#But everyone I've seen is like. first movie canon only anyway so!

[creatureshrieks]

oh yeah. i wrote up laurie's brief bio on her carrd though I do have a lot of ideas in regards to her future and what not.

due to the... constant different timelines and the fact i have......... zero interest...... in incorporating her family (considering she has like two different kids in two different timelines and what not idc) into my future takes on Laurie considering it's not as if anyone roleplays a Halloween muse that's not Michael or Laurie there's no point LOL.

In my takes on Laurie since I'm basing only on the first film (Because they even remade and retconned the second! did you know that! because the original director didnt like it!)

She does still get taken to the hospital after Michael attacks her on Halloween, but she doesn't shoot Michael's eyes out nor does she start a relationship with Jimmy as the second film implies. She's way too freaked out to even consider dating or romance at the moment!

Canonically - and I mean this! Canonically - Laurie was only given two days to grieve before she was sent back to school. She never received therapy for her issues due to the fact her parents, though they loved her, believed she'd be completely okay and promised her the Boogeyman wouldn't hurt her anymore. He was shot six times? He's dead, Laurie. You're okay.

Laurie swears Michael is out there, however, and in the nights following his attacks she swears she can hear him breathing all around her. She doesn't sleep and when she does, she's plagued with nightmares of his face. Of her friends. She despises the lack of care everyone around her gives her, but she is also partially grateful for the return to routine - she clings to her school in a basic attempt to reclaim some sense of being normal again. It helps her get through her days, burying herself in school. She hates school too, however, because who wouldn't want to ask about that night? We're so sorry, Laurie. Is there anything we can do, Laurie? Does it hurt, Laurie? Was it scary, Laurie? What did he look like, Laurie? Tell us, Laurie. She wears long sleeves to hide the scar on her arm, though she finds herself mindlessly rubbing it with her thumb far too often for her own comfort. She tries to cover it up, keep it out of sight and out of view.

Laurie turns 18 in February. She doesn't have a party. Her parents get her cake. She smiles even though she doesn't feel like it. Her parents get her a car.

Laurie doesn't go to her senior prom. She gets asked, but she figures it's just out of sympathy. She doesn't feel like partying. She doesn't want to stay out that late.

Laurie goes to college hours away, just in an attempt to get out of Haddonfield before the next Halloween and to put some distance between herself and the last place Michael Myers was, if he even cared to look for her again. She doesn't know if he will, she just knows that he's out there. Laurie doesn't go to parties, she doesn't stay out late. She lives in a dorm where the door is always locked. She covers her arm with long sleeves. She tries make up, but even leaving it exposed makes it feel too real. Someone asked her about it once and she made up a lie. She never left it uncovered again.

It gets a little better as time goes on. Michael is less a physical threat to watch for and more just some shape in her dreams, a shadow trailing behind her. She could move on.

That first Halloween after is rough, though. Not just out of fear, but grief, too. She never got a chance to ever really come to terms with everything that happened. Her friends didn't just die. It wasn't a freak accident, some slow illness. They weren't even just taken from her - they were posed like toys, all in some sick effort to scare her. Her. She stays in her dorm room that night. Door locked.

Part of her expects him to come, but unlike last year she vows to be ready. She won't let him torment her forever.

[freelancearsonist]

el chico del apartamento 512

➔ Frankie Morales x gn!Reader - 1.6k

➔ There's a rumor going around your building about the resident of apartment 512, and you're eager to investigate.

➔ Rated PG-13 for allusions to sex but otherwise just some plain old fluff and fun. post movie canon wife and kid erasure sorry, takes place in colombia, both reader and frankie speak spanish and everything is translated.

➔ this is my entry for the Selena Drabble Challenge hosted by mi esposa @fhatbhabie <3 sorry i've been sitting on this forever hehe but i hope you enjoy

Frankie barely manages to pull himself out of the slump he’s in for the first year or so after the absolute disaster in the Andes.

He misses his family, misses his friends, misses his crew–his brothers. He tries to convince himself that it’s for the best, that it’s only a matter of time before those assholes who were in cahoots with Lorea come after him–that the people he loves will be safer and happier if he’s not around them when it happens. And most of the time he can block all that sadness and pain out by throwing his whole mind and body into the earnest construction job he picks up in this new town within this new country. But it catches up to him late at night in dreams and quiet whispers of intrusive thoughts; that he’s a coward for abandoning the ones that needed him most, that he could’ve done more to make that damned mission less of a disaster. That he could’ve come out of it rich and happy if he wasn’t such a fuck-up.

He wakes up screaming in the middle of the night, an ache so deep in his chest that it feels like he’s been shot. He clutches at his sternum and tries to catch his breath but he can’t. His body wracks with sobs and he knows he’ll never be okay again.

But somehow, he ends up okay anyway. Somehow, he falls back to sleep just to repeat the cycle the next day.

There’s a rumor going around amongst your neighbors that apartment 512 is haunted.

People hear things–weird things. Screaming, crying, banging–and always at the dead of night. And everyone swears up and down that they’ve never seen the guy who supposedly lives there. The people who say they have seen him get more dramatic with their descriptions every time–toweringly tall, shoulders that could stand up to a wrecking ball, hauntingly sad eyes and gaunt face. It’s like he’s a thing of legend–a story they tell their kids to make sure they behave. “Don’t run in the halls or the guy from apartment 512 will get you.”

You figure he’s probably just some guy who works long hours and likes to watch horror movies to unwind or something–not a monster or a ghost, just misunderstood. You haven’t seen the guy yourself, but you kinda like him anyway. The building’s certainly been a lot quieter since he moved in… well, everywhere except his own apartment, at least. 

You find yourself keeping a more vigilant eye out, alert to any face in the building that doesn’t look familiar. It seems kinda silly to want to see someone you don’t know, but you’re a little nosy and a little more than curious. If there’s some truth to the rumors that have been going around by the people who claim to have seen him, you want to find out for yourself.

It’s a completely ordinary night when you notice an unfamiliar face in the mailroom, and you have to do a double take. This stranger is handsome–tall and dark with shaggy brown hair and an even shaggier patch of stubble across his jaw.

He’s just standing there, staring blankly at a row of mailboxes, looking so… foreboding. You approach slowly, cautiously; part of you thinks you should just walk away and let this man do whatever he’s doing. But there’s a large, louder part of you that approaches with curiosity. There’s just something about him that draws you in, that makes you put on your best smile and ask, “Señor? Necesitas ayuda?” (Do you need help, sir?)

He blinks slowly, heavily, and then dark brown eyes flicker towards you.

“Oh!” He clears his throat and it’s like he’s coming back from an out of body experience–the color returns to his face, his eyes lose that glassy sheen, and his posture loosens a bit. He looks friendly now, sheepish even. He wrings his big hands and shifts on his feet, as if he’s been caught at a vulnerable moment. “Lo siento, estaba en la nube.” (Sorry, I was spacing out.)

“Está bien,” you tell him with your most disarming smile. “Andas buscando algo?” (It’s okay. / Are you looking for something?)

“No, solo estoy recopilando mi correo,” he rumbles before flashing you the most charming smile you’ve ever seen in your life. (No, I’m just getting my mail.)

He fishes through his pockets and finds a small silver key–and then he inserts it into the box labeled “512”.

“Tú vives en el apartamento 512?” There’s a strange air of reverence in your voice despite trying to hide it. This is the guy everyone’s been talking about, and he doesn’t seem nearly as monstrous as everyone tried to make him sound. (You live in apartment 512?)

“Uhhh… sí?” He chuckles and looks over to you, and you can see the way his brow furrows at the look of shocked surprise on your face.

You realize you’re actually gaping open-mouthed at the poor guy, and you snap your mouth closed as soon as you see the little crease between his brows deepen. Not soon enough for it to go unnoticed, though–the corner of his mouth flickers up in a pseudo-smirk, and god he’s handsome.

“No hemos tenido la oportunidad de conocernos aún.” You look up at him and give your best, winning smile as you give him your name. There’s a strange, fluttery feeling in your stomach as his dark eyes meet yours–have you mentioned how handsome he is? (We haven’t had the chance to meet yet.)

“Mucho gusto,” he says with a smile. “Soy Frankie. Supongo que vives en el edificio también?” (Nice to meet you. / I’m Frankie. I’m guessing you live in the building too?)

“Oh, sí,” you say with a slight laugh. “No soy ningún tipo de acosador, vivo en el apartamento 526.” (Oh, yes. / I promise I’m not some kind of creep, I live in apartment 526.)

And then you catch his eyes dragging along your form, not even the least bit subtle, and you try your best to be nonchalant about the way you have to lean against the wall to avoid melting into a puddle on the mailroom floor; especially when you see those full lips of his curve into a smile, and you know he’s liking what he’s seeing.

“Nah, no creo que seas un acosador,” he hums–and there’s that damned smirk again. If you don’t get out of here you’re going to start drooling. (I don’t think you’re a creep.)

He grabs two letters from his mailbox, examines the envelopes, and then unceremoniously dumps them both into the trashcan in the corner with a mumbled, “Malditas estafas por correo.” (Damn junk mail.)

“Eso es lo único que recibo ahora también,” you tell him sympathetically. (That’s all I get anymore too.)

He brushes past you slightly as he moves to the door, and you get a whiff of distinctly woody cologne that makes your heart pick up a beat. You try to act normal and go to open your own mailbox, but he stops in the narrow doorway and leans against the jam to look at you.

“Te volveremos a ver aquí?” (Will I see you around again?)

You think the rumors about him were right, at least a little bit. He’s towering and imposing–he fills the entire doorway with ease. He’s firm and broad and sturdy and big. Maybe he would be intimidating to someone else, but all you can think about is climbing him like a tree.

“Sí. Puedes verme cuando tú quieras.” (You can see me whenever you want to.)

His eyes flicker indecisively for a moment, and then he draws his bottom lip between his teeth. “Qué tal viernes por la noche?” (What about Friday night?)

You try not to focus on how you want him to bite into you like that as you tell him, “Sí, eso sería perfecto.” (Yes, that would be perfect.)

“Perfecto. Te veré luego.” And then he flashes you that damned adorable boyish smile again before he retreats from the mailroom. You think he’s going to be trouble for you. (Perfect. I’ll see you then.)

The monthly building meeting is Saturday morning, and you’re glad to see Frankie’s decided to join in finally. Everyone throws curious looks his way as he walks through the room towards where you’re seated, but no one is curious or brave enough to ask who he is.

“Buenos días, querida,” he murmurs, discreetly ghosting a kiss against your cheek as he drops into the seat beside yours. There’s a hint of amusement in his eyes as they trail over your outfit: the same one you wore to dinner last night, the same one you picked up off his bedroom floor this morning and shoved on hastily to get to this meeting in time. (Good morning, dear.)

Before you get a chance to respond, your neighbor from across the hall plunks down in the seat on your other side.

“Escuchaste ese ruido anoche?” She asks, sounding more amused than annoyed. (Did you hear that noise last night?)

“Qué ruido?” You ask with a raised brow. (What noise?)

She smirks with satisfaction, like she knows something you don’t. And then she looks pointedly between you and Frankie. “Suena como si nuestro fantasma en el apartamento 512 hubiera conseguido un socio para él.” (It sounds like our ghost in apartment 512 got himself a partner.)

You nearly choke on your own tongue, but Frankie just chuckles raspily and wraps an arm around your shoulders. He learned all about the rumors from you last night over dinner, and he thinks they’re hilarious. Besides, they’ll die out soon enough anyway–he’s never slept quite as peacefully as he did last night in your arms–if he doesn’t feed them a little bit. And if feeding the rumors means keeping you moaning and groaning the way he did last night, he can’t say he minds it one bit.

➔ beta: @shakespeareanwannabe; dividers: @saradika-graphics

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[jjclopelover]

How he talks to/about her v.s. How he talks to/about him

I'm back with more analysis' about JJPope and why it's better than anything either of them had with Kie.

Today I'm talking about JJ and how he speaks of and to them and why the difference in how he does it speaks VOLUMES.

JJ talking about Kie (S1): "Of course, I'm hitting on her. She's a super-hot, rich, hippie chick, slumming with us. Why? I can't figure it out either, but who cares, bro? I know that door's locked because I tried it. Have you?"

JJ talking about Pope(S2): "Ain't all that bad. Just look at the guy over there. He would do anything for us. That's a Pouge if I've ever seen one. Bone-deep. That's just one man's opinion, though."

THE DIFFERENCE.

JJ talking to/about Pope:

"For once in your life, trust someone else."

~~~

"You're the golden boy."

~~~

Topper: "Hey, I just wanna make sure everyone here is okay with ending up in federal prison."

JJ: "Uh, if it gets to that, yeah, I'll do it for Pope."

~~~

"I'm here for you, Pope. Welcome to my world, okay?"

~~~

JJ talking to/about Kie:

"And you--I mean, you're already rich as fuck anyway. Why would you bother?"

~~~

"Okay. Not all of us can afford unlimited data plans, Kiara."

~~~

"Hell of a job melting it down, Dr.Frankenstein."

~~~

(I don't need to put anymore as all of JJ's quotes for Kie are from the first half of S1 lol.)

As you can see, JJ speaks highly of Pope and lowly of Kie. He sees being a pouge as a badge of honor and gave Pope the highest honor. He sees Pope as someone he can relate too and shares a deep connection too.

He doesn't see that with Kie.

And I hear Jiara stans saying "What about S3? He was so worried about her and went back to get her!"

And to that, I say, "Yeah...cuz it's JJ."

His number one trait as a character is his loyalty. It's his best trait as it shows how much he will do for his friends. But also his worst trait as he puts his friends over his own being and in the end it only hurts him.

JJ would have reacted the same if it was anyone else in that situation.

Like when John B was a wanted criminal, JJ did anything for him. (risking to get arrested himself, shooting cops, and being by his side when he was on the run)

Or when Sarah is dealing with Ward or Rafe, JJ is always watching over her. (running after a car that held a drugged Sarah unconscious in the back, jumping in a shipping crate to get her and the cross back, staying by her side, and keeping an eye on her when John B was found guilty in court.)

And even Cleo who just joined the crew, JJ makes sure to treat her like the rest of the pouges. (like when he praised her for convincing Pope's parents to let him go to South America)

And we all know that he would do the same if not more for Pope. (going to jail for him, almost getting arrested for him again, taking over an entire boat of men to get his cross plus Sarah, risking being seen with him at Midsummers when he was supposed to be undercover, taking a beating from his dad for him, fighting for him at the outdoor movie, being super protective about him anytime he was around Limbrey and Renfield, keeping the secret that Pope was the one who actually sunk the boat and lying to the others, bringing Pope to his cousin Ricky's house to save his life even tho Ricky was still pissed at him for stealing his ambulance.)

And many, MANY, more.

The way we are introduced to JJ who loves and protects Pope but pushes Kie aside

versus

The way they "built up" S3 JJ for a toxic relationship with Kie but as a result of that he has to push Pope aside.

The writers and creators gave us s1 JJ, that's how his character was made and supposed to be portrayed. S3 JJ was built off toxic fans who threatened their way into an unfortunate canon ship.

Toxic stans = Toxic ship.

You Jiara stans wonder why JJ felt out of character, or why the Jiara chemistry felt forced or fake. That's because it was.

You can't force chemistry.

All the OBX cast did chemistry reads to see which duos worked together as a couple and which didn't. But the one duo that did not do a chemistry read was JJ and Kie (Rudy and Madi)

why?

because the creators saw no need. as they weren't even thinking of getting those two characters together. JJ was supposed to end up with Cleo. That was one of the many reasons Cleo came back as a main character.

What they would do with Kie and Pope, I don't know and I don't care. But Any ending would have been better than canon Jiara.

Anywaysssss

JJ treats Pope like he's his partner

and

JJ treats Kie like she's his sister

But let's be honest...we all see that, don't we?

Editor's note: Sry this took so long lol, life's been busy :)

[frodothefair]

hello!! I have a few questions about hobbit relationships. For one, I've read a lot of stuff where people say that hobbit's aren't shy and have a couple partners in their lives, but I've also gotten the impression that they can be sort of conservative and private about their love lives, what would your take be on this? Would they like public displays of affection? Would they keep it in their smials? And, courting rituals/things considered romantic, what do you think that would look like? I've read that going on walks and eating food/feeding each other are pretty classic for hobbits, and also building gardens are pretty big proposals/wedding gifts, are there any other traditions you headcanon or have seen yourself? Thank you so much for having this, it helps a lot;-; expect to see more of me in the future lol!

💐 ASK ME about my headcanons about hobbits and the Shire! 💐

Ah, dearest gentle reader! Welcome to my inbox! I am so glad you have found your way to my humble abode. Have a seat, have some tea and seed cake, and make yourself at home, for in honor of the new season of Bridgerton, we shall talk about love, courtship, and marriage in the Shire! (@konartiste, I think you'll enjoy the Bridgerton parallels)

First things first. I base what I imagine to be true on Tolkien's own portrayal of the hobbits as a caricature of British country dwellers in the early 20th century. I will derive my answers from both book-canon and movie-canon.

Let’s begin with your question about whether hobbits are shy and conservative. If we go off the early 20th century rural Britain hypothesis, then the answer is yes and no. There are certainly higher standards of propriety than we are used to in our society; however, by dint of being rural and closer to the earth so to speak, they are more relaxed than, say, the denizens of a city like Minas Tirith. For instance, premarital sex is generally frowned upon, but since there are many cozy barns, haystacks, and woods, as well as dark corners in sprawling smails, you can bet that it happens anyway, and everyone knows it, but does not speak of it except in whispers.

Similarly, there is friendship and courtship, and men and women share many daily tasks and mingle easily, but there is nothing like casual dating as we understand it. Courtship almost always has marriage in mind -- which is why Rosie was unhappy with Sam for making her wait so long: if you do not see yourself marrying someone, you simply remain friends or move on, and it is improper and disrespectful to do otherwise. In addition, with regard to public displays of affection, there are at least two instances of hobbits kissing in public in The Lord of the Rings and The Hobbit movies, so walking hand in hand and a light kiss here and there are probably acceptable, but certainly nothing more than that -- or else the old ladies minding their carts at the market will have a thing or two to say to your momma. (Pronounced mom-MAH).

Now, speaking of mommas, let's move on to the topic of marriage.

Based on Tolkien's family trees in the appendices of Lord of the Rings, it seems that hobbits marry only once, since there are no documented remarriages that I know of, and since hobbits are hardy and live long lives in a peaceful land of plenty, young widows and widowers are likely rare. So to answer your question about whether hobbits have multiple partners, I'm afraid I don't know where that notion comes from. Certainly, it is likely that they court multiple people in search for a love match, but it seems that once they marry, they typically marry for life. Indeed, hobbit marriages are often so successful precisely because they marry for love. Everyone in the Shire, even those of more modest means, generally have everything they need, and hobbits are not overly ambitious, so marrying for resources or protection or to climb the social ladder is not very common -- at least, those are not the main reasons for getting married, but rather a nice side-benefit.

That said, however, marriage is still considered a boon and a virtue, and most hobbits seek to get married, with bachelors and spinsters being uncommon. (Tolkien said so himself). As a result, there is something of a thriving marriage mart in the Shire, to help along those who are unable to find a mate by their own means.

The marriage mart, of course, is a far cry from that of Bridgerton in its glamor, but it does consist of a network of well-meaning mommas who talk among themselves and decide which young people might make a good match, and seek to introduce them to one another. This may involve inviting the prospective partner and their parent(s) over for tea, and having the young people socialize in that setting first, and as time goes on, encouraging them to spend more time together. In addition, the selfsame mommas often organize dinners, dances, and other festivals around Midsummer, the Harvest Festival, and Yule, and those lively occasions are unofficial opportunities for young people to dance, eat, and meet partners they would not otherwise encounter.

In general, there are three social classes in the Shire -- with the distinction between them being not-too-rigid: the working class (people like the Gamgees and the Cottons, who work the land or have a trade), the middle-class (families like the Bagginses: wealthier, conformists, may be involved in more intellectual work such as law or medicine) and the upper/ruling classes (the Tooks and Brandybucks, roughly equivalent to titled nobles, who can be as quirky as they please). Each class has its own events, and while they are not strictly segregated and it is not uncommon for the likes of Bilbo of the Old Took to have a party and invite everyone, there is generally more mingling between the upper and middle classes, and they are correspondingly more likely to marry each other.

Now, when it comes to courting on the way to marriage, there are two ways that it might begin..

At times, there is a parent (usually a momma) putting forth a child as a candidate for courtship, in which case there is the custom of inviting a prospective partner and their parent (again, usually a momma) to a meal at one's house -- or coming over to their house with food. The party initiating the courtship is the one who brings the food, and usually it is made by the prospective partner to showcase their skills as a potential spouse. After that, the other party is expected to reply with an invitation in kind -- or not. If they don't wish to court any further, they simply send a kind thank you note, but no reciprocal invitation. That way, everyone is on the same page, but nobody loses face.

And then, on the other hand, there is the self-initiated courtship, which is generally less structured. The only universally accepted signal is to ask your prospective partner to Go For A Walk. Being asked for a walk is the equivalent to being asked on a date in our world, and can generally be initiated by either party, though men are of course more often the ones to make the first move. Of note, the walk by definition cannot have a specific destination, except after a few "ordinary" walks, the courting couple might choose to have a picnic -- this would be the equivalent of going on a fancy dinner in our world. A walk with a picnic at its conclusion may also accompany milestone events, such as anniversaries or a formal marriage proposal.

Which brings me to our last topic -- the question of engagements and weddings. This can certainly be a post onto itself, so I'll try to keep it brief. I certainly agree that a garden can be an excellent engagement or wedding present, but in addition to this, hobbits do usually exchange smaller gifts of some kind as a token of their commitment: most often pieces of jewelry, either heirloom or made to order. This transcends all social classes. In general, hobbits do not use rings, because they do use their hands quite a bit at the very least for cooking, but choker style necklaces for women, and bracelets or lapel pins for men are quite common. As for the family's wedding presents, both sides strive to help the young couple set up house, and the wedding planning is a collaborative effort. Weddings generally take place in the summer, since a mass of flowers is nothing short of obligatory. Gifts are formally presented and speeches abound, and one challenge that comes with "unequal" marriages is that one side may be embarrassed if their gifts seem paltry in comparison. As a result, it is not uncommon, if there is an unequal marriage, for the more wealthy side to give the less wealthy side some funds to get more suitable gifts.

(As a fun bonus and a shameless plug, check out this excerpt my fic about the Shire's efforts at matchmaking Frodo!)

[sualne]

hii! honeslty just curious, I read/watched kuroshitsuji AGES ago and I don't think I've finished the manga anyway, does grell go by she/her?? I vageuly remember ppl headcanonning them as enby though iirc in canon he's a guy?

Your tags peaked my curiosity, I haven't seen any Kuro content in a hot minute, but I remember it being the absolute must watch in my peak anime watching years lol And I absolutely loved the manga's artstyle

in canon grell is a trans woman, yana toboso has said something like "grell is a man with a woman's heart" ages ago and sometimes around 2014/16 had tweeted something about wanting to be more careful with her representation of people like grell in the future, don't quote me on that thought because i only read that tweet once and only remember reading a shitty screenshot of a translation of that interview where she allegedly said that.

i can however show you this:

it's from a bonus chapter (after chapter 108) about the popularity polls (it's a very convoluted non canon chapter) but it's one of the most blatant example of her being trans.

there's also the way she constantly refers to herself as a "young maiden" ect. idk how it goes exactly in the og but in french they translated it so grell always refers to herself with feminine terms while everyone else misgender her including the narrator. she very consistently reaffirm herself as a woman through every single ones of her appearances, like it's a thing she very much does, every single time she's on screen.

i haven't watched the anime in forever (cause it's kind of a disgrace and insult to the manga lol) but if i remember properly (which i mostly likely don't) they did omit/lowkey censor some of grell explicitly going "i wish i had been born a woman/could have been able to carry children" when she first properly introduce herself as a shinigami & the other half of jack the killer. (the anime also really did lean a lot more into the pervert queer caricature whereas in the manga she's given a bit more dignity, especially the further the story goes. though that might be my own impression and maybe it didn't change that much i just love her a whole lot).

also because i have to, please forget the anime (the first two seasons that is) and read the manga first and foremost because oh boy, what a disaster the anime is (nostlagia and atmosphere wise it's entertaining, i really love the op & ed, but it just, i just cant man it doesn't even compare to the manga at all). only watch book of circus -> book of murder -> campania movie -> the new private school arc that's coming soon (idk what they called it) after reading the manga.

[goodluckclove]

ok ok ok Clove i need to know: who are some of the best writers here in your opinion ? who do i need to follow if i want to follow the next generation of great writers ? i need new blogs to follow

oh shit let's party.

first off i can't say that i know all the best writers here. i'm still learning! also, maybe i like things you don't. the usual disclaimer. but i'll still take the chance to rave about some of the immense brilliance of some of my colleagues on here!

first of is @ivaspinoza, who is the first person to send me her writing the very first time i asked. she writes the most beautiful, almost prophetic word pieces. not quiet prose, not entirely poetry. it's language you can really seep yourself in like a heated milk bath. she's working on a longform vampire novel in the same style which i have seen snippets of and it is truly incredible. love her dearly.

i'm actually in the middle of Song of the Heartless by @rkmoon, because he was hesitating to post it and i harassed him into sending it to me. and oh man, it's great. really solid premise and a world that feels vibrant and expansive and also shit because it's kind of dystopian and the vibes are not great. obviously as another aspec writer i love the representation. it's great to read yourself on the page and still see your struggles draped in thematic excitement. i can't say any more without spoiling it but i really want to. this could easily be a fucking great movie adaptation.

i feel insane pointing you towards @godsmostfuckedupgoblin because he doesn't really post his writing as far as i know but he's got some of the best mastery of dialogue i've seen in non-published writing and his excerpts are always so exciting and fun to read. maybe if enough people him to share more he will but until then his memes are lit as a child has once said before.

@stajorathefallen is working on a longform Lord of the Rings fic that is truly beautiful. I would rather read this finished product than the actual Lord of the Rings. I don't know if she'll find that a compliment or a war crime, but it's just nicer. It feels warm and cozy to read. I actually don't even know if it's referenced the original canon at all since I saw the movies but didn't pay attention. I was not qualified to look at this fic but I got to anyway and it's great.

@cssnder is someone else who doesn't post enough writing, but my hope is with enough confidence she'll branch more into sharing. Literally every time she drops a line everyone's like huh?? wow!! and then she whispers a thanks and disappears back into the catacombs. if you like dark academia based on tiktok you should follow her to see what those tiktoks wish they could capture.

this is obviously not everyone. these are not even all the people that sent me writing to look at. i have two separate emails that i still need to marry, some people are still in the egg-cracking stage of being a writer, and my adderal can only do so much. if you aren't one of these people just know that you are amazing and you need to post more of your work so i can point people to your page please thank you i love you.

[wildglitch]

A long Side tangent for the WIZ!Spidey x DCU AU

A longish post on what I think happened to the other dimension travelers. This is gonna be semi canon with the other heros! Timeline I sometimes mention. This means some of what I say is canon, some might be subject to change, while others I have decided to write total bs for.

And YK what the best part is? You get to figure out which one is which :D

Since this is gonna be focusing on a lot of other characters that aren't Peter, this is gonna be a bit longer so the characters can get at least one paragraph to them.

This is mostly gonna be off the top of my head since I only know what happens to Loki, T'challa and Bruce. The others I'm gonna figure out as we go, so we are doing this together

Anyways- let's start.

-Ok so lets break this into sections

Main canon: the one every post is talking about unless I say otherwise. Yk, the main au

Other Heros: the au where I add characters that didn't show up in the show, but canonically they do exist in the main MCU timeline so theoretically they could also survive. Yk, the Daredevil au I wrote a bit about where everyone dies, this is if they live

Absolut BS: Is there gonna be bs in the other sections? Yes. Is there gonna be anything serious in this one? Absolutely not. This is for those sweet non canon MCU characters. I try to stick to canon as much as possible, but sometimes I get an idea so good I wanna add it, but refuses cause I gotta lay in the bed I made for myself (it's fine lol). This is for stuff we know aren't canon or are very heavily implied not to be in the MCU. Yk, for funsies, (and cause team red is missing its degenerate, yes Im weak Im sorry! Deadpool you still aint canon to this until your movie comes out! You too Logan!)

With those out of the way, lets start of with the

Main Canon

-So, starting off simple are the people on the ship. T'achalla in my opinion, looking at the movies, is weaker than Peter. And since Peter dies in most of his crashes if there is no interference, the answer is clear to see. After all, the black guy always dies first :^

...MOVING ON-

No, uhh, to not just leave it like that cause, yes, it's sad- I like to think that if he dies then his ancestors and powers let him transcend a bit to the point of minor godhood. Meaning that if there were ever a godly meeting the avatars had to attend to, Peter would be in for a big surprise

-Scott, wtf happened to you bro-

He survives due to the fact he had the cloak of levitation, he has no clue what happened and due to his lower weight, gets blown away by the wind, never to be seen again. So sad

...anyways he ended up in a box-

No clue how he got there. He just knows that one minute he was disoriented as hell in the sky, the next he's stuck in some crate in some magic labyrinth with no hope of rescue. Long story short, he's stuck there for many, many months.

Scott: How Am I Still Alive!?

-Bruce is the Hulk when he gets chucked into the DCU, he's also at an old abandoned military base...why are there people here?

Ya so, apparently the abandoned base he was Hulking out at against a bunch of Zombies, wasn't so abandoned in the DCU. In Fact it's one of, if not the most top secret base there is in the U.S military. So imagine with me, this X foot tall green beast appears out of nowhere and is in some sort of rampage at this super secure military base. You're welcome, I just put Bruce on the Villains list. I can see a few JL members or maybe some YJ kids showing up and dealing with him. And since we know that Hulk is sentient enough to make friends and enemies, Hulk is sent to some top of the line prison while Bruce is unconscious in the back seat. The JL try to interrogate him, but they only get vage half formed sentences about being weak (not a good look) people (Valkyrie, his best bro, is very much missed) and a mission (protect spider...Batman filed that one away for later)

-Bucky...Ha! No

I've proven to myself that I like his character enough to make him important to Peter's Character and the Plot (since when is there plot-) so Ima save him for another post.

-Thor (+Rocket and Groot)

These 3 didn't get split up, Surprisingly. They end up traveling through Africa (yes, the whole thing) trying to find their way back. Thor in his depressive state, keeps fighting and trying to find a way to his brother, since he could tell that whatever happened to them, it happened because of Loki.

Rocket and Groot are just there, since they're aliens who have never been to Earth before, they are just treating it like that. Though they do know something happened and they aren't really in the same place as before, they aren't struggling as much as the Earth natives. Thor is also having an easier time, but he keeps forgetting he isn't well known here. It's actually a bit refreshing.

Think of it like a road trip DnD adventure as they travel through Africa then Europe then Asia, trying to find his brother but having no clue where to go. Saving people and gaining a sort of reputation as “That nice aussie that saves people'' alongside “The raccoon and Groot” (Everyone loves Groot)

Rocket Is a good dad and is just there protecting Groot and scamming people. And Groot discovers the internet. They continue to save people because that's what they did with their family, so they will continue to do that even if they can tell it's just the two of them again.

-Loki, my God…you sneaky shit-

When I tell you, Loki dropped in the middle of a league meeting. Im telling you, he dropped in the MIDDLE OF A LEAGUE MEETING! JL Light, JL Dark, YJ, the Titans, literally everyone was there! Why? 1. The league has a yearly meeting where they try to get every superhero team and hero esc people in the room so they can touch base. 2. Loki's magic…scared the hell out of them. The meeting was really soon and all of a sudden they get a really strong magic signature tearing reality apart? Yeah, they are gonna move the meeting up by a week to see what the heck is going on. Only for this British fuck to drop onto the table just ozzing out the energy they where Looking for. Yeah, you can bet all hell broke loose. 

Loki gets locked in a cell on the tower as they try to figure out who he is, but they have absolutely no experience with his realitys magic so they can't get anything off of him. Some of the more godly inclined (Captain Marvel) can tell that he's a god from another universe, but comes to the conclusion that it's best to just let things play out. 

Loki:...

CM:...

Loki: you’re quite the interesting child

CM: nOPE! You’re on your own. Good luck with that.

The hero's try interrogating him, trying to find out what he wants, and Loki is just like “nuh uh” and is just enjoying his time in his cell like the chaos god he is. Obviously he's playing all of them and getting info off of every single one of them, figuring out slowly where the other people could be and sending Peter to investigate the leads. Could he escape? Absolutely, he has walked to the kitchen more times than he cares to mention. Will he leave? No, he is in the most strategically useful place at the moment so he will stay there screwing with Batman until the League get bored of interrogating him. There are moments where they think he means no harm, and while that is true, it also means they might kick him from the tower, and he can't have that. Besides, scaring the Flash in front of everyone to keep his danger status is just so much fun.

And that everyone that should be in the Main Canon, onto

Canon Divergents: Other Heros.

Ok, so I like to think, personally, that everyone on this list died a horrible gruesome death before the episode started. But I can tell that some people like to keep them alive, and what is this if not just us having fun right? So this is a little “what if '' of the “what if ''. I don't know why they weren't in the episode, maybe they left, maybe they thought they were dead, maybe they were on another mission, who knows, you choose. But like I said, this is for fun so I’ll let you lil’ brains figure it out.

Lets start of with

-Kamala Khan. Ok so with this, Ima play with the timeline again. We never get confirmation if she blipped or not, but I don't think so(correct me if I'm wrong). So looking at her age I’d say she's around 16? In the year 2024 (holy shit thats this year-) so in 2018 when the blip/ the episode happened she would have been 10-11

You see my vision? Little 10 year old Kamala was possibly one of the youngest kids of the group, so her getting chucked into the DCU can only land her in one place. Foster care. You can make the argument that months of zombies made her jaded and able to survive the apocalypse and thus the streets considering I gave her the bangles. But I honestly think she was found right away and protected by everyone because of her age no matter the fact she has the bangle. She’s so small, it doesn't even fit her right. I think she's still a sweet, excitable little girl that is traumatized, but spent most of her time at the base being protected and cheering the others up.

 So, her being this excitable and happy gets placed into many foster homes. But she also has trauma and issues so the family realizing she's not an “easy” kid sends her back, moving her around a lot. I can totally see Peter actually finding her but the only thing keeping him from getting to her is the constant address changes and his lack of funds. 

-Darcy Lewis is truly in her 2 broke girls era as she takes the Identity of “Max” and starts working at a shitty Cafe.

-Moon Knight system

Remember how I said that only Jake was present for the Zombie Apocalypse? Well-

M: 8 MONTHS!?

S: Where are we!

M: 8 months!

S: What happened?

M: 8. Months.

S: Why weren't we here! Wait as second we- who are you 2?!

M: 8. Months…

S: Ahhhhhhhhh

J: *end me now* ( o_o)

Ya so instead of them trying to find the others, the 3 of them are actually trying to learn how to live with each other. The multiple Identities and accents are throwing Peter off

-Barton children

Ok Ima rapid fire this

Lila: somehow ends up with the arrows and being her fathers daughter, shows them up. Artimist likes her a lot

Cooper: He ends up in (you decide) city, and being his mothers son, starts doing some spy shit trying to find the others.

Nathen: lil’ baby somehow showed up at the Kents farm instead of his, and they sort of just …*adopt*. He's good friends with Jon.

Bonus points: Pizza dog is found as a Puppy by the kid and adopted as “emotional support” and “I must protect this poor dog, he doesn't have an eye for pete's sake!”

(These can not all happen, you gotta pick one kid for your hc cause I refuse to let all of the kids live no matter the au. The angst potential is the best part people)

-Last but not least Matt

He was found by a Church, the church sent him to the hospital, the hospital called him insane and sent by a psych ward, the psych ward said nope and sent him to arkham. He's pissed about it but like the reasonable guy he is, understands. Lots of the guys in there call him a “wanna be batman”.

He has no clue who that is but he is deeply offended.

I can totally see Peter finding him within a few days of looking and just going to visit him under the guise that he's his son. 

Peter:...

Matt: …

Peter: *glare*

Matt: soooo, how have you been?

Peter: I Thought You Were Dead!

Peter cant get Matt out cause Matt keeps beating the other rouges up. Peter is so done with his shit and Matt regrets nothing. That 2 face piece of shit had it coming.

Bonus point for the Batfam finding out Peter’s “Father” is in arkham. Just Bruce and Matt having the most awkward silent meeting. Neither talk for like 15 minutes at first. It's glorious.

+Miles morales. Oh you thought I was done? Tf I am! He's canon to the MCU so I’m rolling with it. Timeline wise, I’d say he's about 6-8 years old give or take. He can either A: get the spider powers and survives just like Peter until they find him, and Peter taking him under his wing, or B: im being the only person Peter could save because…idk, maybe he was having a confrontation with Aaron at his apartment and it turns out Miles was there cause he wanted to go trick or treating with him and is wearing a spiderman custom, awww, and kinda awkward for the two (mostly Aaron). Zombies come in, and Aaron sends Miles with Peter because yk, good Uncle. Yeah that works-

Miles' face is planted right in the center of brooklyn and like the good boy he is, waits for someone he knows to find him, (if lost, wait at the spot you are until they find you). He tells people his guardian is Peter Parker, but since Peter is going under a different allies, they can't find him. But Miles is determined and decides that he needs to stay In Queens so that Peter can find him, he knows he will.

And that wraps up that part which leads us to

Total Bull Shit

Yep, this is for those sweet non MCU canon characters. (No other fandom ones though, I haven't fallen that far from grace) (with this au at leasts)

These are just for the sillies and won't be canon unless they somehow become canon to the MCU (*stares intensely at Deadpool and Wolverine* sooooon)

-Wade Wilson

We all have seen the trailers ok, I see him, he's coming, we have all waited for this. And not only is he coming to the MCU but his reasoning works really well with this fic. He's crossing dimensions to fix the timeline and shit and he somehow gets chucked into this storyline as he's doing it. With his awesome fourth wall breaks, I can just see him showing up in Gotham for a bit, causing shit, and breaking Matt out of Arkham because he wants to do the Team Red thing. I can totally see him being super excited about meeting his first spidey lol. And Peter and Matt are just in a constant state of “wtf” as they deal with this guy that is apparently from the same multiverse and Universe(?) as them. Also, apparently it shouldn't even be possible for them to be in this universe, so that's fun

They warm up to each other and end up having a bit of fun I swear. He wont stay for long cause I can see this as being like a quick side plot in both the AU and the movie as he tries to get back to whatever he's doing.

-Logan. He's there for like a Minute, he gets there trying to get wade back to whatever they are doing, and ends up getting stuck too. Peter and Matt help them get back to whatever they were doing and when they offer a way back to their home, they say no for a number of reasons. Logan still ends up giving them a dimension hopping thing just in case.

-Andrew!Spidey from the main timeline NWH. Techincally hes canon, but hes also kinda owned by Sony so ima let this slide. Hes there for like just a minunte ok- he gets pulled into Deadpools And Wolverings Shit and decides “Fuck it, we ball” and helps the out. He sees little WIZ!Peter and thinks, “Holy shit, I just saw you!” and tells Peter about the weird shit he just went through with the other version of him and Peter is just amazed. Like “wow, a world where my friends are alive, a world where no Zombies came and destroyed the lives of the people I love. A world where I got to have more time with aunt May….must be nice”

Sorry-

Also- *has flashbacks to Andrew Garfield and Ryan Renolds kissing and the canonical list of people Deadpool is allowed to cheat with. ( o_o)

DP: heya hot stuff

A!S: No.

DP: yes

Wiz!P: Wtf is happening

DD: Look away kid

*Deadpool and Spidey comic dynamic of full display*

-Harry Osborn.

Peter: Hey Harry, who are those guys?

Harry: idk, my dad is working with these biochemists for a company from Russia. I think the name was some Greek monster? I don't really care. 

Peter: Oh ok, I'm gonna say hi to them

Harry: Sure, but be mindful of the creatures they’re working on

Peter: Got it!

Boom there’s your origin story. Peter just wanted to say hi to the nice looking Hydra agent and Harry let him.

Could we have him be hobgoblin alongside Peter when they are in gotham? Sure. Have it be like a nice spider that does no harm and his mean goblin bodyguard. Except it's the spider who can truly kick your ass. Also, just the absolut drama these 2 can have with each other is just *chefs kiss*

-Gwen Stacy

Just- just Gwen dude. Maybe she's from the DCU and they have a meet cute at a coffee shop. Maybe Peter Meets this super cute girl hiding out in a lab in the middle of the apocalypse. Maybe she's dead. Idk, idc, I love Gwen’s and Peter’s dynamic in TASM movies and I can see a traumatized dark humor version with these 2. Just give Peter his Girlfriend pls 

-Johnny Storm is one of Peter's best superhero friends in the comics. Spidey's first appearance is also in a FF comic, so it just feels right. Just integrate that into the story and you're golden. I can see them having inside jokes and stuff no one will ever get cause “you had to be there”.

-Nova, because I'm pulling from my experience with the 2012 show. No, I bring him in because I think it could add not only to Peter's character but also rockets and groots, considering they just heard the Xandar was destroyed, and all of a sudden they find this kid with an old bucket. They’re gonna get some feels, small as they might be.

Also, the ultimate 2012 team may have treated Peter like shite, but with better writing and stuff, these 2 could have been good friends. Sadly that doesn't really translate that well in the show imo.

Uhhhhh, anyone else for this monster of a post? No. Ok cool-

Idk when I'm gonna post the next part of the main lore stuff, but I'm gonna post this and some DC p.o.v's to flesh out some stuff. I might also post a bit of art and another fic in between the posts.

This is too long- have fun with this while I go pass out for a bit lol

[sugarygxodness]

i know hobie age discourse is annoying and frustrating. i've been watching from the sidelines ever since atsv came out and tiktok is being absolutely insufferable about it. i've also seen the plethora of arguments from both sides about it. but i wanted to put in my two cents about hobie's age because it has been yelling for attention inside my heart and i need an outlet for it desperately.

so here is my official warning. ⚠️ if you don't want anything to do with the hobie age discourse, please ignore this post ⚠️ (i doubt anyone is going to see this post anyway)

first of all, i ship punkflower. i respect chaipunk as well, though i do not ship it. when i was watching atsv, it never occured to me that hobie would be older than the spidergang by any more than 2 years. so it boggles my mind that people left their theatre thinking hobie was any older than 19 years old??

second, as i've mentioned, i have seen the plethora of arguments coming from both sides. i have heard (incessantly) about the director talking about early concept hobie being 19/20 years old. i always always take early concepts with a grain of salt because that is what they are - early concepts. from the conception of the spiderverse trilogy, a lot of stuff can change. we know that even though early concept hobie was 19/20 years old, his age is now "up for interpretation". all of us were not in the writing room when they came up with hobie. none of us can say for sure what hobie's age is. so let's leave it at that - hobie's age is up for interpretation. i have also seen people talking about hobie being bitten at 16 years old in the comics and in the movies he says he has been spiderman for 3 years. quick maths - that makes hobie 19? well, maybe. it is also important to note that movie adaptations of comics very often leave out or change information. they do this all the time. they even did it with miles. in the comics, miles morales gets bitten at the age of 13. but in the movies, miles get bitten when he was a freshman in visions academy, 15 years old. if they changed that fact about miles from the comics to the movie adaptation, who's to say they did not do the exact same thing to hobie or any other character? using comic book canon to apply to movie canon is always iffy. across the mcu, there are many many comic details that get changed or left out for the movies. this is just something i want everyone to keep in mind.

third, this is my main point. i'm going to talk about hobie's age from a storytelling point of view. keep in mind, i am not a writer. i do not have any experience writing or making original characters. i just like overanalysing creative aspects of media that i consume and i also briefly studied literature in school. if there is anything you would like to counter about my upcoming argument or add to it, i would love to see it.

from a storytelling point of view, hobie being old than 18 years old makes absolutely NO sense. if we look at miles' conflict during atsv, his whole thing is that he feels betrayed by the adults in his life because all of them view him as this incapable clueless kid who needs to be protected. his parents, while being unaware of his identitiy as spiderman, are too protective of him and doubt everything that he does. while they eventually start to accept the idea of letting their child grow up, they only start doing so when miles is already stuck in another universe. the adults in the spider society betray miles too. miles, upon meeting more spiderpeople, probably thought that they would understand him more than his own parents could. however, the adults in spider society still look down on him and treat him like a child. this is especially evident in peter b, who constantly emphasises that miles "doesn't know any better". miles is 16 (in atsv) and while that IS technically a child, those rules don't really apply to spiderpeople. after all, though he is technically a child, he watched his uncle aaron die right in front of his eyes, he saved the multiverse, and he saves brooklyn from crime every single day. as unfortunate as it is, miles has had to grow up a lot faster than the average kid. miles views himself as an extremely capable spiderman, but it feels like nobody else agrees with him. that is miles' conflict throughout atsv.

so it makes no sense that miles feels constantly betrayed by the adults in his life, yet one of the members of the spidergang that he is surrounded with in atsv is an adult? the whole point is that he feels he cannot depend on the adults in the spider society, so therefore it makes sense that his closest allies (gwen, pav, hobie) would be teenagers. making hobie an adult completely throws this theme out of balance.

furthermore, i hear people say hobie holds a mentor role in miles' life. i disagree. peter b held a mentor role in itsv. this was when miles was newly bitten, had no idea how to use his new powers, and had just lost the only other spiderman he knew. in atsv, miles has grown very well into his role as spiderman. he developed his own spiderman techniques, learned how to use his venom shock and invisibility in an effective way, and successfully saves brooklyn from crime every day. this miles does not need a mentor. this miles feels betrayed by the people he thought he could trust. this miles needs allies. that is what hobie is to miles in atsv.

to me, the r/s between hobie and miles in atsv is very reminiscent of the r/s between a new transfer student in highschool and an upperclassman. imagine this - miles just moved to a new unfamiliar environment and is a transfer student in a highschool where he knows nobody. hobie spots him, somehow decides to help him out, and gives him the ultimate tour of the school. not the proper "this is the gymnasium, we hold our pep rallies here" tour that the student council body would give miles. nah, his tour is more like "this is the best place to smoke weed without getting caught. this bathroom is almost exclusively for hooking up. this teacher once called me out for plagiarism, so he sucks." then he pats miles on the shoulder and tells him that he's got his back. if anyone tried to give him shit, hobie will not hesitate to make their lives hell. this is how i interpret hobie and miles' r/s in atsv. he is not a mentor!!! miles is capable enough to be spiderman without a mentor!!!

lastly, this isn't exactly my place to talk about it, but i have heard a lot of black people talk about how a lot of people place harmful stereotyping and adultification on hobie. and the infuriating tendency for people to be against poc ships rather than white ships. and that is A LOT of food for thought. that's all :)

i ended up writing a lot more than i thought i would. clearly i care too much. oh well atsv brainrot era go brrr

[theloopus]

I finally watched mirror image a few minutes ago and I do not know what to say. Your sam in drag video got me to start watching QL a few months ago and by accident I'd also seen it mentioned that Sam never got home while looking up the show, but I didn't care at the time since I didn't know what that even meant. I got through 3 seasons in a month and then a started to slow down because I realized I was running out of episodes, so I slowly got through the fourth season. One I got to the fifth, I had to take a long break. I knew that the episode quality would decline since id seen you mention on Twitter once that you don't even consider them canon, but I was not expecting how difficult it would be to get though. I could only watch ten minutes of each trilogy episode a day, it was unbearable. But I bet you don't really care about all of this so let me get to the point. I had to pause the screen where it said Sam never got home. I don’t know how to feel and I'm so confused. I've looked through the episode wiki and the imdb episode trivia and I still want to know more. Whenever you mentioned stuff about Mirror image on here or on Twitter I always scrolled past it quickly to avoid spoilers, but now I can barely find anything regarding it, so I was wondering if I could hear your thoughts on the episode. Was the bartender God? Did you like Sam's choice to sacrifice his returning home for Al's happiness? Just, what are your thoughts on it? Thank you for introducing me to this wonderful show and these wonderful characters ❤

omg this is so much. i'm gonna put these under a read more because "what are your thoughts on Mirror Image" is a LOADED question with a controversial answer. i am so incredibly normal about Quantum Leap.

first of all i love that "binging the first three seasons like a starving lunatic then slowing down with the fourth because you realize you're gonna run out of episodes and then season 5 is just so bad on top of that you take ages to finish it" is such a universal experience. it truly is just a rough season to get through. which is a shame! and trilogy.... oh trilogy............. what the fuck was that.............

anyway, mirror image is an episode that makes me kind of insane. the thing is that. i don't know how to put this exactly. mirror image is complicated. in my eyes it's

a really, really good and interesting episode

not a at all a satisfying wrap-up for the show

really not a good series finale for the type of show they were trying to make at the time they were making it as tv functioned back then

a perfect finale for the quantum leap that exists in my mind that i've built from the subtext and character beats and unintentional lore/themes/motifs

because quantum leap the tv show from the 80s is a politically liberal, episodic science fiction adventure tv show from the 80s/90s, and the way these sort of tv shows works, there is an unspoken pact with the audience that they should have satisfying, relatively happy endings. romcoms should end with the leads getting together. superhero movies should end with the good guy defeating the bad guy. detective shows should end with the detective catching the criminal. and a tv show in which every episode ends with the good guy succeeding to put right what once went wrong, solving the conflict, and giving everyone a happy ending, should end with the good guy getting a happy ending himself.

but the quantum leap that exists in my mind and i've built from the subtext and character beats and unintentional lore, themes, and motifs is a Tragedy. it's a story about martyrdom, and saints, and sacrifice, and blind faith, and God, and trauma, and being stuck in the past because of that trauma.

Tragedy, as a genre, is characterized by this: the main character is doomed by the narrative from the beginning because of who they are inherently. whereas in another narrative their traits might've been assets, might've helped them succeed, in this narrative, it's what dooms them (ex. Hamlet's indecisiveness vs Juliet's impulsiveness). and, god, i ADORE Sam Beckett as a tragic hero: his defining characteristic is that he's "terminally good—if it was up to you, you'd save everyone!", and i'm obsessed with the use of "terminal" here, because it is that relentless goodness that ends up dooming him. Sam is Jesus, he's Saint Sebastian, he's Joan of Arc. God chose him to be sent on this divine journey, to help people, to save people from their own fates, to save humanity—at the cost of his own humanity, his own life. at the beginning, he says: "i can't have a life, all i do is live someone else's life!" and in Mirror Image he's still clinging to the hope of going home, at first, because he really does want to go home, more than anything. but then his arc is completed when he realizes it: he's never going home. this kind of journey doesn't have an ending. there are always more people to save. you might be able to take the weekends off, but you can't just quit the job of being God's chosen one. and in the end, he was never going to, because the reason why he was chosen is that he's terminally good. that if it was up to him, he'd save everyone. quitting would mean God knows how many people that needed saving won't be saved, and if everything we've been told about Sam is true, he wouldn't be able to live with himself. so he accepts his Celestial role, leaves Al behind with a parting gift, and disappears into the sands of time the way the Little Mermaid throws herself into the ocean and dissolves into seafoam.

the fascinating thing about Sam, actually, is that this terminal goodness perfectly coexists with the fact that he's also very selfish. in this way, Al is his perfect mirror: in his own words, Al looks out only for himself; he would not go out of his way to help a stranger at the cost of his own life because he's fought fucking hard and sacrificed too much for that life—and yet that's exactly what he's doing by helping Sam, by being the Sancho and Dulcinea to his Don Quixote, putting his own life aside to be there for Sam 24/7. because he loves him. romantically or platonically, however you choose to read their relationship, it's undeniable that Al loves Sam to a devotional degree. meanwhile Sam is riddled with guilt over not being there for his dad when he died, over "abandoning" him to pursue his own studies and interests—and then he proceeds to do exactly that to Al by stepping into the Accelerator, and then fucking again by doing what he does in Mirror Image.

i have so many frankly insane thoughts about what Sam does to Al in Mirror Image (hilarious unintentional wording sorry. unfortunately he does not fuck that old man quite the opposite.) and i am very much channeling them into a long, rambling, experimental post-canon fic, thank you very much. but the gist of it is that like... ok, taking your own words, it's very interesting that you said Sam is "sacrificing his returning home for Al's happiness", because that's not quite the way i see it. Sam was never going to return home. what he's doing for Al is, at least in his mind, setting him free and leaving him a parting gift.

ok so: Sam learns that his journey does not have an end, and he will never go home. throughout this entire journey thus far, Al has been his loyal companion, helper, and guardian angel. "i don't know if i can make it without you Al" "i don't wanna hear that you can't make it! of course you can. if you had to." but Al is just that, a companion (one that is 20 years older than Sam, worth mentioning)—someone who Sam unintentionally burdened with the role of helper. but where Sam is going, Al can't follow. he just can't keep following Sam around forever—Sam wouldn't want that for him. he wants Al to be happy, and for Al to be happy, he needs his own life back, and he needs the main wrong in his life righted—Beth.

...that's how Sam sees it, at least. because, as mentioned before, Sam may be good, but he's also selfish. it's very ironic, and juicy, to me, that he keeps repeating the same mistake over and over, with everyone he loves the most (his family and Al): consistently underestimating how much people love him, and leaving without saying goodbye. he's so obsessed with Saving Al that he fails to consider that maybe Al, who has a very specific and strong trauma about being abandoned by the people he loves the most, as much as he might be thrilled at having Beth back, might not appreciate 1. Sam not consulting him in the decision to completely turn his whole life and timeline upside down 2. Sam disappearing without a trace without saying goodbye or offering him any sort of closure in their very intense, very codependent relationship 3. having to sort of like... pay the price for having Beth by losing Sam, as if these two people, the two people he's loved the most in his entire life, were interchangeable.

and, to be fair, this part of the analysis does seem like a bit of a stretch if you've only seen the canonical ending of the show as it aired and not the original 'lost' ending that they ended up cutting for Reasons, but which i absolutely consider to be canon and the "real" ending of the show.

god, okay, i probably could have many more things to say about this if prompted, but that should be the gist of it, i believe. hopefully i'm not forgetting anything? did you know there's actually multiple alternate endings they wrote for different real-life scenarios Just In Case, including one where Sam and Al would go to space and Al would be a leaper and Sam would be a time traveler in his own body if they got picked up for a sixth season? i'm obsessed with it.

as for Al the Bartender? my fun little theory is that he's not God, or Time, or Fate, or an alien, or any of those things—in a way, in-universe, he's all of them at once.

he's The Narrative personified.

[slashtakemylife]

I like What if but I feel it isn't pushing it enough, or is it?

I feel it's mostly just showing us fave characters in amusing and wacky scenarios, like they put names and words in a title generator and see what shows up and figure crazy scenarios like for example Thanos being redeemed by T'Challa and showing him being "cool" even tho slightly deranged but I don't feel it delves into actual what if scenarios that have plagued marvel fans through out the movies.

I just think it would be slightly more interesting to see some ideas closer to the storyline, feeding into actual what if scenarios marvel fans have made, don't take them too much at heart, these options are mostly just to capture my point

1. What if Captain America had signed the Sokovia Accords?

2. What if Captain America had sacrificed the Vision before Thanos arrived?

For the first scenario, everyone says Cap was to blame for Civil War because he was too hard-headed to see beyond BUCKY and himself and not about others, okay fine, so What if he had? Would the Sokovia Accords would've really helped? Would Bucky really would've been better off? Would the enhanced people would've? What if what Steve said happened and they refused to deploy them where they were needed or somewhere they didn't want to? Or maybe it was a good option and why. We don't know but we would like to know and see

For the second, I've seen some say Steve was at fault because if only he had agreed to destroy the mind stone before Thanos arrived, the blip wouldn't have happened, so ok, what if he did? What if he agreed? Honestly Wanda would've gone batshit at anyone trying to hurt Vision but let's say Steve managed to do what Vision asked, Wanda honestly would've killed him probably but would that solve things? Could Thanos work around it? What would he have done? Would everything really be saved? Maybe it did maybe it won't and honestly idk how it would end up but that's the point of a What if

3. What if Peter Quill had killed Gamora? Or what if Peter hadn't wavered when confronting Thanos?

Peter did promised to Gamora he would kill her before Thanos used her and he broke his promise by trying to kill Thanos except Thanos wouldn't allow it anyway because he needed her, what if Peter had kept his promise? What if he shoot Thanos to distract him by his gun but really was aiming to kill Gamora with a secret knife for example? What would've happened then? Would he go for Nebula?

I remember a few also blamed Peter for getting too caught up asking about Gamora and that he was also to blame on what happened in the Blip so what if they had succeeded in killing Thanos there?

Don't take these examples at heart, I'm just saying them as stuff that's been debated over marvel fans, What if doesn't have the gust to go against their own canon and show us real What Ifs that I've seen marvel fans debate and that would be interesting to see their own spin of it

Maybe the outcome isn't as flashy as What if shows and maybe that's why they don't do it because the point is to be wacky and not so serious, maybe too is that what if is to just let our imagination fly and allow fans more scenarios to imagine and run wild on.

Also I do consider they also don't do it because people have created their own opinions and stans on some things so is best to leave them because the moment they show it, some will view it as the "canon" way such as for example:

"If Cap had signed the Sokovia Accords it would've gone exactly like he said it would and they are trash" would've given "canon" confirmation that "Tony Stark was wrong and Cap was right all along" making it easier for people to trash Tony or "Team Tony", even if in canon they did trash the Accords, it's a throw away easy to miss line and we never really see them be put in action but also... What if they actually worked? What if they showed it was a good option just like Tony said? What if then?

And btw speaking about Tony...

4. What if Tony achieved his dream of putting a suit of armor everywhere?

Would it be good to have a suit of armor everywhere? Or would it have created an actual Civil War with Cap being against the robots and turning Nomad and doing his best to destroy them? Would Tony eventually see how it wouldn't be good to have an army of robots checking your every move? Would it eventually get out of hand and he'd end up having to team up with Cap to destroy them?

But he didn't want just a bunch of robots, he wanted A robot, A robot that would make the Avengers be useless because they would fight the battles for them, so "they could go home". So here's another one

5. What if Tony had created the Ultron he wanted? Would it be good or bad?

Technically we do have a "good Ultron", that being the Vision but both Ultron and Vision acknowledge that even if Vision was his "good" form, it isn't what Tony had envisioned (ha, pun intended), Vision has too much agency and can't be controlled by Tony and it shows when Vision get humanized by his love for Wanda.

But lets say he succeeded and "good Ultron" has kept peace for years, think of marvel movies conflicts and Ultron just effectively solves it, but what if we go to Cap 2?

What if Ultron kills Bucky?

For Ultron, Bucky is a criminal and a threat and upon appearing to kill Nick Fury, the bots save Fury but are adamant on killing The Winter Soldier, let's say they do, what then? Or maybe they don't because let's say they don't kill criminals, either way you bet your ass Steve would go against Ultron to save Bucky even if Ultron adamantly believes Bucky is a threat.

What if Ultron has kept peace for years but upon arrival of Thanos he takes Thanos side?

What if he had gone wacky after all those years? After Tony has had to tweak so much of him say for example the Bucky situation being so confusing for Ultron because yes he's a criminal but actually he didn't want to, and also that applies to Black Widow, yes they where evil but they where brainwashed and forced to do it so yes to some but not to some.

The program Ultron is already confused and upon Thanos arriving he decides to side with Thanos

What if...?

Listen at this point I'm just throwing sentences left and right but I hope my point is coming across and if anyone would like to add any more what if I'd be more than happy to see what other fans would actually like to see in What if.

Also I don't want y'all to take my scenarios so seriously but if anyone wishes to discuss or contend or expand or even rage about any of my made up scenarios, then that's great! Because that's exactly my point.

What ifs are supposed to be able to open debate, open discussions and delve deep into the stories and characters and that's what I feel is lacking in Disney's What If.

Disney's What If only shows us cool scenarios and iterations of characters but doesn't really dig deep into what ifs that marvel fans have made over the years

I understand if they don't want to get into arguments with fans so yeah I understand but I also feel it's mostly being cowardly of them and What if is simply an excuse to recycle characters and rebrand them to sell them again to us and honestly it is working, I love what if, I am excited to see whatever they show up and I'll eat it all up, I want to see more Steve because there won't be anymore coming after endgame and seeing him in other iterations is excited, I miss Bucky too and I also want to see him as well as other characters so yeah it works.

But either way, I still feel that "What If" title falls flat in what really could've been and on what I, naively most likely, believed it could be

[practically-an-x-man]

❤, 🧡,💚,🖤,🏳️‍🌈 for X-Men since you're the expert on that

Oh man, expert is a high bar to reach but I'll see what I can do

Ask Game: Unpopular Opinion Edition

❤: Which character do you think is the most egregiously mischaracterized by the fandom?

Oh man... a lot of them get mischaracterized in a lot of different ways, this is hard to answer. I'm actually gonna go with Mystique for this one - she's such a popular character, so I see a lot of people who've only barely dipped their toe into X-Men try to write for her and it just... isn't quite right. They make her too soft and morally-pure, they chop whole sides of her character off, they remove the fact that she's canonically bi... it's kinda death by a thousand cuts sometimes.

🧡: What is a popular (serious) theory you disagree with?

I don't think they're going to bring Apocalypse into X-Men '97, at least not in the first season. I've seen it tossed around a lot but like... we've already got Trask and the Sentinels as major villains, and they brought Apocalypse in at least 2 different times in the original animated series, so I kinda doubt they're going to go back to him again so quickly.

💚: What does everyone else get wrong about your favorite character?

God, what don't they get wrong? He falls victim to Hot Guy Syndrome so badly, especially here on tumblr. He's got one of the richest character arcs and storylines of just about anyone, and yet most of the fics I've seen either make him the "X Reader fodder" boyfriend with therapy-speak emotional intelligence, or go the opposite direction and make him the hopeless tortured sadboy.

He's just so... flat. And I get that the movies don't give us much to go off of, and not everyone reads the comics, but like... it's so annoying to me. The entire point of his character is that he's forced into these extremes (the angelic golden child to the Horseman of Death), but when he's allowed to be himself he's neither of those things... and yet the fandom just shoves him into one of those extremes anyway. Even just thinking about this is pissing me off a little lol

🖤: Which character is not as morally good as everyone else seems to think?

CHARLES! I mean, the whole point of his character is that he tries to be a good leader and sometimes he fails. And sometimes he fails badly and it ends up in a complete moral catastrophe. Yet a lot of fanfics I've read seem to paint him as a great, morally-perfect leader, which just... isn't true. Just because he tries to do good things doesn't mean every decision he makes is automatically morally pure.

🏳️‍🌈: Which character who is commonly headcanoned as queer doesn't seem queer to you?

Another tough one, because there are so many comics and writers that I honestly don't know what's been confirmed queer and what's just a widespread headcanon. And let's be real... this is X-Men. Nobody's not queer.

[cerberus253]

So, that Guy Named "Jack" and He Carries a Candle Around

After years not being on my mind, he finally showed up in my dreams some time ago and I've been thinking about him a lot (that's usually how my hyper-fixation gets re-kindled of an old character).

Contains- Canon Info, Headcanon Info (SFW and NSFW)

Veeeerrry long post

Canon:

- Is called "The Boogeyman. The For Real one."

- Poor back posture (is usually seen hunching over)

- Will kidnap you if you say his name out loud

- Loves Pumpkin Pie (just look at him smelling it!)

- Can levitate while awake and asleep, also those tied in his ropes

- Sleeps like a cat, does the "Stinky Face" like a cat (probably just squinting, but it's still cat-like), and does the "Raptor hands" thing

- Likes satirical sitcoms (F Troop)

- Polite and witty (he even holds his pinky finger up when holding his candle)

- Talks in monotone unless very upset

- Likes to eat peanuts

- Is rather one-track minded when kidnapping targets, ignoring those who have not said his name

- Is an escape artist

(pic of Candlej-- uh, y'know, right after Freakazoid (not pictured) trapped him. He got out pretty fast. Look at that cheeky bastard. Love 'im <3)

- The stitches on his mouth actually open up to a mouth (I saw it happen for a few seconds, so it's real)

Headcanon (SFW):

- Shows up and attempts to kidnap those who are actually scared by him, which are usually children.

- Answers to teens and adults if he wants to, since a lot of times it's for shits and giggles, parties, or weird cult stuff. Disrespect with the use of his name will not trigger him in this day and age!

- While Jack appreciates the wanted invitation to just hang out, he's rather an introvert and values his alone time, but does have his social moments.

- If he does show up [for adult strangers], and it isn't for kidnapping, its usually for Halloween-themed occasions (parties, fairs, carnivals, etc). Since it's usually around strangers, he just creeps around, watching people, either finding someone to scare or talking to those who seem interesting to him, or anyone who just comes up and chats to him. If at carnivals or fairs, he'd also play some of the games.

- I honestly believe, when his name is called, Jack can see the situation/setting he'll be getting himself into. Like, if just saying his name aloud will ALWAYS make him appear, then one could easily trap him in some max security prison. He'll know if he's floating into a trap or not, or if the callers aren't worth going after (especially in this day and age). Besides, if he came to everyone's beck and call, he'd be all over the place, and how could some people know about him yet be here? Survival of his kidnapping? Okay, so if you called again, he'd show up again, and now you'll know what to do to stop him. Why would he float into that? Anyway, yeah, I think Jack's picky and will only show up if you're actually afraid of him or are being serious about it.

- Has a strong sweet tooth, and likes salty treats. You will win him over if you can bake well AND bake his favorite things: Pumpkin Pie!

- Enjoys horror media (movies, TV shows, and books), specifically psychological and thriller ones. This includes watching people playing horror games or watching horror videos and get terrified by them. Will eat popcorn to it.

- Goes to candle and occult stores, which are the only places he'll actually pay for things other than rope. Where does he get the money? Uh... *whistles*

- Enjoys moonlit graveyard night walks (floats?), reading in dimly lit libraries, exploring old, haunted abodes, morning Autumn forest walks, etc.

- Pocket Dimension in his gloves, boots, and sack mask. He's gotta put all that rope somewhere.

- When outside of his kidnapping/villain hobby, he doesn't talk to strangers as much, preferring to let the other person go first, then indulging in conversation if he likes them enough.

- Doesn't talk about too personal of stuff unless he really really likes the person.

- Great listener and observer! Will be the kind of guy to remember seemingly small and insignificant details about someone he likes!

- Struggles to express his emotions normally, but when they are extreme they are noticeable (EX: The Peanut Incident of '97).

- Knows how to do all kinds of rope knots, easy and complicated.

- Doesn't mind physical contact, but isn’t the one to initiate unless it’s for scares. A little nervous if it’s romantic/sexual. Despite this, the Ghost-Man is TOUCH-STARVED, he's just unsure when it’s a good time to indulge himself.

- Jack is normally polite, and a little cheeky, to strangers, but when it comes to friends, he's also kind and considerate.

- Doesn't feel bad about kidnapping people, nor what happens to them after. However, if you strike up a good conversation, and get him to like you enough, he might change his mind. It would be a shame if such an interesting and compassionate person were to disappear and never be seen again... Don’t worry, he won’t stalk you (unless…👉👈 maybe he likes you a little too much 🙄)

- Why does Jack like to scare people and kidnap them? Yeah, he's weird, but what if it's because he's lonely and he didn't know how to socialize? Like, what if he was a creepy and weird kid that liked spooky things growing up, so people avoided him and he didn't know how to converse with his peers, so he found out that scaring people was a way to get them to notice him? Ya know, like "bad attention is better than no attention?" So now, as an adult, it's just what he does on a day-to-day basis because he's so used to it? Just a Theory.

- Jack’s a kind of Sheet Ghost. Him and the burlap and cotton/leather apparel are separate, like removable skin. Without it, he cannot eat. He doesn’t have to eat, but he likes to.

- Likes animals that people deem creepy/scary (insects, arachnids, deep sea fish, snakes, bats, etc.), but his favorite ones are black cats.

- Enjoys surprise gifts, including: Old books, old candle holders, baked goods, and spooky/creepy knick-knacks.

- I see him more as a Giver than a Taker kind of guy in any relationship, but when it comes to physical affection, he’s nervous and doesn’t usually initiates unless he can’t help himself, or he knows and trusts you enough.

- If ya wanna be friends with him, ya gotta be open and accepting of his (non-criminal) behaviors. Simply going out of your way to talk to him when he's around tells him you might want to be friends with him.

- If Jack [also] wants to be friends with you, he'll purposefully seek you out on occasions, scaring the shit out of you when you're least expecting it. Then he'll get down to casual stuff.

- If you have some sort of sensual (not sexual) relationship with him, he will accept cuddles and hugs when you need them. In addition, if you have trouble sleeping, he’ll sit/lay next to you to keep you company (might fall asleep himself).

- I’m gonna say this: Jack does, in fact, live somewhere. I am going to headcannon that he lives in an abandoned Victorian mansion that was left alone for so long that even time forgot it and now it sits between Life and Death in mist strewn woods. When people go missing on their own, they may stumble across it, seemingly empty, but Jack doesn’t like that someone literally entered his place so he scares them out. On the other hand, sometimes he invites close friends over for some quiet spooky time, but that hardly ever happens.

- His place is old, dusty, and dirty, which he doesn’t mind, but he also wouldn’t mind if someone wanted to clean it up (maybe that's why he kidnaps people). Just don’t kick out the rats and bats, change the aesthetic of the place, break anything that isn’t already damaged, install too many modern things, that sort of stuff. He still wants it to be old and creepy, but he understands if you need to charge your phone.

- If ya wanna be more than friends with him, ya gotta not only be open and accepting of him, but love the strange, dark, and mysterious things in the world (which includes him). Someone who’s kind, understanding, weird (complimentary), enjoys being alone with him, but also goes along with him when he wants to socialize; someone who isn’t extremely loud and energetic, but does give life and warmth around him; has a lot of similar interest with him, etc.

- Anyway, I think Jack is pretty inept when it comes to people flirting with him. I mean, yeah, he recognizes someone being really nice to him, but to get romantic, even physically? Nah, that's silly! Falling for a ghost is weird! Once he does get it, I think he'd be rather awestruck and confused, not really knowing what to think.

- However, you'll know he reciprocates when he leaves little gifts for you to discover (possibly even a Treasure Hunt!). or maybe even doing small domesticated things, like doing dishes, making breakfast/dinner for you, making your bed, etc. I don't see him doing laundry (undergarment respect) nor dusting, though. If he doesn't do anything, you'll definitely know he's been around because of the smell he leaves behind (candles and smoke).

- He struggles to know when you really need him around when it comes to emotional/mental struggles. Don’t get me wrong, he can recognize when you’re feeling that way, but doesn’t know what to do or if you need alone time, so he’s going to need you to tell him to stay or go, listen or give advice, and/or to touch or not to touch. Whatever it is, he’ll do it for ya because he cares and worries on the inside (referencing back to the struggle to express emotions). Communication 👏 Is 👏 Key 👏

- Not into hook-up culture. Definitely, at least, Grey-A in both romantic and sexual departments. Like, yeah, Elvira, Mistress of Darkness is a very pretty lady that he crushes on, but personally may be a little much for him.

- Appreciates if you helped clean his clothing attire. Being in the woods or a dusty mansion can get ya pretty dirty.

- Isn’t too picky with other peoples’ apparel, but he is fond of gothic attire. I want to say his favorites would be: Traditional, Romantic, Mopey, Victorian, and Medieval.

- Will help you with your make-up, King/Queen ✌️

- Okay listen, I don’t doubt that Jack may stalk people he has strong romantic interest in, because he’s a weirdo, BUT he is RESPECTFUL about it. He will watch you watch TV, doing chores, cooking and eating, doing sit-alone hobbies (reading, art, gaming, etc), doing taxes, sleeping (a BIG one), etc.

- He will NOT watch you do anything too…revealing (showering/bathing, changing, etc). He may be weird and lack certain social skills, but he knows when to look away…

Headcannon (Suggestive/NSFW):

-… HOWEVER, if he knows that he’s allowed to look at you naked, or doing naughty things, he will. He will. Might even sneak up on you to scare you, then to “help you out,” if ya know what I mean~ Despite this, I don’t think he’d be the kind of guy to watch and pleasure himself while doing so. I just can't think of him doing that. He's weird and creepy, not sick and perverted.

- Would set up a relaxing bath (with candles, of course!) for you after a long and hard day, resting against the side of the tub while you’re bathing, watching and listening to you. Maybe helping you wash yourself.

- Jack comes off as a Soft Switch to me, mostly leaning Soft Dom.

- Remember the “he knows how to do all kinds of knots?” Yeah, he’d have fun with bondage. I don’t think he’d be really aggressive with it, but in fact passionate and loving. Wouldn’t want you getting rope burn.

- If he did decide to “unwrap his gift,” he would do it carefully (again, to avoid rope burn) and methodically, speaking softly, monotonously, and sweetly while he comments on how beautiful you (his gift) is 💛

- I mean, you can suggest he use soft or lace-like binding rope fabrics so he doesn’t have to worry about hurting you, but he prefers classic, plant fiber rope ����

- Expect playful teasing from him, both verbally and physically. Will use words like “naughty,” “silly,” “little tease,” “my beloved toy,” etc, and would tell you to mind your Ps and Qs (English Idiom for “manners”) if you want him to do something for you.

- Will call you sweet nicknames like, “pumpkin,” “darling,” “my dear,” “little moth,” etc.

- Normally he’d be wearing regular burlap cloth, which is rather irritating to skin (luckily he doesn’t have any), but when he wears the softer kind, you know he’s looking for a lot of physical affection.

- With said soft fabric on, Jack can finally really touch and feel you up as much as he wants and as long as he wants, really squishing, massaging, and fondling all those soft and squishy curves and crevices of yours~ 🖤

- If you want to really get him Turned On: LACE. NIGHTGOWNS. Walk around the house with it on, sleep with it on, cuddle with it on, get intimate with it on, etc. Just seeing the delicate fabric loosely hang around your form, and the intricate lace designs flowing around your chest, sides, and edges (also sleeves if applicable) makes him giddy and warm up fast. If you’re not wearing any undergarments underneath, I think he’ll get the message why you’re flaunting yourself in front of him~ 💖

- In addition, since he's so into scaring people, I think he'd be into playing Hide n' Seek/Cat and Mouse, with you hiding (the Mouse) and him seeking (the Cat). He'd be talking a lot during it, saying things like, "Where oh where has my darling gone?~," "I'll find you soon, my pretty~," and "Come out come out wherever you are, little one~."

- Of course, after finding you, he would love for you to try to run from him! "You can run, but you can't hide, my dear!~," "Running only excites me more, once I catch you, my little moth!~"

- After getting caught, "There, finally! I've caught you now, little rascal~ Now to make sure you won't be running from me any longer, love~" *brings out the bondage rope*

- I honestly don’t think he’d be into violent and aggressive sexual interaction. Like, despite his love to scare, I don’t think he’d try to bruise nor hold a real knife to your throat or anything like that. Legit the worst he’d do would be pretending to choke you or leave red marks on your skin.

- Jack’s favorite parts of you are anything squishy and soft, which includes chest/breasts, stomach, love handles, butt, and thighs. He just adores it when you smile and giggle while he lovingly squeezes any of said parts, and will continue to do so for your arousal. Then he’ll go for the other soft and sensitive spot that will surely get you heated and huffing~ 💗 Be careful not to say his full name, though! Or he'll just tighten those ropes around you!

- I’m not sure if intercourse would even be possible, but I know he’d take great pleasure in pleasuring you in any way he can, whether it be massaging, fondling, fingering, or using sex toys on you (maybe he has specific apparel that has a hollow dildo attached to his crotch so he can be in you XD).

- Jack would like really any position, but I think he’d prefer to hug and play with you from behind. He likes to feel you press into him (or he pressing you into him) when you’re rhythmically gyrating from his touch, and even better if it’s into the bed (he wants to be squished by you👌).

- Another location would be in front of a mirror so you, and him, can see yourself getting fondled/fingered/loved/fucked by him, blushing, smiling, and giggling, all the while stealing glances when your eyes aren’t shut from the pleasure. Additionally, turn your head and give him soft yet passionate kisses, using a possible free hand to hold his face against yours, to make him just as giddy👌👌

- One thing he would prefer is doing it in the dark, or dimly lit space with only candles to light it. Maybe start off in a dimly lit room, and one by one, over the course of the passionate and romantic affection, they’d be blown out until pitch blackness. That’s when he’d start fingering/fucking you, when your sense of sight is unreliable so your sense of hearing and touch are strengthened. Kinky AF~

Closing Notes:

- Like I said before, I see Jack as more of a Giver than a Taker. With friends, and close friends, he’s rather tolerant to all kinds of folks: Loud, quiet; eccentric, secluded; freaks, geeks, creeps, and weirdos; neurotypicals and neurodivergent, etc, just don’t be an asshole (racist, sexist, homophobic, a rapist, all that stuff). He enjoys watching the diversity of people.

- However, when it comes to romantic relationships, I see him like how I am: Yeah, I may have a handful of people I crush on/admire, but you have to really catch my interest for me to actually pursue you, which is quite rare.

- The types of people I think Jack would have strong interests in are the quiet, introverted/extroverted-introvert ones, and outcast types. He’d want someone who is kind, sweet, accepting of him, (trying to) understand(s) him, exclusive, mindful, considerate, weird (affectionate), giving, observant, patient, unique, quiet but not shy, has many similar interests as him, indulges in his hobbies, and their weirdness matches his weirdness.

- Then there’s the “darker” side of said person he’d also like: Reflective, mysterious, a loner (but not truly isolating), gloomy, obsessive (with interests and hobbies), struggles to show emotions but can express them, and prefers to have personal/intimate alone time with him rather than dates or parties every weekend.

[glareandgrowl]

Everyone Saw it coming if they are on my blog but

Kiyotaka Ishimaru for the ask game plsssss !

Ask game Here

Sexuality Headcanon:

Now, see, starting off with a kinda hard one... Taka's an interesting bean in what I calculate his sexuality to be. Most people assume Gay since... ya know. And while I don't think that's necessarily a bad take, its the popular take. And I am one who tends to shy away from popular takes. (I am also one to vehemently project onto the characters I love). Hence, I HC Taka as Demiromantic! (and demisexual to an extent...)

Forms strong emotional bonds with people close to him? Check. Only ever seems to fall romantically for those he is extremely close with??? DOuble check babeyyy!

Gender Headcanon:

Aaaand now its simple. Taka's a male. Cut and dry. Rather fondly a guy, I must say. He strikes me as the kinda guy who would be so excited to share with you that he uses he/him pronouns! He probably did some soul searching when he first learned of transitioning and other gender orientations only to find he was rather comfortable and happy where he was. (you know he spent hours studying to learn all he could) and would be all for helping others explore their gender too!

I know a lot of people hc him and mondo both as trans, but personally I think hes just very proud of his manliness.

A ship I have with said character:

I couullddd go the easy route and say Ishimondo... But you all already know that. Instead I'm going to go with a more... scandalous... ship.

Its KiyoKiyo. Korekiyo and Kiyotaka. Its my guilty pleasure ship.

Now, granted, I imagine this as a Korekiyo who has shaken himself of his 'sister's' grasp and is "normal" (Ie LOTS of therapy), so its more like the shy introvert getting dragged along by the loud golden retriever boy but I digress. Its sweet to me. Tall lanky and smol but strong.

(And YES this originated from Danganronpa Redemption FIGHT ME---)

A BROTP I have with said character:

Once again I could go with an obvious, that being Chihiro or Hina, but you ALREADY know this and I GO AGAINST THE ORDINARY!!!

I think Sayaka and Taka would be great friends :3

Hardworking, burnout-having besties who have to be told numerous times to slow down and take a break by their chiller, sweet yet partially annoying boyfriends.

A NOTP I have with said character:

There are so many... who do I begin with... Genuinely who do I begin with. Alr I hardly see this one in the wild but Kokichi and Kiyotaka I despise. Either that's just because I hate kokichi but-- BESIDES THE POINT. Hiro and Taka is another one I don't particularly like.

I get where it comes from, the few times they interract in the canon could be seen as brotherly (I GUESS) from Hiro's standpoint but-- Idk it just kinda rubs me the wrong way. Hiro's character in general does that...

A Random Headcanon:

Taka enjoys, and is really good at boxing. (Or wrestling) Like how some stories I've read put him on the football (soccer for us americans) team (or rugby ig idk.) I have a (self-inflicted) HC that Taka has slight anger issues hes still recovering from as a child and ABSOLUTELY uses the environment of controlled violence as a way to work off pent up steam. Any sport could do that really, but the inherent homoeroticism of wrestling is just *mwah* too good to pass up.

I know people like to HC he's into some kind of martial arts lessons for the same kind of vibe, and the art of him and Peko, but I find the inante physicality of using yer fists and body as a much more... *Taka Centric* activity. Idk.

Its the same reason he really enjoys thrill rides like rollercoasters and horror movies (if he can stand to not postulate the entire plot the whole time, ruining climactic moments and making people shush him.)

General Opinions:

HE GOT FUCKING ROBBED IN CANON MY BOY---

anyway feel free to ask me about more characters!!! This was fun :3

[saltygilmores]

Thoughts While Watching Gilmore Girls, Season 2, Episode 8, Part 1 ("The Inns and Outs of Inns")

I'm skipping past the second half of the previous episode (I really couldn't think of anything interesting to say about it. It was that whole thing where Rory and Paris get initated into The Puffs, and the Mother/Daughter Fashion Show). You can read my previous reviews here.

This lady held out her cup for a refill. Jess looks down at the mug and walks right past her. I found his terrible customer service inexplicably delightful. I'd say she was gonna stiff him out of a tip for that move, but no one in Stars Hollow tips anyway.

Jess: It's 7:45 am, do you want me to go to school or openly defy child labor laws? Idk, I think you should have a word with the Walmart corporation first, the place hired a 17 year old to drive a forklift during school hours. Luke: Stay out of trouble. Jess: Guess that means calling off the chickie run down at the salt flats. What in the everliving hell does that even mean? What teenager talks like that in 2001, the Year of our Lord? Damn you, AmyShermanPalladino. *sighs deeply*. *Opens Google* "A chickie run is a high-speed drag race toward the edge of a steep bluff above the ocean using stolen cars." It's apparently a reference to the movie Rebel Without A Cause with James Dean. Well, I learned some pointless new information today. Thank you, Mr Mariano. You may not serve customers their coffee but you do serve up hot steaming cups of old timey references. Lorelai and Sookie: We're coming up with names for the new inn. Michel: How about the Money Pit? The Outhouse? The Inn Headed for Bankruptcy?

Heh heh.

I only recall seeing a police car in Stars Hollow two other times (when Kyle's party got busted up and the time Jess comes back in season 4 and gets pulled over? Am I forgetting anything?). Here's the big emergency that called the mythical, rarely seen Stars Hollow Police into town. Spoiler alert: It was some chalk.

And now this pathetic town of bored people with nothing better to do are going to call an emergency meeting over some chalk. Taylor is fa-reaking the fuck out.

Taylor: I've got a dead body outside of my store! Sheriff: No, you have a chalk outline in front of your store.

Sheriff: My partner's out doing a headcount to see if anyone is missing. Until then, just hang tight. Let me remind you how many people live in Stars Hollow. Sometimes it may seem like you only see the same 15 people over and over, but the mind can play dirty tricks on you.

Yes Taylor, just hang tight for a few minutes while one police officer does a head count of nearly 10,000 people. A police officer going around counting people to see if anyone happens to be dead is one of my favorite bits of absurdity in the entire show. 30 seconds later:

Golly that was fast!

Heh heh heh. It is a pretty stupid prank. I think most of Jess' pranks are amateur at best. I believe in his potential. He could come up with something way better. The people of Stars Hollow deserved to be Punk'd for how they treat him. I give this one an A though, because it pissed everyone off so thoroughly, and that's all that matters.

Gilmore Girls wardrobe department: LAYERS! MORE LAYERS, DAMN IT! Wardrobe Assistant: He's in a shirt under a shirt under a vest! I cannot layer anymore! *cries*

Sooo purdy.

Luke jamming a screwdriver into a toaster is highly erotic.

It goes without saying that from here on out we are going to be pausing often to admire screen shots of Jess with absolutely no context. Tomatos Sign: Spotted

Oh, we haven't gotten to the part where Jess murders Shane and dumps her body in the lake. We'll get to that in season 3. In my gritty Gilmore Girls reboot titled The Hollow, there could be several justified homicides. For one example, it's canon that Luke never throws Taylor off a bridge, so my reboot would seek to correct this.

HE'S JUST A LITTLE GUY LET HIM SULK AND LURK What the hell else is there to do in Stars Hollow anyway? The image of Jess of visiting an arts and crafts store is pretty hilarious.

What the hell is AmyShermanPalladino's obsession with swans? "Swans scream one thing, Mom. Sigfried and Roy." Ah yes, another fine early 2000's tasteless "gay" insult. Luke & Lorelai are discussing the grave consequences of missing or even being late to a town meeting. To which I say, if Taylor threatens you, just tell him you're gonna squeal to the Feds about all of his shady financial crimes. That'll shut him right up.

He's been in town for like what, a week and he's already a "situation". I think that's awesome. Your mere existence on this Earth is so powerful that you've thrown an entire community into disarray. Good for you, baby. Good for you.

May I remind you again they are calling this community meeting because of some chalk. "When Mrs. Lanahan couldn't buy lettuce from my store, she drove straight to Woodbury instead." You know what, I just gotta bide my time and let the nutcase rant, because Walmart will eventually drive him out of business for good and in a double scoop of justice, I have faith that he'll also be taken down for his money laundering crimes.

This committee of 85 year olds will seal Jess Mariano's fate. It looks like Hell's waiting room. Jess loves a good town meeting because it's the only time he gets to stay home and whack off in private. Luke tries to give Taylor $1 for a head of letuce (actually, first he asks "how much is a head of lettuce?" which is something he should know if he's running a diner, but I digress. "The CHARGES against your nephew are numerous!" Let's hear them, shall we? He stole the "Save the Bridge" money. But Taylor was going to launder that money, what will he do now? He stole a gnome from Babette's garden. He "hooted" one Miss Patty's dance classes. Please try to imagine Jess ever "hooting" a woman (uhh, she means catcalling...I guess? I could see him calling out some sarcastic quip/witty observation though. He took a garden hose. Why Jess? Why? How did they know he did it? What did he intend to do with it? Where did he keep it? With the 500 baseballs he stole from the school? He set off the fire alarms at school last week. This is a more serious prank that would have gotten him in big trouble if he was caught. And again, Lane and Dean go to this school. Hello? I know at this point Jess and Rory don't know each other well, but that's still major gossip, so why are Rory's boyfriend and best friend always keeping this stuff from her? I am Jess Mariano's defense lawyer and every last thing my client does to annoy the citizens of Stars Hollow is justified. Lorelai, sarcastically: I heard he controls the weather and wrote the screenplay to Glitter** (**a movie starring Mariah Carey that came out in 2001 and is regarded as one of the worst movies of all time and was a box office bomb and possibly the biggest blight ever on MC’s career). You know, Lorelai is being sarcastic by saying she thinks Jess controls the weather but she hates him so much I wouldn't put it past her that she actually believes that. I mean, she already believes that the sun shines out of Dean Forrester's ass. Bootsy: I never like the look of that kid, I knew he was bad as soon as I saw him. AGAIN HE'S BEEN HERE FOR LIKE A WEEK. The subject of the meeting turns from Jess to piling onto Luke for no good reason, and my man Lucas is just about to burst a blood vessel defending himself and Jess from these nutjobs. I honestly couldn't love him more. He's so REAL. Please don't stroke out on us, we need you. Taylor: "There is a consensus among all the towns people that Stars Hollow was a much better place before Jess got here." Kindly go to hell, Taylor Doose.

Dean spending two days on his hands and knees scraping Jess' prank from cement is a beautiful kind of justice. Edit: A commenter made me wonder how Jess made his artwork stick to the cement. Off to Google I went once again. Apparently you can use hairspray to set chalk art, but professional chalk artists use high grade varnishes to set their designs. Jess never half-asses anything. He puts his whole, cute little ass in. You also have to wonder how in a town full of unemployed busy bodies with nothing better to do than notice everything that goes on in town right down to when Rory Gilmore farts, not a single person heard or saw any of this happening. Lorelai fretting that the Independence will be sold to a corporate hotel chain is realistic and it would inevitably happen in my gritty Gilmore Girls reboot titled The Hollow. The Independence Inn would become a Holiday Inn, Luke's would become a Starbucks, Doose's would become a Walmart, and Dean Forrester's house would be a parking lot after a meteor crashed through the roof.

Someone should bash your head in with a safe.

Never in the history of mankind has a single individual sown so much havoc with a single stick of chalk.

Every time I look at that wool jacket lining I feel super itchy.

The captions should really say "okuh", and not "okay." Because that was a stellar "okuh". Get it right. Just another injustice perpetuated against Jesstopher Mariano.

Oh, she did. To be continued in Part 2 so I can add more screen shots.

[danko420]

Fallout TV thoughts

Under a cut because I rambled... SPOILERS AHEAD BE WARNED

So seeing people complain about morality of certain writing choices in the fallout show- like Cooper saying there will always be factions fighting each other etc (there's been other examples that's just one I've seen most recently)

and its like... yeah, but he's wrong? Everyone in this world is wrong? Everyone is a product of their traumatizing experiences and upbringing... Even the vaulties, even Moldaver, and the BoS etc...

Like for example I didn't expect to like Thaddeus when he showed up (after like... his initial intro in ep 1), but then he starts talking about HIS traumatic experiences and they give him more characterization and its like yeah, he's just another fucked up little guy in a fucked up world. The people in power when he was growing up didn't protect him from the pecking order (in fact probably encouraged it) so he was bullied and then in turn bullied Max...

I guess that's my takeaway from the show, everyone has a horribly skewed perspective, they're working with ONLY the info they were taught (except Coop I guess, but he's ALSO only working with the info he was given as a pre-war American citizen)

Like they're all cults, the vault is a cult, the BoS is a cult, hell even the pre-war american attitudes were cultish. None of their opinions are true or valid, they shouldn't need to spell that out, you should be able to tell their opinions are wrong just with like... your own logic and critical thinking skills...

ALSO, I saw someone complain about how we should never know who dropped the bombs and the fact is we still don't? We just know who's intention it was to drop the bombs... doesn't mean they got to it first. I guess we'll see what unfolds?

idk all in all I liked it? I think it's a good starting point anyway, and if they're allowed to get more political they should but I also know studios may not let them... I feel like that's the issue with every big piece of media lately (movies, shows, games, etc), they can't be truly controversial (in any way that makes a real difference) because the people funding it won't let them.

Still they had plenty of jabs against capitalism/corporate monopolies so like, I don't think they were pulling as many punches as people seem to suggest? They just had to be more coy with it- or have the person delivering those lines say it in a heroic way (because from their perspective they're the heroes- that doesn't mean they're right)

ALSO ALSO (Last thought) Seasons used to be 24 eps long... then they got cut down to 12 and now 8... that's not enough time to meaningfully flesh out a story with this many moving pieces? They have to squeeze in as much as they can in every moment and sometimes that means they can't spell things out as explicitly as they may have wanted to.

I wish shows could be 24 eps again I feel like we'd be really able to get into the nitty gritty of the world and characters with that kind of time...

OH OH FINAL LAST THOUGHT

Someone was complaining about it erasing pre-war racism (which like yeah huge issue) but they were also acting like the bombs dropped in the actual 60s and that's not how the fallout timeline works... the bombs dropped in 2077, in the FUTURE from our perspective, because the timeline split IN the 60s and their world went hard on developing Nuclear tech whereas we did not. Their culture didn't change over those 100+ years, which is weird to me but they wanted the 60s aesthetic so I'll let it slide as a like... everyone got so passionate about developing tech they stopped investing energy in fashion or culture? (Yeah doesn't make sense to me either) but yeah the point is that's another 100 years for race relations to change, and although there's def canonical anti-Asian racism in the games (because the communists they were fighting were Chinese instead of Russian) but idk it's possible the world changed enough for a black woman to be in a position like Barb.

THAT'S ALL FOR NOW

(also also also I liked Maximus, I saw people saying he was boring or they hated him because hes BoS but that isn't his fault, he was basically stolen as a child and BoS is A BAD ORGANIZATION. THEY DO BAD THINGS. They're not as cartoonishly evil as the Enclave (literally tossing puppies in a furnace- again cartoonish but a very fast and efficient way of showing THESE PEOPLE ARE VERY EVIL when introducing them) but yeah Max is a victim of the people who raised him but they weren't able to totally break the gentleness in him. His inherent goodness and desire to help or save people the way he was saved remains intact. It's a cult, he's been brainwashed by a cult, but he's still soft spoken and he likes popcorn and hot showers as soon as he gets a chance to experience them. He's an interesting character and I can't wait to see how he handles things in the next season!!!

[hauntedmansion2003apologist]

An in detail dissection/ramble of the first scene of the film (2k words)

I will admit some of this is probably me reaching for straws and also my own personal thoughts/head canons on certain things, + pulling some things I found within the first draft script of the film I've found, where there's overlap of the story that adds details. 

Oh and if course SPOILER WARNING DUH

Anyway let's get started

The film starts with an eerie music alongside the Walt Disney logo. Which in a flash of lightning becomes the Gracey manor as a dark foreboding fog swirls around, lightning continuing to flash.

Great start but nothing really to dive into, as I'll get into more details on the manor itself later.

Of course we are then greeted by the iconic line of the ghost host telling us, "welcome foolish mortals" I'd like to note that it's the only time the voice is used, and it begs the question, what is our place in the story? I have reason to believe that we as the audience are being told this story through supernatural means (perhaps Madame Leota is the one showing us? with her telling us to "hurry back" at the end?

Then from the black screen we see the floating candelabras dancing across the screen. an obvious reference to the ride in the endless hallway, not much else to say there.

The next item to float across the screen are two keys. To me this is a clever moment of foreshadowing for both later in this scene and the movie. I would also like to note the ornamentation on the top of the key is a heart, which to me looks to be formed out of two human figures kissing. 

The next shot is at the doors of the mansion. On each door is a knocker adorned to look like the heads of lion biting the snakes. Valor will overcome treachery if you will.

As the doors open into the foyer, we are greeted by a crowd of masquerade guests socializing, celebrating Mardi Gras. While your eyes may be drawn to the crowd, I'd rather draw your attention to the surroundings. This is more of a fun little reference to the ride's changing portraits. At the top of the stairs there are 5 paintings, only 4 of which I can make out. I could be totally wrong in what I'm seeing but from left to right they're what I believe to be Medusa or perhaps it's the witch of Walpurgis, the unused portrait of Daphne (if you don't know look it up), unfortunately the middle one is blocked by a clock however based on the size, and after reading the first revised draft script I have reason to believe it is a painting of  Armageddon  , cat lady and the unused dust bowl painting. Now the only one I'm 100% sure on is the cat lady portrait (as it can be seen later on in the film clearly (no not in the changing portrait scene although it's there too). I'd like to note that on the left in front of what I believe to be the Daphne portrait, the way the stone thingy (I'm not sure what it is) looks like a noose. The other item in the foyer to note is the clock, however I'll circle back to it later.

When the screen then fades to black and does a tarot pull from a few cards. Now of course, everyone noticed the lovers. That's a pretty self explanatory card, but I wouldn't like to note that the angel/god/whatever in that card becomes a skeleton, much like a reaper of death if you will, and so does the woman, indicating Elizabeth's soon to be demise, and the demise of her and Edward's relationship. But also hidden I can see three other cards facing us. The first I will talk about is the tower. The tower card represents sudden change and upheaval that's beyond your control. I'd call that a pretty significant card sneakily hidden by distracting us with the lovers. Just barely seen behind the tower is the nine of swords, which represents anxiety and worry, which fits in well with what is about to happen to our dear old Edward Gracey. Unfortunately I cannot figure out what the one behind the nine of swords is, as it does not match up with any of the cards in that specific deck.

The next shot is in the ballroom. Guests are dancing all happy and of course there is the organ in the background. I would also like to point out the fact that some of these outfits we see the guests wear are genuine historic pieces. And we see Edward Gracey step out from the right, and walk towards the camera in the center between the dancers. As he comes forward we see a smile spread across his face, I'm assuming because he saw Elizabeth, but a I can't be sure. However I'm going to take the liberty to say that these flashes of the party we see were throughout the night, and that Elizabeth was there for most of the party.

Next we see a golden mask on the screen, and I would like to note that the name onscreen at that moment is Terence Stamp, who was Ramsley, and as we know Ramsley was pretending to be a great guy and keep Edward's trust, all the while being deceitful and manipulative, thus the mask.

The next shot of the ballroom is of the dancers, and it's a bit blurry, as if you the watcher were feeling unwell. Before the music box is opened as it spins, and so do masks. I take that as when we saw Gracey in the previous shot walking forward with a smile it was to presumably ask Elizabeth to dance with him. And the music box surrounded by the masks, with the figures of Edward and Elizabeth dancing and the figures' reflections are skeletons is representative of their last dance together, their last happy moments. That could be pushed further by the fact we see the dancers in the background still fading in and out.

The next shot is Elizabeth writing a letter to Edward or it could be Ramsley's forgery, however I choose to believe this first shots is Elizabeth . This is Elizabeth's letter we are seeing and not the forgery, the full letter reads,  "My Dearest, I have given much thought to our conversation in the garden, where we then talked at great lengths about our 'secret'. My dear sweet Edward you only see the good in the world around you. You give me strength to give you the answer you asked for. Yes, my dear heart, I will marry you. I will love you for all eternity. And tonight, at last, we will be together. I do!  Forever Yours, Elizabeth" However, through clever shots and transitions the only parts of the letter we can actually make out are, "My Dearest, I have given much thought to our conversation in the garden, where we then talked at great lengths about our 'secret'. My dear sweet Edward you only see the good in the world... Forever Yours, Elizabeth"

Everything fades but the pen, and more of the blurred dancers dance across the screen, and a second pen appears, matching the movements of the dancers. The second one is hinting at ramsley forging a letter from Elizabeth. We then see a gloved hand who is certainly Ramsley, seal a letter in a red envelope, and slip it under a door. Where the dancers serve as a transition to a distraught Edward reading the note before running off.

The next transition is a drop of something in a goblet of wine and a skull as a brief poison foreshadowing.

The next tarot card we see is death, which represents transformation and release. Right before we see Elizabeth's arm go limp holding the goblet of poison wine spilling it, clearly dead We see Edward running from the ballroom and down the foyer stairs.

Now it's time to talk about the clock a little. The clock from a distance looks like it has wings because of how the "draped" bronze sits, and if you look at the top of the clock, it looks like it has two sets of horns, one smaller and one larger. And of course the hour hand looks like a devil tail. And when the clock strikes midnight, instead of twelve, its thirteen. 13 the unlucky number, Edward is too late to save Elizabeth. As the clock chimes once the 12 changes to 13. Twice, as he sobs over her body, praying she may somehow still be alive. Thrice as he carries her body out of the study and into the crowd of guests. And a fourth time as he climbs the stairs, with the guests watching. One thing I wonder is after we see him carry her body through the crowd in the foyer, what does he do with the body after?

We see that he burned the forged letter which at the end reads "without you. Forever Yours, Elizabeth" Now through reading the draft script (specifically some dialogue where Edward tells his story to Sara), and just general guesswork I can assume the full letter reads, "My Dearest, I have given much thought to our conversation in the garden, where we then talked at great lengths about our 'secret'. My dear sweet Edward you only see the good in the world around you. It is with deepest sadness, my dear heart, I cannot, I will not be the reason for you giving away your life, and family name. But I cannot live without you. Goodbye. Forever Yours, Elizabeth"

Now this next part can be interpreted one of two ways, depending on whether you think this is the same night as the masquerade, or you think time has passed. 

Starting with if you think it's the same night, after the letter burns we zoom out to Edward frantically throwing papers off his desk. Perhaps as if he were looking for something? possibly the deed to the house which his father hid from him, maybe in order to sell the mansion and escape the pain and heartbreak? Or perhaps he's looking for a way to bring Elizabeth back. The next question brought up if you think it's the same night, is what was done with Elizabeth's body before this moment? 

Now if you think time has passed, which I do. Personally I believe 8 months passed specifically, now why specifically 8 months? What better time to bring a curse upon the mansion before dying than on Halloween? (Elizabeth died March 1st 1881 how did I come to that date? Well, if you look at the deleted scene from the movie, in the attic between the kids, and Ezra and Emma, Emma says, "It's been 122 years since the black spell fell over this house. 122 years since she died" and assuming the movie takes place in 2003, 122 years before 2003 is 1881. Now, how did I land on March 1st specifically? We know she died on Mardi Gras, and looking at the official NOAA National Weather Service page on New Orleans Mardi Gras Weather History; Mardi Gras in 1881 took place on March 1st) Now moving on from my tangent and moving back to Edward's meltdown. He's turned to the dark arts to bring her back, without success. When we see him throwing the papers on his desk, it is likely he's looking for something anything in one last desperate attempt to bring her back. I also like to believe that this is the moment the house gets cursed, and he unknowingly trapped Elizabeth's spirit in the house. 

In both cases he shoves a bunch of things off the desk in frustration. In a transition to more tarot cards flying out, highlighting the three of swords, representing sadness and pain. 

Then next shot, we see him hanging in the attic. We hear a woman scream, probably a maid who I believe is likely Emma, finding his hanging body in the attic.

As we zoom out from the window we zoom out on the house, which is a blend of the Disneyland and Disney World façades. I think it's quite cool that all exterior shots of the manor are a combination of an actual façade set, and CGI to make it appear much taller.

That concludes my rant on the first scene of the movie.