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you know a joke that never EVER gets old is when a character says smth like “I will NOT go to [place] and that is FINAL” and then it cuts to them in that place I eat that shit up every single time

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The fact that animals that care for their young will sometimes adopt others' lost or orphaned young to raise along their own is just funny to me. I know that it's all hormonal and there's no conscious thought involved in it, but the internal logic of it is so funny.

"Baby = success. More baby = more success. I have one baby and I found four other baby. I have five baby. I am being so fucking successful right now."

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One thing I’ve noticed about AI users is that they are completely repulsed by the notion of feeling bad or frustrated for even the slightest moment

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Tim during Bruce-quest meets Danny Fenton and comes to a few conclusions. 1) Danny is something not quite human 2) Danny’s parents, while not actively harming him, clearly consider him to be a lesser being for being not quite human 3) there are not many lines left for the Doctors Fenton to cross before they are actively harming their son and 4) someone shouldn’t probably remove Danny from his parents before things go south.

so he just. takes him. and Danny lets him. they rescue Bruce and return to Gotham and Danny is Still There. he’s just not leaving. he’s not actively helping with anything either, and neither Danny or Tim offers any sort of explanation for the current situation. Danny just sort of becomes Tim’s supernatural arm-candy

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Danny wakes up in a cage in the Batcave as a human and thinks to himself “well that’s not a good sign.”

Big bad bat encountered him in the caves near the Batcave by finding him half dunked in the Lazarus pits under Gotham during a routine check. He put the boy in a cage as a precaution, but was otherwise planning on investigating then returning him to his rightful place.

Danny does not know that.

He proceeds to search his pockets (phase his hand into his body disguised as reaching into his pockets) and pulls out a tool kit, systematically disassembles, exits, then reassembles the cage.

And walks out.

Now the bats are hunting the streets for this engineering escape artist while Danny is just hanging out at a newsstand reading up on the universe Clockwork had sent him to check out.

"Woah! What happened here?" Duke gasps from the staircase. He is wearing his school uniform, but upon checking his backpack, he realizes his chemistry textbook is missing, likely somewhere in the Batcave after his latest monitor duty.

He had been multitasking by shooting out questions to the rest of the bats as they patrolled. Due to an injured wrist, Duke had been benched from his regular day shift (Jason offered to cover for him), and watching screens had been the only way Bruce had been willing to let him participate.

That quickly became boring, however, since Oracle was much faster than he was, and Duke had a tough time focusing on screens. He's never been one to enjoy too much screen time - he didn't have the attention span for it.

This meant that Duke had not been in the cave for the past three nights, after he struck a deal with Bruce to let him catch up on some much-needed rest instead, provided he could continue his civilian work during the day.

Imagine his surprise to find the Batcave in disarray, with almost everything taken apart, piece by piece, including the Batcomputer and the dinosaur. Bruce, Damian, Dick, Jason, Tim, and Cass were currently attempting to gather the pieces and reassemble everything, which seemed hard given all the little pieces that had shattered about.

"Some kid with a screwdriver," Jason grunted, holding up various nails towards the light. In front of the anti-hero were five distinct piles of nails and bolts, each separated by type and size, which he carefully sorted from a large bucket.

"What?"

Tim looked up from a mountain of wires, some of which were dropped over his shoulders, around his head, and a few were entangled with his leg, as he tried to untangle everything. He looked as crazed as he did the year he decided he was going to put up all the Christmas lights by himself, only to realize how large Wayne Manor really was. "Two nights ago, we found a civilian unconscious in cave sector T-Y13. He was practically radioactive with Lazarus pits water, so Bruce had the bright idea to put him in a cage as a precaution. The civillain woke up while Bruce was away so he couldn't explain that he was not kidnapped, realized he was in a cage, and deassimbled it with a tool set he pulled from his ass-"

"Tim. Laugauge" Dick scolds, leanign over metal tubes to cover Damian's ears. The twelve-year-old huffs, but doesn't shake off Dick's hands as he stares at a different buckets of lightbults, sorting them like Jason was doing to the nails.

It was a little darker than what Duke was used to.

"-And then, he decided to reassemble the cage once he was out." I'm continuing as if he weren't interrupted, nodding his head to the only part of the cave that looked normal. The contamination unit seemed to shine in the untouched spotlights. "Then the civilian thought he was going to take apart everything in the cave. He systematically disassembled everything and mixed up the pieces. The only things he left alone were the railings!"

"It's pretty impressive," Bruce praises. He was checking over technology boards with a critical eye. A headlight strapped to his forehead shines brightly on the pieces as he smiles. "I wonder where he is now."

"If he has any brains, he's probably applying for a position with a pit crew in NASCAR," Cass laughs, picking up different boards of metal. "He took the whole place apart in less than twenty minutes."

"He even got the Batpens" Dick sighs. "Why was he so passive-aggressive about pulling out the pen's springs?"

"If I woke up in a cage, after unfair imprisonment, I would also cause my captors as much chaos as possible," Damain comments casually. "We are lucky he decided to leave nothing harmful behind."

"He just took everything else!" Steph's voice calls out from a dark patch of the cave. Duke knows it's in the direction of the showers and the changing room. "Does anyone see any shower heads over there? The kid took them off every shower!

"I have one!" Cass calls back, holding up an item in her hand. "Are any pipes missing? There are five long metal cylinders that I can't figure out what they are for."

"No, he left the pipes along, but I think he took the mirrors and the doors."

"Which door?" Bruce yells back. There is a moment of silence before Steph replies.

"All of them! "

"Of course. That's what these ones are for." Jason says in an Ah-ha voice, holding up a few black bolts. "They're the ones from the shower heads!"

Duke stares, then sighs. He lets his backpack slide off his shoulders, landing on the stairs with a thump. Looks like he's calling in sick to school again.

Rolling up his sleeves, he moves over to Cass and helps her lift the long cylinders she had mentioned. "Do we know anything about this civilian?"

"Before he took the Batcomputer apart, we were able to get that he wasn't in any of the local government records. He isn't from Gotham or this state." Bruce says while carefully placing pieces back on a large computer board with a pair of tweezers. "My guess, he's not going to be in any system, either."

"Why?"

Bruce looks up, his eyes shining. "His DNA matched eighty-five percent with Themyscira's genetic make-up. No proof of cloning either. We may just have a genius male Themysciran on our hands."

Duke didn't like how excited Bruce sounded when he made that statement. He opens his mouth to snap, "You can't adopt him, Bruce!"

It's validating that his voice wasn't the only one that said it, but that it echoed by literally everyone else in the cave. Bruce purses his lips but doesn't agree or disagree with the accusation as he turns back to his computer board.

Duke hears him mutter under his breath, but he's too far away to figure out what he said. "

How long do you think this will take us to put back together? He asks Cass as they compare metal pieces- he's holding a triangle-looking thing that he can't figure out where it came from.

She kicks aside a circular metal slate, raising a brow at him, then nodding her head toward the left side of the cave. Duke turns to look in the direction of the third Robin, who was wiggling around.

"What are you!?" Tim screams at a blue wire, shaking it like he was strangling someone's neck. Somehow, in the time Duke looked away from him, Tim had his right arm tied to his left knee, with a red wire thread running through his shirt, and his right leg was no longer visible because the rest of the wire pile had consumed it.

"Oh, so it's going to be a few hours," Duke sighs as Cass nods sadly.

"Does anyone have any eyes on the light switches?" Dick yells out. "Damian and I almost have all the pieces to turn the lights back on."

"Oh gods -He took the lockers!" Steph screams in angst. "I had a snack stash in there!"

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Hi hello I have another offering

Fanart for this (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)⁠❤

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Dead on Main random idea

Usually it’s Danny talking about his crush but let’s flip it.

Jason feeling so left out and discarded by family that he has his own “guy in the chair” bc he doesn’t know if he can trust Oracle more like if she trusts him he doesn’t wanna know the answer.

His “guy in the chair” is Tucker Foley. Met the guy on a case at Gotham U. Tucker helped him hack into a encrypted USB. And then just, kept asking him for help.

They get close enough friendship where Jason feels comfortable without the helmet (and maybe without the domino mask too).

Tucker by now expects Hood to climb through his dorm window and throw a gadget at him to hack into and reverse engineer.

What he did not expect was what Hood was gushing about.

“God you know that ghost boy Phantom? He’s so small and cute I wanna squish him. Like talk about a zombie’s dream boyfriend. Don’t tell my brother but I like Phantom’s puns better than Nightwing’s.”

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Not to repeat history and make the hunger games all about what boy katniss Loves again😭 But I am still continually haunted by Finnick finding out that Peeta and Katniss love each other for real.

Like Finnick has been in this industry a longgg time. He knows what it is to construct a story for the games, and I think he really does respect the two of them creating this lovestory narrative, it provides them a lot of protection, it makes them a lot harder to pair up with others especially if they're BOTH in the public eye, it literally saved their lives in the arena.

That scene when he approaches Katniss with the sugar cubes, she thinks he's flirting with her but those winks and little in jokes, that is a co conspirator and fellow trickster trying to tell her hey I get it, hey I'm in on the joke.

But Finnick can only withstand all of this, withstand the suffering he endured because his real love is secret. He has something to protect, something real to go back to that's hidden and out of the public's eye.

So his dawning realization that Peeta and Katniss's story is REAL, is TRUE is horror for him. It's pity and horror. He's a boy who's experienced basically slavery and abuse since he was a child, and he's looking at Katniss with pity. Because he sold something cheap. He gets to sell the fake story of a playboy and capital harlot to the world, something that he could not care less about losing pieces of.

Katniss and Peeta are selling their love. The very real, awkward tween crush stage of their life, the companionship of two people who look out for each other, they had to flip that outwards and show it to the world. Let vultures take off pieces and push and shove them around. The entire world present for a young girl's first kiss, which should have allowed to be private for an incredibly private person, should have allowed to be messy and weird, they had to make it movie star worthy. And Katniss had to declare she loved Peeta forever after one kiss, even though her in the real life needed much more time to open up. Peeta had to have his feelings pulled out of him and played with, when he knows Katniss doesn't feel the same yet. He's an incredibly smart person, he knows when someone is faking and he had to watch the girl he loved pretend to love him back or she would Die it's horrifying.

So yeah, Finnick's shock at discovering that under their fake story is a Real story that has been harvested for parts makes me dizzy to think about

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I know the movie is 32 years old but I feel like Aunt Debbie (Addams Family Values 1993) is one of the few people whose quality of life could have really benefitted from a few therapy sessions with Dr. Hannibal Lecter

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*puts a disk in u*

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That’s It.

I’m tired of seeing everyone repeat the same four points: “1) Nani gives Lilo to the state! 2) Hawaii has a better marine biology program than San Fransisco! 3) Jumba doesn’t get redeemed! 4) Pleakley’s not wearing a dress!”

Those are not the only things that were bad about this remake. You could easily tell it was going to be all that and more beforehand, but most people’s reaction to the trailer was “it’s surprisingly good!” and now they’re acting all surprised. If you didn’t see this coming, enough to purchase a ticket, you’re part of the problem and you don’t get the original movie any more than the people who made this remake did.

So I’m done being quiet, this is the Lilo & Stitch 2025 Takedown Post.

And as usual the only good thing about an attempted-remake is that it gives people a reason to think about what made the original so good.

Let’s go in order. But just scroll down to the Heading you Care About if you don’t want to read all this.

1. Cobra Bubbles

In this movie, Cobra Bubbles is a secret agent hunting for aliens and they have a new character take his place as the state social worker.

The Problem They Were Trying to Solve With this Change: “We shouldn’t have a black man or a government worker feel like an insensitive antagonist to Lilo’s family.”

That’s a stupid surface-level one-dimensional misread of the character from the original…and it wouldn’t have been hard, at all, for a child to explain to the 2025 filmmakers that Cobra is not an insensitive antagonist in the original.

Cobra Bubbles is not insensitive and he is not in any way portrayed as a bad guy in the original. Nani sees him that way, Nani sees him as antagonistic, because he’s the representation of Lilo being taken away.

But Nani is wrong about him and learns that she is wrong about him by the end of the movie.

Can we please make a list?

Cobra’s first interaction with the caretaker of the child he was being sent to protect was that she ran out into the road, yelled at a complete stranger, and dented his car.

Then he found her locked out of the home and threatening the child inside with a hammer in her hand.

Then he found out the stove was on while she was out, and she’d left a 7 year-old alone.

The 7 year-old made comments about being disciplined with bricks and a pillow case.

The 7 year-old looks like she might be more than a little emotionally unbalanced because she’s figuring out how to put voodoo spells on her friends to punish them.

He still gave that pair of sisters three days to straighten the ship. When in actuality, in 2002, under HRS §587-73, (don’t play with me) the social worker would’ve been well within his rights to remove the child from the home right then. But instead he gives her three days to fix it. THEN

The 18 year-old loses her job.

The family gets a “dog” who he is implied to know is an alien, right off the bat.

The alien is violent and wreaks havoc across town.

The 7 year-old almost drowns while they surf instead of find a job.

He lets the child and caretaker have one more night together to say goodbye, but when he’s on the way to get her he gets a call that she’s being attacked by aliens, hears a chainsaw, and finds the house on fire.

Do you understand what I’m saying.

Cobra Bubbles had NO BUSINESS being as BIG A SOFTIE AS HE WAS for all of the original movie. He was not only well within his legal rights to take Lilo away from Nani immediately, but he was actually required by law, it was his DUTY, to remove her immediately. But he didn’t do that. Why?

Now listen to me very carefully.

Lilo and Stitch is a movie about how “Family chooses to love and commit to one another selflessly, no matter what the other person can do for them or how hard they make it.” The fancy way they say it is just “Ohana means family: family means nobody gets left behind or forgotten.”

Did you catch that? “No matter how hard they make it.”

Cobra Bubbles was a CIA agent before this. A CIA agent who saved the planet, by doing what? Convincing an alien race to leave them alone. Oh, he didn’t fight them off? No. How? He “convinced” them? He talked it out? Sounds like a pretty compassionate guy, for all his tough exterior. How did he do that?

He could’ve picked any animal that’s actually endangered. The filmmakers chose to make him the guy who convinced aliens to value mosquitos.

MOSQUITOS. Creatures that give nothing, only take. Ugly little bloodsucking monsters. That’s the creature he convinced them to care about enough to save the planet.

NOW do you have any trouble understanding why this is the specific social worker who would give an alien-infested dumpster fire of a dangerous home a chance when two sisters are about to be torn apart?

Do you see that Cobra is just another example of the grace that the movie is always talking about? The love that transforms someone from bad to good simply because it refuses to give up even when it gets nothing out of it? I’m repeating myself because I want you to see why he was a well-done character who NEEDED NO CHANGE.

Cobra Bubbles’ character is not an insensitive monster who doesn’t care who his actions hurt as long as he gets the job done. But you know who that does sound like?

2. Gantu

Gantu is not in the remake at all.

The Problem They Were Trying to Solve With This Change: “It’s going to cost us upwards of 1.5 millions of dollars to design, sculpt, rig, animate, and render a character this big in addition to finding a suitable voice actor to play the part.”

This is a really dumb choice for several reasons. A. Without Gantu, there is no “stakes-raiser” to Lilo and Nani’s story. The movie has no climax without him. For the first and second acts of the movie, it’s about a grieving pair of girls trying to prove themselves to a social worker while the story-equivalent of Beethoven the Destructive St. Bernard wacky Jumba & Pleakley antics get in their way. But when a 40-foot tall alien stomps into their lives and abducts Lilo & Stitch in a spaceship that careens around the island during an explosive sky-chase scene, now you have a high-octane, somebody-could-die climax.

B. Without Gantu, Stitch looks weaker. The climax gave Stitch a reason to come out of the wackadoo puppy he’s been posing as and suddenly remind everybody that he’s a lethal weapon who can survive thousand-foot drops, lava, and astronomic explosions—and a giant alien’s Thanos-dwarfing fist. Take him out and who do we have as a match for Stitch to go up against, even for a moment, and prove how much he’s changed to be willing to risk his freedom and fight?

C. Without Gantu you have no villain to reflect that STITCH is no longer a villain. (So they substituted Jumba.)

But the reason this character is really worth millions is, again, the theme.

I told you Cobra Bubbles was a character who did not put “duty” or even “convenience” or “position” over the real lives of Lilo and Nani. He saw that there was love there, and in his own way, he gave it a chance. And even when he chose to take Lilo away, he did it carefully; he gave them time to say goodbye.

GANTU IS THE OPPOSITE OF COBRA BUBBLES.

Gantu is the insensitive, uncaring, unyielding Captain whose commitment to duty turns into rage and cruelty. Not Cobra.

Nani thinks Cobra is walking in a threatening to tear apart their family in a display of government judgement. But that’s what Gantu literally does.

His first reaction to Stitch is to call for his destruction. Without even waiting to see if “it can be reasoned with” like the Grand Councilwoman suggests. He’s merciless. He mocks Stitch when Stitch is captive. And he knows that he caught Lilo, a human, along with him. He doesn’t care. He even suggests that Stitch eat her as a snack.

There are only two other characters who laugh at others’ misfortune in the movie. One is Stitch, the original villain. Then love changes him. The other is Jumba, who made Stitch. Then love changes him. But Gantu never gets changed. He’s only concerned with his job, and with personally annihilating the flaws he sees in Stitch.

Gantu is unyielding, ungracious, and cruel. And he’s big and powerful enough to be a test for Stitch to prove he’s changed. For the benefits he brings to the story, he’s worth 1.5 million and more. But they cut him anyway.

3. Jumba

In the new movie, Jumba is a villain through-and-through with designs on overthrowing the Galactic Council using Stitch, and instead of being redeemed, he’s sentenced to prison.

The Problem They Were Trying to Solve With This Change: “We can’t spend money on our real villain so we’ll just keep Jumba evil.”

The reason this is dumb is obvious. They created their own problem, and the ‘fix’ makes the movie weaker, not stronger. But here’s how.

In the original, Jumba is introduced as trying to self-protect. He’s on trial, and he lies. But when Stitch is revealed, he’s genuinely passionate about the thing he’s created. And he cares about image. He prefers to be called “evil genius,” and he hates the headlines labelling him “idiot scientist.”

You have to remember he’s part of “Galaxy Defense Industries.” They had him making weapons of destruction anyway. He just got too into it with his genetic Experiments, went a little insane.

I’m not downplaying the fact that Jumba is evil at the start of the movie. He is. It is evil to be outcasted from society and then respond to that with, “well, if they’re going to treat me like an idiot, I’LL SHOW THEM, I won’t care about anything except my passion for mad science!” That’s evil.

But it also explains a lot.

I said it in another post. Jumba’s whole utility as a character is that he knows who and what Stitch really is, better than anyone. He made him to be a monster who can’t belong and wreaks havoc on everybody else’s ‘place of belonging.’ Jumba is the audience’s insider’s perspective on what is going on in Stitch’s head, at first.

But when he’s redeemed, it happens fast. And why? Because that’s how plain and simple Stitch is, as a character. Jumba knows Stitch is a disgusting little monster with nothing inherently loveable about him, and no “greater purpose.” So when his disgusting monster is loved by someone? When his disgusting monster is willing to ask him, Jumba, for help? Something totally outside his programming, totally not what Jumba thought he’d ever be capable of?

That proves to Jumba, in an instant, that there’s love out there that transforms. And creates a place of belonging.

There were already germs of that, a desire to belong, a compassion, in Jumba after he reached earth.

He doesn’t try to get Nani fired, he offers an explanation for Pleakley’s swollen head.

He claims he won’t hit Lilo (why would he care about collateral damage?)

He sounds sorry for Nani when she’s upset about losing Lilo, and tries to keep Stitch from bothering her.

My point is, Jumba’s redemption isn’t important because it’s cute or because we need to set up the big happy found-family trope everybody loves.

Jumba’s redemption is important because it is just one more PROOF that what’s happened to Stitch is so incredible. The love Jumba finds transforming his monster is enough to transform Jumba, too.

But sure, fine, whatever, make him a soulless one-dimensional talking head. Whatever.

4. Stitch’s Design

In this movie, Stitch is cuter than he is ugly, and he’s half Lilo’s size.

The Problem They Were Trying to Solve With This Change: “Ugly-cute doesn’t come across as well in ‘live action’ animation. And all the Wal-Mart moms remember Stitch as ‘cute.’ Plus we’ll save about 15% in rendering the animation.”

This is crippling to the characterization of Stitch.

Stitch is supposed to be an echo of who Lilo could become now that she’s lost her parents and may be losing Nani. This scene:

Where Jumba points out that Stitch has nothing, and destruction is his only purpose, is the evidence for that. But Chris Sanders, who made this whole story, also point-blank said it. Stitch is a future Lilo, if she loses her family.

So that’s reason number 1 that he should be her same height. But also, practically, no iconic pair of best friends, yin and yang, have visuals where one is smaller than the other. Especially not if one of them is supposed to be disguised as a pet.

The point is, Stitch is not LILO’s pet. He is her best friend, her other half. But between the muzzle-muscles they worked into his upper lip and the darkened dog nose and the butt-scooting across the floor, the remake is trying to make him more pet-like in relation to Lilo.

That’s not what he is.

I said this in another post. But Stitch is supposed to throw food to the back of his head like a gator—his lips are not designed for forming words. His gums and teeth are supposed to look like a shark’s. His nose is supposed to be too big, stamped into his face. His ears are supposed to be like bat ears, not bunny ears. He hunches forward, instead of bending at the waist like a toddler. His eyes can narrow to lizard slits.

He has to look like he can believably be a disgusting monster. Yes, he can also be cute. But he has to first look like a monster. Because that’s what he really is, in the story. If he isn’t, then LILO’s love for him doesn’t look as powerful.

It is easy to love a cat even if it scratches you, because it’s cute. It’s harder to love a life-sized spider that keeps knocking you down and eating your prized possessions and laughing when you get hurt. Stitch is supposed to be closer to the second one, so that Lilo’s love shines brighter.

But also, practically:

She can’t look him in the eye for emotional shots when he’s that short. He’ll always have to awkwardly be standing on a box or a chair or a bed.

How is he going to scoop her up, hero-style, and leap off of an exploding spaceship with her in his arms, when he’s half her size? He could do it: it’ll look stupid, though. So they just don’t have that part in the movie.

She can pick him up. That alone is demeaning and again, the visuals are silly. Not what we’re going for.

5. Lilo’s Personality

In this movie, Lilo doesn’t like weird stuff, and she screams when she first meets Stitch. There’s no problem that this solves. It’s just laziness and a lack of care about the characters.

I would like to remind you that the original Lilo:

Made her own doll that looks like a shrunken head and pretended a bug laid eggs in her ears.

Makes up stories about a fish that controls the weather and actively deep-sea dives to bring it peanut butter sandwiches.

Has a knee-jerk reaction of using practical voodoo spells on friends who wrong her.

Listens exclusively to Elvis Presley.

Fills baby bottles with coffee.

Believes Nani’s manager is a vampire.

Has fishing nets and seashells in her room for decoration.

takes safari pictures of overweight bleached tourists.

meets a social worker and her first impulse is to ask if he’s killed someone.

Nails the door shut when she’s mad at her big sister.

She’s not friends with pound dogs in that original movie; when they first get there she acts like she’s never been in the kennel before, and originally wants a pet lobster.

I know that we all love that little girl they got to play Lilo, but if you were really being objective, you’d acknowledge that she’s a little girl. She’s not Lilo. She’s a cute little girl.

They did not write Lilo into the 2025 movie. They wrote any old little girl.

You should have known, from the moment she first sees Stitch and her reaction is to scream in the trailer, that THAT IS NOT LILO.

Lilo had a very specific set of characterizations. She was a character with a personality that exploded out of the screen. Every other character in the movie meets Stitch and reacts with disgust.

But not. LILO. She’s the only one to react to him like THIS:

She is literally not like anyone else. She’s doesn’t care that he’s ugly. Or weird. Or blue. Or even bat an eye when he can talk with all those shark teeth.

From Moment One, Lilo chooses Stitch. She chooses to love him. Regardless of what he can do for her. Regardless of how many times he pushes her over or rips up her house or makes her relationship with Nani harder. That is the number one thing about Lilo.

She is desperate for people to stay, but she chooses to love Stitch even though he’s a monster. And she tries to make him better. And her love succeeds in transforming him when nothing else could.

Lilo’s personality traits all mean something in the story. (I.e. she likes Elvis because she’s clinging to the past, she snaps pictures of tourists like they’re safari animals because they’re inherently people who LEAVE and she has issues with LEAVING, etc.) But the thing I think that was so obvious that the moviemakers missed for 2025 is she has to be weird. If she’s not weird, there’s no reason for her not to have friends. And if she has friends, what does she need Stitch for?

But also, Lilo’s personality in the new movie is just boring. Cute. But boring. Cute’s not that great of an accomplishment; any 7 year-old is cute.

6. Nani

I don’t think you guys need to know this. It’s not just that Nani leaves. It’s that “take care of yourself” is the exact opposite of the selfless message of the movie.

In the beginning, Lilo literally argues with Nani after being told she’s “such a pain,” and goes, “why don’t you SELL ME and buy a RABBIT INSTEAD?”

And then breaks down and cries at the thought of Nani wishing she had a rabbit instead of Lilo, later.

Because Lilo is afraid of people leaving. But Nani won’t leave her. Nani loses her job, her own life, because of Lilo. But she’s desperate to keep Lilo anyway, because she loves her. Don’t you understand? The message of the movie was about self-sacrificial love. A love that doesn't care what I get out of the relationship.

Nani starts it. But you know what, David loves her like that, too. And then Lilo transfers it to Stitch, who shows it off to Jumba. It’s a chain reaction, but Nani is spearheading it.

You realize that when their parents died, Nani already would’ve been in high school? With a whole life of her own? Her own friends, her own potential boyfriend, a job she went to, surf competitions (the trophies are in her room.) Lilo would’ve been well aware that that was the status-quo: Nani has her own life. And even a seven year-old can see that that life is being put on hold, but maybe the big sister wants to go back to it, at every turn.

The fact that Nani never does that, never expresses a desire for that, only ever expresses a desire to keep Lilo with her, is huge. It’s the core of the movie.

I don’t think that needs any more explaining.

We could talk more. Like about how Lilo needs to see that Stitch is an alien, because that’s the ultimate test: he’s one of the monsters who destroyed her house, he’s been lying to her and using her as a human shield, he’s a criminal—but she still winds up giving everything up to protect him.

Anyway. My neck hurts and I don’t want to type anymore. But we could talk about the music, the social worker, the grand councilwoman—it just doesn’t matter.

Ya’ll had more than enough details in the trailer to be able to not go see this movie because it was obviously going to ruin everything. But instead you chose to make this twisted corpse “the highest-grossing movie of any Memorial Day.” You bought tickets because they ruined a perfect movie and slapped together an uglier package for you.

Whatever. It was my favorite movie today, it’ll be your Treasure Planet or Tangled tomorrow. Keep riiiight on giving them your money, and keep letting influencers regurgitate the same four obvious facts to you over and over, because they paid Disney to make a talking-point for their content benefit. Whatever.

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sending my hated nemesis a bouquet of spider lilies to signal the depths of my disdain but she's a really stupid airheaded hero type and so she doesn't understand the symbolism and continues to labour under the misapprehension that we are very good friends who occasional have violent lesbian sex

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?

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There are few color palettes my eyes love more than the original Gilbert Baker pride flag

Like dang, nailed it the first time, A+++ 0 notes

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writing is so fun

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Dead on Main Prompt/AU - All Halfas are zombies and the only ones who can see the ecto aura of a human. (Also halfas bleed green)

Jason is found by the GIW instead of the LOA after crawling out of his grave. Due to no pit to rapid heal, he still has amnesia even after regaining consciousness. Doesn’t even know his name. GIW doesn’t care to give him one beyond his eventual code name, White Knight. GIW sees this as an opportunity. One of Jason’s powers is to see if someone is ecto contaminated. Basically they glow a soft green aura.

Even though he doesn’t remember, Bruce’s morals are still instilled in him. He refuses to kill for them but they start torturing and brainwashing him. (Basically what Hydra did to Bucky).

So for a few years there has been this assassin that’s slowly been picking off the Justice League Dark members. But no confirmed sightings. A “ghost” story. (From studied patterns, Batman can deduce it’s more like the dead members matched some other criteria than just being JLD members.)

When Danny has his lab accident, he comes out of the portal looking human, and just drops dead from electrocution right there. (Sam forever blames herself. She’s the one that made the stupid joke of going in the damn thing).

Danny, due to no head trauma during death, remembers who he is when he crawls out of his own grave. GIW find him as well, and try to train him like they did Jason. But he is not ‘naturally gifted’ like Jason was. Bat training.

Instead he seems to be more gifted with tech. So they use him to make their ecto weapons.

(When he’s around Danny, Jason feels human again, feels like he’s more than a weapon again. Danny feels like he’s not alone anymore. That he’s safe like he was with family.)

After their failed portal and dead son, Dr Fentons stopped their research and experiments for a while. But a government facility in town contacts them for help with equipment do to their usual ecto being tech being ‘uncooperative’.

While it hurts to work on such a subject again, the ability to actually see an ecto being is exciting. They promise this is the last ecto job they do before giving up to go get normal jobs.

Due to it being years of torture, Danny doesn’t quite remember the look of his parents so he doesn’t recognize them, especially when they no longer wear their jumpsuits. (Danny died in his, they feel gross just looking at them in their closet.)

When Dr Fentons arrive they start looking at the engineering and are impressed. When they ask to see the inventor, they were not prepared to come face to face with their long dead son.

Meanwhile in Bludhaven, Nightwing is fighting off this guy all in white kevlar with a white mask on the bottom of his face, the white goggles he had covering his eyes have long since been lost in the fight. Constantine was in town to inform Nightwing of another JLD death when this guy showed up.

“The White Knight does exist,” Constantine says, fear filling every inch of his body. The White Knight charges Constantine after kicking Nightwing in the face, but the bird isn’t down for long. Nightwing wraps his arm about the Knight’s neck and pulls him back. In the process of freeing himself, the White Knight loses his mask. Once both are upright, Nightwing freezes.

“Jason?”

“Who the fuck is Jason?” The White Knight says before shooting Nightwing in the stomach.

Constantine quickly wraps himself around the bird and whisks them to the Batcave with his magic.

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