"My number-one priority, which I said to her, was just to make sure that we were doing it right and that we did it sensitively with a care and a kinship, and I wanted to avoid all kinds of stereotyping, really.
So there was an awful lot of script rewrites and things like that. We deleted whole scenes in favour of songs. So I brought in a new song, and I said: 'Can we just cut all this dialogue, and I can just sing something?'"
- Joey Batey, Digital Spy interview
The first time I watched that scene, when Jaskier started singing that last part to Prince Radovid:
Of them, I’ve had enough.
With you, I have enough.
With you, I am enough.
I am…
I am enough...
I literally started crying. Because, although it's played for laughs, since the beginning of the show, Jaskier's often been portrayed like this "annoying character" that tries too hard to be liked, wanted, and involved in his friends' lives... to find his "forever home"...
But often, he just gets punched in the gut, blamed for everything going wrong in other people's lives, gets told off when he tries to introduce himself or be included in moments where people are there to offer each other comfort (but apparently want none from him) as a result...
Season 2 started to make some progress on that, with Yennefer and Geralt allowing themselves to show more vulnerability around him, and telling him that his help his needed...
Season 3 saw characters that are usually so quick to dismiss him and treat him harshly (ex: Yarpen Zigrin) actually thank him, when they realize how selfless Jaskier can be, and the risks he is willing to take to help others (even those that treat him like an annoying nuisance)...
But still, he'd gotten used, at some point, to being "barely tolerated" rather than "wanted". And his "break up" with Geralt broke his heart and hurt him so much that, although forgiven, I believe it did leave some scars...
As someone with ADHD (that has a tendency to get overexcited about a bunch of things without noticing that it doesn't interest people, impulsively interrupt them with my thoughts, follow them around, and "impose my presence" without meaning to) and associated rejection sensitive dysphoria, Jaskier's behavior and emotional responses are something very easy for me to identify with.
And having him sing "With you I am enough. I am enough," hit me right in the feels, in the most cathartic way!
Prince Radovid is the first person we met on the show, I think, that was shown as being immediately happy to meet Jaskier, wished to adopt that puppy and bring him home right away, saw him as being irresistible and special, envied Geralt for having Jaskier as a friend/companion, couldn't get enough of his singing, and listened when he talked to the things he didn't say...
Knowing that it is Joey himself that just decided to basically show up to work with that song he'd written, and ask if he could sing it instead of using the dialogue in the script, just ended up offering yet another layer to that scene.
When hearing him sing:
"It’s not a want, it’s a need, it is paying no heed to what others say to sing."
now, I can't help but feel like there's some kind of "meta" dimension to those lyrics, as the actor chose to sing what he - as the person embodying Jaskier - wanted to sing, rather than what had been scripted and what others would have wanted him to sing.
That song feels deeply personal, born out of a very intimate understanding of the character, and how being treated the way that he used to be treated would have emotionally and psychologically affected him.
I'll be 100% honest, when Joey was talking about the sapioromantic connection between the characters, and explaining how Radovid wore a mask, was a bit of a mystery to him, and how Jaskier would become fascinated and wish to figure him out...
...I was genuinely concerned that they'd somehow manage to "romanticize" yet another toxic relationship, where the two characters would constantly be trying to outsmart and play mind games with each other.
But that's not it at all. They are both seeing what they try so hard to hide from others. Prince Radovid's environment is highly toxic and dysfunctional (as Jaskier aptly described, he's stuck in a vipers' den) - knowing too much, or not enough - can mean life or death for him.
Whereas Jaskier tries so hard to meet expectations and be what others need or want him to be - give voice to other people's issues, stories and problems - that he all but becomes invisible to others himself as a process.
Sure, they know his name and his songs. But they don't know Jaskier's own soul or story. He fades away in the background for the benefit of others.
They are both trying to figure each other out not because they are people that enjoy indulging in court intrigues, manipulating others, and dominating "the game" for their own gain...
They are trying to emotionally connect with the good, beautiful, and vulnerable parts of themselves that they have been forced to hide from the rest of the world to survive.
They are highly insightful empathetic individuals using their gifts on each other to empower each other, rather than malignant narcissists using their perceptiveness to control each other.
This is an extremely refreshing and healthy relation dynamic that I was sort of hoping for - since Joey put so much emphasis on how important it was for him to offer a relationship that may be flawed, but handled sensitively and carefully without resorting to stereotypes - but this totally went above and beyond my expectations!
If Joey Batey himself isn't queer, then he's got such a capacity for love and emotional empathy that he's apparently able to care about queer issues with the intensity and insightfulness of someone that has experienced them.
The fact that he's using queer labels and sub-categories that are often lesser known by people outside of the LGBTQ+ community to describe Jaskier's sexuality (sapioromantic, panromantic or pansexual...), as well as talking about issues affecting non-monosexuals, such as the desire to avoid bisexual erasure, brings some much needed attention towards the richness and diversity of the LGBTQ+ community!
I sincerely couldn't be happier, or more grateful...
Apparently, there are plans to further explore Ciri's bisexuality, too, with the introduction of Mistle in Season 3!
Here's hoping they'll be using Jaskier as "queer consultant" for the other queer romances on the show...
Also, the relationship between our sweet Bi!Ciri and her weird Pan!Uncle Jaskier means everything to me...
I'm trying to remember if Ciri has been exposed to any models of queer romances in her life...
I mean, most unions between princes and princesses, or kings and queens, are often political alliances. They might have same gender consorts, but I'm not sure that this is something they would have educated younger princesses about, or made very "public".
I sort of want to have her catch Jaskier and Radovid while they are kissing at some point, and realize that the innocent crush she had on Triss in Season 2 is something that is perfectly normal, and that she shouldn't be afraid nor ashamed of that part of herself.
Maybe even go to him and start asking him questions about it... That would be a very thoughtful and sensitive way to explore what being queer means in the world of the Witcher; having Ciri learn, directly from Jaskier, about the potential risks associated with being in an openly gay relationship.
There would really be such an opportunity for the two of them to continue to bond over something like this, and Ciri would know that she's got someone that genuinely loves her and that she can trust to support her and the choices she makes regarding her love life in the future, no matter what.
I can see so many possibilities, though I'm trying to be cautiously optimistic about this (since if they went that route, it would just seem too good to be true!)...
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