#Ancestor Saga

[bahnloopi]

[DBS AU] - The Sento Ancestors **LONG POST AHEAD**

The initial group of Sento Saiyans were originally U7 Saiyans who served under King Vegeta I (Vegeta's Great-Grandfather) at the time of King Cold's reign.

**NAMES: (by descriptions-row)

-Rhoman ("roman", romaine lettus; front-center)

-Nion ("onion"; mullet-scar, 2nd row)

-Chile ("chi-lay", "chili"; red-head, green eyes, 2nd row)

Jinja ("ginger"; auburn-knot hair, pink eyes, 3rd row)

Pioca ("tapioca"; short-bob, blue earrings, 3rd row)

Aru ("arugula"; brown bandana, 3rd row)

Brussel ("brussel sprouts"; older man with greying hair, 3rd row)

Kohl ("kohlrabi"; tall man, short cut, 4th row)

Oras ("horseraddish"; large face scar, 5th row)

Char ("swiss chard"; long spikey hair, last row)

Niesa ("chinese potato"; straight hair, single bang, last row)

**PLOT:

They served as ambassadors for King Vegeta I as he was elderly and couldn't keep up with attending councils with King Cold regarding the Planet Trade Organization dealings. They would essentially act as the "liason" between King Cold and King Vegeta.

Each member deals directly with both Cold's men and the Saiyans who clear out the planets ready for auctions. Though, through their dealings, they've started to develop uneasy feelings regarding Cold and his objectives. More Saiyans have been reported missing during missions.

King Cold and or his men kill them off for sport or if the job is incomplete and the planet locals start fighting back. The Ambassadors (Sento Ancestors) catch wind of this and all collectively share their concerns in what was originally stated to be a partnership.

They bring their concerns to King Vegeta I directly with their suspicions of King Cold's treachery, but King Vegeta I dismisses the sentiment as they are receiving more technology from Cold as gains.

Seeing the disregard to their own people and no longer wanting to be involved, the Ancestors all remove their armor and announce their resignation from the throne in unison.

King Vegeta I severely agitated by this sentenced them to exile to a remote planet nearby. Their numbers and strengths were too great at the moment to attempt their execution. He'd rather them wither and die off elsewhere.

-End Part for this section -

[lorethebookworm]

Constantly burdened by the knowledge that Odysseus didn't have to kill Astyanax. Had him just brought him along for the journey back to Ithaca like he proposed in "the horse and the infant", the child would have 100% died anyway. Probably either drowned or starved, but at least an effort to keep him alive would have been made and Odysseus wouldn't have had to hurl that poor little boy down from the city walls.

[sorrymydemonspoke]

Lear: Cheren

Cheren:

Cheren: Lear, please, don’t tell me-

Volo: :)

Cheren: FUCK

[lilianasgrimoire]

Every Pagan Holiday

JANUARY 

KALENDS 

1st January 

Origins: Ancient Greece/Rome 

Observed by: Hellenic/Roman polytheists 

Honouring Janus/Juno, first day of the Year. Kalends brought us the word 'calendar'. 

ÞORRABLÓT (THORRABLÓT) 

End of January/beginning of February 

Origins: Iceland 

Observed by: Heathens, Asatru 

Midwinter Festival honouring Thor, usually by feasting and poetry. 

FEBRUARY 

IMBOLC 

2nd February 

Origins: Celtic polytheism /Ireland, as St. Brigid's Day 

Observed by: Most neopagans, Wiccans, Druids, Asatru (as Charming of the Plow)  

Imbolc is the most widely known and observed pagan holiday in the months of January and February. It falls at the beginning of spring/end of the winter for the Celtic peoples; marking the changing of the seasons, as most holidays do. St. Brigid is a Christianised form of or inspired by the Celtic fertility goddess Brigid who is celebrated on this day.  

PARENTALIA 

13th-21st February 

Origins: Ancient Rome 

Observed by: Greco-Roman polytheists 

Translating to 'Ancestors Day', Parentalia is a nine-day celebration of deceased ancestors. Historically it was observed by feasting and making offerings and sacrifices to the dead and spirits of the underworld.  

VÁLI'S BLOT 

14th February 

Origins: Old Norse 

Observed by: Heathens, Asatru, Norse polytheists 

Váli's Blot is considered by some Asatru to be the Norse equivalent of Valentine's Day but is widely acknowledged as a season changing festival. A day for marriage and celebrating with family and friends, and for remembrance of Váli, the son of Odin who defeated Höðr on this day.  

LUPERCALIA 

15th February 

Origins: Ancient Rome 

Observed by: Greco-Roman polytheists 

Festival thought to honour a wolf who raised abandoned princes, celebrated originally by sacrificing goats to the gods, feasting, and, for fertility, nudity and fornication. 

LESSER ELEUSINIAN MYSTERIES 

17th-23rd February 

Origins: Ancient Greece 

Observed by: Hellenic polytheists 

Initiation to the cult of Persephone and Demeter by sacrificing a pig. Prelude to Greater Mysteries, initiations held on these dates. Once completed, initiates could then move onto Greater Mysteries in the autumn.  

ANTHESTERIA 

27th February - 1st March 2021 

Origins: Ancient Greece 

Observed by: Hellenic polytheists 

Athenian festivals dedicated to Dionysus and the dead. Held around the full moon in the month of Anthesterion, which in the Gregorian calendar this year roughly translates to 27th February. 

THE DISTING/DÍSABLÓT 

End of February/beginning of March 

Origins: Uppsala, Sweden 

Observed by: Heathens, Asatru, Norse polytheists 

Celebration of Valkyries and other female spirits, called dísir. Sacrifices were made for a good harvest. Celebrated still by an annual market in Sweden.  

MARCH 

KALENDS 

1st March 

Origins: Ancient Greece/Rome 

Observed by: Hellenic/Roman polytheists 

Honouring the god Mars/Ares. Kalends brought us the word 'calendar'. 

OSTARA/EARRACH 

20th March 

Origins: Anglo Saxon paganism, popularised as Ostara by Wicca 

Observed by:  Anglo Saxon Pagans, Wiccans, Neopagans, Druids (as Alba Eilir), Heathens (as Summer Finding), Ásatrú (as Sigrblót)  

The northern hemisphere's vernal equinox, the word Ostara was introduced though Wicca and named for the goddess Eostre. Surprisingly unrelated to Easter in all but name, Ostara symbolises the beginning of spring. As a seasonal holiday it is widely celebrated by many different groups of pagans.  

RAGNAR LODBROK'S DAY 

28th March 

Origins: Icelandic Sagas 

Observed by: Ásatrú  

Day of remembrance for Ragnar Lodbrok, Viking King of legend  

APRIL 

KALENDS/VENERALIA 

1st April 

Origins: Ancient Greece/Rome 

Observed by: Hellenic/Roman polytheists 

Celebration of the first of the month, this one honouring the goddess, Venus. 

REMEMBRANCE FOR HAAKON SIGURDSSON 

9th April 

Origins: Norway, C9th 

Observed by: Ásatrú 

Day of remembrance for ruler of Norway who claimed lineage to Odin in the Icelandic Sagas.  

WALPURGISNACHT 

30th April 

Origins: German Christianity, originally Saint Walpurga was known for banishing witches and other pests 

Observed by: LaVeyan Satanists 

Anton LaVey chose to celebrate this holiday as a follow up to the spring equinox and due to its past association with witchcraft.  

HEXENNACHT (WITCHES' NIGHT) 

30th April 

Origins: German folklore, as Walpurgisnacht but witches were alleged to convene with the devil in this night 

Observed by: Temple of Satan as 'a solemn holiday to honour those who were victimized by superstition'.  

MAY 

BEALTAINE/BELTANE 

1st May 

Origins: Celtic (Ireland/Scotland/Isle of Man)  

Observed by: Wiccans, Neopagans, Celtic reconstructionist, Ásatrú/Heathens (as May Day)  

One of the more well-known pagan festivals, Beltane is a festival of fire and the beginning of the summer. Also widely referred to as May Day, it is celebrated by lighting fires.  

KALENDS 

1st May 

Origins: Ancient Greece/Rome 

Observed by: Hellenic/Roman polytheists 

Honouring the goddess Maia, for whom the month may have been named.  

REMEMBRANCE FOR Guðröðr of Guðbrandsdál 

9th May 

Origins: C11 Norway, Icelandic Sagas 

Observed by: Ásatrú, Norse, heathens 

Guðröðr had his tongue removed by Óláfr for rebelling against violent conversion from Norse paganism to Christianity.  

JUNE 

KALENDS 

1st June 

Origins: Ancient Greece/Rome 

Observed by: Hellenic/Roman polytheists 

Anniversary of temples to Juno Moneta (protectress of money, her temple was where coins were made), Mars/Ares (God of war), and the Tempestates (goddesses of storms).  

ARRHEPHORIA 

3rd Skirophorion (translates to mid-June)  

Origins: Ancient Greece 

Observed by: Hellenic reconstructionist 

Feast in celebration of Athena and fertility.  

MIDSUMMER/SUMMER SOLSTICE 

21st June 

Origins: Agricultural holiday/longest day observed for centuries by many civilisations. Christianity can date to as early as C4th 

Observed by: Wiccans/Germanic neopagans (as Litha), Asatru/Heathens, Druids (as Alban Hefin)  

One of the main four holidays in the Wheel of the Year and popularised by Wiccans and neopagans as Litha which is taken from the Anglo-Saxon words for June/July, this is the longest day of the year and the middle point and sometimes considered the beginning of summer.  

JULY 

REMEMBRANCE FOR UNNR/AUD THE DEEP MINDED 

9th July 

Origins: C9th Iceland 

Observed by: Ásatrú, Heathens, Norse reconstructionist 

Aud was a traveller in the 9th century moving between Dublin, the Hebrides, Orkney, and finally Iceland following the deaths of her husband and son. This day is to honour her memory.  

HERACLEIA 

July/August  

Origins: Ancient Greece 

Observed by: Hellenic polytheists  

Festival dedicated to Heracles the demigod and his death, involving feasting and celebration.  

AUGUST 

LUGHNASADH/LAMMAS 

1st August 

Origins: Celtic Britain (Ireland, Scotland, Isle of Man) 

Observed by: Wiccans, Neopagans, Christians (as Lammas), Ásatrú (as Freyfaxi)  

Named for the god Lugh, this festival is one of the Celtic harvest festivals and marks the beginning of the harvesting months. It was celebrated by climbing mountains, bull sacrifice, offerings, and feasting. Handfasting is commonplace with Wiccans in modern times.  

REMEMBRANCE FOR REDBAD, KING OF THE FRISIANS 

9th August 

Origins: C7th Frisia (area of Germany/Netherlands)  

SEPTEMBER 

NOUMENIA 

8th September  

Origins: Ancient Greece 

Observed by: Hellenic polytheists 

Celebration of new Hellenic lunar month. Offerings of honey and incense made to household deities.  

REMEMBRANCE FOR HERMANN THE CHERUSCAN 

9th September 

Origins: C9th CE 

Observed by: Heathens, Ásatrú 

Hermann the Cheruscan, also known as Arminius of the Cherusci tribe, led the defeat against the Romans at the Battle of Teutoburg Forest and is lauded for saving Eastern Germanic peoples from being conquered by the Roman Empire.  

AUTUMN EQUINOX (NORTHERN HEMISPHERE)  

22nd September  

Origins: 1970s neopaganism 

Observed by: Wiccans and Neopagans (as Mabon), Ásatrú (as Winter Finding)  

Named Mabon by prominent Wicca and Neopagan Aidan Kelly, after the Welsh mythological figure Mabon ap Moldron, the autumn equinox is one of the harvest festivals and marks the beginning of autumn in the northern hemisphere. Mabon is a relatively new pagan holiday not based on any specific historical festival, but traditionally people around the world would celebrate some kind of harvest festival around the end of September/beginning of October. 

OCTOBER 

PYANOPSIA 

7th October 

Origins: Ancient Greece 

Observed by: Hellenic polytheists 

Pyanopsia, or Pyanepsia, is a festival to honour Apollo, one of the most important deities, God of music, the sun, knowledge, healing, and archery - amongst other things. During the festival, two special offerings would be placed on doorways and carried to the temple. These offerings were a bean stew, and an olive branch wrapped in wool with honeys, pastries and seasonal fruits hanging from it. 

REMEMBRANCE FOR LEIF EIRIKSSON 

9th October  

Origins: C10th CE 

Observed by: Heathens, Ásatrú, Norse pagans 

Remembrance for Leif and his sister Freydís Eiríksdóttir, children of Erik the Red, who are cited with being the first Norse explorers in North America.  

THESMOPHORIA 

12th-14th October 

Origins: Ancient Greece 

Observed by: Hellenic polytheists 

Festival held in honour of Demeter Thesmophoros, goddess of agriculture, and her daughter Persephone, goddess of death and life, Queen of the Underworld. Celebrated primarily by women, this festival is linked with fertility, and we know very little about it due to its secretive rites. It is thought that it involved the sacrifice of pigs (although some sources say women), and abstinence.  

REMEMBRANCE FOR ERIK THE RED 

28th October 

Origins: C9th CE 

Observed by: Heathens, Ásatrú, Norse pagans 

Erik the Red, probably named for the colour of his hair and beard, was the first permanent European settler in Greenland. His children were explorers too, who went to America, and although his wife converted to Christianity, Erik remained faithful to his Norse pagan gods. 

SAMHAIN (HALLOWE'EN) 

31st October-1st November  

Origins: Gaelic - Scotland, Ireland, Isle of Man 

Observed by: Celtic pagans, Neopagans, Wiccans 

Pronounced SOW-in (sow rhyming with cow), Samhain was originally a harvest festival marking the beginning of winter. The day itself is the 1st November, but celebrations begin on October 31st, and this has become the accepted associated day. It's a festival of the dead, where the síthe, fae and spirits, can enter this realm from their own. Wiccans talk of a 'veil' thinning, meaning the boundary between worlds. Similar death related festivals around this time can be noted in other faiths from across the globe, and of course in the modern Hallowe'en. 

WINTER NIGHTS (VETRNAETR), ÁLFABLÓT/DÍSABLÓT 

31st October 

Origins: 

Celebrated by: Heathens, Ásatrú, Norse pagans 

Winter Nights is mentioned in the Ynglinga Saga as one of the three greatest blessings of the year, the other two being Sigrblót in April, and þorrablót in late Jan/early Feb. Winter Nights is the celebration of the beginning of the winter season; Álfablót is a sacrifice to the elves, and Dísablót a sacrifice to the female spirits (dísir) and Valkyries.  

NOVEMBER 

REMEMBRANCE FOR SIGRID THE HAUGHTY 

9th November 

Origins: C9th CE 

Observed by: Heathens, Ásatrú, Norse pagans 

It is not actually known whether Sigrid Storråda, or Sigrid the Haughty, was an actual historical figure, an amalgamation of a few, or simply a myth. The lore goes that she was proposed to multiple times and turned down many but went on to orchestrate conflict when a potential suitor - Olaf Tryggvason, King of Norway - attempted to convert her to Christianity.  

DECEMBER 

REMEMBRANCE FOR EGILL SKALLAGRÍMSSON  

9th December  

Origins: C10th CE  

Observed by: Heathens, Ásatrú, Norse pagans  

Day celebrating the poet, farmer, and berserker Egill Skallagrímsson, who is recalled in The Icelandic Sagas by Snorri Sturluson. Egill is known for his many killings and escaping death by writing an epic poem after being captured when washing up on our Northumberland coastline.  

SATURNALIA  

17th - 23rd December  

Origins: Ancient Rome  

Observed by: Roman polytheists, some Hellenic  

Like Yule and Lesser Dionysia, Saturnalia was the Roman winter festival celebrating the coming return of the sun and honouring the god Saturn. The standard feasting and drinking feature, and slaves would be treated as equals like Dionysia. Saturnalia is another festival cited as being picked up by Christians and used as inspiration for Christmas.  

WINTER SOLSTICE (YULE/MIDWINTER)  

21st December  

Origins: Germanic nations, as early as C4th CE  

Observed by: Norse pagans, Wiccans, Neopagans, LaVeyan Satanists, Ásatrú, Heathens, many Germanic nonpagan peoples  

Yule is the midwinter festival known commonly among pagans as a time for feasting, being with loved ones, remembering ancestors, and looking forward to the return of the light and warmer days. Many pagans will celebrate Yule for more than one day, some celebrating a week either side, some for longer, up to two months, and some for twelve days afterwards. True Yule would have originally been in January for midwinter, but King Haakon the Good  

moved it to coincide with the Christian celebrations in the 10th century, as told in the Ynglinga Saga.  

On the 24th of December, Anglo Saxons are said to have celebrated 'Mothers Night' honouring female ancestors. 

RURAL/LESSER DIONYSIA  

End of December/beginning of January  

Origins: Ancient Greece  

Observed by: Hellenic polytheists  

Smaller festival honouring the god Dionysus (Greater Dionysia took place in cities at the end of winter). Feasting, mask wearing to stop distinction between classes so that everyone could feel equal, sacrifices, parades, and phallic display were all used to celebrate.

[bones4thecats]

Their S/O Is An Ancestor of Odysseus 

Type of Writing: Random Idea  Name: Their S/O Is An Ancestor to Odysseus  Characters: Poseidon, Ares, and Hades  Idea-Giver: Random Thoughts, Epic: The Musical, and Homer’s The Odyssey 

A/N: In honor of the fifth saga of Epic: The Musical coming out today, I decided to finally write this fun prompt I made months ago. I hope you guys enjoy this piece, I personally loved writing it so much! Anyways, I have a question for you all; What is your favorite Epic: The Musical saga and your favorite song/character? 

⚠️ TW: Mentions of death, attempted murder, and permanent physical damage ⚠️ 

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Deity! Reader ; Ancestor to Odysseus - Relationship: 3/10

🔱 When he first met you, you had told him you had human descendants, and he accepted that whole-heartedly. You cannot change your lineage or who they have kids with *ZEUS

🔱 Anyways. Poseidon did eventually ask to see your only known descendant, at least to you. And he was not amused to see him again 

🔱 You and Hermes just stood alongside one another and lead Poseidon to the male’s home, the only reason Hermes knew is because your initial descendant, who was the human’s father, had a child with Hermes’ female descendant, Anticlea 

🔱 Smiling gently as a young male named Telemachus ran up and hugged you as a female, that being Penelope, also came out and embraced you while she smiled and nodded to Hermes 

🔱 Asking to see the boy’s father, Poseidon gained a small sense of nervousness. Why was he suddenly a hair off about seeing your once-living descendant 

🔱 Oh, this was why… 

" Poseidon, my love. Meet- "  " Odysseus?! " 

🔱 Looking back and forth between your blonde-lover and your brunette descendant, Odysseus, you began to look at Hermes, asking him with your eyes how they knew one another 

" What a coincidence, Uncle Poseidon! It seems that Y/N is the ancestor to Odysseus, the man who you tried killing multiple times centuries ago! How intriguing! "  " You tried to WHAT?! " 

🔱 Odysseus narrowed his eyes at the God of the Seas and walked to you, opening his arms for a hug, which you sincerely accepted as you glared at your husband in silent rage. Your eyes said everything to him; you better explain yourself. 

🔱 Poseidon sighed lightly and began to tell you everything, right from the start of his involvement with Odysseus 

" You do remember Polyphemus, correct? "  " Of course I remember him. Why? "  " Your boy here blinded him. He and his men had come in and attempted to steal his flock of sheep from him. And, after a mild fight, he blinded him with a burning steak, as he slept nonetheless. How cowardly. " 

🔱 While you were now upset with both parties, Telemachus and Penelope eventually got the two to come to an understanding as to not upset you and possibly cause a massive dispute that may end up with you losing your mind, and not fakely like Odysseus tried 

🔱 Odysseus and Poseidon may act nice when your looking, but they literally glare at one another when you look another way. And you know this, but seeing them at least try to bond to help you warms your heart to much to say anything ✧⋆⋅⋆⋄✧⋄⋅⋆⋄✧⋄⋆⋅⋄✧⋄⋆⋅⋄✧⋄⋅⋆⋄✧⋄⋆⋆⋄✧⋄⋆⋆⋄✧⋄⋅⋆⋄✧⋆⋅⋆⋄✧⋄⋆⋆⋄✧⋄⋆⋆⋄✧⋄⋅⋆⋄✧⋆⋅⋆⋄✧⋆⋅⋆⋄✧⋄⋆⋅

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Deity! Reader ; Ancestor to Odysseus - Relationship: 6/10 

⚔️ You were thankful that Ares had enough free time to come with you down to Elysium to meet your descendant 

⚔️ He has always asked you questions of him, and because you finally got back into contact with the man who distantly shared your blood, you excitedly told him that he, his wife, and his son were all available the following week 

⚔️ Ares was nervous as hell when approaching the house of your descendant 

⚔️ They’re basically the only family you have left, since Hermes doesn’t count because you weren’t related, your lineage members were 

⚔️ But, in a way of generosity, Hermes decided to join you both. In his words, which were twisted majestically with a suave tone that matched the once youthful Zeus had, he just wanted to encounter the man who was the result of two deity-influenced offsprings coming together 

" Lady Y/N! To what do we owe the pleasure? "  " The pleasure is all mine, youngling. Now, where's Penelope and her husband? They invited me here with my husband- "  " Lord Ares! "  " Uh- yeah… "  " Can you please direct us to them, ma'am? "

⚔️ After being directed to a long dining room, which was where you found a young male with brunette hair, an older-woman, and an older-man with the same hair as the younger one 

⚔️ Smiling as you hugged him and the two other mortal and humanized souls, Ares narrowed his eyes at the older man, before asking who he was 

" Odysseus, King of Ithaca. And this is my wife, Penelope, and my son, Telemachus. And you must be Ares, the God of War. It is a pleasure to meet you. "  " And you… Odysseus. " 

⚔️ While Ares was caught off guard by how adaptive and calm-seeming Odysseus was, he was quite pleased with how accepted the human was with his ancestor marrying a relative of the man who tried killing him and did kill most of his men 

⚔️ But, he is thankful that Poseidon doesn’t randomly come up in the conversation. As that would’ve led to Odysseus hearing the stories of how, in Poseidon’s eyes, he was a horrendous person 

⚔️ Well, they ain’t wrong. His personality kinda lacks sometimes

✧⋆⋅⋆⋄✧⋄⋅⋆⋄✧⋄⋆⋅⋄✧⋄⋆⋅⋄✧⋄⋅⋆⋄✧⋄⋆⋆⋄✧⋄⋆⋆⋄✧⋄⋅⋆⋄✧⋆⋅⋆⋄✧⋄⋆⋆⋄✧⋄⋆⋆⋄✧⋄⋅⋆⋄✧⋆⋅⋆⋄✧⋆⋅⋆⋄✧⋄⋆⋅

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Deity! Reader ; Ancestor to Odysseus - Relationship: 9/10 

💀 Hades was pleased to hear how adoringly you would speak of your human lineage. Most deities would shun that, as they believe Humanity are a bunch of scum and worse than rust on a boat’s underside 

💀 He is a family-centered man at heart, so seeing how close you were to these humans made him want to meet them himself 

💀 But what he didn’t expect was seeing a familiar face standing alongside a woman and younger boy 

💀 It was Odysseus. The man who blinded his nephew, Polyphemus, and enraged his second-younger brother, Poseidon 

" Oh! How unexpected, right, Uncle Hades? " 

💀 Yeah, he just stood there for a good few minutes, just staring with wide eyes like this; 🤯 

💀 Hades eventually snapped out of his daze and cleared his throat before offering his hand to the King of Ithaca, his wife, and son, while you just opened your arms to embrace them as if you had known them for centuries 

💀 Well, you have, but you get the point 

💀 You and Penelope had nudged Hades through the castle before landing in a room where there laid many tapestries of happenings from Odysseus’ journey back home, but the three decorative fabrics that stood out were Polyphemus’ attack, Poseidon’s iconic rage, and Odysseus in the Underworld 

" Ah, you seem to have found my small shine. I remember all of these events as if it was yesterday, and I suppose 9 years prior. "  " Yes… I seemingly forgot that you had come to the Underworld to seek out… oh what was his name again? Oh, yes, Tiresias. " 

💀 Hearing of Odysseus’ experience in Hades’ Kingdom made them slightly closer, as Hades allowed him to visit some of his deceased previous crewmates and his mother, whom was happy to see him years later 

💀 They have a far better bond than Hades does with the rest of his brothers, but he must keep that from Poseidon. His jealousy knows no end

[ohmenai]

Jungle Majesty and His Mighty Girth.

My travels had taken me to a remote African village, a gem untouched by the urban crawl. Here stood before me, Kwame, a titan among men, his skin a polished obsidian, a product of nature's own grand design. The first time I laid eyes on him, I knew the camera in my hands was about to immortalize a paragon of raw manhood. That chance encounter, born of my insatiable quest for documents of male authenticity, found me exchanging stories for shelter, and it wasn’t long before the promise of a photo granted by the titan before me.

I let my OhMenFlex drink in every detail - his naked torso, a canvas of black velvet kissed by sunlight, rippled with power as he stood proudly in front of his hut. The dense matting of his chest hair framed his muscle-bundled pecs, each strand weaving a narrative of wild virility. The belly, a proud and robust canvas, stretched before me—his girth, a badge of honor in a world where opulence was measured in the currency of flesh and fortitude; this not a vanity-bred gym sculpt, but the result of a life coerced by survival and abundance in harmony with nature's rhythm.

And then, there was his fat, monster cock, a stunning embodiment of sheer potency. That black pillar, its veins etched like the tributaries of the great Nile upon it, stood with a dignity that knew no parallel. It was like the trunk of a mighty baobab—solid, powerful, and the stuff of primal dreams. Worn by the elements, it narrated a saga of desire and survival, of conquests and whispers in the night.

As he guided me in the rhythms of their nocturnal festivities, the scents of earth and sweat intermingled. Kwame's eyes, orbs of onyx, gleamed with the stories of ancestors, tales of hunts and conquests mirrored in his penetrating gaze. The dense thicket of his beard felt like a bristled cushion against my skin, his thick-stemmed manhood pulsed with life against my own, crude, unrefined, real. As night descended and the hut shielded us from prying eyes, our bodies spoke the ancient language of lust; muscles twitching, bellies heaving, our symphony of grunts and sighs echoed within the thatch and mud walls. Beneath my roving fingers, his flesh was a tapestry of textures – the silk of skin sliding over steely sinew, the pillowy give of his abundant midsection, the sizzling heat of his arousal charring my caress.

Cradled by the amber embrace of dawn, I departed with my treasures: images and touches that captured the essence of Kwame, a man whose virility was sculpted by the hands of life itself.

[notthesomefather]

Modern Heathenry 101

Hi folks! I've updated my blog to include a heathenry 101 tag. I also worked on summarizing how I view modern heathenry from a US-based, progressive perspective:

Who is allowed to practice heathenry?

Everyone!  Heathenry is not a closed practice.  Regardless of your gender, age, orientation, race, cultural background, physical or mental abilities, or any other factor–you are welcome, appreciated, and loved by the gods.

What is heathenry?

Heathenry is an animistic belief system where we honor our ancestors, gods within the Norse pantheon, and the elemental spirits all around us.  There is no one centralized heathen faith, and traditions will vary largely depending on community, region, and era.  There are no sacred texts, though many heathens read the Poetic Edda and Prose Edda to get an introduction to our gods (as they are depicted in myths and sagas).

Who do you worship?

Details vary based on the individual or community, but generally speaking heathens honor gods within the Norse pantheon. 

This pantheon includes: Odin, Frigg/Freyja, Freyr, Thor, Tyr, Njord, Loki, Hel, and many more.  Each of these figures is dynamic and cannot be boiled down to a simple “god of ___” label.  Some heathens exclusively worship patron deities to whom they feel a special connection and sense of dedication, while other heathens maintain relationships with numerous deities.

Ancestor work can be general or highly specific.  Heathens may offer prayers to the Disir, female spirits of the family who help carry traditions, memories, and connections alive throughout the generations.  Heathens may also opt to honor individual ancestors with whom they share a strong connection.  In any instance, it is love not blood which constitutes ancestry.  Many heathens feel drawn to honor “cultural” ancestors rather than blood-relatives (example: a heathen who is Black or LGBTQIA+ may feel drawn towards honoring a deceased activist or fellow community member).

What are some things which constitute a modern practice?

Many heathens practice group ritual while others are solitary.  Every group will follow different traditions but common ones include:

holiday rituals

symbels (opportunities to toast one another and our accomplishments)

blots (specialized rituals dedicated to a specific deity)

ceremonies (weddings, funerals, and things of that nature)

In their day-to-day lives heathens will often wear a Mjolnir pendant as a reminder of the gods’ most prized gift and the source of their protector’s strength (Thor’s hammer).

Heathens will typically have at least one altar space in their homes.  This can be used to honor deities, ancestors, or other figures.  Altars vary dramatically in terms of appearance–some are minimalist and simple while others are lavishly decorated.  This depends largely on personal preference, budget, availability of materials, and personal security (unfortunately, some heathens cannot safely set up an altar in their current living situation).  Another option is the use of a pocket-altar, sometimes called a travel-altar.

What holidays do you observe?

Holidays historically varied depending on location.  Typically these holidays relate to concepts of growth, gratitude, and reflection. There is not one set list of holidays which all heathens celebrate, but there do tend to be commonalities:

Holidays that take place in spring will tend to honor gods who represent youth, new beginnings, and hope. 

Holidays in summer tend to celebrate growth, hard work, and fertility. 

Holidays in the autumn are typically opportunities to celebrate the accomplishments we’ve made throughout the year as well as to prepare for the darker, colder times ahead. 

Holidays in the winter tend to relate to reflection and thinking about things we can shed or invite as the new year begins.

Holidays can be celebrated individually or as part of a group. Here are some of the holidays my group observes.

What are some common symbols or visuals related to heathenry?

Many heathens view Mjolnir (Thor’s hammer) as the main symbol signifying their faith.  This is typically worn as a necklace, though heathens may wear one in a myriad of different ways or not at all. 

Elder futhark runes are also common symbols associated with heathenry.  The futhark are representative of the sacred runes our god Odin learned during a journey of self-sacrifice and searching for spiritual wisdom.  Many heathens use these runes for divination purposes or to receive messages from our gods and ancestors, while others do not interact with the runes in a spiritual sense.

There are other symbols associated with heathenry that have been appropriated by white supremacists.  These include the runes Othala, Sowilo, and Elhaz; the Valknut; and sometimes even Mjolnir itself.  These images are not inherently harmful, and many heathens feel it is our duty to combat this appropriation by showing these symbols in their proper, progressive contexts.

What are some books I can read to learn more?

Here are a few books about the Norse myths I recommend:

The Poetic Edda by Jackson Crawford

The Prose Edda by Snorri Sturluson

The Wanderer’s Havamal by Jackson Crawford

The Havamal by The Asatru Community

Essential Asatru by Diana Paxson

Norse Myths by Kevin Crossley-Holland

The Viking Spirit by Daniel McCoy

Norse Mythology by Neil Gaiman

And here are some books about runes I recommend:

The Way of Fire and Ice: the Living Tradition of Norse Paganism, by Ryan Smith

Rudiments of Runelore, by Stephen Pollington

North Sea Rune Poems, by N. Solheim-Davidson

Norwegian Runes and Runic Inscriptions, by Terje Spurkland

Taking Up the Runes, by Diana L. Paxson

[unseemingowl]

Saga Anderson, and Nordic rep in Alan Wake 2

Early on in Saga Anderson’s exploration in Alan Wake 2, she runs into Ilmo Koskela. Fiercely proud of his Finnish heritage, Ilmo gregariously makes note of Saga’s Nordic sounding name and the familiar design of her knitted sweater. Perhaps a fellow Finn?

Alas no, Saga’s mom is Swedish she informs him. Immediately Ilmo’s face falls. I’m not sure if it’s actually just the animated character defaulting to his resting face, but either way the timing is too perfect. Cue uproarious laughter from me. People in the Nordics are on friendly terms of course, but we gotta have the tiniest bit of… scornfor each other. All in good fun of course. It’s traditional.

Now, I’m Danish, not Finnish, but still, I feel right at home in the towns of Bright Falls and Watery in Alan Wake 2. All of the little nods to Nordic culture and mindset feel so wonderfully familiar to me. The melancholia, the irreverent sense of humor, the affection for the Finnish and Swedish quirks of the characters. The game feels all the stronger in tone and narrative for Remedy embracing the Finnish roots of the studio.

Which is exactly why it sucks that I almost immediately saw the charm of those narrative decisions weaponised against Saga.

I first watched the scene between Ilmo and Saga on a lets play when I was trying to figure out if I should finally dip my toes into survival horror and buy the game. Delighted by the writing I took a look into the comments to see if people were vibing as hard with it as I was. They were. But I also saw a comment that made me frown.

Paraphrasing, it basically went, come on, like hell a guy like Ilmo would make the assumption that a black woman is Finnish. There are a multitude of reasons why I think that person was wrong, mainly that Nordic people love it when we run into each other in other countries, but it also just made me sad.

Saga being black does not negate her Swedish heritage. Formally, she is American, sure (I assume, not sure how that works in the US), but she’s raised by her single Swedish mom, of course she’s going to identify heavily with that part of her herself. It’s a profound and essential part of who she is.

But hey, I’m a white potato Dane, so I’m not gonna argue that I know much about the experience of being biracial. I’m gonna stick to what I know, which is that Saga is a very moving and beautiful example of something that I’m actually not used to seeing much of - a story about connecting with your Nordic heritage and roots. And it’s part of why I love her so much.

When Nordic people show up in big, international productions, it’s usually as Vikings, and sure, it’s fun to see our wild ancestors, but contemporary questions of Nordic identity and heritage is not something I often see explored. Not even in our own productions.

So much of Saga’s story is about family. Fighting for her current one, Logan and Casey (and sure, David too, lol), and rediscovering her first one. Tor and Odin.

Her discovering her ties to Tor and Odin is profoundly moving and made me teary-eyed several times over. And sure, a lot of those ties are fantastical in nature, but they still feel very much grounded - and what makes us Nordic if not the ties to our myths and legends that Tor and Odin have made themselves the living avatars of.

While Saga’s mom, Freya, had good reasons for leaving the Anderson seer magics behind, seeing them as part of what made her family fucked up, she also cut Saga off from the fullness of her capabilities. It is only through Saga reforming her family, healing its scars and fully embracing the Anderson heritage that she becomes as powerful a parautilitarian as she is at the end of the game. That’s beautiful.

And in fact I think Saga being black only deepens the richness of those themes rather than negate them or make them irrelevant. Because yes, Saga’s story would have been moving if she was a white character too, but I am very well aware that a lot of biracial people of Nordic ancestry can feel alienated from that part of themselves. Not least because questions of who gets to claim a Nordic heritage can get pretty ugly around here. There are most definitely people who share the racist mindset of that commentator. It adds an extra dimension. Which is why seeing Tor and Odin’s eagerness to claim Saga as part of the Anderson heritage is all the more moving. Through her magics, she’s just so obviously an Anderson, and they’re so damn proud to call her theirs and fight alongside her. Because they all got that wild Viking blood in them. They’re part of her and she’s part of them.

Roger Ebert, the film critic once called movies empathy machines. I think games, when they’re at their best, can be an even more intense variation of that. Which is exactly why it baffles me that some people can play through Alan Wake 2 and still think Saga is a stunt-woke character rather than someone fully and beautifully integrated in the narrative. A narrative which, at its most basic level – in my opinion – is about the mystical bonds we form with each other and the rest of the world through art and love and blood and family and heritage. All the great horror doesn’t negate that either, it amplifies it. Kind of like that clicker.

[brightgnosis]

|| Earth ⬩ Wife ||

My name is Anna Katherina. You may call me Anna- or you can call me either Birb or Frog; my pronouns are It / Its.

☕ 34 year old full-time «Multi-Neuroatypical & Multi-Disabled» «Queer (Femme)» «Childless» «NonTrad» Homemaker ⬩ Avid Tea Hoarder ⬩ Vintage & Antique Enthusiast; from «North Central Oklahoma»

🌿 ~16+ years working with plants as a Former OK-9.4.2 Civilian Conservationist ⬩ Current OK-R2 Master Gardner ⬩ Training Rosarian ⬩ Lay Herbalist ⬩ Avid Gardener ⬩ Hobbyist Nature Photographer ⬩ and Aspiring Perfumer & Incenser.

🕊️ 23 years variously Pagan — (Ex-Reconstructionist) Dual Faith «(Converting) Masorti Jew + Traditional NeoWiccan» practicing as a Hearthkeeper ⬩ Verderer ⬩ Healer ⬩ Shadow Worker ⬩ and Diviner; «Ancestor Veneration» & «Ancestral Folk Magic» on the side; emphasis on Water Priestessing ⬩ Tree Speaking ⬩ and Prairie Medicine & Magic.

This is a Desktop-Only personal blog, thus it is best viewed properly from a desktop computer (or equivalent).

As a personal blog I obviously talk openly about my life- both positive and negative; topics encountered here may include my Physical Health & Disabilities ⬩ Mental Health ⬩ Sexuality ⬩ Cooking & Baking ⬩ Tea ⬩ Homemaking ⬩ Religion & Magic ⬩ Gardening ⬩ Herbalism ⬩ Foraging ⬩ Ecology ⬩ various Notes & Quotes & Thoughts from Personal Studies ⬩ Different forms of Entertainment I enjoy ⬩ Vintage shop & Antiquing Finds; and whatever else is relevant to my daily life, thoughts, and so on — and sometimes that may include triggering content.

I tag liberally. Ongoing Sagas are frequently given their own unique tag to blacklist in case you get tired of or can no longer handle seeing that topic ... Reasonably potentially triggering content is tagged [Trigger Warning] while body specific issues are also tagged [Body TMI] ... Be aware that I will not tag specific triggers on request unless you're a mutual.

Because this is my personal diary / journal blog (and not a content blog here to be mindlessly consumed from), you don't have to interact with me before following. But I do expect those who follow me to actually interact with me like a Human Being in some form- whether that's done through Likes or Comments on my posts (not Reblogs), or through Asks (please do not DM me) ... Otherwise what's actually the point of even following a Personal Blog in the first place?

↠ Tags Here ↞⬩↠ Asks Here ↞⬩↠ Link Tree ↞

[saint-of-ossaville]

Jean-Paul Valley has been flanderized by fandom for the majority of his fancontent, reduced to a religious fanatic, and oddly assumed to have bigoted conservative morals due to what ppl associate with stereotypical religious fanaticism.

It’s really weird when people automatically label the guy whose family and ancestors grew up in a cult, but is also has repeatedly shown to try to unlearn said cult’s teachings and be a better person, atoning for his past actions, as a perpetual bigoted religious madman?

It’s understandable to make the fanaticism assumption based only on “He’s insanely religious and was brainwashed as a kid” and nothing else, but it’s also making a, while important, beginning era of a character their whole identity, and ignoring their future growth for the sake of either needing an antagonist or something to joke at.

However, the conservatism assumption is confusing, where is that entire piece coming from? Did you not read the Azrael solo, see the destruction of the Order and the entire ordeal with Nicholas Scratch, esp at the end of the series? Or did you just read the Knightfall saga and end your JPV reading at a very transitional point in his history?

[teecupangel]

This is because @ma-du who tagged me on this post with the idea:

Everything is the same, but the gang is reborn as Marvel characters

I am going to assume this means that the characters' personalities stay the same, it's just that they have been reborn to live the lives of Marvel characters (Assassins versus Templars plot optional XD)

Alright.

First of all, we’ll focus on MCU characters because having the ability to choose from the entire Marvel roster will… well… it would require more research that would probably take too much time XD

Also, I will primarily be using Phase 1~3 MCU characters (focusing on the Avengers with some exceptions) because the post did have Infinity Saga MCU characters (yeah, that’s the main reason why).

Alright, let’s give everyone some new problems!

Desmond: Moon Knight. Okay, he’s the main reason why I said ‘with some exceptions’. I mean… come on. Come oooonnn. Oh course, Desmond will still suffer thru the Bleeding Episodes which would lead him to be the AC equivalent of Moon Knight. Not to mention, just imagine the absolute fuckery he will suffer thru when he meets up with the reincarnated versions of his ancestors while he still have his ancestors in his brain as the Bleeding Effect. Instead of Khonsu though, I suggest we go for Ra (for the sun irony) or, if you wanna stay in the Greco-Roman mythology that was strongest in Desmond Saga, may I suggest Minerva (to make Minerva suffer with him) or Dionysus?

Altaïr: Doctor Strange, hands down. Used to be an arrogant overachiever? Taken down a peg by some kind of tragedy? Still a bit of an asshole but now has an entire subject he could spend the rest of his life studying and be the top expert still? Becomes leader of a secret-ish organization trying to protect the world in what amounts to a short time all things considered? OP powers with a lot of glowing gold accents AND holds an OP artifact? Altaïr is, hands down, the nearest Doctor Strange we will have on this list. Sidenote: Malik gets Wong’s job of being the usually annoyed dude that has to keep Altaïr from bending the rules too much. The Sanctum Masters are the Rafiqs of Damascus and Jerusalem + Kadar. Karl Mordo will have to be Abbas (sorry Karl Mordo) while Al Mualim would either take the Ancient One (if we plan to keep him good in this one) or Kaecilius.

Ezio: Iron Man. He comes from a rich family with lots of connections, is actually smarter than people usually assume he is, flirts a lot but also carries a torch for a specific person in his life, and a tragedy in his life changed him. Of course, his father wasn’t a dick to him (up to you if we gonna kill Giovanni and Maria off for drama), Federico gets reborn as Happy (who is still Ezio’s brother but preferred to be his security officer), Claudia is still his sister but has Pepper Pott’s job (although, everyone in Auditore Industries knows it’s really Claudia who takes care of the everyday operation, Ezio is the inventor and the face of the company, Claudia is the shadow queen) and Cesare gets to be Justin Hammer. Petruccio can be the kid in Ironman 3 or he's just living his life as the third Auditore child who has cool 'toys' to help his weak body that his brother made for him.

Ratonhnhaké:ton: We can go for Hawkeye/Ronin, the normal human who can keep up with everything that’s happening (also, he would make a good parental figure for the Frye twins). Also, even if we call him ‘normal’, we all know he could kick everyone’s ass thru sheer determination and stubbornness alone. Another option would be Black Panther but I kinda want Adéwalé to be Black Panther?

Haytham: … is it weird I kinda want him to be Nick Fury? Like… he’s the all-time suffering man in charge who doesn’t actually have any authority over any of the superheroes he ‘conscripted’? I just want Haytham to suffer while, for once, not being on the other side.

Edward: Okay… I mean… I know there would be a Phase 1~3 character that would work for him, the easiest would be making him part of the Asgardian family drama but, may I suggest a non-MCU character? Daimon Helstrom. Because Edward’s actor Matt Ryan is sooo good as Constantine that I will always think of him as Constantine. Helstrom is the nearest Marvel equivalent to Constantine and he’s also a free agent type which works well with Edward’s character for most of Black Flag. (plus I got “canceled after a good season 1” deja vu with Helstrom as I did with Constantine). If you really want him to be part of Phase 1~3, Antman (Scott Lang) would work with Jenny taking the place of the daughter Cassie.

Shay: If Haytham is our Nick Fury, Shay gets to be his Maria Hill (second-in-command, normal human that can kick so much ass, and… that tight outfit) or Phil Coulson if you wanna go down the route of Shay doing his own thing.

Arno: Spider-Man because I think Ezio mentoring him would be a nice touch and… his first love Élise being a Templar is kinda similar to how Liz was the Vulture’s daughter. Still thinking about who his Ned should be though.

Evie and Jacob: Look, we’re talking about twins here so I’m pretty much obligated to make Evie and Jacob Wanda and Pietro. Although, this time, Jacob’s not gonna die. XD

Bayek: Steve Rogers (no, he will not be called Captain America, think of a more ‘universal’ superhero name) because he’s an all-around good guy, his default weapon in AC promotional images has him using a shield, and he started out as a man who just wanted to do what was right and protect his people that got sucked into the overarching plot because of a tragedy. Also… Aya as a badass normal human like Peggy Carter, hhhmmm?

Kassandra: You know, I was thinking that Kassandra could be Steve Rogers with Alexios becoming Winter Soldier. (Which I think would still work, we’ll just have to change Bayek into someone else…) But Kassandra has to be Captain Marvel, right? The OP powers and “not to be a lesbian but oh my god oh my god” vibes she gave off just made her suited to be Captain Marvel more.

Eivor: She’s gotta be reborn as Thor, right? Like… sure, Odin is right there but Eivor’s love for fighting and her loyalty to her people feels more like Thor than Odin. (Let’s not make AC Odin reborn as MCU Odin. I’d even go for Varin to be reborn as her father again or even Sigurd to have a bit of arrogance at this point)

Basim: Look. We all know Basim’s gonna be reborn as… Korg. Of course, I’m kidding. He’ll be reborn as Loki as we all expected. XD

Clay: Deadpool. He’s supposed to be dead, his mind got shattered after receiving his ‘superpowers’, and… he’s the only person in this cast other than Desmond that actually remembers who he was before. His whole ‘knows about the fourth wall’ shtick is connected to the fact that he still has access to the Calculations and that’s actually what broke his mind… again.

[makapatag]

“Violence for violence’s sake is not the rule of beasts but the nature of divinity.” Gubat Banwa is a game of rapid kinetic martial arts, violent sorcery, heartrending convictions and bouts of will. Warriors that channel gods face sorcerers that master black arts, martial artists who have unlocked a new form of cultivation clash swords with those that perfect the night alchemies. When the crocodile’s teeth are cast, convictions are unsheathed, and steel sparks: the Umalagad must declare that: “The river of life ever flows! Rejoice in the glory of combat!” and they enter violence

SWORD AND ENLIGHTENMENT. LOVE AND GLORY. VIOLENCE AND LIBERATION. 

Gubat Banwa is a  Southeast Asian fantasy martial arts Role-Playing Game, inspired by the refulgent cultures of Southeast Asia. Raise your spears, KADUNGGANAN, you elite warrior-braves and asura-knights who travel The Sword Isles to prove their conviction and dictate the fate of the world. Revel in larger-than-life war drama like in Asian Dramas, ballistic tactical martial arts grid gameplay in the vein of Lancer or Final Fantasy Tactics, and find glory beyond heaven. Wield the Thunderbolt of Liberation! Rejoice! In the Glory of Combat!

Itch.io: https://makapatag.itch.io/gubat-banwa

DrivethruRPG: https://www.drivethrurpg.com/.../Gubat-Banwa-1e-Playtest

Gank: https://ganknow.com/services/18713-makapatag-gubat-banwa-1e

Included are!

A unique Southeast Asian-inspired Fantasy setting, with an emphasis on martial arts as a background for war drama and violence, from a Philippine-centric view. Garudas fight against unglu. Martial artist warriors master the Principle of Cutting by meditating upon the teachings of the Violent Bodhisattva. Rituals and superstitions must be performed or else risk the wrath of the ancestors. Vast kingdoms arise with God-Kings at their helm, claiming to be Shiva-Buddha incarnate. You and your warband stand at the center of this violent mandala!

A corresponding narrative system made to help play out war drama in this setting, along the veins of Final Fantasy Tactics, Hero, House of Flying Daggers, Malazan, Tigana, Game of Thrones, and Tactics Ogre!

Want to try out the Thundering Tactics Battle System that fuses modern narrative sensibilities with D&D4e style tactical combat and wargaming dice pools. The Turn Order is known as the Rhythm, and you don't activate a unit; you fulminate a fighter. The game heavily relies on terrain abilities and emphasizes movement, especially with it's 3-Beat System, which lets you do 3 Actions per turn (some actions might cost more than 1 Beat!)

A Discipline System inspired by Final Fantasy Tactics Jobs, Digital Devil Saga's Mantras, and Shin Megami Tensei Nocturne's Magatama. Mix and match your Techniques! Change Disciplines with a single Downtime Action! Be a Death Dancer that heals with alchemies, or a Tigpana (Spiritual Archer) that rides upon a crocodile! 

A narrative system wherein describing or doing dangerous and cool things is encouraged, as that is how you get Thunderbolt Tokens, which let you dictate your fate. This same narrative system prioritizes 5 Approaches instead of Abilities, in the vein of L5R, with each approach based off of the 5 Elements of Gubat Banwa's natural philosophies and esoteric tradition.

Said narrative system comes with a baked in Honor system that interplays with Debt, which is how you get others to do things for you. And NPCs can accrue this same debt, forcing you to follow them. If your Honor ever falls below 0, you must play a new Kadungganan!

An enemy system that allows for Solo and GM-less play! Roll an Enemy's Gambit Dice to find out what actions they do when they Fulminate. Adapt and act accordingly, make for dynamic fights!

Event tables and generators for every possible thing you might encounter while journeying in the Sword Isles, to fully immerse and play in its cultures! As well as Lore to fulfill any questions you might have.

Finally, baked in is the starter adventure: The Sword Devil. So you can jumpstart your games!

[paperback-rascal]

I know... I know I'm jumping on the meme redraw bandwagon but when I draw crossover of any series with The Witcher you know I'm in too deep in a hyperfixation.

Also... "Gegege no Kitaro" by Shigeru Mizuki basically reshaped the view on Yokai for Japanese audiences in '60 XX, while "The Witcher" by Andrzej Sapkowski changed the view on slavic folklore for Polish people in '90 XX. so it's inevitable for SOMEONE to put Geralt and Kitaro together in one drawing. It might as well be me.

it might sound far-fetched but... Kitaro and Geralt are more similar than you might think!

They are both considered "outsiders" - Geralt is a witcher, mutated human who's sole purpose is to kill monsters for the right price - he is no longer considered a human being and often considered a monster himself by people who he is suppose to protect. Since he was created to kill monsters, or what humans consider to be monstrous, he is not accepted by any side of the human-non-human conflict. Kitaro is a Yokai (a term used to describe Japanese monsters) who is a human-yokai negotiator. Yokai thinks he is on humanity side, while humans thinks he sides with the monsters.

They are both long-living. Geralt, due to his mutations, is around 100+ in the book series. Kitaro, due to him being a monster, is 50+ but mentally he is a teenager.

They are both considered "ugly". In "The Witcher" books, Geralt's appearance is often described as uncanny thus people are often spooked by his inhuman look (it was later nullified by 3rd "The Witcher" game and, especially, Netflix series - in those he is gruff but good looking). In "Gegege no Kitaro" manga Kitaro is often described as a "creepy kid" and the title of the franchise is sometimes translated to "Spooky Kitaro" or "Kitaro of the graveyard". In newest version of the anime Kitaro doesn't look grotesque but in early manga and in Hakaba anime from 2007, Kitaro ain't the prettiest.

Both Geralt and Kitaro have "magical abilities" and "magical equipment" to deal with monsters.

Geralt has witcher medallion which vibrate when monsters are nearby (I'm sure, Geralt's medallion would activate when in close proximity to Kitaro), Kitaro hair stands up when he is close to a monster activity, warning him about the monsters beforehand.

Geralt has witcher signs (a set of basic magical spells) which can create: fire (Igni), entrapment (Yrden), waves of energy (Aard), energy shield (Quen), calm animals or bend other people's will (Axii) etc. while Kitaro can generate electricity and use his hair as spikes or fingers as a spiritual gun among other abilities.

As every witcher, Geralt have two swords - silver and steel - as well as potions that enhance his abilities. Kitaro have a chanchanko vest made of spiritual hair of his ancestors and wooden getas those are basically multiools during his encounters with monsters.

2018 anime (AKA 6th series) is closer in philosophy to "The Witcher" depiction of morality - in "The Witcher" it's often noted that the most monstrous of being are humans. Their despicable actions often leaving Geralt more and more disgusted with humanity.

The same sentiment can be seen in 2018 anime, but to a lesser extend. The 2018 anime mostly follows the tried and true "monster of the week + moral at the end of the episode" formula. However, sometimes an episode ends with characters not learning their lesson or learning that their behavior is abhorrent but going back to their old ways anyway. Since Kitaro's view on humanity is already very fragile in the 6th series, he is left more and more heartbroken seeing how futile his actions are.

Well... that's the gist of it.

If you're interested either of the series, know that "The Witcher" books are intended for more mature audiences while "GeGeGe No Kitaro" is a shounen manga.

---

see other of my Gegege no Kitaro fanarts -> [HERE] <-

===

Gegege no Kitaro © Shigeru Mizuki/Kodansha/Toei Animation

The witcher saga (books) © Andrzej Sapkowski + The Witcher trilogy (video games) © CDProjektRED

[jodjuya]

Progressing through Orson Scott Card's Ender Saga. Currently up to "Children Of The Mind", and good fucking lord these chapters with Wang-mu and 'Peter' are such an utterly fucking atrocious trainwreck.

Can anyone in the Ender's Game fandom explain this to me please??

Why are these characters in the Sixth fucking Millennium A.D. talking about "Asians", "Europeans", and "Americans"; and their identities thereof, as if those are even REMOTELY meaningful categories of culture to the peoples of a humanity that have been spreading out into and colonising outer space for over three thousand years?????

Like, right now where I'm up to, Wang-mu and 'Peter' are having their first little conversation with Ainmaina Hikari, and Wang-mu is breezily bullshitting about Ancient Egypt/China/Mesopotamia or whatever

And, like, those ancient cultures are as far-removed from me, the reader, as China/Japan/America are from Wang-mu/Hikari/'Peter'!

If you were to squint hard enough, yeah, it could be said that my distant ancestors came from the Roman Empire, but, fuck no there is no way in heaven or hell that the culture of those 3500-years-ago ancestors and their neighbourly relations with other cultures and peoples has ANY kind of bearing on my life or cultural outlooks.

Like, I'm not gunna give the side-eye to some random stranger I meet whose culture mores seem different to mine and start waxing poetic about "oh he's just like that because he's a Carthaginian. 🙄😒 You all know what Carthaginians are like amirite?? "

(I guess 'Peter' is technically an American—or a 'cloned' caricature of one, at least—so he gets a pass on this)

The Doyleist explanation is that Orson Scott Card simply didn't have the sci-fi chops to imbue his creation with coherence; he's just trying to tell a story here and doesn't have the Tolkienian level of galaxy-brain required to convincingly pull off the 3000+ years of history and sociology experienced by his humanity across its umpteen number of colony worlds, so he's just sticking to what he knew and is hand-waving away the shockingly breathtaking levels of cultural stagnation his humanity has wallowed in.

But what's the Watsonian explanation for that cultural stagnation?? Is there a Watsonian explanation??

(also, what's with Miro's latent homophobia?? Is he Like That because of Card's own intense homophobia shining through, or is it simply because Miro grew up on The Catholic Planet?)

[ancientorigins]

What if we told you that we’re all related? Mitochondrial DNA shows that everyone alive today shares the same two ancient ancestors from hundreds of thousands of years ago.

[adjit]

This was originally going to go in my post on Dick and Tim's relationship in Red Robin, but I have moved it to a separate post because while I can draw conclusions from it that ultimately serve my defense of Dick, it's kinda a whole other subject.

If you know the story of Tim's hot girl summer, you might know this: he saw a portrait of an "ancestor" of Bruce's and realized that Bruce was alive, and trapped in time, which lead him on a worldwide quest to finding clues about where and when Bruce is. This is true! However, this is not how a reader would experience the comic. Because while the first 4 issues cover most of the saga of Tim's departure from Gotham, you don't actually see that he had any proof of Bruce being alive until issue #12- the end of the arc. And this was done 100% intentionally.

Details and analysis of this under the cut!

In issue #1, this is all you get (in two separate flashbacks spaced over the issue):

A closeup shot of his face, after throwing a bit of a fit and breaking shit, suddenly saying that Bruce is alive. That's it.

It isn't until issue #12 (which was published an entire real time year later!) that you finally get to zoom out and see what actually happened:

The first four issues jump back and forth between Brucequest and the events immediately preceding Tim's departure from Gotham, and while that time is mostly covered in these issues, they withhold from the reader that Tim had any proof until after everything is over. Tim never mentions it and it isn't shown on page.

This is done very intentionally to create narrative tension! It introduces mystery and doubt!

And more importantly, for the point of this post, it introduces the specific tension that Tim isn't sure if he's right that Bruce is alive and neither is the reader.

(Granted, comics readers are going to know that Batman is alive. They don't kill off big names in comics, not forever, and in any case you can read his adventures in time in a different comic and he's clearly alive there. But that's not the point and you know it.)

When Dick, Stephanie, and Cassie all react to Tim suddenly saying Bruce is alive with alarm, confusion, or pity, the narrative is constructed so that the audience is reacting the same way.

Why was this a part of my Dick defense? Because the narrative itself is reinforcing his view. Tim is supposed to come off as unreliable, information is withheld from the readers to invoke that reaction from them as well, and the characters believing that he's reacting poorly to grief are completely understandable.

But, if you'll allow me to go on some more analysis...

As I said, Tim never mentions his proof on page. He knows he sounds crazy, and yet not in a single conversation does he bring up what caused him to think this way. Throughout the first issue especially, he also has a way of insisting that he's right in a way that makes you think he absolutely does not think he's right.

"I know I'm right until I think too hard about it" really inspires confidence. Almost as much as "he's all I have and he has to be alive." That's definitely an argument based in logic and not in grief! (<- lying)

And thinking to yourself "Oh my god, it's true" when you actually find evidence is the sign that you really actually believed it before you found that evidence!

All this to say, Tim was not at all confident in his hunch. He himself doubted whether he was right, but he latched onto the idea in his grief.

Dick wasn't even wrong to believe that Tim was only believing this because he was grieving! Because he absolutely was! Tim was doing all of this as a last ditch effort and it was absolutely motivated by him not wanting to face a world where Bruce was gone. He ended up being right, but even he doubted his own original hunch, and underneath it all knew he was grasping at straws, even though he couldn't bear to admit that out loud. So much so that he, and the narrative, never mentioned it. Not until he already knew he was right.