#Also when i first crafted their stories

[witherbythesword]

okay I am watching D20 - Neverafter for the first time and there are fanfics where snowwhite, cinderella and sleeping beauty are in a polyamorous relationship right? There are fanfics of then going through the horrors of wakeing up in their stories over and over again. In the beginning always with a memory loss and that feeling of something being off. Between the magic and the destined love it's like a cold wind blowing through the cracks of reality.

Wakeing up to reunite with their true love. Not their destined one but the one they chose each day they had the freedom to. The ache of knowing they will be seperated again. Probably forgetting again.

The memories pileing up, the princesses holding onto their memories until they can't forget anymore. but still they have to play along with a story outside of their hands until they snap. And the first fairy ends up with a glas shard in her chest and the princess breaks free.. hopefully for good.

And then them waiting for sleeping beauty. Searching for her desperately only to find she died and she forgot everything they shared. Talking about a prince and having to hold back when all you wanna do is wrap her in your arms. Telling her about how snow white learned alot of magic since she broke free (don't you remember? how she tought you your first spells please remember) and argh

PLEASE TELL ME THERE IS A STORY FOR THAT

[lesbian4lqg]

one thing i really appreciate about svsss is that with anyone else in shen yuans role?

the system's lbh mood ring points (satisfaction, heartbreak, etc) would be considered an invasion of privacy more than the whole transmigration thing already is or at least a source of valuable insight but instead

its shen yuan. if anything the mood ring reveals make him more confused

[stonerzelda]

straight up ethel cains work is so good im like desperately looking for fanart of her songs. Like what. Somebody stop me from making a series of serious paintings abt them lmao like man

[unproduciblesmackdown]

the sense of having any lore about the ancient [ten to thirteen years ago] of marble hornets times like granpa granpa tell us a greentext story....the only hitch is not having stories and instead having "i guess you had to be there" tales from the fringes, unless instead of a hitch you frame this as a bit

[the-kipsabian]

its not a lake

its an ocean

[apocellipse]

freewriting

[toddhewitt]

top 5 character voices? (either in pov narrative or dialogue)

this is a really good question that's really difficult to answer since i could only think of three narrations that i'm truly exceptionally fond of, so the last two aren't narrators but characters whose voice amplifies their personality the most and are really distinct voices imo

todd hewitt king of narrations

katniss everdeen - that's just what my brain looks like

grantaire worldain'tready (this is a real book to me) - my favorite ever voice that's in third person narration, the internal monologue is such a huge part of the book's personality and utilizes things like slang, jokes, patterns from speech and such to make up for the way third person narration can easily create distance between reader and viewpoint character

noa levitan

right now i'm feeling jack rackham blacksails

[sharama]

Gods I'm so sleepy this morning.

So much crafting I need to do but gotta get ready for work

Got to do alchemist job quests to the lvl 50 one. Then gotta start on the lvl 50-60 job quests for the ones I need to do that on. Then gotta do the 60-70 job quests, thankfully I don't have to mat hunt for those lmao.

Doing these is helping clear out my crafting mats off my retainers so there's that. But omg it takes forever and it's soooooo boring lmao

Hopefully I can get these all done today after work/tomorrow. And then I can spam make leve quest items + script turn ins for crafter exp boost 😭

[byoldervine]

Types Of Writer’s Block (And How To Fix Them)

1. High inspiration, low motivation. You have so many ideas to write, but you just don’t have the motivation to actually get them down, and even if you can make yourself start writing it you’ll often find yourself getting distracted or disengaged in favour of imagining everything playing out

Try just bullet pointing the ideas you have instead of writing them properly, especially if you won’t remember it afterwards if you don’t. At least you’ll have the ideas ready to use when you have the motivation later on

2. Low inspiration, high motivation. You’re all prepared, you’re so pumped to write, you open your document aaaaand… three hours later, that cursor is still blinking at the top of a blank page

RIP pantsers but this is where plotting wins out; refer back to your plans and figure out where to go from here. You can also use your bullet points from the last point if this is applicable

3. No inspiration, no motivation. You don’t have any ideas, you don’t feel like writing, all in all everything is just sucky when you think about it

Make a deal with yourself; usually when I’m feeling this way I can tell myself “Okay, just write anyway for ten minutes and after that, if you really want to stop, you can stop” and then once my ten minutes is up I’ve often found my flow. Just remember that, if you still don’t want to keep writing after your ten minutes is up, don’t keep writing anyway and break your deal - it’ll be harder to make deals with yourself in future if your brain knows you don’t honour them

4. Can’t bridge the gap. When you’re stuck on this one sentence/paragraph that you just don’t know how to progress through. Until you figure it out, productivity has slowed to a halt

Mark it up, bullet point what you want to happen here, then move on. A lot of people don’t know how to keep writing after skipping a part because they don’t know exactly what happened to lead up to this moment - but you have a general idea just like you do for everything else you’re writing, and that’s enough. Just keep it generic and know you can go back to edit later, at the same time as when you’re filling in the blank. It’ll give editing you a clear purpose, if nothing else

5. Perfectionism and self-doubt. You don’t think your writing is perfect first time, so you struggle to accept that it’s anything better than a total failure. Whether or not you’re aware of the fact that this is an unrealistic standard makes no difference

Perfection is stagnant. If you write the perfect story, which would require you to turn a good story into something objective rather than subjective, then after that you’d never write again, because nothing will ever meet that standard again. That or you would only ever write the same kind of stories over and over, never growing or developing as a writer. If you’re looking back on your writing and saying “This is so bad, I hate it”, that’s generally a good thing; it means you’ve grown and improved. Maybe your current writing isn’t bad, if just matched your skill level at the time, and since then you’re able to maintain a higher standard since you’ve learned more about your craft as time went on

[goldengirlgalaxy]

The Bedazzler

After a very hazy night that... may or may not have been caused by something he found in the Ghost Zone, Danny ends up discovering in his haze he bought an absolutely outrageous amount of various craft supplies, especially shiny things like those little plastic rimstones.

Good news, everything was bought from a going out of business sale, so he didn't drain all of his funds. Bad news, everything was bought from a going out of business sale, which means he can't return them. And, frankly, he doesn't want to just throw away a bunch of stuff he paid for. But he still doesn't know what to do with it all.

At least until Clockwork decides to give Danny a small boon that lets him stop time. Then he gets some ideas.

It first starts off with Superman. He's doing his regular hero thing, when he suddenly feels his cape pulled to one side. He brushes it off as the wind, until people start pointing at his back. Clark nearly panics when he finds a bunch of green crystals on his cape, only to calm when he realizes they're plastic and attached with glue. That of course begs the question, who was able to glue gemstones to his back without him noticing?

Later that same day he's both amused and even more confused when Luthor appears again, only for a bunch of gem stickers to appear on top of his bald head, clearly arranged to spell out 'I Heart Superman' in icons.

Captain Marvel suddenly feels something appear on his head, only to discover it's some kind of cardboard crown. He's confused, but ultimately decides to wear it the rest of the day, thinking it might be from some meta fan of his.

Martian Manhunter finds a necklace appearing on him. When he pulls it off, he finds it's one of those Shrinky Dink plastics, designed to look like a medal that says '#1 Hero' on it, also with some extra plastic gems for extra bling. He wears it proudly for the rest of the day.

The Gotham Bats all get hit at the same time. Fake flowers, various colors of ribbons, Red Robin had a helium balloon attached to him for an hour, and of course plenty of shiny fake gems.

At first, everyone thought the funniest part of the mysterious crafts was Red Hood appearing with several rimstones attached to his hood where he mouth would be, several gold ones arranged in such a way that it looked like he was flashing a bunch of yellow teeth.

Then the Joker showed up. And was promptly doused in several pounds of glitter. Even better, it got into his eyes, effectively blinding him and giving the Bats a chance to capture him (after they were done laughing).

Of course, as more Leaguers get trolled, the more the stories start to paint a picture of someone running around pranking them. And many of them want to know just who this Bedazzler is.

Meanwhile, Danny is laughing his ass off and is planning on giving his friends a chance to have their own fun.

[nellasbookplanet]

'Enjoy it despite its flaws' is one thing, but Mass Effect somehow invented its own category: 'simultaneously one of the most flawed and the most well-crafted sci-fi stories I've ever experienced'. These games are incredible. They’re the worst. All the women are sexualized. All the women have deeply flawed and complex personalities without being either demonized or romanticized. The first available f/f ship seems to be written along the guidelines of 'what would a straight man find hot'. As the games go on, they effortlessly include multiple same sex romance options given just as much care and development as the the opposite sex ones. You can play as a xenophobic murderhobo asshole. You can play as someone genuinely caring but also harsh, who inspires growth and co-operation wherever you go but who makes hard choices when you have to. You can kill civilians and punch reporters and commit genocide. You can stop a generational war and mediate peace and save several species from extinction. The robots are stereotypically evil cannon fodder. The robots are deeply complex with a tragic history. Your team mates are assholes with xenophobic opinions or justifications for police brutality and genocide, or they just want excuses to Do Murder. You team mates are deeply flawed and can be urged to grow alongside you. The most important aliens are all humanoids. There are plant aliens and jellyfish aliens and insect aliens and elephant aliens and aliens who can’t share an atmosphere with us. You have to drive around countless identically boring planets with little to show for it. You get to discover hidden secrets and civilisations millions of years old and live through some of the most emotionally harrowing scenes in storytelling history. I am going absolutely insane about it.

[reasoningdaily]

My former U.S. Track and Field teammate Tori Bowie, who was found dead in her home in Florida on May 2, of complications related to childbirth at 8 months pregnant, was a beautiful runner. She was effortless. At the Rio Olympics, I ran the second leg of the 4 x 100 relay. Tori was the anchor. When she got the baton, I remember thinking, “it’s over.” She just accelerated. When she crossed the finish line, I couldn’t wait to run over to her to celebrate. It was her first, and only, Olympic gold medal.

She also picked up a silver (in the 100-m) and bronze (200-m) in Brazil. The next year, at the 2017 World Championships in London, Tori won the 100-m title, earning the title of “world’s fastest woman.” Tori started out as a long jumper. So seeing her thrive as a sprinter was a huge deal. She was just such a bright light, and people were getting to see that.

Tori grew up in Mississippi and had this huge Southern accent. She didn’t take herself too seriously. You felt this sense of ease when you were around her. I last saw her in early 2021, in San Diego, where she was training. She gave me the biggest hug; something about her spirit was just very, very sweet. I felt her sweetness come over me that day.

Tori was 32 when she died. According to the autopsy, possible complications contributing to Bowie’s death included respiratory distress and eclampsia—seizures brought on by preeclampsia, a high blood pressure disorder that can occur during pregnancy. I developed preeclampsia during my pregnancy with my daughter Camryn, who was born in November 2018. The doctors sent me to the hospital, where I would deliver Camryn during an emergency C-section, at 32 weeks. I was unsure if I was going to make it. If I was ever going to hold my precious daughter.

Like so many Black women, I was unaware of the risks I faced while pregnant. According to the CDC, in 2021 the maternal mortality rate for Black women was 2.6 times the rate for white women. About five days before I gave birth to Camryn, I was having Thanksgiving dinner with my family. I mentioned that my feet were swollen. As we went around the table, the women shared their experiences during pregnancy. My cousin said she also had swollen feet. My mom didn’t. Not once did someone say, ‘oh, well, that’s one of the indicators of preeclampsia.’ None of us knew. When I became pregnant, my doctor didn’t sit me down and tell me, ‘these are things that you should look for in your pregnancy, because you are at a greater risk to experience these complications.’

That needs to change, now, especially in light of Tori’s tragic passing. Awareness is huge. Serena Williams had near-death complications during her pregnancy. Beyoncé developed preeclampsia. I hate that it takes Tori’s situation to put this back on the map and to get people to pay attention to it. But oftentimes, we need that wake-up call.

The medical community must do its part. There are so many stories of women dying who haven’t been heard. Doctors really need to hear the pain of Black women.

Luckily, there’s hope on several fronts. Congress has introduced the Momnibus Act, a package of 13 bills crafted to eliminate racial disparities in maternal health and improve outcomes across the board. California passed Momnibus legislation back in 2021. These laws make critical investments in areas like housing, nutrition, and transportation for underserved communities. Further, several pharmaceutical companies are making advances on early detection and treatment of preeclampsia.

Three gold medalists from that 4 x 100 relay team in Rio set out to become mothers. All three of us—all Black women—had serious complications. Tianna Madison has shared that she went into labor at 26 weeks and entered the hospital “with my medical advance directive AND my will.” Tori passed away. We’re dealing with a Black Maternal Health crisis. Here you have three Olympic champions, and we’re still at risk.

I would love to have another child. That’s something that I know for sure. But will I be here to raise that child? That’s a very real concern. And that’s a terrifying thing. This is America, in 2023, and Black women are dying while giving birth. It’s absurd.

I’m hopeful that things can get better. I’m hopeful that Tori, who stood on the podium at Rio, gold around her neck and sweetness in her soul, won’t die in vain.

—as told to Sean Gregory

[writer-logbook]

How to improve your writing style : a 5-steps guide.

Intro : I love the 5-steps format, don’t mind me. Again, this essay is based on my personal experience.

Read in different genres. Ok, I know you’ve probably heard this advice more than you can count but did you ask yourself why it is so important ? You probably wonder ‘‘How reading some historical fiction will help me writing my sci-fi novel ?’’ For that simple reason my friend : they meet different purposes. You don’t know how to describe a castle ? It’s okay, historical fiction got your back. Because it aims at something more realistic and accurate, it would tend to be more specific and detailed when it comes to describing clothes, furniture, places and so on. Why ? Because, most of the time, THEY ACTUALLY EXISTED. Take a closer look at how it is done and draw your inspiration from it (but please avoid plagiarism it’s bad - and illegal)

Take notes and CLASSIFY them. To make reading somehow useful, you have to actually make it concious, which means you have to write things down to remember them. When I come across a description I like, I tend to takes notes of the figures of speech that are used and class them, so when I have to write a similar scene, I have an idea of what have been already used, and weither or not it achieved its goal. I am NOT talking about COPY another author’s style !!!! It’s about finding inspiration and new approaches. I also tend to take notes of the new words I wish to incoporate into my writing. The thesaurus is my new bestie.

Rewrite the same scene from different POVs. First of all, it’s fun. And it’s a really good way to spot quirky formulations. For instance, if you describe a ship, the captain’s POV should be different from that of a simple observer. The first one would be naming each part princisely whereas the other would only be admiring the surface without knowing anything. If the caption is the same for both POVs, maybe you should consider write your passage again (or have a good reason, like a strong amateurism for the mere observer). It’s go hand in hand with coherence - but it would be an essay for another time (maybe).

Read your text aloud. I put major emphasis on that one because it’s as underated as reading books for various genres. You have no idea how much we DON’T speak the way we write. Even dialogues are crafted in our stories - so make sure to give them proper attention. (i even read my email aloud but-). I KNOW how cringey it might be as I am doing it MYSELF but the benefits are worth the 35-minutes shame I endure from my own mess. Before you can shine, you have to polish (shout out to the one who said that first if it’s not me).

Take a step back. I strongly advice you to let some time pass before reading your text again and profreading it. It will cast a new light upon your work and with fresh eyes you’d be more likely able to spot what needs to be erased or rephrased.

That’s all for me today. Since I would be entering my proofreading phase for my writing contest, the next essay would probably about proofreading (with examples from my own novel ?). Unless someone wants me to write on a specific subject first.

Gentle reminder that I’m still French and not a native so please forgive my dubious grammar and outrageous mispellings.

[littlemissmiller]

𝑀𝑎𝑑𝑒 𝐹𝑜𝑟 𝑌𝑜𝑢

Pairing: joel miller x fem!reader

Summary: the summer before you graduated college, Joel Miller became a regular at the bar you worked. he was perfect except one small problem…you already have a boyfriend

Warning: 21+ (drinking), fluff, slight age gap (reader is in her early 20s and Joel is 30) smut, oral (f receiving) p in v, slight body worshipping, porn with plot

Word count: 5.2k

A/N: i did it! i finally wrote a fic to live up to my blog name! i’m so proud of this one y’all like omg…i love it, it’s so perfect. such a cute lil fluffy smut (≧◡≦) ♡ also still can’t get over the fact that people like my little hobby, so thank you for all the love! it only encourages me to write more. speaking of which, i have so many stories for the summer coming up, especially with tom blyth coming back as billy. i already have a few stories started so hopefully they will be out sooner rather then later. ok that’s it i have nothing more to say. enjoy ❣︎

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It was your last summer before graduating college and being home made you want to cherish your last year even more. You were looking forward to it and ready to be done bartending so you could see your friends and have some real fun. Sure, this job made you a ton of cash, but being home was nothing in comparison to being with your college friends in a town totally catered to you and your fellow students. Although your hometown had its perks. At least it used to. Your longtime boyfriend had never left your hometown or went to college. He had instead opted for going into a trade and becoming an electrician.

Your relationship was strong at first, but every semester it became harder and harder to navigate. Time after time you had convinced yourself that he was still your best friend, but meeting new people in college and getting to experience the joys of youth on your own for the first time, had given you a lot of perspective. So every birthday, holiday, and summer, you felt like you were coming home to a completely different man. Yet you stayed with him because you really wanted to make it work and you told yourself you loved him. Yet something unexpected had happened. One evening at work, a group of men came in to watch the Rangers game. That’s when you first met him and that’s the night Joel Miller would become a regular at your bar.

He was clearly older, at least thirty, but you couldn’t help but practically gawk at him all night. And you couldn’t help but think that Joel was eyeing you too. But you felt a wave of guilt overcome you. You knew you shouldn’t feel like this. You knew you shouldn’t be staring down another man like that but you couldn’t help it. But his arms looked so strong, like he could carry you effortlessly. You couldn’t help the way you smiled every time he would share a boisterous laugh with his friends. His own sweet smile drew you in and you noticed he had the cutest cheek nimble on top of it. From his big chiseled nose to his perfectly crafted jawline, he was an absolute Adonis. Just then another wave of guilt washed over you and you tried to shake away your feelings of disloyalty as you walked into the kitchen, putting their food order in.

As you walked out of the kitchen and brought them their next set of drinks, you tried not to look at him so much but it’s hard not to. Then he spoke up.

“Hey darling? Could I get some more napkins when you get the chance?”

“Yeah sure!” You scurried off and came back immediately

He smiled at you as he thanked you which made your heart flutter. As you made your way back to the kitchen, another server catches up to you.

“Who’s the handsome cowboy at 13?” She asked

“Oh” you started “I’m not sure. Are you talking about the man in the white shirt?” You lied acting like she was talking about someone else

“Girl, don’t play. I can see him undressing you right now”

You glanced over, and caught him smiling at you while he sipped his beer. You started to smile back, when the guilt hit you again and you turned back to your co-worker.

“Oh…yeah…h-he is handsome yeah…but not like I’m interested.” You lied again

“Okaaay whatever you say…” she said unconvinced, rushing off to her table

Joel and his buddies left around 9 and you noticed that Joel leaves the biggest tip out of everyone. Around 10 o’ clock you clocked out and headed to your boyfriend’s house where you had planned on spending the night. Once you arrived, you walked straight into his room where he was playing some PC game. His back was towards you and he didn’t notice you at first with his big headset on. You hugged him from behind and kissed his cheek. He startled and you jumped back.

“Woah! Hey! Your home” he remarked, clutching his chest, barely glancing at you “Jesus you scared me.”

“Clearly” you giggled

“God don’t sneak up on me like that. Could have cost me the game” he sighed, as he returned his full attention to the screen.

“What ya playing?

“COD” he remarked dryly

“Are you gonna be finishing soon?” You inquired

“Ahh probably not. I figured you’d be too tired to hang after your shift so I told the boys I’d be on tonight.”

“I thought you said we would watch a movie after work tonight?”

“Oh yeah, I mean I don’t know I just kinda figured you’d want to go to bed when you got home. Plus you fall asleep to every movie we watch together”

“Yeah” you sighed in disappointment, wanting to follow it up with “but that’s not the point.” You knew he’d get upset at you for pulling him away from his game. “I just want to cuddle you.”

“Ok ok I got ya. I’ll be in bed soon, ok.” He said halfhearted, still not looking at you.

You changed into a pair of sweat shorts and an old shirt and got ready for bed. As you climb into bed you want to cry. And you questioned your guilt from tonight. Maybe it was because it had been a while since a man seemingly flirted with you that made you realize just how lousy your boyfriend has become. When was the last time he genuinely made you feel special? You fell asleep, but were woken up by small kisses on your neck, but your boyfriend began to move more aggressively, trusting and grinning his crotch against your ass. At that point you’re too tired for sex, and all you wanted was for him to hold you and care for you.

“Mmm babe I’m really tired” you whined

“I thought you wanted attention?” He asked, continuing his actions. You pushed away slightly but he continued, only pulling you closer against his chest.

“I do, just not like this. Not right now ok? I just want to sleep.”

He sighed, turning over

“See this is why I don’t want to do a movie with you. I knew you would be too tired.”

“That’s not…” you wanted to finish your sentence again and say “that’s not fair” but once again that would probably upset him and now he was annoyed with you so you don’t want to push it. “I just want to sleep now ok.”

“Ok. It’s fine. Goodnight.” He huffed, falling asleep.

The next couple of shifts your mind is preoccupied by your newfound feelings about your relationship. Your boyfriend wasn’t abusive by any means, but it was clear the relationship wasn’t healthy anymore. That’s when the crying at work started. Mainly because you had just come from his house before each shift and every interaction with him pained you. The only thing that kept you from continuously calling off was Joel. Almost every shift around 5 o’clock he would come in, order a few beers, maybe something to eat, and chat it up with you.

By the third week, all your co-workers were teasing you about him. Whenever his truck would pull up in the parking lot, someone would come get you.

“Your cowboy is here!” Someone yelled out to you, stepping out of the kitchen. You left the servers station to greet him.

“Hey Joel! Mich Ultra? You asked

“You know it darling. How you’ve been?” He smiled, causing you to practically melt into a puddle. You gathered yourself and smiled back at him.

“About the same as the last time you saw me.”

“And still as beautiful as ever.” He winked

“You flatter me Mr. Miller. I bet Mrs. Miller is one special lady hmm?” You asked more or less trying to see if he was actually flirting with you or just being nice.

“She would if there was one.”

“Oh I thought you said you have a daughter?” You questioned more

“And a man can’t be a single dad in this world? How sexist of you” he chuckled sarcastically

You rolled your eyes at him and laughed along.

“I just thought such a handsome cowboy as yourself would have a beautiful gal to go home to.”

“I wish…” he sighed, eyes giving you a once over

“So where is she then? Your daughter? If not with her mom. You know we allowed kids in before 9 right?”

“Yeah, she just has soccer practice at this time three days a week. I figured why not wait for her to be done and come see you since I’m out and about.” He explained

“Ain’t you just a charmer.” I’ll get you that beer.”

You walk over to behind the bar and fetch Joel his beer.

“He’s just all over you” one of the bartenders remarked

“And he tips well too.”

“Gee I wonder why” they smirked, giving you a look “how does your boyfriend feel about him?”

“I mean he’s just a customer. They flirt all the time and who doesn’t like the extra cash?” You started quickly

“Mhmm sure” they said

You walk back to him, bringing him his beer and continuing to chat with him. He ordered another beer then left to go pick up his daughter Sarah.

Now every time at work shift, it felt like an escape. It also felt like a fantastic secret that only you knew about. A fantasy being played out in real life. Joel was so charming.

Even though he was older, his youthful demeanor shone through. He was caring too. If he wasn’t asking about you and your life, he was talking about his daughter. You could tell she was his world. He absolutely adored her, and you loved to listen to him go on and on about her. You didn’t quite care what your co-workers would say or how your boss didn’t like that you hovered around his table, sometimes neglecting your other ones.

But he couldn’t complain too much given Joel was a respectful, paying customer. And a great tipper. And he would always leave a little note on his receipt. Nothing too flirtatious, just innocent enough to toe the line. This went on for a couple more weeks, your boyfriend none the wiser. Not like he was paying much attention to you anymore. Every note, you would take them and make sure to hide them when you got home. You stored them in your sock drawer and kept them secret like everything else about him. You still felt guilty though and realize that you need to end things with your boyfriend. It’s harder than you thought and truthfully you don’t know how to leave someone you’ve cared about that much. And been with for so long. But talking to Joel made you realize what you needed. And what you wanted. And you wanted him. And something told you he wanted you too.

Then back at home, living with your boyfriend it was a totally different reality. He felt so disconnected from you, so indifferent. And the more you faded away from him the less you felt like you really loved him still. And he noticed you pulling away from him. One night, you came home and had kept another one of Joel’s receipts.

“See you Wednesday :) Joel”

You left your server book out on his bed, along with your purse and hopped into the shower without thinking. When you got out of the shower, your boyfriend was sitting on his gamer chair, nose deep in your server book. You froze and tightened the towel around you nervously.

“Oh hey babe. When did you get home? I thought you and the boys were having a boys night? “

“We decided to just get dinner instead. What’s this?” He asked, holding up the receipt.

“Oh, just one of my regulars. Don’t worry about it.” You giggled, trying to play it cool reaching for the book. He holds it back from you and stands up.

“Who’s Joel?”

“My regular” you repeated

“Oh yeah. I bet he tips you well hmm? Pays you lots of attention?” He asked accusatorily.

“I-he…he’s just a regular we get them all the time.”

“Yeah, but you said he is one of YOUR regulars. Why yours? Why is he writing you notes?”

“He-he just always sits in my section I don’t know. That’s not too unusual…and a lot of customers write thank you notes and stuff I can’t control them!” You insisted, readjusting your towel again

“You expect me to believe that?”

You scoffed and rolled your eyes.

“Why are you acting like this?”

“Well I don’t need creepy men hitting on my girl at work.” He barked back

“He’s not creepy and you’re being ridiculous.”

“Oh then what is he?”

“He’s just a customer!” You argued even though it was a lie

From that moment on, your boyfriend had grown highly suspicious of your relationship with him and Joel. Wednesday rolled around and Joel showed up again as expected. You nervously approached him as he sat down.

“Well hey their sugar” he smiled

“Hey Joel” you replied, only giving him a half smile

He searched your face and could tell something is up.

“You ok?”

“Yeah, just life stuff. So Mich Ultra?”

He nodded and you walked off. His eyes followed you, watching you as you went to the bar. You came back and gave him his beer. You wanted to set it down and walk away, but Joel’s concerned eyes beckoned you to say.

“Thinking about food?” You asked him

“Maybe. I’m sorry doll, I don’t mean to pry but if I did anything to put you off-“

“No Joel of course it’s not you it’s just…relationship issues” you huff

“Sorry to hear that sugar. I hope y’all can work it out”

“I hope so” you sigh, knowing it’s a lie.

Just then your boyfriend storms into the bar. You don’t notice him at first, but then you hear a set of heavy footsteps approaching towards you and you look up. Confused, you call out his name.

“What are you doing here?”

“Can’t visit my girl at work anymore?” He asked glancing at Joel

“Excuse me.” You mumble to Joel, walking over to him and grabbing his hand. You lead him out of the building.

“What are you doing?!” You shouted

“Is that him? Is that Joel?” he sneered

“Why do you care all of a sudden hmm? You’ve barely paid attention to me in the last few months. What happened to us?” You nearly sobbed.

He sighed and shook his head

“What do you want from me? I mean I’m frustrated with you too if that helps. You have completely shut yourself off, don’t tell me shit! I’m upset too! Especially that I know you’re flaunting yourself around weirdo old men.”

“Stop! That’s it, I can't do this anymore. I’m so scared to tell you anything because of how you act when I share your feelings. When I come home, you ignore me and frankly it seems like you only give me affection when you want to fuck me!”

He rolled his eyes and scoffed, throwing his arms up.

“Oh my god! You over exaggerate everything. Is this why you’re acting like an attention seeker? Because you think I don’t pamper you?”

“Unbelievable. Pampering really…you know what I’m not arguing with you! I’m done! We’re done!” You shout and storm back into the back

“Done? Really like that? Four years done like that? Fine whatever, be that way, I know you don’t mean it. I’ll see you at home.” And he storms off back to his car.

You wanted to cry as you stormed back into the bar, but you held yourself together.

You tried to hide your clearly upset face as you rushed back into the kitchen and into the back alley next to the dumpsters. Joel noticed and ran out of the bar looking for you. He searched around the building then he called out to you.

“Hey. What’s wrong.”

You can’t help it. One look at him, and you ran into his arms. He embraced you, holding you tight.

“Hey my little firefly…what’s wrong?” He asked, his sweet southern drawl falling like your tears.

“I loved him Joel… why do people stop loving you back…” you sobbed

Joel gently stroked your hair, attempting to calm you down. It didn’t feel strange to be held by him. You felt safe, and comfortable in his arms, despite barely knowing him or even having any interaction with him outside of work, that moment felt right.

“I don’t know darling.” Joel sighed

You eventually gathered yourself and go back inside with him. Your boss thankfully didn’t notice your absence. Joel returned to his table and you returned to your other patrons. After his beer, Joel left and you didn’t really get a chance to see him leave. When you went to collect his tap you saw another note this time with his phone number and it read:

“Gotta go get Sarah. Call me if you need to talk”

Your heart dropped. He had finally given you his number and at the same time you still felt guilty. Even though you had, despite what your now ex-boyfriend thinks, finally ended your relationship. And here the opportunity was. Right in front of you. You look at the receipt, take it, fold it and immediately put it in your pocket to keep it safe. You clock out at ten and are all too eager to get into your car to call Joel. Once you do, you dial the number and it rings.

“Hello?”

“He-hey Joel it’s me…” you uttered

“You ok darling?” He asked sweetly

Maybe it was his voice, the question, or the fact that the weight of the burdens of your life seemed to have fallen apart around you, but you cried again. Letting it all out and at the same time feeling better than ever.

“Hey hey hey” Joel whispered “I just put Sarah to bed…why don’t you come over here? We can talk ok?”

You nodded and sobbed.

“Ok…”

Joel texted you his address and you put it into your GPS. It’s only about a ten minute drive to his house and when you pulled up, you nervously exit your vehicle. You walked up the front door and knocked quietly, not wanting to wake Sarah. A moment later, it swung open and Joel’s handsome face looked at yours with deep concern.

“Come on in.”

You nodded and walked into his home. As expected it’s much nicer than your boyfriends, but then again Joel is an actual adult, with a kid, and mortgage to pay off so it was to be slightly expected. It wasn’t too fancy, just your standard suburban home. You walked over to the couch and Joel followed you.

“Can I get you something to drink?”

“Honestly I need something a little strong. Got any whiskey?”

He smiled ear to ear.

“Ya betcha.” And he rushed off into his kitchen.

You made yourself comfortable and tried to relax as you looked around Joel’s living room. You curiously strode over to his bookshelf and read the titles. Lots of history books, a few fiction and then you noticed the framed photo of him and his daughter. You realize you’ve never seen a photo of her, but she’s just as beautiful as you could have imagined. You smiled and Joel caught you in your curiosity.

“She’s been my little gem since day one. Just me and her. I don’t think I ever told ya, but her mom left us so…” he remarked.

You looked at him, smiled and nodded.

“She’s beautiful, Joel. You’re a great dad.”

Joel sat the glasses of whiskey down on the shelf and reached for your hand. You gasp slightly, look at where he’s touched you and then look up into his eyes. He tucked a piece of your hair behind your ear.

“You asked me why people stop loving people back and ya know, I still don’t have a good answer for that. I guess it’s because I’ve been asking myself the same thing for the last twelve years.”

“Joel…you’re such a good man…” you sighed, squeezing his hand.

“You’re too kind darling.” He smiled

“No really.”

You stared at him for a moment. His eyes searched your own looking for what he suspected you wanted from him. He cupped your face and he leaned in to kiss you. His lips fit perfectly against yours, like he was made for you. It was perfect and passionate. He was so gentle, yet you could feel how badly he had wanted this moment with you. He pulled back for a moment to make sure he hadn’t crossed the line.

“Got a bedroom?” You smirked

Before you knew it, Joel was crawling on top of you and you took off your shirt. At the same time he was busy frantically kissing your neck and jaw. He tossed it off and Joel took a moment to admire your chest. He gasped and reached to grope your breasts. Your soft, perky mounds fit perfectly in his hand and he began to massage you. He was in utter awe of you. Almost overwhelmed that he was getting to have you like this. You stared back up at him, equally in awe at that moment.

His big brown eyes melted your heart and all your troubles melted too. Fuck your lousy ex. All you wanted and needed was Joel. He kissed you again as he continued to play with your breasts. You let out a few giggles that turned into harsh, sharp moans as he moved his mouth down your body.

“Fuck…” you whispered, the word dancing around the room.

As his lips trailed you, your body reacted, your hips bucked and you were practically squirming under him. When his mouth found your cleavage, you felt the heat in between your legs grow stronger.

He continued to kiss you, only breaking away to take off his own shirt. He was toned, his skin smooth and he was unbelievably broad. You couldn’t help but admire the way his collar bone met his neckline. It was clean and sharp. You tried not to think of your ex, but in comparison he was not as fit as the gorgeous man in front of you. You placed your hands on his chest and felt his pecs, running your fingers down to his abdomen. You leaned up to kiss him again. His lips were so soft and addictive. You could’ve kissed him all night, but your desires beckoned for more. He held you up slightly and flipped you over. As he did he unhooked your bra and you let it fall off your chest. He tossed it on the ground and admired your bare chest for the first time.

“You’re so gorgeous. “ he uttered as your hair fell in front of you.

He pushed it out of the way and cupped your face. He pulled you back down to capture your mouth once again, lightly gripping the back of your neck. Your bare boobs pressed down against his chest, a feeling which you love. Skin on skin, the close intimacy and the feeling of being wanted more than just something to fuck. That’s how your ex had made you feel the last few months when you and him had sex, so being touched, cherished by Joel made your head spin. You weren’t used to it and you could feel your body reacting to the unfamiliar sensations. Joel noticed.

“Baby, you ok?”

You blushed at the nickname, smiled and nodded.

“It’s just been some time since I felt like this.”

“When’s the last time he touched you?”

“I-I mean we would have sex once or twice a week…”

“When is the last time he really touched you though. Made you feel special?”

You simply stared at him speechless and tilted your head.

“You know what, forget about him. Just focus on me. Let me make you feel good like you deserve.”

With that, he decided to be bold and reached for your mini skirt. He pulled it down past your hips and you lifted them up so he could pull it off you. He tossed it on the ground with your bra and his hands immediately moved to cup your ass. He squeezed the pillowy flesh as you moved your hips. You could feel him getting hard under you and you eagerly reached for his belt. His hands moved up to your waist, rocking you more. You undo his belt and he lifted up his hips to take off his pants. He slid them off along with his boxers, revealing his length. It was perfect. Just the right size, the mushroom tip red and swollen. Encouraged by his actions, you slide your panties off and you are both completely bare in front of each other.

He soaked the sight of your naked beauty in, eyes trailed over all your curves and edges. You were simply divine to him, a work of art. He runs his hands back up to your chest, briefly groping them, his eyes completely focused on your face. You grab his cock and began slowly stroking it. His mouth drops slightly as he watched you. He tilted his head back on the pillow briefly, before he looked back up to watch you. His breathing became ragged and you picked up your pace. You start to move on top of him, guiding his cock to your entrance, but he stops you.

“Let me get you wet.” He insisted, grabbing your hips and flipping you again. Immediately, he kissed down your body, worshiping you. “You’re so perfect. If you were my girl I’d never stop showing you how perfect you are.” He muttered in between kisses.

He kissed your inner thigh before he experimentally rubbed your clit. You gasped, your hips bucked in his face. He smirked at your reaction, loving how you responded to his touch. Taking that as a sign you wanted more, he gently kissed your slit. He gave you another one and another one until the little pecks of his lips turned into the sloppy mess of his tongue. It had been ages since a man had gone down on you like this. Your ex-never warmed you up beforehand anymore, too eager to satisfy his own desire and pleasure. Joel knew how to be a real man. His tongue and lips suck and rub at your core. He moved his head too, adding to the friction. You reached for his brown locks, desperately in need of something to hold onto. He hung onto your hips and he moved you against his face. He moaned against your core, eating you out like you were the most delicious meal of his life. He pulled back, out of breath and drunk in your juices.

“Could taste ya all day darling.”

You nodded as he inserted a finger in you, twisting it. He slowly pumped it into you, curling it up as he added another finger. He watched as your face scrunched up in pleasure. He sped his hand up, totally focused on getting you to finish.

“Joel…Joel…Joel…” you chanted “Gonna cum”

He nodded and worked you a bit more until you tightened down around his digits. You came hard, the euphoria rushed through your body like a roller coaster.

“So beautiful oh my god.” He praised, rubbing your thighs.

He crawled back up to you. He kissed you letting you taste yourself. You hadn’t felt this kind of passion in a while, this intense feeling of intimacy.

“You ready? He asked, slowly rubbing your clit again.

You nodded as he lined himself up with your slit. You felt as his cock pushed past your folds and stretched you out perfectly. You gasped and he kissed your cheek feather light. He cooed at you as he slid in, hitting the back of your cervix. You gasped, which turned into a raspy moan that floated from your lips. Joel cupped your face, stroking his thumb across your cheek. You two shared in the silence of your pleasure for a moment, taking in how good the other felt. He moved, slow at first then he sped up. He felt so full inside you, and you lost yourself in the sensation of his length. You could have stayed like that all night, the steady motion of his cock pumping into you was pure bliss.

“Does that feel good?” Joel inquired lovingly

“Yes, please Joel I want more. I need more of you.”

Per your request, he gave you more, slightly giving into his own desires to want to ravish you. But given it’s your first time with him, Joel didn’t want a sloppy, lustful encounter. Yet, he picked up his speed, his length now hitting the back of your walls at an almost brutal pace. Joel makes sure to keep checking in on you to make sure you’re okay or that it doesn’t hurt too much. You panted and panted as he continued, gripping onto his waist with your legs, pushing him deeper into you. He moved a bit more then flipped over. You smiled at him, slightly out of breath.

“I want to see that beautiful body riding me. Is that ok?”

You nod enthusiastically, slowly starting to move your hips. Joel’s hands groped your ass, rocking you on him more. He sat up, pressed his lips firmly against yours and held you tight. You started to bounce on him which elicited a guttural moan from his lips. He moved his hand to your hips, looking up at you in awe.

How could anyone not treat you like the absolute treasure you are?

Joel thought and wondered to himself as he held you. He couldn’t believe that your ex-boyfriend would neglect you. What a foolish man, but now he had you. In the exact moment he had imagined. He had you. He moved his hips in sync with yours. You steadied yourself on his shoulders, ecstasy, providing you escape. Your breath hitched as you feel his cock stiffen more inside you. He was close. You didn’t want it to end but then again you had a feeling this wouldn’t be your last encounter with Joel. A few last rocks of your hips and he was spent. He pulled you off him abruptly as he shot his load onto his stomach. You caught your breath, resting your forehead against his. You held his jaw in your hands, settling your hips.

“Joel…” you whispered, the words ghosting over your lips.

“Yes darling..” he whispered back

“Y-you have no idea how much I wanted you like this.”

“I know. Me too, but not just like this. I want you. All of you. Can I please have it?” He nearly begged

Your enthusiasm took over you and you planted a spontaneous kiss on his lips.

“Yes Joel…you can have all of me.”

꧁✩★✩꧂

[lady-boketto]

Being a Bard within the group! (Dungeon Meshi)

A/n: I recently watched Dungeon Meshi (I also started playing Baldur's Gate 3) and I have been enjoying everything so far and I had the idea to write a relationship dynamic between a bard reader and the rest of the Dungeon Meshi group (I also might write a Barbarian/Fighter type of reader)

Laios:

He is amazed at how you can compose such lively tunes and respects how much time and effort you put into your craft

Will be amused if you choose to try to write a song about him (He smiles to himself when he overhears you trying to find a word that rhymes with his name)

He will not like it if you were to ever sing about him in front of others (his facial expression will not be a happy one, more of a nervous one since he doesn't like it when he's in the center of attention)

Laios really likes it when everyone is resting at camp after a meal and you play your instrument to pass the time (he likes to tap his foot along to the melody)

Laios is happy to provide you with monster names and rhyming words to help you complete your song (or parts your stuck on)

Marcille:

She is very glad that you are with their group since when you play your instrument for the group it calms her nerves a little with each note you play (her ears slightly twitch when you play a more cheerful songs since her hearing is more sensitive)

Marcille gets as sad as you when you break your instrument, but is just as eager to use her magic to repair the instrument (maybe it fell from a high place or that it took on a bit of water damage, but most likely you smashed it over a monster's/person's head and it broke)

She also likes it when you write songs about their adventures (especially if you sing/write about how powerful she can be with her magic, but like Laios is very flustered if you sing about her in front of a crowd, she will turn red and try to hide behind her staff)

Your soft songs without words, or humming at most, settle her nicely into her sleep (she sometimes gets the tune stuck in her head for hours until she begs you to play that one song for her again)

Chilchuck:

Chilchuck values you as a companion since you sometimes use your skills to get the group out of tough situations (sometimes you use your charms talk your way out tough situations, which is a RELIEF because he has no trust in the others abilities. Laios...)

this one time you talked your way into a free night's stay at the local pub the group frequents in exchange to entertain guest all night long, in which you were happy to since you also sometimes get extra coins from generous people passing by

He probably won't say it directly to you but he really enjoys listening you compose new songs (his ears are also quite sensitive just like Marcille's, so when he hears you trying to figure out which notes sound good together, he has a small smile on his face while he continues to polish and make sure his lockpicks are in good condition)

Chilchuck also can't hold back his laughter when you mock people when they are being disrespectful to someone in your party and you jump in to defend them (He manages to slap his hand over his mouth just before he lets out an ugly laugh since he doesn't expect you to roast your opponent so hard. Sometimes even managing to cry so hard he winds himself)

Senshi:

Doesn't really get why you are traveling in the dungeon in the first place, since this is the last place he would think someone with your skills would ever be

Senshi is not used to hearing the soft melodies coming from your instrument. Instead of the usual noises of whatever creature on the current floor he was on would make or the occasional screaming parties that travel by (or he is so used to the silence that he doesn't notice how much he misses the warmth and sound of another soul)

He admires any carving or engraving you have on your instrument and asks you if there's a story behind it or if it was for aesthetic purpose (wants to ask if he can hold your instrument so that he learn more about you as a person based on how you handle it while asking you how you came to play such an instrument)

Senshi takes note of how well you seem to take care of your work and takes the time compliment you on your hard work (He learns from you how to properly maintain your instrument and keeps an eye out for anything that might help when he gets the chance)

He comes to love when you play songs while he cooks a meal for the group to enjoy, He sometimes gets concentrated in what he's doing that he doesn't realize that he's softly humming along to the melody your currently playing (He likes to slightly sway along with the tune while he dices things or when he's waiting for the dish to finish cooking)

[fuckyeahgoodomens]

Oooh! A great Gavin Finney (Good Omens Director of Photography) interview with Helen Parkinson for the British Cinematographer! :)

HEAVEN SENT

Gifted a vast creative landscape from two of fantasy’s foremost authors to play with, Gavin Finney BSC reveals how he crafted the otherworldly visuals for Good Omens 2.  

It started with a letter from beyond the grave. Following fantasy maestro Sir Terry Pratchett’s untimely death in 2015, Neil Gaiman decided he wouldn’t adapt their co-authored 1990 novel, Good Omens, without his collaborator. That was, until he was presented with a posthumous missive from Pratchett asking him to do just that.  

For Gaiman, it was a request that proved impossible to decline: he brought Good Omens season one to the screen in 2019, a careful homage to its source material. His writing, complemented by some inspired casting – David Tennant plays the irrepressible demon Crowley, alongside Michael Sheen as angel-slash-bookseller Aziraphale – and award-nominated visuals from Gavin Finney BSC, proved a potent combination for Prime Video viewers.  

Aziraphale’s bookshop was a set design triumph.

Season two departs from the faithful literary adaptation of its predecessor, instead imagining what comes next for Crowley and Aziraphale. Its storyline is built off a conversation that Pratchett and Gaiman shared during a jetlagged stay in Seattle for the 1989 World Fantasy Convention. Gaiman remembers: “The idea was always that we would tell the story that Terry and I came up with in 1989 in Seattle, but that we would do that in our own time and in our own way. So, once Good Omens (S1) was done, all I knew was that I really, really wanted to tell the rest of the story.” 

Telling that story visually may sound daunting, but cinematographer Finney is no stranger to the wonderfully idiosyncratic world of Pratchett and co. As well as lensing Good Omens’ first outing, he’s also shot three other Pratchett stories – TV mini series  Hogfather  (2006), and TV mini-series The Colour of Magic (2008) and Going Postal (2010). 

He relishes how the authors provide a vast creative landscape for him to riff off. “The great thing about Pratchett and Gaiman is that there’s no limit to what you can do creatively – everything is up for grabs,” he muses. “When we did the first Pratchett films and the first Good Omens, you couldn’t start by saying, ‘Okay, what should this look like?’, because nothing looks like Pratchett’s world. So, you’re starting from scratch, with no references, and that starting point can be anything you want it to be.”  

Season two saw the introduction of inside-outside sets for key locations including Aziraphale’s bookshop. 

From start to finish 

The sole DP on the six-episode season, Finney was pleased to team up again with returning director Douglas Mackinnon for the “immensely complicated” shoot, and the pair began eight weeks of prep in summer 2021. A big change was the production shifting the main soho set from Bovington airfield, near London, up to Edinburgh’s Pyramids Studio. Much of the action in Good Omens takes place on the Soho street that’s home to Aziraphale’s bookshop, which was built as an exterior set on the former airfield for season one. Season two, however, saw the introduction of inside-outside sets for key locations including the bookshop, record store and pub, to minimise reliance on green screen.  

Finney brought over many elements of his season one lensing, especially Mackinnon’s emphasis on keeping the camera moving, which involved lots of prep and testing. “We had a full-time Scorpio 45’ for the whole shoot (run by key grip Tim Critchell and his team), two Steadicam operators (A camera – Ed Clark and B camera Martin Newstead) all the way through, and in any one day we’d often go from Steadicam, to crane, to dolly and back again,” he says. “The camera is moving all the time, but it’s always driven by the story.” 

One key difference for season two, however, was the move to large-format visuals. Finney tested three large-format cameras and the winner was the Alexa LF (assisted by the Mini LF where conditions required), thanks to its look and flexibility.  

The minisodes were shot on Cooke anamorphics, giving Finney the ideal balance of anamorphic-style glares and characteristics without too much veiling flare.

A more complex decision was finding the right lenses for the job. “You hear about all these whizzy new lenses that are re-barrelled ancient Russian glass, but I needed at least two full sets for the main unit, then another set for the second unit, then maybe another set again for the VFX unit,” Finney explains. “If you only have one set of this exotic glass, it’s no good for the show.” 

He tested a vast array of lenses before settling on Zeiss Supremes, supplied by rental house Media Dog. These ticked all the boxes for the project: “They had a really nice look – they’re a modern design but not over sharp, which can look a bit electronic and a bit much, especially with faces. When you’re dealing with a lot of wigs and prosthetics, we didn’t want to go that sharp. The Supremes had a very nice colour palette and nice roll-off. They’re also much smaller than a lot of large-format glass, so that made it easy for Steadicam and remote cranes. They also provided additional metadata, which was very useful for the VFX department (VFX services were provided by Milk VFX).” 

The Supremes were paired with a selection of filters to characterise the show’s varied locations and characters. For example, Tiffen Bronze Glimmerglass were paired with bookshop scenes; Black Pro-Mist was used for Hell; and Black Diffusion FX for Crowley’s present-day storyline.  

Finney worked closely with the show’s DIT, Donald MacSween, and colourist, Gareth Spensley, to develop the look for the minisode.

Maximising minisodes 

Episodes two, three and four of season two each contain a ‘minisode’ – an extended flashback set in Biblical times, 1820s Edinburgh and wartime London respectively. “Douglas wanted the minisodes to have very strong identities and look as different from the present day as possible, so we’d instantly know we were in a minisode and not the present day,” Finney explains.  

One way to shape their distinctive look was through using Cooke anamorphic lenses. As Finney notes: “The Cookes had the right balance of controllable, anamorphic-style flares and characteristics without having so much veiling flare that they would be hard to use on green screens. They just struck the right balance of aesthetics, VFX requirements and availability.” The show adopted the anamorphic aspect ratio (2:39.1), an unusual move for a comedy, but one which offered them more interesting framing opportunities. 

Good Omens 2 was shot on the Alexa LF, paired with Zeiss Supremes for the present-day scenes.

The minisodes were also given various levels of film grain to set them apart from the present-day scenes. Finney first experimented with this with the show’s DIT Donald MacSween using the DaVinci Resolve plugin FilmConvert. Taking that as a starting point, the show’s colourist, Company 3’s Gareth Spensley, then crafted his own film emulation inspired by two-strip Technicolor. “There was a lot of testing in the grade to find the look for these minisodes, with different amounts of grain and different types of either Technicolor three-strip or two-strip,” Finney recalls. “Then we’d add grain and film weave on that, then on top we added film flares. In the Biblical scenes we added more dust and motes in the air.”  

Establishing the show’s lighting was a key part of Finney’s testing process, working closely with gaffer Scott Napier and drawing upon PKE Lighting’s inventory. Good Omens’ new Scottish location posed an initial challenge: as the studio was in an old warehouse rather than being purpose-built for filming, its ceilings weren’t as high as one would normally expect. This meant Finney and Napier had to work out a low-profile way of putting in a lot of fixtures. 

Inside Crowley’s treasured Bentley.

Their first task was to test various textiles, LED wash lights and different weight loadings, to establish what they were working with for the street exteriors. “We worked out that what was needed were 12 SkyPanels per 20’x20’ silk, so each one was a block of 20’x20’, then we scaled that up,” Finney recalls. “I wanted a very seamless sky, so I used full grid cloth which made it very, very smooth. That was important because we’ve got lots of cars constantly driving around the set and the sloped windscreens reflect the ceiling. So we had to have seamless textiles – PKE had to source around 12,000 feet of textiles so that we could put them together, so the reflections in the windscreens of the cars just showed white gridcloth rather than lots of stage lights. We then drove the car around the set to test it from different angles.”  

On the floor, they mostly worked with LEDs, providing huge energy and cost savings for the production. Astera’s Titan Tubes came in handy for a fun flashback scene with John Hamm’s character Gabriel. The DP remembers: “[Gabriel] was travelling down a 30-foot feather tunnel. We built a feather tunnel on the stage and wrapped it in a ring of Astera tubes, which were then programmed by dimmer op Jon Towler to animate, pulse and change different colours. Each part of Gabriel’s journey through his consciousness has a different colour to it.” 

Among the rigs built was a 20-strong Creamsource Vortex setup for the graveyard scene in the “Body Snatchers” minisode, shot in Stirling. “We took all the yokes off each light then put them on a custom-made aluminium rig so we could have them very close. We put them up on a big telehandler on a hill that gave me a soft mood light, which was very adjustable, windproof and rainproof.” 

Shooting on the VP stage for the birth of the universe scenes in episode one.

Sky’s the limit 

A lot of weather effects were done in camera – including lightning effects pulsed in that allowed both direct fork lightning and sheet lightning to spread down the streets. In the grade, colourist Spensley was also able to work his creative magic on the show’s skies. “Gareth is a very artistic colourist – he’s a genius at changing skies,” Finney says. “Often in the UK you get these very boring, flat skies, but he’s got a library of dramatic skies that you can drop in. That would usually be done by VFX, but he’s got the ability to do it in Baselight, so a flat sky suddenly becomes a glorious sunset.” 

Finney emphasises that the grade is a very involved process for a series like Good Omens, especially with its VFX-heavy nature. “This means VFX sequences often need extra work when it comes back into the timeline,” says the DP. “So, we often add camera movement or camera shake to crank the image up a bit. Having a colourist like Gareth is central to a big show like Good Omens, to bring all the different visual elements together and to make it seamless. It’s quite a long grade process but it’s worth its weight in gold.” 

Shooting in the VR cube for the blitz scenes .

Finney took advantage of virtual production (VP) technology for the driving scenes in Crowley’s classic Bentley. The volume was built on their Scottish set: a 4x7m cube with a roof that could go up and down on motorised winches as needed. “We pulled the cars in and out on skates – they went up on little jacks, which you could then rotate and move the car around within the volume,” he explains. “We had two floating screens that we could move around to fill in and use as additional source lighting. Then we had generated plates – either CGI or real location plates –projected 360º around the car. Sometimes we used the volume in-camera but if we needed to do more work downstream; we’d use a green screen frustum.” Universal Pixels collaborated with Finney to supply in-camera VFX expertise, crew and technical equipment for the in-vehicle driving sequences and rear projection for the crucial car shots. 

John Hamm was suspended in the middle of this lighting rig and superimposed into the feather tunnel.

Interestingly, while shooting at a VP stage in Leith, the team also used the volume as a huge, animated light source in its own right – a new technique for Finney. “We had the camera pointing away from [the volume] so the screen provided this massive, IMAX-sized light effect for the actors. We had a simple animation of the expanding universe projected onto the screen so the actors could actually see it, and it gave me the animated light back on the actors.”  

Bringing such esteemed authors’ imaginations to the screen is no small task, but Finney was proud to helped bring Crowley and Aziraphale’s adventures to life once again. He adds: “What’s nice about Good Omens, especially when there’s so much bad news in the world, is that it’s a good news show. It’s a very funny show. It’s also about good and evil, love and doing the right thing, people getting together irrespective of backgrounds. It’s a hopeful message, and I think that that’s what we all need.” 

Finney is no stranger to the idiosyncratic world of Sir Terry Pratchett and Neil Gaiman.