#Anger Gone

[everbloomjardin]

-( HAH! FUCK YOU, DAY SHIFT! I CLEANED UP YOUR MESS IN RECORD TIME! YOUR FUCKIN TURN!)-

[bluerosefox]

Masks and Moonlit Night

-Crashes through DPxDC window and sticks a new AU sticky note down on everyones foreheads-

ANGER MANAGEMENT MASQUERADE BALL AU!

Jazz is forced by her parents to go to all Masquerade ball at Vlad's, whose using Jazz as both a way to keep Danny in line (as well as Jazz, basically Danny can't fight back or he'll hurt Jazz and Jazz can't fight back because he'll also hurt Danny who he has locked up at the moment) and to 'impress' the elites (As much as Vlad wants to use Danny for the party he knows the boy would do something to embarrass him in front of them, he at least knows Jazz will keep her manners in check) with how intelligent his goddaughter is.

During the ball, Jazz (in a stunning dress and mask, think like manhwa worthy outfit tbh if you want) meets Jason (who lost the Bats/Birds most recent 'Not it' game and was made to go with Tim to Vlad's party) and both hit it off when they meet in the garden, under moonlight, both wanting some fresh air.

Jazz wants to enjoy her time with Jason but worries about Danny and thus tries to leave and figure a way to help him without tipping Vlad off she was trying to save her brother. However she notices she's being watched by some ghosts Vlad employed and no doubt would report her should she even try. So she kinda uses Jason as way to keep them being unaware of her planning... or at least that was the case until she noticed another Team Phantom member sneaking into Vlad's place and knows its only a matter of time before her brother is freed.

Within the hour she gets a text from Danny who tells her, he's out and gonna fight Vlad for locking him up, that Dani is with him too so it'll be double beat down and that he'll come get her soon.

She is pulled away from the text when Jason asks what books she likes to read and now with the weight of her brother needing to be safe, or as safe as he could be, is lifted off her shoulder she answers.

Its magical, its wonderful, and for a moment Jazz is able to actually enjoy this party, ignoring the pained hits Vlad was no doubt receiving from what she can hear with her liminal enchanced hearing, because talking to Jason, or J as he introduced himself as, was very fun and wonderful and wow he was very handsome even with his mask and-

Jazz is startled out of her wondering thoughts when she could hear someone in the party scream, no doubt Danny, Dani, and Vlad's fight probably bleed into the main hall and she could see people starting to run out.

Jazz sits on the bench as Jason goes running in, no doubt curious as to what is happening and going to get his 'brother' Tim who he came to the party with out. Jazz takes off her mask and sits it down the bench and waits before Dani appears and says they should get going, Danny is keeping an angry Vlad busy and that she can take Jazz home.

By the time Jason comes back, with a researching on his phone Tim, all he finds of the charming woman he met at the dumb ball he got dragged to was her mask on the bench.

[hella1975]

noah kahan really said growing up in a small, bitter hometown is about the rage and the hatred that's been sung about many times before but it's also about love and devotion and the 'all three of us were drowning and we didn't know how to save each other but there was an understanding that we were all drowning together' of it all and knowing people so intimately yet not being able to help anyone and he's morally grey at best in a lot of his songs and objectively the bad guy in others and that's just how it is and it's about substance abuse and normalised crime and teen suicide and country roads and failed exams and leaving and being left and love and hate and love and hate and love and

[casualavocados]

I asked myself why I failed to notice. It was the first time we'd been apart that long. I found the birthday gifts you prepared for me in my room, from my 18th to my 21st. ...Shut up. I started to think about what you were doing back then. Were you celebrating my birthday all by yourself?

KISEKI: DEAR TO ME Ep. 12

[aalghul]

Thinking about Jason's outward expression of emotions. He tends to only get angry as a response to perceived injustice (the same way Bruce, Dick and most of the others do). But unlike some other characters, Jason rarely every gets wound up in it, nor does he get angry even when he sees injustice if the situation doesn't call for it. Some characters get angry first and then manage their response to whatever's more appropriate, but my interpretation has always been than Jason doesn't need to because he doesn't often begin with the rage. It's not a default, instinctual response for him in most situations. It seems to be that he becomes angry when there is a perpetrator (and specifically, of a crime that hurt people with less power than the perpetrator has, in some way) towards whom he can direct that righteous anger (righteous as in the cause is his drive for justice. I'm not discussing the rightfulness right now). Can he hurt the man who was about to hurt a woman enough that he doesn't dare to try imposing his power over another woman again? Can he do something, anything to stop a serial rapist who has already caused the suicide of at least one woman? But he doesn't possess the sort of blinding anger that could become a driving motivator for his actions outside of someone in front of him to punish. He doesn't need the anger (mostly because he will instead fixate on the crime without rage to fuel him).

The notable exception to this being his behaviour preceding his death (which is explicitly referred to as atypical for Jason by both Bruce and Alfred. The whole reason he's forced to take a break from Robin is because that anger is so unusual for Jason that Bruce and Alfred are worried about Jason's mental wellbeing).

We see in Lost Days that Jason’s default state has become (to the concern of Talia and Ra’s) seemingly unfeeling, and he shows signs of a persistent flat affect throughout Lost Days, with exceptions for when he sees injustice (which is responsive, as compared to the aloofness he uses as a constant state of defence -> see: his and Talia’s conversation after he killed for the first time, Talia being glad that his sense of empathy and justice were able to overcome his general coldness). Jason's aloofness was entirely a conscious defence, but at times he was consciously exercising it (his reaction to Tim in front of Talia vs alone).

We see him cry for himself a few times, which tends to be how Jason first reacts to what hurts him deeply. Then there's his cold hatred for Bruce, which can be taken as anger in the face of heartbreak and perceived betrayal. But that anger never goes very far: Jason couldn't even make himself blow up the batmobile. In the end, it's Jason's belief that he hates Bruce and must make demands of Bruce to force him to redeem himself in Jason's esteem that fuels him. Because Jason wants Bruce to redeem himself, even if it's unlikely that he will.

All throughout Lost Days and UTRH, Jason uses teasing/biting humour in a very Robin manner to direct attention to whatever he pleases, whether that be pulling attention away from vulnerabilities or drawing attention to distortions of the truth. This habit returns to Jason strongly around times when he breaks out of his apathetic state (when he’s killing people who hurt others, pretty much), but the undertones of coldness and derision even with that humour don’t leave. We can see in this habit especially how Jason's become a distortion of who he was as Robin. He's still witty and he still teases people and you can hear the humour in his voice. But now he's using that wit to say cruel things to Batman, deceiving him constantly, and his voice no longer has a youthful kindness to it.

One of the most Helena-esque character traits that Jason’s picked up (in fanon and reboot canon) is anger as an initial defence and reaction, actually. It’s nearly the opposite of Jason’s pre-flashpoint defensive state but is essential to Helena’s. It’s actually not surprising that this happened (even ignoring reboot kicking Jason’s character into a closet and superimposing much of Helena onto him) because of how DC pushed “angry” as Jason’s defining trait, and how fans have believed it for so long. It seems almost natural for a misconception this severe to happen, even in the face of evidence to the contrary, because every action of Jason’s is misconstrued as proof for an angry temperament.

[god-knows-ive-tried]

mom help she's posting on tumblr instead of facing her feelings again

[myymi]

eggman, lying to get in tails' head: your hero is finally dead at my hands. what's your next move now, fox?

tails: ..are you sure you killed him?

eggman: of course im sure! what kind of evil genius do you take me for?

tails: no, you don't understand. if sonic's dead that means there is nothing keeping me from killing you

eggman: what?

tails: my morals rely on sonic's wellbeing. if he's gone, then so is everything that's keeping me a hero

eggman, realizing this might backfire: uh..

tails, knew eggman was bluffing the entire time: so i'll ask again. are you sure you killed him?

[theresa-draws]

he gave up a life with her and for what???

[lucascsinclairs]

@usergif 1 Year Celebration: Shuffle Challenge

day 1: Fade Transition | Multi-Gif Layout | Anger

“Now I know the truth. It is not me. It is you. You are the monster. I am going to open that door, and I’m going to leave. If you try to stop me, I will kill you.”

[aurorangen]

I saw all the signs when he was playing with our minds

Transcript:

[When my mum started questioning him, he couldn't hide his two face any longer] Payton: Honey, Vincent's teachers have said you've not been picking him up. Is that true? Ashton: What? [through gritted teeth] I have been. Haven't I? Vincent.

[Honestly, I was terrified to say anything. And so he continued being manipulative and deceiving] Payton: [goes to the front door and sees Ashton] I've been trying to call you! Where have you been? Ashton: God it's work again [sighs] Just let me rest a bit honey, I'll tell you after.

[Things changed and I knew something was happening between them. He'd come home agitated. He'd calm himself by watching the football. That led to the drinking, the drinking led to the fights and it became a cycle. Day after day, the voices became raised and worse. Even the neighbours were concerned and came to check]

[After a fight one time, he slammed the front door and left] Vincent: [trembling voice] M-M-Mummy??? Payton: Sweetie everything will be ok. He's gone now.

[I so badly wanted to believe her, but I could hear crying as she hugged me close]

[the-labyrinth-of-me]

Wait did both Alice and Zane record Alan when he was at his lowest point? Didn't Alice make her exhibition to show the world what she sees? To show Alan the truth about himself? That it never was Scratch visiting and terrorizing her, but Alan himself? Did she depict his "self" and Zane depicted his "persona"? The two sides of him that he wishes he can eliminate bc they brought him into trouble (Scratch representing anger and the fallouts with paparazzi and stuff, Zane representing his self-destructive behavior with alcohol and drugs and the party nights)? The both sides that caused his marriage to start falling apart? Was that the reason Zane made that video of Alan when they were on that booze and drug-fueled bender while working on the Return manuscript? Is this party video the companion piece?? Alan's downward spiral, same as Alice's photos? Do they fucking work together aasdffjfjfkfk

[shit-talker]

I feel like people dont lean into just how complicated dick and jasons relationship could and should be.

Give me these two boys who were thrown together, who didn't really fit together or get along, whose age gap was just a little too big for them to fully understand each other when they met, forced into this role of brothers even when they didnt feel that way.

Give me a young jason todd, so confused and annoyed that the guy who's supposed to be his big brother, his mentor won't even come home once a week to have dinner, who doesn't talk to him, and ignores everything he does.

Give me a hurt dick grayson, who is so angry with bruce and pissed off at the idea of being replaced that he just cant look at his new brother, even though he doesn't blame him.

Give me a dick grayson who never fully saw jason todd as his brother until it was too late.

[justaz]

merlin being forced to confront the fact that he’s failing his people bc he’s sitting idly by while uther slaughters them all and coming to the decision that he has to act to save them but that’ll make him camelot enemy no. 1 but technically he already was they just didn’t know it. merlin spending a week all morose but unwilling to talk about it and spending as much time with his friends as possible. on his last night in camelot, he goes to arthur’s chambers and the prince is confused on why he’s there. merlin drops a sealed letter on his desk before pulling arthur into a gentle and emotional kiss. they barely separate, their lips hardly a breath apart, and merlin asks for forgiveness. arthur, thinking he’s apologizing for the kiss, tells him there’s nothing to forgive and goes in for a second kiss but merlin pulls away, knowing that that one brief kiss was all he could handle. if he lets arthur kiss him the way he’s dreamt of being kissed, he won’t be able to do what he needs to do, he won’t be able to leave. merlin tells him good night and leaves before arthur can react. he’s gone by dawn.

[alicentflorent]

Alicents a better person than me because if I was forced into marrying an old man at 15, regularly SA’d and forced to have children so he could have “heirs” just for me and my children to be cast aside with no future or protection in place for the children HE wanted, I would set fire to his empire and watch it burn to the ground.

[inke-ri]

So I couldn't help but browse the THG tag bc those books own my whole heart. I actually check it now and again, and it's been interesting see how opinions have changed over the years, especially in regards to Gale and Peeta. Going through the evolution of them as just potential love interests to being far more complex than I could have expected has been a wild ride. Crazy how this reads different than from when I was a preteen.

That said, I wanted to give my unsolicited two cents on my boys, because though I have been enjoying the discussion on Peeta and Gale and what they mean to the story, I also feel like reducing them to Peeta = peace and Gale = war is far too simplistic... and oftentimes unfair to one or both of them.

See, I don't think Peeta and Gale are peace and war/destruction. They're compassion and indignation.

Peeta worries about the other tributes, or their families, or how to repay people like Rue and Thresh for what they did.

Gale is indignation at how the Capitol treats its citizens, it's anger at the injustice of inequality and brutality.

Both are needed in a story like THG. You can't have people like even Peeta not say something like "maybe we're wrong about keeping things quiet in the districts", you can't have him not drop the baby bomb, you can't start a revolution without Gale's indignation at the status quo. At deserving a better life but being denied it, at having your kids be mercilessly killed for literal sport.

However, if you start a rebellion and loose sight of your compassion, you end up no better than the people you're fighting against. Gale wasn't a bad person, imo. His heart was in the right place. He was flawed, yes, but so is everyone in this series. Gale, most importantly, lost sight of the line between fighting for the people he cared about and fighting against the people who hurt him.

Reducing Gale's indignation to just revenge and hatred ignores so much of what he stands for. Who hasn't seen laws passed that dehumanize people, who hasn't been angry and furious when someone is elected who fundamentally hates everything you are, who doesn't think some people need to pay for the atrocities they committed? There's a little bit of Gale in every single one of us - and it's important that it's there, because that's what gives us strength to challenge the status quo and make life better for the future generations.

But. You can't let it take over. You can't loose sight of your compassion or your empathy.

That's where Peeta comes in. Peeta is the voice in your head that worries about how many good lives will be lost when they give themselves up for this cause. Peeta is the worry about the people caught in the crossfire. Peeta is rebuilding when it's over and believing that the next generation will have a better life than your own. Peeta is being kind, even to people who may not deserve it.

And Gale... Gale looses sight of his compassion, and he doesn't realize it until it smacks him in the face when the bombs go off and Prim is gone and he's too far gone. Meanwhile, Peeta advocates for the end of the war even though it means the status quo remains - and regardless of what he believes himself, I don't think Suzanne chose him to say those lines by chance. It means both mindsets have their flaws: too kind and things that shouldn't remain will never be challenged and changed, too angry and you may loose sight of what you're fighting for.

And that's just how Suzanne uses her characters, both of them, all of them. Just look at who is with Katniss depending on the situation:

- Katniss chooses to "rebel" after Gale is brutally whipped. She kisses him.

- Katniss realizes that in order for D12 to rebel, everyone would need to be in on it, and she realizes most of them are not like her, that they're scared and she understands, emphasises with them. Peeta walks by her side.

- Katniss finally does it though, shoots the arrow at the force field, and Peeta is taken from her, it's now Gale by her side.

(You can't start a rebellion without indignation, and sometimes you HAVE to do it or things will never change, regardless of the inevitable pain that will come along.)

- Katniss is righteously angry at the Capitol bombing a hospital full of innocents to make a point. Gale remains there.

- Coin twists people's compassion into an army to fight for her own personal gain. Peeta is hijacked and looses his sense of self.

- Katniss and Gale go to District 2 and even though she tries to be like Peeta, she's still shot- reinforcing Gale's views, the person who was with her during that sequence.

- Katniss is angry at Snow, Katniss goes to the Capitol to kill him. Gale is there.

- Katniss gets in way over her head and realizes she is responsible for the death of most of her squad. She shares the lamb stew with Peeta, and later cleans his wounds.

- Finnick dies and she's at her lowest up until that point and all she wants to do is give up and give in to the anger. She kisses Peeta and begs him to stay with her.

... Claiming that Gale is destruction ignores the fact that he's with Katniss through her own moments of strength. Her desire to change things, to fight back, is as important as her compassion. Mockingjay just brutally shows you what war does to your indignation, to your compassion. How easy it is to cross a line between righteous anger and revenge, or how your sense of empathy and compassion can be manipulated into something monstrous by others, or by all the terrible, brutal, painful things you see.

How easy it is to loose yourself- and that goes for both of them.

Peeta and Gale aren't static characters, they go from representations of sentiments regarding an injust government to what happens to those feelings when an extreme situation such as war breaks out. All of that, by the way, while dealing with this duality themselves, because they are still characters who think and feel and struggle and have flaws of their own- and while I love what they stand for, I've seen too many comments that pin everything into what they mean, that they forget that Peeta and Gale are still people, they aren't perfect metaphors. They're human.

Ultimately, Katniss doesn't really choose peace. She wants peace, yes. But what she chooses is compassion. empathy. hope. There's a time and place for anger at injustice. There's a time when fighting back is the right thing to do. There are even times when you wanna give in to your despair and lash out. But if you want peace, then you have to choose Peeta, because Peeta represents what you need to focus on to achieve that peace. You have to let go of the anger or you won't ever rest. So Gale leaves, and does not come back... And yet, Katniss still has her moments of indignation, of making a stand, even as he goes - she still casts her vote at that meeting, she still shoots Coin. Katniss does not abandon that part of who she is. It's just not her main drive anymore.

So then she goes on to make the choice, every single day, to be compassionate to others. To have hope. To rebuild. Of course she chooses Peeta.

... Idk, man. These boys are so much more than what I see them so often reduced to. They're in all of us. There will be times to stand and fight, and times to show mercy and be kind. We just need to find that balance, as Katniss eventually did.

[qyburn-in-the-black-cells]

There's so many layers to Ygraine s2e8.

Uther was Arthur's mother's killer, Arthur's father but also Arthur's de facto mother after Ygraine's death.

Meeting Ygraine is the first and only time Arthur gets to see Uther for what he really is - a father and a murderer rather than his whole parental unit wrapped up in one person. For the first and only time, Arthur gets to know his actual origins - he is a creature made of magic. It's what runs through his blood, making him closer to any Druid child massacred on a raid than the knights that he led. It's the first (and arguably the only) time Arthur recognizes he can break away from Uther - and tries to.

Not with a pithy "I am not you, father" or an angry argument on morality but with the rage of the son of a murdered mother - an abused child finally physically and psychologically capable of inflicting violence on their abuser.

To be clear - that's unbelievable and terrifying for anyone with a moderately healthy relationship with their parents.

Merlin sees Arthur's attack on Uther through that lens.

He also sees Arthur as the man who'll evolve into what he thinks the Once and Future King should be - just, kind, merciful, egalitarian, always seeking peace over war, returner of magic.

When Merlin says he didn't stop Arthur for Uther, what he means is he did it for Arthur and the Arthur he is certain will one day exist. Merlin is also more comfortable with lying than being honest. His whole identity has become wrapped up in serving and protecting Arthur - "I was born to be your servant."

Using magic to stop Arthur, an obvious option, would go against both his instinct to lie, save his own life (and protect his identity - which can't risk the ego death that would come from not being Arthur's servant, protector, friend. His unwillingness to alter his relationship with Arthur or see him hurt means in s2e8 Merlin has to cut Arthur's growth off at its knees - change requires some form of suffering and Merlin loves Arthur enough to die for him but not enough to risk the suffering of living without him.