#(accurate analysis)

[smellypire]

The Real Reason why Aya Stole Bram..

So, we all know that in the start of the vampire infection arc, Aya steals Bram after witnessing what Fukuchi did to Jouno, in attempt to save the world and to prove the agency's innocent as not terroists.

But what if I told you, she did it because Ango and her were in cohoots?

I know this does not make any sense but hear me out..

In this panel, Dazai tells Sigma how he and Ango were in communication despite him being imprisoned in meursault. So what if Aya can also manipulate her heartbeat/knows morse code in some shape or way and was secretly a government agent all along?

What if Chuuya choked Ango bc he knew that Aya was working along side with them all along?

What if Ango got Bram to listen to music as a hoax? To lure them into thinking they were friendly, all apart of Ango's plan and ideas.

All along Ango and Aya worked together all along. It would make sense considering Aya's martial art skills and her strong sense of justice.

"But Asher! Aya didn't know about the military's plans!"

No that's where you're wrong. It's obvious here how Aya's dad was part of the military force. The dad and Ango also have black hair.

So wouldn't her dad also known they were framed? What if her dad got her to be a government spy? What if Ango is related to her dad? what if Ango is secretly her uncle and got her to be in the government all along?..

And what if since, the arahabaki project is connected to the military. What if Aya knows everything about it?

What if Aya knew of Fukuchi's plans all along and perhaps even played along with it? What if Aya being the governmet secret spy was to gather all the information she knew, letting everything happened, but unlike Ango, not making it well known how she is helping..

What if everything we knew of BSD itself is a fang-tsy?

Aya and Ango both want to help the ADAand are connected to them but.. What if they are RELATED?!

what if aya will never give you up, let you down, or dessert you?

[castielsprostate]

the way wade went out there to save the nine people that made up his world, dropped everything and just went, on his birthday! the one day it's supposed to be about you, and he went out to save the timeline with little complaint. he cares so much, and so deeply. he was willing to give up his whole existence for 10 people including a man, thee worst wolverine, he met A DAY AGO!!!!!!!!! he carved out a tenth slot in his world, his timeline, his universe, the moment that logan pushed the gun against his own head!

[the-cat-and-the-birdie]

ATSV Fun Fact!! - Mumbattan Cultural Details

Gayatri & Inspector Singh follow the Sikh Religion

Have you ever heard of Punjabi Sikhs?

If you don't know - Sikhism is a religion that originates in northern India, specifically Punjab.

The turban Gayatri's father wears - along with his last name 'Singh' implies that her father is most likely a Punjabi Sikh.

I notice this the first time watching ATSV and was like 'wow that's so cool :)'

It only hit me today that 'Oh wait I don't think a lot of people know about this very-specific, rarely-mentioned religion maybe i should say something,'

And because I LOVE yelling about world culture, LET'S GO!!!

[a SHORT essay where I explain the basics of Sikhism, a religion built on equality and justice. And details in The Singhs design, and exactly why Sikh Representation matters]

So What's Sikhism about?

Often mistaken for Muslims - Sikhs are actually a non-Abrahamic religion, with 20 million followers worldwide.

But even with so many visible practicing members, most people know very very little about this beautiful religion!

Sikhs believe in equality and unity - and defending the oppressed. Their book of faith, The Guru Granth Sahib Ji, is called 'Guru' for a reason - Sikhs see the book as not just a code of conduct, but as a living, breathing teacher for every practicioner;

From Wikipedia on Guru Granth Sahib: Sikhs since then [1708] have accepted the Guru Granth Sahib, the sacred scripture, as their eternal-living guru, as the embodiment of the ten Sikh Gurus, the highest religious and spiritual guide for Sikhs. It plays a central role in guiding the Sikh's way of life.

The Guru Granth Sahib is the spiritual leader of Sikhism, and it's treated as such.

That's why in Gurdwaras - their place of worship - it's treated as such, being clothed and held in ornate structure, constantly fanned throughout it's readings (the fan you can see in the left picture).

They believe that by following the Guru Granth Sahib Ji, they can cultivate compassion, peace, and harmony in their communities, while diminishing 'Mara' - concepts like hatred or violence.

Sikhs believe that every Sikh should revere themselves as champions of unity. And because of this many Sikhs have the same last name -

Kaur for women (Meaning Princess) and Singh for men (Meaning Lion).

Having the same last name also does away with the Indian caste system, making it another point of equality.

In ATSV Gayatri last name is Singh. However from my understanding, her name would most likely be Gayatri Kaur in reality.

I think they kept her last name as Singh as a deliberate choice to keep her initials as GS, like Gwen Stacy.

So is Gayatri Sikh?

Maybe - most likely.

But we can't be sure. Mainly because of her hair.

Gayatri has a short bob haircut, and while that might not seem like it matters, it does!

In Sikhism there are the '5K's - different aspects Sikhs wear to show their faith.

Notice the first one?

'Kesh' is the practice of leaving ones hair completely uncut. That's why you may see a lot of Sikh men with long, long beards!

And hence, the large turbans.

It's done as respect for God's creation - leaving it unaltered.

[Fun Fact! - Rastafarians, a Jamaican religion, also don't cut their hair for this reason. Think Bob Marley. Rastas call God - Jah]

So, Gayatri having short hair means she doesn't keep Kesh.

However, Sikh is a super accepting and open religion, and it's main focus is on acceptance of difference, not conformity - so she could entirely follow the faith without doing all of any of the 5Ks.

Also, if you're curious about the steel sword K - Kirpan, yes that's a thing!

Sikhs of all genders are encouraged to carry a small ceremonial blade with them.

Instead it's a symbol of the commitment to fighting for what's right - and defending those who cannot defend themselves.

A Kirpan can ONLY be used to defend the life of yourself or others, which is incredibly rare.

Why is this all so rad, cool, and important?

If you haven't noticed by now, Sikhism is a religion driven by justice. Not just in theory, but in really life as well.

That's why you may see many Sikh police officers and politicians, even here in the West. Most of them wearing the emblem on their turbans.

In fact, Canada has SO MANY Sikh politicians, that in 2019 they elected 18 of them.

For centuries Sikhs have been dedicated to justice, and developing systems of support, whether that be political involvement or feeding those in need.

The biggest Gurdwara (a place of Sikh worship) The Golden Temple feeds over 100,000 people A DAY.

For FREE.

It's a practice called Langar. A communal meal anyone can enjoy. And of course, Langar food is vegetarian.

Making Inspector Singh a Sikh - and showing him saving people and being warm to his daughter on screen is great representation for a community so often overlooked! Despite the fact they are over 20 million practicing Sikhs.

It's a great detail for Indian and Punjabi representation in specific. It accurate shows their beliefs and commitment towards helping others, no matter the cost.

And from what we can tell, this choice came later in development. We know this because ALL of his concept art shows him with a turban, not keeping Kesh.

It seems like someone later on down the line said 'Wait if his name is Singh I think he's Sikh and if he's Sikh then we're gonna have to redesign him and make that obvious oops'.

That, dear audience, is why you always have an Anthropologist in the writing room. Or some amateur anthropologist like me :)

-------------

I hope you enjoyed reading this, I really enjoyed writing it!! Sikhism is one of my favorite religions and if you have never heard anything from the Guru Granth Sahib I HIGHLY recommend it, it's very optimistic and compassionate. Sikhnet(.)com is also a great resource!

I have no idea if this will pique anyone's interest, but I hardly ever see Sikhs reflected in media and I know many many people may confuse them with Muslim, especially since many women Sikhs keep kesh and cover their hair as well.

But if you ever wanted to know the difference, here it is! If you read this far, thank you SO MUCH. And if you're a Sikh and reading this, I LOVE YOU SO MUCH.

As usual, here's a photo of Hobie for your travels.

BYE.

[starry-bi-sky]

jason and danny childhood friends au memes (mild spoilers)

[millionsghosts]

I think a lot about how Vash and Knives are perceived and how they actually are. Vash is the one who pushes his feelings back and holds himself together constantly in order to keep pushing forwards, despite how open/silly he seems on the surface. Knives comes across as colder and more logical, but his decisions and conclusions are all driven by his rage and fear and emotions.

Knives makes himself out to be the reasonable one who knows more about the world than Vash (at least in Tristamp), but Vash is actually the one out there experiencing things and learning about life and humanity, meaning he's probably much wiser. This specifically is one of my favorite things about Trigun because it's just so hopeful. Vash is the one who sees the world and everything it has to offer (he was running all over the place for 150 years, dude!), and he's also the one who believes so resolutely that humans are good. I think that's absolutely beautiful.

[valtsv]

was thinking about this earlier but the dynamic of cannibalism being associated with high society and the culinary elite (hannibal comes to mind specifically) while also simultaneously being associated with the socially isolated and economically impoverished (as in texas chainsaw massacre) is so interesting to me i want to read 10 million books on why it happens so much in media....

i can only speak from a place of personal opinion and general knowledge, because i haven't read that many papers or in-depth studies on cannibalism, but i think it often comes down to an interesection between the themes of the story you're telling and class structures and divisions. cannibalism is a compelling form of narrative symbolism because it's undeniably impactful and hard to ignore. when portrayed as a practice associated with the culinary and social upper class, it might be used as a critique of the rich and powerful and their lack of ethics and willingness to consume and destroy others for their own self-interest by showing them literally preying on and consuming their victims, or a horror story/cautionary tale about how having everything can lead you to never be satisfied and turn to increasingly extreme measures to feel like life is worth living, or a dark fantasy of indulgence and excess. when associated with the poor, marginalized and isolated, it's often based in bigotry and harmful stereotypes of the "primitive" "inhuman" "savage" "other", however it might also function as a revenge fantasy where the most oppressed and exploited members of society turn on their oppressors and take "eating the rich" to its most literal extreme, exposing the fragility of class divisions and pointing out that those in positions of social and economic power are hardly the mythic titans their propaganda tries to make them out to be, but ultimately just as mortal and made of flesh and blood as any other human being, and not immune to being dragged down from their position at the top of the food chain and torn to pieces by the crowd (as well as reminding the audience of their own fragile mortality and precarious position in the social order, and the humanity we all share in common - however cannibalism often divides the perpetrators from both their victims and the audience, so this is rarer than the other interpretations mentioned).

cannibalism and power often go hand in hand. cannibalism has historically been used as both a means of displaying your power over defeated opponents and delivering a final, humiliating blow to their image by consuming their flesh, and a means of othering and dehumanizing your opponent by portraying them as the cannibalistic monster.

both the very rich and very poor also tend to be perceived as more distant from the people who make and consume these stories, making them easier to project fiction onto and transform into symbols and narrative devices (or, in the worst cases, dehumanize) than those who occupy the same social spheres as the creator. they can be held at an arm's length without discomfort and, depending on the target audience, may be a source of fascination due to the differences in their lived experiences. it adds to the fantasy, and makes any inaccuracies, exaggerations and fabrications feel more plausible because the majority of the audience probably don't have any personal experiences of being in those positions to draw on.

[ineffable-suffering]

Why Aziraphale is an unreliable narrator

Part 1: The Story of Job

I'm absolutely not the first one to talk about this on here and I probably shan't be the last either. Alas, here's my take on why all of the minisodes in Season 2 should be enjoyed with great care – and taken with a grain of angelic salt.

I'm gonna split this into 3 parts, aka the three minisodes we are shown, since I tend to get a bit waffley in my posts and want to still be able to include all the little details. Once I've written them, I'll link Part 2 & Part 3 here as well!

Alright, let's get into it under the cut of doom.

Episode 2 opens with the Story of Job. Right off the bat, I noticed that it sort of looks like an old film playing. At first I didn't read that much into it, but once we see the cut-away to Aziraphale at the bookshop, currently reading that part of the Bible (presumably), I immediately thought: "Oh! It's because it's his memory. He's remembering how it went down and therefore it plays like a figurative film in his head."

This, I then came to realize, is a very crucial difference to all the flashbacks of S1, which were exclusively told and narrated by God. May her intensions be as ineffable as they are: She did tell us all of these stories from an objective outsider's point of view. Now, however, it's Aziraphale who's re-telling those stories to us from memory.

And if there's one thing that's for certain, it's that a memory is something entirely different to an objective narration of a story. Just think about how you yourself remember things. Especially things that happened years, maybe even decades (or, in an angel's case, millenia) ago. What is it, that you really remember? Can you know for sure, that a conversation was held with those exact words? Are you 100% certain that the clothes someone wore weren't different? Had it really been snowing or would that make very little sense given what you're remembering happened in May? And did it even happen in May? Or does that just happen to be your favourite month, the current weather, your preferred style of clothing and what it was that you would imagine someone would have said to you?

What I'm trying to say is: The further away it is that something happened, the more your brain has to fill in the gaps. This is why, for example, your parents will remember the family summer holiday entirely different when you ask them about it 20 years later.

"No, it was Sarah who puked on the car ride home!" "Nonsense, Sarah never puked as a child. Bobby had that gone-off pizza, he's the one that was sick the whole ride long!"

We've all been there. Bobby made it out alive. Don't buy gas station pizza.

Alright, back to the plot: Naturally, Aziraphale is not actually human, so it is a pure assumption on my part that the way his memory works is similar to ours. However, the whole topic of "memory" is actually quite a recurring one on Good Omens.

Crowley seems to have lost his in the Fall, yet somehow managed to get most of it back. Not all of it, though, he clearly has some major gaps ("You used to jump on me back, little monkey in the waistcoat!"). Beelzebub helps Gabriel store all his memories in their little fly container before they get wiped entirely too, by the Metatron and/or Saraqael. Crowley and Aziraphale (and possibly Jimbriel) perform a miracle together that makes everyone in Heaven and Hell forget who Garbiel is or what he looks like. And we know that the Book of Life apparently has the ability to completely erase someone from existence – ergo also erasing them from everyone's memory and making it is as though the person had never been in them at all.

So, clearly, angels and demons being able to remember, forget, reconstruct and, if you're the Metadork, wipe memories, is very much canon. Apart from that very last one, it does make them quite human-like in a way. We too can forget or (wrongfully and incompletely) reconstruct memories, due to things like trauma, illness or simply a lot of time having passed.

So, just like Crowley remembers going into battle but doesn't remember Furfur being there, or just like Jimbriel has entierly forgotten who he is but still remembers the tune and lyrics to Buddy Holly's song Everyday, and just like archangel Michael was miraculously made to forget Gabriel and yet says "Don't I know you?" when seeing him again – just like that, Aziraphale's memories of the story of Job, the story of wee Morag and the story of the magic show in 1941, might not actually be the whole truth.

So, time to look at where the furniture isn't.

Now, it could very well be that the costume designers of S2 thought: "Fuck it, let's go crazy" – but given that this show has a track record of meticulously making sure to stick to accurate and cohesive character design, doesn't it strike you as odd that Crowley would go from this look at the Flood in Mesopotamia, 3004 BC:

... to the (very iconic, don't get me wrong) Bildad the Shuhuite drip in 2500 BC:

... back to this at the crucifixion of Jesus Christ in 33 AD:

I mean ... I mean– come on, that seems like a bit of a far stretch, even for someone as enthusiastically experimental with fashion as Crowley.

And it's not just that: Where did the sunglasses come from, all of a sudden? And why do they look like some sort of obscure, ancient optometrist's device? It's a known historical fact that the Romans were the ones to have invented sunglasses, somewhere around 50-ish AD. Which actually matches perfectly with when Crowley and Aziraphale meet again in Rome 8 years after the crucifixion (51 AD).

So, where do the weird spectacles come from, over 2000 years too early? Maybe from Aziraphale's brain filling in some gaps? Hasn't Crowley always worn those ridiculous sunglasses? Was it Rome? Or Golgotha? Wessex? Oh, blimey, what does it matter!

And it's not just Crowley: Aziraphale's own clothes, as well as the other angels', seem to be very different from the rather plain linen we see him wear before and after the story of Job.

They're laced with golden embroidery along the neckline and sleeves. The remind almost of the clothes angels are depicted wearing in biblical and historical drawings. Ornate and decadent. Not at all like we see Aziraphale in the other flashbacks of S1.

Even Bildad the Shuhite's hair within the minisode keeps changing, going from all pouffy and voluminous to rather deflated and straight-looking:

The costume department either had to fix up two seperate wigs or manually straighten out the volume of the one again to give it a more sleek look. I'm not a professional in this field, but if there's anything I've learned from watching hours of behind-the-scenes material of movies and shows, it's that very little about costume, character, prop and set design is purely coincidental.

You know what it could be, though? An accurate representation of how memories aren't linear, historically correct and objective representations of a certain event, but rather an ever-changing, jumbled mess of impressions, emotions and exaggerations.

More specifically: Aziraphale's impression, emotions and exaggerations.

Like "remembering" Crowley with sunglasses because he's been wearing them for so long.

Like "remembering" himself wearing more luxurious, angelic clothes because that's how he thinks of the difference between Heaven and Hell.

Like "remembering" the permit as a ridiculously long scroll that folded out over an entire valley.

Like "remembering" Job's children to be weirdly sassy in an almost Aziraphale-esque way (Enon: "Don't be silly!") for the fact that Job would have probably taught them to be more humble and obedient in the presence of a literal angel.

Like "remembering" eating an entire fucking Ox after having just one bite of it while Crowley watched him lustfully, sipping on his wine.

Like "remembering" Crowley calling him 'angel', despite them having barely known each other back then.

There's a reason why the flashbacks in S2 seem so much more alive, quirky and, at many points, confusing and all over the place. Because they're not objective stories being told by a third party. They're Aziraphale's. So much of his own thoughts and feelings at the time get projected onto them because that's simply how memory works!

It's subjective. It's unrealiable.

It's not that I'm calling Aziraphale a liar. He's no more a liar than your parents are, mixing up Sarah and Bobby. Or you, remembering snow instead of sunshine. Memories aren't lies. They can simply be faulty, focus on things that you thought were more important and leaving out or changing things that weren't, to you.

The real challenge in all of this, is trying to filter through Aziraphale's stories to see what it actually is they're telling us. Where it is that the furniture isn't. And I think in this case, that's 6 main things (eff you, God, I know you like sevens, but I don't care):

God and Satan (still) talk to each other We see that Aziraphale is quite surprised when Muriel mentions that the whole Job thing is God's bet with Satan. But clearly, despite having made him and the rest fall, God still converses with Her number one traitor about whether or not the humans simply love Her because she gives them nice things or because they truly believe in Her.

God and Satan (and Heaven and Hell) can and do collaborate with each other when they feel like it So much for choosing sides, huh? Truthfully, this is not the first time this is shown to us, but still. It's another piece of evidence on the growing pile.

Aziraphale understands the World and humans way better than any of the other angels "Well, you see ... Citis is 58 ..."

Aziraphale, despite having troubles voicing it, absolutely disagrees and even condemns God's plan of destroying Job's children (and goats and camels and––)

Aziraphale is willing to lie and thwart the will of God Also not the first time we're being shown this but again, piiiile of evidence.

Angels don't automatically Fall simply by doing the above To me, this is one of the most important take aways. It's already hinted in S1 as well that 'Falling' seems to have been a one time even back when the first war broke out in Heaven. And I actually believe that ever since then, no other angels have Fallen again. Aziraphale is the best example for this. He has gone against God's plan numerous times and even lied to her very face (voice?) about it. And yet, nothing ever happened to him. Why exactly that is the case remains a topic for another meta (that I might or might not be working on already, teehee).

Alright, that concludes this first look at the Job minisode! If there's anything I missed, feel free to share it with me. I'll try and add Part 2 (the story of wee Morag) and Part 3 (the magic show of 1941) soon.

Update: Part 2 and Part 3 have officially been written, you can find it them right here:

Part 2: The Story of wee Morag

Part 3: The Story of the Magic Show in 1941

Hugs and kisses, (God)!

[anqelbean]

Shen Qingqiu, after being taken as a captive in Binghe's palace: I can have anything I want? Fine! Then I don't want to see you! Ever!

Shen Qingqiu, after Binghe complies with his wish and doesn't bother him: WHY won't he come and see meeeeeeee?!?!? This protagonist is nothing like the gongs in Meimei's books!!!! WHY DIDN'T HE LOCK ME AWAY TO HAVE HIS WAY WITH ME??!? WHY IS HE RESPECTING MY BOUNDARIES!?!?!!

[faunandfloraas]

Birth date analysis // Seungmin - September 22nd: The Day of Restless Drive.

September 22 - Virgo/Libra

The Day Of Restless Drive

Those born on September 22 have a restless drive. Usually they bring the one they are working on to completion only to immediately set out on a new one without rest. They are also capable of handling several projects at the same time. Those born on this day have a low boredom threshold, and consequently demand challenging people and situations. They can be outgoing and dynamic types at one time, and solitary and unapproachable at another. In either case, their strong character is unmistakable.

Often September 22 people oscillate between an offensive and defensive posture. In one sense, such postures may be one and the same since a good offense is the best defense and vice-versa. Whether in a broad social context or on a personal level, the issues and ideas those born on this day are most often concerned with involve fairness and equality. In general matters pertaining to the delegation and exercise of power. In putting forth their arguments, they can be very ironic, witty and outright funny. Their humor, however, is not for everyone as it is liable to be off-beat, sardonic, perhaps even macabre.

Those born on September 22 can hide a warm heart under a forbidding exterior, but generally will only open up to people whom they deeply trust and value. Even then they may find it difficult to open all the way, principally because their orientation is highly realistic and the ironies of life all too visible to them. This day carries insight and clarity of vision both literal and figurative. September 22 people are excellent judges of character, and capable of sizing people up very quickly. Those few friends whom they allow into their inner sanctum they value most highly, usually for life.

September 22 people can often have a greater effect on those around them than they realize, and indeed can register a high degree of shock value. Because of their often disturbing impact, they should seek to be more aware of their effect on others, both friends and foes alike. True warriors in the battle of life, they must take stock of their armaments and defenses, using them judiciously and effectively, and avoid isolating and alienating themselves.

Strengths:

Individual

Perceptive

Well-directed

Weaknesses:

Guarded

Acerbic

Dark

[trappedinafantasy37]

"Oh, I don't like Minthara cause she's mean to the other companions."

Shut up. All of the companions are mean to each other. Did you just like, completely skip over the passive aggressive comments between Shadowheart and Lae'zel throughout all of Act 1? Did you just skip over the confrontation in which the two of them actively try to kill each other in the gayest, most homoerotic way possible? Or did you just make an exception for Minthara and decided she's the only one not allowed to be mean? Larian had to de-bitchify Shadowheart cause she supposedly was too mean in EA, and she's still a bitch in the release version (and I love her for it). For fucks sake, Astarion is the fan favorite and one of the reasons is because he's an ass to everyone.

"But but her third son comment to Gale is so mean and cruel!" Shadowheart literally tells Astarion he deserves to be publicly executed. You do not have a problem with companions being assholes to each other, you just don't like it when Minthara does it for whatever dumb reason.

Just another example that shows that people have either 1) never recruited her and don't know the full context of her comments and miss out on all the positive things she has to say for all the companions and/or 2) hold her to a standard that they do not hold the rest of the cast to when they are all guilty of the same shit.

To me, this is just a lazy excuse for someone who doesn't actually have a valid reason to dislike Minthara.

[shigayokagayama]

adhd reigen not in a “hes so goofy and silly” way but in a “he has a tendency to hyperfixate on things then drop them the moment he gets bored, has trouble forming genuine relationships with people because he’s so dedicated to making himself likable, is terrified of rejection and actively self sabotages to avoid it” kinda way

[royalarchivist]

[A sad violin song plays over an image of a sad hamster]

Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?

[ Transcript continued ↓ ]*

–

Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.

Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!

Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.

* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.

[necrotic-nephilim]

@profandomhopper i was going to reblog the original post this comment was left on but i felt it divorced itself from the original topic so much, you get your own post for giving me delightful permission to ramble about this. buckle in people this is long.

so, DC is a big fandom that expanses a lot of different types of content, and like anything, is subject to crossovers. the obvious ones like Marvel are for the reason of being a similar and equally popular superhero world, so it's easy to transpose the worlds onto each other and overlap the characters. both of these worlds deal with multiverses and endless, endless heroes. it makes sense and there's no real stretch to think Batman and Spider-Man could co-exist. i mean, there have been canon crossover comics. and even some more random crossovers like White Collar have pretty easy to trace origins, being an actor in WC was a popular Dick fancast back in the day so there was some bleeding over that led to a well-loved niche crossover space.

but Danny Phantom and Miraculous Ladybug are where it gets interesting. because at a surface, MLB sort of makes sense. it's a superhero world, you're following a teen girl superhero and sure the mechanics are pretty contained, but the crossover should make sense. but when you compare it to the crossover numbers of other superhero media like say My Hero Academia, Ladybug takes the *crown* with such a bizarre popularity. and of course, DP feels like it makes even less sense. sure, you *could* lump it into at the very least, superhero-adjacent media, but it's not a true hero world like MLB or DC is.

but, the thing to always understand about DC, *especially* the Batfamily (which is where the crossover content propagates the most) is this: a *very* good chunk of fans don't interact with the comics. i would venture to say even most Batfamily fans don't read the comics and actively talk about it. we've all read a very fandom big Batfam fanfic where the author's note mentions the writer has never touched a comic in their life. typically, these fans are either cobbling together their understanding from fandom content, or by frankensteining unrelated DC adaptations to understand each character. you take Bruce from Batman: TAS, you take Dick from the animated Young Justice, you take Jason from Batman: Under The Red Hood animated movie, you take Damian from the DCAMU Batman vs Robin, and you read some fandom metas to fill in the rest and well, you've got some sort of an understanding of these characters. read enough incorrect quotes, some genfic, a couple of character metas, and boom, you understand the Batfamily fandom enough to start creating your own content. and of course now. now you have Wayne Family Adventures so it's even *easier*. a pretty easy to pick up webtoon that's filling in all the gaps for you. but i've been in this fandom long enough to remember before we had WFA and even then, this was still a common, if not the most popular way, to ween yourself into the DC fandom space. you cherry-picked the canon you liked and then plunged into the depths of fanon.

i'm not here to make in depth commentary on if i think this is a good or bad thing. trust me i have that commentary in my head, but that would need it's own post. i'm very split on it and my feelings are complicated. my feelings on WFA are even *more* complicated. because oftentimes, the attitude expressed by these fans who are frankensteining this version of the Batfamily/DC world they have in their head is they don't *want* to read the comics. the comics don't contain the content they're after. and to an extent, i understand that. if you're looking for light-hearted vibes of the Batfamily all getting along and having the occasional hurt/comfort moments but in the end, they hug and make up, you're right. largely, you won't find that in canon. of course there are so many comics to recommend for Batfamily interactions, but you have to get specific. you'll find them interacting in small groups, Tim and Dick bonding here, Duke and Cass bonding there, but largely, the comics don't care to balance the ridiculously large cast they've given themselves. but fandom does. it's easy to toss them all in a blender and ignore the parts you don't like. the default argument to ignoring the comics or writing something OOC is always "well the comics are OOC and inconsistent too" which, while a flawed argument that massively misunderstand how comics work as a medium, isn't an entirely incorrect one. you could serve on a silver platter to these fans, an easy and accessible way to get into comics and they wouldn't be interested. it's not what they're here for. fandom is always character-driven above all else. it's driven by character relationships and dynamics. if someone wants to consume content where Tim idolized and stalked Jason as 'his Robin' and now is trying to help him rehabilitate and they're super complicated but have this long epic forgiveness arc, why *would* they read the comics? because they're sure as shit not going to find that dynamic in the comics. it's laughably OOC and not canon at all, but that doesn't matter. what matters is the sandbox. most Batfamily fans care *far* more about the sandbox canon gives them than the actual canon itself. feel how you feel about that, this really isn't being negative toward that attitude, but it is a common attitude.

so, you have Batfamily fans playing in the sandbox and building their own narrative. common fandom headcanons are so common, you could practically write a guide on how the fanon Batfamily works with how consistent people are about it. or you could just read WFA, which is practically the new manifesto of it. even now, with this sudden spike in people talking about canon accuracy and "actually this happening in the comics", they don't actually care about the comics, just what they can cherry-pick for fodder. (even if they rob it of so much context they're just as OOC as they were before. see specifically: the recent phenomena with Tim Drake going from the woobified weakest member of the Batfam who everyone needs to save constantly and he's the smart boy but he's also the one with a sad tragic neglectful past who gets overlooked being the way Batfamily fandom played with Tim for years. but recently, people seem to be pushing this idea of a ridiculously badass Tim, Tim who *totally* has a kill count because of his actions in RR (2009) if you take them completely out of context, Tim who bested Ra's and is even more badass than Jason and he's the 17 yr old CEO of Wayne Industries being cool and flawless it becoming the new fandom zeitgeist. neither of these versions of Tim are canon, and the second fundamentally misunderstands his arc in RR (2009) but the shift has undeniably happened and it's been fascinating to watch. the same thing happened with people suddenly deciding Jason isn't the "angry violent Robin", he was a sunshine sweet boy who was perfect as Robin. neither of these are true, but the second feels more transgressive and new to fandom from cherry-picked panels.) the point is largely, Batfamily fans would rather build their own canon than play with the actual canon.

and then, you have Danny Phantom. i'm not into DP and have no interest to get into it, but what i know about it via fandom osmosis is this: DP fans sort of also don't give a fuck about canon. once again, the canon of DP is a sandbox, not a rulebook. the concepts and the characters are the draw, not the plot itself. i've seen DP posts explaining characters who are essentially OCs, but have become so dominant in the fandom via fandom osmosis. there are concepts and ideas about how Danny's powers work and potential concepts with his ghost nature that either aren't in canon or only happened once in canon and fans decided to expand on that and doesn't care about it's own in-universe logic. i've seen a lot of DP fans also express they haven't seen the show and they don't have plans to see the show. because the show is just some children's cartoon with some inconsistencies and a simple plot, as you'd expect from CN. the show isn't the point. no one cares about it's plot, they care about it's characters. they care about pushing the concept of half ghost boy to a logical extreme and seeing what you can get out of that. can you make it weird and fucked up. how much can you highlight on his trauma and body horror. what identity crisis can you give him and how can you build his interactions with other characters in his world around that and also make those characters fun and unique on their own. sure, the skeleton of canon is there, but the meat lies all in the fanon.

Miraculous Ladybug also exists in this similar vein. the characters, the concepts, those hold intrigue. and not even mentioning the fact the original concept for this show was supposed to be aimed to an older audience, so you can see the bones of something a bit more mature and nuanced under this typical, villain of the week magical girl transformation show. the show itself is a bit shallow and that's not a *bad* thing, it's just the medium it exists within being aimed towards children. but the concepts of a teen girl who's basically a sort of chosen one, a boy who doesn't know his father is the big bad of the show, and their weird identity porn love... square thing. those dynamics are *so* complicated and such a fun sandbox to play in with character-driven fandom.

so, at the core, you have three fandoms that care more about the culturally accepted fanon than the canon, with a good chunk of people often not even consuming the original canon content. and well, DC is an *easy* world to transpose just about anything onto. a boy who's half ghost and fighting supernatural threats? that makes sense, DC has ghost heroes like Deadman already. a girl who has this magical item that gives her animal themed superpowers? i mean that's practically the same thing as Vixen's Totem so that one makes sense too. they fit in pretty easy, no needing to change the world to accommodate them. and of course, if you're a fan of *one* fandom where you don't care for the canon content and only like the fandom sandbox, chances are, you'll get drawn in pretty easily to another fandom with similar mechanics. if you can teach yourself the DP fandom rules/concepts, you can teach yourself the Batfamily fandom rules/concepts. and well, since there's so much crossover in fandom members, why not write the fanfiction? crossover fics will always exist, but with such a shared member base, you have a really big boom.

it's why the characters you see DP interact with in DC are *always* characters who are far more driven by fanon than canon. Danny and John Constantine is a *massive* concept. for people who don't read Hellblazer comics. my poor partner, @divine-dominion has lamented to me pretty often about finding DP content in the Hellblazer tag that is essentially turning Constantine into an OC. because whatever version of Constantine is being written about isn't one bit comics accurate, and really, isn't trying to be. and the same thing happens with Shazam. you watch Young Justice and understand him well enough, you get drawn in by the character concept that you just run with it. people put their favorite blorbos in the same place because hey, wouldn't ghost boy be pretty cool in a city like *Gotham*. how would Batman even react to him. and then, the shipping. because ages for the Batfamily can be easily hand-waved and moved around based on where you plop Danny into the timeline, you have your pick of the litter with him, and same with Ladybug. of course there are the most popular ships but largely, the world is your oyster.

i don't think this is the worst thing in the world for either fandom. it's not hard to filter out the crossover tags and scroll past content i don't like. and sure, i see the appeal of making your blorbos from two different places meet. i've got my drafts *full* of DC/MHA crossover ideas because well, i like them both and think that would be cool. i think my only gripe with it is when DP or MLB crossover content seeps it's way into the wrong tags. using the above example, if you're writing about Danny and Constantine but there's zero content of the actual Hellblazer comics, i don't think you need the Hellblazer tag, just the Constantine character tag. tbh i wish this extended onto Ao3 and people utilized fandom tags better. if you're writing Batfamily fanfiction that is very clearly and obviously WFA driven in characterization and concepts, i would far prefer those fics be tagged with the WFA fandom tag rather than the Batman (comics) fandom tag. because well, you're not writing about the Batman comics. and there's nothing wrong with that, but it helps if you don't confuse yourself for content striving to interact with canon more. (this especially extends to Young Justice, by the way. if you're writing for the Young Justice tv show please, please stop using the Young Justice (comics) fandom tag. i'm at my wit's end- /lh)

the whole thing is fascinating. i've got zero interest in entering DP or MLB as fandoms because that's not my speed, but witnessing it as an outsider is my favorite pastime. i see a *lot* of posts going around the DC x DP space that are helping explain to people who's who, what's what, and understanding the canon/fanon of both of these properties so others can better enter the space. which is not something you'd need in a fandom driven only by it's canon content, but it is sweet watching others try to help newbies enter the space. it's a very inviting fandom space, i think, whether you lament it's existence or not. they're just sitting in their corner with their blorbos, and i gotta respect that. the posts explaining the Batfamily to DP fans are always fun for me to read, even if i disagree with some of the characterizations in them because it helps shine a light on what the fans of this crossover regard as "important" enough about each fandom to be worth including those sorts of primers. very fascinating stuff.

[smoothie03]

Sneakpeak for my next big animatic

[empty-movement]

you know the stereotype about utena fans

well

let's take a specific sequence and compare the four primary translations of Utena that I know of. why this one? because i know we changed it and also sequences with these two had a lot of minor telling differences from one effort to the next

Revolutionary Girl Utena, Episode 25, Our Eternal Apocalypse

1998, UTP fan project:

Touga: You're driving quite fast. Akio: She's purring nicely, don't you think? Care to take the wheel? Touga: What? But I still don't… Akio: You're too strict… Touga: That was a rather indecent proposal, Mr. Chairman.

2003, Central Park Media DVD:

T: We're really flying down the road... A: The throb of the engine feels good, doesn't it? A: Care to take the wheel? T: Hm? But I'm not old enough.. A: Such a strict boy. T: That wasn't a fair proposal, Mr. Chairman.

2011, Nozomi Blu-ray, edited from the CPM translation via a fan led project that was us and you and it was awesome:

T: We're really flying down the road... A: The throb of the engine feels good, doesn't it? A: Care to take the wheel? T: Hm? But I'm not old enough.. A: How upright of you. T: That was an indecent proposal, Mr. Chairman.

2023, Some-Stuffs fan translation project:

T: You're flying down the road. A: Exquisite vibrations, no? A: Care to take the wheel? T: Huh? But I'm still not... A: Well, aren't you stiff? T: That was rather inappropriate, Board Chairman.

Do you like what you see? Is this level of ridiculous exactness interesting to you? Do you think these decades-spanning comparisons add anything to the discussion?

Well join our forum, Something Eternal, then. Because in the time it took for me to type this up for the Tumblr post, forum member xenofem dropped this in the thread about comparisons of the text with other examples already there broken down by color look just go

Looking at that exchange in episode 25 line by line: Touga: 随分飛ばすんですね。 The subject of this sentence is elided, which is what's leading to the discrepancies around we vs. you. The verb, "tobasu", is literally "to make something fly" or "to send something flying", but can also refer to driving a vehicle fast, or moving fast through things. The object is also elided, the literal meaning is clearly the car but there could also be room for innuendo here.

ok no but seriously, so much amazing stuff has already happened on this babby ass forum that I can barely keep up, we have birding threads and Baldur's Gate 3 threads and new fans posting their reactions as they watch for the first time threads and terfs are banned on sight

[bonefall]

Can we see the sprite?

@crowfaraday

Turnabout Bumble: Prosecutor Bonefall makes his opening statement against Clear Sky

"Meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow meow"