#A Trial of Risk and Fall

[clouder5]

WHO WAS GONNA TELL ME THERES NO HOSPITAL SCENE

[dark-elf-writes]

Shen Jiu watching his self sacrificial mate and two apprentices: Am I the only one with proper self preservation instincts?

Poor Shen Jiu doesn’t know the half of it when it comes to Wei Wuxian’s self sacrificing tendencies but he knows enough that when his mate’s idiot children start showing the same he immediately tries to beat some self preservation into their thick skulls before they try to sacrifice themselves only for A-Ying to do something even stupider to keep them alive.

It does not work.

[fauvester]

i think my coworkers and friends think its a little excessive that Im so militant about my sleep schedule but its hard to describe the extent to which the terrors fucking get me if my circadian rhythm is even a little fucked up

[reasonsforhope]

Article | Paywall Free

"The Food and Drug Administration approved new mRNA coronavirus vaccines Thursday [August 22, 2024], clearing the way for shots manufactured by Pfizer-BioNTech and Moderna to start hitting pharmacy shelves and doctor’s offices within a week.

Health officials encourage annual vaccination against the coronavirus, similar to yearly flu shots. Everyone 6 months and older should receive a new vaccine, the Centers for Disease Control and Prevention recommends.

The FDA has yet to approve an updated vaccine from Novavax, which uses a more conventional vaccine development method but has faced financial challenges.

Our scientific understanding of coronavirus vaccines has evolved since they debuted in late 2020. Here’s what to know about the new vaccines.

Why are there new vaccines?

The coronavirus keeps evolving to overcome our immune defenses, and the shield offered by vaccines weakens over time. That’s why federal health officials want people to get an annual updated coronavirus vaccine designed to target the latest variants. They approve them for release in late summer or early fall to coincide with flu shots that Americans are already used to getting.

The underlying vaccine technology and manufacturing process are the same, but components change to account for how the virus morphs. The new vaccines target the KP.2 variant because most recent covid cases are caused by that strain or closely related ones...

Do the vaccines prevent infection?

You probably know by now that vaccinated people can still get covid. But the shots do offer some protection against infection, just not the kind of protection you get from highly effective vaccines for other diseases such as measles.

The 2023-2024 vaccine provided 54 percent increased protection against symptomatic covid infections, according to a CDC study of people who tested for the coronavirus at pharmacies during the first four months after that year’s shot was released...

A nasal vaccine could be better at stopping infections outright by increasing immunity where they take hold, and one is being studied in a trial sponsored by the National Institutes of Health.

If you really want to dodge covid, don’t rely on the vaccine alone and take other precautions such as masking or avoiding crowds...

Do the vaccines help prevent transmission?

You may remember from early coverage of coronavirus vaccines that it was unclear whether shots would reduce transmission. Now, scientists say the answer is yes — even if you’re actively shedding virus.

That’s because the vaccine creates antibodies that reduce the amount of virus entering your cells, limiting how much the virus can replicate and make you even sicker. When vaccination prevents symptoms such as coughing and sneezing, people expel fewer respiratory droplets carrying the virus. When it reduces the viral load in an infected person, people become less contagious.

That’s why Peter Hotez, a physician and co-director of the Texas Children’s Hospital Center for Vaccine Development, said he feels more comfortable in a crowded medical conference, where attendees are probably up to date on their vaccines, than in a crowded airport.

“By having so many vaccinated people, it’s decreasing the number of days you are shedding virus if you get a breakthrough infection, and it decreases the amount of virus you are shedding,” Hotez said.

Do vaccines prevent long covid?

While the threat of acute serious respiratory covid disease has faded, developing the lingering symptoms of “long covid” remains a concern for people who have had even mild cases. The CDC says vaccination is the “best available tool” to reduce the risk of long covid in children and adults. The exact mechanism is unclear, but experts theorize that vaccines help by reducing the severity of illness, which is a major risk factor for long covid.

When is the best time to get a new coronavirus vaccine?

It depends on your circumstances, including risk factors for severe disease, when you were last infected or vaccinated, and plans for the months ahead. It’s best to talk these issues through with a doctor.

If you are at high risk and have not recently been vaccinated or infected, you may want to get a shot as soon as possible while cases remain high. The summer wave has shown signs of peaking, but cases can still be elevated and take weeks to return to low levels. It’s hard to predict when a winter wave will begin....

Where do I find vaccines?

CVS said its expects to start administering them within days, and Walgreens said that it would start scheduling appointments to receive shots after Sept. 6 and that customers can walk in before then.

Availability at doctor’s offices might take longer. Finding shots for infants and toddlers could be more difficult because many pharmacies do not administer them and not every pediatrician’s office will stock them given low demand and limited storage space.

This year’s updated coronavirus vaccines are supposed to have a longer shelf life, which eases the financial pressures of stocking them.

The CDC plans to relaunch its vaccine locator when the new vaccines are widely available, and similar services are offered by Moderna and Pfizer."

-via The Washington Post, August 22, 2024

[lost-romantique]

Blitzø's Realization & Feelings

I like how Blitz is initially confused the moment Stolas arrives on scene and breaks into song...

He understands that Stolas just saved him from getting his head chopped off, but he still doesn't understand what he's doing at the trial.

After all, in Blitzø’s mind Stolas is over him, and moved on the moment he saw Stolas having the time of his life dancing with BTB.

In Blitzø’s memory reel Stolas has his top eyes open, and I think to Blitzø he reads it as Stolas seeing and relishing in that kiss, in that moment. Blitzø doesn't even consider the fact that it was a drunken kiss.

But the moment Stolas takes all the blame for himself, things take a turn...

It clicks for Blitzø, and he's just in pure and utter shock as he sees just how much Stolas genuinely and truly loves him.

It's at this moment where he says the words, "I don't want to live a life without you by my side."

Blitzø takes this time to finally let his emotions pour out like a fucking waterfall.

Whereas compared to Ghostfuckers he just subtly acknowledges it.

His expression drops from realization to pure panic at Stolas' actions. Blitzø doesn't want to die, but at the same time, he definitely doesn't want someone he cares about to take the fall for him.

"What are you doing!? I don't deserve this!"

"I realized too late!" Blitzø acknowledges that he realized both Stolas’ feelings and his own feelings too late in the game.

Blitzø in Apology Tour didn't understand his own feelings, let alone Stolas’ feelings. He tries to, but he can't.

"Don't give your life to clean my slate."

What I love about this line is that it reads as: Don't sacrifice yourself to absolve me of my crimes. Blitzø makes it clear he doesn't want this.

"You’re my heart."

Blitzø breaks down and says these words because to Blitzø this is what Stolas is, the key to his heart that he's kept locked up for years, and someone he wants to give his whole heart too.

Because Blitzø closed off his heart after the fire. His love is something that he believed could hurt someone, but with Stolas, he's worth that risk.

The moment Stolas is wrapped in chains, Blitzø moves on instinct, almost as if he's trying to get out of his own chains so he can run to Stolas.

Felt like it would be a disservice not to show the clip that destroyed me. 😀

Blitzø, the moment he's freed of his chains Blitzø says the words, "No- no!" in disbelief, shock, and desperation.

Blitzø is so desperate to stop Stolas from what he's doing, begging him to do anything to stop this from happening. And if that meant getting himself killed, he'd do it.

Because he doesn't want a repeat of this happening. It's one thing for people to leave Blitzø, he’s used to that, but it's another to have them die, especially in front of him.

He breaks down when he fears his worse fears have come true: that Stolas is dead and he can't do anything to stop it.

It's why Blitzø is so shocked and surprised the moment he sees Stolas alive, because his worse fears didn't happen.

The moment Blitzø gets the reassurance that he's is loved by Stolas he falls into that caretaking role almost instantly, since he knows Stolas is hurting right now.

He's taking steps being extra gentle, extra reassuring, extra soft, even going as far as to fluff the pillow on his couch.

It vaguely reminds me of how Blitzø is able to sorta gage what people's needs are. In this moment, Blitzø was about to shoot Creepzo, but instead he opts to beat Creepzo with the end of his gun once he realizes Fizz is on the verge of a panic attack.

What I love about this shot is that this is the most at peace Blitzø has ever looked in the entire show.

He's just so grateful that he's alive and that Stolas is alive.

~~~~~~

Anyway, wanted to include this bit because I love how Sam Haft pointed out that Blitzø leaves Mastermind more self-actualized.

Whereas for Stolas, he leaves Mastermind more humbled as he gets a taste of how truly privileged he is.

[heliads]

boy; girl; dragon

Hiccup only needs two things. He knows he can rely on both forever.

masterlist

There is a boy, and he has a girl. And also a dragon. 

The order matters. He had the girl first, even if he didn’t know it yet. She didn’t say a word to him about the feeling beating against the bars of her ribs like a dove in a cage, not until he did first. The dragon helped things along, surprisingly. Usually, fire-breathing reptiles can only complicate a situation, but when two young people are soaring through the sky with only the billowing light of the sun and stars around them to bear witness to the truths they have to tell, secrets end up not so secret anymore. Hiccup told you he loved you. You said the same.

The dragon watched, and listened, and waited. It, of course, had known the whole time. Almost everyone did. Tact is a rare occurrence among the Vikings, but the people of Berk could tell that interference in the story of you and him, him and you, would not bode well. You and Hiccup were something different, something special. You didn’t need anyone but each other. And the dragon.

Loving a Viking is dangerous. Loving Hiccup was so far along the line of adventure and risk that even your first kiss felt like throwing off your armor to embrace a knife in your chest. If this was pain, though, it was the loveliest anguish you had ever experienced in your entire life. Falling in love with Hiccup was brilliant, like dragonfire; exhilarating, like tumbling in freefall; unfailing, like the son of a chieftain knowing that he would send his entire village to keep you safe from harm or die trying. Staying in love with him was soft torchlight, quiet mornings, wispy clouds around your temples when he took you up to see the stars. Easy. Perfect. And yours, all yours.

The two of you are together now, sitting side by side on the edge of a cliff. Most of Berk is rocky with occasional splashes of slate blue or chestnut wood to break up the monotonous grey, but tenacious patches of grass have managed to crawl up to the top of the cliffside here, providing you with a threadbare emerald blanket on which you can rest your legs.

A cool wind whistles through the air, toying with your hair and clothes before plunging off the edge of the rock face. You watch it go, taking a few errant leaves with it, and consider the drop down to the sea below you.

“If I fell right now,” you say to Hiccup, “off the side, you would catch me.”

“I would catch you,” he affirms. “Dragon or no dragon.”

“What if I fell too fast and you couldn’t reach me in time?” You ask.

He takes your hand, voice soft and gentle in the early morning. You’ve heard him louder and more assertive when directing the villagers, but you like him best like this, when Hiccup’s peace is only ever meant for you. There is an entirely different young man who exists only when he’s alone with you, a Hiccup that no one will ever know as well as you do. It is a delight to keep the secret of this second, inner boy. It’s a treasure that will only ever be claimed by you, a sparkling spread of gold and jewels captive to one person and one person alone. Not even blood relations can claim that sort of glory.

“There is nowhere you could go that I would not follow,” Hiccup asserts. “Not off the cliff. Not into the sky. I would follow you past the sun, or a hundred thousand lengths in the sea. I would search the world to find you, if I had to, and I would bring you back with me. Always. Do you believe me?”

“I do,” you whisper. “Always.”

“Always,” he repeats, and presses a kiss to your temple.

This is loving Hiccup, then. Always. Always the guarantee of a heart beating in tandem with yours. Always the confidence that you will not be alone in this world of yours, even as it seems to stretch out forever, even as it looms to hide a hundred friends or a thousand enemies. If the odds are with you or against you, you will have Hiccup to guide you through the trials and tribulations of this life of yours. It is written in the stars, and it is sworn by the one you love. No promise could be greater.

The two of you will descend into legend, into myth, into folklore. Never in the world have any two people loved each other more, and never will they again. Every young pair thinks that they could have this, a love to last a lifetime, but you and Hiccup will do them one better and last a thousand more. You could love him in every universe, every incarnation of yourselves, and Hiccup has already promised to be by your side no matter who you two were. Gods, maybe. Heroes or villains. Ordinary lives or glorious ones. All of them will feature the two of you together. Always.

A shadow briefly blots out the sun overhead, a pair of jet-black wings soaring through the early morning skies. As it loops and wheels towards the two of you, its shade flickers across the trees, dappling them with night’s fury even as the sun climbs higher into the sky. It occurs to you that you’d like every day to start and end like this one, for each one of your hours to be filled with this sort of blissful joy. You don’t need riches, you don’t need a legacy. All you need is right here before you. A boy and a girl. And also a dragon.

disney tag list: @blondsauduun, @lovesanimals0000, @mayfieldss, @eclliipsed, @avadakadabra93

also tagging @hope92100 bc HICCUP

all tags list: @wordsarelife

[pandorascripts]

Family Reunion

Uhm... hi... guys!!! Yes, I did go MIA for like a whole year, but I got better at writing and my gay ass got extreme motivation from Agatha and Rio soooo I'm here!!! Not sure if this is permanent, but I really wanted to write Agatha as a mother. Feel free to send in requests (platonic or romantic, either works), who knows if I'll get around to them, but they might motivate me!

Summary: Rio and Agatha begin to heal, too absorbed in familiarity to remember just how bad they were for one another. The Road decides to leap out of Rio's control, thrusting their young daughter away from the underworld and back into their lives.

summary shortened: you're pretty much Nick, except the road decides to throw you back onto the mortal plane for an unknown reason. warnings: some grief, mainly fluff, big smooch scene that we deserved, and me using my Spanish-II class for nefarious acts online (making rio and reader speak Spanish). Written before the shows ending, and I was going off of my theory of Rio controlling the Road! relationships: Agario/plantonic!reader

all spelling errors are mine, and I apologize, but I'm too excited about writing again to care <3. ------------------------------------------------------------------------------

Agatha listens as the other coven members cheerily laugh about past experiences -- each letting the burning weight of the trials slip off their shoulders for a moment. The past centuries of her life have been held as a solo journey for Agatha, coven-less, loveless, family-less, and yet, analyzing the people around her, she can't help but wonder if that had been the wrong choice. How is it that these "failed" witches can form a coven far more accepting than the last one she was in? Agatha's not sure, but that spark of humanity she swore died when her coven betrayed her is fighting against the brutal self-taught lessons of apathy. She finds herself drawn into the conversation with a question directed at her. Far too surprised that she's been included, Agatha doesn't clock who it came from at all. Her weight shifts on the log beneath her, fingers anxiously spinning the flower Rio's been harboring since she darkened the road with her soul. Agatha risks a glance at her, then turns back to the coven. Her elbow buzzes with a reminder of a rather bland battle, the hard knitting tool piercing her skin replaying in her mind again. Rio seemingly knows where she's going with this when Agatha hikes up her shirt, lifting her elbow with a small smile.

"You ever heard of the Daughters of Liberty?" her hoarse voice rings out, a faintly muffled chuckle coming from the woman on her right. Agatha smiles at her for the first time in years.

The group enthusiastically shakes their heads, all curious about where Agatha is directing her story. Well aware, Agatha knows she needs to seemingly open up to these women and keep her animosity for them. Letting them in on her past isn't going to do that, so with a snap of her hand the shirt is back down to her wrist, cocky eyes darting around the circle. "Exactly."

Despite how chilling this should be, the group just smiles and laughs at Agatha's story. Agatha won't look into it because that off-putting "joke" just got her respect points with the coven she may or may not choose to betray. That's a win in her mind that is immediately taken away when her old counterpart speaks up.

"I have a scar."

Her tone is a little dry, her face so blank as usual. Naturally, the coven is a little uneasy at Rio's presence, all still deciding if she's trustworthy or not.

Agatha's jaw is sharply outlined as she glares. With a hard breath her nostrils are inflamed, knowing Rio's antics far too familiarly. "No, you don't."

Rio sends her a glare, as if to tell her to shut up. "Yes, I do."

Agatha knows she cannot interrupt again, the coven would be far too suspicious of just how well they know one another. Who Agatha falls in love with is her business -- her weakness is her business. With a taste of defeat that's absolutely disgusting, Agatha lets Rio speak.

"A long time ago, I loved somebody," she starts softly, if not a little too apathetic for a claim like that. The coven is immediately a little interested -- most thinking that Rio is quite the psychopath. Agatha knows they're wrong.

"I had to do something I didn't want to do, and it hurt them," with these words spilt out, Rio gets a little angry at the next part of her speech. Agatha knows what this is going to, her eyes shooting away to look at the stars instead of the stars in Rio's eyes. "But it was my job."

Agatha glares down at her purple pants, the fire a couple feet ahead casting them brighter than their original color. The avoidance is choking her out, but even when Rio speaks again, Agatha is too pained to look.

"She is my scar."

Rio looks over and up at Agatha, not caring that the coven has certainly understood the depth of the relationship between them. For a moment, weakness allows Agatha to breathe in deep, her head softly turning to glance at Rio. The moment the exchange is made, Agatha's body heating up with utter embarrassment, her head snaps. The crack of her knees is deafening, fingers flexing as she tries to loosen the hold on this flower. This damn flower -- why is it still in her hands? Agatha feels grossed out by the question, but more so by her internal response. Rio's face is still burned into her head, the parted lips, eyes open and unafraid of being known by the coven. Rio's look of pure, unaltered love that Agatha swore never truly existed between them.

"Well, I'm gonna take a walk," she snaps out, sending what's supposed to be a condescending smile to the group. Everyone sees through it, more so when Rio sighs annoyedly and rushes after.

Rio would be lying if she said she wasn't slightly pissed, the only thing easing that being the sway of Agatha's hips as she practically darts away from Rio's penetrating gaze. Her eyes remain narrow, watching Agatha fifteen feet up with no objective other than having her back again. Death is lonely, figuratively and literally. She's not found one person who's soul can ease her lack of besides Agatha. Years have blurred together, broken cries of rejection chipping away at the humanity Rio used to harbor, and everything over the millennia she's existed for has undeniably forced her to adept into stone cold apathy. Agatha healed that. During their fleeting time together, Death felt things other than her frozen over hell, she felt desired, understood, she felt human and she understood why humans hate dying so much. Agatha made Death feel like living. So yes, even after this time apart, she's angry that the one soul she refused to take could end up leaving her.

Agatha stops a couple feet ahead now, Rio's gaze running over her body to fully cement the fact that they're back together now, even if not emotionally. Testing waters which have laid still for so long, Rio's chipped nails faintly feel the back of Agatha's spine. When her fingers make contact again, she remembers every night they rested there too -- during walks along the Norwegian beaches despite how freezing it was, fooling around when Agatha was first dabbling in black magic, to nights when Agatha was falling asleep holding their kid and Rio asking hesitantly to take her instead. It's so much, Rio notes, and she understands that it must be for Agatha too because a sound so hauntingly familiar falls from her aching lips -- a moan rippling those waters untouched for years.

Silence is only exchanged after that, Agatha turning around to relent into Rio's care. Seeing her divine face this close again after so many years of punishment, is like allowing a sinner a breath of heaven for Agatha. Her nails rake along Rio's soft face as she soaks in this moment. Her bones are aching to crawl back into the grave she spent so long being comforted in, they're pleading Agatha to just allow them this reprieve, and so she grants it. Rio knows what's coming, her hands clinging onto Agatha as her face dives into her neck. Both their noses dip into the skin, smelling each other, holding each other, for the first time in years. That comforting smell of flowers, dewy earth, and the beguiling scent of death fills Agatha's nose, tears slipping down her face with familiarity.

Rio feels Agatha's hands gripping her head, her own chest stuttering as she struggles with the fleeting emotions entwined with humanity. It's so overwhelming and it's been so long since she's felt it again. Desperate to capture it, Rio grips Agatha's back, nails digging into her shirt as she feels her soul back where it belongs. Still, silence. There's nothing they need to say to her that isn't being felt -- love, security, a hint of forgiveness that Rio hopes won't be nipped in the bud.

Agatha pulls back, Rio tilting her head to analyze her features. When looking isn't enough, they both hold one another's faces, thumbs memorizing the skin along their paths. Rio can feel her eyelids droop, soulless brown eyes moving to the pair of lips in front of her. Agatha's filled with the same desire, darting forward before she can properly judge what's happening, nose bumping against Rio's. The latter pulls away, a soft hum leaving her lips.

"Agatha..."

There's a subtle nod from the addressed, eyes moving off from her mouth to Rio's eyes. It's there Agatha finds that she wasn't stopped out of hesitance or unwillingness, so she leans in again. Rio lets her, invites her when she tilts too.

Agatha hasn't felt a kiss like Rio's kisses in centuries. The moment she feels it again, she lets out a sweet moan. Rio notes how different it is from the ones she usually pulls out -- whether from pain or pleasure. Agatha's was slow and sweet, as if she had been longing for this all her life. It's comforting and full of love. Rio wants more -- she needs to know that this isn't one sided -- that Agatha has started to forgive her for a pain they share. Her hands move to support Agatha's jaw, pulling her into her furthermore as if she wants to swallow her with a kiss. Agatha's giving everything back, lips in tandem with Rio's as they refuse to part for anything.

They're like that for far too long, only stopping when Agatha rests her forehead against Rio's, trying to stifle her panting. Their eyes remain shut, soaking in the physical feel of being loved again.

"I can't -- I can't accept what happened, but -- but I want you to know, I know it hurt you too," Agatha softly speaks, the vulnerability something she rarely shows. It's been years and years of animosity because of their shared grief.

Rio's completely silent, her eyes opening to see the tears slipping down Agatha's cheeks. It takes her a moment of confusion before she realizes that she's crying too -- something that hasn't happened since she held that lifeless body in her heavy arms, crying as she pretended to be tucking her in her crib like she had so many times over the years. Rio's choked up as well, nodding her head as she desperately moves Agatha's hair behind her ears, needing to busy her hands with something.

"I --" Rio can't get anything out. Her thoughts are wilder than a tornado, each one fleeting and escaping her brain before they can be shoved out her mouth. For someone so witty, she can't speak. Rio nods again, lips pressed thin as she leans back in to feel Agatha's lips. There's no denial from Agatha, just like how there never was any all those centuries ago.

The next couple of minutes are spent exchanging sweet kisses, lips slowly and barely moving away just to reconnect seconds later. Rio's hand slips under Agatha's shirt, feeling the taut fabric against her hands when she pulls it out from the waistband of her purple pants. Malleable flesh against her fingertips makes Rio moan against Agatha, a small smirk on her lips when another moan follows -- but not from her. Rio's nails rake along Agatha's stomach, enjoying the feeling after being denied it for so long.

Lost in familiarity, they don't notice the tree cracking behind them -- not until it drops a couple feet out, a hoarse shriek coming from Agatha. Rio's back is turned to her now, hand on her waist as she keeps Agatha close. There's something under the rubble, her eyes thinning down as she glares at the rustling wood. Eventually, Rio steps away from Agatha and kicks over the wood, an unconscious face all too known in front of her. With a hard smack, Rio's knees are digging into the floor, hands grabbing out the sweet face she swore she wouldn't see ever again.

Agatha's stood behind, eyes slightly wide and confused before a soft, "hija" is echoed out in the cold air. Haunted, Agatha stumbles forward to drop down next to Rio, hands moving out to grab at your face. The moment she thinks she can, her hands shoot back and away, knees popping when she abruptly stands. In a hard panic and a heavy breath, her face is whipping around and looking around the road.

"Is this some sick trial?" she screeches out, her lungs aching as she sobs to whoever is controlling this.

Rio's still sitting, cradling your body as her hands touch your hair. The road bends to Rio's will -- after all, Rio only designed the road to bring her more souls -- but this isn't her. This is something else, something far more evil that's infiltrated her dimension. Rio doesn't understand how this is happening, who's behind it, or what the consequences are going to be, but she needs to just soak in this moment.

Rio hasn't seen your chest move in hundreds of years.

Shaky fingers press along your chest, feeling it rise against her hold, then fall, and repeat.

"Agatha," she calls out, turning her head to look at the panicked woman in front of her.

Bewildered and terrified, Agatha meets your sleeping face and freezes. There's a sick part of Agatha that reminds her she had forgotten certain aspects of your face, the guilt eating at her and choking her out. With a shake of her head, Agatha trips over herself as she tries to get away. The sobs are muffled by her vibrating hand, vision blinded by overwhelmed tears. There's too much happening for Agatha to even try regulating herself, so caught up in the face that has haunted her for centuries being thrusted against her in such a short time.

Rio gently picks up your body, head slack against her hard shoulder. The last time you were like this Rio was tightly holding you away from the Ferryman. Her hands rub your back, shifting to make adjustments for you. Centuries ago when you died, you were no more than six, now it seems as if something changed that -- you look like you're ten now. Rio doesn't understand how you managed to "age" if you hadn't had a beating heart in a long time, but she doesn't care.

"Agatha," she tries again, wanting her to see her daughter even if you'll get tugged back onto that old boat soon.

Whipping around, her hands still pressed against her mouth, she gently meets Rio half way. The tears won't stop, shock and disbelief on her aged face. "Oh God," she mumbles, hand slipping over to brush some brown hair away from your face.

You're still you, if not a little pale and older now, but Agatha can't register that. Her baby is back, in some sick way, her baby is back. Rio holds you tightly, feeling so confused as your body is warm against hers.

"What is this?" Agatha hoarsely questions, eyes darting away from yours to Rio's face.

"I don't know -- I didn't do it -- I swear," she sputters out, stopping only when Agatha presses her tear-soaked lips against Rio's own again.

"I know, I know."

Rio calms down at the belief, her arms heavy as Agatha starts to lift you into her own arms. There's a shift from you, Agatha's eyebrows pressing deeply together as she almost glares at you. Still convinced this isn't real, she's as stiff as a board against you. Up until you press into her shoulder, rubbing your nose twice before halting, Agatha doesn't believe it. That single act performed crushes her reluctance, heart stopping at feeling something you used to do all the time against her.

"Oh, baby," she cries out, nose pressed into the side of your hair as you stir. Rio watches with wide eyes, lips parted as she watches how easily Agatha slips back into her motherly tendencies.

Agatha cries until she can't anymore, eventually finding herself sitting down and just holding you against her. Of course, she doesn't want to wake you up but she also can't stop touching you. Desperately aching for the constant reminder that you're tangible -- that you're here -- Agatha's hands constantly touch your face, your waist, your hips -- gently running over your body as she shakes.

Rio sits down in front, hand resting just under your lower thigh, thumb rubbing against the side of your knee. With all this touch, you wake up slightly annoyed, pushing yourself farther into Agatha. Her tears only increase tenfold, fleeting attempts to stop it doing nothing.

"Momma, stop," you quietly whine as she plays with your messy hair, your nose crinkled up just like hers does. The similar aspect makes Agatha tear up, head nodding as she stills her hand on your waist.

"Sorry, baby."

Rio notes Agatha's cracking voice, and so do you. Tiredly, you look up at them both, confused as to why your parents had been crying.

"Why you guys crying?"

"Just really happy, honey," Agatha sniffles out, rubbing your face again. You don't fight against it, eyes darting down to look at Rio.

"Okay." Your soft tone makes Rio's lip tremble, her hand coming out to move some of your curly hair -- so alike to Agatha's -- out of your face. There's a small shake of your head as you adjust your big glasses -- the ones Rio always adored.

"I don't want you to cry, it makes me sad too," you softly admit, moving your face to rest alongside Agatha's sternum. Habits don't die, as proven when Agatha already moves to take off your glasses for you so they don't get bent by how you're laying. Rio acts on impulse too, taking the glasses from Agatha's hands and setting them on her shirt.

"Nosotras sabemos, hija," Rio speaks out, her eyes trained on your face. For a fleeting moment, Rio wonders if you've forgotten the language she taught you, her heart breaking in her chest before you respond with a nod. Agatha's a little behind before understanding what Rio means.

"We know," Agatha reiterates, letting you know that she understood the conversation and agrees.

"Where are we?" you ask, finally looking around to notice what's happening.

Rio can't think of anything to say, not until Agatha comes up with something. "Road trip, dear."

Trusting your mom, you just confusedly nod your head.

"¿Cuándo planeamos el viaje?" you ask out.

Agatha can't respond right away, but Rio does. "You were sleeping, Mama and I wanted to surprise you."

Turning her head to face the speaker, Agatha is a little confused at the question but goes with it. The answer isn't upsetting you, if not just making you a little confused, so she doesn't really care to figure out what was spoken.

"Can I sleep now?" you ask, yawning just after.

"Yeah, baby, of course."

Rio turns to look at Agatha's expression, her heart lurching at just how well motherhood suits her. Brown eyes watch Agatha's gentle hands -- hands that have slaughtered thousands -- sweetly caress your kind face. With a hum, you lean into your mama's hands, eyes shut as you try to sleep again. Agatha is completely lost in having you back, soothingly tracing along your face and down the slope of your nose, touching something she never thought she would again. Rio is too nervous to touch you again, the last time far too devastating for her liking.

As if a mind reader, Agatha brings up Rio's hand to your stomach, setting it there before looking back down at you.

Complete silence falls over you all, Rio's hand stiff before she hesitantly brings it to flatten against your stomach. Apathy is long gone from her usually conniving features, everything overtaken with terrified love. After a minute or two, Rio manages to calm down her anxiety and let her knuckles run against your shirt, remembering the nights when you'd both be sent into fits of giggles when she'd blow raspberries against your stomach. Much to Agatha's dismay, only because it'd rile you up before bedtime. Truth be told, Agatha let it happen a couple times, observing contently from the bedroom door before she'd break it up so you could sleep.  

You're knocked out again minutes later, a soft chuckle coming from Rio's lips. "God, she always was a hard sleeper."

Agatha silently nods, tears slipping down her face again. Rio brushes them away with her free hand, letting her knuckles trace against Agatha too.

"You know we don't have her back for long, right?" Rio asks quietly. In a hard, choked out response, Agatha nods her head. "I know, I know. I just need her for a bit longer."

Rio's lips are tugged taut before leaning into a frown, her forehead against Agatha's as they sit in silence together.

[hephaestiions]

For what it’s worth, Draco tries not to be in love with him.

Once the war ends, the world is dim and hazy and wild. For two months, it rains incessantly in Wiltshire. Draco watches his mother’s rose garden flag and flutter, run amok with weeds and ivy from his bedroom window. He spends May and June not doing much of anything but staring— out the window, at his ceiling, at his parents when they try to coax him to dinner. House arrest is not a death sentence, but Draco is empty and vacant and a little dead anyway.

He thinks of Harry sometimes. Harry, limned in fire on a broom, reaching for him, Harry, dead, not dead, clambering to his feet, wand raised, calling the Dark Lord Tom, Harry, who had met his eyes over the Aurors’ shoulders as they handcuffed him to accompany him to the Manor until the Wizengamot had the time to figure out what to do with the Malfoys. Harry, and the world winces into sharper focus, bleak and dull and unbearable. Draco tries, for all he’s worth, not that it’s much, to stop thinking of Harry when that happens.

There’s the trial. Harry Potter is in a suit, his hair damp and brushed and unfamiliar. He speaks for Draco and his mother. Draco recognises the image of Narcissa emerging in Harry’s testimony— haughty and determined and fearful and loving, a mass of contradictions worthy of exoneration after the payment of some hefty fines. His own image he recognises in snapshots and flashes— scared, yes, Merlin, yes, indoctrinated from a young age, that too, in the grip of something bigger than himself, yes, he’s never felt so small. There are other things Harry says, new, like an ill-fitted outfit hanging off him— brave when it mattered, really? and never killed anyone, technically true but the intent was there all through sixth year, doesn’t he deserve to be punished for that? and helped in bringing down the fall of Tom Riddle at great personal risk, a tall order at best, an embellished lie at worst.

Harry believes in a man Draco isn’t sure he ever was. The Wizengamot seems to believe him, and he’s exonerated too, with a magic-monitoring charm on his wand for eighteen months.

No one testifies for Lucius. He goes to Azkaban. Draco watches, dispassionate, as the Aurors handcuff his father again. Lucius watches him back, equally dispassionate. “Take care of your mother,” he says before he’s pulled away, and Draco manages a short, tight nod. That’s that.

Love, or the situation about Harry Potter as Draco takes to calling it, begins two more months after the trials.

“Malfoy,” says Harry, the picture of wide-eyed surprise. They’re in a bar on Knockturn. Pansy, Blaise and Theo finally dragged him here, Draco you need to leave that stuffy old Manor for your own good.

“Harry Potter,” Draco says, because he can’t bring himself to call him Potter anymore, and Harry sounds awkward outside his head.

“It’s good to see you,” says Harry, a sudden grin stretching across his face. Draco has to blink the light of it out of his eyes. “You’re looking better.”

It starts then, in the bar. The stirrings of life in a dead man. It’s annoying and brutal and the kind of thing that keeps Draco waking up and getting himself out of bed every morning and the nightmares occasionally at bay.

They run into each other at the bar, over and over, and each time, Harry begins conversation. Each time, it lasts a few minutes longer, until they’re spending half an hour or more chatting over drinks at the counter. Or, rather— Harry chats, Draco listens and tries not to let his heart spring out of his chest. Each time, Pansy looks considering, Blaise rolls his eyes and Theo peers studiously into his drink when he comes back. Draco wonders if Harry’s friends have their own set of patented reactions and if they’re half as lenient as his friends’.

Draco starts sleeping with Theo about it, eventually. Which is to say Draco starts sleeping with Theo hoping the sex will take his mind off dark hair and green eyes and that rapid, quicksilver smile. It doesn’t help that Theo has dark hair and blue eyes, and smiles at Draco like the sun. It makes him ache with want and loss, and the sex is great, but Draco has to end it within a few weeks.

“It’s Potter, isn’t it,” Theo says when Draco tells him.

There’s no point denying it, so Draco doesn’t. “It’s not you,” he says, and Theo’s lightly amused baleful glare is enough for their friendship to remain stable, if a little stilted.

Blaise takes him shopping and Pansy brings him alcohol and when Greg starts stepping out of his house again, he tells Draco awkwardly, “Well, Potter’s missing out, isn’t he?” Millicent, who starts coming to pub nights gives Draco a once-over and tells him he needs to get a job. Daphne tries to set him up with her sister, and takes it astonishingly terribly when Draco tells her he’s sure Astoria’s lovely, but has an entirely wrong set of bits.

“You should be more open minded,” she tells him, sniffing. “Astoria‘s open minded!”

Draco can only think to blink at her.

Harry’s in the papers almost every day. Sometimes because he gives speeches, but mostly because The Prophet’s society section can’t think to write anything better than “Harry Potter spotted in Diagon’s Sunday Market, with turnips! Turn to page 6 for seven delicious recipes that make fresh and inventive use of the Chosen One’s Chosen Veg!”

It’s all well and good except for the part where the accompanying photos of Harry, scowling or blank or frustrated or very occasionally, smiling at children, sends Draco’s body into overdrive. He finds himself tracing the line of Harry’s mouth, the tops of his cheekbones, his hairline. He thinks his mother notices, but she doesn’t say anything.

“Would you like to get a drink sometime?” Harry asks.

They’re not at the bar. They’re in a cafe and Draco is reading a horrible romance novel at the window.

“We get drinks all the time,” Draco says. He wants to step on his own toes.

“Yeah,” Harry says, laughing. He runs his fingers through his hair. “Yeah, course, just— I was wondering if you maybe wanted to. You know. Just us.”

“Just us?”

“Forget it,” Harry says, and sighs. He turns away and turns back. “It was good seeing you, Malfoy.” He turns away again.

“Harry,” Draco says. The look on Harry’s face when he turns back again is wide-eyed surprise again, like that first time in the bar. “I— a drink sounds lovely.”

Harry looks uncertainly pleased.

“Just not on Knockturn,” Draco says.

“We could go to Hogsmeade,” Harry says. He’s— the ridiculous man— bouncing on the balls of his feet, fidgety and buoyant and beautiful. “Or London. The Muggle bit. Or Diagon, really, but the reporters—” He grimaces.

I’ll go anywhere with you, Draco wants to say. “Anywhere,” he says instead, hacked short and inadequate.

But Harry smiles at him like he’s the sun. The persistent ache throbbing through Draco abates for a moment.

So this is peace, Draco thinks. Meets Harry’s smile with his own, wonders how Harry thinks it looks. There you are.

for the @drarrymicrofic prompt, “cranes in the sky”. this is a little all over the place and i’m not particularly happy with it, but here’s a decidedly-not-microfic about failing at not being in love with harry james potter. oh draco, you’re exactly like me.

[animeshotsh]

General White Rabbit x Fem!Reader HCS

Warnings: HCS - Protective - Full!Demon Rabbit - NSFW + SFW - Maybe OOC - I need him -

SFW:

You two met when he was just starting to bring Malakians to the human realm and just happened to ran into you.

He avoids killing when he can. Still gets worried you will rant him out so he most likely ends knocking you out till he decides what to do with you.

You end being on a trial time. Like he is teasting you. You will probably be scared of him at first. Since you are filled with Demon propaganda.

Then you start to see that not all demons are bad just like all humans are not good. Its not black and white but grey.

You end helping them adapt to the human world and usually go to get them food, medicine and whatever they may need.

End suggesting being in the countryside may be better than staying in the city, plus more fresh air!!

The romance between you two would be slow. First a friendship that evolves in romantic feelings.

White Rabbit probably falls hard when he sees you helping the other Malakians and how honest you are. Even more when he sees the process of you being scared of them because of the human propaganda to understand them.

He really aprecciates the open heart you give him and to the rest. And all the help you have done around.

If Darkcom even comes near you they are as good as dead. The White Rabbit its possessive and obssesive. Protective over his peopel , he would make sure they are safe before going to battle.

And If you ever get taken by Darkcom or a fellow Demon.

Its a blood battle. One that its going to end being win by him.

He ends being so sorry for putting you at risk.

He has seen how humans courts their S/Os and tries to replicate it as much as he can. He probably has been courting you in Demon ways but you never noticed it.

So he beings you flowers and asks you to drink some tea with him with your favorite sweets too! Will try to even have some music too. Hopeless romantic.

Probably kisses you on impulse. Maybe you are teaching some young Malakians some human thing and he cant help but just feel it. So once you end the lesson he does to you, his intention was to tell you how much help you have gave but ends kissing you.

Or you two are escaping from Darkcom and after making it he kisses you because he was afraid he would lose you.

So, Demon courting. Back in Hell he would have to fight others to show that he is strong. But he basically protects you and the rest 24/7 so he will try with his intelligence. Ends showing you some very complicated projects of him, and while they are good and amazing and all. You wont get the hint. Not even when the poor Rabbit has to help himself from jumping when you tell him how suprised you are with these.

Probably would try to get you valuable things....from hell standars. So while most Malakians are shipping you two hard after seeing him giving you some special rock from their home place...well you see it as a friend's gift.

Poor Rabbit will probably wonder what he is doing wrong.

NSFW

STAMINA. He is a Demon and a Rabbit no less. He can go for so many rounds.

Biting. Loves to leave his mark on you. Its a thing about being possessive but also romantic. Bite him back please he will love it.

Over sensitive. He feels more since his senses are sharper and that includes his nerves. When your bodies are connected he feels so much more than average. Every pulse from your core, every breath you take and sound you make.

RUT. Maybe he goes into it because he finally has someone in his life. He is over you during it. Probably has a private room for it too. With his smell and toys too.

His after care its 10/10 since he knows he can be quiet demanding during sex. Water, food, words of ressurance....all of it just for you.

A secret kink of his is getting you pregnant even if he does everytning to prevent it.

Doggy style its his favorite position since it awakes his more primal side. He is able to reach deeper and mark you better. If you are tired dont worry, he has enough streght to hold you and keep going.

Is able to smell your arousment so never think of hiding it. He probably gets pussy drunk too.

First time he smell it he was confused because it was coming from you and was having an effect on him...

[kinkley-love]

believe me darling, the stars were made for falling

Evan had called, so Tommy had come. It was as simple as that.

He hadn't been expecting the call, not so soon after- no, he didn't want to think about that.

Well. He hadn't been expecting the call. But it had come, so here he was, walking into a coffee shop he'd never heard of, much less been to, while Evan waved him down. He certainly hadn't thought Evan would be seated at a bar in front of the window, situated so that they wouldn't even look at each other. Maybe no feelings actually meant can't stand the sight of you, despite the fact Evan had been the one to call.

Tommy slipped into the open seat and took a sip from the cup waiting for him. It was perfect.

They sat in silence for a while, watching people hurry by outside. Tommy hadn't been the one to ask for this, so he didn't want to break the calm - maybe this is all Evan had wanted, all Evan had needed. And if it was, well, Tommy would provide.

But then, after a stressed-looking woman with a triple stroller walked by for the second time, Evan spoke up. "If you were writing a book about our relationship, what would you call it?"

(read more on ao3, or under the cut)

Tommy looked over, hoping to get a read of Evan's emotions, but Evan was staring out the window. A slew of titles passed through his head. Maybe Best Thing I Ever Had. Ending This Was My Greatest Mistake. Maybe even Times with the Love of My Life, if he was feeling brave. But he wasn't. "I'm not sure. Done Too Soon, or something like that."

Evan took a long drink, still not looking at him. Then, "Do you think I'm exhausting?"

"In what context?"

That earned him a quick glance, at least, though a heartbreaking one. "So that's a yes."

Evan sounded so dejected, so small. Tommy could never live with that. "It's not a yes, it's a clarifier. Because did you tire me out? I can think of a few times." He bumped Evan's shoulder playfully, remembering it - him sprawled on the mattress, completely sated. Evan, somehow still ready for more above him, guiding him into lazy kisses while thrusting gently between his thighs.

Evan didn't seem to be remembering the same, still lost in whatever thoughts were behind this line of questioning.

"No, Evan. I don't think you're exhausting. Not at all."

Evan sat with that for a moment. Rolled his cup between his hands. When he spoke again, it was quiet. Much too quiet for his Evan. "Do you think I make everything about me?"

"No," Tommy said forcefully. He didn't hesitate. Partly because he could tell Evan needed it. But mostly because he didn't second guess for a moment. How could Evan think for even a moment that he made everything about himself? They had met while he was risking his life to save his captain. Time after time when they were together, Evan put Tommy first. And when he hadn't, it wasn't that he was putting himself first. No, it was Eddie or Chris or Bobby or Maddie or Jee or any one of his family. Rarely, if ever, Evan put himself first.

"Are you saying that just because you feel bad for me?"

"No, of course not. Evan, where is this coming from done?"

Evan drained the last of his drink instead of answering. "I'm gonna-" he pointed toward the counter over his shoulder. "You want anything?"

Tommy rested his hand on Evan's arm before he could stand. "We can get more in a minute. But first, I want to know why you're thinking these things."

Evan looked at him then, finally. Stared into his eyes until Tommy could feel himself falling into the pools of blue looking back at him, until Evan blinked and settled back on his chair, turning back to the window. Then, out of nowhere, "The Trials and Tribulations of Evan Buckley, a Tragedy in 97 Acts."

Tommy felt his eyebrows furrowing, despite his best attempt to keep his face neutral. "Who said that nonsense?"

"You don't think it fits?"

"In that you've been through a lot? Yes. In that you make things about you when they're not? No."

Evan sat with that.

"Evan. You don't, and I hope you don't believe anyone who says you do. I can't think of a single time you've done so. Hell, think of how we met!"

"He said I'm making Bobby's death about me."

He? Howie or Eddie then. "Hmmm. Well, have you talked to anyone else about how they're feeling about it all? Been there to support them?"

"Huh? Of course."

"And I know Eddie has been staying at your house, so your actions certainly aren't all for yourself."

Evan shut down completely. It had been Eddie then.

"I'm sorry. I just want you to see, you're not making everything about yourself. You're giving yourself to others, like I've always known you to do. And I don't for one minute want to tell you how to live your life, but I don't think it's worth your time to spend it with people who are telling you things that are both untrue and hurtful."

Evan took a deep breath, then another. Hunched in on himself, then straightened his shoulders too much, unnaturally. Sank back into his normal posture. "I-" Stopped himself and took another breath. "I don't think I want to be friends with Eddie anymore."

Tommy stood at that, unable to stay still. He went slowly, making sure to give Evan time to protest, but nothing came. So Tommy moved behind him, hand trailing up Evan's arm as he did so Evan wouldn't mistake the action for leaving. Once there, Tommy leaned heavily against Evan, just how he knew he loved. He rested his head on his shoulder, wrapped his arms around him, hugged him as best as he could with Evan still seated at the counter.

Evan tensed, and Tommy almost backed off, but then he relaxed and grabbed Tommy's arms tightly, keeping him there. "I just don't know what to do." In their reflection, Evan looked an inch from crying. "He means so much to me, and god- Chris, I can't leave him, I just-" His head dropped.

Tommy gave him a minute, letting them breathe together while he held him tight. Then, after loosening his grip, he said, "Evan, look at me." He waited until Evan turned around. "You don't need to figure everything out right now."

Evan gave a little laugh. "They're staying with me. It's not like I can get away from it."

"That's not what I meant." He took Evan's face in his hands, rubbing his thumb back and forth over his cheekbone. "We're here, not there, and you can take a moment to breathe. We can get more coffee if you really want to, and if not let's get something to eat. Then let's go sit in that open corner booth so we can look at each other, and we can sort this out. Or, if now's not the right time, we can talk about literally anything else. That sound okay?"

Evan nodded, keeping his gaze on Tommy's eyes while he did.

"Okay. Why don't you go grab the booth, and I'll go order. Did you want more coffee? Maybe tea?"

Evan swallowed once, twice, before he rasped, "Tea sounds good."

"Okay. I'll be right over." Tommy gave in to his impulses and pressed a kiss into Evan's hair. "We'll figure this out, together."

[elvenferretots]

I don't think the idea of what retirement should be is talked about enough in dog sport spaces.

People "retire" dogs from sports all the time. The dog gets too old to safely play, acquires an injury that makes the sport unsafe or uncomfortable, or has a behavioral or temperament issue that makes the sport unenjoyable. I don't think anyone can argue that it's unethical to keep pushing a dog in a sport to their detriment.

But what I see from there, I can argue with. So many people get high drive working dogs and do... nothing with them when they retire. They often refer to them as a "couch ornament". They leave them home on sport weekends. They use the lack of finances or time to do an extra sport as the excuse to stop coaching and building new repertoires with the dog.

We spend so much time arguing these dogs NEED jobs, then do nothing with them for months to years at the end of their working life. Retirement (for humans as well as dogs-- but that's a whole new can of worms) should not mean doing nothing. Living beings aren't meant to stop learning and growing and doing. Puppies are less capable, but we don't do nothing with them until six months anymore. We meet them where they're at. It's so important for physical wellness and neural plasticity that we do the same with our retired dogs.

I have a dog whose health meant he would be retired in any serious competitive context. Biting a sleeve or suit is too high injury risk. He can't jump his full obedience height or to catch a disc. He will never get the AKC RACH or OTCH I had him slated for. But he still plays! He comes with to mondio club and is preparing to trial in obedience with no jumps. He trials in AKC preferred obedience and got his rally choice title, the highest level without jumps, last fall. We're going to compete for our UKC RACH this trial season, since they don't require jumps for rally and let you jump minimum height. He still competes in every disc dog competition my competitive dog does, and even surprised me by placing in the last two despite only catching rollers. We started shed hunt and a Nosework class even though I currently don't have the funds or time to compete in more sports.

The biggest difference I've noticed in him since competing with him and taking him to classes again? He's so so much more behaviorally sound. He's happier. He's fulfilled. And he's physically more sound on top of that, because he's using his body in healthy ways and is not so pent up that he's injuring himself with normal movement.

Retirement should mean a new phase in life, not life being over. Rest and stagnancy are not the same. Quite honestly, if my retired working dog isn't ready to learn a new activity or play a new game, it's time to have a serious talk with my vet about quality of life.

[ducksido]

Hi! I wanted to knw if you could write the TWST boys with a reader who's a ballerina. Not the glamorized version of what people think ballet is, but the cold and harsh reality. The strict diet, the bullying, the bodyshaming from peers and teachers that lead to EDs, the physical demands, long training hours, the teachers who pressure you and never praise you, and high levels of competition, all while managing the constant risk of injuries that can significantly impact their performance and career longevity. When practicing, ballerinas have to wear skin-tight leotards and tights in front of large mirrors, critiquing themselves with every move they make like they're their own worst judges.

Depressing, I know, but I feel like reader would feel a little triggered because of Vil's strict regiment in Pomefiore.

(Im gonna do Pomefiore's reactions + Jamil)

Vil Schoenheit

Vil is familiar with discipline—but his version of it, while harsh, is rooted in control and polish. So when Yuu joins Pomefiore and seems to flinch at every critique, Vil initially mistakes it as resistance to structure. It takes time for him to see the signs—how Yuu avoids meals, always wears loose clothing outside dance practice, and silently pushes through injuries.

When he finally walks in on Yuu rehearsing ballet alone—feet bloodied and trembling in pointe shoes, a pained expression in front of the mirror—Vil doesn’t speak at first. He just watches. He knows that look. The one where you're not practicing to improve anymore, but punishing yourself for not being good enough.

He says softly, “You don’t have to bleed to be beautiful.” Yuu laughs bitterly and says, “Don’t I?”

Vil doesn’t scold. He doesn’t call it ugly. He just wraps their ankle with precision, removes their shoes, and says, “You’ve survived an industry that demands perfection. But you’re not in that studio anymore. You’re here. With me. I won’t let you ruin yourself for art.”

From that day, he reworks his feedback style for Yuu. More affirmations. Less emphasis on weight or appearance. He teaches them how to stretch without pushing the body to collapse. And perhaps most importantly, he begins to challenge their inner voice. The one that only speaks in self-loathing.

Rook Hunt

Rook is fascinated by ballet—the artistry, the grace, the physical poetry. But when he learns about Yuu’s background, the intrigue shifts to concern.

He notices it in the little things: how Yuu hesitates before meals, counts calories under their breath, winces at their reflection. Once, he catches them tracing their waist in the mirror with a grimace, whispering critiques no one else was meant to hear.

“Mon trésor,” he says, his voice uncharacteristically gentle, “what hunts you in the mirror?”

Yuu confesses, in a broken voice, about teachers who told them they were ‘too heavy,’ the endless comparisons, and the feeling that every performance was a trial they were destined to fail. Rook doesn’t dismiss it. He listens. He observes. And he reminds them of this:

“You are not a canvas to be corrected. You are the painter. The muse. The storm. Let your movement be rebellion, not penance.”

He becomes a grounding presence—bringing food without expectation, watching practices without judgment, always ready with a poetic but sincere word of affirmation.

Epel Felmier

At first, Epel thinks ballet sounds like a cool party trick. But once he sees the toll it’s taken on Yuu, he feels nothing but fury.

He walks in on Yuu stuffing tissues into their pointe shoes, hissing through gritted teeth as they try to stand despite a swollen ankle. “What are you doin’?!” he snaps. “You’re hurt!”

Yuu shrugs. “Injury’s normal. If I sit out too long, I’ll fall behind.”

Epel’s eyes darken. “You sound like Vil.”

That hits hard. Epel hates when Vil treats him like a doll, and now he sees that Yuu has lived with that tenfold. His protectiveness kicks in. He starts watching over Yuu like a hawk—insisting they take breaks, sneakily padding their meals with extra protein, and blurting out blunt affirmations like, “You’re damn good, y’know. Even if you don’t look like whatever those jackasses back home wanted.”

He doesn’t pretend to understand the world of ballet. But he understands pressure. And he refuses to let Yuu go through it alone anymore.

Jamil Viper

Jamil respects dancers. He knows what goes into control and rhythm. But when he learns about ballet’s ugly side from Yuu, he’s quietly horrified.

“Let me get this straight,” he says after a long talk. “You were expected to starve, get injured, and compete with classmates while being told you’re never good enough?”

Yuu nods. Jamil scowls. “Sounds like a prison.”

He shares his own perspective—how breakdancing gave him freedom from expectations. “There’s no mirror judging me. No perfect body type. It’s about expression, not perfection.”

He starts inviting Yuu to informal dance sessions. No leotards. No pointed toes. Just sneakers, music, and movement. He teaches them how to lose themselves in rhythm instead of structure. And when Yuu starts smiling—genuinely smiling—during one of their freestyle sessions, Jamil doesn’t say anything.

He just watches. Quietly proud. Because he knows they’re healing.

[itsclydebitches]

Just finished Good Omens 2 and I'm honestly boggling at the Aziraphale hate because yes, his decision led to the angsty cliffhanger, but it makes SO much sense for his character. Not just in a "Religious brainwashing and sunk-cost fallacy" kinda way but also a "Aziraphale has no reason to believe this isn't the perfect solution" way. That scene among the nebula is crucial because it establishes that Crowley loved being an angel—reveled in his ability to create and allow his creations to grow kinda like plants—and the only problem was that someone else was calling the shots, someone who wouldn't listen to his criticism. Aziraphale has also spent 6,000+ years watching Crowley do good, all the while forced to deny the fact that he's "nice" lest embracing his original nature get him into trouble with hell. Now, Metatron comes along with an offer that fixes everything in one fell swoop. Crowley can be an angel again, be nice without censure, his ideas and criticisms will hold weight because he'll be answering to Aziraphale, and they'll be together.

It strikes me that Aziraphale isn't there when Crowley sees Gabriel's trial, ergo he likewise doesn't see the (non)acknowledgement that there's an institutional problem up in Heaven. There just happen to have been two archangels who called it quits. Same when Gabriel blurts that phrase out to Crowley. Aziraphale has always been more blind to the ways in which Heaven is "toxic" (for very understandable reasons) and this season he's continually sheltered from new evidence of its structural problems. The plot just preaches to the choir: Crowley. He likewise wouldn't see the conflict Gabriel and Beelzebub have caused as evidence of an underlying problem because that's a problem he and Crowley will no longer share. Why would they be worried about Heaven still being unable to accept partnerships between angels and demons when Crowley will no longer be a demon? And that's something he presumably wants based on Aziraphale's memories of him and the ongoing admission that he's lonely.

The way I see it, they got what they thought they wanted at the start of Season 2. Heaven and Hell are keeping an eye on them, but functionally they're left alone. Crowley can spend all the time he wants with Aziraphale and nothing comes of that except that they're both continually named traitors and the higher-ups grumble about it. If Gabriel had never shown up, things should have been perfect based on Crowley's "Let's just run away and have each other's company" standards. Better, even, considering that they get to be together on their beloved Earth, rather than being bored out in Alpha Centauri without any sushi, plants, books, or Bentleys. And yet... Crowley doesn't strike me as particularly happy. Because, you know, based on that kiss he wants to be with Aziraphale, not just literally be with him, but the point of this post is that his "Let's run away and be an 'us'" falls totally flat when he doesn't explain that specific desire to Aziraphale; the desire to change what an 'us' means. From Aziraphale's perspective they're already an 'us.' That was the entire point of "our side" in Season 1 and now they can continue to be 'us' up in Heaven. Plus, Aziraphale likely sees this as a sacrifice on his part. He will give up his bookshop, his Earthly indulgences, take on the responsibilities of leadership (which I don't think he actually wants for a variety of reasons), and spend the rest of eternity in a place where he's felt so small because he thinks that's what Crowley wants. Crowley was happy as an angel. Crowley wanted them to be together without risk of permanent discorporation. They were able to achieve that after not-Armageddon and he still wasn't happy... so surely those two things together will do the trick. Crowley never actually articulates how he wants their relationship to change and the kiss comes much too late, when he's already rejected what Aziraphale must see as a perfect, selfless solution he's secured for them. Even if Crowley wasn't always moving too fast for him, an overture of romance isn't going to go well after that.

Is this crushing and angsty and devastating as a hiatus? Damn straight, my heart it breaking. But it's a good setup. More importantly, it makes perfect sense for their characters, particularly when they're still talking past one another. Aziraphale is someone who has always moved more slowly as a matter of course, as an angel he has remained immersed in the rhetoric of Heaven, his main avenue of breaking free of that (Crowley) has a huge communication problem (to say nothing of his own denial. He only made headway with the help of Nina and Maggie, seconds before Aziraphale shows up), and Metatron (in a no doubt incredibly manipulative manner) has just offered Aziraphale a job that presumably makes him happy AND Crowley happy AND allows him to maintain the moral this-is-how-the-universe-works perspective he's had since he was literally created. Of course he's going to say yes to all that!! And sure, there are problems in Heaven, Aziraphale isn't completely blind, but he can fix them now that he's in charge. How? Well... he'll figure that out later! Kinda like how he's been making plans on the fly this entire season. That seems logical from his perspective, right? It's not like he's gotten a crash-course in the concept of the master's tools never being able to dismantle the master's house...

[alchemistc]

There's been something about the woobification of Buck that's been sitting on the tip of my tongue for weeks now, and I think I've finally figured it out.

This is, of course, mostly in reference to the moral outrage about a decade-ish (give or take) age gap between two adult men and the infantalization of one said grown man, so all the puritanism isn't really coming from a place of good faith anyway, but here's the thing that's been bugging me that I couldn't quite put a finger on until now.

Buck has people he goes to for certain things. He has, what are in his mind, experts in the field for most of the things he can't think through on his own, that he goes to for a sounding board.

He went to Hen to talk through the sperm donor dilemma for a few reasons that made sense to him. 1) She's a mom. She has very much had to deal with the reality of 'giving up' children she considered her own. Buck is aware that he would be giving up something that could mean something to him, and he wants to talk to someone who has some insight into that. 2) She's dealt with IVF. She knows the risks, she knows the trials and tribulations, she knows about this thing that he is thinking about agreeing to be a part of so she's going to have a fuller grasp on the enormity of everything this process entails.

And they drink about it. Hen gives him what she can and cautions him where she thinks she should and they continue to talk about it and regardless of what SHE thinks, he makes his mind up in part because he got to talk to his Expert.

Bobby is often his go to when he feels like he's losing his grip on things. He's seen Bobby staring down the bottom of the bottle. He's seen the work he's done to pull himself back into the world, and he's seen the way he fights for his family, his people. Buck leans on him in times of questioning himself because he knows Bobby has pulled himself off the ledge with bleeding hands and a bleeding heart.

He reaches out to Maddie about interpersonal shit constantly. We see it all the way back in S2 when he's starting to question what the hell he's still doing in Abby's apartment, and that never really changes. She's the one with advice for him when he's angry with his parents, upset with the firefam, worried about his friends, or just generally concerned with the way he's perceived by people or how he perceives the world. He goes to her when he's embarrassed, ashamed, because he knows she won't judge him for it. She'll call him out, for sure, but she's not going to look at him differently when she knows he's done something he considers bad behavior.

When he goes to her during the Tommy arc, he's there for one reason he'll admit, and another she has to ferret out. 1) He lied to his best friend and he doesn't know why. 2) Oh yeah he went on a date with a dude that's not strange WHY IS THAT STRANGE I'VE ALWAYS BEEN AN ALLY PLEASE DON'T PULL BACK THE CURTAIN - and Maddie is there with two things: 1) It's not weird but it IS new and something you clearly haven't worked through all the way which is why 2) you'll tell Eddie when you're ready

And Eddie is sort of his go-to to bounce ideas off of. Eddie is his Buck expert. Eddie is the guy who can sort through all the bullshit and who sees Buck for exactly who he is, every time, regardless of what Buck himself is thinking. Eddie is his best friend, and he knows the good the bad and the ugly better than anyone else. He is also, quite frankly, the one Buck seeks out to help him contextualize all of his romantic feelings for people. Eddie's the guy he talks to when he's interested in someone, when he's falling for someone, he's the guy through which Buck filters his love interests into the firefam. I do the same shit with my best friend. It's instinct to want the person you consider the expert on you to meet the person you are interested in, it's instinct to want them to like each other, to get along. Buck knows Eddie loves him (in whatever way you see that love, Buck knows Eddie loves him) and he wants this person who loves him to be at least an active listener as he talks himself through the minefield of relationships. I do also think that up until the events of season seven, Buck considers Eddie sort of an expert on that traditional love-marriage-kids-white-picket-fence relationship Buck thinks he's striving for - in a very naive way, because obviously the wasn't what Eddie and Shannon had and Buck knows that, but he's probably fed some of Eddie's rose colored reminiscences back into that notion.

When he comes out to Eddie he's got two worries. 1) I lied to you and I figured out why but I'm still a little worried you think it's weird and 2) I screwed it up with someone I really like and I don't know where to go from here.

And Eddie (Buck expert) reassures him that just because it's new and unexpected doesn't make it strange, that it doesn't change anything in their friendship. And then he gets right to the heart of it - if you like him you should reach out and tell him that. He doesn't know you like we do but if you give him the chance to, he'll love you as much as we do. If he doesn't give it the same shot you want to he's the idiot.

With all that context in mind, Buck isn't seeking out Tommy's attention because he wants an authority figure, or someone to take care of him, someone to guide him through sex or love or relationship dynamics or any of the other random shit I've seen ppl infantalizing Buck about.

What he's looking for, and what he ultimately tells Tommy he'd like to pursue, is a partnership. Someone to walk (or more likely for Buck, speedrun) through experiences together. The Athena to his Bobby, the Chim to his Maddie, the Karen to his Hen.

So every time I see someone infantalizing Buck for seeking out a relationship with an older man for X or Y reason, I'm just like - no. He has Bobby, Hen, Maddie, Eddie, Chim etc for that. He doesn't want or need Tommy for that. He is a grown ass man who has built these strong relationships with his peers and his mentors and he is so fucking aware of that because he reaches for their help any time he feels the urge for a helping hand.

So yeah, Tommy's older. Yes, Tommy has more experience with his sexuality than Buck. And that - that's really it. Buck's been in the same career for more than half a decade. He's lived on his own since he was no older than 19/20. He's had serious relationships, he has a rich and fulfilling life. There is no power imbalance in the relationship between Buck and Tommy.

And while the age gap may be a bit of a draw for Buck, it's not WHY he's attracted to Tommy. We know because he's told Maddie. He's cool. He's interesting. He's confident. He has a cleft.

Buck isn't going into this waiting for someone older and more experienced to take the fucking reins. He felt like he clicked with Tommy, like there was an immediate connection, and yes, Tommy had to kiss him about it for Buck to actually figure out what it was he was experiencing, but from that point on it was all on Buck (and the people he leans on for advice) to help him sort through.

Tommy didn't do shit other than pump the brakes and try to give Buck the space he thought he needed to decide what he was ready for. Buck (again, with the help of his experts - Maddie for the emotional piece of it, Eddie for the Buck of it all) did the work on his own. Tommy didn't swoop in and overbearingly hold his hand through a sexual awakening. He kissed him, asked him out, realized he wasn't ready, stepped back and then checked in multiple times when Buck came back at it going 120 miles an hour.

And then he did everything he could to prove to Buck he wanted the same thing - a partner, someone to talk to, and lean on, and flirt with and rely on to show up whenever they could feasibly manage it (and sometimes when it's a little unfeasible too).

The narrative even acknowledges that Buck had no reason to go to Bobby in this scenario, when he often would, and lays out exactly why.

Within the canon of this particular arc, we're meant to see this as Buck realizing he has the experience necessary to think these things through on his own. This is Buck finally taking control of something that's always felt like it fell into his lap a bit. This is Buck doing more than treading water until his legs give out.

And minimizing that growth bc you personally don't like the LI he's pursuing is gross at best. At worst it's something much more insidious.

[melshifting]

THE ULTIMATE SPORTS & HOBBIES SCRIPTING PACK ꒰ 01 ꒱ .☘︎ ݁˖

❝ It’s not even fair how good they are at everything.❞

— VOLLEYBALL

♫ ㆍ Your inner clock adjusts to match the rhythm of every match—so you never mistime a jump, hit too early, or react too slow.

♫ ㆍ Your arms and hands never sting or swell after a hard dig or block, no matter how intense the play.

♫ ㆍ No matter the lighting or gym, your depth perception stays crystal clear.

♫ ㆍ You can instantly spot weak points in any team’s formation after one rotation.

♫ ㆍ Your intuition about out balls is always right. No hesitation when letting a deep shot go—you just know when not to touch it.

♫ ㆍ You’re naturally synced with your setter—even if you’ve never played together, you feel their rhythm instantly.

♫ ㆍ Your serves are never accidentally out—you’re free to risk jump serves, floaters, or short serves.

♫ ㆍ Tape never peels, pads never slip; everything you put on stays in place without needing constant adjustments.

— DRAWING/PAINTING

♫ ㆍ Even at the most detailed and intricate strokes, your hand maintains perfect precision, removing the need for rulers or corrections.

♫ ㆍ Your brushes never wear out or fray, they always stay in perfect condition.

♫ ㆍ Without trial and error, you mix your paints knowing instinctively the exact color combination to achieve any shade.

♫ ㆍ You can draw or paint in complete darkness—your muscular memory and spatial awareness allow you to create impeccable pieces.

♫ ㆍ You have an intuitive understanding of anatomy and proportions. Everything and anything looks realistic and dynamic, regardless of perspective.

♫ ㆍ When something doesn't look right, your eye immediately identifies the problem, and you know how to correct it without starting from scratch.

♫ ㆍ References appear in your mind like flashcards—if you’ve seen it once you can mentally flip back to it when sketching.

♫ ㆍ You’re not sure why, but your favorite pen seems to stretch for extra pages, your paint tubes never dry out, and your erasers don’t crumble.

— ICE SKATING

♫ ㆍ Your blades never need sharpening—they’re always at their optimal state.

♫ ㆍ Even on cold trails, you maintain flexibility and warmth, eliminating the risk of stiffness or injury.

♫ ㆍ You never forget your choreography mid-routine—your muscles narrate the performance before your brain even finishes thinking.

♫ ㆍ Your spins are always perfectly centered—your balance is so impeccable that your spins look flawless.

♫ ㆍ Even the most intricate routines are fixed in your mind after seeing them just once.

♫ ㆍ Your body mechanics are so finely tuned that high-difficulty steps become your signature moves.

♫ ㆍ After you fall, your clothes never get soaked or uncomfortable. You bounce up, and it’s like nothing touched you.

♫ ㆍ Your costume/outfit never tears, rides up, or itches.

— WRITING

♫ ㆍ Every time you reread your work, the mistakes or awkward parts stand out just enough to catch, but not enough to make you spiral.

♫ ㆍ You never forget that one specific word you’re looking for, it bubbles up exactly when you need it.

♫ ㆍ You're so good at describing a feeling or detail, that readers often say “I’ve never seen it written like that before” because it’s deeply accurate.

♫ ㆍ You never lose the initial feeling that made you want to write something in the first place.

♫ ㆍ You keep what matters without over-polishing—you know which edits would please a reader and which would dilute your voice.

♫ ㆍ Your notebooks/docs never lose structure, even if you’re jumping between ideas.

♫ ㆍ When you need inspiration, you always “randomly” stumble upon the right book, show, or quote.

♫ ㆍ Your back never hurts from long writing sessions; you shift naturally and stretch intuitively between sessions.

[albondiguilla007]

My favorite Hogwarts Eighth Year Drarry fics

Part ll

✨ You cannot save people, you can only love them / 51k / Upon returning for Eighth Year, there are so many strange things going on with Malfoy, Harry doesn’t know where to start. He won’t talk to Harry, but he’s talking to ghosts. He won’t apologize for his past, but the Black Family tapestry has crossed him off its tree. And the worst of it all, he still has that infuriating, snotty mouth on him that gets Harry’s dick hard as a rock drives Harry insane.

✨ In Evidence of Magical Theory / 43k / When a hex meant for Draco accidentally catches Harry as well, they're forced to learn to understand each other in ways they previously might have thought impossible.

In which Harry and Draco can't fight, so they fall in love instead.

✨ You And Me / 27k / When Harry sits down with Malfoy, he's really only looking for a reprieve from the constant stares and whispers. (Mostly.) What he gets instead are a series of strange events that lead to a friendship that is something else, questions that nobody knows how to answer, and the realisation that the person that Harry doesn't know how to hate, anymore, seems to be the person who knows exactly what he needs.

A story in which everything is complicated. And yet, somehow, none of it is.

✨ You Look the Way I feel / 108k / Draco returns for his eighth year at Hogwarts in an attempt to salvage whatever he can of his future. His plan: sit as many N.E.W.T.s as possible, distance himself from the Malfoy name, and keep out of trouble. Of course, with his father on trial and at risk of unthinkable punishment, not to mention the anxiety-fueled "episodes" that have been plaguing him since summer, the school year doesn't go so smoothly. Especially when Harry Potter keeps seeking him out.

✨ Sex and the Art of Castle Maintenance / 14k / "Come on, boys," Zabini drawled. "You’re only delaying the inevitable."

Trouble always had a way of finding Harry, and eighth year was obviously going to be no exception.

✨ Hey, Potter / 16k / Harry returns to Hogwarts for his 8th year, determined not to let Malfoy get to him. But when the snarky teasing starts up again, Harry finds that returning the jibes with compliments has a far more interesting outcome.

✨ Mental / 186k / Harry has had quite enough of sharing his mind with someone else, thankyouverymuch. A miscast Legilimecy spell says otherwise.

✨ Nyctophilia / 107k / Everyone's back for 8th year, and Harry and his friends seem determined to spend their last year in school running around at night, hyped up on coffee and alcohol and Honeydukes candy, doing all the childish things they didn't have the chance to do before. Draco watches as he's always watched: from afar, quiet and bitter and hopelessly in love. That is, until Pansy decides she's had quite enough of it.

✨ Breathe Again / 64k / "It's a tough thing to admit, if only to himself, but sometimes Harry misses the old Malfoy, the one that used to taunt him at every turn."

After the war, a very different Draco returns to Hogwarts. Harry is determined to be his friend.

✨ Oxytocin / 179k / Draco Malfoy cannot sleep. If he keeps going like this, he will go mad, or die, or both.

For some reason, though, he can sleep whenever Harry Potter is with him. And Harry Potter is nothing if not a helper to those in need.