#And realised I write for my characters. Because I want to tell their story. Because I want people to see them how I see them

[silverquillsideas]

Maybe my writing is totally shit. Maybe it's boring and repetitive. Maybe nobody cares.

But do I care about these characters? Do I care enough to write about them? To tell their story?

Yes. I do.

So I'll continue to write.

Because if I don't tell their story, then who will?

[fingertipsmp3]

4,300 words in one fucking sitting, lads. I am so back

[submalevolentgrace]

Hi! I'm very interested in attempting to write a disabled character (not for this blog, I assure, for an book I'm writing) in which the story doesn't fetishize/objectify her prosthetic limb. I'm in many writing circles and have been for a long while, but I've never seen this issue brought to light which I realise is a very important one. I have much to change in my thought process, and thank you for bringing this issue to attention.

I'm curious, and I apologise if this has been asked before, but what sort of design could you see for a functional prosthetic that doesn't go for a plainly aesthetic appearance, or is soully to please others? I do note that you said prosthetics are generally... not that helpful. So is there a way that it could be? Or do you think it would always generally be better to not use a prosthetic, as its mostly for aesthetic purposes, as you said?

I apologise if this ask is too outright or anything, and I don't mean to intrude. Thank you for your time and have a beautiful day!

okay, i want to answer this as in depth as possible, because whenever i talk about having a prosthesis, someone will always tag some variation of "#writing reference" and i do wonder what message they're taking away, and i want to get as much of my experience out as possible to maybe help shape how this is all portrayed in the future. and yeah… this is gonna be one of those rambly smg posts that the expand feature was invented for, so i'll start with the very abridged TL;DR:

if you're writing a character with an upper limb prosthesis; don't. arm amputees are unicorn level rare even compared to leg amputees, and i've never interacted with or even heard of an upper limb amputee that regularly uses a prosthesis, let alone relies on one. fiction has lied to you for the sake of cool aesthetics, don't repeat the cycle. more in depth writing advice including nuance and "but i waaaant to" will follow.

that said, grab your donning parachute and let's get started...

context for everyone involved: i am an upper limb amputee that rants a lot about how prostheses suck, i lost my right hand roughly five years ago at roughly the age of 30 after a very rough decline in health… it was pretty rough. this question is being asked in the context of a previous rant post of mine, and i checked that the ask is about an upper limb prosthesis in particular.

the situation regarding the usefulness of lower limb prostheses is totally different; i am definitely no expert, but by all accounts, prosthetic legs are incredibly useful for many people. getting a good leg can be absolutely life changing and more or less necessary for day to day life for some; mostly because infrastructure and society is just so fucking hostile to wheelchair users. being able to walk - at the cost of pressure sores and rashes and increased residual limb pain - is a preferable option to many people than being unable to fit through a doorway or in a bathroom stall or find out that the key to unlock the only elevator is in the admin office up three flights of stairs (true story).

but upper limb prostheses… see, the thing is, hands are incredibly complex organs that rely on a lot of immediate haptic feedback to work at all. hand dexterity is all about control, you need fine granular movements of the digits yes, but you also need the subtle sensations of pressure and proprioception in order to adjust your movements on the fly. i speak from experience, in the years leading up to the full loss of my hand, i was slowly losing function of it, usually swinging between numbness that made it clumsy at best, or screaming overstimulation from moving it at all resulting in unpredictable spasms… and let me tell you, a half working hand is infuriating to try and deal with. you can never know if you have a good grip on something or if it's slipping because of the wrong amount of pressure, and there's only so many smashed bottles of pickles on the floor before you give up using it all together… so amputation wasn't a great loss there, i had time to adapt.

a prosthetic hand of any kind has all of those issues and more. they're heavy and bulky, the cosmetic faux fingers or gripping claw have crude movement at best, and there's zero feedback (put a pin in this). 100% of the time you're using a prosthetic hand you have to keep your eyes on the grip and visually guesstimate whether or not the thing you're carrying is held tight enough but not too tight, that is if your "heavy duty" prosthesis can even support the weight without the servos disengaging or the wrist attachment socket just busting loose. i dropped a whippersnipper on my foot last week when my socket couldn't take the weight and i think that was the final straw in me desperately trying to prove to myself that there is a single task my prosthesis actually helps with.

this is usually where fully two handed people start talking about bleeding edge DARPA tech, and how we just need to invest more,research more, develop more. better tech, more tech, neural integration, more more more. okay i promise the writing advice is coming! for starters on tech, my experience is already with a mid-to-high end ottobock terminal device: i've got a myoelectric nerve-signal operated proportional control heavy duty greifer; about the only upgrade left for me to get would be a rotating wrist joint if i could coflex. it's not military, it's not "rockclimber that owns a prosthetic company", but it's quality tech. it still fucking sucks. secondly, that high level military tech exists primary for PR purposes so they can say they treat their discarded casualties well, "we can rebuild him, we have the technology" style. every war vet i've read about or heard from that's been gifted that high level tech also abandons it for the same reasons; it's imprecise, there's no feedback (or the haptic interface has to be fully recalibrated every time they put it on), but mostly they're more capable without one.

okay, the transhumanist ableds say (i should know, i used to be one), what if we did more ~research and development~ and got that neural feedback working? then we could have fireproof superhumanly strong robot arms to fix up everyone! here's where i take out that pin we put up before and i tell you that a class of prosthetic arms/hands already exists that has perfect proportional control, fine motor control, and physics perfect pressure feedback piped directly into the patients' existing sensory systems! they're called body-powered prostheses, and they were invented in like the 1600s. you strap a whole bunch of stuff to your arm and shoulders shoulders, and control the operation of the terminal device and elbow through cable tension by flexing your shoulders. they do take a considerable amount of training to operate - though hell i spent 18 months training to use my myo - but based on everything i've read, body-powered prostheses are the best option if you're an upper limb amputee and absolutely need a second hand for some reason.

but they don't look cool and futuristic, and according to my prosthetist, most people give up on using them too. we all give up on our prostheses, no matter the type. my rehab OT was impressed i lasted the 18 months of my training. towards the end, they even asked if the clinic director could drop in to one of my sessions to see my progress; he expressed genuine amazement at me casually using my bulky robot claw to use a brush and dustpan, and made an offhanded (hah) comment about what someone can achieve "if they stick it out to the end", implying it was somewhat of a rarity for me to have done so. several years on, and yesterday i wedged the dustpan between my ankles to sweep up into it, awkward but exponentially less effort than putting my dusty robot arm on. which, by the way, is a whole thing. look up some videos, they're all awful to don. i don't actually know the official technical name of what my clinic calls a "parachute" but it's a bitch to use! have you ever tried to pull back with your arm whilst also pushing it forwards at the same time, and simultaneously lean in to and away from an external force pulling on you? that's how you get a myo socket on.

bare with me, i promise writing advice is coming, and i promise it's more than the tl;dr. but. remember when i said a half working hand is infuriating to deal with? any prosthesis, from fancy myo tech to pirate-era body powered, will only ever be half as good as a working hand, and being juuuust within capability to do something but not quite able to is maddening! but you know what works way better than a half working hand? no hand at all. using whatever residual/vestigial limb you have - whatever "stump" you have, i hate that word - is pretty much always better than trying to use a prosthesis. i can use the inside of my elbow to grip and carry things, i can use the nub of my arm to apply pressure to hold things, open doors, use a computer mouse, turn on taps and lights, if i put a glove over it i can use it to prep for cooking. i have full proprioception and pressure feedback with skin contact, i don't think i've ever dropped and broken anything from my elbow, unlike countless things slipped from my greifer - which, by the way, absolutely will start clenching as tight as it can if i get even slightly too sweaty around the electrodes, which has both broken things i'm holding and also injured me, because surprise surprise but servo operated robot claws have pinch points on them right near the "emergency disengage" lever for some reason!

but i am exponentially more capable without it on than with it. no, i'm not fully independent, i rely on housemates and loved ones to help me out with some tasks that simply just need two handed dexterity, but none of those tasks are things a prosthesis makes me able to do anyway. i used to imagine my prosthesis would be like a bra; a bit awkward and uncomfortable, but i'd wear it throughout the day because it's helpful and take it off in the evening to decompress. in reality it's actually exactly like a bra: an absolute bitch to put on one handed, unbearably uncomfortable because it never sits right, ugly af unless you're a millionaire, and absolutely useless except for the fact that i get gawked at and judged by strangers if i leave the house without it on.

and if you really want to discover how far "no hand is better than a half working hand" goes, brace yourself, and look up the patient's stories (not medical system stories) of people that have had hand transplants. the first man to receive one hated it, he was promised a return to normal function, and what he got was a nightmare worse than being one handed; he wanted it removed again but the doctors refused because it would undermine their grand achievement of the first hand transplant. the doctors and society wanted him to be fixed, they wanted him to be normal, they wanted him to be abled. they failed. they made him less able to do things, denied his autonomy, and left him with someone else's hand slowly rotting on him, prioritising the idea of "scientific progress" and "two hands good" over the physical health, mental health, and ability to function of this man.

he's not alone; every story from the patients' perspective about hand transplants that i've read goes this way, including a woman who was born quad limb different and was promised hands would improve her life, pressured into a double hand transplant, only to find herself after the surgery essentially experiencing disability for the first time ever, because she had lived her whole life getting by just fine with her 'underdeveloped' limbs, but half working hands are worse than useless. you can try to find these stories yourself, but i'm not going looking for sources on any of these cases, because if you look back through enough of my posts you'll get a glimpse of the horrors and abuses that i too was put through by doctors who prioritised trying to "fix" me at any cost, rather than providing me the best quality of life, and in turn traumatised me and left me more broken than any loss of limb on its own could. dear goddess, i promise the writing advice is coming.

so. why do upper limb prostheses exist at all? if they're so terrible and useless, what is their function? i want to borrow something someone else left in the tags of a previous rant here, from someone who i believe works in prosthetics and/or rehab, cleaned up and anonymised at their request:

"upper limb functions are wildly more complex than: 1) bear weight static, and 2) bear weight moving. but every single upper limb amputee i know has a fancy expensive prosthetic just gathering dust in the closet because there is literally nothing it can do like a few years of adjustment and if needed non-dominant hand retraining can't do. the existence of forquarter prosthetics to begin with is just kind of silly and useless and entirely to make OTHER people feel comfortable, especially considering they universally are UNcomfortable for the amputee. i hate the notion that as soon as you get the amputation the prosthetic is The Thing That Will Fix You And Make You Feel Normal again because it universally isn't! but every forequarter person i know had like this ideal of Being Fixed By Magic Prosthetic that they were then obviously wildly disappointed by and had to do yet another grieving process with, versus if the dominant narrative were just one of: yeah. it'll take time, there is no magic fix."

and i think that really nails down what the actual purpose of upper limb prostheses is: they're not for the user, they're for the sake of other people. and not just their comfort when looking at our bodies, although based on the pressure for both amputees and people born limb different to get functionless cosmetic plastic hands, there is a lot of that. but it's not just that.

i fully believe that the reason prosthetic hands exists is to comfort the fears of the two handed. "don't worry", they say, "we can fix you again. you don't have to fear becoming Disabled, you don't have to worry about adapting or your life changing. we can make you Normal™ again."

you would not believe the number of people that have approached me to shower me with pity, to tell me how horrific my life is, how they can't imagine it. people have told me, apropos of nothing, that they'd kill themselves if they lost a hand. indirectly, that my life isn't worth living. unless, of course, i happen to be wearing my cool as fuck looking robot prosthesis! then they tell me how wonderful it is, how lucky i am, how glad they are that we have the technology to fix me. that's what a prosthetic hand says, what all the happy fishing photos on limbs4life posters at the rehab clinic say: don't worry, we can fix you. that's what the bleeding edge DARPA flexi-whatever fully articulated neuro-feedback hands say: don't worry if you get IED'd while hunting civilians for us to drone bomb, if you get hurt, we will fix you, we will fix the fuck out of you, we will motherfucking adam jensen you into a cool as fuck cyborg that your son will idolise; come on boys, don't you wanna enlist just for the chance at being as cool as this? join the bomb squad for a ticket to the upgrade lottery.

and so we arrive at fiction. as much as his dialogue options protest, adam jensen loves his robot arms, they punch through walls, turn into fucking swords! they make him the most special man in the world. what would he do without them? learn to cope? grieve? practice acceptance? take up poetry? just, be disabled? there's no power fantasy for ableds in that.

in fact, can you think of a single fictional character that's an upper limb amputee that's, well, just an amputee? they all have robot arms. not realistic prostheses, not medical devices; robot arms. sleek or bulky, top of the line or broken down self built, steampunk or nanomachines or magitech automail; they're never without them. never just an amputee. never born limb different either! there's always that element of tragedy to overcome, always suffering and misery porn, always focus on the pain and the helplessness without the absolutely vital robot arm that makes them Normal and Whole. the closest amputee example i can think of is furiosa from mad max, who iirc fucking punches max in the face with her residual limb like a motherfucking badass! i can barely lean on mine wrong and she punches a guy! but she still apparently needs a dieselpunk robot hand to drive a truck, something you can do one handed so easily most drivers don't even notice they're doing it! please don't, by the way

and so many disabled fans love to point to robot armed characters as disability representation; the winter soldier, luke skywalker, edward elric, misty knight, that genderswapped furry girl from ratchet and clank, jet cowboybebop, finn the human, and yes, adam jensen…. these are all characters that someone disabled i know has told me they love because they "represent disabled bodies"…. and i know nobody wants to hear this, because i've been screamed at for saying it before, but… they do not. they are not disabled, functionally or within fiction. they are either perfectly able bodied Normal people with chrome paint on an arm, or tortured misery porn we are supposed to pity and feel lucky we're not them. sometimes both!

also you ever notice how it's basically always arms? lower limb amputations are orders of magnitude more common than upper, my prosthetist said i was probably only the 4th or 5th upper limb she'd worked with in her career, with literally hundreds of lower limb fits. but fiction doesn't seem to reflect that, huh? or any other part of the reality of disability. it's always cool as fuck robot arms, never cool as fuck wheelchairs or crutches or dialysis machines or colostomy bags. a fair few "i was blind but now i can see with Robot Eyes and also infrared and xray" around, which again, plays into that "we can fix you and make you cooler" propaganda.

by the way, up above when i was describing body powered arms, if you wondered to yourself why i went with a myoelectric one instead when i clearly believe body powered is better… yeah. i am not immune to propaganda! i too wanted to be cool as fuck. i spent years with deteriorating function in my hand for reasons that are still unknown, was misdiagnosed and medically neglected to the point that removing my hand seemed to be the only option left to offer some relief, and even that was a clusterfuck that left me worse than ever… of course i wanted to believe in the power and prestige of a cool robot arm that fiction promised me.

but fiction promises fantastical lies. and so.

we get to the writing advice portion of the novella that is this post. you asked for advice on how to write a disabled character with an upper limb prosthesis. you've read the tl;dr, you've read everything above i assume, you know i don't want you to do it. the obvious twist is that it's been writing advice all along, me trying to share my perspective on what it's like being an amp with a robot arm and how shitty it is, implying how almost any fully realised and realistic character that's missing an upper limb would give up on a prosthesis at all. you can already tell that every value judgement in me says "don't give her a prosthesis, no matter how functional or cool you make it. don't try to make the tech better to justify it, just let her be one armed, one handed. just let her be disabled, but not helpless. let her show off her elbow or underarm carry strength. let her love interest appreciate how soft and squishy her residual limb is in a moment of tenderness. let her natural disabled body be respected and valued."

but that's a personal value judgement from me, and you are the author of your own work. i know it's trite to say, but you are! even the act of deferring to someone with lived experience in the hope of doing a better job at representation is a value judgement, a good choice in my opinion, but one you needn't necessarily take. maybe you do want to write a character that has a cool as fuck unrealistic robot arm as a power fantasy, or a comfort blanket… i did.

i've been slowly writing my own probably terrible scifi epic for over a decade now, and when my arm was giving me hell back then, i'd take great comfort in this fantasy of my protagonist with her chunky robot arm, the terrible traumatic suffering of her loss, overcoming, the power and ability her advanced prosthesis gives her over others, that she alone has access to, because others are not willing to make the sacrifices required. inspiration porn. awful stuff to me now, but empowering to me then. as i grew and gained direct experience, i slowly reimagined her, rewrote her, ship of theseus'd her into an entirely new character; a reflection of me now, bitter at the whole thing, spiteful that her natural flesh arm evokes fear and distrust, but unwilling to suffer the pain and frustration of her unnatural prosthesis just to make others comfortable and respect her as "whole", however artificial that whole is. and as with the ship of theseus being two ships, once i realised the transformation, i re-added the old protagonist back in whole cloth as a separate character; proud of her robot arm and its power, but in new context, as a foil and antagonist, an in-universe military prosthesis propaganda figure to reflect how i now feel characters like her exist to us, the readers.

i'm not just sharing that as egotistical self promotion, but to highlight that, even if i sit here begging you all up and down not to write characters with robot arms for how bad and unrealistic they are; there's still something genuine and true that their inclusion can say. the great thing about the story that you're writing is that only you can write it, as they say. but i whole heartedly believe that to write to your best, you have to be aware of what you're writing and why. as tempting as it is to feel these characters form naturally in us and therefore we're averse to changing traits about them that feel organic and self evident; as authors we have omnipotent control over the text, every trait and detail is a reflection on us, so we'd sure as hell better understand why we're choosing to write a character with this trait. because anything you write without being aware of intent will take on its own meaning in the space between.

and on that note, if i don't say this, i'm leaving it to be inferred: i definitely don't want to appear to come down on the side of saying "you cannot write an amputee unless you are one", because we are rarer than single young bisexual unicorns! and it would be a tragedy if anyone read through all this and then turned away in fear, deciding to never write an amputee character (with or without robot arm) because they feel they can't do it justice… believe me, no matter what anyone says, some hack writer somewhere is going to keep writing adam jensens and winter soldiers. don't let them be the only voices in fiction! just try to do your best.

so my ultimate advice on the topic of writing a character with a prosthetic limb is to ask yourself one question in two different frameworks, and meditate on what you feel the answer is:

why does she have a prosthesis?

from a doylelist perspective as the kids say, as an author with omnipotent control, why are you choosing to write about this topic? why are you choosing to give this trait to this character? what does it say about how you view ability and disability, what makes a person normal, and what our society values? will you let her be in her natural body? or will you give her a prosthesis, force her to wear it by authorial fiat, or author her a meaningful reason to choose to? if yes, be sure you know; why did you give her a prosthesis?

and from a wastonian perspective, diegetically, inside the story, why does she choose to wear a prosthesis? what does it say about her inner character, and how she interacts with the world? how does she feel about doing it, is she prideful and loves the attention she gets, or does she resent whatever necessitates its use? how do people in this world view ability and disability, what does this society value? and above all, whatever the answer to these questions, whether or not she uses a prosthesis or is badass without one, how does she deal with the eternal freezing cold that every amputee ever feels constantly in their residual limb and why does nobody make a heat pack that fits over a nub without drafty gaps???

i can't outright tell you how to write a good upper limb amputee, but if you at least know why you're writing one and for what purpose, you're on track to write the best character that you can. that's the best advice i can give… other than, like, this whole rambly mess.

and, as a reward for reading this far, please have a very blurry cryptid photo of my cat doing his old man sit:

[flowerandblood]

The Lost Haven (10/16)

[ modern mafia • Aemond x niece • female ]

[ warnings: incest obviously, unprotected sex, smut, the angst, squirting, semi-public intimacy, description drug overdose, violence, uncomfortable conversations, bad, bad things ]

[ description: The vacation from eight years ago still haunts his memories and doesn't let him forget what happened between him and his niece, the daughter of his sister and Harwin Strong. Their paths separate and he immerses himself in his father's mafia world until the day she calls him for the first time since those events. Sexual tension, dark, dangerous, withdrawn, thirsty Aemond. ]

Author’s note: As promised, this is another, this time official modern version of The Fall from the Heavens. In this version, Daemon is not related to the family, but is simply Rhaenyra's husband and the leader of the second gang, Alys and Larys are also not related to each other, but Larys is Harwin's brother. I will partly refer to the original series, hiding some easter eggs, and some will be a completely new, fresh plot. As in every universe, only Aemond calls her Rhaenys and this is not her real name (she is unnamed character and the others also do not know that he calls her that). There will be a lot more brutality and angst in this version, so watch out. You can read this as a standalone story.

Series & Characters Moodboard Aemond & Rhaenys Moodboard

* English is not my first language. Please, do not repost. Enjoy! *

Next chapters: Masterlist

_____

Although she hadn't written him back since their rather tumultuous phone call, her uncle had tried to soothe her anger by sending her pictures and videos of Vhagar at various frames and times of the day.

Through this, in the morning she would see her owner pouring food into her bowl, ordering her to stay still, listening to her squeals of impatience, then she could see her proudly carrying a big stick between her sharp fangs, and in the evening she would listen to him recording close-up footage of her dark eyes and wet nose asking her if she had missed her, with Vhagar then licking his phone.

She knew it was wrong, but some part of her felt happy about it and waited impatiently for each new message from him, because even though she didn't write him back she knew what he meant to tell her in this way: he wanted her to understand that he thought of her every day, anytime, anywhere.

She waited impatiently for news that would doom him in her eyes definitively, words from Daemon that he had killed someone again, hurt someone again, any confirmation that he was unable to change, that there was no going back for him.

There was something touching in that realisation, in the thought that he wasn't lying when he said he cared.

They both risked keeping in touch and because of that she had to have two phone cards to avoid attracting Daemon's attention, but other than that her uncle didn't try to call her or approach her, respecting her personal space.

He, however, surprised her by calling her one afternoon while she was in class. She didn't know what to do for a moment and then left the room to the surprise of everyone gathered, apologising to her professor, saying it was an urgent matter, led away by Robb's anxious, watchful gaze.

He hadn't spoken to her since his confrontation with her uncle, and she felt bad about it, but preferred not to approach him.

She had made the mistake of telling him too much and now she had to pay for it.

She sighed heavily as she stepped out into the corridor and answered, putting her phone to her ear.

"Aemond, you can't call me. Is something wrong?" She asked simultaneously frustrated and horrified.

"I got in. I passed the exam." He said excitedly, loud and clear, like a small child boasting to his mother that he had got the best mark in the class.

She blinked and shook her head, smiling involuntarily, feeling relieved at the thought that perhaps there was still hope for him.

He was really trying.

"I'm proud of you. I really am." She confessed from the bottom of her heart, wanting him to feel appreciated, to know that this was the right path for him and that she would support him in it without looking at what he had done to her in the past.

"Let's meet to celebrate. Please." He muttered, and she felt discomfort in her stomach, her whole body tensed.

"No." She said immediately, feeling fear, thinking this was another trap, another excuse to weaken Daemon.

"Just for a moment. In a public place, in a restaurant, in a café. Wherever you want, wherever you feel safe." He insisted, a plea in his voice from which she felt a sting in her heart, longing to see him and needing to keep him at bay.

"I can't, Aemond. You know I can't. I will always support you, including about your studies, but after what has happened I can't trust you." She said in a trembling voice, wanting to be honest with him.

She felt he deserved it.

She heard him swallow hard and fell silent for a long moment, making her feel remorseful, her heart pounding like mad.

"– forgive me – I had no right to ask you to do this – it was a mistake resulting from my selfishness – thank you for everything –" He said in a tone from which she felt an unpleasant shudder of self-regret, because some part of her wanted to please him, to be with him, to be happy with him, to make love to him.

But that was not enough.

"– Aemond –" She muttered, but he hung up, leaving her with an unpleasant, uncomfortable void in her heart.

She pressed her lips together and took a deep breath, trying not to cry, thinking that she had done the right and sensible thing, that she had to look out for herself and not cross the line she had drawn for herself.

It was better for her and for him.

However, she couldn't stop the unpleasant feeling of disappointment and sadness when he didn't send her any photos or messages that day or any day after. She thought that he was punishing her in this way and that it was a painful form of manipulation on his part to which she could not react.

He wanted to break her, to force her to be with him again, to make her feel remorse and let him do what he wanted with her.

She was not going to make the same mistake.

She felt for the first time that something was wrong when her professor accosted her in the corridor.

"Your friend got the best score of all the participants in the exams, Miss Strong, but he has not yet submitted all the documents. He shouldn't delay, if he doesn't do it by Wednesday, someone else will take his place." He explained, and she swallowed hard and nodded.

"I'll pass it on to him." She muttered and as soon as she said goodbye to him, she texted him.

He, however, did not write her back either that day or the next, making her cry again through the night because of him.

Was he punishing her in this way?

Was he showing her that if she did not meet his expectations he would do nothing to change?

That her presence was supposed to be the payment for him going to University?

She thought it was terribly unfair of him and that she didn't want to know him only to send him another message in despair.

He, however, continued not to reply and she had lost hope that anything would change.

"You haven't been eating lately. What's going on?" Asked Daemon, driving with her to the supermarket to buy things for dinner.

He took her to various places under his watchful eye, trying to find her activities to keep her from sitting in her room and torturing herself with thoughts.

She swallowed hard and looked away, not wanting to talk about it or lie to his face. She heard her step-father sigh heavily at her lack of response, impatient, and he was already about to say something when suddenly his phone rang in the car.

He answered by clicking the hands-free mode, connecting directly to the car's control panel.

"Boss, there's a small problem at the Moon & Stars club. There has been an incident, someone has tried to rob the safe. We suspect it was Hightower's people, but they managed to run away. They didn't take anything."

She looked at her father, who sighed heavily, running his hand over his face.

"Do I have to do everything myself? I'll be right there." He hissed impatiently and turned off the road, heading in a completely different direction.

He didn't usually take her with him to do his business, but now apparently the matter was serious and they were too far from home to turn back.

As they went inside, Daemon pointed his finger at one of the guest lodges to her.

"Wait here for me and stay where you are. Ten minutes and I'm back. Is that clear? You can order yourself something to drink, just have them pour it by your side in a glass." He said and she nodded, having no intention of doing anything but sitting.

Old rock classics were playing all around her, posters of bands and various guitars everywhere, red and blue lights blinking all around her, tormenting her already tired eyes.

She hadn't slept well the past few nights.

"Rhaenys?" She heard someone's voice behind her and turned, surprised to see a woman in front of her, the same one she had met when Daemon had shown her what her uncle had done to Robert.

She looked at her with big eyes, confused and terrified, because no one but him had ever called her by that name.

"Alys. We've already met." She introduced herself, extending her hand to her, holding her drink in the other, and she shook it.

The woman grinned in a way she didn't like and sat down across from her, making her feel uncomfortable. She looked around, trying to spot Daemon in the crowd, tense.

"Don't be scared. I'm a friend of Aemond's and an old acquaintance of your step-father's." Alys said calmly, taking a sip of whisky from her glass.

She looked at her with her heart beating fast, playing with her fingers in a gesture of concern.

"– but –" She muttered, unsure if she wanted to know how she knew the name that only her uncle called her by.

How close friends they were.

It seemed to her that Alys saw the question written all over her face, because she grinned even wider.

"He revealed to me the name he calls you by accident. Let's just say it slipped out to him in a moment of elation because he forgot it wasn't you lying beneath him." She said softly, without a grimace of anger or frustration, as if she found it amusing.

She swallowed hard, feeling an unpleasant sting in her heart at the thought that she was having sex with him, that he was comfortable with another woman.

On the other hand, her words sounded in her ears making her grow hot.

It slipped out of him in a moment of elation because he forgot that it wasn't you lying beneath him.

Alys sighed, spreading herself out comfortably on the couch, seeing that her words had completely shocked her and she didn't know how to act.

"Don't worry. We were never in a romantic relationship. I find the fact that he is so deeply in love with someone quite charming. For a long time I didn't know who the mysterious Rhaenys was, as there was no girl in our society with that name. It wasn't until recently that I found out for what reason Aemond kept his feelings to himself. An uncle should care for his niece, but not that much, right?" She sneered, and she swallowed hard with a loud snort of air.

Was she trying to scare her?

To blackmail her?

"Why are you telling me this?" She asked horrified, making the woman raise her eyebrows high.

"I want to help. I suspect your father didn't tell you that Aemond had recently overdosed on sleep drugs." She said, and she froze, feeling herself go deaf for a moment, and everything around her stopped.

"What?"

"He's in hospital in intensive care. I found out about it from his grandfather's co-workers. Everyone is whispering about it being a suicide attempt, thinking it was because Otto decided to make Aegon his successor. But I think otherwise." She said calmly, tilting her glass, drinking its entire contents to the end in one gulp, and set it down on the table.

"When he came to talk to me last time, he talked about you. He wanted me to help him with the Larys Strong case. Fear not: we've had nothing more in common than business for over a year. Since your name slipped out of his mouth, he was no longer comfortable with this form of intimacy, which is quite understandable. I learned his sweet little secret, but honestly, looking at you, I don't blame him." She said lightly with a simultaneously heartfelt and disturbing smirk.

Their relation was deep, she thought with regret, even if they were not together.

Something in that thought saddened her, the image of their bodies entwined together.

Did he feel the same when he saw Robb?

Are you two together again?

Are you in love with him?

"It hurts you that he slept with me. That he didn't wait for you." She stated calmly, as if she had come to some obvious, ordinary conclusion. She twisted in her seat, feeling panic rising within her, her bright green eyes seeming to pierce her to the core.

"I don't know what you mean." She muttered, looking away, red with embarrassment.

"I know he hurt you. What he did to you. In a way, I admire how you endangered yourself for him having Daemon under your nose. It's tragic that you love him so much, but it's even more tragic that he reciprocates your feelings. It saddens me to see such a young, innocent girl fall down with him because of his greed." She said dryly, making her shake her head, clenching her eyes, feeling hot tears under her eyelids.

"Leave her alone, Alys. Don't mess with her head." Daemon said, grabbing her arm and lifted her upright. The black-haired woman looked at him, sighing heavily, the expression on her face not changing one bit.

"I was just offering her my condolences."

As soon as they got into the car, her step-father began his interrogation.

"What did that witch want from you? I like her, but she's a specific person and I'd rather you didn't talk to her alone." He scoffed, pulling out of the car park. She looked blankly out of the window, feeling horribly tired.

"That Aemond has overdosed and is in hospital."

Daemon rolled his eyes, impatient, and licked his lower lip.

"I didn't want to burden you even more. To make you think it's your fault. Your uncle is trying to make himself a victim."

"He killed Larys Strong for me." She muttered and heard Daemon take a deep breath, frustrated.

"Maybe he did, maybe he didn't."

"He did. Because of that rape pill. Against his grandfather's will."

"How do you know that? I forbade you to contact him. Do you want me to take your phone away from you so you'll finally wise up?"

"I don't want him to die."

Daemon fell silent and stopped at the side of the road, turning on the emergency lights. He tilted his head back, closing his eyes for a moment – they continued like that for a moment in a silence filled with tension, her fingers involuntarily tracing over the scars on her wrists.

Her reminder of what he had done to her.

"We can't help him if he doesn't want it himself. Do you understand?"

"He wants it."

"You're the only one who believes that."

"After they imprisoned me in their house, he stayed in one room with me all the time. He cried constantly, like he was a little baby. He is broken. He begged me for forgiveness."

"If he had really cared about you, he would never have done this to you."

"If your father had bequeathed in his will what was due to you to someone else, would you have left it that way?" She asked, glancing at him. Daemon shook his head, sighing heavily, shaking the dust off his trousers.

"If you cared about peace, you would have made a deal with them. My mother doesn't think justice has been done, but she remains silent for your sake. She will not stand up to you." She said coldly. Daemon looked at her with a gaze from which she froze.

"Careful now."

"Or what? You've always resented me for lying. But can you be told the truth without fear of the consequences? Do you only want to hear the kind of truth that is convenient for you?"

"Your grandfather bequeathed to your mother what he wanted in his will. Nobody forced him to do that. Do you think I'm going to give it back to them so they won't be sad? So that your poor one-eyed uncle doesn't cry? Wake up. Why do you think Viserys passed everything on to Rhaenyra? Hm? Is it because he's in love with me? Because he despised his sons? No. Because he knew that whatever he bequeathed to them, Otto would take it. He showed him that he never really trusted him and he was absolutely right."

They stared at each other in silence, the air around them so thick she felt she had trouble catching her breath. She turned her head away, feeling only fatigue, only regret.

"Take me home."

Daemon snorted and shook his head, taking off with a screech of tyres, furious.

Only money mattered, only influence, only power.

Everything else was just an obstacle to the goal.

When they got home Daemon held out his hand to her, startling her.

"Give me your phone."

She pressed her lips together, feeling her heart begin to pound like mad in rage.

"No."

She saw her step-father smack the inside of her cheek with the tip of his tongue, standing with his hand stretched out in front of him.

"I don't like repeating myself."

"No."

"Should I call your mother? Are you going to tell her that you talk to your uncle and what you do with him in your free time?" He sneered, making her feel a squeeze in her throat. "Come to your senses."

"Tell her what you want. I don't care." She said dryly and moved ahead, running upstairs to her room.

She locked herself in the bathroom and changed the card in her phone, looking in her contacts for Helaena's old number, the one she'd given her when they were still little girls, praying she'd answer.

"Hello?" She heard her soft voice on the other end and breathed a sigh of relief.

"Hi. I'm sorry to bother you. I know Aemond is in hospital. He's passed his university exam, but the deadline for submitting his documents is today. They should be in his flat in the envelope he got from the University. Are you able to fill them out and bring them to the Archaeology Department tomorrow?" She asked in a whisper, afraid that someone outside would hear her conversation.

"Oh. Okay. Okay, I'll try." She muttered, and she breathed out heavily, feeling relieved.

"Thank you. How is he?" She asked quickly.

"He's still not awake, but his condition is stable. The worst is behind us. Our mum tried to call him but he didn't answer, so she drove there to see what had happened. Thank goodness she had spare keys to his flat."

The next day she set it as a point of honour to convince her professor and dean, appearing with Helaena, that the situation was exceptional and procedures could be bent in this situation.

"I didn't know my friend was in hospital. It happened suddenly and for this reason he could not bring the documents yesterday, which however his sister has with her today."

"We cannot accept them without his signature." Said the dean, making her feel an unpleasant discomfort in her stomach at the thought that her uncle would wake up only to find that his chance was gone.

"I ask for your understanding in this unique situation. He is unconscious at the moment and fighting for his life. As soon as he is able, he will come to sign the documents in person. The professor told me that he passed the exam with the best result. He's been through a lot and I don't want his work to be in vain." She said, and the man sighed heavily and nodded.

"Very well. But as soon as he is able, he is to appear here immediately and explain to me in person."

She sent him another message that same day, knowing from Helaena that he was finally awake and that nothing was threatening his life anymore.

He, however, did not write her back.

Was it because of her that he had done this to himself?

Was it because she had not met him?

She felt anger and remorse at the same time, but mostly she was relieved that he was still alive.

Lying alone in bed late at night, she thought she would go mad if she didn't find out why he had done it, so in a gesture of despair she decided to call him to find out how he felt.

She shuddered when she heard him pick up, but he was quiet, complete silence on the other end of the receiver.

"How are you feeling?" She asked softly, wondering if she was about to hear a litany from him about how much he had suffered because of her, that he didn't want to live because of her.

Would he try to manipulate her with remorse.

"Exactly as I deserve."

She swallowed hard, completely not expecting such an answer, not knowing what to make of his words.

Exactly as I deserve.

She lowered her gaze, playing with her duvet between her fingers, feeling her heart pounding like mad.

"Did you… really want to do this?" She muttered, dreading his answer, and he laughed, as if something in her question amused him for some reason.

"No. I wanted to see how you felt that day."

She froze, feeling her breath get stuck in her lungs, her eyebrows arching in pain at his words.

"Your suffering is not my desire, Aemond. You hurt me, but I don't want revenge. I just want… to stop feeling this unbearable pain in my heart that I have felt in my chest for eight years." She muttered, simultaneously wanting to see him again and forget him, to run away from him and let herself be locked in his arms once more.

"I regret it so much. I told my grandfather that I didn't want him to involve you, but he said that if we didn't, someone else would want to take advantage of Daemon's weakness for you. And I believed him. I thought that Larys will actually try to do something to you again, but only now do I understand that it was a simple lie that I easily accepted to justify myself. Fuck, I'm so ashamed, baby, I really am." He choked out with difficulty, whooping with tears, making her freeze completely, just listening to him.

"My father took everything from me. I did these fucked-up things to other people for nothing. I mutilated them for nothing. The only thing he left me is the property by the sea, the same one where I lost my eye, as if he had made a mockery of me. I was so lost. I still am."

She swallowed hard, staring dully ahead, feeling as one by one tears ran down her face.

Some part of her understood him, knew how hurt and disappointed he must have been, but another couldn't forgive him for somehow using her to get revenge on Daemon and her mother.

She felt like her head was going to burst.

"What do you want, Aemond? Truly. Be honest." She asked, impatient, and heard him swallow heavily.

"I want to study and see you once in a while. In a public place, so that you feel safe."

She pressed her lips together at his words, feeling the heat in her stomach and chest, for which she rebuked herself in spirit, trying to remain sober in her mind.

"And that's it? What about your family? About your business?"

"My grandfather limited my influence and responsibilities after I shot Larys without his knowledge. He no longer trusts me and doesn't assign me important tasks."

It was only then that she understood why he had actually overdosed.

He had lost his business.

He had lost his grandfather's respect.

He had lost her.

He was alone, exactly as he was then.

His face contorted in pain and despair, his red cheeks flooded with tears, his eyes closed and his hands clenched into fists then, as he stood up to his waist in the sea water, alone and terrified.

"The University Library." She said feeling that she had made up her mind.

"I don't understand."

"We can meet in the University Library."

"Really?" He asked excitedly, as if she had given him a wonderful surprise, and she swallowed hard, feeling a tightness in her throat.

"Only there and for a short time. Once in a while. If I find out you did something to hurt me or my family, you'll never see me again."

She didn't care about their business, their money, their eternal need to prove to themselves who was in charge of this town.

She just wanted her friend back.

The next day she turned up at the agreed place all tense, hiding her little pocket knife in her bra beforehand, afraid that he would trick her again.

That he would betray her again.

So many emotions were rattling through her head that her hands were shaking and although she tried to concentrate on reading her textbook, she couldn't. When she heard the sound of the door opening and raised her head from the book, she drew in a breath, seeing his silhouette emerge from behind the bookcases.

He stood still, as if petrified, his eyes and mouth opened wide.

"Hi." He muttered as if choking.

"Hi." She replied, looking at him watchfully, ready to run away.

She swallowed hard as he simply pulled off his leather jacket and sat down next to her on the big, soft cushions.

Afraid of how much her heart was pounding, how euphoric she felt at the sight of him, she decided to turn her thoughts away from that and get to the point, pulling from her backpack her notebooks that she had brought for him.

"I brought you my notes from first year. Read them, if you can't decipher something, I'll try to guess what I wrote. They'll come in handy for you before semester exams." She said indifferently, handing them to him one by one. He nodded and swallowed hard, taking them from her, clearly not knowing how to act.

"Thank you."

Having no idea what more she could say, she leaned back and sank into reading her textbook again, afraid to look at him, afraid of what she would see in his gaze.

She shuddered and took a breath as he lay down beside her and put his head on her shoulder, exactly as she had done when they had read books together as small children.

She pressed her lips into a thin line, feeling tears squeeze into her eyes at this tender memory.

He heard her uneven breath, his moist, soft lips brushed her neck as his hand touched her waist, locking her in a warm embrace that felt too good, too safe.

No.

"– please –" She muttered, but didn't have time to say anything else because he interrupted her.

"– I have a gift for you –" He said, surprising her completely, taking out a rose-shaped red lollipop from his pocket after a moment. "– I didn't know what kind of flowers you like, so I bought one like this – the sales lady said it has a strawberry flavour –"

She felt touched and at the same time pained at the thought of how sweet and thoughtful this gift was. She took it from him, turning it in her fingers, no longer able to remember the last time anyone had given her something without an occasion to just make her smile.

"I'll eat it later. I don't want to get the books dirty now. Thank you, that's very kind of you." She said softly, putting the lollipop aside, and he nodded, his face pressed against her cheek as his fingers ran slowly over her face.

For some reason she didn't understand when he leaned back, her body followed him, laying next to him on the soft material. She let his arm draw her closer, his hand combing through her hair as her fingers touched his chest.

He nuzzled her face into the hollow of his neck, and she closed her eyes, smelling the pleasant scent of his aftershave and his masculine perfume, making a wonderful warmth spill over her lower abdomen.

"Several of my father's men are dead. They were shot on your grandfather's orders." She whispered, not wanting to forget who he was or what he had done.

She heard him sigh quietly, his fingers trailing over her head and down her back, playing with the curls of her hair.

Why did she feel so surprisingly safe in his arms, why was she so relaxed, so calm, why did her chest fill with some strange, unnatural relief?

"I know."

"Did you have anything to do with it?"

"No. My grandfather restricted my field of action after we called the emergency services when you…" He didn't finish, and she swallowed hard, knowing what he meant.

She decided she had to ask him this question, even though she was so afraid of his answer.

"If your grandfather tells you to kill Daemon or my brother. What will you do then?"

To her surprise, he seemed to have expected her to ask him this, for he answered almost immediately, without hesitation or uncertainty in his voice.

"I will tell him to do it himself. The times when I was his dog are over and he knows it. He has no idea what to do with me. I'm out of his control."

Something in his words, in the confidence with which they left his throat made her feel hot in her heart. She lifted herself up on her arm, wanting to look at his face, knowing that even if his lips lied to her, she would see the truth in the look of his healthy eye.

"What's your plan?"

Her uncle hummed under his breath, his hand from her neck sliding down between her breasts, trailing along the buttons of her dress, making a hot shiver run down her spine.

He was doing this on purpose, she thought.

"I want to start acting on my own." He said cautiously and looked at her with a glint in his eye that she didn't like.

"What do you mean?" She muttered involuntarily.

"If you think there's a way I could escape this world, you're wrong. Even Daemon didn't escaped it, he simply gathered his most trusted people and expanded his influence. I want to do the same, and I will start by taking over Heavenly Beach. Since Larys is dead, chaos has reigned there, and I intend to take advantage of it. Many of my grandfather's people don't like the vision of them having to work for Aegon in the future. They neither respect nor fear him." He sneered, saying the words as if he was proud of himself.

She stared at him in disbelief, not expecting such a response from him, the fact that he would dare to think of cutting himself off from his grandfather, of breaking away from his leash.

His words surprised her so much that she didn't know what to say, what she felt, what she thought about what she had just heard.

She shuddered, snapped out of her reverie when his finger tapped her breast where her pocket knife was tucked under her bra, feeling the cold sweat on her back at the thought of him noticing it.

"– wise girl –" He hummed, using this as an excuse to tease her through the material of her dress, rubbing the spot under where he knew her nipple was.

She swallowed loudly, feeling a wave of pleasurable heat surge through her entire body, the place between her thighs pulsed painfully hard, embarrassingly wet and eager for him not to stop.

She thought she would not give him that satisfaction.

"What do you intend to do with my step-father?" She asked in a trembling voice, and he looked at her with a smirk, shamelessly closing his hand on her breast again and again, no longer even pretending that he meant anything other than to feel her.

"Nothing. I won't attack him first. For you. He has nothing to do with Heavenly Beach." He muttered, spreading himself more comfortably on the cushion, already focusing only on where his hand was and what it was doing to her. She shuddered as another wave of tickling pleasure and tension shook her loins, her fingers involuntarily clenching on his wrist.

"– stop – someone will see –" She mumbled, looking around, terrified that Robb or anyone else who knew her might see them.

"I want it back." He whispered. "I want what we had during that summer."

She swallowed heavily, looking up at him in shock, feeling her heart get stuck in her throat and stop beating for a second.

I want it back.

I want what we had during that summer.

His words, so childish, simple and ill-considered were too painfully honest for her, his gaze hot and thirsty, full of what he was speaking of.

"I…God, after all, you know it won't work. We can't. No one will accept it, no one will understand. We'll be miserable again." She whispered pleadingly, shaking her head, unable to even imagine what it would look like.

To him, however, it clearly didn't matter anymore, and that shocked her the most.

"If you don't want it, I'll understand it. What I desire is fucked up, like my whole person. But I want you to know that what happened between us… then, when my father died. It was real. I've never felt more alive and fulfilled than then, being deep inside you. You were so warm." He said, running his thumb over the soft skin of her cheek, making her turn all red at his words, her cunt all slick from her moisture clenched greedily around nothing.

"Aemond." She mumbled in embarrassment, involuntarily feeling him inside her again, the thrusts of his hips forcing him deep, deep into her delicate flesh.

"I don't care how wrong it is. I don't care about morality. I've done far less moral things to other people. Making love to my niece seems to me the smallest of my sins." He confessed, sinking his hand into her hair, looking at her in a way that made her want to cry.

Making love to my niece seems to me the smallest of my sins.

Making love.

"Someone might say it's disgusting and wrong, but I only care about what you want. I don't give a shit about others. What they will think of me, whether I live by their rules or not. What can they do to me? Mock me? Fear me? They are already do. It's not about me, it's about you. I don't want to ruin your life."

She burst out crying at his words, because although he had hurt her so much, some sick part of her had longed to hear it for eight years. She moaned quietly as his lips began to place quick, helpless kisses on her face, his wide hands enclosing her in his embrace, trying to comfort her.

But she knew there was no comfort for them.

There was no future for them.

"– please – please, I don't want you to cry because of me –"

"This is just too much. I wish I could be a child again. To go back to that sea. To fall asleep next to you in that room. I wish I could feel again the peace I felt then. Your presence next to me. But I can't have it." She mumbled, choking on her own tears, involuntarily seeking relief in his proximity, feeling grief at the thought that he could not be the strange man she was allowed to love.

"You have it. You have me. You always had."

She looked up at him and froze, breathing hard, looking straight into his eyes, one empty and dead, the other filled with the hot affection she so feared.

"Do you like me?" He asked, and she blinked, not understanding what he meant. She nodded, however, wanting him to know that no matter how hard she tried, she was incapable of hating him.

"Very much?" He continued and smiled as she nodded again, breathing loudly through her mouth, trying to calm the convulsions of her body.

"Will you be my girlfriend?"

What?

The two of them, then, by the sea, walking side by side, the white shells in her hand, his soft, moist lips that evening on hers, his warm embrace as she lay snuggled into his body at night, in his room, in his bed.

"This time I'm aware of what I'm asking for. What I want. And although I should, I'm not ashamed of it. I have wasted eight years that I could have spent with you, no matter how much we would both have suffered during that time. I want to suffer with you by my side now." He whispered, tucking an unruly strand of her hair behind her ear in a gesture so tender that her voice stuck in her throat.

"I wish I could trust you, but I don't know if I can." She muttered with difficulty.

His eyebrows arched in pain at her words.

"I know. I'll wait as long as it takes." He whispered, his broad, warm hand running over her cheek.

I'll wait as long as it takes.

She was terrified by the fact that everything inside her screamed that she wanted him back.

She wanted him to be close.

She wanted him to touch her.

She wanted him to love her.

"You can only embrace me and hold my hand. No kisses on the lips and don't try to take me." She muttered, to her surprise instead of shame feeling relieved.

Against everything and everyone, morals and good manners, everything she valued in life.

They were together.

To her simultaneous annoyance and delight, her uncle took her words very loosely: he didn't kiss her lips and his hands didn't go near the area of her panties, but over the following weeks, when they met in secret in the library, his fingers travelled over every other part of her body.

She deliberately stopped wearing a bra, knowing that the thought that someone might have noticed her nipples under her T-shirt drove him to fury.

As she spread herself comfortably between his thighs with her textbook that they were reading together, satisfaction filled her body as she felt his hard manhood pushing greedily against her buttocks, his hand in some subconscious motion slipping under the material, enclosing itself on her soft, plump breast.

"– you are doing this on purpose –" He breathed out into her ear, rolling his hips back and forth, rubbing his throbbing length against the space between her buttocks, trailing his lips down her long neck, leaving wet, sticky marks on her bare skin. "– you let others look at what is mine – you punish me –"

She sighed, closing her eyes, tilting her head back so that she rested it on his shoulder, showing him grace – she clenched her thighs involuntarily, feeling a wonderful pulsing between them as his lips sank greedily into the hollow of her neck, her hand clamped down on his wrist, encouraging him not to stop.

"– let me look at them – take pity on me –" He exhaled, completely losing interest in reading, kneading the silken, smooth structure of her breast with his fingers as his other hand slid down to her bare thigh, stroking it affectionately.

"– we can't – someone will see us –" She muttered, her breath heavy and deep, her whole body hot and tense from the waves of tickling, overpowering pleasure, his hands, his scent, his closeness driving her mad.

It always ended the same way.

"– there are no cameras here – please – I haven't seen you all week – I've been good, haven't I? – hm? –" He gasped, and she swallowed hard at the thought of what he had done.

He, accompanied by Criston Cole and a handful of trusted men, had carried out attacks on all of the clubs owned by Larys Strong at once, taking over the entirety of his inheritance, depriving his grandfather of half of his trusted associates.

An expression of their displeasure at having nominated Aegon as his successor.

Daemon was shocked by this turn of events, having enemies on two fronts wondering, in fact, whether to respond to her uncle's offer to make a deal.

Aemond could have given Daemon the advantage over Otto that he so needed.

It was probably only the chaos and what was going on around him that made Daemon not ask her why she was going to the library in the middle of the summer, thinking apparently that she was trying to escape from what was going on around her that way.

It was partly true.

She knew that her boyfriend's conciliatory attitude was not because he had suddenly fallen in love with her step-father or brother, but because he wanted her, and she had the power to reward him for being faithful to her and for keeping his promises.

It was a dangerous game and they both knew it.

She sighed and turned in his embrace, sitting down on top of him, pulling her Tshirt over her head without much finesse. Her uncle froze for a moment, staring at the sight before him, his swollen erection beneath her pulsed hard again and again.

She decided to tease him a little and began to rock her hips back and forth, pressing down on what was beneath her, a muffled, low groan came from his throat.

"– fuck –" He mumbled, stroking her naked waist, watching her bare silhouette as if he were staring at something sacred that he held in reverence, for a moment afraid to touch her as he desired.

She rested her hands on his chest as he began to roll his hips, and after a moment he leaned in, sinking his face between her soft breasts.

"– ah –" She sighed, tilting her head back in pleasure, feeling her swollen pussy throb around nothing as his slick tongue ran over her sternum.

Her fingers combed through his short hair as his face moved slightly to the side, blindly searching for her nipple, around which his puffy lips clamped down after a moment, beginning to suck.

"– Aemond –" She mumbled, snuggling his head closer to her chest, involuntarily wanting to feel him harder, closer, deeper, the sweat of exertion and emotion trickling down her bare spine.

His face pressed against her breasts, his lips and tongue sucking and licking her nipples were the furthest form of their intimacy, something lewd and wonderful at the same time, a perpetual torment with no possibility of fulfilment.

"– fuck, let me – please – just this once –" He exhaled wearily, switching from one breast to the other, squeezing it between his fingers, directing her hard, sensitive nipple to his lips, which he clamped around it.

Shivers and waves of delightful tension shook her whole body making her mind all foggy, the space between her thighs all throbbing and moist, ready to welcome him deep inside her.

She rose suddenly from her knees, grabbing the material of her T-shirt, putting it over her head as if nothing had happened, feeling a drop of her own wetness run down her thighs.

"– baby –" He muttered, touching her bare leg, trying to stop her, desperate and thirsty.

"– next week Professor Addams is organising a private excavations two hours away from our town – it's a site in one of the medieval fortresses of our region, very important and he needs volunteers – I've offered to let you come and to count it as your student practices, so that you would have to make up less of them during the academic year – professor will rent rooms for all of us in a hotel nearby – if you come and do your best, I'll let you sleep with me –" She said lightly, looking at him over her shoulder, knowing how ambiguous her words sounded and that was exactly what she meant.

She saw him swallow hard, looking at her with wide eyes, his erection twiched hard in his trousers.

"– do you mean it? –" He mumbled in a trembling voice, as if the very thought made him faint.

"– yes, but it's two weeks – you'd then either have to give up your job, or drive to do your errands at night and come back in the morning –" She explained, taking her backpack in her hand, getting up from the ground.

He stood up with her, grabbing her aggressively around the waist, her body slamming against his.

"– promise me –" He whispered in a trembling voice into her ear, making her leaking pussy clench hard around nothing.

He groaned when, instead of words, her lips found his in a loud, deep kiss that took his breath away. His fingers clenched on her hair, not allowing her to move away, her tongue thrust deep between his teeth with his loud sigh of delight, colliding with his, which she licked invitingly.

She pushed him away and stepped back, trying to calm herself, in his healthy eye a heat and madness she had never seen before in her life.

He was on the verge of fucking her right here and now, ripping off her shorts and panties and slamming into her on the cold library floor.

She wouldn't stand up to him, and her moist cunt would gladly accept him deep inside her.

But he didn't know that.

"– I'll write you all the details later – take it seriously –" She mumbled, having increasing trouble pretending indifference and that she felt nothing for him.

He nodded his head like a small child and she gave him one comforting smile.

"– I love you –" He muttered in a trembling voice, and she felt a twinge in her stomach at his words, her heart filling with heat.

"– I love you too –" She finally confessed with shame, feeling her voice break. He pressed his lips together as if he wanted to cry, his eyebrows arched in pain.

"– I need you – please –"

"– be there –" She mumbled pleadingly and turned away, moving towards the exit, afraid that if she stayed with him a moment longer, she would finally give in to him.

Daemon was not happy with the idea of her leaving for so long.

"– the situation is still tense – someone of my people would have to be there with you –" He said.

"It's an archaeological excavations. I need a change of environment. I've been answering your every call for the last few months. I'm tired. I want to get away from what's going on and earn some money. Drive me there yourself if you're afraid I'm lying. You can call my professor, he will confirm that I have expressed my willingness to go with him again as his assistant. He's a good man. We'll sit in research all day and at night in a hotel."

"In what hotel? I need to know." He said impatiently.

"There is only one small hotel in this village on the main street." She explained, and her father sighed heavily.

"Please. This fortress is an important site. These excavations will count as practices, that way I won't have to do so many of them during the academic year. I haven't even swum in the lake this year, I just want to be alone for a while and do what I really enjoy."

Her stepfather sighed heavily and nodded.

"So be it. But I'll drive you away personally."

The next day she decided to text him to set things up.

Fuck.

She sighed heavily when he didn't write back then or the next day, clearly furious at the thought of having to look at her ex's face, but there was nothing she could do about it.

When Daemon drove her there he personally inspected her hotel room and furrowed his brow when he saw two single beds in it, not one.

"Who are you going to spend the night with?" He asked dryly.

"Certainly with some female friend." She shrugged her shoulders, placing her bags on the floor, feigning indifference.

She found with concern that lying to him was coming more and more easily to her.

He sighed and nodded.

"Report to me every day: text me or your mother in the morning and evening that you are fine. If you don't, I'll come here personally." He said warningly, and she smiled in his direction and nodded, for some reason happy.

She would spend a two weeks with him.

"Okay, Dad."

Daemon liked it when she called him that.

His gaze softened and he left her alone, throwing over his shoulder that she should watch over herself and not do anything stupid.

Too late, she thought with amusement.

She was joyful, and the sight of herself smiling in the mirror seemed unnatural to her.

She was certain that this happy little girl had died a few years ago.

She waited two hours to be sure her step-father is far away and went out into the corridor, looking for her professor. She wanted to inform him that she would be spending the night in a room with her boyfriend, while texting her uncle that Daemon had already left and he could enter the building in peace.

As she had found out from one of the students, their professor was overseeing the setting up of equipment and research tents near the site where they were to carry out the excavation, so that's where she went.

The sight of Robb among several other people she knew well did not fill her with optimism.

Her ex-boyfriend lowered his gaze as she approached their professor, who was just talking to one of the museum workers from the fortress they were about to research. Professor Addams smiled at the sight of her.

"Miss Strong! It is wonderful that you have made it. Will your friend also arrive as planned?" He asked lightly, and Robb looked at them surprised, tense.

"Yes, my boyfriend will be here soon. I also wanted to ask if he could spend the night in my room. We'll both be more comfortable that way." She said without stammering, making her ex-boyfriend turn pale and red all at the same time.

Their professor laughed and nodded.

"It's your room and you're adults after all. Just remember to focus on work, not dating." He said and she smiled involuntarily, casting a defiant glance at the boy she once thought would change her life.

"We will, Professor."

She turned as she heard someone's footsteps and beamed all over as she saw her uncle, clearly terrified and excited, throwing a menacing, displeased look at Robb.

"Speak of the devil. Today we'll just set up the equipment and figure out the details, work will start tomorrow. Everyone is to be here at eight in the morning right after breakfast. Get some shopping done at a nearby supermarket and get a good night's sleep." Their professor said.

She knew that surely the last thing awaiting her that night was sleep.

She was not mistaken – the moment they crossed the threshold of their room her uncle literally threw himself at her.

There was something animal and primal in the way he tore off her clothes, in his gaze black with desire, in his loud, heavy breath as he finally exposed her entire naked body, something he should never see, should never desire, should never have.

And yet.

For a moment he just stared at her, breathing loudly, as if he wanted to remember this moment, her, exposed beneath him – his hand ran slowly over her cheek, along her jawline and neck, sliding down between her breasts to her stomach.

It seemed obvious to her that the time for quiet, slow, tender lovemaking would come later, once the sun had set, once they were both just writhing in each other's embrace, unable to separate.

Now, however, they were hot with desire that burned their skin, and his lips, swollen with lust, after a moment clamped down on her hard, sensitive nipple, sucking on it as greedily as if there was no tomorrow to come.

She moaned loudly, too loudly when his fingers slid down her stomach, deep between her thighs, finding her hot, throbbing, leaking pussy at last, her hands pressing his face to her chest.

"– I hate that son of a bitch – I hate the way he looks at you – as if he's the one who wants to protect you – as if he's the one who knows what you need – bullshit –" He hissed furiously between the licks of his tongue, the tips of his fingers digging into the silky, moist skin of her swollen folds.

She whimpered, spreading her thighs wider, feeling the arousal fill her belly at the thought of how jealous he was of her.

Even when he was with another woman, he dreamt that she was the one lying beneath him.

She could not allow him to doubt the depth of her feelings, to doubt her intention or her fidelity.

"– I don't care about him, uncle – you can kiss me in his presence if that's what you want –" She cooed innocently, looking up at him with her lips parted in deep breaths, his dark gaze clouded and filled with something that sent a shiver through her.

He pulled away from her, as if her words had brought him to an edge from which there was no turning back, his nimble fingers quickly undoing the belt from his trousers and his zipper.

All she could do was, in a natural, simple reflex, spread her thighs even wider in front of him and entwine her legs on his back as he leaned down, sliding the material of his boxers lower, releasing his throbbing, fat erection.

Holding the base of his cock in his hand he guided the thick, pink head of it, leaking from his precum, onto her heat, teasing it, soaking his manhood in her wetness to use it as a lube.

"– may I? –" He asked in a trembling voice, leaning on his elbow right next to her head, and she nodded quickly, not knowing what else she could say.

"– ah –" She gasped along with him, running her fingers through the fabric of his t-shirt on his back as he sank into her with one, slow, sure thrust.

He slid into her with astonishing ease, and her slickness made him start to move inside her immediately, as if the warmth of her clenching walls had awakened some primal instinct in him, ordering him to just take what he wanted.

Nothing more than whimpers and grunts escaped their lips as their hips began to slam against each other with loud clicks of her wetness, his erection so fat and swollen that she barely fit it inside her, his forehead pressed against her.

His scent, his neck into which she snuggled her face as he thrust into her again and again with lewd slaps, his body lying on top of her, all of it was so familiar, so longed for.

"– Aemond –" She breathed out, tilting her head back, enclosing him in the helpless embrace of her body, feeling him with her whole self at last, connecting with him the way she had always wanted to, the bed beneath them creaking loudly.

"– fuck – fuck, baby – I missed you –" He mumbled with difficulty, quickening his pace, with each push rubbing the tip of his erection against the spot inside her from where she could see the stars.

"– I missed you too –" She confessed in shame, listening to the perverted sound of him opening her wide on his cock with wet clicks of her moisture.

He surprised her when he suddenly took her legs in his hands, forcing her to take a new position, putting her knees on his shoulders.

She moaned in shock as he began to move inside her anew with a loud slaps of their hips, feeling a flash of pleasure flow through her body again and again.

Her insides began to squeeze his manhood in delight, pulling high pitched, boyish moans of pleasure from his throat, his lips parted wide, his brow arched as if he was in pain.

"– you're so beautiful – I love you – I love you, I love you, I love you –" He exhaled, no longer sliding out of her, all sticky from her moisture, invading her insides with violent, sharp, quick stabs from which she threw her head back.

"– Aemond, God, yes, yes, yes, here, fuck me here, ah –" She mewled, writhing beneath him in ecstasy, feeling the tension in her lower abdomen and her throbbing pussy about to reach its peak.

He leaned over her, pressing her body against the bed with her own thighs in a position where her calves were at the level of her head.

She clenched her fingers against his back, moaning helplessly as she felt the pressure on her clit from which tears pooled under her eyelids, each successive thrust of his hips sending her body into a state of ecstasy which forced him to close her mouth with his.

"– shhh – shhh, baby, not so loud – mmm – I know – your uncle is close too –" He breathed out into her throat between loud, sticky kisses full of their slick tongues, hearing her squeal of pleasure.

Tears of relief ran down her cheeks red from exertion as her body was shaken by such a powerful orgasm that she just burst out crying.

She heard his loud moans and panting, felt how aggressively his cock pulsed inside her, filling her with his release, how their bodies convulsed as a wave of her moisture flowed out of her, so much that they both drew in air loudly, his face pressed against her hot cheek.

"– 'm sorry –" She muttered embarrassed, not fully understanding what had happened, the wet, large stain under her buttocks made her uncomfortable.

"– it's okay – it's okay, baby – it's okay –" He whispered tenderly, placing loud, sticky kisses on her face.

"– uh – what have you done to me? – we'll have to change the sheets now –" She sighed, combing her fingers through his short hair in an attempt to calm herself, the last waves of pleasant warmth and tickling flowed through her body, putting her in a state of perfect bliss.

She dropped her legs lower, returning to her original position, allowing him to lie between her thighs and she squirmed when he suddenly lifted her by the buttocks and stood up with her.

"– don't worry – we'll just sleep on the other bed – see? –" He hummed, heading with her towards the single bed on the other side, laying down on his back with a sigh of exertion.

She spread herself comfortably on top of him, placing her palm on his shoulder, letting his hands wander over her bare body.

"– can I stay inside you? – you're so warm –" He mumbled like a little boy, and she nodded, dreaming of nothing else.

"– yes –" She whispered, lying with her eyes closed, concentrating on the smell of his perfume and his sweat, his soft manhood still pulsing deep inside her.

She heard him let out a loud breath, something like delight and relief in his words.

"– this is the most beautiful day of my life –"

______

Author notes: You can thank my husband for the last scene, lol. He did things to me.

[cybernaght]

The fandom echo chamber: fanon, microanalysis and conspiracy brain 

As someone who has been in fandom spaces, on and off, for 20 years, I find some fascinating trends popping up in the last decade that I thought to be fandom-specific but clearly aren’t. So, I would like to do a little examination of where those things come from, how they are engaged with, and what it says about the way we consume media. This is a think piece, of sorts, with my brain being the main source. As such, we will spend some time down the memory lane of a fandom-focused millennial.

This is largely brought about by Good Omens. But it’s also not really about Good Omens at all.

Part one. Fanon.

The way we see characters in any story is always skewed by our very selves. This is a neutral statement, and it does not have a value judgement. It’s simply unavoidable. We recognise aspects of them, love aspects of them, and choose aspects of them to highlight based entirely on our own vision of the universe. 

Recognition comes into this. There is a reason so many protagonists of romance novels have a “blank slate” problem. Even when they do not, we love characters who are like us or versions of us that we would like to be. And when we say “we”, I also mean, “me”. 

(I remember very clearly this realisation hit me after a whole season of Doctor Who with writing which I hated utterly when I questioned why I still clung so incredibly hard to Clara Oswald as my favourite companion. Then I looked at myself in the mirror. Oh. Well. That would do it, wouldn’t it?)

Then, there is projection, and, again, this is a neutral statement. Projection exists, and it is completely normal and, dare I say it, valid way of engaging with — well, anything. Is the character queer? Trans? Neurodivergent? Are they in love? Do they like chocolate? Are they a cat person? Well, yes, if this is what the text says, but if the text does not say anything… You tell me. Please, do tell me. Because, in that moment of projection, they are yours. 

And then, there is fandom osmosis, and that is the most fascinating one of them all, the one that is not very easy to note while you are inside the echo chamber. It’s the way we collectively, consciously or not, make decisions on who or what the characters are, what their relationships are, and what happens to them.  

(Back when I was writing egregiously long Guardian recaps on this blog I actually asked if Shen Wei’s power being learning actually was stated anywhere in the canon of the show. Because I had no idea. I have read and reread dozen of fanfics where that is the case, and at some point through enough repetition, it became reality.)

We are all kind of making our own reality here, aren’t we? 

Back when things were happening in a much less centralised manner - in closed livejournal groups, and forums of all shapes and sizes - I don’t remember there being quite as much universally agreed upon fanon. Frankly, I don’t remember much of universally agreed upon anything. But now, everything is in one place: we have this, and we have AO3, and it’s wonderful, it really is so much easier to navigate, but it’s also one gigantic reality-shifting echo chamber, with blogs, reblogs, trends, and rituals. 

Accessibility plays its part, too. If you were, say, in Life on Mars (UK) fandom between seasons, and you wanted to post your speculation fic, you had to have had an account, and then find and gain access to one of the bigger groups (lifein1973 was my poison, but ymmv), and then, if you feel brave you may post it, but also, you may want to do so from your alt account if you wanted to keep yours separate, and then you would have to go through the whole process again. And I’m not saying that fan creations then were somehow inherently better for it than fan creations now (although Life on Mars Hiatus Era is perhaps a bad example - because some of the Speculation Fic there was breathtaking), but there is something to say about the ease of access that made the fandoms go through a big bang of sorts.

(I mean, come on, I can just come here and post this - and I am certain people will read it, and this blog is a pandemic cope baby about Chinese television for goodness sake.)

The canon transformations that happen in the fandom echo chamber truly are fascinating to witness as someone who is more or less a fandom butterfly. I get into something, float around for a bit, then get into something else and move on. I might come back eventually when the need arises, but I don’t sustain a hiatus mind-state. This means that when I float away and return, I find some very intriguing stuff.

Let’s actually look at Good Omens here. Season two aired, and I found it spectacular in its cosy and anguished way; deliberately and intelligently fanfic-y in its plot building; simple but subversive, and so very tender. (I will have to circle back to this eventually, because, truly, I love how deliberately it takes the tropes and shatters them - it’s glorious). And, to me - a person who read the book, watched the first season, hung around AO3 for a few weeks and moved on - absolutely on-point in terms of characterisation. 

So imagine my surprise when the fandom disagreed so vehemently that there are actual multi-tiered theories on how characters were not in possession of their senses. Nothing there, in my mind, ever contradicted any of the stated text, as it stood. This remained a strange little mystery until I did what I always do when I flutter close to an ongoing fandom.

I loaded AO3 and sorted the existing fic by popularity. And there it was, all there: the actual earth-shattering mutual devotion of the angel and the demon; willingness to Fall; openness and long heart-aching confession speeches. There was all of the fanon surrounding Aziraphale and Crowley, which, to me, read as out of character, and to one for whom they became the reality over the last four years, read as truth. 

Again, only neutral statements here. This is not a bad thing, and neither this is a good thing, this is just something that happens, after a while, especially when there are years for the fandom-born ideas to bounce around and stew. I can’t help but think that so much of what we see as real in spaces such as this one is a chimaera of the actual source and all the collective fan additions which had time and space to grow, change, develop, and inspire, reverberating over and over again, until the echoes fill the entirety of the space. 

Eventually, this chimaera becomes a reality. 

Part two. Microanalysis 

Here are my two suppositions on the matter:

1. Some writers really love breadcrumb storytelling. 

Russel T Davies, for instance, on his run of Doctor Who (and, if you are reading it much later - I do mean the original one), loved that technique for his seasonal arcs. What is a Bad Wolf? Who is Harold Saxon? Well, you can watch very very carefully, make a theory, and see it proven right or wrong by the end of the season. 

Naturally, mystery box writers are all about breadcrumb storytelling: your Losts and your Westworlds are all about giving you snippets to get your brain firing, almost challenging you to figure things out just ahead of the reveal. 

2. We, as humans, love breadcrumbs.

And why wouldn’t we? Breadcrumbs are delicious. They are, however, a seasoning, or a coating. They are not the meal. 

Too much metaphor?

Let’s unpack it and start from the beginning.

Pattern recognition colours every aspect of our lives, and it colours the way we view art to a great extent. I think we truly underestimate how much it’s influenced by our lived experiences.

If you are, broadly speaking, living somewhere in Western/North-Western Europe in the 14th century, and you see a painting in which there is a very very large figure surrounded by some smaller figures and holding really tiny figures, you may know absolutely nothing about who those figures are, but you know that the big figure is the Important One, and the small ones are Less Important Ones, and the tiny ones are In Their Care. You know where your reverence would lie, looking at this picture. And, I imagine, as someone living in the 14th century, you may be inspired to a sense of awe looking at this composition, because in the world you live in, this is how art works. 

If you, on the other hand, watch a piece of recorded media and see the eyes of two characters meet as the violins swell, you know what you are being told at that moment. You don’t have to have a film degree to feel a sort of way when you see a green-tinged pallet used, when cross-cuts use juxtaposing images, or notice where your focus is pulled in any given shot. This stuff - this recognition of patterns - has been trained into us by the simple fact that we live in this time, on this planet, and we have been doing so long enough to have engaged recorded media for a period of time. 

As humans, we notice things. Our brains flare up when they see something they recognise, and then we seek to find other similar details and form a bigger picture. This often happens unconsciously, but sometimes it does not. Sometimes we do it on purpose: finding breadcrumbs in stories is a little bit like solving a mystery. It allows us to stretch that brain muscle that puts two and two together. It makes us feel clever. 

So yes, we love breadcrumbs, and, frankly, quite a lot of storytelling takes advantage of this. It’s very useful for foreshadowing, creating thematic coherence, or introducing narrative parallels and complexity. It’s useful for nudging the viewer into one or the other emotional direction, or to cue them into what will happen in the next moment, or what exactly is the one important detail they should pay attention to.

Because this is something media does intentionally, and something we pick up both consciously and not, it is very hard to know when to stop. We don't really ever know when all of the breadcrumbs have been collected. It becomes very easy to get carried away. There is a very specific kind of pleasure in digging into content frame by frame, soundbite by soundbite, chasing that pleasure of finding. 

But it is almost never breadcrumbs all the way down. They are techniques to help us focus on the main event: the story. I truly believe those who make media want it to reach the widest possible audience, and that includes all of us who like to watch every single thing ever created with our Media Analysis Goggles on and those who are just here to enjoy the twists and turns of the story at the pace offered to them. And I think, sometimes in our chase to collect and understand every little clue we forget that media is not made to just cater for us.

One can call it missing a forest for the trees. But I would hate to mix my metaphors, so let’s call it missing a schnitzel for the breadcrumbs. 

Part three. The Conspiracy Brain. 

If you are there with me, in the midst of the excited frenzy, chasing after all those delicious breadcrumbs, then patterns can grow, merge together, and become all-encompassing theories. Let’s call them conspiracy theories, even though this is not what they truly are.

So, why do we believe in conspiracy theories?

One, Because We Have Been Lied To. 

All conspiracies start with distrust.

If you are in fandom spaces - especially if you are in fandom spaces which revolve around a queer fictional couple - especially-especially if you have been in such spaces for a period of time, you have most certainly been lied to at one point or another. 

We don’t even have to talk about Sherlock - and let’s not do that - but do you remember Merlin? Because I remember Merlin. Specifically, I remember the publicity surrounding the first season, with its weaponised usage of “bromance” and assertions that this whole thing is a love story of sorts, and then the daunting realisation that this was all a stunt, deliberately orchestrated to gather viewership. 

And, because we were lied to in such a deliberate manner for such an extensive period of time, I genuinely believe that it forever altered our pattern recognition habits, because what was this if not encouragement to read into things? Now we are trained to read between the lines or see little cries for help where they might not be. Because we were told, over and over again, that we should.

(Yes, I think we are all existing in these spaces coloured by the trauma of queer-bating. I am, however, looking forward to a world where I can unlearn all of that.)

Two, Cognitive Dissonance.

The chain reaction works a bit like this: the world is wrong - it can’t possibly be wrong by coincidence - this must be on purpose - someone is responsible for it.

Being Lied To is a preamble, but cognitive dissonance is where it all originates. In so many cross-fandom theories I have noticed a four-step process:

A) this is not good

B) this author could not have made a mistake 

C) this must be done on purpose

D) here is why 

(Funny thing is, I have been on the receiving end of the small conspiracy spiral, and it is a very interesting experience. Not relevant to this conversation is the fact that a lot of my job revolves around storytelling. What is relevant is that my hobbies also revolve around storytelling. And one of them is DnD. Now, imagine my genuine shock when one of the players I am currently writing a campaign for noticed a small detail that did not make a logical sense within the complexity of the world, and latched on to it as something clearly indicating some kind of a secret subplot. Their thinking process also went a bit like this: this detail is not a good piece of writing — this DM knows how to tell stories well — this is obviously there on purpose. It was not there on purpose. I created a clumsy shorthand. I erred, in that pesky manner humans tend to. And, seeing this entire thought process recited to me directly in the moment, I felt somewhere between flattered and mortified.)

This whole line of thinking, I think, exists on a knife’s edge between veneration and brutal criticism, relentlessly dissecting everything “wrong”, with a reverent “but this is deliberate” attached to it like a vice, because it is preferable to a simple conclusion that the author let you down, in one way or another. 

Three, Intentionality 

I believe that there is no right or wrong way of engaging with stories, regardless of their medium, and assuming no one gets hurt in the process. While in a strictly academic way, there is a “correct” way of reading (and reading into) media, we here are largely not academics but consumers; consumption is subjective.

However, this all changes when intentionality is ascribed. 

The one I find particularly fascinating is the intentionality of “making it bad on purpose” because, as open-minded as I intend to always be, this just does not happen.

It certainly does not happen in long-form media. Even in the bread-crumb mystery box-type long-form media. 

When television programs underdeliver, they also underperform, and then they get cancelled.

If all the elements of Westworld Season 4 that did not sit together in a completely satisfactory way were written deliberately as some sort of deconstruction for the final season to explore, then it failed because that final season will now never come.

(There will likely never be a Secret Fourth Episode.)

And look, I am not here to refute your theories. Creativity is fun, and theorising is fantastic. 

But, perhaps, when the line of thought ventures into the “bad on purpose” territory, it could be recognised for what it is: disappointment and optimism, attempting to coexist in a single space. And I relate to that, I do, and I am sorry that there is even a need for this line of thinking. It’s always so incredibly disappointing that a creator you believed to be devoid of flaws makes something that does not hit in the way you hoped it would. It’s pretty heartbreaking. 

Unfortunately, people make mistakes. We are all fallible that way. 

Four, Wildfire.

Then, when the crumbs are found, a theory is crafted, and intentionality is ascribed, all that needs to happen is for it to catch on. And hey, what better place for it than this massive hollow funnel that we exist in, where thoughts, ideas and interpretations reverberate so much they become inextricable from the source material in collective consciousness. 

Conspiracy theories create alternate realities, very much like we all do here. 

So where are we now?

I am not here to tell you what is right and what is wrong; what is true, and what is not. We are all entitled to engage with anything we wish, in whichever way we wish to do it. This is not it, at all. 

All I am saying is… listen.

Do you hear that echo? 

I do. 

[liesmyth]

@moscca you're right and you should say it! Here's a really great compilation of Taz quotes I've been keeping in mind

From an interview where she says that Lovecraft was one of her main inspirations, talks about her relationship with horror vs. sff as a genre author, and wanting to find relatable heroines in horror lit.

I didn’t write Gideon the Ninth for the characters—I wrote it entirely for the structure. I wanted to tell a very specific story, and I needed everything to serve that story.

I want people to realise there are no boundaries. I also want to release people from having to take their universe entirely seriously, if they don’t want to. Science fiction and fantasy reflects ourselves, our anxieties, our joys. I’m just writing to amuse myself, as per usual.

I am writing for my younger self and it would be disgusting of me to try to teach her anything.

(& other quotes from that same interview)

Although love and forgiveness aren’t necessarily the same thing either, Gideon’s frankly divine ability to forgive is a huge core of the novel. [...] Forgiveness is almost the electrical current being able to transmit through love.

The way I personally stay true to the story I started down on is to give myself permission to not teach anyone anything. [...] I know that a lot of people do take enormous pleasure and relief in lines or phrases or ideas from stories that ring true to their own lives, but it’s important for me that I tell a story and that I’m not writing Chicken Soup for the Necromantic Soul.

...the God of the Locked Tomb IS a man; he IS the Father and the Teacher; it’s an inherently masc role played by someone who has an uneasy relationship himself to playing a Biblical patriarch. John falls back on hierarchies and roles because they’re familiar even when he’s struggling not to. But the divine in the Locked Tomb is essentially feminine on multiple axes.

It seems to me that most books by anyone female-adjacent have an expectation that they will comfort the uncomfortable and discomfit the comfortable etc., whereas a guy can just tell an adventure story and be done with it. This ties in with an idea that I think nowadays that good art is moral and bad art is immoral: i.e. if a story is good it must somehow be beautiful on the moral scale. We go looking for why the art we love is moral even if the art we love is a donut.

[grandline-fics]

Shifting Focus

DESCRIPTION: The moment they began to see you differently

WARNINGS: None

CHARACTERS: Shanks, Kid, Smoker | Sanji, Law

WORDS: 2,850

A/N: Another part of this in honour of reaching 500 followers. This was my first time writing for Smoker so here's hoping you all enjoy!

*REQUESTS ARE OPEN*

MASTERLIST

---------------

SHANKS

Everyone knew Shanks was a flirt, a laidback charmer who always had a smile and a wink at the ready for the next pretty face he came across. No-one was meant to really take it seriously, to see anything that happened to be more than what it was, a fleeting moment of enjoyment for both sides. Serious feelings never truly came into play, it was easier that way given that he was always on the move. To let anyone believe he was the settling down type would have been cruel and he didn’t find any enjoyment in hurting people needlessly, unless they were his enemy of course. Everyone in the crew were more than used to his mannerisms, yourself included. You could understand his worldview on the matter however you never entertained him when he chose to flirt with you. Something that he finally started to notice and when he did, he couldn’t let it go. 

“Do I repulse you?” He asked suddenly one evening causing you to choke on your coffee. Your body tensed and you forced the liquid down your throat, wincing at the painful burn it caused and sharp tightness in your throat. You’d needed it to stay awake for your night shift but after that, you set the mostly untouched mug aside. Looking to your side you saw your captain staring at you intently, a small pout playing at his lips making you believe he was picking his words carefully to seem like he was keeping the conversation light. However underneath the joking you could tell there was a real question there. 

“If you repulsed me Cap, I wouldn’t have joined your crew, now would I?” You answered, looking back down to the sea chart in your hands, needing to keep track of any notable features coming into view. “What is it you really want to ask me?”

“I’ve noticed something about you.” Shanks began, scowling when you looked away from him to continue your work. You were always so task-oriented and levelheaded that even when you were joking with another member of the crew, you were still focused on what was needed to be done. Finally you looked up at Shanks again, eyebrows raised slightly to invite him to keep talking. “You don’t flirt back.” 

For a moment you had to think about what Shanks was getting at but finally you let out a laugh and lightly rolled your eyes. So he was in that kind of mood today. For a moment he almost had you by making you believe he was asking you a semi-serious question. Still smiling in amusement you shook your head and turned to go inside when a wind started to pick up. If you lost the charts in your hand it wouldn’t have been good. What you weren’t expecting was Shanks to follow you, with a sigh you settled down at your desk and sat back to stare at your captain who clearly wasn’t finished with this joke and you weren’t going to get any peace until you indulged him. “Am I being reprimanded for my lack of flirtation towards you, Cap? I’m surprised it’s affected you so much given how you’re never without company.”

“You flirt with the others on board.” Shanks pointed out, not really knowing why it was getting to him so much. Ever since he’d realised you’d joke around and tease the others on board but not him, it just kept gnawing at him. Shanks knew he shouldn’t get so irritated by it all but he just couldn’t help himself. He stepped closer until he was leaning of the edge of your desk, staring down at your calm expression. “So why not me?”

“I flirt with the others because it’s not serious and they know that.” You shrugged lightly, leaning back to regard your captain, a smile slowly pulling at your lips. “You, however are a different story, Cap.” With a breathy sigh you rose from your seat and Shanks’ earlier position meant you were now standing mere inches away from him, not quite touching but close enough for the warmth of your body to radiate into his. “If I gave in and flirted with you…I don’t think I’d be able to stop it as just a joke. I don’t have the same self-control that you do.” You murmured, tilting your head up slightly so your breath could softly dance against his skin. Satisfied that that should be enough for your Captain’s need for the joke to end you took a step back and grinned before sitting down at your desk. 

With your presence no longer engulfing his, Shanks blinked and immediately wanted more. More of that rush, that spark, more of you. However fate had other plans when Lucky Roux called for him and he had to do his duties as the Captain. Sharply letting out a huff of annoyance, Shanks reluctantly left your side to head onto the deck. When he reached the doorway, he couldn’t help but look over his shoulder and see your attention already drawn back to your work. Yeah, this was far from over.  

KID

There was never a dull moment on the Victoria Punk. Even on the calm days at sea, the heavy steps of the Captain and the usual tone of conversation was carried at a volume louder than some other ships were used to. But that was what you liked about it. It was only when the ship was deathly quiet outside of sleeping hours that any of you felt the need to worry. The seas were calm and laughter surrounded you all as you sat in the living quarters with plenty of drink to see you all through to morning if you wanted. 

Currently you were all playing a game with the bounty posters you’d all seemed to collect. It was a simple enough form of ‘Kiss, Marry, Kill’ by selecting three posters from the pile however each person that had to answer ended up getting drawn into a fierce debate about their answers. If you didn’t want to answer on your turn however, you had to drink. It was an empty punishment since all of you were drinking happily regardless. 

“Look I stand by my answer okay?!” Wire shouted, unable to keep the grin from his face knowing the argument was in good spirits. “I had the worst draw out of them all so far, you guys have been getting it easy.”

“Just hurry up and pick my three okay?” You grinned, sitting up from your lounged position to get a better look for your turn. Wire reached over to the pile of posters lying face down on the table and picked three at random, slowly flipping them over to reveal Blackbeard, Franky, and Bartolomelo. Grinning you sat back down into your previous position. “Kiss Bartolomelo, Marry Franky, Kill Blackbeard. Easy.”

“Not that I’d argue with the decisions, you just made up your mind so quickly…” Killer noted, a grin in his voice as his face remained hidden by his mask. You rolled your eyes and grinned. 

“Nothing to think about, Blackbeard is…ugh” you suppressed a shudder at the mere thought of the Emperor. “Franky is dependable and skilled, and fun from what we saw when we allied with them so marrying him wouldn’t be the worst thing.”

“You didn’t think about Bartolomelo as marriage material?” Kid asked with a grin and you laughed up at your Captain who you’d been leaning against for a majority of the night. 

“No way, he’s a major Strawhat fanboy. I’d be competing against that entire crew for his attention, sadly we just weren’t meant to be.”

“Yeah, you’re real heartbroken about it I see.” Kid laughed along with you and the others. The game continued for another while, some of the crew stopping from being too drunk to stay awake while others began to head for their quarters. Those remaining all agreed this would be the last round and it meant you were to deal out three posters for Kid. 

You were still far too comfortable lounging against your Captain so you quickly reached over, fumbling you flipped over the first three you could get your hands on and flopped back before even seeing who he had to choose from. From the sound of the stifled laughter you could tell his options were going to be good. With an anticipated grin you turned on your side and pushed yourself up with your elbow only to become surprised to see your bounty on the table along with Buggy the Clown and Nico Robin. You couldn’t help but become curious about what your Captain would pick about you although you supposed as long as he didn’t pick you to kill it was all fine, it was just a game after all. 

Kid suddenly felt tense and couldn’t help but look away from your printed face to the physical version of you. The you he suddenly became all too aware of. You’d been part of the crew forever and he’d never needed to see you as anything other than a valued member like the others. What if he said something that made you uncomfortable. But if he didn’t play then you could misread that too and make things worse. Fuck, why was he overthinking this? He had to finish the game and hope nothing more was said about it. “Kill the clown and kiss Robin.” He muttered quickly before looking away and draining the last of the alcohol in his mug. 

“Aww you wanna marry me?” You cooed, the smile growing wider on your face. With everyone satisfied with a good ending to the game, the crew began to clear up their drinks and the bounty posters and move to turn in for the night. You got up with a groan and stretched out your arms, finally feeling the need to rest too. With a yawn you turned to Kid who was still sitting and smiled softly. “Not heading to bed, Kid?”

“Yeah, heading soon.” He grumbled lost in his own thoughts that were now occurring to him and you tilted your head, a frown falling on your lips. Quickly Kid realised you were going to worry and he recovered enough to smirk at you. “We need our rest, right? We’ve got a wedding to plan huh?” He forced the joke out, relieved to see you laugh and leave while wishing the rest in the room goodnight. When you were gone, Kid glared at Killer who was sitting far too relaxed for his liking. “When did you add their bounty to the pile, Kil?”

“I have no idea what you’re talking about and you have no way of proving it.” 

SMOKER

“Vice Admiral?” You paused in the middle of the G-5 Base corridor when you spotted the base commander leaning against the wall with his office just a few feet away. At the sound of your call he made no sign that he’d heard you. It wasn’t exactly uncommon for someone of his rank to get lost in thought especially if there were certain higher ups breathing down their neck or certain pirates occupying their minds. Adjusting the documents in your hands you approached the base commander. “Vice Admiral Smoker?” You asked again and moved to lightly touch his arm to get his attention. 

At the same time, Smoker turned sharply and knocked into your hand causing you to drop your files in surprise. As the papers fluttered to the floor you kept your gaze on Smoker, concern growing in your eyes. His usual steely gaze seemed to have dimmed and you noticed the small tremor in his otherwise imposing frame. As one of the base’s medical staff your critical, scrutinising stare was pinpointing all that stood out to you. Since you were dealing with the commander himself, you felt you had to be somewhat nicer and couldn’t just order him to rest. “Are you sick?” You asked and immediately his stare sharpened at the implication. 

“I’m fine.” Smoker’s answer was gruff as to be expected but you could hear the slight shake that could have been missed had you not been listening out for it. When he saw you weren’t fooled he finally took a proper look at you and through his mind that was getting foggier by the second he managed to recognise who you were and what department you worked for on the base. Inwardly he cursed his bad luck. He’d been trying to get to the safety of his office but a dizzy spell hit him hard and he had to stop to catch his breath just mere seconds before you’d approached him. Smoker didn’t want to be babied, getting sick was a rarity for him. He just wanted to get to his room and sit there in peace until he felt a little better. No one else had noticed his state all day, why did he get cursed with bad luck like this at the final moment? He just needed to get rid of you before you tried to take a closer look at him. “Aren’t you going to pick up your documents?”

“Well since you're not sick and are partly responsible for me dropping them. You can surely help me lift them, right Vice Admiral?” Your question was so sweet and innocent but still Smoker glared at the challenge in your eyes. In any of his previous interactions with you, you’d seemed so reserved and quiet but now he could see another side to you. With a grunt, Smoker lowered himself to the floor, trying to fight the wave of dizziness and aches rolling down his body. Mentally he cursed you as you smoothly crouched down and started collecting sheets at a pace far faster than he was able to. When Smoker was focused on the task you’d given him, you struck. Your hand touched his forehead before he could react and you scowled at the man in disapproval. “You’re burning up with a fever. You’re going to your room and resting.” 

Your order left no room for disagreement and before Smoker’s mind could truly catch up, he found himself walking into his room with you. When he was lying on his bed you set about gathering what was needed to help his fever and aches before making yourself comfortable at his desk to fix the scattered documents into their right files again. From the small layer of dust gathering on the surface you could tell Smoker didn’t use it much, being a man of action over paperwork. “You don’t need to stay, I’m fine.” Smoker grumbled. 

“The second I leave, you’ll rest for an hour at most and call yourself cured. I’m not leaving until I’m happy you’re actually fine.”

“An hour is all I need.”

“Didn’t know you had a medical degree.” You noted dryly. “Do I call you Doctor Vice Admiral Smoker or Vice Admiral Doctor Smoker?” It surprised you when Smoker’s deep laugh rumbled through the air and a small smile graced your lips at the sound. Perhaps he should laugh more, it was a nice sound and it would help make him more approachable to some people. 

“You can call me whatever you want.” Smoker mumbled, it wasn’t often people stood up to him like this and he had to admit it was refreshing to see. Unable to fight it, Smoker yawned as his body was beginning to give in to its need for rest. When you heard the telltale signs of him falling asleep you let out a sigh of relief that the medicine you’d given him was started to take effect. 

In the early hours of the morning, Smoker stirred at the soft feeling of fingers lightly running through his hair. It was a comforting feeling and still under the haze of sleep that hadn’t fully left him, his mind hadn’t properly caught up so he let himself relax into the feeling. Reaching up he curled his fingers around your wrist holding your hand in place as his eyes slowly opened and met your face. 

“Your fever’s finally regulated.” You informed him gently, keeping mindful of the time and not wanting to speak too loudly. “If you promise to drink more fluids and stay in bed until at least late morning I can leave.”

“I promise, thanks Doc.” Smoker mumbled with a half-smile, stifling a small yawn and letting his eyes fall closed again but when he didn’t hear you leave he opened his eyes again to see you still standing there. “Problem?”

“Um, kinda need my hand back…or did you want me to stay?” you laughed softly, trying to hold back the grin when Smoker tensed and quickly let go of your wrist, allowing you to leave. “Remember your promise.” You reminded him as you left, smiling to yourself as you left to your room with the memory of Smoker’s blushing, embarrassed expression fresh in your mind. You had to admit it was pretty cute to see. 

[sansaorgana]

Hello love! I simply adore your writing and I was wondering if I could get a Gale Cleven x reader who's dealing with infertility? Probably something angsty? If not, that's totally fine. I'm just having a bit of a rough day :/

hi, sweetheart! 🥺 I'm sorry that you're having a rough day... I am trying to write these stories chronologically but I decided to write this one today so you don't have to wait too long 😊 btw I know that we treat Buck as a fictional character here but as far as I am concerned, real Buck Cleven never had children – at least I've never seen them mentioned anywhere like Bucky's daughters or Crosby's kids 🤔

my inbox is open for blurb/short fic requests for major cleven 🤗

You didn’t want to go there at all but you knew that you should leave the house finally for your own mental health. Buck was looking worried about you, too, and you wanted to show him that you were slowly getting better after your last miscarriage. But the truth was that some part of you was dying with each one of them.

For the first time it had been sad but not devastating yet – it was common to happen after all. Second time had started to make you worry. Third and fourth had only been a confirmation of your fear – you wouldn’t give your husband a child and you wouldn’t become a mother unless someone comes up with a magical cure.

Your best friend Eva was the only person who had known about it and she was as worried as Buck was. When one of your and Eva’s friends, Nancy, had decided to throw a tea party, Eva insisted on taking you there. So you dressed up and let her take you in her car as Buck watched from the window with a faint smile.

Eva was an independent woman. After her husband’s death in the war she decided not to marry again. She got her own car and managed most things on her own. She was a wild and free spirit and she never wanted to have children so as much as you appreciated her effort to help you – you knew that she would never fully understand your struggle.

The tea party took place at Nancy’s house. There were a few other women and you all sat by the table and sipped on the warm beverage from the china set Nancy had gotten for her wedding. She looked excited and her eyes were sparkling all the time as she was smiling widely. Eventually, you found out the reason behind that.

“So, I wanted you all to come here because… Because I have something to tell you, girls,” she giggled and all the women looked at her, curiously.

You felt a knot forming in your stomach. You already felt what it was.

“I’m pregnant!” She announced and everyone cheered. You did too, forcing a smile. Eva’s hand found yours under the table and squeezed yours to show you a silent support.

You felt tears forming in the corners of your eyes. You got angry at Eva for convincing you to come here but it wasn’t her fault after all, she couldn’t know… You looked around and realised that all other women in the room had children already or were pregnant. Except for you and Eva but she didn’t count since she didn’t want to become a mother anyway.

But the worst hadn’t happened yet.

“Now it’s (Y/N)’s turn,” Nancy smiled at you and you put the cup down with a shaky hand.

“Stop pushing her,” Eva reacted immediately.

“Don’t be like this, Eva. You hope she will never be a mother so you won’t be alone in this,” Nancy’s sister, Hannah, snapped at her.

“We don’t really think about having children, Buck and I,” you smiled nervously and the women looked at each other.

“My husband didn’t want them either but I convinced him,” Janis grinned at you, thinking that her words were in any way helpful.

“We just don’t…” you started and your voice broke. Eva jumped in the conversation quickly.

“Stop pushing her!” She insisted angrily.

“I’m only saying, he can wait but she cannot,” Nancy shrugged her arms.

You didn’t want to make a scene and leave after that so you only pretended to be more interested with the piece of cake on your plate although swallowing it was extremely difficult with a gulp in your throat. You waited about half an hour before nodding at Eva discreetly.

“It’s time for us,” she stood up and grabbed her purse. “I promised Buck to take her back home by eight.”

“These officers, they are all about discipline,” you chuckled while excusing yourself and picked your purse up as well. “Can’t have my Major waiting too long.”

You left the house as fast as possible and waited for Eva by her car.

“I’m sorry, darling,” she told you when she finally joined you. “I had no idea.”

“Let’s not… Let’s not talk about it, alright?” You sniffed back the tears and she nodded, furrowing her eyebrows at you but respecting your wish to stay silent.

In fact, you both remained silent for the whole ride home and she only kissed your cheek when she parked by your lawn and you jumped out of the car to go back inside and hide from the world.

Buck was in the living room, crouching down next to the TV set with a screwdriver in his hand as he worked on some adjustments. You smiled through the tears and leaned on the wall, shyly.

“You’re back already?” He mumbled without looking up.

“Yeah, it was no fun,” you answered. “What are you on about again, Buck?”

“The signal keeps being bad, I can fix that, I think,” he explained.

“Just don’t hurt yourself and, most importantly, don’t break the TV,” you sighed, trying to be in a playful and teasing mood but it was difficult, especially while seeing him – the man you loved… whom you couldn’t give a child.

You burst into tears all of sudden and Buck looked up, worryingly.

“Hey, baby, what’s wrong?” He put the screwdriver down and approached you as quickly as possible to put his hands on your shoulders.

“Nancy… She… She’s pregnant,” you told him and he sighed before pulling you closer and pressing your face to his chest.

“I’m sorry, darling…” He rubbed your back, not knowing what to say.

“And she asked about us not having a baby of our own…” You tugged on his shirt.

“That is none of that woman’s business why we don’t have a baby of our own,” you heard Buck’s voice getting more stern and angry.

“I know… I told her we don’t want babies… I didn’t know what else to say…” You explained.

“It’s alright,” he shushed you and kissed the top of your head.

“No, it’s not…” You looked up with your wet eyes and makeup running down your face. You could see the pain on his face from witnessing you this way and you hated to bring him sadness, too, but you couldn’t stop the tears from flowing. “She said you have time but I am running out of it.”

Buck’s jaw clenched at the words. He hated when anyone was hurting you either with words or actions – no matter if it was a man or woman.

“Nancy’s never been a bright girl, you know that, baby?” He cupped your wet cheeks and leaned in closer to your face. You nodded, unsurely. “Girls like her only care about keeping a husband at home and showing off in town.”

“But I care about keeping a husband, too,” you gasped.

Buck sighed and shook his head, looking for the right words.

“Come here, baby,” he lowered his hands to hold yours as he led you on the sofa and sat you on his lap. You threw your arms around his neck and he pulled you closer by your hip and thigh. “How many times do I have to tell you, sweetheart, that you’re all I want? Only you,” he pecked your lips softly. “You make me the happiest already. Having a baby with you would be only an addition, it’s already perfect the way it is. If we have a baby, I’ll be happy. But if we don’t, I’ll be just as much satisfied,” he explained to you. “And I won’t let anyone say bad things about my beautiful and wonderful wife.”

“Buck…” Your lower lips trembled. “It brings me comfort to know you don’t really care about it but…”

“It’s not that I don’t care. Don’t say that,” he interrupted you. “I care.”

“I know, I’m sorry… But I want this baby. I want to have a baby with you more than anything in the world. I am glad you’ll be as happy without it but I don’t think I will be…” You looked down, ashamed of your confession.

Buck stayed silent for a while, caressing you and keeping you close as he rested his chin on your head and sighed.

“I know, my sweet girl, you just want a baby to love and take care of, right?”

“Yes…” You nodded. “And… And I hate how jealous I get when I see other women with babies or being pregnant. It brings the worst out of me and I don’t like this version of me.”

“Shh, hey, love, there are lots of babies out there who want a mummy to love them and take care of them just as much, you know?” He asked in a soft whisper and you looked up at him.

“What are you suggesting? That we should adopt?” You raised an eyebrow at him.

“Only if you want to,” he nodded and raised his hand to caress your head gently. “I want you to be happy, darling. That’s all I want, nothing else. I hate to see you so sad all the time,” he confessed and smiled sadly.

“It would be lovely to adopt a baby but I’m scared it won’t be the same… Because I want to have your baby, Gale… Ours,” you fixed yourself.

“You know that I’d do everything to make your dream come true, I really would. But some things… They’re just impossible to happen sometimes, you know that, baby?” Buck kissed your forehead. “We can keep trying and trying but it kills me to see you getting even sadder each time it happens.”

You only hummed to yourself and squeezed him tighter. A decision to adopt a baby couldn’t be made in the heat of the moment, you had to think about it more thoroughly. But your husband had a point. You also hated to make him worried so much about you and the fact that he himself would be as happy without having a child with you was bringing you lots of comfort. It would be way worse if he wanted this baby more than anything else.

“I have to heal after the recent loss first,” you whispered to him after a while, “and then we’ll talk about it again, how about that?”

“Sounds about right,” Buck caressed your cheeks with his thumbs and leaned in to place a soft kiss on your lips.

MASTERLIST || BUCK MASTERLIST

[sir-adamus]

i've got the blu ray for volume 1 playing and i'm watching the behind the scenes video and Monty explicitly spells out how important collaboration with other creatives was in building RWBY, saying how he wanted to work with Kerry and Miles on it in creating the world and how he mostly gave them broad strokes. and it's mentioned how they all put the show bible together - i'm gonna put the whole transcript for the video under the cut (which i'm having to do myself because no one has uploaded this video anywhere as far as i can tell and there's no fucking subtitles)

Monty Oum [Creator and Director]: It’s the stories I’ve always wanted to tell versus the idea I came up with about, a little over a year ago. And we were talking about doing another show, and I just kind of half-asleep came up with the idea of a color rule for a bunch of characters. The red, white, black and yellow color scheme was something that was very prominent even in my previous work, so I started matching names up, matching ideas up. Also thinking about like, some of the ideas I’d stored up over the years. At some point or another the word ‘RWBY’ came to me.

Monty: Starting the show out originally, I designed the original character, Ruby, as well as going into the other characters. So once I had the first trailer done, and thinking about the rest of the characters for the show, I started bringing in other artists who I had watched for years. People I’d always said “someday I’ll work with them, someday I’ll have them design for me.” And when I was certain about having certain characters, I first contacted an artist I admired and found over DeviantArt. Her name was Ein Lee, she’s actually from Taiwan, and I found her art probably well over five years ago, and just loved her art style, and therefore wanted to incorporate it into my characters. So, I would do rough designs for team RWBY as well as designs for team JNPR, and she would flesh that out to be even further. To the point where eventually I didn’t need to design characters anymore, she started designing a bunch of the rest of the characters down the line.

Monty: The second person I brought on to RWBY was Kerry, because we had just been having conversations about the kind of show we could make. I’d been working with Miles on Season 10. He was writing scenes while I was making scenes, and so the three of us would have a lot of meetings and collaborate on the show to the point where I just started coming up with the broad strokes eventually and they had pretty much written the bulk of the show. Collaboration’s a big deal here, and I tried to include as many people as I can.

Kerry Shawcross [Co-writer]: Right after RvB ended, we wanted to just go straight into RWBY, but that was like right when we were going into commercial season. So we would work our normal hours here. Like 10 to 7-ish, then we would go back to one of our apartments and just start writing.

Miles Luna [Co-writer]: Monty really was enthusiastic about having these characters that may appear really one-dimensional for like the first few scenes that you see them, but the longer you get to know them, you realise “Oh, Yang isn’t just a dumb blonde party girl. She’s a very caring and nurturing girl, that has had to essentially be there for Ruby when she was young.”

Kathleen Zuelch [Producer]: When Monty and Miles and Kerry came to me, and really took me through the story. I started becoming a huge believer, because I’m a big fan of old school, traditional fairy tales, I love the Brothers Grimm, I love all the Snow White, and I love Little Red Riding Hood. I grew up with all of those stories, and the way that they were very clever in creating this whole world that’s kind of making homage to all of these amazing stories really inspired me to get more on board with what they wanted to do with this whole anime show.

Taylor McNee (née Pelto) [Art Director]: The world of RWBY, it looks very familiar. We wanted a blend of very classic looking architecture and clothing and cars, but we’re also mixing in this really kind of futuristic feel, like these little touches of some really futuristic stuff like holograms and things that you wouldn’t find in a classic [inaudible]. And that’s how we’re making this world unique. Our assets have to go through this pipeline of concept, modelling, texturing, and then finally being able to be put into the 3D program. So we start out with the concept and we usually bring that image into Maya, which is the main 3D software that we use. We have to make a 3D model that looks exactly like the concept that we were given, and it’s quite a process. Basically, we’re pushing polys and extruding stuff until we make the perfect shape, then afterwards we have to UV unwrap it, and then lay everything out on a texture sheet and then paint it, and that will put the image on the model. After that we’re basically done with the model and texture, and then we have to give it to the animators. So then we will set it up in Poser so the animators can grab it and use it for their characters.

Gray Haddock [Lead Editor]: There’s a lot of people working on this show, and there’s a lot of different elements in the pipeline. Editorial kinda serves as a hub between all the different departments, so we help all the communication and coordination between all the different pieces of the show, depending on what part of development that they’re in. Editorial’s getting involved way early in the process, we work alongside the director and the writers and the storyboard artists, and we use the scripts to help develop the storyboards and the camera angles for all those boards. So editorial is responsible for building up the moments of any given scene in terms of the timing and what you wanna look at, at any given moment. So we take the script and we help develop the camera angles and how long you wanna linger in a particular camera angle, look at one character or another or the scene as a whole, and the rhythm of the scene in terms of how long is it gonna take to spend on a particular line or when you want the music to come in, things like that. So we build up a set of animatics with the storyboards, and the first pass of all the audio. This is what then is handed off to the animators, so they can know exactly what is in what shot and how long do they have to animate it in a given shot. And once they’re done animating and their shot’s been approved, then their shot goes to the render farm, we get the rendered shot back and we drop it into the timeline for our episode and finesse the cut a little bit if we have to. But for the most part, we’ve done our job right and everything should pretty much be locked in for the most part by the time we’re getting animation.

Kerry: What’s kinda interesting as we’re creating the characters is, we kinda knew what kind of character they’d be. We knew Ruby would act a certain way, we knew Weiss would act a certain way, but we didn’t really know much about them. So we would get to the point where we’d be figuring out plotlines or figuring out dialogue and we’d be like “What would Weiss say here? What would Nora say here?” And then it turned into “Oh well now we know.”

Miles: Obviously we put a lot of thought into Ruby, Weiss, Blake and Yang before we started writing the dialogue. I remember sitting upstairs and we made a show bible, and we’re starting- we talked about likes, dislikes, personality traits. One of the first things I remember making was “Weiss drinks coffee. Blake drinks tea.”

Kerry: It’s important. It sounds not important at all, but it’s very important. It says so much about them

Miles: But it’s so important. So much about them, also it says nothing about them. It was just like- that’s just what it is.

Monty: I want the show to have resonance with people who are growing up. Cos everyone’s story is the story of kind of becoming who they are. Especially these days when the path of becoming who you are tends to be marginalised with reality. Having done what I’ve done, where I’ve essentially dropped out of high school, started learning this stuff on my own, and therefore land in a position where I get to take the things I was dreaming about when I was growing up and make it real. I tend to get a lot of response from people who are also not sure what they’re meant to become, a lot of them also have the same bright imaginations and with the way the world is, the hardships of what it means to grow up tends to marginalise who you are, and I would hate that to happen to anyone because the future is in creativity and that’s not something you can just manufacture. I actually would like this show to grow up with the people, so unlike most shows where they tend to be ageless or age very slowly, I’d like our fifteen-year-old fans watching fifteen-year-old Ruby, when they’re twenty-five, to be watching twenty-five-year-old Ruby, and to actually have some resonance with the character. Probably one of my favourite types of feedback is to say “I know this person” or “this person is just like me,” and that’s probably one of the best things about coming up with these characters.

[demodraws0606]

What Cyberpunk DeadBoy Means and What it's Potentially Foreshadowing (aka very complicated analysis that makes a lot of sense and could happen depending on how colorpalet is feeling while writing the story)

Now I'm seeing so many people like running around wondering what this event could mean for the future for multiple reasons and like I've made like one post throwing my hat into the ring.

I've been frustrated with people's unwillingness to realise that this comm is prob foreshadowing because this is not the first time Colorpalet has hidden foreshadowing into comms weither subtely or not

Exemple's being :

-Akito's second comm foreshadowing his third event

-Lower's cover art literally foreshadowing what would happen to Mafuyu's phone in her event

-88 vocals being emurui and nenekasa foreshadowing the kind of dynamic the disbandement arc had with nenekasa wanting to move forward with emurui being scared of isolation

-Probably way better exemples that I forgot

I've seen people make Some assumptions which I don't agree with but there is one thing I think is true

There is 100 pourcent gonna be struggle between corporation/reality and WxS.

Purely because that's been WxS's entire theme since the beginning. They constantly bash you over the head with the theme of compromising with reality and the importance of dreams. In fact the pick of Maiki-P is not at all surprising as he basically has the same message WxS has just... well harsher.

The Big thing people have ignored however is by focusing on the lyrics, they've ignored something that's personally to me even more telling and that's the line distribution

We know for a fact colorpalet loves to mess around with line distribution, weither it's to make characters say lines that fit them or to kind of foreshadow their headspace.

Now something Big happens with the line distribution of Cyberpunk Deadboy that i've seen NO ONE notice and that's in the last chorus (that and also Tsukasa's lines which people have pointed out but it works less on it's own which is why I'm gonna analyse his lines afterwards).

This is the only time the chorus is like that, the others have a much more even distribution.

In fact the distribution choice makes it look like the rest of WxS is Talking to Rui.

It's even more evident considering the lines they chose to make WxS sing compared to only just Rui

Emu/Tsukasa/Nene saying kimi (you)

Rui saying boku (i)

Which honestly makes me think this is colorpalet foreshadowing some kind of issue reguarding specifically Rui. Remember Emu's second event ? The story of Rilley whose imagination was crippled by the industry to the point where he didn't really have any artistic vision until Emu's grandpa helped him.

In fact remember how the flashback that showcases that has Rilley working on a film

Now we get to Tsukasa's line which have been pointed out to be kind of sus but it's not just his lines.

Tsukasa refuses to sing with Rui (unless it's a line they all sing together but i consider those exceptions). In fact pretty much everyone has a duo line with each other except those two.

In fact in the section where Rui has duo lines with everybody, Tsukasa is the only one he doesnt sing with and the visuals make it clear that it's something that we're supposed to find strange

And then we of course have Tsukasa's solo lines

Tsukasa is the only one that say "fuzakeruna" outside of Rui (of course ignoring entire group WxS lines) and i've seen some people pointed out how it sounds like he's saying it in response to Rui's lines. Which I agree with.

Then we got his big boy solo lines

These lines will make more sense with my theory/analysis but right now if we go with the idea that WxS in the last chorus were speaking to Rui and Tsukasa in this comm refuses to sing with Rui then this implies those lines are Tsukasa speaking to Rui.

And this is where the insanity begins because people have pointed out a concerning trend with Ruikasa that I know some people use for shipping fuel but for me kinda feels more so like foreshadowing.

IGNORING all the ARG ass weirdness of the Fixer 2dmv, this choice to switch Ruikasa's colors have to mean something in my opinion outside of just wholesome shipping influence especially considering the two songs they do this are less than jovial.

What this kind of color switching signifies to me is that, Ruikasa somehow are/or will switch places.

And with that let me bring back Tsukasa's lines

These lines stand out because Tsukasa before remembering his dreams was extremely shallow only doing things for fame and probably the money that would come with it.

Now if you think about everything I've layed out I think you can gain a pretty clear picture.

Of Rui falling into the trap Rilley did, becoming jaded and losing the true motivation of his dream (or at least starting to have doubts). Becoming stuck with the struggle of managing dreams and reality.

Rui's costume even has a mask which can be a metaphor for his artistic voice and individuality being silenced .

Which now you get into the line distribution where WxS is implied to be talking to Rui.

And you get to Tsukasa, who is refusing to sing with Rui and in fact seems to be arguing with Rui if we really want to overthink it. In fact almost switching their roles from the main story.

Because Tsukasa has grown now and how else to show that growth than to switch Rui and Tsukasa's perspectives/roles.

Now how this would happen really depends since there are multiple ways they can go about it with the time they have.

There is obviously mystery dude dude (who i know now is sakaki) who still gives me bad vibes. However there is actually two way they can make mystery dude trigger this sort of plot :

-Mystery dude is malicious and actively manipulates/confronts Rui to make him rethink his worldview

-Mystery dude isn't malicious but instead is just jaded/has been through a lot of industry bullshit which ends up rubbing off on Rui accidentally

But you can even just not have mystery dude involved with this at all (which i doubt but still) because you know what loose plotpoint is still lingering over WxS, fucking Asahi

Rui still has not talked about Asahi to WxS, in fact Curtain Call ends on an explicit cliffhanger which is never really emotionally concluded (at least in Rui's own events, technically the arc ender did but there are still a lot of loose threads from that arc). Why would Colorpalet make Asahi come back after Rui graduates, they could've just had him disappear into the sunset but instead they hint at his potential comeback.

Unless Rui will be forced to again confront similar feelings he did during Curtain Call this time with possibly an added layer of whatever happens during WxS's freelance arc.

Anyways yeah this is overly complicated but then again colorpalet is not being easy with us so...yeah.

[icedroppedinparasolcider]

Momoi Airi is a Trans Woman

This is headcanon at the end of the day and there's nothing wrong with disagreeing, but the way she's written regarding her sense of identity as an idol, the choice of phrasing they use when she talks about herself in reference to others (namely Shizuku), and the connections her visual motifs provide to concepts and other characters tied to or commonly seen as trans just makes it incredibly hard for me to view her otherwise.

A lot of what I have to say is very personal to me; I'm a trans woman myself, and Airi's writing and experiences connect with me and my own transition journey in a way I haven't really seen anywhere else in media (I'm not a very prolific media consumer). So it's entirely possible a lot of this is just me projecting onto a character I care a lot about. But while I've adored Airi before this revelation, I didn't reach the level of attachment I have for her until the realisation of just how well she's written through the lens of a trans girl. Specifically one who's, for the most part, entirely socially transitioned but keeping the fact she is trans secret.

When Airi was little, she was, as she herself describes, very boyish. She'd get into physical fights with boys around the neighbourhood or at school, she'd come home most days covered in dirt and mud from playing with her majority boy friend group of the time. She was intensely defensive of her little sister, most of her fights being with possibly bigger-than-her boys because they were mean to her sister. It formed a reputation for Airi, a reputation that followed her as she began to deviate from these patterns and pivot her interests and activities hard and fast thanks to starting to watch idols on TV. She was enamoured with them, would rewatch recordings of their performances and interviews over and over so she could emulate it and be more like them. She'd stop getting into fights, stop playing with her rougher friends; everything started changing dramatically thanks to her being introduced to a new "type" of woman: an idol. Something Airi wanted to become, and was willing to change everything about her to be.

These changes weren't socially easy for her, though, with backlash coming from these old friends and classmates because of how girly she was trying to become. The idea of being a tomboy was something Airi started to consider a bad thing, a gross thing. During her Colourful Festival side-story, To You Who Yearns To Be an Idol, amidst a conversation with her younger self Airi calls the little girl a tomboy, something that makes the younger Airi immediately deflate and shy away from the conversation. It upset her to be called that, especially by an idol, something she wants to become. Which leads to the younger Airi talking about how she's been treated by her peers for changing the way she dresses and not playing the same way she used to, for changing the way she talks, with her being talked to like she's doing something horrible and wrong for simply chasing a dream of who she wants to be. And in this conversation, Airi says a particular line that changed everything for me:

This is said in response to Little Airi's repeating of what the boys in her class call her as she wears cuter, girly clothes. That she's some big, mean monster who shouldn't wear things like that, who could never become an idol. Effectively telling her that she could never be a girl because of the way she used to behave. She started as someone rough, someone harsh and dirty, that's not something she should—not something she could—change. Something we see in present day that she's largely internalised through her struggles with what it means to be an idol, her struggles with calling herself an idol.

For Airi, being an Idol and being a Girl have become synonymous with each other. Her ability to be an idol, to draw that attention, have a smile that sparkles on stage and in front of the camera, spread hope and joy to other people; this part of her identity has grown beyond her job, it's who she is as an individual. Being Momoi Airi, the second year Miyajo student, is inseparable from Momoi Airi, the ex-QT member and now member of MORE MORE JUMP! And if she can't be the image of an idol that exists in her head, that she's always viewed idols to be, that Haruka and Shizuku manage to embody, that Minori is becoming, then can Airi even really call herself as much of a person, of a woman, as them?

Airi's been in this constant uphill battle where she believes she doesn't sparkle as much as the other idols around her, so she puts more effort into learning how to make herself sparkle, but manages to convince herself that because she struggles with this, she's less of an idol than those very peers. It's in large part what Ice Drop is about, Airi's difficulty finding satisfaction with her work as an idol because it doesn't shape up to her own expectations and beliefs of what an idol "should be", because it doesn't match what she sees other idols she looks up to, like Shizuku, doing. Something also portrayed during Airi's conversation with Shizuku in Chasing the Radiance Beyond the Blue Sky, where she outright tells Shizuku that because she doesn't have the same physical appeal she has to fight harder and use different strategies to get any attention as an idol. And if Shizuku is the "perfect idol", and Airi will never be able to achieve that, can she even call herself an idol?

If she can't call herself an idol, does she even deserve to call herself a girl? Or are the harsh words of her grade school classmates right about whether she should be wearing the cutesy clothes?

A large part of Airi's struggle with this, why it's even a spiral in the first place, ties into her nature as a Solid Heart student as well as why I see so much of myself and my transfemme journey in Airi's story. It doesn't matter how many people tell you that you're enough and that you've done what you set out to do, not if every thought in your head is telling you they're wrong. According to everyone I know, I pass really well as a girl. My voice is naturally feminine, even without masking it very hard, I've basically never been misgendered since growing my hair out by strangers looking at me, I've even been told by close friends that they'll forget I'm trans because I'm just "one of the girls" to so many of them. And I appreciate all of it, so much; I'm very lucky to have had such a smooth social transition. But none of that changes who I see in the mirror, who I hear when I talk, what I feel when I wake up in the morning forced to acknowledge my body. I'll never be a "real girl", not until I fix these things, and it's entirely possible that it's impossible to truly get rid of this feeling.

That's what Airi feels regarding her identity as an idol. Everyone in the world could tell her how good an idol she is, how much hope she spread as Happy Everyday, how beautiful and bright her smile is. But that will never replace or fully mask the doubt in the back of her head about whether she's really an idol, because nothing that she used to do aligns with what she's always seen idols to be, so much of what she does today is so different from the reality of her dreams. She's not that idol, so is she even an idol at all? I'm not that girl, so am I even a girl at all? Obviously I am, and obviously she is, but it's a feeling of doubt that never goes away.

Airi needs to constantly be an idol, or she's not an idol at all. And, at least to me, this has come to mean to Airi that if she's not an idol, she's not a girl. Because all of the work she put into being cute and girly was to be an idol. If she can't accomplish that, does she even deserve to be a girl at all? Or is she just a fraud wearing a mask trying to make people laugh on TV?

[ac3ifix]

Saiki or tsukishima with a male reader my beloved ❤️ i just love when the emotionally constipated boys have to deal with having feelings for someone, i’d love to request one (or both) of them hanging out with trans male reader and just then realising they are head over heels in like <3

Yea sorry for being gone for a month. I dont have an excuse other than I didnt feel like writing at all so yea.. Sorry ab that. Love you guys tho!!

Also, sorry if this isnt quite what you wanted, its sorta rushed and honestly not my best work at all. Also I know you mentioned trans reader but theres really no specifications on whether the reader is trans or not.

Tsukishima doesn’t understand love.

This story features: Clueless character, confusion, mutual understanding, sfw, fluff, boys kissing, height difference, can be read as either tmale or cmale

Wc: 408

He never really got it, why he was so unbelievably drawn to you. How he smiled when you laughed and how he was ready to kill someone when you were upset. Tsukishima Kei was infatuated by you. He walked with you to class, you watched his games, and he just enjoyed your company so much. He couldn’t understand it. Until one day he was talking with Yamaguchi.

“Hey Tsuki?” Yamaguchi had asked

“Hm?” He responded “What is it?”

“Do you.. uhm.. This is kinda an odd question but.. do you.. like (Name)?”

Tsukishimas eyes widen and he found himself saying,

“I think so..”

So thats what it was. Like, maybe even love. He liked you. He didnt know how he was going to deal with this newfound knowledge but now he understood what his feelings were. He had never had a girlfriend before, let alone a boyfriend, and he had no idea how to approach the idea of a crush. He was confused to say the least. And to be perfectly honest, that was all he thought about for the next couple of days. How was he going to tell you? He began to avoid you in the hallway, putting distance between you two as the truth became more evident to him. He knew he had to face it eventually so when you came up to him, tears staining your face, his face dropped.

“Who the fuck-“ He swore, cupping your cheeks in his hand.

“Why..Why have you been ignoring me Ts-Tsuki?” You asked him, your voice breaking.

“What- I haven-“ Oh. He realised. He had been avoiding you, hadnt he?

“Yes you have! You’ve been avoiding me like the fucking plague!” You said, tears beginning to fall again.

“Look, (Name) its.. Geez, this is hard to say… Its because I..I like you, I think..” He said, looking away from you in embarrassment.

Your eyes widened, you were dumbfounded, thats why he had been ignoring you? You had thought something had happened, you had assumed the worst.

“Tsuki..?” You mumbled, wiping your eyes.

“Hm..?” He said, now facing you again, shamefully.

You leaned forward, stood on your tip toes, and gave him a kiss. It was a soft kiss and he was surprisingly good at it, his hands ended up on your waist as he kissed you right back. You were both disappointed when the kiss ended.

Pulling away you muttered “I-I think I like you too, Tsukishima.”

[narcissistcookbook]

about thirteen or fourteen years ago @inkylizard told me about this show Sleep No More (description beneath the cut) they'd seen in an early run in Boston, and i had such bittersweet feelings listening to them talk about it because 1) it was absolutely my kind of thing, and 2) it was basically impossible to see it because it was so far away (i'm Scotland-based)

and since then i probably thought about the show more than most people who have seen it. i ended up working some of what kit described to me into my own music and shows, in a very vague sense

anyway, fast forward over a decade and i'm in NYC for ten days prior to tour and kit tells me that Sleep No More is still on, and it's about to close forever so this is my first and last chance to see it

so anyway

i finally saw it and it was amazing. for once hype wasn't the joy killer. it was inspiring and empowering and it's made me want to explore some of the more outlandish ideas that have been tickling my brain in terms of music writing/performance

i almost went again today, but low energy mixed with a fear of not wanting to dilute the magic by returning to the source convinced me otherwise. i think it means more to me to wait over a decade to see it, and then never be able to see it again.

Brief description of Sleep No More if you haven't seen it and aren't aware of it, told from the perspective of someone who had it described to them once and then saw it once 13 years later and has done no reading or research beyond that. Apologies if I describe it in a way that makes you squirm and go "nooo you aren't explaining it right" 💜

Sleep No More is an adaptation of Macbeth told mostly through the medium of Dance and Vibes. It takes place across the breadth and depth of an entire five floor building called the McKittrick Hotel, which is a dreamlike network of TV/movie-quality sets (a ballroom, a hotel, a city apartment, hell, a street of open shops, a mental hospital, a forest, witches' dens, a huge room full clocks connected to a tiny prayer vestibule, there's too many to mention) and masked audience members are encouraged to wander freely and explore the entirety of the building in any way they like

all the sets are fully explorable and designed to be examined in close detail. if you dig around you'll find letters, medical records, diaries, a fully stocked and unguarded sweet shop, hidden dressing rooms, discarded props, again much more than I could list off here. rooms have backrooms which have other backrooms. secret passageways connect parts of the building/story to other parts.

and through all this the cast are whirling and screeching and sprinting from place to another with little regard for who is or isn't following their storyline. at one point I was one of only two people watching an actor sew up a disembowled teddybear in a child's bedroom - and in the mirror, the same bedroom was reflected covered in blood. at another I was the only person watching a nurse tuck a man made of rocks into a hospital bed. at another, I turned a corner and one of the witches (with about twenty people in tow struggling to keep up) barrelled into me on their way to a scene elsewhere (he stopped and gave me a boop on the nose). another time, i walked into what I thought was an empty interrogation room only to realise after *far too long* that one of the characters was hiding in there with me

and on top of all this, each character has a scene they will only perform to one other audience member chosen by them

the magic for me is that not only can you not see the whole show in a single visit, but that it's basically impossible for anyone to see the whole show period no matter how hard they try. someone i know has seen it seven times and i've seen parts of it that they didn't even know about. it creates a sense of longing for what you'll never see, a sense of loss for the parts you missed, and a deep sense of personal connection with what you were lucky enough to see

what a banger

[seangelfish]

What they do for White Day (pt.2)

❥ Featured characters: Adonis Otogari, Keito Hasumi, Nagisa Ran, Niki Shiina, Mika Kagehira

❥ Tags: Fluff, established relationships/mutual crushes, stories are based on the !! era, no mention of pronouns

❥ A/N: Part 2 of What they do for White Day! Check out for part 1 here! This is also randomised, but part 3 (final) will consist of fan favourites alongside my personal faves! Happy White Day~ ♡

🤍 ADONIS OTOGARI

Adonis knew what to gift you for White Day the day you gifted him your homemade Valentine's Day chocolates. He knew you very well as the two of you had been together for a while, so he had an easy time arranging the things he wanted to do with you on that special day.

He had cooked you up a meal in his dorm room in which you found the food to be very tasty. The two of you gleefully ate together like a married couple, laughing and telling each other stories. Adonis would try to feed you himself and you'd let him.

But that wasn't the gift he wanted to give you. He handed you a small box which contained a stunning set of white earrings. He had asked his sisters what would look best on you, and they really did come in clutch!

It was a simple celebration, but he took into consideration that sometimes all you wanted to do was relax and stay inside.

"(Y/N), Happy White Day. My love grows for you every day."

🤍 KEITO HASUMI

Your relationship with Keito was a simple one, but the two of you were perfectly happy together. He was attentive and cared for your well-being, but he wasn't as romantic as the boys in the manga you read together.

But you didn't mind. His other characteristics make up for that. He was smart so he helped you with writing reports; he was disciplined so he helped you with your time management. Little things like that were lovable.

The time you gifted him Valentine's Day chocolates, the two of you had mirrored each other's shocked expressions. Keito was surprisingly bashful, but he thanked you profusely, accepting the chocolates with shaky hands.

"T-Thank you, (Y/N). I appreciate it."

He wanted to return the gesture. After all, he did love you even though he didn't show it in the ways you'd expect. On White Day, he gifted you a piece of white jewellery and a short manga he drew and wrote of the two of you. The manga consisted of a short story of how he fell in love with you and in which you could see the way he drew you so carefully and precisely.

"Happy White Day, (Y/N)," he stated shyly. "I'm all yours today, so what else would you like to do?"

🤍 NAGISA RAN

When you presented Nagisa with a box of your homemade chocolates on Valentine's Day, he was delighted, but he didn't think anything of it.

"Thank you very much, (Y/N). I love chocolate."

Therefore, you had to explain the reasoning behind why you gave him those chocolates in the first place.

It was barely noticeable, but a pink hue appeared across his cheeks when you told him you loved him. Smiling softly at you as he acknowledged your feelings, he admitted that he felt the same way about you too.

He remembered what Ibara said about White Day which was a month after Valentine's Day, so he started preparing something special for you in the weeks between that. He wanted to reciprocate your efforts, so he ended up booking a fancy restaurant for the two of you to enjoy, and then gifted you a white charm bracelet that he helped you put on.

"Happy White Day, (Y/N). I love you. I truly feel at ease whenever I'm with you."

🤍 NIKI SHIINA

Oblivious as he is, Niki thought the chocolates you gave him were a gift for working hard, but when he asked the other members of Crazy:B where their chocolates were, they looked at him in disbelief.

"Niki-han, you know (Y/N) gave those chocolates to you for Valentine's Day, right?" Kohaku had to clarify.

"S-Seriously?!"

Frankly, he didn't expect you to gift him anything for Valentine's Day, but then he realised that you liked him in that way which made things worse because he had just thanked you for the chocolates and walked away.

He decided to apologise the next day, but you brushed him off, telling him it was okay. He tried to accept your feelings as he felt the same way, but he never really had the chance to. With both of your busy schedules, he never got to fix things until White Day.

He had to beg you to meet him that day. Already prepared, Niki had made you lunch AND dessert, so when he finally got to meet you, he professed his love.

"I'm sorry, (Y/N)! I really really like you too!" he confessed. "I cooked all this for you, please accept them! Happy White Day!"

And of course, you were going to accept his gifts and feelings!

🤍 MIKA KAGEHIRA

Mika was extremely surprised to see you in front of him with a box of chocolates in your hands. He even tried dismissing you away because he truly believed you got the wrong person. When you stated that you were giving the chocolates to him, that they were addressed to him, he blushed a deep shade of red. He would've never thought you would ever like him back!

He accepted your chocolates and your feelings, and the two of you grew closer than before, establishing your relationship. Mika knew that he should repay your love back on White Day as he always dreamed of doing so. He was already preparing in between the two days, scribbling in his sketchbook on what to gift you.

On White Day, he surprised you with a handmade plushie that he had beautifully sewn himself. It was decorated with bows and craft jewels, reflecting the image of you. He had also gifted you a bag of hard candies some of which were his favourites.

"Happy White Day, (Y/N)!" he chirped happily. "Thank you for loving me back. I really hope you like everything!"

Intro page | Ensemble Stars masterlist | Rules

[makethosenarratorsfight]

UNRELIABLE NARRATORS; THE FINAL FINAL

Shen Qingqiu Propaganda:

The entire series is told from his POV and the story seems like a comedy. The side stories from other characters POVs make the story sound like a tragedy. He thought that Luo Binghe hated him and wanted him dead while everyone else knew that Binghe was in love with him.

the whole book he’s using his OWN interpretation of the world to explain literally everything, not knowing that his introduction into the world changed it so fundamentally that his prior knowledge of it is less than useless. he’s like “binghe is being sweet to me because binghe is sweet to people that wronged him before repaying their slight a thousandfold, and he only adds their acceptance of his sweetness to his tally of their sins!! i have to run away forever or he’ll tear my arms and legs off!!!!!!” and binghe in reality is like “wow the love of my life my beloved shizun is scared of me still :( i should act sweet and nonthreatening so he’s not scared of me :(“ and he literally doesn’t have this corrected until the end of the book. but even when that one thing is corrected he still is like “haha okay but these other six things-“ bro……. cucumber bro………….. you homosexualized the world just accept it

He examines the entire reality he's isekai-ed into as if it's still fictional and his inner monologue ignores any "character trait" of the people around him that doesn't fit into his perception of "canon" despite everything he's done to change reality from the canon of the novel he first read. He routinely mislabels his own emotions as well as making heteronormative assumptions about himself and the people around him before he finally realises he's in reciprocated gay love with a man. It's a book that benefits being read twice, so the second time around you can focus on the implications Shen Qingqiu blatantly misses.

Transmigrates into a novel he “hates,” assumes he’s doing a good job pretending to be the character whose body he got stuck in, assumes other characters will stick to their original paths. Lotta assumptions, lots of rationalizing, lots of incredible feats of misunderstanding/misinterpreting things. His internal narration is also hysterical.

Lemony Snicket Propaganda:

(I would like to preface this by saying that Lemony Snicket is the author's pen name, not a real person, and he exists as a character in-universe as well as being the one in-universe who writes the books!) I'd say he's unreliable because he spent time collecting information about the Baudelaire kids and then... wrote books about it. He has no idea what any of their dialogue actually was, what they were thinking, or even the whole plot, he's just doing research into the incidents and then filling in the gaps to make it a story. What ACTUALLY happened to the Baudelaires? Nobody really knows for sure

While the Baudelaire siblings are in potentially life threatening danger, he will randomly start talking about his own life and just leave the siblings hanging. For example, once Count Olaf was threatening to kill Violet, and then Lemony randomly began talking about how he met the love of his life at a costume party. This man CANNOT stay on topic. Usually when a new character is introduced, Lemony tells us right at the start that they’re either going to die or that the Baudelaire siblings will never see them again. Foreshadowing is not subtle in these books. CONSTANTLY emphasizes how miserable he feels while writing these books. At one point he admits that he had to put his pencil down and go cry for a while because of how sad it made him. Once he filled an entire page with nothing but the word “ever” to emphasize how dangerous it is to put forks in electrical outlets. He also repeated a paragraph about deja vu later on in the book to give the reader deja vu.

[calliecwrites]

Shifter HRT, part 1 – Egg, Cracked

So you want to be a shifter? You’ve read about humanity replacement therapy, or species HRT, but can’t find anything about the shifter version? You’re scared, you’re worried this isn’t the path for you, but part of you wants it more than anything?

You’re not alone. I’ve been there. I’m still there. And I’ve taken the first steps. Tomorrow I have my first appointment, though not with a doctor, and if all goes well, by this time tomorrow, I’ll have taken my first dose.

I’m writing this so you’ll have it easier than I did. Also, I want there to be a record, in case something happens to me. I’m not exactly doing this the traditional way.

* * *

I’ve known what I wanted to be since I knew shifters existed. Everything I heard about them – being fluid, shapeshifting – felt right. I started imagining myself as one. If you’re reading this, you probably know how that feels.

I hid it. Even as a kid, I knew people wouldn’t react well to what went on in my head. You’re not supposed to relate to monsters.

Then things got complicated when I realised I was trans. I told myself that wanting to be a shifter was all about wanting to fix my body, since being able to shapeshift would make that easy. I certainly did want that – but I’d imagined myself as a shifter since long before then. I’d imagined being able to change myself in many other ways, before transition became the most important thing. And after transition, so much was better, but that longing didn’t go away.

This isn’t a contradiction. Fixing one thing, even the most urgent thing, like I did, doesn’t automatically fix everything. But I was in denial. I’d transitioned (once); everything was supposed to be fine, now. I told myself the rest was a fantasy.

Then I heard about species HRT. I read about someone becoming a slime – and that did something to me. Slimes are fluid, and so are shifters. Shifters are slime-adjacent, for sure. Maybe this wasn’t just a fantasy. Maybe it could be real.

I’m not in denial anymore. Egg cracked. Time to transition again.

* * *

Were there signs? Oh yes, there were signs.

Nimona. Mystique. Slime girls. The Changelings. And when a character says no solid could ever understand, feeling it like a punch to the gut. Wanting to understand.

Wanting to fly, wanting to swim. Wondering what it’s like to be huge, or tiny, or a tree, or a rock. Wanting to be everything. Fluidity. Freedom. Flowing and pooling, wanting to be a blob of goo with no form at all.

Learning to phantom-sense extra limbs. Being a shifter in daydreams. Learning to lucid dream so I could learn to shapeshift in there. Still being sad because it could only ever be an approximation.

Sitting by the lake, longing to merge with the water and lose myself for a while. Wishing it wasn’t water, but other shifters, welcoming.

Sometimes want isn’t the word at all, but need.

And there are people who can actually do these things, and I can’t? How is that fair? What sort of world has shifters in it and I’m not one?

Sound familiar?

I read everything I can find about them. Not stories written by humans – those aren’t accurate. Most are just sex, or all about fear and hunger and absorption. Shifters don’t absorb people! – it’s their biggest taboo. I read stories shifters write for themselves – and I can’t get enough. Just don’t look in the comments: you’ve got humans calling them monsters, telling them what they should go do to themselves – and a few brave shifters saying how much the stories mean to them. Sometimes the stories disappear, but they always come back.

‘Fluid as the ocean, wild as the wind, and cannot be contained.’ That’s a thing they say about themselves. That should be me.

I don’t comment, don’t interact – hiding, remember? But the stories mean so much to me, too. They’re a window onto how my life could be. I tried to tell myself this was just a sex thing for a while – more denial. There are plenty other stories I could read, if that was all I wanted. But that isn’t what I imagine when I imagine shifters, or even shifter sex. I imagine being one.

Haters would call me a traitor to my own species. They’d call me sick, mentally ill, monsterfucker, monster. Like I haven’t heard all that before for being trans. I want to tell them I’m nothing like them, that they can keep their precious humanity if this is what it looks like – but I don’t dare. I’m too afraid: what if they’re right? I know what I want to be, I know what I should be, but I look at my body and think: this is what I am, fixed, solid, human. I can’t do anything about it, no matter what I am on the inside, no matter how much I hate it. And this is familiar, too – I felt the same way before my first transition. Trapped as something I hated being. Powerless.

* * *

Except, now, there is something I can do about it.

No doctors prescribe shifter HRT – unlike for other species. The only source is the few shifters who figured out how to make it. They keep it tightly controlled, so they can control who gets it. They want to make sure we meet their standards – that we’re shifter enough. I don’t like that. But other people, who want to make it freely available, haven’t figured out how to make it yet.

I’m not waiting for them, not now that I’ve decided. I couldn’t. I could die – accidents happen, after all. How would I feel, knowing I was dying human, still wondering what it would have been like? Never really having been me? No. I’m not waiting.

So I got in touch, and I spoke to one of them online. She arranged the appointment, and now she’s flying in – and I’m pretty sure that means as a bird, not on a plane. All I have to do is convince her. Tomorrow determines everything. If it goes well, I’ll be starting right away.

I still can’t quite believe it. It feels too good to be true. But it is. It really is. It was the same before – I couldn’t believe anything would change till I took my first dose of estrogen. Sometimes reason isn’t enough, planning isn’t enough, sometimes it takes direct contradiction to break the hold a belief like that can have on me. I’ll never take hormones, meet I am now taking hormones. Suddenly I see I was wrong, and there is hope again.

And tomorrow it’s going to happen again. Hopefully. Finally.

And then I really won’t be human.

Next

I'm doing one of these now too! Inspired by the many other animal HRT stories, especially the two slime HRT series by @sandyca5tle and @scrubbinn. In the beginning it's drawing a lot on my own transition, but will be going very different places.

If you want to read more without waiting for the rest of the series, take a look at my other stories – shifters turn up in lots of them.

Oh and that list of signs? They're all real :)

Tag list (tell me if you want to be added):

@leahnardo-da-veggie @sandyca5tle @scrubbinn