#((And they're all different in how they look and interact))

[until-another-one-comes]

More TNMN Headcanons

Sibling Editions

Sverchzt Twins

- Selenne is the more extroverted and outgoing one while Elenois is more introverted and quieter.

- Selenne is haughtier and prouder of her looks and her status but isn't too over the top vain despite what some people think. Definitely the type to say 'Oh, I know darling!' if you compliment her.

- The twins love hyping up other women and will make sure you feel good about yourself, especially Elenois.

- Elenois is better at cooking and other household chores while Selenne is more fashionable and better at handling their daily finances.

- Bicker all the time like siblings but always have each others back. Always try to make up for each other if they get into a serious argument.

- Said this before but they both have WILDLY different taste in men.

- Elenois has more problems adjusting to their jobs than Selenne. Gets tired more easily and feels frustrated over the strict beauty regime and standard she needs to follow. Selenne deals with it better but still have her days when the job gets to her. Elenois is more open about this and will vent to anyone who's willing to listen (Margarette, Robertsky) while Selenne keeps her thoughts on this to herself.

- As twins, the modelling agency they work for displays them as a unit but both sisters wish they get to model separately and be seen as individuals instead of just one and the same

Peachman Bros

- Alberstky is 3 years or so older than Robertsky.

- Growing up Robertsky gets teased a lot and Albertsky constantly defended him. Years later Albertsky still gets very protective over his younger brother.

- Their shoemaking business is actually something both brothers came up with by themselves. They're the only ones in the Peachman family who don't follow the family business.

- The Peachman family naturally has huge genes and almost everyone in the family is tall and big.

- Robertsky is pretty picky with his food and has a limited range of food that he likes to eat.

- They both have a sweet tooth.

- Growing up with Albertsky being defensive and constantly looking out after his brother, the Peachman brothers don't tease or bicker each other the way other siblings like the Sverchzt twins do.

- They love each other very much but aren't very good at communicating. If they get into a serious argument it takes a while for either of them to try and talk things out and it gets very awkward.

- Robertsky is friendlier than Albertsky who prefers to keep to himself but is also kind of mistrustful of people after growing up bullied. He's always worried if people are secretly making fun of him.

Peachman and Sverchzt Twins interactions

- Robertsky and Elenois have a crush on each other. Elenois thinks Robertsky is sweet and Robertsky likes how nice Elenois is.

- Still haven't confessed but shows their feelings in different ways.

- Elenois takes baking lesson from Nacha and makes baked goods for Robertsky even making sure whatever she makes fits his limited food palette.

- Robertsky listens to Elenois venting about her work and always try to make her feel better. One time after Elenois told him about how the new shoes she had to model made her feet hurt Robertsky made her a new pair of shoes that are more comfortable but still fashionable. Its one of Elenois's favorite pair.

- Robertsky finds Selenne intimidating because she doesn't see him being good enough for Elenois.

- Albertsky dislikes Selenne because he finds her arrogant while she doesn't like him because she finds him too gruff and off putting.

[profounddefendorcrusade-blog]

Clover's personality (in-depth)

This thing turned out way longer than intended. As promised, I wrote my opinions in regards to Clover's mbti; I also wanted to include the enneagram but figured it would be too much, so I'll do that separaretly. For those who wanna get straight to the point, just scroll to the end of the post for a pic of the functions I think Clover has. But if you want more details, read the whole thing. Probably not many people will wanna do that, but I had fun, lol. Please excuse me for nerding out

Analysis

Even before they got into the Underground, Clover thought to themselves "Ok, this is a dangerous mountain and I ain't coming back, I'm probably gonna die and therefore not live to see the rest of my life play out BUT I'm gonna follow my values anyway. They're worth the risk." To me, right off the bat, that's Fi over Ti (aka inner values and morals over inner facts and logic).

I've done some research on this stuff and found out how "Fi knows the value of something not by analyzing it but by feeling it deep inside themselves that it is how it should be" Ti has to be as objective as possible, Fi doesn't. So I sat down and thought about how exactly Clover approached situations.

I feel like their main reasoning for being in the Underground were their inner values and beliefs of finding out what happened to the children. That's why I'd say they're an introvert rather than an extrovert (it's not because they're quiet and reserved, although they are, but because Clover's inner world affects their outer world). Now, both Ti and Fi look inward, and those inner thoughts and feelings affect how they interact with the external world. The real question is: is Clover objective enough to be considered a dominant Ti user?

We can see in the Vengeance route that Clover is stubborn with their beliefs and refuses to look at things from a more... logical POV: "Asgore killed five humans. Is it fair to wipe out every other monster in my way who gives me even the slightest reason to do it?" Martlet was the only exception because she was the only one who had tried to be nice and understanding. Clover's dark side is that they're tunnel-visioned and see morality as black and white (don't look deeper as to WHY the monsters do what they do), and blindly follow their own beliefs over what objectively makes sense. Just like Ceroba, who I'm positive is a feeler (she only considers how she felt about Chujin and not how skilled of an engineer he actually was, even when there's clear proof he wasn't the best at his job). 

Objectively, it's not fair to kill so many monsters after only five humans were killed. If Clover wanted fair vengeance, they would have stopped after five monsters were killed. But no. According to Clover's own logic, everyone morally imperfect, everyone who's hurt them, who tried to hurt them, or messed up somehow, must die. So, Clover isn't thinking about what makes sense; they're thinking about what makes sense to THEM, and stubbornly hold onto that till the end (again, like Ceroba), even after Martlet's warnings. She says how the Royal Guard will be after them.

The logical (T) thing to do would be to STOP before things become even messier, but once again, no. Clover doesn't care about the consequences, only fulfilling their mission that is driven by their own set of values. No matter which route you choose, you will be presented with Clover's own version of what "justice" means. It's not the objective truth, it's not what's the logical thing to do; they follow their own framework based on their (our) choices.

"If unhealthy INFPs are dealing with threatened values or viewpoints that oppose their own, they can go the other way and imagine that others are all corrupt, thinking badly of them, and deluded. They may see themselves as the only people who see “the truth”, or the only people who really care to make a difference in the world. They can become especially harsh and critical of others and take on a martyr role, gradually secluding themselves from other people". - this feels like geno Clover; they thought they were the hero but they were playing the villain all along

Now that I think about it, the logical thing to do, the one that makes the most sense, would be never to have entered Mt. Ebott in the first place. And if vengeance was what Clover wanted to do, it is fair and makes objective sense to kill only five monsters (since that's how many humans died). But as explained, Clover didn't follow that logical conclusion, but rather their own twisted sense of justice. The same goes for neutral. It's Clover who chooses who gets to live and who gets to die based on their own beliefs and feelings, which are not backed up by facts. Everything they do they do because they themselves feel like it should be done. They are the one who decide who gets to live and who doesn't based on their own opinion/how severe they think the misdeed of the final boss is. This counts for the regular monsters who attack them, too; again, THEIR own subjective decision.

For example, they might see Dalv's actions as acceptable/forgiveable and spare him, but not Starlo's and kill him. Objectively, both characters are messy in their own way, but Clover gets to be the "judge" and decide their fate, not objectively looking at the situation, but subjectively. In short, according to them, Dalv may deserve to live, but not Starlo. 

And even if they're a dominant Ti user, which I don't think they are, Clover is more past and future-oriented than present-oriented (N over S). As mentioned, they thought about how much they'd risk by going down Mt. Ebott (potentially dying, and definitely never seeing the surface ever again, or their family) but they followed their heart's desires; to them, morals and ethics (their own morals and ethics) were more important than what the more logical thing to do was (stay on the surface where it's safe).

In other words, they could already "predict" what would happen in the future, while in the present moment (the beginning of the journey).

And right before sacrificing their soul in pacifist, they think about how their death would affect ALL the monsters in the future, whether they had directly met and befriended them or not, even though they wouldn't be there to see it.

Clover seems to be able to easily move between the past, present and future, unlike sensors, who are mainly in the present moment (this is what I've heard somewhere at some point and remembered it, dunno how true it is). They can easily recall the past, and what they remember are things that moved them on the inside.

I've heard some of my friends say that Clover's character arc was to become a kinder person (develop their Fe), which, honestly, I don't think is the case. They simply acted on their inner views of what justice truly means, without further analyzing whatever they believed justice to be.

In pacifist, they're naturally selfless and kind and forgiving: a bit of a prankster, but they're one of "the best souls" according to Martlet. Just look at the ACT options that they used to befriend monsters. Quietly listens to Decibat, offers Dalv a handshake (and friendship), easily forgives Martlet, Starlo, and even Ceroba (+ gives her a hug), endures so many hardships yet keeps their heart pure and selfless. 

They were always driven by something bigger than themselves (like Chujin, who I also think is a N user).

ISTPs are more adventurous and independent and flexible and focused on current problems in the present moment; Clover has been future-oriented from the start; they depended on Toriel to take care of them, and didn't try to immediately "adapt" to the monster world. Their 1st reaction was to stay safe and cozy. ESTJs (yeah, at some point I thought Clover could be one) are more "ruthless" in their pursuits, they "force" others to adopt their inner values. Clover doesn't do this in any route; they simply act upon their own beliefs, but aren't demanding that other monsters to have those same beliefs.

That's why I think they're an INFP.

Functions

Fi (dominant) – "If something goes against their moral code, they will not go through with it." It went against Clover’s moral code to spare monsters in genocide and abort the mission, so they didn’t, regardless of Martlet’s warnings.

"Fi dominants are inclined to speak up against beliefs or actions that go against their personal values or express disapproval of certain behaviors." I can't find the screenshot, but in the Mines, if you interact with the character who's in the same room as one of the puzzles, Clover will find out how that character pulled a prank on that guy who later got a promotion in the pacifist end credits (I need to reply the game to find the screenshot). But basically Clover was upset that their own morals weren't met and gave them a "disapproving look" or smth

"Ti dominants most often feel compelled to speak out when people are acting inconsistent (ie: contradicting themselves) or when people are being illogical from the Ti user’s perspective." I think Clover reacted to the above situation as a Fi user

"Unlike Fe users, Fi users are very blunt and direct. Fi and Te creates a person who is brutally honest about their opinions and feelings. If they don’t like a person, they will let that person know." Not a person in this case, but an example of this are the options we get for Martlet's questionnaire. Clover will have no problem honestly giving her the lowest scores for both questions; we also also get the chance to honestly tell Ceroba that we're not into Starlo's training. There are these cases where they're direct as well:

...and blunt:

they would have given at least a smile or a thumbs up, but no, their honest opinion is their honest opinion

"They appear cold and withdrawn, but tend to warm up as they get to know a person."

Ne (auxiliary) – "Ne views a situation from multiple angles and motivations" I feel like this is best seen in pacifist; this is exactly why Clover decided to give up their soul in the end; they saw all the motivations of the monsters, from many different angles. On the flip side, in the vengeance route, it’s the complete opposite situation: Clover only looks at things from their own pov, completely disregarding others. That’s the thing about the INFP dark side: INFPs become "disillusioned or stuck in their ways." This 100% describes Clover at their worst: stuck in their ways is already explained, while we can say they were disillusioned when even Martlet turned against them/gave up on them (in Genocide). That was enough of a reason for Clover not to feel bad about finishing her off. They never liked her, but they definitely liked her more than anyone else, so I’d say it counts.

"Creative, open-minded, and able to think outside the box" We can say Clover’s creative when they build Axis’ robot companion, solved the two puzzles in the Mines, they’re also most likely into role-playing just like Starlo, based on their clothes (and they seemed into the whole larping thing with him), and how they seem to be into drawing; open-minded, definitely (Clover with everyone; the pacifist route in a nutshell); able to think outside the box (this goes hand in hand with them being creative: I forgot to mention the many creative ways they found to befriend monsters)

"Ne lives in the present like Se does but makes connections to past and future." Imo, this is exactly what Clover does (their sacrifice in the future, and all the things other monsters had said to them in the past; however, they DO interact with the present world at the same time. This is what I meant when I mentioned how they "jump from and connect all 3")

Si (tertiary) – "happy in their comfort zone" Is this Clover? Yeah. Initially, this was their "default" reaction/behavior: with Toriel. They subconsciously became more independent thanks to good old Flowey. As I said, their values led them to take the risk and come into the Underground in the first place, not adventure/excitement (the way I see it). Were they also seeking the truth? Yeah again, they wanted to know the truth behind the whole situation, but I think it had more to do with how they had found the fact that no other humans bothered to look for the kids immoral.

"Si users may draw on their past experiences to guide their present actions and decisions" Example, how the detailed lines they remembered everyone said in true pacifist, influenced them to make the decision to die in the present moment. Or when they asked Ceroba if she would date Starlo, after hearing and remembering Crestina mention his crush on her beforehand, wanting to set them up.

"Si users have a strong memory for past experiences and details" Yep, explained above. Also, dunno if this counts as noticing details, but we can make them beat the Shufflers’ game with ease.

"Si users are typically practical and realistic in their approach to solving problems" The Snowdin mini-quests come to mind (although they use past information here too to figure out what each character needs to be helped). Also, how they fixed the elevator by using a pickaxe (most practical & realistic choice). They’re also pretty rational while dealing with Guardener, and in general, while dealing with enemies.

Te (inferior) – I guess this is why I suspected they could be an ESTJ.

"seen as leaders" By everyone.

"Come up with ideas quickly" Pretty much throughout the game. They’re more low-key about this than ESTJs though.

"Ruthlss and domineering" This is them in vengeance route

"Extraverted Thinkers recognize the emotional content, but then they set it aside to focus on the facts" I feel like this inferior function of theirs is mostly seen in flawed pacifist. They recognized Ceroba’s emotional situation, but chose to be fair and just instead.

"Te users are logical" Recognizing the dangers of the Underground and deciding to stay with Toriel. We can also say it makes sense that Clover attacked those who attacked them first, and finished Ceroba off (Te is what is objective, but from the external world)

"Though they are generally free spirits, they like to have a certain order in their lives. They do enjoy structure, just as long as it does not intrude with their feelings/morals/ethics/etc. They like to be the ones to create the structure, not to have the structure to be created for them."  Vengeance route and Clover’s "mission" come to mind. Basically, the structure is that, whoever Clover sees as morally flawed, gets to die. And they stick to it

tl;dr this picture pretty much explains the way I see Clover's functions in a nutshell ↓

[satancopilotsmytardis]

I think there is something to he said about Dabi building a life for himself before meeting up with Shigaraki again in Intox.

He makes sure that he isn't dependant on the other, he makes sure that people would come looking for him if he went missing, he makes sure that people have his back. He makes sure that the power imbalance is as small as possible.

He spends an entire year making sure he has his own life, making sure Shigaraki won't get impatient and come after him.

I really like how you write these dynamics, especially when the universe is closer to canon. (The same goes for your abo fics, which is probably why Haven is one of my fav fics).

Since we read from Dabi's perspective, all the mistrust he holds against the world seems natural, for him at least. He grew up in a world where almost everybody could be a threat to him, either killing him or worse.

And as much as Shigaraki grew up in a world where many people would love to kill him too, he doesn't quite understand what Dabi is going through. It isn't second nature to think of the same threats that Dabi had to think of in these universes. And it shows in their interactions.

Shigaraki is being polite, he is giving Dabi an option for an out, he is trying to make sure Dabi feels safe. And I love how affected he is when he realizes just how paranoid Dabi is, how paranoid he needs to be to survive. He will always keep in mind that Dabi thinks him capable of the worst.

They're both fucked up by how their world works in such different ways but I love that for them. I love even more that they make it work, no matter what. Shigaraki will support Dabi, but he will also give him space. He will make sure Dabi knows he isn't trying to bind him to himself. Dabi will give Shigaraki his trust. Both of them give the other loyalty and love.

Barely anyone else would dare talk to Shigaraki the way Dabi does. Nobody else looks at Dabi like Shigaraki does. They make for quite the pair.

(also, on a completely different note: I love Compress here. "Oh noooo, looks like I can't keep as close of an eye. *Wink wink*". I love this man. He knows Shigaraki isn't happy having to meet those three and would always be happy to see Dabi, so he'll take oit two birds with one stone, lol. And Magne and Twice as bouncers are nice, too)

Okay, be honest with me, did you steal any of my internal organs while you were rooting around in my chest? Because god damn did this comment throw me on an operating table and open me up from chest to pelvis!

I don't even know what to say except you GOT IT anon, you took everything I had, and you read it for absolute filth. The way they've experienced the world, how that impacted their first meeting, how they grew from that point and why it was important to the rest of the story, you really grabbed the themes I was working with and strangled them lovingly

And Compress is the MVP of this story (though he's fighting viciously for it with Spinner)

Thank you so much for commenting!!!

[amorisastrum]

What if the Knox and Chris sub-plot had meaning?

WAIT NO GUYS IM SORRY PLEASE HEAR ME OUT I BEG PLE-

Okay I'm starting this post off by restating my downright hatred for Knox. I do not like his character, what he did was wrong, it's creepy and fucking disgusting. I will however like to talk about how his relationship with Chris could have potentially added to the story.

We all know (at least I hope) that practically everything in this film has meaning. I had spent ages wondering why they thought it was a good idea to include this frankly ridiculous sub plot to the story. And then I thought about it. Like really thought about it. I don't exactly remember what I was doing when I thought about it, but I do know that I had DPS playing in the background. (I initially thought about this on April 7th. It is May 29th when I am typing this up.)

So, here are all my reasons as to why I think they added the Knox and Chris sub-plot!

My first point is about this scene:

I believe that this line could be a form of foreshadowing. Yes, it is Knox being a dramatic and insufferable prick but it also feels like it could be more. Obviously it isn't Knox who dies in the end, but the idea of not being able to have something leading to suicide feels very important to the story.

Neil is unable to achieve a career in acting because of his father. As well as this, he is being taken away from his family. His real family. By not being able to have this thing that he so desperately wants, he feels like there is no other solution than death.

Knox says that if he can't have Chris he will kill himself, Neil has practically everything he loves stripped away from him- he cannot have it. So... He kills himself. There is a lot of foreshadowing in this film that hints to Neil's death at the end of the film and I do truly believe that this is a part of that foreshadowing.

My next point is that it is used as a form of contrast.

We see that Knox is extremely open about his attraction to Chris... In a multitude of ways, repeatedly throughout the film. Whether his actions that show his attraction are good or not is a different matter (Knox... God how I hate you.)

Arguably this is used as a juxtaposition. Knox (and Chris?) are relatively open about their attraction to one another- while Neil and Todd are very closed off about it. It is never explicitly stated that Neil and Todd like each other in that way, but through subtext it is heavily implied.

Why might this be? Well, considering the film is set in 1959, it could be because homosexuality simply wasn't legal at this point in time. Neil and Todd weren't allowed to be open about liking each other. Being open about it could put them in danger, they had no choice but to stay quiet.

However, as well as a contrast, it poses similarities between Knox and Chris and Neil and Todd. By setting up this contrast, it only brings to the surface some quite significant similarities.

Because let's be real.

How can THIS be a look of true love...

And THIS not be?

Or falling in love or admiring one's beauty or WHATEVER you want to call it. That's not the point. The point is, they're not that different.

You can see similarities between Knox's behaviour towards Chris and Todd's behaviour towards Neil (and vice versa). One of the main similarities is, well, how they look at one another. I personally don't see how the way Knox and Chris look at each other is true love but the way Todd and Neil look at one another is just... Them being roommates.

The juxtaposition between the two sets of people (I didn't know how else to say this) just doesn't seem accidental. The constant mention of Knox's feelings and love towards Chris just makes the way Neil and Todd interact more obviously... Romantic? Loving?

Their love is stated to allow the audience to see how similar they are to Todd and Neil, while still sticking to one of the key concepts of the film - conformity. Neil and Todd having to conform to societal standards, not being able to share their love for one another.

Knox's feelings for Chris are explicitly stated, repeatedly, because Todd's and Neil's can't. It makes it more noticeable. Neil and Todd's feelings can't really be stated due to the law. So they do it with Knox instead. The similarities can be seen throughout the film in how Knox treats Chris and how Neil and Todd treat one another.

Because again, how can Knox look at Chris like that and that show that he is in love, but Neil look at Todd like that and that just be... Them being friends?

The answer is, it can't. Not really.

Although Knox is a lot more explicit with his feelings towards Chris than the other two are with one another, the feelings they have are the same. Whether it is portrayed in the same way or not, it's love.

[yanderedollhouse]

How possesive are all 3 yans when they're in public with Darling? How far are they willing to go in public and in private?

Ooh good question!

Raphael likes to be in public! He feels a lot of comfort in distractions and enjoys people-watching. In public with you, however, he turns into a completely different person. He's a very clingy guy, so you always have to be holding his hand or at least let him wrap his arm around your shoulders. He's actually a pretty good artist too, so I could imagine you and him camping out in an outdoor cafe area for hours drawing the other patrons and making up stories about them.

In regard to PDA, this man is literally such a prude. You could get away with a kiss on the cheek and hand holding, maybe, but he will be absolutely scandalized if you try to go any further. The only exception would be if he hadn't seen you in a while. If you're reuniting after a day or so apart, he might just get tunnel vision and kiss you after pulling you into a rib-crushing twirling hug.

Cordyline hates the public. How dare they exist where she is trying to go? She is all about getting what she needs and leaving immediately. If Raphael is the guy who draws people in public, Cordy always feels like she's the one being drawn. She always gets paranoid that everyone is looking at her and wants to leave. Taking her out on a date is like pulling teeth, but once she is out with you, she'll relax just a tiny bit.

Cordy can get pretty possessive, but she's definitely not one to force anything on you in public. If she thinks someone else is flirting with you, she'll just get really quiet and come 'save you' from them by dragging you away or faking a headache so you two have to leave. You should really be grateful to her, after all, she could have used the taser.

Andreas is perfectly comfortable in public. He is rarely seen in neutral territory, so he has no reason to feel threatened anywhere he goes. After he 'takes you in' like a stray kitten, he'll wait a few weeks before letting you go back out in public, just to make sure you aren't going to try anything stupid. If you're good, he'll reward you with a trip to your favorite shop or restaurant. Money is nothing to him, so he'll buy you as many books or treats that you want. You should absolutely take advantage of his 'generosity' because who knows when he'll let you out next.

Andreas is incredibly possessive of you in public, moreso than in private really. He will do all the talking and ordering for you, after all, he knows what you need better than you do. If an unsuspecting human decides to speak to you, he'll immediately intervene and end the interaction then and there. You know he's perfectly capable of ruining that person's life, so you kind of have to go along with it. When it comes to PDA absolutely nothing is off limits to this man. He's a bit of a slut, so choose your words and actions carefully if you don't want him to drag you to the men's bathroom for a little 'fun.'

[quitealotofsodapop]

Of course! Luzhen has to be there to see everything! He doesn't get tto go into town much at all so everything is new and different! And he is very much an Explorer like his bug brother mama. Wukong kinda has to keep him up there or he'll bounce off and they'll never find him again!

The twins are, once again, tbe bane of my existence. This time the colors were what I struggled with most. They simply did not want to color. They're mischievous, but less so than normal. Rumble don't feel too food with all the noise even through the headphones so Savage jsut wants to stick close to their sibling and they both stay close to Mom, but they still throws bao at their big brother's head. Just to be stinkers.

Yuebei is very much staying close to Mama, but she's happy to meet Dinosaur Girl. Her hanfu is intentionally big because I imagine she's going through the first of many growth spurts, so she needs the room. Yuebei is the most excited about the parade because she likes fireworks like Mama does, but keeps trying to eat things she shouldn't.

Wukong is my pride and joy in that Pic. I tried very, very hard to make him look human but not too human while also not obviously being a monkey. Maybe they think he's a cat, idk, they jsut know that ain't a human. He's super tired with all the cubs but still very much a stern and loving mom, it's the experience with all the babysitting he does for his subjects. He is the first to drop his glamour and the only one to do so on purpose, dropping it pretty much as soon as Spider Queen's hive bots try to target one of his cubs to get them away. He meets up with MK somewhere in the middle and hands the babies over before going to do the monkey king thing. MK shortly hands them over to Sandy in turn to follow after but has to flee because gross spiders and his mom getting caught. I like to think thay while the interaction goes similar to how he got caught the first time, the actual capture happened because Wukong pushed MK out of the way and ordered him to run as soon as he realized LBD was there

referencing.

Luzhen is one misadventure away from Wukong making him a leash baby. He's so much like his big brother/adoptive mom that it worries Wukong sometimes. He just glad that his mini-me doesn't care for peaches XD

Rumble & Savage are so chaotic, they cause issues outside the forth wall. They def make a point of tossing bao buns at MK's head when he isn't looking - though he might just catch it mid-air with his teeth, he's had practice around these two. They likely try to avoid too much of the parade, but they still appreciate the visuals of the fireworks.

Oh gosh Yuebei hitting a (one of many to come) growth spurt and Wukong trying his best to find her nice day clothes that she hasn't outgrown. Yuebei hides behind her mama shyly before Mei says Hi, and suddenly the baby girl is excitedly pointing at Mei.

Mei: "Aww! Is she curious about me?" Wukong, sighs knowing whats coming: "Yes. She's fascinated with your skin." Mei: "No problem - these are my scale patches. I'm a d-" Yuebei, overjoyed: "Dinosaur!" Mei: "...Yep! I'm a dinosaur!" Yuebei: (*delighted giggling and bouncing in place!*) Wukong, whispering: "Sorry, she's in a big dinosaur phase." Mei: "Oh don't worry! I was a horse girl growing up! Gotta encourage her!"

Wukong is beautiful in the art. He's so soft and strong looking. I can imagine he steals MK away to see the parade for a bit (and ask him how well his experiences in the city are going), only to get blindsided by the Spider Gang's attack. A spider-bot scares the babies and immediately it's Monkey King-mode.

MK just gets handed his little siblings when it becomes obvious that MK is terrified of the arachnid enemies. Wukong knows MK isn't ready to take these guys on and doesn't want his eldest to lock up under pressure, so he tells him to take his siblings and get out of there. The twins argue that they want to stay and fight but protective mama Wukong ain't having it. MK runs to the Noodle Gang since Sandy is almost guaranteed to have a vehicle that can get them out of there (or barring that the HQ in the bowel of his ship).

And ofc as the pressure/severity of the situation increases, MK's own glamour falls apart - leaving a panicking monkey demon in the human's place.

Tang, triumphantly: "HAH! Told you! Monkey demon!" Pigsy: (*grumbling*) MK: "Huh?" Pigsy: "We sorta had this running theory that you weren't 100% human, kid." MK: "Since when?" Pigsy: "Since before you picked up the staff. I thought you were like, a human raised by demons or something." Sandy: "I personally thought you might have been part cat demon." MK: "...did anyone think I was just human??" Red Son: "I did." MK: "GAAHH! How'd you get on the ship!?"

Just a full chaotic New Years

[nerdalmighty]

BG3 Tag Game!

I was tagged by @khywren!!! Thank you!!!!!!

I'm going to tag @vanilkaplays @okthisway @maladaptive-menace @riddlerosehearts @starkspi and anyone else who wants to play along!

Favorite romance: It will surprise no one to know that it's Astarion. I find his backstory so incredibly interesting and I love his dumbass personality. At the end of the day, he just wants to do whatever is the most hilarious and I adore that. I especially love how soft he gets when you get together in Act 2. I could go on and on but I'll never be able to fully articulate my love for him.

Favorite class to play: Bard! I love that they're really the jack of all trades and are pretty good at everything, including spells and sword fighting. Persuasion and deception are SO helpful in this game, plus playing music to distract crowds and cause shenanigans in Baldur's Gate is wonderful.

Favorite NPC: I think Raphael. While yeah he absolutely SUCKS, I'm obsessed with his obsession with his own voice. He's a thespian, he's a freak, he's an idiot. I love it. But yes, I did kill his ass.

Favorite song off the soundtrack: Probably the Harpy Song. I listen to it a lot in my spare time, especially when I'm working on a specific fic I'm attempting to write. I'm a big fan of haunting melodies and, unsurprisingly, the concept of hypnotizing music.

Tell us a little about your Tav: I wrote a pretty long post about her here, but my Tav is named Birdie and she's a bard who was born and raised at the Water Queen's House. Previous iterations of her had her as a siren (hence the deep love of the Harpy Song), but I'm still not 100% sure if this version of her is. Basically, she's a mermaid ass goof whose main gang of idiots include Astarion, Gale, and Shadowheart. Chaos often ensues.

Something you wish was in the game: I know this game is huge. I know there's probably stuff people haven't even discovered yet. But god would I love some more camp animations. More interactions between the companions AT camp. Cut scenes where there should probably be cut scenes (The second time Astarion drinks your blood, Wyll celebrating the defeat of Ansur, etc). I really really love this game, but I'd love to hang out with my friends EVEN MORE.

Do you create fanworks? Share something with us: Oh boy I'm TRYING. I've never really written fanfiction before but the stupid vampire has inspired me to do so. I'm in the process of writing two different fics (one multi-chapter, one one-shot on the longer side) and am having a blast but I'm not sure if/when I'll post them. I've noticed my writing style is very similar to the way I write scripts, which is what I went to college for, so they're full of dialogue and quick, dumb banter. It might not be for everyone, but I'm having The Most Fun! Let me know if you'd maybe want to see more? Here's a silly excerpt from the one-shot (she may or may not get smutty later on 👀):

There was no sign of the vampire, save for an open hatch beneath the stone of the tower leading into what you presumed was a cellar of sorts. Off to the side was a discarded set of Thieves’ Tools. Yup, that’ll be him.

Rolling your eyes affectionately, you began to descend into the basement below. 

Before you could even make it to the bottom, however, you heard Astarion’s voice tinged with annoyance. “Don’t bother, darling. I was just coming back up.”

You paused on the ladder and looked down at him. “That bad?”

“Eh, a few coins, some food. Nothing worth risking one’s life over. Foolish gnome.”

“Shame,” you pouted down at him, not an ounce of real sympathy behind the word.

He smirked as he met your eye. “Go,” he said, indicating you should climb back up the ladder. “There was a rather large amount of smoke powder though. That could be fun.”

When you emerged back into the early evening air, you turned to help Astarion out. “Maybe you can blow up a quaint little gnomish village.”

Astarion’s eyes glittered with delight. “Oh, do you think there’s one around here? That would be- Oh. You’re joking.”

You nodded.

“Gods, you’re no fun.” He sighed dramatically and then started back towards the Blighted Village proper. 

You scoffed in mock offense. “I’m a lot of fun!”

Astarion tsked. “If you have to say you’re a lot of fun, odds are, you’re lying to yourself.” He shot a challenging half smile at you from over his shoulder.

“How dare you,” you laughed.

“Such a pity, too,” he went on. “Aren’t bards supposed to be entertaining?”

You made a sound of agony, which had Astarion fully turning back to look at you. You threw a hand to your heart and staggered towards him. “You wound me, Astarion. Look upon me with pity and remember me fondly!” You set an arm on his shoulder and let your body weight go, as if collapsing from a killing blow. 

Astarion was quick to catch you under your arms. He made a show of groaning about how heavy you were now that your body had gone completely limp. After you’d hung loosely from his grip for a few seconds, he finally yielded. “Alright, enough.” 

You resumed control of your body and stood up straight, a smug look on your face. “I’m fun.”

“Dramatic.”

“Theatrical.”

“Annoying.”

“Endearing.”

“Loud.”

“Enthusiastic-”

Just then, a loud howl came from a barn a little ways off. 

You and Astarion eyed each other.

“Was that you?” Astarion asked.

“‘Was that me?!’ I’m not THAT loud.”

“Could have fooled me.”

You rolled your eyes. “Come on.” You started in a light jog towards the barn.

Astarion groaned. “You can’t be serious.” He caught up with you easily. “Haven’t we done enough heroing for today?”

You looked at him thoughtfully. “One more act of heroism probably won’t kill you.”

“It might!”

“Oh, now who’s being dramatic?” You came to a stop at the double doors.

“I-” Astarion floundered, then pursed his lips and crossed his arms.

“That’s what I thought.”

[gamebunny-advance]

Random Question Time

(If you get to this poll from someone else, check the OP tags for a little more context.)

[nonuggetshere]

I'm gonna continue with the requests later, but I also felt the need to doodle my two PVs with a little bit of gender on the side

They're both still very much genderless, but because not every non-binary/agender person will have the same perception/feelings regarding their gender and won't have the same gender presentation, I decided to mess around with it a little

Hallow is genderfluidv(though after some consideration I realised agenderflux describes them more accurately, but oh well, these labels don't even exist in their story so who cares), they're non-binary but their alignment fluctuates between fem-leaning, masc-leaning, something in-between and neither. They're fine with any terms and pronouns but mostly go by they/them.

Luna is genderfae/transfem, their gender fluctuates between agender and fem-aligned non-binary. They mostly go by they/them and gender-neutral and feminine terms, they're fine with she/her and some neopronouns, but any masculine terms and pronouns are a big no-no for them. Currently, I'm considering making them an enby lesbian, but that might change in the future.

[likes-words-and-shrimp]

Tales of Symphonia is a love story.

[risingsunresistance]

i think more worldbuilding should include more numbering systems. like obviously when creating a fake world or language our first thought is to take the basic 0-9 and make a representation of those, but does it actually make sense for your people here to be using base 10? what about base 2, base 16, other systems we use and systems we dont commonly use? what would make the most sense in the context?

[lucalicatteart]

Poll adventure (paventure? lol) Day 16: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

Yesterday's poll decided that The Adventurer should offer to help the travelers with their broken wagon.....

~

After much internal deliberation (and some zoning out staring at butterflies), The Adventurer decides it would be best to offer his assistance. Technically, he IS still following his goal of not getting distracted, because theoretically it would make his journey much faster if he were able to catch a ride on a carriage. So really, this is all an ultimate big brain genius strategy for maximizing efficient travel.. Or, at least that sounds like a good enough justification to him.

Gathering up all of his social courage, he approaches one of the travelers fiddling with a broken wheel near the far end of the carriage and meekly asks if there's anything he could do to help.

The man was so focused on his task, he seems initially startled to look up and find someone near him. "OH..! Oh, uhh.. help? With the wagon?", he smiles pleasantly, gesturing towards a few wooden boards that are just out of his reach, "Sure, kid. If you could just hand me th-"

"Apologies, but we actually won't be needing your assistance, stranger." A taller man, surprisingly almost matching the stature of the Adventurer, suddenly slinks out from somewhere behind the carriage, sternly placing himself like a barrier in front of the man working on the wheel. Wheel Guy nervously averts his eyes, making himself smaller, silently resuming his work.

The Adventurer tries his best to maintain composure against the weight of the tall man's bitter gaze, but can't seem to muster much of a response "Aeughh,,, uh… b-but, h- Bu--HHHh,,?.."

"Look, disregard whatever my father told you, he's old, never has any clue what he's talking about. It'd be best for you to simply move along." ('Father'? They don't look alike at all, and seem to be nearly the same age..)

"W-well.. he.. he didn't really tell me anything, I me-hhH,,.. I mean, I literally just got here, s-so...."

"Good. Even more reason to be on your way."

Placing a gloved hand firmly on his shoulder, the tall man begins to motion the Adventurer away from the wagon, but a strange noise interrupts, echoing from inside. Perhaps some sort of animal sound? Or a person faintly yelling about something? Or… both?

"WH-wHggg… whAT was t-that???!!" The Adventurer immediately stops in place, pausing to listen as the tall man keeps trying to push him ahead.

"I didn't hear anything, stranger."

"No, t-there.. was dEFinitely, UHH, a-"

"Likely something in the forest."

"Wh--aah... d.. do you think it was an animal?"

The tall man continues a dramatic struggle to 'subtly' drag him further down the road, whilst the Adventurer mindlessly digs in his heels, too distracted to even notice he's being so strongly prompted to leave.

"Many animals do, indeed, exist within forests. This should not be suprising."

"...It's just.. ..eughh… s… so weird…"

"I assure you, it is not."

"I-it really sounded like.. like it came f-from insid-"

"Yes, from inside the forest. Now, please, if you would.."

The noise interrupts again. It's definitely someone, or something, in some sort of distress.. And definitely from inside of the cart.

"wHoAAGH, aa!!! T-tHat's NOT from the f-forest, that-"

The tall man fully just shoves him now, sending the Adventurer toppling across the dirt, clumsily rolling and landing just past the other side of the carriage. A mother and young child who seem to be part of the traveling group simply stare down at him with empty blank gazes, wholly unconcerned about helping him up.

As the Adventurer fumbles back to his feet (still confused as to why he was even pushed in the first place), the tall man looms by the carriage, diligently watching to ensure that he leaves.

"Travel safe, stranger."

Despite his initial obliviousness, the Adventurer begins to piece the situation together as he stares back at the man, now fully convinced something suspicious might be going on...

…What should he do next??

~

~

~

Additional Information

the adventurer's current main quest: follow his map to reach the abandoned castle ruins and see the rare animal specialist about the mysterious egg he has

[purplelea]

I see people getting enthusiastic about the player polycule but will they still be there when I'll start talking about JoshBeat, BeatShiki and Joshiki? not so sure. a shame since those three ships are extremely interesting as well

[bittersweetresilience]

aspec characters on my character list: 73/96 arospec characters on my character list: 46/96 aroaspec characters on my character list if i wasn't repressed about it: 96/96

[antihibikase-archive]

The emergence of many qprs in Blur/Blight. Calem and Cheren. Shauntal and Giima. Burgh and Emmet. Nate and Hugh. Fennel and Juniper.

[eldrichthingy]

I'm so unwell about Dark Urge and Astarion walking around covered in blood. In my head they're holding hands while doing so btw