please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!
gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.
SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:
diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.
non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.
the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.
now, on to how I apply this to bdsm in fiction.
if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.
if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.
this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.
it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.
but yeah, spontaneous writer plug aside, that's what I mean.
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Examples of jokes I think Danny would make daily, but I haven't managed to write them into any of my fics yet:
Sam: Could you pass the remote?
Danny: You can pry it from my cold, dead hands.
Danny hands it over with no fuss.
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Tucker: Hey, pass the ketchup
Danny: Over my dead body!
Danny arcs the ketchup over his head as he passes it to Tucker.
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Jazz, calling through the house: Danny?! Where are you??
Danny on his bed: ON MY DEATH BED
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Danny walking into any room, anywhere, at any given moment: this place is haunted
The joke is that it’s him. He's the ghost haunting it. Sam and Tucker hate this one because of how often he says it.
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Goes ghost before he uses the phrases "You killed me" or "I'm dead" when something is funny.
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Jazz whacks him over the head. (deserved)
Danny goes ghost the second her hand makes contact: MURDERER
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Jazz: could you help me with-
Danny: I can't. I'm dead.
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The classic "I guess I'll die" gag.
Tucker: You should probably go deal with that ghost, huh?
Danny: I guess I'll die
Goes ghost and flies off.
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Dash: How about you eat shit and die
Danny: Well, I've already done one of those things.
Dash: D:
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Sam, could be talking about literally anything: I would rather die
Danny: Same.
Sam: -_-
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Sam: Danny, what did you do?!
Danny, who messed up: .....Deadmen tell no tales.
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Danny, anytime anyone accidentally wakes him up: you're being loud enough to awaken the dead.
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Danny: Paulina looks so pretty today
Sam: Seriously? You still have a crush on her? You know she'll never like you back.
Danny: you're being necrophobic
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HOT TAKE
But I like the idea of the phantom world being reincarnated into very unexpected people.
Like I still love the idea of Danny being Martha or Thomas.
Or Dani being another clone, or her being Damian, and Sam being Poison Ivy and or Martha, etc.
But I also like the unhinged nonsense of Sam being a clone in the dc world — ideally Kon, and Dani (or Dan) being Bruce, while Vlad is gasp Thomas Wayne.
HEAR ME OUT
JUST HEAR ME OUT
I just think the idea of Danny finding out that in an alternate world he married a nicer and age appropriate Vlad and had the son the guy has been demanding for so long in their world is hilarious.
The absolute mental breakdown that boy will go through: this is my son, and I love him, look at him go being a hero and kicking ass, but holy fucking Ancients above I fucked VLAD —
And on the other hand, can you imagine Bruce’s reaction? To his alternate mom being a sassy teenage boy, his alternate dad being an older guy ‘preying’ on this kid that absolutely HATES the guy, and being an absolute creep while his alt self **gestures to your choosing** is either a tiny girl menace or the biggest and meanest growling ghost that is BARELY tolerating being in the same space as the living.
But they also hate his alternate dad and would punch him into next week with Mom! Danny.
This man will being going THROUGH IT.
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more clone^2
snippet 21: Danny is Bruce Wayne's Clone and--
Star, with the rest of the A-List girls: alright ladies! it's time for our quarterly 'cutest boys' list! Now I'll get straight to the point, in our number one spot is--
All girls, in unison: Danny Fenton
Star, writing it down on a whiteboard: and for our number two spot--
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Snippet 22: clone meet clone
Ellie, dramatically: Danny!
Danny, equally dramatic: Ellie!
Ellie, pushing past him and looking around: where is he! i wanna see the little guy!
Damian, with a sword, brandishing it dangerously: *in arabic* don't come any closer, stay back!
Danny, wrapping an arm around Ellie's waist and pulling her back: woah, woah - he's still adjusting to everything
Danny, turning towards Damian with his google translate open: [please don't stab her. this is Ellie my clone.]
Damian, lowering his sword in disbelief: 'there's MORE of you?
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Snippet 23: Ellie has the same epiphany as Danny
Ellie:...hey Danny
Danny, pouring over his arabic book: hm
Ellie: since I'm your clone, and you're a clone of Bruce Wayne, and Damian is a clone of Damian Wayne, does that technically mean I'm his mom - uh. dad-mom?
Danny:
Ellie:...its a fair question
Danny: .....*deep sigh* you're his cousin until further notice.
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Snippet 24: wait for me ii (hadestown, live vers.)
(i'm not sure of the context, but i've been thinking of Danny saying this to Damian during a serious moment for days. the snippet title is the song that the dialogue below is from)
Danny, fixing up Damian's wraith suit: the meanest dog you'll ever meet
Danny, zipping up damian's jacket: it ain't the hound dog in the street. he bares some teeth and tears some skin, but brother,
Danny, adjusting Damian's gloves, pausing to look him in the eye: that's the worst of him.
Danny, he holds a finger up to Damian's eyes and points it at him: the dog you really got to dread, is the one that howls inside your head
Danny, grabbing damian's mask and smoothing it over his eyes: it's him whose howling drives men mad, and a mind to its undoing
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Snippet 25: Danny is Bruce Wayne's clone-- (Battinson Vers*)
Ember, in the middle of a fight with Phantom + Wraith:
Ember, knocks off Phantom's mask for the first time: lets see what ugly mug you're really hiding under there, Phantom--
Phantom: *the wettest, most pathetic looking pretty boy on the planet*
Ember:
Phantom, dryly: what, did your mic die out or something? all that caterwauling finally make you lose your voice
Wraith, unsheathing his sword: *vibrating with baby brother rage bc he knows EXACTLy why Ember is silent*
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Snippet 26: Damian is finally starting to play nice :)
Dany: hey... guys.... whatcha doing
Damian, hanging out with Sam: Me and Manson are plotting ways to crush the Mayor's plan to cut budget funding for the city parks and cut down the native trees
Danny: oh, i see.... is this safe?
Sam: probably
Danny: hm.
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Snippet 27: digging up cold case
Danny: ....if Damian is out with Sam tonight with their plot against the mayor....
Danny, turning towards his desk: then that means I can work some more on Mrs. Witherbury's murder case that she asked me to solve without Dames guilt-tripping me into bed :)
Danny, settling down at his desk with a thermos full of coffee: i'm glad sam and damian are finally getting along
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Snippet 28: sparring
Damian, frowning: your reflexes are incredible but your combat is downright awful, brother. it's truly a miracle i didn't skewer you upon our first meeting
Danny, got his ass kicked by his 7yo brother: *groaning in pain* not everyone has super secret assassin training, Damian. And I don't really have time to actually practice anything.
Damian: Mrs. Fenton knows martial arts and her form is proficient enough, I'm sure she would be delighted to teach you if you asked. I will join since I need to keep my skills sharp and my training was unfinished when I arrived here.
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Snippet 29: daytime surprise
Phantom, fighting Skulker in broad daylight: *under his breath* at least Lancer's english test will get canceled for this...
Phantom, dodging a blast from Skulker: *in ASL, furious* don't you have anything better to do, you fuck!?
Skulker: foolish ghost child, speak! I know you're capable of it - speak before you lose the ability to
Phantom: *flips him off instead*
Wraith, sending back a ecto-blast with his sword: please pay attention, phantom
Phantom, doubletaking: *in a hissed whisper* what are you doing here!? it's a school day, you should be at school!
Wraith: Tt. If the boot fits.
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Snippet 30: guilt
Danny with his head on his desk, his elbows propped up as he massages his hands: hn
Damian, lurking to the side with a guilty look on his face:
Damian: can i....
Danny, silently holding his hand out to Damian: hrm
Damian, immediately taking it and doing the massages + finger exercises: ...im sorry
Danny: hm... I forgive you
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