather not see on his face, preferably ever, but especially not towards him.

But Aziraphale never looks up. He reads the first page 5, 6, 7 times, being sure to capture every single word. Every wrinkle in the paper, every crease.

Then he moves to the next, and then the next. He repeats this process. Every page, he scours each and every page. Searching and scanning, analyzing every word.

Crowley is frozen at the entrance of the hall, too terrifed to say a word, but too hopeful to leave. He stands there, suddenly feeling the same feeling in his chest that he felt so many years ago, in the corner of the pub, sitting in the dark, wishing for the light that he knew would never come.

He's so panicked, that he doesn't notice Aziraphale finishing the last page, and wiping the tears from his eyes. He startles when he accidentally meets his eyes, and prepares a number of excuses and deflections, all to preserve this shred of peace and safety they had carved out for themselves.

"Angel, I- you really- ngk- humans are so rid- are you hungry? I could eat, I've heard they've got a killer bar around here, and we cou-I can get us there in 10 minutes, ngk actu- scratch that, we could be there in 5, I bet. Museums aren-angel?"

Crowley finds himself stopping the random stream of words coming out of his mouth, when he notices tears in Aziraphale's eyes

"Angel, I-"

That's all Crowley can get out before Aziraphale is walking towards him with a purpose

And suddenly Aziraphale is very close to him

Very very close

And suddenly Aziraphale's lips are on his, and Aziraphale is holding onto Crowley's jacket, and Crowley's hands are just waving in the air back and forth while he processes the last .5 seconds.

By the time he realizes what is actually happening, Aziraphale pulls away just enough to rest his forehead against Crowley's, and laughs.

He laughs. Laughs. Aziraphale is laughing and it's a wonderful, beautiful noise and Crowley doesn't quite understand why, but then he's laughing too and then they are both standing there, arms around each other, laughing and Crowley realizes now that all the words he's written, all the praises he sang of his Aziraphale, the way he wished and prayed for his heart and laugh and love

Not one bit of it is at all comparable to the real thing.