#you: just make the post yourself

[agendratum]

porsche does not get what is wrong with his vanilla skinsucking for @guzhu-furen (shout out to @roxannes-love-letters)

[cozylittleartblog]

cant tell you how bad it feels to constantly tell other artists to come to tumblr, because its the last good website that isn't fucked up by spoonfeeding algorithms and AI bullshit and isn't based around meaningless likes

just to watch that all fall apart in the last year or so and especially the last two weeks

there's nowhere good to go anymore for artists.

edit - a lot of people are saying the tags are important so actually, you'll look at my tags.

#please dont delete your accounts because of the AI crap. your art deserves more than being lost like that #if you have a good PC please glaze or nightshade it. if you dont or it doesnt work with your style (like mine) please start watermarking #use a plain-ish font. make it your username. if people can't google what your watermark says and find ur account its not a good watermark #it needs to be central in the image - NOT on the canvas edges - and put it in multiple places if you are compelled #please dont stop posting your art because of this shit. we just have to hope regulations will come slamming down on these shitheads#in the next year or two and you want to have accounts to come back to. the world Needs real art #if we all leave that just makes more room for these scam artists to fill in with their soulless recycled garbage #improvise adapt overcome. it sucks but it is what it is for the moment. safeguard yourself as best you can without making #years of art from thousands of artists lost media. the digital world and art is too temporary to hastily click a Delete button out of spite

[castielsprostate]

i hate you "influencers", i hate you tiktok, i hate you "content creators", i hate you "unalive" and "s€x" and "dr/ügs", i hate you instagram, i hate you consumerism, i hate you family friendly, i hate you puritans, i hate you facebook, i hate you family vloggers, i hate you violating other people's privacy, i hate you modern day social media

[essektheylyss]

It is WILD to me how many people just loudly broadcast their intention to scab, as if that isn't the fastest way to brand yourself as someone who will throw anyone else to the wolves in an industry that runs on collaboration, so every writer say it with me

[shlulkythepissbaby]

Come On Man, You're Making It Out To Be Worse Than It Really Is

A comic to mock my thinking process when I was around 13/14. I would make a small mistake or do something silly, and when I didn't immediately get validation for it I would cry about it and then do things to make it worse.

[golyadkin]

I cannot express enough that if your reaction, as a hobby artist, to not getting that many notes on your art is to say "maybe I should just stop doing art altogether" you need to stop posting art to tumblr

not necessarily forever, not even for long, but just stop putting your art on here and start doing it for you again, remember why you enjoyed doing art in the first place and stop relying on the attention of faceless people on the internet for your enjoyment of your hard work

believe me, I get it, nothing crushes the artistic soul quite like labouring for hours on a piece only for it to get like 10 notes, so you need to find your own source of joy in the act of creation and a lot of the time that means making art and not showing it to anybody

[dontbelasagne]

desperately need to do a presentation on why the Twelfth Doctors journey perfectly represents the transfem experience

their previous eleventh incarnation being suave and hypersexual (i know moffat is mostly to blame but!) is reminiscent of attempts to fit into heteronormative ideals of masculinity. whilst it is not completely insincere, there are obvious signs this does not fit you as a person, it is acted out of desperate need to being seen. as Vastra put it, eleven wore that face, and subsequently that form of masculinity, to be accepted. on becoming twelve, realising even an "idealised" masculinity does not inherently serve them, they retreated into themselves as a person for self-reflection and trying to understand why they feel so detached from who they are.

the "am i a good man" arc mirrors being closeted and having to present as something not inherently tied to your sense of self, but still wanting to be the best of your perceived gender as any failure could leave you spiralling into self-doubt about simply being like any other "man". you ignore your gender dysphoria/questioning by trying to claim a moralistic view of gendered expression. made even more clear by Twelve rejecting Clara's heroic view of them, establishing that even though they have made efforts to be a "good man", that is just a placeholder for their loss of identity.

Missy appearing as she does, who as a character serves as a parallel to The Doctor on what they could become, and her eventual arc in trying to become good is symbolic of the fear around transition regret that internalised transphobia can create when you are closeted. Missy never gives importance to their fem existence other than nonchalant jokes, rather showing a more free and expressive personality devoid of any frustration. this immediately dismisses the transphobic assumption that trans people are only focused on their gender. also, Missy representing trans femininity is inherently tied to chaos and upsetting the status quo, she is the embodiment of what society considers accepting your womanhood as someone previously labelled masculine. what many others, and The Doctor themselves, saw as a need for attention and senseless disruption is Missy not needing to serve a false version of who they are, that they can now focus on becoming whoever they want to be now without losing energy to performing a gender that society has imposed on you. Missy could never have made the decision to stand with The Doctor if she had not given importance to her own queerness.

it wasn't coincidence with meeting Bill, she was the perfect foil for The Doctor to finally let go of their anxious attachment to masculinity. i would even argue for the majority of s10, The Doctor is largely ambiguous in their gender identity and does not fit into any construction of masculinity or femininity. whilst they still present as something socially labelled as masculine, they do not internalise that gender expression. they are uncaring about and not needing the validity that comes with heteronormativity, and thus is free to finally accept the decision they have to make. as Bill says, it is so hard to let go of The Doctor, and that rings true for twelve themselves. but they begin to realise The Doctor can be anyone. yes, they are tired, it would be so easy to simply rest and not give value to who you can become. but choosing to let go of everything you once were to survive is better than oblivion. it is better to let go, to choose another lifetime where the only person that dies is your falsity, to finally get it right and choose kindness. for yourself and for those who you love. they regenerate, not just into another person, but into someone who (if only tv scripts...) can now move forward.

[chipchopclipclop]

my romantic experience in this game so far has basically just been watching gale suffer from the curse of being monogamous

[tippenfunkaport]

That viral post that's going around about how people who write "book quality" mlm fic are too "normal" to publish and have real jobs so only "weird" people publish their "shitty" fanfic is so completely out of touch with reality and I am giving a massive side eye to everyone reblogging it.

Not only is it completely, easily verifiably untrue (you cannot enter any professional writing space without tripping over a dozen grizzled scifi writers who got their start by filing off the serial numbers and publishing their Star Trek fanfic even going back decades ago??? it's a whole thing?? plus how can you look at the mlm category on Amazon right now and say with a straight face that people aren't publishing shitty Spirk and Stucky fanfic??? Oh, honey...) it's also the perfect example of this kind of sneering elitism that true artists would never sully themselves by seeking profit, they do it only for the purity of the thing that always somehow leads back to, "no one should be paid to make art, actually."

The only reason you're seeing more published fanfic right now has nothing to do with the idealistic purity of your hypothetical government employee written smut of the past vs the debased scribbles of those awful straights of today and everything to do with the fact that a) self-publishing has created a voracious readership that wants a ton of content so it's become a viable, flexible income stream for many, especially disabled people b) anyone can publish now with self-publishing tools so there are less gatekeepers and c) lockdown got a lot of people into fandom and therefore writing who never tried it before.

And if you really think there's no "shitty" published mlm and no "book-quality" m/f writing out there that started as fanfic, then you are clearly not a reader so why are you even talking about this?

[greencarnation]

I went to an Ilan Pappé talk yesterdays - I really recommend his books if you've not checked them out already. He's arguably one of the worlds leading experts on Zionism and the "Israel"-Palestine conflict, so obviously everything he said was great, but what I want to highlight:

Someone asked him if he thought the protests and petitions and calling you reps and shit would work, and he said no, it never will. It's still important to do that but the powerful will never surrender their power to the powerless just because they ask for it. Asking the UK and the US to cut ties with their imperial outpost in the Middle East is like asking an animal to gnaw off it's own limb - it won't do it unless its only other choice is dying completely.

So who does have the power to put a stop to this, we asked. The working class of the imperial core. That's us, and we are the most powerful people in the world right now, because this war machine can't function without us. Movements like this can only be built from the ground up, so stop looking to the government and start looking to your community. We need to make it more unprofitable to support Israel than it is to cut ties with it.

This is a call to action. The people HAVE the power, and we have to use it. Yes, that's you. Contact your trade union, your workplace, your school, your church, your university. Your friends, family, any connections you have. As many people on board as possible, with one goal: shut it down. Take direct action now.

[uncanny-tranny]

Hey, gentle recognition for the people who are taking care of themselves in "not aesthetically-pleasing" ways. To the people who have to do things they don't want to because they know they would suffer more if they didn't, to the people who have to brush their teeth with their fingers, to the people who have to use washcloths to bathe, to the people who need to punch pillows or scream into them to express their intense emotions, to anybody ashamed about the way they need to live and take care of themselves.

You are doing the very best you can with the hand you've been dealt. It's not easy, it's not pretty, but it sure as fuck takes so much to do these things. You are doing what is best for yourself, and I, for one, think you deserve to be proud of that. Self-care isn't easy. It isn't pretty, often, but it's something you shouldn't be ashamed of or hide away because it's deemed "grotesque" or "not really self-care (because self-care is pretty and non-threatening to 'normal peoples' senses)"

[clearancecreedwatersurvival]

People on this website really trying to downplay the specific role of destiel in the events of November 5th 2020 ‘it could have been any other ship that went canon at that time and had the same effect’ no.

Nothing else is destiel.

Nothing else is 12 years and hundreds of episodes of extremely obvious and deliberate queerbaiting that was Vehemently denied by the production team. Nothing else is the ship about characters whose larger overarching plot is literally fighting against their own pre-determined narrative to attain free will. Nothing else proved in the 11th hour Just before the show ended that the meta narrative and queer reading by fans who insisted there was something there and who were constantly called crazy by the production and by other fans and by the rest of the internet were RIGHT.

The CW did market research! About whether to make it canon! In a show they always pretended was aimed primarily at middle (conservative) America!!!

The queer subtext was so Fucking Strong by the end of the show, because the writers constantly wrote themselves into corners that could Only be explained away by destiel, that they HAD to admit defeat and canonize it.

And THEN even after they made it canon, they denied it some more and tried to downplay it! But it happened! The angel is fucking gay!!!!

Destiel is THE great American queerbait and had been a staple of the culture of this site for over a decade before November 5 2020. There is a REASON it is the most popular ship on AO3. ‘The same thing would have happened if johnlock became canon or spirk or whatever else’ no it simply would not have because crucially CRUCIALLY those ships Never Became Canon! The fact that Destiel of all the popular queerbait slash ships of the past few decades somehow at long last DID, and in a way that Still refused to just let the shippers have it and allow any implication of full reciprocation and that the final two episodes and the entire cast absolutely refused to acknowledge in any way, is why the canonization of destiel is one of the wildest things to happen to fandom culture as a whole in recent memory, and you cannot theoretically remove the destiel of it all and have it be the same kind of event.

The reason november 5 happened like it did, why people started making jokes at all, is because the fandom cultural juggernaut that is destiel becoming canon is the only thing that could have possibly managed to trend above the U.S. election. BECAUSE it’s destiel.

[starry-bi-sky]

more clone^2 thoughts

you know who i just remembered ALSO has long hair? Vlad. Vlad Masters. Danny's worst enemy and biggest pain in the ass ever since he sent those vulture ghosts after his fucking dAD. Danny having long hair would make Vlad so inSUFFERABLE. Like look!! Proof that you are much better off as MY son. We have matching hair lengths! Come be my son! I will make you a halfa like me and we will become powerful allies together!

Danny almost chops it off out of spite. He ends up not doing it because he likes his hair long, actually, very much so and he's not growing it out again just because you're crazy! He's attempted to take a pair of scissors to Vlad's hair though -- THAT was a fight that got ugly. Danny's go-to threat whenever he sees him after that is that he's going to chop off vlad's hair when he's not looking - just you watch, Masters. He'll do it. HE'LL DO IT.

And if Danny wasn't keeping it a tight secret, he'd turn around and taunt Vlad about being a) a clone and b) a clone of BRUCE WAYNE. he'd say stuff like:

"How's it feel knowing my parents cloned a man richer than you"

"you're just mad that bruce wayne is more my dad than you'll ever be!"

"it could've been you that my parents accidentally cloned instead of Wayne, but instead you fucked off for twenty years instead!"

but also its a constant question Danny asks himself how he and no one else ever figured it out sooner that he was a clone. He doesn't understand how Vlad of all people didn't realize it when he went to college with the man with his parents and was also stinking rich, before remembering that he doubts Vlad remembers anyone who wasn't his parents in college, and has been a rich, recluse loser this entire time.

its a good thing though, danny's pretty sure vlad would attempt a hit on the man if he found out out of pure jealousy and indignant rage. And then he'd get his ass beat by Batman and his army of children.

All in all, Dany is a pure menace towards Vlad whenever he gets the chance, as is normal, and then Vlad's suffering gets doubled after he makes Ellie - of which she is even worse than Danny because she's the halfa that Danny Is NOt and thus has the powers to break into his house easy peasy and wreck shit. She steals his obsidian black card and goes on a shopping spree. This is a regular occurrence.

(and for anyone who isn't aware - Ellie is the same age as Danny in clone^2 bc i thought it'd be fun)

And then it gets tripled once Damian joins the family and gets caught up to speed on all of Vlad's tomfoolery and whoops, Damian's got better stealth skills than Danny and looks like Ellie has a partner in crime whenever they need to sneak into vlad's house to cause him grief.

Vlad's walls are the first canvas for Damian to test out his new spray paints on once he gets them :)

next up

Wes weston! i love this guy, he's so funny and he definitely knows danny is the Phantom in the clone^2 au. it's not as easy to figure out as it is in canon since its not just a simple colorswap, but perhaps he sees Danny taking off his mask after a daytime fight. and after that he becomes determined to reveal that quiet, strange fenton is the vigilante phantom.

he's putting some real,,, detectiveness? stalkerish? skills to use because catching photos of phantom is not as easy as it is if he were a halfa. He can't just snap a few dozen photos of fenton and phantom and then color compare the two of them either - Phantom wears a mask, and works primarily at night or in evenings, and typically avoids the living during the day. And he doesn't speak to the living either. Wes has to put in some extra work into his investigations and evidence.

He also makes the dumb mistake of cornering Danny in the bathroom one day early on and telling him he knows he's the Phantom -- now that Danny knows that Wes knows, he's going to be even more careful not to get caught. He puts in a little extra work in both Fenton and Phantom - another layer, perhaps a jacket, as Phantom, and baggier pants and boots he never wears as Fenton. His hood stays up in the daytime.

He was already putting in some extra effort to appear creepy and unsettling as Phantom - things like crouching low, tense movements, fluid movements. If he's perched on something he does a kinda-crawl like movement - think a mix between a bear and a gorilla crawl. It's weird, creepy. And he stares. Danny's mastered the art of not needing to blink for long periods of time, so if he sees you and sticks around he stares. It doesn't help that you can't see his eyes that well through his mask - its just two piercing green.

It helps endear him to ghosts and his enemies though - the annoying little human boy is engaging in ghost culture! That's eliciting some form of begrudging respect from his enemies.

And then compare that creepy, almost cryptid-like behavior to Fenton who, while considered a freak, really isn't anything more than just some dorky weirdo with occasional heart problems. He's kinda unsettling - he has those 'stares into soul' eyes - but its leveled by the fact that he's kinda just... dorky. It reads as normal, awkward kid behavior, and then gets disregarded completely as he gets older and it bleeds into 'very chill teenager'. Fenton being Phantom doesn't compute that much.

Paulina: you think Phantom is Fenton? Wes: I don't think, I know he is! I have proof-- Star: Just because they both have black hair doesn't mean they're the same, Wes. That's like saying Paulina and Manson are sisters because they also have black hair.

Wes's attempts to out him as Phantom means that Danny is a little more wary of him than he is in canon, since his vigilante identity isn't an entirely different ghost form its just him, so he has to be careful about where or when he takes off his mask in case Wes is around. Especially during daytime fights.

But other than that he has a lot of time messing with him. Wes is trying to convince his table group at lunch that Fenton = Phantom (again) and Danny just so happens to be within earshot of him and starts making fun of the idea.

"You think I'm Phantom?" and he's got the most disbelieving grin on his face that's only partially convincing. "That's totally bogus, man. The Phantom famously doesn't get along with my parents, why would I be a ghost hunter and not work with them?"

He has this most shit-eating, delighted look in his eyes that Wes knows is pure manic glee at being able to mess with him and get away with it. Wes is going to strangle him.

"Besides, dude, did you forget I have a heart condition? I can't be chasing around ghosts - my heart would give out from all that running and jumping."

Although Danny can get really serious at the flip of a coin if need be - especially with Wes when he gets too pushy about him being Phantom. A notable instance is when Wes cornered him in an empty bathroom to again talk about him being Phantom.

Except Danny, who had been working on a really difficult cold case about the death of a child, and hadn't gotten much sleep in the last 72 hours, plus a plethora of other stuff (like recently acquiring Damian, fighting ghosts, etc), wasn't in the mood to entertain him. It ended with Weston getting pinned to the wall and lowkey threatened by Danny. He apologizes for it afterwards but it's not forgotten.

Additional note: Wes Weston having a crush on Danny Fenton is a hilarious trope to me so Wes absolutely has a crush on Danny and the only one in denial about it is him. Everyone else - except Danny because he's more focused on the fact that Wes knows his identity, and has other things to worry about - knows about it, and everyone chalks up his obsession with Danny as being part of said crush.

Wes' friend: you know usually when you have a crush on someone you normally confess, maybe ask them out, pine from afar....

Wes: i dont--

Wes's friend: not accuse him of being the local ghost-fighting vigilante. Seriously, wes! His parents are ghost hunters!

Wes: i do not have a crush

Wes's friend: and ghosts aren't real! everyone knows that's a lie!

next up

Dan! Or Dante, but i'll call him Dan for the time being. Even if I dislike the name with a passion. Much like Wrath from my Childhood Friends au, Dan here is pretty different from his canon counterpart. Mostly because I wanted to experiment with Dan and different interpretations of him, and I thought; hey, where no better than an au where Danny has no powers?

so, dan? Dan is not a combination of Danny and Vlad's ghost halves -- now, don't get me wrong, danny still ends up under vlad's custody care after the death of his family, but he just doesn't fuse with Vlad's ghost.

So, what happened? What happened is that Vlad convinces a grieving Danny that he should let him make him a halfa (despite the fact that he has no idea how) because the he could go find his family in the ghost zone. Danny is in no mental state for any kind of experiments, but his hope and want to see his family and friends again gets him to agree.

It backfires. Vlad doesn't make Danny a halfa, he just ends up killing him completely. Danny comes back instantly as a ghost however, and enraged over being lied to, betrayed, and murdered, ends up killing Vlad in furious cold blood. He doesn't fuse with his ghost half, there's no ghost half to fuse with.

So a grieving ghost, Danny flees into the ghost zone. And, in this iteration, doesn't end up destroying the world. So how does TUE end up happening? Well, ten years later - with Danny remaining a forever 14 year old ghost - Dan ends up finding out about time travel. He finds out a way to travel back into the past, and he does.

So he can take over his past self's life. Danny just thinks he's fighting a weird doppleganger ghost, but ends up getting overshadowed. It's like being in a weird limbo, and Danny's not really sure what's happening - but his friends figure something out. After all, its been ten years since dan saw his friends, something has to give.

And that episode happens. Danny ends up meeting clockworth, beats Dan. But, well, it's not really happily ever after - somewhat. Ehh.. sorta. Danny's been traumatized by Dan's overshadowing - making him realize that despite everything, there are things ghosts can do that danny simply cannot and he needs to prepare for it. Onset paranoia, anyone?

Dan tells them his whole tragic backstory - there's a chance for redemption here, for him. For forgiveness. Not immediately, not yet, but its there. And he doesn't want to go back to the future - he's alone there. He's tired of being alone.

But he ends up being convinced - he needs to learn to look forward, not cling back. He can build himself up again, find new family. He doesn't have to be alone. So Dan goes back to the future.

"But come tell me if Vlad's giving you trouble --" and he smiles something wicked, "I'd be happy to handle him again"

and finally

not so much as any concrete thoughts as it is just me being emotional over Danny and Damian's brotherhood in this au and also Danny's hands. Again.

lIKE.. I put it in the tags of my reblog of my "danny's scarred hands' ficlet but im putting it here and its just?? Danny grabbing the blade of Damian's sword. Him grabbing the sword multiple times despite the fact that he knows it will hurt, that he will hurt himself. That he will keep hurting himself until Damian himself stops.

its just like??? whats it mean to spill your own blood just so that this little boy you've just met won’t have to ever again. he doesn't know any english and he is hurting you and yet you take him home and get him new clothes. he runs away and you go looking for him, every single time. you teach yourself arabic first so that you can converse with him.

this boy is a clone and so are you. you're a clone of his father he's a clone of your son - by nature of your existence this is your child. except its not your child, you don't have one, its just a little boy who happens to share the same dna as you. and you take him home and he becomes your little brother.

what's it mean when its you whose been hurt rather than him? whats it mean when you’d hurt yourself again just so that he can start to heal, so that he knows that he’s worth it? you cut your hands on his blade, catch its swing, just so this boy can know, can learn, that there’s someone who will bleed for him. that there's someone who will scar their hands just to make sure that you wont scar yours.

you’re a bleeding heart and its spilling out onto your palms. you take bloody fingers and wrap it around your little brother’s and say "its okay. it’s okay. you’re safe. no one will hurt you here. i promise. i wont let them. no one will hurt you so long as i'm around."

"put the sword down. i can show you how. let me show you how."

and damian in this au just reminds me of the song "eight" by sleeping at last. like?? the lYRICS. he is sO "eight" coded

'show me how to lay my sword down for long enough to let you through.' 'here i am. pry me open. what do you want to know?' 'im just a kid who grew up scared enough to hold the door shut and bury my innocence' 'but here's a map. here's a shovel. here's my achilles' heel. im all in palms out. im at your mercy now and im ready to begin. i am strong enough to let you in.'

"by nature of our existence we are father and son, but by choice we are brothers. we are brothers we are brothers we are brothers. and i love you"

[crybaby-bkg]

cw: Bakugou dies but comes back to life, “comes back wrong” trope, implied fighting, angst

When Bakugou died, you’re not sure how you went on living. Grief had taken over your life, sat you in the passenger side while it cruised off the highway into icy waters. And even then, you couldn’t find the energy to drown.

It’s why there’s a sudden uptick of energy when you’re promised to have him back. Some top scientists contact you months after his death, tell you to hurry down to the headquarters labs, come and rejoice for what you’re about to witness. And you’re horrified, to say the least.

“This isn’t my husband.” Are your first words when you walk in, watch the figure on the other side of the glass examine its own hands. It looks like your husband but—but his hair isn’t the right shade of blond all over. His nose bridge had a slight bump after a scuffle with a villain. He had a scar on his hand but—but it never looked like it was to sew a pinky beside the other fingers.

“Is that really my husband?” You ask next in disbelief, slowly entering the room. Bakugou’s head snaps up, his eyes a little brighter than you remember but—they hold so much emotion. So much memory, so much panic, so much guilt.

“I left you.” He mutters, his voice raspy and ragged, and you wonder if it’ll always be like this now. It makes you cry a little harder than it should, but you only embrace each other. He’s cold and his shoulders don’t hold the same mass and his back doesn’t carry the same scars. There’s one, jagged and rough, running down his back, and you think, you think that’s where they slipped a new spine in.

“Welcome back home.” You tell him, weeks after meeting him again, new and not totally—Katsuki. He’s stiff and he doesn’t immediately take off his boots when he enters, and it worries you. Makes you think if you’ve just let a stranger into your home, one that has stolen your dead husbands face. Makes you wonder if he’ll be as loving as Katsuki once was, or if he’ll become your monster looming over you with the guilt of not being able to rest anymore.

“I’ve missed you so much.” You whisper against his mouth one night, a little while after he’s moved back. You don’t know why you lay under him, why you let him nestle himself inside of you, why you let him hold you against his chest. Katsuki always ran his hands over your cheeks and neck whenever he held you like this, but this…man, only holds himself up with his hands resting beside your head. It’s alien, how he looks at you, how his hips are methodically measured with every thrust, how he kisses you every 8 seconds. You wonder if he’s more robot than Frankenstein monster.

“Why did you come back to me like this?” You ask him one night, barricaded in the bathroom away from him. You can hear his sobs on the other side, his pleading to be let in. He tells you he never wanted to come back if he had to be like this, that he’s sorry, please let him in, he misses the warmth of your skin, he’s never been so cold before, he’s never liked the cold.

“Is this considered cheating?” You ask yourself aloud one night, when Bakugou is forced back to the lab when he becomes too…un-Bakugou. To sleep with a man that is your husband in every way but? Your husband has been dead for a year now, and yet you stroke the chin of the man that tries so hard to be him everyday, but fails so miserably at it every time.

“I’ll come back to you right this time.” Bakugou promises to you when he’s strapped down to leave for the lab and before he’s sedated. But you don’t believe him—you never did. Your husband is dead, and this animated corpse has been nothing but a cheap mockery of everything you’ve lost and something you will never truly get back.

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[qvincvnx]

sometimes when total strangers commit the crime of being annoying in my reblogs i DM them or reply @ them before blocking simply due to the autistic need to be understood. BUT i have rules for when i'm allowed to do that.

1. i'm not allowed to do it without running the scenario past a groupchat to make sure i'm justified in annoyance and not simply evil (due to migraine, hangry, etc) 2. i have to make it constructive and helpful feedback, such that they can avoid getting blocked in future interactions. which sometimes makes me feel like i'm some sort of tumblr user manners training wizard. eg:

> CHUMMY INSULTS are only funny if you are already MUTUALS WHO TALK. try upgrading your FRIENDSHIP before attempting this maneuver!

> if you don't wish to ANNOY other USERS, try NOT leaving long, off-topic REBLOGS. such REBLOGS may result in other USERS taking the BLOCK action against you, and/or being targeted by a PISS ON THE POOR attack in future interactions!

> unloading your PERSONAL TRAUMA in a STRANGER'S INBOX unprompted is a BOUNDARY VIOLATION!

many such cases. obviously don't phrase it like this unless your goal is to be insanely condescending. but anyway i recommend doing your best to at least mentally frame your feedback this way if you're going to block the motherfuckers anyway.