#'the themes are ruined' WHAT are you talking about.

[pygmi-says-hi]

how to write romantic tension

we all love enemies to lovers but some of you get to the lovers part so fast you don't even finish typing 'enemies'. enemthey'refuckingnow to lovers. which is ok if that's what you wanna read but personally, my favorite part is the tension.

So...

Off we go!

What makes a good enemies to lovers story?

Believable tension, likeably irritating themes, and potential. Among other things, but this is what I want to talk about with the 'tension' perspective. There needs to be a good reason, obstacle, and rapport. If they're mad at each other just because, idgaf.

I want to write this but I dunno how to frame the tension?

It's kind of a tricky trope, to be honest. Enemies/rivals/foes however you wanna pitch it, takes an interesting twist on seductive emotions.

pride. a feeling of self-sufficiency, power over somebody else, or superiority. How would this play into a relationship type deal? Well:

Pride in a relationship or in regards to another person can involve a feeling of equivalence. "Do I feel unworthy of them?" "Are they out of my league?" "will the way people perceive me change if I go for it?" Social insecurity is a big aspect, and so the frustration that comes with that leads to friction because of the character's insistence on keeping their dignity. which leads me to the next point...

vulnerability. Attraction to another person is accompanied by a feeling of vulnerability and openness. This is always a hard position to be in, especially if extenuating circumstances make honesty impossible (power imbalance, politics, etc). If a character feels too vulnerable and exposed, they might shield themself with aloofness and sharp words.

desperation/yearning. They have to want each other. the only thing stopping themselves is each other. It's overcoming the above emotions to reach the point where they have no choice but to accept it. Throughout the whole deal, there should be an undercurrent of desire.

When all of those come together, it creates an emotional battle. This battle has several war tactics (hittin with the allegories today dayum)

banter. a favorite of all. wonderfully tense and combative conversation that highlights the reason for disagreement and the romantic tension. 10/10

self-sabotage. like, ohthey'resoclosetheirhandsaretouchingoooohnope. someone chickened out, heard something from someone that made them reconsider, plans changed, they felt angry and ruined the whole deal. back to square one. it's like edging your readers. (ew but you know what i mean. bring em up to bring em down)

miscommunication. "I thought you hated me." "only because I thought you did too..." love it. beautiful. or, there was miscommunication years ago that led to a deep rift when actually, it was entirely unfounded.

and many more...

Another important point:

There needs to be progress. Slow and steady wins the race, but even slow means going forward. If you throw too much tension and obstacles in the way, it gets old really fast. Give them baby steps to take. It'll keep people interested.

Internal turmoil:

Oh, that wonderful period when they know it's inevitable but they're so terrified of it happening....pick an emotional direction.

Are they scared? Hiding from their attraction? Are they angry? Frustrated that they can't have them/became attracted? Are they desperate? So in love that they act out of pure lust?

What is the character's opinion of what is going on? Pick reactions and convo that corresponds with that. Enemies to lovers doesn't always mean sass-battles and hate sex. It can also be someone cold and cut off slowly warming up. Or somebody shy and critical becoming relaxed and open-minded. there are sooooo many opportunities for good emotional depth, spice it up a little!

Things to improve on:

Working on banter/bickering. This is really funny, but the banter should have some kind of meat to it. random back-and-forths are a nice palate cleanser, but so often it just sounds petty. Incorporate plot and past disagreements with it. it'll add depth to the relationship without needing to do a prologue or exposition paragraph.

Not just making them hate fuck and then be head over heels. (I mean if you wanna write/read that, go ahead, but if you're frustrated with the transition stage, I gotchu.) It is a weird moment of going from 'fuck you' to 'fuck me' to 'ilysm'. AWKWARD STAGES ARE OKAY!!!!! It's gonna be a bit of a new thing, esp for the characters. Great opportunity for wholesomeness; if they're trying really hard to get better but don't know how?? UGHH I EATTT IT.

hopefully this provides some pointers?

xox keep writing, comment/message any questions or requests!

[padfootagain]

Love in Verses (XII)

Chapter 12 : Meanwhile the wild geese, high in the clean blue air, are heading home again

Hi! Here is new chapter! This one is… interesting… Whiskey is very dangerous, indeed…

I hope you like this chapter! Tell me what you think!

****

Pairing: Hozier x fem!reader (professor!AU)

Warnings: slow burn, angst, hurt, hurt/comfort, tooth-rotting fluff in later chapters, some scenes in later chapters will have heavy sexual themes even if it’s not explicit nsfw description, so minors here

Summary: Your life seems perfect. You're engaged, your career is thriving as you become an assistant professor at Trinity College, and this Andrew Hozier-Byrne you're sharing an office with seems to be a nice guy you hope to call a friend soon. Life seems to be smiling at you... until everything goes sour. When your fiancé breaks up with you, your perfect world shatters. And when your colleague also gets his heart broken soon after, your shared office seems to be a curse rather than a blessing. But Andrew seems determined to mend your broken hearts... Will things finally go according to plan?

Word Count: 2527

Masterlist for the series – Hozier’s masterlist – Main masterlist

Wild Geese

You do not have to be good. You do not have to walk on your knees for a hundred miles through the desert repenting. You only have to let the soft animal of your body        love what it loves. Tell me your despair, yours, and I will tell you mine. Meanwhile the world goes on. Meanwhile the sun and the clear pebbles of the rain are moving across the landscapes, over the prairies and the deep trees, the mountains and the rivers. Meanwhile the wild geese, high in the clean blue air, are heading home again. Whoever you are, no matter how lonely, the world offers itself to your imagination, calls to you like the wild geese, harsh and exciting – over and over announcing your place in the family of things.

Mary Oliver, Dream work, 1986

You ended up at your place with Andrew. After that awful dinner you both needed some emotional support.

You didn’t talk about the meal though. He didn’t mention how Frank had hurt you, you didn’t talk about how Andrew deserved better than Sam.

That was your final conclusion after the evening. Andrew deserved better than her. You didn’t know all the details that had drawn him away from a professional career in music, but you knew that it had been a tough decision to make for him. The way Sam made it sound, Andrew had simply given up. And yet, his eyes still lit up every time he talked of music.

You sat down on your couch with a bottle of whiskey, getting lost in thought as you replayed the conversation through your head. You had noticed how Sam had stopped listening the second you had started talking about your job, about music… about things Andrew loved. And perhaps you were too busy grieving for him, but was Frank the same with you? Because Andrew deserved someone who listened, someone who actually cared…

What did both Andrew and Frank saw in Sam that you didn’t? The question was relentless, spinning in your head again and again, a fly trapped under a glass trying to escape. What did you lack that she had?

You watched Andrew as he downed his first glass of whiskey. Neat. No ice or anything. He didn’t flinch, merely let out a long exhale as he let his head fall back onto the backrest of the couch.

“God… that felt good. I needed that,” he sighed, pouring himself another glass while you drank yours as well.

You winced slightly at the burn of the liquor, but silently asked for more anyway.

“What’s next on the list of things to ruin?”

Andrew chuckled at that.

“I reckon we haven’t really ruined anything yet… but… I guess not much until the New Year. You’re still coming to their party?”

“Of course,” you sighed. “We need to make a plan for this. We need to ruin something and then save the day.”

“We should ruin the champagne.”

“And replace it with another excellent one? Good idea. That could work for you.”

“What about you?”

“I don’t know… Maybe help Sam. That would impress him.”

“Hmm… a knight in shining armour? Ruin her dress and you fix it?”

“Oh…. That’s nice! You’re very good at this Andy, that’s a little scary!” you joked, nudging him. “I could give her my dress, and wear some disgusting clothes instead. The self-sacrifice will make him grow fond of me.”

“I’ll make sure to have the worst change of clothes in my car.”

“Perfect.”

“They said they wanted to organise the party in some sort of club…”

“Hmm… I bet you love the idea.”

“I’m already panicking at the mere thought.”

“Don’t worry, I’ll be there.”

You thought yourself silly for offering such a useless argument, but Andrew didn’t seem to think of it that way. Instead, he gave you a grateful smile.

“Why are we doing this again?” you asked, question aimed the ceiling as you sighed, Andrew shifted by your side.

“Because we love them.”

His voice sounded like a lie. It was true though. It had to be, somehow…

You drank again, tried to think of something else, let silence settle instead. It was okay. Silence with Andrew felt comfortable, like the world shushed under a blanket of snow. Natural. Slow.

And outside the world kept on turning, as if you weren’t in pain, as if you weren’t grieving. Wasn’t that a strange truth? Frank had left, and the world hadn’t stopped with him. You wished you could feel it spinning again, look at the rest of the world and feel its beating, and be part of it once more. Maybe, if someone listened to you, and understood you, and made you feel safe again… if you could be yourself with them…

“I’m glad you listened to the record,” Andrew spoke after a while and another emptied drink.

“I loved it.”

“It’s one of my favourites. My father listened to it often when I was a child.”

“Is he the one who made you love music so much, your father?”

Andrew nodded.

“He was sick when I was a child. Bad surgery on his spine. He never recovered.”

“I’m sorry.”

“He was a drummer, back in the days. And even after everything changed he just… I don’t know. No matter what we said to each other, how angry we were, how much we argued… we’ve always had music in common. Even when we couldn’t communicate properly, we would put on a record, sit in silence and listen to it, and then we’d discuss it, and things would get better.”

You knew that he was blinking tears away, heard him sniffing. He wasn’t looking at you and you were still staring at the white ceiling. It didn’t matter. Perhaps it even made it easier.

“I just… I didn’t… I made a choice, back in the days, you know? I wasn’t being a coward or something, I just… I didn’t want to tell other people’s words; words that I didn’t care about, I wanted people to listen to me. I wanted to make something that was true and earnest. I wanted… I wanted for someone to listen to me…”

He sniffed. You reached across the couch for his hand, easily found his fingers. He held your hand so easily, like it was obvious, like your hands were meant for that gesture, for holding onto each other. His so large, yours so small in comparison…

“I thought she used to listen, but I don’t know anymore. She wasn’t listening tonight. She hasn’t listened in a while. Do you think…? Do you think she ever listened to me? I had so much to say that I couldn’t express, I didn’t know how, I still don’t know how… I wanted her to listen… God I wanted for someone to listen, just once… just once…”

You tightened your hold on his hand, and you hoped that he would understand what you meant by this simple gesture. That you were listening now. That you listened. That you understood him. That you were there…

“Thank you.”

His voice was a mere whisper, but it was enough.

You struggled with your own tears as you spoke again, your voice shaking.

“I don’t understand why Frank needed to wait for me, and not for her. What… I feel like I’m lacking something…”

“You’re not.”

You felt his stare on you now, but you kept your own gaze set on the ceiling.

“You’re not lacking anything, stop it. Frank is the one who left…”

“Because he saw something in Sam he didn’t see in me. And I don’t know what it is. And I’m scared… I’m scared that I thought he cared about me, and he didn’t. I’m scared to have built my life on that kind of lie. And the worst is… I still want it. I want the life he promised me.”

You were surprised when Andrew let go of your hand. But then you felt his palm cupping your cheek, the brush of his thumb drying your tears.

You finally turned to him, he gave you a sad but soft smile.

“Don’t cry over him. Please, don’t cry.”

You sniffed, let him caress your skin for a moment longer. It felt reassuring, anchoring. Soft and tender. Safe. You felt safe with him…

You shook yourself, moved to the bottle of whiskey again.

“You’re right. I shouldn’t cry,” you nodded, drying your face on your arm. “Let’s get hammered instead, that was the deal!”

Andrew silently agreed by handing you his empty glass for a refill.

“Tell me something silly,” he requested.

“Something silly?”

“Something about… your college days. Those are always worth a good laugh.”

“It’s good craic,” you agreed with a chuckle. “Alright… I’ll tell you a couple of stories. But you’ll have to tell me some as well!”

“Fair enough.”

You exchanged a smile, united your glasses with a cling.

And then you talked about yourself. And he listened.

Your head was spinning, you weren’t sure anymore if it was because of the alcohol or how much you were laughing.

You let yourself fall back into the sofa, holding on your painful stomach, tears in your eyes and on your cheeks. God, you hadn’t laughed so hard in… you were about to think ‘since Frank’ but you couldn’t remember ever laughing so hard with him.

“There was this one time,” Andrew went on. “I was playing with a band… Alex thought it would be hilarious to hide my guitar… I was so fucking panicked, I fell down the stairs leading to the stage and almost broke my neck…”

You doubled over with laughter, and he followed you close.

“How did you pay him back?”

“I told the girl he fancied he couldn’t read music, and she went on to teach him…”

You were hysterical at that point.

“And then…” Andrew choked on his own breath, and it took him a moment to recover and speak again. “Then, he was too afraid that she would push him away if he said anything, so he pretended he didn’t know and let her teach him all over again…”

You were both laughing too hard, the alcohol blurring your senses and making the stupid jokes and silly stories funnier than they ought to be. You looked at the bottle of whisky, admired the empty part of it, felt the burn of its effects on your cheeks.

And you looked at Andrew who was drying his cheeks, his long fingers spread across his stomach. He took off his glasses, they were wet with happy tears. He put them down on your coffee table and leaned into the couch again, slouched and comfortable, with his cheeks flushed with the liquor you had been drinking through the evening. His hair was held back in a messy bun, that had only become messier along the evening.

Damn, you couldn’t help the thought when it crossed your mind, because he was so bloody handsome…

He felt your stare on him, turned his attention fully to you. Focused and expectant, as if he knew you were about to say something incredibly interesting. And this black shirt he had on…

There were butterflies in your stomach and stutters on your tongue while your heart was pounding. You didn’t think. You didn’t think at all, you only felt, and wanted and easily yielded… and perhaps it was just the liquor, you would blame it on the whiskey in a few hours, but for now, you weren’t thinking about tomorrow morning. And for the first time in three months, you weren’t thinking about Frank at all either. Instead, you were thinking of Andrew, of how gentle and warm he looked sitting with you on your couch, how inviting his lips were, how you longed to touch his hair and his beard and him and…

… and then your lips were on his.

You felt him raising his eyebrows, but when you leaned closer and let your fingers find their way to his cheeks, the brush on your cheekbones told you he had closed his eyes too. And there you were, kissing him, and he was kissing you back, your mouths moving in perfect unison somehow, despite a first kiss and too much alcohol. He pulled you closer, wrapping an arm around your waist, while his other hand came up to cradle your face. The long fingers soon moved to your hair though, pulling you closer while he deepened the kiss. You wrapped your arms around his neck in a slow, lazy movement while you kissed, gasping for air every now and then, but your lips always connected again after a mere instant. You weren’t sure for how long you kept on kissing, too long for it to be meaningless, and yet you refused to think for now.

When you at last opened your eyes again, Andrew blinked at you, seeming a little shocked, and you weren’t sure if it was a good sign or not. You felt dizzy… dizzy with his scent, something of wood and a tinge of spices. Dizzy with his taste still on your tongue, a mixture of whiskey and something that was just him. Dizzy with the burn of his beard against your skin, with the heat of his body against yours.

Dizzy with him…

“Y/N?”

The way he whispered your name, his words a little slurred because of alcohol, and yet it sounded so good, tender, like he cradled the vowels and the consonants in his mouth, with tenderness in the way he spoke it out loud…

He cleared his throat, but didn’t let go, his hands on your waist and in your hair still, and you held onto him for a moment longer, admired how your kisses had reddened his lips.

Why did it feel so good to hold him? Why did it feel so good to kiss him…

“Erm… You… you kissed me.”

“Yeah… yeah, I did,” you whispered, refusing to pull away, remaining in his arms and your lips only centimetres away from his.

“You… I mean… We…”

You felt him leaning closer again as he took a deep breath, felt the brush of his lips on yours… but just when you were about to lean in, he pulled fully away, moving further away on the couch.

“Wait… what’s going on?”

You blinked up at him, regretting his brown curls between your fingers and the warmth of his breath against your mouth. But then your brain kicked in again, and your eyes grew round as the realization of your own movements sank in.

You had kissed him. You had kissed Andrew…

Holy…

“God, I’m sorry,” you stammered. “I… I’m so sorry. I… I didn’t want to make you uncomfortable. God…”

“It’s alright,” he reassured you, but it was obvious that he was shaken.

“That was so out of line, I’m sorry…”

“No, it’s okay… I… I think we’ve both had a little too much to drink.”

“Yeah… yeah, I think it went to my head.”

Why was your heart aching when you thought he regretted it. He should have regretted it. And you ought to regret it too…

“Frank and Samantha…” you mumbled under your breath, thinking out loud, but Andrew caught your words and nodded.

“Yeah… yeah, we… they are the ones we want.”

He slowly nodded, ran his hand across his face, as if to clear his head.

“You… you were just drunk. Just drunk…”

He looked at his watch.

“God…it’s almost 2 a.m. We should go to bed…”

You nodded again, but stopped him when he pulled out his phone.

“I have an extra bedroom, you can stay if you want.”

“I can take a uber.”

“It’s late. You can stay, if you want to.”

Slowly, he nodded.

You let him head to the bathroom, and hid inside your bedroom, resting your back against its wooden surface as you closed it.

What the fuck was that?

[maxwell-grant]

The Penguin: Episode 1 Breakdown

Thank you Lauren LeFranc, Mike Marino, Colin Farrell and Matt Reeves, we owe you the world for this, good God. It's finally here everyone and I've decided I'm gonna give each episode it's own post/breakdown of thoughts, because hahaha holy shit you guys this is beyond what I even dreamed of, and we're gonna be covering this for a while I think. I've worked out enough madness about this out of my system by talking with friends and I can't seem to be able to work on anything else till I get this done, so let's do it.

Bottom line: This isn't even just a must-watch if you like the Penguin or if you like The Batman, this is something I'd recommend to just about anyone in a heartbeat, something I can point to when people ask "why do you like The Penguin so much" and, instead of the elaborate nerd ramble that usually turns them off, I can just tell them to watch this. A friend of mine (who already loves Batman and digs the Penguin quite a bit) even told me as much, that he's starting to get why I love the character so much, and truly, is there a better feeling than this? Well, there is, and it's watching the show. Let's dig into this first episode:

Right upfront I'm gonna say that this doesn't really seem to be the Sopranos rip-off that people have been calling it before release, although there are definitely Sopranos comparisons to make here. I've spent the past months finally watching The Sopranos in order to get the comparison and definitely want to talk about those comparisons after I finish it (and this show ends). This thing aims to stand on it's own legs as a crime show and it's smashing out of the gate with an extremely promising first episode.

So this just casually opens with the reveal that all along, there was a second rich Gotham the whole time that was completely unaffected by everything we saw in the movie, already throwing a great twist on the events of that movie, and further reinforcing how fucking full of shit The Riddler was. All we saw Batman and the others deal with in the movie was just affecting the poorer parts of the city. All Eddie did was drown rats, and make life worse for the people already in the bottom, while never even getting close to targeting the systemic rot that ruined his life. He retains ideological worshippers in subways obsessed with the corruption of the city without doing anything to actually improve it, and because of him, the streets of Gotham are waterlogged shitholes while the rich Falcone suburbs are doing just fine, peachy even.

I said a while back that, in spite of having about 6 scenes/10 minutes of Penguin runtime, The Batman managed to squeeze impeccably controlled Penguin Trademark Scenes, and this show opens with the last one they didn't get to then: Penguin killing someone for making fun of him. In the movie, he tries doing that with Falcone and is beaten to the punch, so here he gets to actually do it to disastrous consequences.

Fucking adore that the inciting incident of the show is based on the fallout of Oswald killing someone for making fun of him. He pours his heart about the dream he lives his life for, his new boss makes fun of him for being an embarassment to their profession and then he does the most typical Penguin thing by killing him for it and laughing afterwards. And then he realizes how badly he fucked up, and then we get a fucking perfect titledrop with his musical theme, the exact moment we finish The Batman and enter The Penguin.

God it is so fucking cool how the make-up/lighting, the scar across his face, makes it look like he's got a genuine beak from certain angles, how they're able to achieve that effect without giving him a more literal beak for a nose. Everytime they talk about the character, Reeves and Farrell always emphasize how integral the make-up was to them figuring out what to do with Oz, how little they knew what to make of his six scenes until Marino created their monster and suddenly everything fell into place. Mike Marino fully deserves co-credit for the creation of Oz.

Pretty amusing that Victor, as designed to be Penguin's Robin, has exactly the same origin as Jason Todd, a poor street kid trying to steal the hubcaps off the Penguinmobile (I'm sure this bodes very well for his odds at survival), as is the way in which Oz goes on about his recruitment. He press-gangs this kid at gunpoint to help him bury a body arguing with himself and eventually the kid why shouldn't he just kill him to be safe, while trying to impress the kid with his car and air freshener and later that bullshit about "What, you think I hire any schmuck off the street?". From the tile drop onwards, he's doing everything on the fly while also spinning long-term plans set in motion as soon as he's on screen, he's taking this kid in out of sympathy and because he enjoys a power dynamic over someone weaker than him and because he very much needs someone to help him get stuff done. I'm extremely interested in exploring Penguin having a mentorship dynamic and I'm beyond curious as to what happens with Victor from this point onwards, but that poor kid is in for a terrible fucking time.

Found it very funny how much he half-asses the murder threat to Victor. Like it's his first time actually doing it and he's trying to be serious, but not too scary because he's already seeing himself in the poor kid with a stutter and wants the kid to think he's also a cool guy like he wants everyone to think he's a cool guy. I also think having Victor as the POV helps to sell moments like these, because it's still terrifying to him. Even as we follow their stories, these power players of Gotham are still big scary monsters to people caught in the dregs and Victor helps to reinforce that.

I enjoy Oz being friends with sex workers and drag queens off the street as much as I enjoy Oz being depicted as the kind of guy who deludes himself into thinking the prostitute he's with actually likes him, Lauren and Farrell launched into a bit about in on the podcast and I'm curious to see what's going on with him and Eve here.

Lots of perfect funny little character moments across the whole thing. Oz insulted by the idea of taking extra pickles off a poor kid's dirty mouth, but with zero hesitation whatsoever for picking jewelry off his boss' corpse. Dude is governed by principles even as he actively has to break them to survive.

"Technically it's plum." "He is the - or was the - new kingpin", "He's got nurse-like qualities." The show is not overtly trying to get you to find Penguin likeable as much as it wants you to find him engaging - making you think he's likeable is Colin Farrell's job and he's masterful at it, definitely a lot more matured within the character compared to the movie.

If there's anything in particular I'm thankful for regarding Gotham (well okay Gotham led directly to Telltale Penguin which was the basis for this one, so really I do have a lot more to be thankful with Gotham), it's the decision to give him a legit waddle via the broken foot, but the way they incorporate it here with the club foot does so much for him, so much as a modern day reinvention of The Penguin. Adds so much to why he's never been a serious candidate for mob leadership, why he kinda had to spend all his time in the Lounge, why he actually needs someone to help him run affairs, why he has such a gaping ego wound and is so murderously angry at people making fun of him / calling him a goddamn penguin, adds so much validation and so much darkness and nuance to Oswald's overwhelming anger and bitterness over how the world treats him (and so much power should he opt to reclaim it, in turn). It's the kind of thing that frankly feels like it should have always been part of the character, like what all the previous versions were itching closer to or trying to get at. Of course this is a guy gets called a penguin and he hates it badly enough to murder people over it, of course.

This gets to really highlight how differently Oz acts depending on who he's with. Traditionally, one of my favorite things about The Penguin, and one of the things that puts him above the other villains, is that, due to his position, he has to interact with a lot more people than the other Bat-villains. He has to manage a lot more relationships and dynamics, he has to play peacekeeper and puppetmaster. he's the only one in the United Underworld who's regularly interacting with and recruiting other villains to do business with. He's the guy who you pin stuff on like the Gangland Guardians, Team Penguin, doing betting pools with the Rogues taking cover in his Lounge while Joker War is happening, having to rig games to keep good standing with Maxie Zeus and Frenchy Blake in Batman Audio Adventures, and so on. So I greatly enjoy this beat here of him talking about how makes himself smaller before the Falcones, and that moment of him adjusting his outfit and practicing expressions in the mirror before meeting with them. How he contorts himself is present in all of his relationships, and retroactively adds to the way he carries himself in The Batman.

It seems that Oz is functionally regarded as the Paulie Walnuts of the Falcones: useful muscle, loyal for the most part and amusing to keep around, but largely an unstable self-serving dumb asskisser kept where he belongs, a liability if not kept on a short leash. I think the show does a good job of highlighting all the reasons why Oz has never been seriously regarded as a viable option for a boss, even putting aside his disability. He is a fundamentally embarassing person for these serious respectable criminals to be around and of course, the joke is ultimately on them..

Of course, there is only two people in the show who actually know what he's capable of, Francis Cobb and Sofia Falcone, said to be the central relationships defining the show moving forward. Both of them also a defining commonality with Oswald, being people who are looked down on and dehumanized, and characters who are underestimated until it's time to bear their fangs.

Extremely invested in where they're going with Sofia Falcone, Cristine Milioti's been killing it, and will in fact not stop killing it. What a perfect villain for Penguin they've set up with her, someone who has his Kryptonite: she does not underestimate him. Although we know in advance that Oz is going to live and be in the next movie, the question here isn't even so much who's going to win the gang war, and rather how much damage these two freaks will do to the city until Batman gets back. In many ways, Sofia represents the shape of things to come just as much as he does.

She is this embodiment of both the pristine unfathomable wealth and privilege and power that he both detests and strives for, as well as this brutal new breed of madness and violence attacking the streets that he has to survive against and make deals with (and is himself very much a part of, however he denies it). She is Falcone's legacy in every way that matters, both a Kingpin of Gotham whose existence creates the oppressive conditions under which a Batman or a Riddler are created, as well as the Arkham Rogue, the larger-than-life sadist with a tragic origin and a signature torture-murder method and an embarassing name for the papers.

Even the fact that she is The Hangman, and Carmine was defined around his penchant for brutally strangling women - regardless of whether or not she did the crimes that got her in Arkham, she's become this larger-than-life themed expression of a violent obsession in a way that sets her up as every bit the Batman villain that The Penguin is. The two champions of the two Gothams, duking it out in this new world The Batman and The Riddler made, The Penguin vs The Hangman.

I am so glad Lauren LeFranc made the call for binning Alberto in the first five minutes so the rest of the show can focus on Sofia and make a real character out of her in a way nobody's ever really done before, every step of the way so far LeFranc has been perfectly on the ball about where to take these characters and their conflict. And speaking of those,

I feel very confident in saying that this is the first time anyone's ever really had something worth doing with Oswald's mother as a character in her own right and not just a source of anguish for Penguin (Gotham was almost onto something with Gertrude, but not nearly enough). When it comes to Penguin origin stories, my favorite's always been the Pre-Crisis one, where he's poor and bullied but happy with his mom and birds until she dies and the government seizes everything he has, which doesn't necessarily involve her much. But here? Francine Cobb is a real character in what little time we get to know her, and what a character she is. We quickly understand the role she's playing in Oz's life, not just as his mom and person he loves and strives to protect, but the person who's sculpting him into the man he's going to become.

She is vulnerable and she does need meds and she's not quite all there, and Penguin's need to care for her is visible in other actions of his. But then they turn it around by showing how strong and demanding she is, how she is fiercely ambitious and pushing him to be something he would otherwise not be, how much she loves him and sees greatness in him. She knows he's a people pleaser, she knows how to push his buttons, and she wants him to be more, so of course he's going to be more, because he lives to please his mom.

Related to this is this absolute bullseye of a summation of The Penguin, that Lauren LeFranc delivered in the podcast: "Perhaps his greatest fear is that love is transactional. And that yet, everything he does, every decision he makes, is as if that's true. As if "love is transactional" is a truth he abides by". Oswald's conception of power is being loved and revered like Rex Calabrese, and the love he wants most in all the world is the one from his mother. So in turn this, and all extensions of it, drive him to greater and darker lengths.

He doesn't have that ambition quite down yet, it's his mom that does. She who's pushing him to take over the city and not just be a guy scraping by for survival. He's smart and ambitious and extremely good at slipping out of trouble, but she's pushing him to be the guy who will be taking the city by the horns because that's what he has to be for their sake. Her legacy to her son is nurturing him having that dog in him that will make him the supervillain who picks fights with Vengeance. She is the force that's turning Oswald into The Goddamn Penguin and I can't wait to see how she's developed.

Of course he reprimands Victor in that scene for lacking ambition, who do you think he gets it from?

Really love what they've done with Sal Maroni in here so far. I like adaptations that take these throwaway Batman backstory gangsters and make something out of them, in this case, with Clancy Brown lending his power and voice and reputation as The Grand Boss of Villainy to play the last Respectable Gangster of Gotham, this intimidating principled old tiger who's inversely proportional to how much of a petty and scummy piece of shit Carmine Falcone was. Extremely a guy I'd want to see playing a hand in the creation of Two-Face. Just as crucial is the fact that he is the one who gets the most effortlessly outplayed by Oz here, because this is The Penguin Show: no room for traditional or respectable gangsters anymore, their purpose is to be crapped all over by our wacko birdman.

There's a lot about this that re-contextualizes his behavior in The Batman and the one I'm gonna point out is: even though he can't be sure his plan didn't completely go to shit, he is still keeping his wits and not being terribly scared about being beaten up and tortured and staring down the scariest Falcone with a gun shoved in his throat. But he craps his pants at the sight of the Batmobile. He gets pain, he gets indignity, but he doesn't get Vengeance, what kind of sick freak would come up with the stuff that guy does. A gun in his mouth and Falcone torture is just Tuesday, but a car that wants to eat his soul is some psycho shit he's just not ready to deal with.

It is the delicious tasty fucking irony that Oswald thinks Vengeance is this weird freak who doesn't play or bend to any rules and is here to fuck up everything, just like the madman who flooded the city, and thinks of himself in turn as a justifiable guy standing for the respectable old-fashioned empathetic way of doing things, instead of the exact same thing that Riddler and Batman are. Only Sofia gets what he really is, the same thing as her, and that's why she is the arch-enemy / the biggest thing he's gotta defeat in life for now.

God, how fucking PERFECT it is that he gets caught and tortured because he, after stabbing out a man's eye and causing him to get run over by a schoolbus, stops to wave at the kids in that schoolbus while covered in blood. Just the Rex Calabrese of it all, the self-image, this guy who's both a mean nasty son of a bitch and also a real bleeding heart softie and in ways that ruin his life and allow him to slip and wriggle his way out of shit he has no right to, as demonstrated by the finale.

Thinking about Sofia chastizing Oz saying he thinks she is a toy to play with, while rattling off the ways in which she owns him and everything he has, all the ridiculous little accessories her daddy let him play him, and he in turn is a ridiculous little accessory for the family she is twisting until it breaks. Perfect fucking villain for him. Can't wait to see how badly these two are gonna burn Gotham.

I knew deep in my heart that all I wanted out of a Penguin show, the thing that I simply needed to have in it, was Penguin pulling a heist set-up in advance, and it fucking delivered. He doesn't even complain at Victor for being late, because if anything, getting captured and tortured while the car crashed was even better for him. No, he complains at Victor for not being sufficiently gruesome with the body. See, unlike other cowardly anti-hero reinventions of Bat-villains, the show never wants you to forget that Oz is a weird freak and a disgusting piece of shit, even if he is a very likeable and even aspirational one. Only by the most random stroke of fate it wasn't Victor that he fed to the wolves at that moment, that he sees himself in the kid isn't exactly ensuring that he's gonna make out of this in one piece.

Mr. Vengeance gets Nirvana, and Mr. Boniface gets Dolly Parton, perfect credits.

In conclusion: Out of everything they could have done following the thunderous success of The Batman and it's ensuing influence over the DCU, out of all the offers Reeves must have gotten to helm their new universe after delivering a megahit reinvention of their breadwinner blockbuster character, Matt Reeves went "Nah, I listened to my crew, and what we really want to do is 8 hours of television about the waddling freak who's in my movie for 10 minutes", and he and his crew deserve the world for that. I dreamed as a kid of getting to make a big Penguin story or show, a wild impossible idea that would never actually happen, and now it's here and it's better than anything I'd ever imagined.

I'm fit to burst with joy and riding a high of no longer having to hunt for scraps and washing away decades of put-downs for the character and enjoying a Penguin renaissance like one I never imagined happening. I am extremely not an unbiased reviewer here, this show rules and I've waited for it since I was a kid and it's here, drink it the fuck in cause it's only the beginning.

[summercreolefanfictioner]

the scent wafts in, her name making him beg on his knees chap 1.2

pairing: dabi / todoroki touya x fem!oc / reader (MODERN AU)

summary: He mentions her name after 6 months in therapy, absentmindedly narrating vivid memories of her. She was the only good thing during his darkest times.

(In which Touya returns home after rebelling against his family for 7 years. And no, it wasn't about forgiveness. He wanted to fix himself because of a certain someone.)

themes: nsfw, domestic abuse, violence, alcoholism, cigarette smoking, toxic relationships, mental health, co-dependency and other related themes (YOU HAVE BEEN WARNED)

notes: for this one, pls keep in mind that touya didn't have much scars on his face; mostly are on his body to accomodate the plot; charas might be ooc since this is modern au

It was after 4 days that he finally revealed about the Todoroki family, the scandalous story of Enji Todoroki, and the abuse they have endured in his hands based on what he had experienced until 19. To be honest, everything wasn't really how they started. Touya grew up seeing Enji so proud of him, prancing him around as his firstborn, the one who will continue his dream of being the number one corporation in Japan with the best workforce and highest earning. Touya was actually more excited to learn more about business at a young age, studying how money worked through stock exchange games and trying to beat his father through crossword puzzles.

Then the next year, Fuyumi was born, and they were almost the same age, separated by months. One could even say she became his twin, and they shared the same room, the same bed, the same food, the same unisex clothes, the same words—just not the appearance and gender. When it was just the two of them, they somewhat understood each other even if Fuyumi sometimes find him annoying because of his silly pranks.

As he tells this to his therapist, he realizes a shocking truth.

Their family was okay back then. There were a lot of good times, and he had a hunch Fuyumi was the one who remembered most of them when it was supposed to be him, the oldest of the bunch. That's why it was a lot easy for her to forgive him. That's why she hoped so much for him to come back.

His favorite memory was of Fuyumi asking him to create a large drawing of the four of them because she wanted to give something to them. She was holding the same blue flowers their mother liked, and after everything was done, the two siblings met their parents at the living area where they were having tea. Enji ruffled Fuyumi's hair and told her to wash her hands after, noticing the dirt around her hands and in her fingernails. Meanwhile, Rei giggled melodiously, her laughter making Touya embarrassed as she patted his head. They were all happy. Everyone was happy.

When did everything go wrong?

"I think it was when... when Father found me pushing myself so hard because I was so devastated at my achievements that he had enough of me," Touya continued. "Whenever things won't go my way, I tend to neglect my body's capabilities. I stay up all night. I don't eat until I get the equation right. There were times when at a young age, I ripped my hair so bad due to stress. They manifested so bad that I resorted to violence."

A child who throws a violent tantrum. Torn apart posters of comic characters. Ruined picture frames and shattered glasses. Fearful eyes halting in time and unable to stop him from overworking himself. Scattered test papers with scores of 99, 98, 97, and 96 flooded all over like a burning reminder.

"I should've listened to Mother and Fuyumi-chan when they told me to have fun instead."

------

After two weeks, the therapist had the guts to ask him about Natsuo and Shouto. He used to evade questions about his two brothers, usually opting for silence or quickly dismissing the man with answers like, "I don't want to talk about them," or "It's not good." The therapist thought maybe Touya would never be able to discuss things about them, but he knew he had to bring them to the table. After all, the eldest Todoroki had mentioned before that seeing them born had been the small flicker of fire that burned their family down.

"Father thinks me and Fuyumi-chan were failures; it doesn't mean Natsu-kun wasn't either," Touya started, remembering the infant Natsuo and his cries ringing around the Todoroki household. Of course, disappointment was etched again in Enji's face, realizing that Natsuo did not live up to his expectations.

Touya could hear his familiar sigh in head, the way he was stoic but Natsuo was trying his hardest to please him. It broke Touya's heart, the way he could only watch his two siblings casted aside like him, thrown away like a garbage because their potential were wasted. In Enji's eyes, they weren't his children; they were experiments with his wife.

"His masterpiece was my younger brother, Shouto," he concluded.

"Do you hate Shouto?" the therapist asked.

Touya could only shrug, not clearly having a definition of what he felt towards his youngest brother. True, he felt so many things about his brother. He was the bane of his existence, after all. He despised him the day he was born, and yet he felt guilty the moment baby Shouto wrapped his stubby hand around his long finger, cooing at the warmth as he opened his heterochromatic eyes and gazed at him cutely. That day, Touya instantly felt a responsibility as his oldest brother, but at the same time, there was bitterness. He knew the youngest would be Enji's favorite; he just knew it, with the way he watched him all this time while he thinks he's not aware.

It will never be Shouto's fault that they weren't the favorites; but blaming him was so easy Touya could get away with it.

Shouto was unyielding, though; confused as to why Touya didn't like him but still trying his bestest to get along with him. He would trail behind him, meekly asking him to play with him, to ask their father if he could play with them for a bit because he wanted to be like the other kids and play. "You should be grateful he's spending time with you," Touya snarked at him, not speaking the next words. Because he wouldn't do that with us; with me. Of course, Shouto was so pure-hearted he just replied him with, "But being with Touya-nii and the others is a lot better. You all get to play other than study."

But studying and being the best was the only thing that kept Touya driving; it would be his downfall, though. Enji found out what he did to himself, knew from his teachers about his wellbeing. Touya goes to school with deep eyebags. Touya gets sulky about his grades. He snaps at the other kids at school. He almost got into a fight with another classmate for trying to cheer him up with his grades. And the next thing, Touya will be dragged to the hallway and Enji would not hesitate to slap sense in his face, disappointment and anger in his face as he beat Touya up for bringing shame to the family, for acting all so childish over some silly grades.

This was his usual routine. His parents would fight. His siblings will help him up to his feet. Fuyumi-chan will take the first aid kit and tend to his bruises. Natsuo-kun will try to shield Shouto away from the scene even though the youngest was already crying his eyes out, not wanting to see him hurt so bad. Don't cry for me, Shouto. Don't be that way with me. I hate you. I hate you the most. Please, don't be like that.

Afterwards, he would play the good son card, would keep his bursting feelings in check, watch over everything he would say and play right in Enji's palm. He needed his approval again, even if the attention was all showered on Shouto. It was damn frustrating, suffocating him the more he watched Shouto endure the beatings as he treated the three of them like nothing. At that moment, Touya wanted nothing to do with Shouto. If he did, he might unleash all these intrusive thoughts.

Fate was a trickster, and Touya would always find Shouto pleading for help, especially to him of all people. "Touya-nii, save me! Please!" It kept repeating like a broken record, haunting him in his dreams. The wet streaks. The runny nose. His tight fisting on his shirt. The way he would hiss his name. The eyes that cried so many times. Touya will never give in; a lie he told so many times.

Touya did give in, and without much thought. Shouto brought back those feelings he wanted; how it felt so happy that someone needed so much from him. He liked it. He felt appreciated. He felt blessed. He felt so free Shouto had no idea how much Touya wanted this for so long. That's why Touya tutored Shouto in secret, teaching him a thing or two about business, about stock exchange, about the Todoroki family, about the Endeavor Corp.—heck, he even laid down the basics of algebra and science on him, ensuring Shouto would be able to comprehend everything at the age of 5 and 6. It wasn't the same as when Enji acknowledged him, but for Touya, this was enough.

Enji knew about it, of course, and he didn't mind... at first. After all, he thought Touya was just helping his brother learn, keeping his mouth shut as he let them be. This aggravated Touya, pushing him slightly to the edge.

"The least he could do was acknowledge me," Touya stated bitterly to his therapist, remembering how Enji praised Shouto's performance instead of telling him how good of an older brother he was.

"So you used Shouto's kindness, is that it?" the therapist clarified.

Touya nodded. "But sometimes, I pity him. I felt those things only an older brother would feel."

There was a palpable tension as Touya gripped his knees to even out his breathing. The memories were getting more vivid than ever he swore it happened yesterday? Or the other day? But he was a lot younger back then. He was 14 when it happened, and he felt his bruises and scars getting more painful, his skin shivering from a certain coldness. Maybe it was Enji's eyes on him. The same eye color he and Shouto shared. He didn't know. He didn't care.

"Sekoto Peak," he mumbled in a trance, flashes of memories where Shouto held his hand and gazed at the view below him.

"Touya-nii, this is where you go often? It's so cool here!"

"Sometimes, I sleep here under the stars."

"R-Really? Do you bring Fuyumi-nee and Natsu-nii here?"

"I haven't."

"Let's go here, the four of us."

"..."

"Please?"

"I'll see what I can do."

"I couldn't bring them all," Touya admitted, gripping his head to force himself to remember. The therapist recorded his responses through his notes as he muttered everything in a fast pace. "I tried to make a plan. I brought Shouto there a few times without anyone knowing. I asked Natsuo and Fuyumi for help. Before we could all go, Father found out. I couldn't speak. I couldn't fight. I was hit by the bokken. They were all crying. Mother tried to protect me but Father slapped her. I could feel his kick and punch in my gut."

"... did he—"

"No. NO. HE WASN'T DONE!" Touya gulped nervously, imagining the scars on his body burning. "They were hot on my skin. It burned my flesh. I couldn't move. I cried and cried and cried. I begged for him to stop. I want him to stop. The hot iron. Everything. I want the world to stop. I couldn't become the son he wanted. I couldn't be Shouto's big brother. I couldn't give them everything."

And when he ended the story, that was when Touya finally cried, sobbing as fuck. He couldn't care about the world or the pitiful gazes. The boy cried so much from bearing all the sins he didn't do.

------

Touya spent a few months in isolation, his thoughts circling around his childhood and all the painful memories. When he was alone, he would write them all down, narrating that one moment in his and Natsuo's shared bedroom where Shouto secretly snuck in and apologized over and over. He kept blaming himself for Touya's pain. Everything was his fault that Touya was hurt so bad, and Touya wanted to agree. It was true, though. He hurt when he was born. He hurt when he got all the glory. He hurt when he became Enji's pride.

He just went silent about it.

Why did he?

It was never Shouto's fault.

"Shouto," he whispered, his hand reaching out to ruffle his hair despite the searing pain in his arms. There was a weak smile gracing his lips, bruised and battered yet patched up clumsily by a crying Fuyumi. "As I thought, I couldn't be your good older brother. Not anymore."

(Touya never knew but after a few years following his rebellion, Shouto went to Sekoto Peak and stared at the same view Touya admired so much, slept under the stars when everything became too much, and wished the four of them could be there together.)

ps. I removed the last part and placed it on the next chap in case y'all confused bcos the post is too long to read

next chap

masterlist

[helga-grinduil]

can someone please explain to me how afo reveal 'absolves' nana and kotarou? i mean, nothing about nana's actions and etc changed with this reveal. literally zero. she still chose to keep ofa with herself instead of passing it on. she still sacrificed her own happiness for the sake of others and hurt her son by doing what was right. it only confirmed that what she did was for nothing.

afo didn't manipulate kotarou to hate heroes and didn't suggest being strict with tenko, he only encouraged him ALREADY being strict with tenko. and lord, okay, you can argue that kotarou's trauma was the result of afo hunting down and killing ofa holders (nana included) and their families, but we knew that since, like, forever. why did this become a deal breaker only now???

why are we taking afo's words about tomura having no agency literally? what is this, 2019???

[perilegs]

i know astrology is fake but i'm not too keen on how a lot of people on this website seem to be clowning on it as a hobby a bit too hard. i swear the woman who thinks it's neat how she and her friends with the same sun sign are all similar isn't trying to say that you are who you are born as and there is nothing you can do to change it. it's a hobby. an interest. what happened to finding meaning and joy in the small things. does it affect you if someone enjoys tarot reading or crystals. does it make you upset someone has interests that they enjoy.

[nightswatchdisbandmentera]

We as a fandom don’t talk enough about how Game of Thrones decided to combine Jon Snow and Young Griff into one character and how that was absolutely ridiculous on like 1000 different levels. Because how do you combine two characters who are FOILS to one another and then play it completely straight?! Then to make matters worse they gave Jon the boy’s stupid name?! Goddamnit I knew they didn’t get Jon as a character pretty early on, but why mesh his arc with the one guy you shouldn’t combine with? 😭

[mirpkechi]

CHAT GELP MEEEEE THE MF WHO SA'D ME FOR LIKE A YEAR CONTINUOUSLY FOR A FUCKING YEAR APPARENTLY WANTS TO BE FRIENDS AGAIN WIGH ME 😭🙏

[dairyfreenugget]

I could count the amount of original stories of mine that don't have horror elements on one hand and idk what that says about me

[bloomingbluebell]

can i say it now?

sage of time/time powers didn't make sense for totk zelda. at ALL.

when in botw, before the calamity, in aoc, did she EVER show an affinity for time powers? i get that it was like this sort of. hidden power kind of thing, but it still doesn't make much sense. not for zelda.

[exvaltiora]

exploitative hypercapitalist interpretations dont work for elias because hes not the ceo or even the boss of the company hes your asshole retail manager who sweettalked his way into getting a slight raise and now basically thinks he owns the place because he has a slight amount of power over you when he still has a boss he has to report to and will fire him if he fucks up

[quietwingsinthesky]

oh, yeah, another thing i noticed that was odd about s5 in comparison to earlier seasons was how much they relied on like. not the history of the doctor, exactly, but the image of that history. whether from little easter eggs of the first doctor’s picture popping up everywhere to i think the two(?) times in the season we get a montage of past doctors. and i honestly can’t remember anything like that happening earlier (with the exception of the time crash short, which felt more substantial to me and was also like. 7 straight minutes of david tennant being allowed to fangirl.)

and i say ‘the image’ because hell knows the RTD era was pulling from doctor who past left, right, and center, but it rarely felt like a moment of ‘look at this old thing, you remember old thing? old thing was cool and so are we for continuing it.’ and more like ‘here’s a species/character/etc from classic who. and here’s how they’ve changed and fit into the new world we’ve built for the show.’

I guess, the difference here for me is that. i haven’t watched classic who. s5 shows me a slideshow of doctors and to me, those are the guys i once ranked by how sexy i think they are. and not much else. i don’t have an emotional connection to an image. but take, say, school reunion? an episode that was my favorite even back when i was a kid specifically because i adored sarah jane? i had no idea who she was then, i only just figured out a little bit ago which doctor she traveled with, and exclusively all i’ve watched of her is that episode in s2 and the sarah jane adventures. and yet, that episode, without the context there for me, managed to make sense to me. i’m sure it was probably even more impactful to fans of sarah jane from classic who, but it didn’t lose its impact without that knowledge.

so, that’s a shift. i don’t want to say it’s a negative one, exactly, because maybe people who have seen classic who like these references and i’m missing something. but, to me, it feels a little more shallow.

[tsukasalover]

(credits to ssruis)

This song is the only thing keeping me going I do not play about mr showtime 😞 nothing ruined me (made my life better) the way this song did

(Sendn. Me songs to do this with in my ask box… sniffle…)

[musical-chick-13]

I did NOT spend five fucking years breaking my back and my brain getting a degree in this for people to say that musical theatre is corny and useless and inherently shameful.

[waywardsalt]

i made this a few months ago for a discord and i figured i might as well share it here too

[seasaltmemories]

The Oh Hellos’ music deserves to be appreciated so much more beyond just the soundtrack to your DND animatic please learn to appreciate art beyond a moodboard styled comfort fantasy