#But we don't know the other boys' motivations in that scene

[that-ineffable-devil]

I really appreciate that, in Charles' wrap-up of "the pennies dropped" he specifically uses the word "murdered" in reference to Niko. Because she was murdered. She didn't sponteously die. She wasn't killed by accident. She was murdered. It was intentional. Esther threw that bolt with the intention to kill whoever it hit. It doesn't matter that it was meant for Crystal.

Words are powerful. Words have meaning.

And of course he would use the right word. After all, both he and Edwin were murdered. Maybe the boys who murdered them didn't have that exact intention, but their intentions were no less lethal and no less malicious.

[miraculouslbcnreactions]

As a follow up to you post about mentors, just to make things fair, what are examples of Tikki being a bad mentor to Marinette?

Post in question for context.

Tikki often acts as the voice of the author. She's there to explain why Marinette is in the wrong. Since Miraculous has some wacky morals, that means we get a mix of good advice and wacky nonsense advice.

Two examples of bad advice that come to mind are Gamer and Strikeback. Gamer is the episode where Marinette stumbles upon an Ultimate Mecha Strike tournament, realizes that Adrien is taking part, and decides to compete so they can be on a team together. Marinette wins a spot through her own hard won skills and then this happens:

Tikki: All you wanted to do is spend time with Adrien, there are other ways to do that! Marinette: What are you getting at? Tikki: You know how much Max wanted to be in that tournament. Kim said he'd been training for it all year. Marinette: You're right. All I could think about was Adrien. 

This is how tournaments work, right? They're not tests of skill, but tests of who put in the most work or who wants to compete the most! That's why we had that scene with Marinette writing out her training schedule and motivations for evaluation, but she lied and that was wrong and...

Okay, I was the one lying here. There was no written evaluation because that's not how tournaments work. All anyone cares about is your skills. They don't care if you're doing this for personal glory or to get closer to a boy or whatever Adrien's motivation was because - notably - his motivation didn't matter in this episode about needing pure motives to be allowed to do things.

What if he didn't care about the competition and only did it to get closer to his classmates? That's not even a random guess. It's a valid read because Adrien ultimately gives his spot to Max while claiming that Max is the better player even though Adrien very clearly beat Max at the start of the episode. Ignoring that weird nonsense dialogue, why was it fine for Adrien to compete when he didn't care but wrong for Marinette to do the same? And Max wanting to compete to show off his skills is also a totally selfish motivation, so why does it matter that he wanted it more? Everything about this episode was nonsense and uncomfortably sexist. If Max wants to compete, then he needs to get better at the game. That's how competitions work.

Strikeback is the second part of the season four final and it starts with Marinette mourning the fact that "Adrien" has left Paris, leading to this:

Marinette: (crestfallen) It's all over, Tikki. Tikki: He'll be back, Marinette. He's just going on a voyage!

Which would be lovely advice if Adrien was a normal boy, but he's Chat Noir and Tikki knows that. She should be freaking out and trying to find a way to get him back to Paris, but then Tikki would have to support Marinette's actions and we can't have that, so instead Tikki gives this nonsense advice because she has to be against whatever "wrong" thing Marinette is doing today.

I could come up with a few more examples, but I think those two paint a pretty good picture of issue one re Tikki. However, when it comes to Tikki, my main issue with her is less a wealth of bad advice - unlike Plagg*, I think she's right more often than not - and more a lack of support. It feels like she's just here to judge Marinette and point out when she's doing something wrong, but a good mentor should be so much more than that.

Kuro Neko is a great example of this. When Chat Noir quits, Tikki just sits back and does nothing while her young charge is freaking out. She doesn't even try to defend Marinette when Plagg is going off about Chat Noir's "ill treatment". For all Plagg's faults in that episode, at least he's doing something about the situation. Meanwhile Tikki literally has two lines in the entire episode! A similar thing happens in Kwami's Choice where Plagg is the one driving them to act while Tikki just wrings her hands in despair.

Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.

These are not the actions of a mentor. Mentors aren't supposed to just offer judgement about things that their mentee has already done or is considering doing. They're supposed to be a source of support and guidance in hard times, but we never really see Tikki stepping in to give Marinette that kind of advice. If memory serves, she never offers solutions or acts as a sounding board. That role is mainly filled by Alya and I love Alya! It's good for Marinette to have support from a friend, but Alya is also a teenager while Tikki is an ancient being who has seen many Ladybugs go through the kind of struggles that Marinette is going through. I expect her to use that knowledge to help her charge, but she never does. This exchange from Passion perfectly highlights this problem:

Tikki: Don't worry, Plagg... my holder has decided to run away from her real feelings to pursue an impossible love with Cat Noir instead. Plagg: Uh, just to be sure, sugarcube, you do know that Cat Noir and my holder are one and the same person, right? Tikki: I do, but my holder doesn't. Plagg: If she declares her love to Cat Noir, something tells me she'll find out soon enough. Tikki: You have nothing to fear. When my holder is in love, she never gets anywhere. She'll just knit hats and make very complicated plans that will never come to fruition. Plagg: Hmm... ah, then everything's fine.

Tikki, I love you, but by the gods! With a mentor like you, Marinette doesn't need enemies to be miserable! Do you care about her at all??? What kind of mentor delights at their mentee's suffering? Not a good one, that's for sure.

*Quick note: I think that Plagg and Tikki are probably neck and neck for who has given the most bad advice, Plagg just feels like the bigger problem because we don't see him as much as we see Tikki. Since she's tied to the main character, Tikki gives advice in almost every episode and most episodes have decent morals.

Adrien's need for good advice can also feel more glaring because he's so isolated and passive. That makes Plagg's lack of good advice feel more harmful, but Marinette is just as isolated from real advice. Her mentor figures - Su Han, Fu, and Tikki - mostly give orders and judgement instead of support and guidance. It's just harder to spot that fact because Marinette is actively trying to do the right thing, meaning that she's more likely to make mistakes, and it's easy to see why she comes across as a lot less pathetic and a lot easier to judge.

[dunmeshistash]

Literally right after I saw one of ur Milsiril posts today I saw another person doing a Mithrun analysis with a huge focus on Milsiril only helping him bc of ulterior motives and it makes me sad :( She’s such a soft mum that would teach her children anything. If anything she’s less overbearing than my Chinese mother

What are the arguments? I don't really get what she gets from helping Mithrun. I guess the thing she would be able to get is making him fight the demon.

But like, she's no longer a canary and there isn't really much to hint that's what she wants. This is her part in Kabru's version

My boy really fairy tale-fied his backstory, it just ends with "And from that point onward Mithrun lived only to slay demons. He ate even though he had no desire to eat. He lived on, even though he had no desire to live."

Which is objectively false, in this version it really seems like she lets him live cause he can still be used, but he can't.

This doesn't really look like a killing machine that can be used to fight demons does it. Kabru as usual oversimplified what happened cause as he said "the world doesn't need to know personal things like that"

Again with his timeline vs Kabru's

Utaya started and ended while he was still recovering, 20 years from being saved to being appointed as a captain again. I know elves see time differently but even if we do the divided by 5 that's still the equivalent of 4 years of his life if he was a tallman. I don't think that's a negligible amount of time and honestly I'm happy Ryoko Kui considered that recovery from something so traumatic isn't fast or easy.

I said Milsiril only started to help with his rehabilitation after she retired because of this bit. "Mithrun. I saw a demon in Utaya" the situation from arrival to destruction was at most one year, I can't imagine she was able to leave in the middle of it just to visit Mithrun?

So I always assumed she did it after retiring (perhaps one of the first things she did since she's still in canary uniform)

Even if she left in the middle the earliest this could have happened is 498 so at most from his 20 years of rehabilitation Milsiril was with him for 2. At the most.

To me her smile here is cause she's seeing a way to motivate him to eat

Doesn't really look like someone sinister or with ulterior motives to me, she has her eyebrows slighty furrowed and a forced tight smile. To me it looks like she's worried. The other point is that right before this scene this is what she says

Here she has a soft smile as she remembers that he was someone similar to her. I think she didn't kill him because she saw herself in him, and I think she tried to help him for a similar reason. "It was such a warped, convoluted place built from inferiority jealousy lies and anger" "We might have hit it off pretty well"

She isn't saying that to judge him she's saying that and acknowledging he was just like her. I don't think the fact she relates to him would have been set up right before she tries to motivate him to eat to show "ulterior motives".

If anything I think the ulterior motive she has is that she sees herself in him, and wants to help him to help herself. Which as 'ulterior motives' go I think it's fine.

Everytime I talk about Milsiril I end up with a huge text lmao, I think I might be repeating myself too but I wish I understood the arguments for a sinister Milsiril using Mithrun. I don't really see anything in the extras that could indicate that. And the biggest "proof" is a intentionally abridged version of Mithrun's backstory told by Kabru that ignores all of his interpersonal relationships in favor of a easy to understand cautionary tale.

Oh yeah, and Mithrun's bitchy past self that didn't trust or like anyone saying it,

[iluvmattsbeard]

lost time (m.s)

master list

matt sturniolo x reader

warnings: nothing!

preview: your parents and the triplets parents have been best friends ever since before you guys were even born. you were sort of forced to grow up with the triplets. you and Matt were the closest. you two were hard to separate. but as you got to high school, you sort of fell off wanting to go do your own things. now as adults, you guys reunite and decide to make up for lost time.

a/n: i’ve been having so much inspo to write. you guys are keeping me motivated! i really appreciate it. listen to the song while reading, it really sets the scene. i encourage this with every imagine i write! LIKES AND REBLOGS ARE VERY APPRECIATED!

"Y/n!" you hear your mother shout out from excitement as she runs over to you. you put down your luggage before embracing her in a hug, "hi mom! I missed you so much." you say rubbing her back. "I missed you more Y/n!" she says pulling away, giving your dad a chance to greet you. you haven't seen them in months. you were currently living in New York after you finished high school. you always wanted to live in the big city. you were grateful for the opportunity you received. you were majoring in the Arts. it was something you always wanted to do, but being apart from your family in Boston was the hardest thing you've had to go through.

"let's get inside. we have something to tell you." your mom says with a smile. you nod as you grab your luggage but, your dad ends up taking it from your hands. "dad I got it." you say letting out a soft laugh. "no you're our guest." he says letting out a chuckle. you three walk inside the house and you take off your coat. it was currently winter time. that was the reason why you were back home. it was December 20th, five days before Christmas. you were home for the holidays. you hang your coat on the rack and take off your shoes. you walk around analyzing everything. it was still the same, except for the fact that it was decorated for Christmas. you head towards the Christmas tree as you reach out for an ornament that had your elementary school picture in it. "did you really have to add this?" you ask with a soft laugh. "it was too cute not to add sweetie!" your mom says handing you a mug of her homemade hot chocolate.

"thank you mom." you say taking it. "so, what was it you needed to tell me?" you ask taking a sip. "Marylou, Jimmy, and their boys are coming to spend the holidays with us!" you almost choke at your mother's words. "they're back in Boston?" you ask with an awkward smile. last time you seen the triplets, it wasn't quite the ideal farewell. at least with Matt it wasn't. you still talk to Nick from time to time, Chris would like your social media posts, and Matt? well, nothing was happening between the two of you. not ever since high school at least. "yeah! the boys still live with them. I think they're like entrepreneurs or something. Marylou tried explaining it to me but I didn't quite understand." your mom says. "they'll be staying here with us until after Christmas." she adds on. your eyes widen a bit, "oh? you failed to mention this before I got here?" you say with a nervous laughter. "well, I know it isn't ideal for you. I know you and Matt didn't quite leave off on a good note." she says.

-FLASHBACK-

"so what? you meet a whole new group of people that you decide not to spend any more time with me?" you say standing there with your arms crossed. "y/n, we were always together. we're older now. we don't have to be with each other every single time." Matt says frustrated. you scoff before responding, "so you're telling me you want to stop being friends?" he shakes his head, "that's not what I said. all I said was, maybe now we can just do our own things." he says. "well that's not what you've been doing. you've shut me out completely." you say with a hurt expression. "maybe because everything has changed Y/n. you know I don't hang around your crowd." he says catching you off guard. "so just because you gained popularity, apparently my 'crowd' isn't your ideal group of people?" you scoff before continuing on, "yeah maybe everything has changed. you changed." you walk away from him leaving him in silence.

-END OF FLASHBACK-

"they'll be here any minute." your mom says adjusting the centerpiece on the coffee table. you felt like your heart was going to jump out of your chest. you took constant sips from the warm mug as you sit down on the couch and wait. "you guys are adults now. you will figure it out." your mom says rubbing your arm. you didn't hold a grudge against Matt but, you still felt a sort of somber from the thought of what last happened. you suddenly hear a car pull up in front of your house. "they're here!" your mother says quickly getting up to rush over to the door. you stand up placing your mug on a coaster on the table before dusting off your corduroy pants due to your nervousness. "April!" you hear the familiar voice exclaim your mother's name. "Marylou!" she responds, happily embracing her in a hug. "is she here?" Marylou whispers to her. "yes she is! she's inside." your mother says before looking at the triplets boys. "Nick, Matt, and Chris!" she exclaims. "you boys are so grown up!" the boys smile with them shortly after embracing your mother individually in a hug. "hello Tyler!" Jimmy says greeting your dad, they end up doing a handshake.

after they all greeted each other, they finally headed inside carrying all their bags. you turn around swiftly as you see Marylou gasp from excitement, "my baby girl!" she says running up to you, hugging you. "hi Marylou, how have you been?" you say hugging back with a smile. "amazing now!" she pulls away looking at your mother, "April she looks just like you when you were in college." she adds on. you let out a soft laugh before turning towards the boys. Nick and Chris greet you with a hug before having a little small talk. Matt greeted you with a small 'hello' and awkward smile, which you did as well.

"i'm so excited for Christmas! it'll just be like the old days!" Marylou exclaims. "I brought the album book with photos of every Christmas we've celebrated!" "pull them out!" your mother says putting her hands together happily. now, you were all gathered around the couch as Marylou flips through the album book. "look how chubby your cheeks were Y/n." your dad points out with a chuckle. you felt your cheeks turn red from the comment as everyone laughs. "if only time would slow down." you hear your mother say. "I know. we're getting old!" Jimmy adds on. Marylou continues to flip through the book before landing on a photo of you and Matt smiling as little kids with missing teeth. you were both in matching Christmas sweaters as your head rested on his shoulder. "this is my favorite." Marylou says with a smile. you felt your heart ache from the sight of the photo. "you guys were so small!" your mom exclaims smiling. "yeah. now everything has changed." you blurt out with a fake smile. Matt turns his head towards you, shifting uncomfortably in his stance from the familiar words that came out your mouth.

·:*¨༺ ♱✮♱ ༻¨*:·

you guys just had finished eating dinner. “that was amazing April.” Jimmy says wiping his mouth. “very delicious honey.” your dad says rubbing his stomach. everyone thanks your mother as she smiles, “my pleasure everyone!” she says cheerfully. you decided to help your mother clean up the table. the triplets were lead to the rooms they’ll be staying in for the next days by your father. Marylou and Jimmy were settling into their room.

“Y/n, get out of this kitchen.” your mother says pushing you away playfully. “mom let me help you.” you say trying to stop her. “no Y/n! this is your break. go relax or something.” she says still pushing you away. “you’re really not going to let me help?” you ask letting out a small laugh. “no! now go!” she says smiling. you shake your head with a smile before walking away. you head up the stairs, walking into your childhood bedroom. you look around at the pastel pink wallpaper as you let a small smile appear on your face. you were reminiscing over all the memories that you had in here. you were glad to be home. you then hear a slight knock at your door as you turn around to see Matt. “hi” he says. “hey”. you reply.

·:*¨༺ ♱✮♱ ༻¨*:·

it was the next day, the mothers had plans to do some holiday baking while the dads just sat around and watched TV. Nick and Chris were out catching up with old friends as Matt stayed at the house. “Matt! Y/n! join us!” you hear your mom say happily. you walk to the kitchen as you see materials and ingredients laid out on the island table. Matt was on the opposite side of the island from you. “we’re going to bake gingerbread cookies!” Marylou says handing you and Matt aprons. you tie your hair back in a ponytail as you respond, “yummy”.

as you guys started it off, Marylou and your mother left it up to you and Matt to handle the cookies while they started to prepare this upcoming dinner. you were mixing the batter as you ask Matt to pour some flour on to the table. as he does so, you both took dough into your hands as you both talked. “i hope these turn out right.” you say. “me too.” Matt says with a smile. you guys just caught up talking about college as he talked about his career he started with his brothers. it felt nice to talk to him again. the conversation stops as he looks at your face, “wait hold on. you have a little something right here.” he says putting flour on your nose.

your mouth went slightly open from his actions as you let out a small scoff which turned into a smile. “oh really? because i think you have something on your whole face.” you say placing your floured hands on his face, rubbing it in. you pull away and start laughing, “oh you’re going to regret that.” Matt says with a grin, picking up more flour as he chases you around the kitchen. you shriek as you try to get away from him but he soon grabs you from behind, wrapping his arms around you as he rubs the flour all over your face.

“Matthew!” you exclaim. Marylou taps your mother trying to make her look at the scene that took place. “look April.” she whispers. your mother looks up and smiles. “guys! you’re making a mess!” your mother says laughing. your smile soon drifts away as you realize what was happening. you step away from Matt as you take off your apron heading straight upstairs. Matt just stood there feeling awkward.

later in the day, Matt knocks on your door anxiously. "come in." you shout out from behind the door. he opens the door stepping inside. you look at him before speaking, "what's up?" you ask sitting on your bed. you could tell he was hesitating to speak, "I think we should discuss about where we left off from the last time we've seen each other." he says sitting down next to you. "what's there to talk about? you made it very clear that you didn't want to be surrounded by me anymore." you say. "that's not true Y/n. at the time, I just felt like we were always together. I felt terrible for what I said. our friendship was great and I let it go stupidly." he says letting out a small breath.

all you do is avoid eye contact before he speaks up again, "can I make it up to you?" you look at him as you respond, "how?" “well i want to know you better now. you know, figure out what you’ve been doing ever since we fell off.” he says. you just look at him with a blank stare, “i don’t know about that.” you say.

“okay then let’s see…” he says looking at the time on his phone and smiles, "come on." he says standing up. "what? where are we going?" you ask confused. "just come on. put on a sweater." he says walking out your room. after a bit, you meet him outside as he stands there with his hands in his pockets. "Matt where are we going?" you ask putting your hands in your pockets. the snow fall was light, but the ground was coated white from earlier. he starts to walk as you follow quickly behind. "you'll see!" he exclaims. after a while, you guys were now standing at the park you use to go to as kids. "why are we here?" you ask smiling softly. "well, remember our snow days?" he asks. "of course I do. while Nick and Chris attacked each other with snowballs, you helped me build snowmen." you reply. "yeah. i'm glad you remember." he says crouching down bunching up the snow. "we're going to build a snowman." he adds on with a smile.

"this is how you're going to make it up to me?" you say crouching with him. he looks at you as he speaks, "to make up for the times we missed building a snowman." you look into his eyes for a bit before letting out a small laugh. you guys then continued to build a snowman. “it’s head is as big as yours.” you say laughing. Matt’s mouth opens slightly as he responds, “that’s so mean.” you both laugh and eventually after laid in the snow looking up at the starry sky.

“what are we going to name him?” you ask. Matt hums while he thinks before he thinks of the perfect name, “Louis.” you turn to face him as you hear the familiar name. Louis was the name of your childhood stuffed animal that you had matching with the triplets. “you remember Louis?” you ask. “of course i do. i still have his sibling.” he says which causes you to let out a small chuckle.

"I missed this." you hear him whisper. you stay silent as you thought to yourself. where was this effort back then? as much as you missed it too, you still couldn't forget. you sit up, "we should go before it gets any later." you say before getting up and walking away.

·:*¨༺ ♱✮♱ ༻¨*:·

you were out sitting on the porch drinking hot chocolate as you had thoughts. should Matt be given another chance? he had you where he wanted you before until he made it disappear. why now does he want to fix things? your thoughts were interrupted when you feel a figure sit next to you. you turn to see who it is to find out it's Matt. "can I still prove to you I want to make up for lost time?" he says quietly. you could tell he was genuine. "okay how now?" you ask. he gets up with a smile as he asks you to follow him. he gets in the car as you join him in the passenger seat. "where are we going?" you ask putting on your seat belt. "some place special." he says as he drives off to the location. you look out the window as you see familiar scenery. you fix your posture as you try to hide a smile, "don't tell me we're doing what I think we're doing." he parks the car and smiles, "come on let's go." he says getting out the car.

he opens the trunk to reveal the famous sled you guys built together with your parents in middle school. you gasp while covering your mouth. "you kept it?!" you exclaim. "of course I did." he says pulling it out from the trunk. "we're going to do our tradition." the tradition was a silly thing you both liked to do during snow days. you would try to get to the highest hill and slide down without trying to fall off. you guys always failed. you and Matt climbed up a steep hill as you look at him. he places the sled onto the fluffy snow as he sits down leaving space for you in between his legs. you smile as you sit in front of him.

"are you ready?" Matt asks, "yes I am but, how did we do this back then? I forgot how steep this hill was!" you exclaim. you both let out a laugh as Matt speaks, "well you know the drill." "try not to fall off!" you say as he slides down the both of you. you shriek from the thrill as Matt laughs. when you guys reach the bottom, the sled comes to a sudden stop causing the both of you to tumble over into the snow. you both laid there cracking up. "I knew that would happen." you say clutching onto your stomach from how hard you were laughing.

"I don't think we'll ever not fall." Matt says shaking his head. "maybe next time." he adds on. "yeah maybe." you reply as your guys' laughter calms down. it eventually got silent as you continued to lay there with your arms by your side. you did miss this. "do you ever wonder what could've happened if we stayed close?" you ask still staring at the sky. "I'm not quite sure." he says doing the same. little did you know, he was inching his hand towards yours slowly. you guys laid there as his fingers were nearly touching yours.

·:*¨༺ ♱✮♱ ༻¨*:·

it was finally Christmas morning, you were woken up by your mother shaking you excitedly. "Y/n! it's Christmas! time to get up." she says cheerfully. you rub your eyes as you look at her tiredly. "the triplets are already downstairs! come on!" she adds on before leaving your room. you get up and stretch before heading to the bathroom to do your morning routine. you put your hair up as you went downstairs. "good morning sunshine." Marylou says with a smile. "good morning" you reply smiling as well. "are you ready to open gifts?" you hear Chris say. "because we've been waiting." he adds on and you see Nick shove him.

"don't act like a child." Nick says to him as Chris rubs his arm. you let out a small laugh as you nod. you sit next to Matt and he greets you ‘Good morning’.

by the time all the gifts are open, everyone could be seen talking and laughing as you and Matt sit there taking everything in. "we need to make this a tradition again." your mom says. "absolutely!" Marylou says. "Y/n?" you hear Matt whisper to you. you turn your head to face him, "yeah?" you whisper back. "I got you a gift." he says. "you did?" you ask raising an eyebrow. he smiles and nods. "oh Matt... I don't have anything for you. I didn't know you were going to be here in the first place." you say with an awkward tone. "don't worry. I got this gift last minute. come with me." he says getting up. you look around as you notice nobody is paying attention. you get up as you follow him out the front door. "what plans do you have now?" you ask letting out a small laugh.

"well, I wanted to have this moment for just the two of us." he reaches into the car as he pulls out the same matching Christmas sweaters from when you were kids but in a bigger size. "Matt..." you say grabbing it slowly. "I think we should keep up with the traditions." he says putting on the sweater. you smile big as you do the same. "where did you even find these?" you asked looking down at the design. "I have my ways." he replies looking at you. you look up at him and smile, "thank you Matt." he smiles as he stands there rubbing the back of his neck nervously. "I have one more thing." he says. "what? how much stuff do you have?" you say letting out a small chuckle. "you need to close your eyes for this one." you look at him confused before responding, "okay? you're not going to throw a snowball at me right?" he lets out a laugh as he shakes his head, "just close your eyes!" he exclaims. "fine sorry." you say shutting your eyes.

you heard his feet shuffle in the snow before you hear the movement stop. "alright you can open your eyes." you hear him say. you open your eyes slowly as you see Matt holding up a little plant. "Matt, is that what I think it is?" you say as your eyes turn soft and you gulp. it was a mistletoe. he lets out a shy laugh as he speaks, "you don't have to if you want but, I wanted to see if we could start a new tradition since we're older." you look at the plant as you smile wide, "of course I do." you say looking into his eyes before pulling him slowly into a soft kiss. Matt drops the mistletoe on the snow as he attaches his hands onto your waist.

you slowly pull away as you both hear a click. you and Matt turn towards the front of the house to see Marylou and your mother holding out a camera smiling. “everything has definitely changed.” your mom says. you and Matt look at each other and laugh.

a/n: this is a little longer than my usual stuff! i hope you enjoyed this as much as i did writing it! LIKES AND REBLOGS ARE APPRECIATED! comment what you think about this and if i should do more taylor swift songs for my swifties.

[ariaste]

listen i've had a 100 degree fever for four days and i have not been able to string any thoughts together except for gently rotating Devil's Minion in my brain and the bleary conclusion i have come to is this:

we know armand is a control freak

we know armand has spooky psychic powers of imposing his desired reality on top of other people's lived realities

the interview is happening despite armand supposedly claiming that he thinks it's a bad idea

Armand gives in to participating in the interview awfully quick. including a theatrical reveal of his true self at exactly the right moment for maximum Drama.

therefore, stay with me here, I will argue that armand DOES ACTUALLY want the interview to be happening. Who else is going to be pushing for it? Louis??? If Louis pushed for something Armand didn't want, Armand would simply wipe it from Louis' mind and move on with his day. He has that power, and yet he didn't USE IT in this case. So that means that the little tissue paper objections are mostly for show and to camouflage his true intentions (see also, though: the scene in Paris where Louis comes in and is playing maitre and Armand offers just a teeny resistance of "oooh but i'm looking at Sam's new pages", so it's a documented behavior pattern). There is one exception, but we'll come back to that in a sec.

So then the questions are: Why does he want it to be happening now as opposed to any other time? What is his motivation for having it happen again at all? What changed between 1973 and now that caused this?

(the rest under a cut bc this is gonna get long and i don't wanna clutter people's dashes too much)

my wild fever hallucination theory rn is that armand (my canceled wife who i stand with) is manipulative and psychopathic enough that he may have looked at daniel at some point in the 1970s and said to himself "you know what, the one thing that I would change about him is if he was like 40 years older, because i'm kinda into that, and also maybe he hates me a little bit, because i'm kinda into that as well" and then set Daniel on the back burner to basically finish cooking into the Perfect Daddy Boyfriend.

so why is he doing this whole charade again? Because the first time Daniel had the interview, the end result was "omg omg omg make me a vampire PLEAAASE", right? So Armand's insane little brain is like "ok, so we do it again, and replicate the same results :) and this time i will win and get everything i want, just like always :))))"

Going back to the tissue-paper objections i mentioned above, the one exception that strikes true for me is when Armand tells Louis that he's lost control of the interview. What control? What control, babygirl? what are you trying to control about this interview? what is the goal that isn't being achieved rn? Are you worried that Daniel seems Jaded and Cynical and Unimpressed nowadays? Are you worried that Louis does not seem to be selling the Allure Of Being A Vampire as effectively as he did back then and that Daniel is not going to beg for it like he used to? Armand is so used to being around people who NEVER EVER CHANGE in hundreds of years and so maybe he has forgotten that mortals do change actually. Oh no. Science experiment cannot be replicated. Results are going awry. PANIC.

this would also explain why he keeps explaining himself to Daniel, censoring the diaries, and lying about his involvement in things. could it be that he thinks Daniel won't play along with what he's supposed to be doing (ie: being deeply into him) if he knows upfront that Armand is Fucknuts Crazy?

that is where he is wrong tho. Daniel thinks fucknuts crazy is irresistibly hot. Daniel "I want BOTH [to survive AND the book] >:\" Molloy, aka Daniel "YOU BOTH FUCKED LESTAT? :DDD" Molloy aka Daniel "Fascinating Boy" Molloy loves mess. he loves mess. he's an investigative journalist who interviews KGB agents and the most dangerous people in the world because he's an adrenaline junkie who sincerely loves the thrill of hanging out with people who might kill him. He has been chasing that high since 1973 (and I use that phrasing intentionally). Every time Armand tries to control the narrative and woobify himself and act like he's not absolutely insane bc actually he's innocent and blameless, he is shooting himself in the foot re: the pursuit of his endgame goals. And that's extremely funny to me. Bc Daniel's love language is "WHAT THE FUCK IS WRONG WITH YOU [enraptured, intrigued, captivated, fascinated]"

and in conclusion, that's why they're the ship of all time, ur honor. defense rests.

(will this make coherent sense once i'm not sick anymore? idk.)

[ninii-winchester]

Unveiled Sorrows (Part 1)

Dean Winchester X Reader, Sam Winchester x Reader (platonic)

Word count: 3k

Other Characters : Sam Winchester, John Winchester.

Warnings : spoilers for s1-5, heavy angst, canon violence, foul language, implied smut.

A/n: This series follows canon plot line but some scenes might happen differently or be completely changed. Check the warnings for each part before continuing.

I DO NOT GIVE PERMISSION TO COPY MY WORK, TRANSLATE IT OR POST IT TO ANY OTHER PLATFORM. REBLOGS ARE APPRECIATED.

Bad luck follows the Winchesters like the plague, they can't seem to outrun it. If someone asked Y/n to describe who the Winchesters were to her, she'd only have one word to say. Family. She wouldn't mind having bad luck on her tail if it meant staying with her family. Besides even if they can't seem to outrun it, they always fought it. And they always kicked ass.

Y/n was a solo hunter, a badass one at that, she never believed in partnering up with other hunters, because every hunter has a different motive and motives change. She's never trusted a hunter and she never would but that all changed a few years back when she met the Winchesters.

Now, typically one would think she'd dropped her guard because its 'The Winchesters' but she didn't. It was far from that. She met the two brothers when they were looking for their father. She told them to not waste their breaths since the man didn't want to be found. The two boys were curious as to how she knew about their father. She told them that she knew the man enough to know his intentions and that is, he didn't want to be found. The boys were intrigued by her and asked her to join them, help them find their father.

"I don't chase dead ends boys nor do I trust hunters."

That was the last thing she said before she walked out on them. The next time they met was in Manning, Colorado, Y/n was hunting the same vampire nest that the Winchesters were.

“I see you found daddy dearest.” Y/n said leaning against the Impala after they cleaned out the nest.

"I see you've met my boys, Y/n." John smiled.

"Yeah well they've been all over the place looking for you, kinda hard to miss." She smirked. Dean chuckled at her comment.

"You're a great hunter." Sam commented, a small smile gracing his lips. She nodded her head and she raised her beer bottle towards him.

"Alright, now my works done here so I'll be heading out." She said. "Later boys."

"Wait." Y/n turned to the owner of the voice. "I need your help."

"Did I hear it correctly? John Winchester asking for help I must've gotten hit pretty hard." She laughed. "What is it?"

"I need you to stay with them. We need all the help we could get." John said. "You're one of the best I know." Dean's brows furrowed at that, his dad complementing someone is big.

"And what makes you think I'd stay and help? I don't trust hunters. As if you didn't know that already. John." She gritted her teeth.

"I know but it's out there and you know it." John said knowingly. His sons looked back and forth between their father and the young girl.

"I don't know what you're talking about."

"Y/n." She knew what he was talking about, the yellow eyed demon. The one that killed her parents when she was a baby. The fire in the nursery when she was exactly six months old. Just like Sam. The Winchesters are obsessed with the yellow eyed demon and they wouldn't stop at nothing to kill that thing.

"It has nothing to do with me." It was the second time she walked away from them.

The yellow eyed demon killed her parents, she had been chasing the demon for years, it's what that made her the great hunter she is, that's how she met John in the first place but now she knew getting revenge wouldn't bring her parents back, it wouldn't bring her peace either. She needs to move on and focus on whatever life she has left. It may sound weird for a twenty two year old girl but that's how she thought.

But as if it was destiny. Y/n watched a truck crash into the same Impala she leaned on a few days back. She jumped out of her own car before calling 911.

"Damn it you boys." She slammed the car door as she got back in her car and followed the ambulance back to the hospital.

After John died, she decided she'd stick around Sam and Dean considering it their father's last wish. And the rest was history. If you'd ask her she wouldn't be able to tell when Sam Winchester became her best friend in the whole world. It might've been the fact that they share the same trauma or maybe that Sam compensated for Dean being a dick. Dean didn't like Y/n joining them, he didn't hate her per se, but he hated the fact that his father asked her to help them rather than telling them what he knew. They butted heads alot, both being stubborn and filled to brim with trust issues. They had a hard time around each. It took a while but they warmed up to each other.

Now for Y/n, the Winchester Brothers are her family. To them it's her. They've never hesitated to kill for one another and wouldn't hesitate to die either.

Sam and Y/n were deeply troubled when Dean started acting strange after a run in with a Djinn. Sam tried to coax it out of Dean but he remained unsuccessful.

"Hey, you." Y/n sat beside Dean as he tinkered with the Impala. He turned to look at her. "Mind telling me what's going on up there?" She gestured towards his head.

Dean froze for a second. He didn't know what to say. He couldn't tell her what the Djinn showed him. How was he supposed to tell her he saw her being his wife, them living the white picket fence life. The life he so desperately wanted yet couldn't have. She wouldn't understand. Nobody could. Even he couldn't understand why he saw her. Dean didn't love, as in committing in relationships. Dean loved, as in I would die for you but I'd never tell you that I love you.

"Nothing sweetheart, Its nothing." He smiled like he usually does. Y/n knew better than to push him. So she walked away.

The trio hunted down all sorts of supernatural beings. They stuck through everything together. Y/n was there when Dean stupidly made a deal to bring back Sam, she was there when the doors of Hell opened. She stuck by Sam when Dean was dragged to Hell. She even went up to the crossroads to sell her soul in exchange of Dean's. Clearly she was refused. When Dean came back from Hell, Sam and Y/n welcomed him back with open arms.

Everything was awful. It sucked but alteast they were in this together. They had each other and that's what all they needed. Y/n was there when they found out Dean broke the first seal in Hell and she was there when Sam broke the last. Y/n was there for the Winchesters when the apocalypse hit and she had hoped they would be together when it ends. They had been trough Hell and back together, literally, and she hoped her family would be by her side. But little did she know.

Dean hasn't been the same ever since he came back from Hell. Everyone noticed. He hadn't been sleeping, he kept drinking. He kept telling everyone that he doesn't remember what happened down in the pit. But he does, and little does he know, Y/n knew too. She could see it on his face that something is eating him away but she knew Dean, and she knew it would be a waste to ask because he wouldn't tell. She'd hear him scream at night, waking up from nightmares, she'd watch him drink himself to self to sleep only to be woken up by the nightmares, again.

The trio had turns sharing rooms while being on hunts, with whatever money they had they could only afford one room but when they could get two, they would. Y/n always shared with one of the boys since they don't want to risk her safety, clearly knowing she can handle herself but it helps them sleep at night.

"You know you can talk to me about anything right?" Y/n walked up to Dean as he poured himself another glass of whiskey.

"Sweetheart its 3am. What're you doing up late?" He ignored her comment.

"I could ask you the same thing." She shrugged.

"Its.." he started.

"Nothing." She finished for him. "I've heard it."

The two of them sat in silence as the clock ticked. Dean stood up from the the chair he was sitting on and made his way towards his bed. He dropped on it with a sigh.

"Dean." Y/n called out and he turned his face to look at her. "You don't have to carry the weight of the world on your shoulders. It's not your responsibility." She said softly.

"Isn't it though?" He asked sitting up.

"It isn't." She said firmly.

"You don't even have half the idea...-"

"Then tell me. Tell me what's bothering you, tell me we can get through this together." Dean shook his head at her words. "Like we always do."

"I started a goddamn apocalypse Y/n, I don't think there's anyone else to blame. Sam may have broken the last seal but I broke the first one. I..." Tears gathered in his eyes which made Y/n scared, if it was bad enough to make Dean cry, it was bad. She made her way towards her bed and sat infront of him.

"I know you broke the first seal Dean. You keep saying so but you never tell us what is it."

"Dean."

"They offered me to....they said they'd take me off the rack if i did the torturing. Time works differently there than here, for you it was four months but there it was forty years. They'd cut me up to nothing and then I'd be whole again and it'd start all over again. I held on for thirty years. But then I broke. I agreed and i did. And the most fucked up part is that I enjoyed doing it."

"It's okay Dean." She went to sit beside him and held him close. "You tried you best, you held on for thirty years Dean." She held back her own tears. "It's not your fault. If anything, I should be blamed equally for letting Sam fall for Ruby's trap. I should've been careful."

"No you're wrong if only I hadn't been so weak, if only i didn't break." He shook his head. "It was the first seal, a righteous man shedding blood in hell. I broke the first seal." He cried. She held him close hoping she could make him realise that it wasn't his fault.

"Now the refusal makes sense." Y/n mumbled under her breath.

"What refusal?" Dean sat up and stared down at her.

"Nothing." She avoided looking at him.

"Y/n." He said calmly but his tone was stern. "Tell me." Y/n looked away completely as she stood and turned away so she didn't have to look at him. "For the love of God tell me Y/n don't test my patience."

"I went to the crossroads demons but they refused. They said they had you exactly where they wanted, I didn't why back then, but now it makes sense."

"You did what?" Dean yelled and grabbed her arm to make her look at him. "You tried to sell your soul?"

"Dean."

"Don't Dean me.!! God damn it." He yelled and Y/n wondered how the hell Sam didn't hear them for the thin motel walls.

"Yes i tried to sell my soul so what huh? You're not the only one who cares okay? I wouldn't have minded giving my soul to bring you back." She yelled back.

"You can't go around doing stupid shit like that." Dean exclaimed clearly on the verge of losing his mind.

"Why do you get to deci-..."

"Because I can't lose you." Dean snapped cutting her mid sentence. He grabbed her by the waist and pulled her closer. He cupped her cheeks in his hands. "I can't lose you, sweetheart. I'd happily go back to hell if it means keeping you safe." He said resting his forehead on hers.

"Dean..."

"Please, promise me you won't pull another stunt like that. I can bear those scratches and cuts on you from hunts but this is where i draw the line."

"Dean this isn't fair." She cried.

"There's nothing fair in this life, sweetheart. I've got angels on my ass asking me to say yes to being another angel's bitch. Do you think that's fair?" He chuckled a bit. Y/n shook her head. "Cmon darling, I'm waiting on that promise."

"I promise I won't try to sell my soul. But that's it."

"I can work with that." Dean looked at her teary eyed face as she looked up at him. "If you keep looking at me like that, my resolve will break." He said huskily.

"What're you talking abo-.."

"I really can't take this anymore." Dean mumbled before smashing his lips against hers. He knew he shouldn't have done that, he blamed the alcohol in his system, he tried to pull away as soon his brain registered what he had done but she snaked her arms around his neck and pulled him closer.

His hands immediately went to her waist and picked her up. He gently laid her on one of the beds and hovered above her.

"Please stop me right now or I won't be able to." He murmured against her neck, as he placed soft kisses against her skin.

"I don't want you to." Y/n pulled him up for another kiss. She tugged at his tshirt which he gladly removed. Their clothes were thrown around haphazardly. The two of them continued to bask in pleasure and euphoria as the night progressed they ended up falling asleep in each others arms.

The sun shone through the window of the motel room. Dean had woken up from his slumber as he felt Y/n stir in her sleep. He looked at her sleeping figure and smile appeared on his face. The ringing of a phone made Y/n open her eyes.

"Good morning, sweetheart." Dean pecked her lips and grabbed his phone from the nightstand.

"Morning." She snuggled closer to him.

"Sammy." He answered the phone. "Yeah, uh huh... yeah no, she's still sleeping.." He waited for Sam to finish speaking. "Alright see ya."

"Remind me again, why're we here?" Y/n yawned sitting up, clutching the sheets to hear chest.

"Here as in my bed or here as in this town." Dean grinned as he pulled her into his chest. Leaving kisses on her neck.

"Dean.."

"Well Sammy thinks this girl killing another girl in a school bathroom is our kinda gig. He called to ask if you wanted to tag along to the mental hospital for interrogation i told him you're asleep."

"I see. Breakfast?" She turned to look at him.

"Sure sweetheart." He caressed her cheek. "Shower together? You know it'd save time." He smirked.

She rolled her eyes and went inside the bathroom but she didn't close the door. Dean understood and immediately joined her. To no one's surprise, they just showered together. Dean might've stolen a kiss here and there but that was it.

After shower the two of them got ready and met up with Sam. Y/n sat in the backseat of the Impala as they waited for Sam. As Sam told them what he found out Y/n spoke,

"I don't know if this is our thing Sammy, high schools can be brutal."

"You sound like Dean." Sam retorted.

"You're calling me dumb Sammy?" Y/n fake gasped.

"Sweetheart I'm offended!" Dean feigned hurt.

"Shut your trap you two. Im telling you she said she felt like she was possessed."

"Fine." Y/n groaned and they decided to check out the school.

Truman High School.

"Didn't you say you two went here for a while?" Y/n said as they walked down the hallway.

"A week." Dean replied.

"Reminiscing huh." Y/n teased nudging Sam with her shoulder and he rolled his eyes.

It did turn out be their kind of thing. First they found it was Sam's friend's spirit that was haunting the halls of the high school. After Salt and burning his bones they found out that Sam's friend's bully was messing around too.

"You just had to surround yourself with shitheads didn't you.!" Y/n exclaimed to Sam as they tried to find the piece of hair that kept Dirk's spirit connected to this world.

"I do keep you around so.." Sam shrugged with his famous bitch face making Dean laugh. 

Dirks spirit appeared at and lunged at Y/n who was standing the gate of the bus. He grabbed her in a chokehold while she tried to elbow him. Sam immediately shot him with his shotgun making him disappear but he appeared again. He grabbed Y/n by the arm and threw her at the nearest tree, knocking her out cold.

While Sam tried to wrestle the spirit Dean found the hair, burning it making the ghost disappear.

"Y/n." The two boys rushed to her side and helped her up.

"Hey hey...sweetheart you hear me?." Dean patted her face.

"Im alright." She wheezed before sitting up. "Son of a bitch." She groaned. "Is he gone?"

"For good." Sam replied.

Tags:

@spnfamily-j2 @galway-girlatwork @queensilber

[chenya-my-love]

Fictional Yuu

I see a lot of people basing Yuu off of characters on TV and in games. They'll have characters (usually Idia) make refrence to this fact but usually in just a throw away line. But nobody really leans into the idea of Yuu actually coming from some fictional media in Twisted Wonderland.

Like imagine some character like Cater, or maybe Vil while advertising the VDC, posting a photo with Yuu in it. Only for some random account to comment "That's an amazing cosplay, it looks so much like the character". And of course they're confused, they keep looking for who in the photo is cosplaying but nobody is there. Eventually just asking the commentor who was being cosplayed. The comment is simple.

"Right next to you. That's Yuu from (insert anime/game name here)". They don't believe it until they look up the listed media and sees the character they think Yuu is cosplaying and are shocked. They look identical to Yuu (except animated). Their name, looks, and personality are all identical to Yuu. It is Yuu.

I see two (techincally three) routes this could go. A RomCom route and an angst route.

The romcom route revolves around Yuu having a canon love interest making the boys jealous (regardless on whether they entered a relationship yet or the plot was still building it up) and trying to imulate them.

Like all the wikis say that Yuu's feelings blossomed after the love interest nursed them back to health when they were sick, so the moment Yuu gets sick the boy is just rushing to Ramshackle to take care of them. Or if Yuu caught feelings first and it was some romantic moment, the boys try to emulate that scene so Yuu will fall for them too.

But than we have the angst routes.

A scenerio where all the boys decide to watch the anime/play the game that Yuu is from. Only for Yuu to catch them, quickly learning that they're fictional.

Yuu realizing that all their memories were made up, and if their a playable character all their actions were being controlled. That all their suffering was pointless, that it was done simply to make them more interesting or to entertain a bunch of other worldly beings that Yuu didn't know existed.

Yuu having an breakdown over everything. Their life isn't even their own.

Or

While learning about Yuu's world and story, they learn Yuu dies. And not just a shock value death that could be removed from the plot without care, their death is important. Their death leads to the ending whether that be Yuu sacrificing themself for the greater good or Yuu's death motivating the protag to take down the villain.

All that matters is that Yuu dies and Yuu needs to die. The story can't progress without Yuu there.

The boys realizing that if they send Yuu back to their world, their pretty much signing Yuu's Death Certificate. And Yuu doesn't know. The boys now know that Yuu is doomed by the narrative and is destined to die in the end, but Yuu doesn't. They can't even tell Yuu cause Seven only knows how Yuu will take the news that not only are they fictional but they're also destined to die.

[mrinafria]

The person who saved my life, and the person who made me want to live again, were all you.

Writing this to echo what @thedeathdeelers said in her post. I'm a Seon Jae softie through and through, and yet, when anyone questions Im Sol's choices or calls her names, I want to flip a table pretty much because have you seen the effects her choices have had on people?

Because of Im Sol's choices her mom doesn't have a burn injury on her hand.

Because of Im Sol's choices their house didn't completely burn down.

Because of Im Sol's choices Hyun Joo finally has the best of both worlds, with no regrets about letting go of something for the other. Her brother who was struggling with no motivation or luck whatsoever is definitely better off now.

Because of Im Sol's choices we even have a Tae Sung in the story, otherwise all we knew at the beginning, in episode 1, was he was some guy who dropped out of school after getting into a fight over something. Not the best first introduction to a character (who goes on to become the best second ML ever). I am the most proud about Tae Sung's transformation, because you can see that even in high school, underneath the 'bad boy' facade, he craved some genuine care and attention and guidance, which Im Sol the haelmoni, the yeppo noona provided.

Im Sol's choices allowed Seon Jae in Alt 2023 to live guilt-free for 14 years (where they confess), instead of him suffering that mental anguish and longing for 15 years out of guilt which the OG Seon Jae had to go through. And we all know what my feelings are about that version of him.

Because of Im Sol's choices, Sonagi exists (/-ed). Because if the 19yo Im Sol had not held the umbrella over him, giving him that dazzling smile of hers that is sunburst and blinding and contagious, capable of stirring storms within the heart, our boy would not be smitten and a loser and a goner for life (well, lives). And now we all know what that means when she chooses not to do that.

If Im Sol's choices have made anyone's life harder, it's Im Sol herself. She carries around the memories of THREE++ timelines, with the love of her life dying/almost dying in EVERY one of them. She goes through life as if she really didn't live through all that trauma that is enough to drive someone insane. She knows her Seon Jae is gone, for good, and all she has are memories that don't even exist in this timeline, memories that not even a single person can corroborate. You know how utterly helpless and hopeless that sounds like? She has a person in this timeline that resembles her Seon Jae, but she has to constantly remind herself he is not her person, her Seon-Jae, he better not be if she wants to see him alive. Going around in the city and seeing his posters/ads with his face on it, or stumbling onto him and seeing him staring at her with no recognition whatsoever? It's not easy. Becoming a complete stranger to someone who was once your everything, who could've been your everything. Not easy.

And she decides to carry on with life still because deep down she knows that's what Seon Jae would want, that's what Seon Jae had taught her: to live for the people who are thankful to have her around, to live to see another day, rain or shine. She loves life, lives life, as a token of gratitude to Seon Jae. She lives because when she says You saved my life, and you made me live to him, those are not just words she is casually throwing around. She is thankful that he made her find reasons to live one more day, and she is going to pay him back by living a worthwhile life. Because Seon Jae truly wants/ed that. He literally died wanting that, putting her life before him, because he wanted her to live, and by living, I mean not just breathing and spending the remainder of her life with survivor's guilt. Going back to this epic confession scene, he says all that because he is afraid of how Im Sol would go on with her life if he's no more. Here, he wants her to know that she doesn't need to blame herself, or suffer, because it is his choice to save her, and it'll all be worth it to him if she gets to live the best life she possibly can.

Just like Seon Jae in any timeline never stopped living or appreciating the good things in life despite longing for Im Sol for more than a decade, she will live and keep her love for him alive through herself. Even if she comes back home at the end of the day to cry in secret, or breaks down in tears in public places.

If Im Sol didn't make the choices she did, we won't have a Seon Jae to begin with.

[cheekinpermission]

I wanna talk about the scene in the museum with Azul...

(SPOILERS FOR BOOK 3 AHEAD. ALSO LOTS OF RAMBLING! :D)

During Ch. 38 of Book 3, Azul and Yuu have a short conversation post-overblot in the underwater museum place. I always felt that this bit of dialogue was weirdly charged? The whole scene felt very intimate to me (and the soft music in the background doesn't help lmao), but I never knew WHY since nothing said was inherently romantic.

So, I went back and re-read through every post-overblot and realized that Azul is the only who who has a one-on-one conversation with Yuu after their overblot??

It's rare enough to have one-on-one conversations between Yuu and another character, but then Azul goes a step further. He's the only one to open up to Yuu about his problems:

Some of the other overblot boys talk about their problems, but not to Yuu specifically. It's more of a declaration than confiding in someone, you know? (E.g. Riddle talking about how he prefers milk tea even though the rules stipulate lemon tea)

We, the players, are shown flashbacks of the overblot boys to explain how they reached this point but I can't recall if Yuu is privy to this information as well. (It's theoretically possible since Yuu already has visions / dreams of the Great Seven, but no one ever mentions it so who knows. I'm personally on the side of Yuu NOT knowing because it feels a bit invasive that they'd have this knowledge of people who weren't ready to share it.)

Regardless of whether Yuu can or cannot see those flashbacks, Azul is the only one to willingly talk about his motivations to Yuu. For Azul, this is especially important as he's so protective of his image as a clever and upstanding housewarden, and yet here he openly admits to Yuu that he was a bit of a loser as a kid (his words not mine!).

I guess you could argue that he felt there was no reason to hide it anymore since Yuu already saw him as a chubby octopus baby, but he didn't have to talk about it at all if he didn't want to. But he did. On his own. With no prompting. (Really, though. Yuu can either say they want to make sure he puts the photo back or that they're worried about him, and either way he drops his lore on them lol) And then Yuu tries to help him feel better??

To my knowledge, Yuu doesn't do this with any of the other overblot boys, either. I could have missed it during my research, but if they did it wasn't nearly to the same extent as with Azul.

I still don't know why Azul felt like opening up to Yuu. He didn't have to, but maybe he wanted to? Maybe he wanted to try his hand at being genuine for once and felt Yuu was the least intimidating person to do it with (the magicless human that they are). Who knows? I wish there were more scenes like this. It makes Yuu feel more included in the story. I also think it shows a lot of growth on Azul's end to open up about his problems to Yuu of his own volition.

I'm not sure what I wanted to say with this post, only that I wanted to get my thoughts out there about this scene because it always stood out to me. I felt there was always an undercurrent of something and I think it's because this was the only post-overblot private conversation we got with Yuu and an overblot boy, plus the added encouragement from Yuu at the end.

I'm curious to know if anyone felt the same way about this scene or if I'm just imagining things. I'm also interested in hearing any theories why Azul suddenly felt the urge to open up to Yuu, if you've got them!

Thanks for enduring my rambling!

Bonus!

Azul's so funny for trying to play it off all cool like he isn't doing flips and princess twirls in his head rn. Yuu laid it on THICK. We all know he's freaking out internally.

[elbdot]

Hello I am back with more lore questions about your comics if u wanna answer 👀 (I looked back, but couldn't find this mentioned so sorry if I just missed it 😅)

I was curious since the comic starts after all the main plot stuff has happened: we know El is the Champ of the Alola League, but did she also do the island challenge trials like in the game or was she just traveling around with Hau while he did his? If she did do the trials did you make up a reason why the kahunas would let her, despite being well over the age limit for it? If she didn't was there some other motivation for her building her team up enough that she could beat the league when it was finished?

We're basically playing out the original story of SM with some changes!

Originally El just wanted a FUCKING VACATION and came from Hoenn after receiving a letter from her mom, to come to Alola and help her move into their newly bought appartement. But then Kukui busted through the door to welcome them and El's mom insisted on her coming with Kukui to get to know the locals while she'd continue setting up the place in the meantime. El didn't have any of her old Pokemon with her, as she heard of the strict laws of letting "invasive species" into Alola and she didn't want to deal with the paperwork, especially since she assumed she'd only stay in Alola for 2-3 weeks at best. Kukui showed her the way to Iki Town, talked about their customs, wanted to introduce her to the island Kahuna. When they couldn't find him, Kukui suggested he might be up Mahalo Trail, but stays behind in case Hala might come back from Hauoli City instead. El checks it out, she meets Lillie, the saving-Nebby-scene plays out where Tapu Koko rescues Nebby and El, El unexpectedly receives the sparkling stone from Tapu Koko that Hala makes a Z-Ring out of. Due to the incident, Hala encourages El to partake in one of Alolas oldest traditions as a way to get accustomed to Alolas culture but also to welcome her into it and keep an eye on her, with Halas and Kukuis interest being sparked by the appearance of their deity. The fact that she's way over the age of regular trial goers is not a problem, Tapu Koko must have given her that stone for a reason so Hala simply follows the will of the Tapus and is interested to see how El's journey will play out.

El feels honored being so welcomed by the Kahuna himself and is also too polite to decline partaking in the island challenge, even though she wasn't really interested in going on anther journey and building a new team of Pokemon...wasn't this supposed to be a vacation aside from helping out her mom??

But her mother is surprisingly supportive of El going on the island challenge, as she feared strangers like them from Kalos might have a hard time fitting in and making friends with the locals. She's okay with El not being able to help out setting up the house, as in her opinion "You're doing your part by learning everything you can about the region and getting to know our new neighbors."

After getting to know Hau the next day during a Festival in Iki Town, El starts to feel more like Hala specifically put them together so someone would keep an eye on Hau while the old Kahuna is unable to. Babysitting it is then. GREAT. But the innocent sweet little sunshine that is our Malasada Boy QUICKLY grows on El and she takes looking after him VERY SERIOUSLY and becomes the Mom-friend of the group. She downright enjoys looking after the shy Lillie and the joyful Hau while getting to see so many of Alolas amazing sights. She also greatly enjoys Kukuis company I might add...

Until she finds out he's taken. FUCK. GODDAMNIT. OF COURSE HE FUCKING IS AAAAARRRRRRRRGGGGGGGGGGG "No Hau I'm not depressed. No I don't act strangely hostile towards Burnet what are you talking about nooooooo pass me the Malasada Hau. EW. It's BITTER. WHY'D THEY SELL THAT. I HATE IT HERE"

Don't worry, she recovers... El really starts to get into the challenge after a while. She was never a fan of challenging Gyms and greatly enjoys the different Trials she gets to go on instead. Alola quickly becomes her favorite region for the lush beautiful nature, the incredibly kind people and the Pokemon she meets along the way. Her team is unbalanced, but that's what makes her grow more closely together with her Pokemon than any previous team she had before. Beating trainers is a challenge due to the many bug-and flying-types on her team, she has to strategize more than ever before to make it work and be able to defeat the Kahunas. Her Oricorio Sweets would become her Partner Pokemon in the end, when she survived multiple hits from Kukuis Incineroar, holding on to 1 HP multiple times because of how determined the little bird was and how much she loved her trainer, defeating Incineroar in the end.

(This was my OG Team, only Sweets and my Golisopod Titan made it into the comics in the end, her Decidueye and Vikavolt are on Mohn's Pelago, Fletchinder I'd actually still like to include at some point)

El didn't expect to stay in Alola. She didn't expect to build a new team or even join the League or becoming CHAMPION of all things... Let's be real, Kukui didn't really give her much of a choice in joining. After Hau and El finished their island challenge, it was more of a "might as well join the League I just finished building" from the Professor, since before it was built, the final challenge WOULD have taken place on Mount Lanakila anyway. But what surprised El the most, was the fact that, after winning, she was offered the position of Champion by Kukui at all. IF she would have won, she thought, surely they'd not let a stranger like her actually keep the title and defend it. But NOPE. All hail Alolas first champion El I suppose. And with this, it was clear that El had to extend her stay in the region. For an...unforseeable time.

[wekiaam]

2D NEWSIES: What I would change

I just realised I've been making fake concept art for a nonexistent animated Newsies adaptation for four years now. Over time, I've been getting so many ideas for this adaptation if it ever became real, I thought I would share them with you guys! This includes story changes, cut and additional songs and ideas for characters and style. I would love to know your thoughts on these!

When I started making concept art for "2dsies" as I came to be called, I intended for it to be based on the Broadway version and the Broadway version only. However, stories on stage differ a lot from stories told on screen, it just doesn't work the same way. I do still prefer the storyline of Broadway Newsies, but I think the best version would be a combination of the best parts of all different versions, plus some necessary changes. I would want Newsies to be a love letter to every production we've had, to everyone who made happen and every theatre kid who's been geeking out over it since 1992, while also being its own standalone movie that can be enjoyed by anybody. I am in no way an adequate screenwriter, these are just a few suggestions I have for a better story!

Story

Like I said, the story will be based mainly on the Broadway storyline, meaning we still have Artist Jack, Katherine, and most elements from the show that aren't in the movie. It will, however, be quite different from the show and the movie, and maybe add some more of the real events from the newsboy strike. There are still some details and scenes I would like to add and some I would remove completely.

- I like the history lesson opening from the movie, it gives people just enough background information on the real historical events the story is based on. I don't know if it should be Racetrack or Jack narrating, though.

- In Santa Fe (prologue), Crutchie mentions he's afraid the other boys will find out about his bad leg, even though they all literally know him as Crutchie, and it seems to be the first time Jack tells him about his dream of going to Santa Fe, even though they've clearly been best friends for a long time. It feels off, UNLESS they only just met, which is why I love @raggedy-albert 's theory so much. I would have the scene start off with them as kids, and have them grow up throughout the song.

- I want to add a scene in the beginning of Katherine at the New York Sun to establish her character and motivations, and possibly a little foreshadowing. Just an idea for a scene; she goes to the editor to let him read her story covering the trolley strike, but he reminds her of "her place" and that she's lucky enough to be in the position she's in and that she should go review a vaudeville or something. This would not only give her a similar motivation to the newsies, but also, if we're gonna bring the women's rights movement into the story let's do it right!

- Of course I'd also like to add more romantic interactions between Jack and Katherine, to make their relationship more believable. However, I don't think they should be a couple immediately after the finale, I was more thinking of an open ending to their relationship where Jack takes his first step to staying in New York by finally asking her out.

- Maybe add the actual scene where Jack and Davey visit Brooklyn instead of having them tell the other newsies what Spot said right before Seize the Day. Show don't tell, you know?

- A scene where Jack visits Crutchie at the refuge, similar to the one in the movie, but with the sadness Jack describes it with in the show. Again, show, don't tell. Show me how Jack visits the place of his nightmares again only to find his best friend in a worse state than ever and being unable to save him.

- Katherine punches Jack after the rally. Give it to me.

- Additional scene after Jack and Katherine's song after the rally where Jack formally apologizes to the newsies. Because in the show it just cuts from "omg he's a sellout *spits on the floor*" to "yay captain Jack is back" and it just doesn't sit right with me.

Songs

- There should be an entirely new Pulitzer song. The Bottom Line is good but by far the most skippable song on the cast recording, and The News Is Getting Better (the off broadway cut song) is a little Better but not quite the evil capitalist song we need.

- Swap Something to Believe In for When I See You Again. It's such a sweet song and I think it suits Jack and Katherine a lot better. It's much more "Neither of us know what tomorrow brings but when I'm with you I know we can change things for the better, even if it's scary but for now let's be here together and forget the world for a bit" instead of "I love you but I'm still gonna chase my cowboy dreams"

- Cut Letter From The Refuge, since my idea was to have this be a scene instead.

- Some lyric changes!

In Santa Fe: "Crutchie's callin' me, he's fine, just too damn slow"

In Once And For All: add this lyric from the movie, "Better to die than to crawl".

In Seize the Day: "Friends of the friendless seize the day, raise up the torch and light the way", not in the song but in the reprise where all the working children of the city gather before the finale.

Additional: "Still it seems like the dream of a boy, not a man", from The Truth About The Moon, a cut song from the movie that was supposed to be sung by Sarah. I don't know where I would put this lyric, but it could be said or sung by Jack as he realises what he's really looking for is not actually Santa Fe.

Characters:

- I want to add more girls to the background newsies, first of all.

- Sarah still won't do anything for the plot, but Davey and Les could mention that they have a sister. She's still canon to me.

- Speaking of Les, let's make him more likeable and also more helpful.

- Snyder has two scary dogs with him at all times.

- Just and idea, maybe Denton could still be a character if we replace Darcy with him, or maybe combine the two. Have him be Katherine's chaperone and friend formally, but also her reporter bestie. They could be a fun journalist duo!

Style

- The movie will still include the iconic choreography, which means it couldn't be fully 2D, but rather a mix between hand drawn and CGI.

-I would love for the backgrounds in the movie to be similar to impressionist and romantic art styles from the 19th century, to really sell how it's a story told from Jack's perspective. Especially his dream-like imaginations of Santa Fe would be brilliant in this style.

- I want to include a lot of weather foreshadowing. Rain right before Seize The Day and the sun breaking through when Davey starts singing. Mist surrounding Snyder and sudden darkness whenever he's near. A beautiful sunset when Jack and Katherine are alone on the rooftop. And of course, partly cloudy, clear by evening. It's such a cool way of visual storytelling when you have a plot that has no magic involved, like in most Disney movies.

- The real people characters' designs (Pulitzer, Hearst, Roosevelt) can be based on political cartoon caricature versions of themselves.

And lastly, quotes from the movie I liked that could be inspiring for the animated movie:

-"When I created the World..." "🙄" and "Where was I?" "You created the World, chief?"

- "No, we'll be just a bunch of angry kids with no money"

-"What, you couldn't stay away?" "Well I guess I can't be something I ain't." "A scab?" "No, smart."

Many of these ideas are still in development. Some might work, some may not, but I will be basing any future work I'll post on here on these ideas. I would love to see you guys  discuss and add on to these!

[aeternallis]

It may be a bit of a hot take, but imo Kimchay has always been the most insidious of the three canon couples in KPTS, and I just love that for them.

It's deceptively easy at first glance to assume they're the healthiest/softest couple in the show, because at the onset of their relationship, they meet under the best of circumstances when compared to the other two. They don't have any questionable explicit scenes, and their storyline is almost cut off from the intertwining web of the other two couples' storylines.

But with the exception of their first meeting at the open house, every interaction thereafter—no matter how kind Kim acts, whatever feelings he begins to have for Chay, no matter how guilty he looks each time—takes place against the backdrop of Kim's hidden motives and the looming truth of who he is.

It's always been fascinating to me how KimChay stands out against the other two couples, because unlike Porsche and Pete who have the physical prowess to fight off Kinn and Vegas respectively and reinforce the boundaries they have when these hardheaded mafia men disrespects their autonomy, the only thing Chay has going for him in order to reinforce said boundaries is through mental fortitude. Being blunt with Kim about minding his own business, not answering his call, blocking his number...all these things shows the level of self-respect Chay has for himself when he's been wronged.

We the audience knows this, this isn't anything new. What Chay lacks in physical capability, he more than makes up for by that metaphorical spine of steel.

That’s not to say that I’m minimizing what Porsche and Pete went through; all the Theerapanyakul men are underhanded in some form or another. Porsche and Pete too have the capability in talking back through their own mental fortitude; they would have to, considering the lives they’ve lead thus far. But when push comes to shove, these two also have the added fighting capability—earned through a lifetime of hardship and necessity—to stave off the mafia men’s physical aggression, as we see a couple of times in the show. It’s partly through this fighting capability that they earn Kinn and Vegas’s respect, that they learn the hard way that Porsche and Pete won't be bullied so easily.

I cannot stress enough the fact that there is a difference between loving someone and respecting them.

The honesty between KinnPorsche and VegasPete has always had a brutal edge to it; I think it's why they both get a happily ever after (at least where we leave them off in the show), because they've already seen the worst of each other.

But we know that Chay in contrast isn't a fighter, if his immediate reaction to the kidnappers is anything to go by. One would think that this isn't his first rodeo with an attempted attack in his home (loan sharks and all that), and he’d know some self-defense considering who his brother is. Yet still, his instinct was to call for help, as he probably would do the same had Porsche been there with him.

But as we see in the show, Porsche’s overprotectiveness of Chay is to a point that it becomes detrimental to his safety. After all, why hasn't Porsche taught Chay to defend himself, if they've had experience before of getting harassed in their own home?

It's through mental fortitude alone that Chay can perfectly match Kim, because there is no way for this boy to fight off Kim’s aggression in the way Porsche and Pete can with Kinn and Vegas respectively.

And before I go on, I don't think there's any need to argue that Kim would never show or point towards Chay so much aggression, not when he's already done it:

The only reason Kim let go of his hand in this scene so easily is because he was stunned by Chay's antagonism towards him (besides the fact that he was butthurt af when Chay outright calls him out). This scene, along with the scene before it and the bar fight scene, heavily hints at the sort of aggression that Kim is potentially capable of showing/pointing towards Chay. (I wonder what was the stage direction given to Jeff in this scene that Barcode had to yank his wrist back that hard, yknow?)

I'm pretty sure this was partly the point of this scene below; it begs the question of that unknown dimension between the two of them:

But getting back on point: Chay only has his mental fortitude to match Kim and reinforce his boundaries, but even then, it’s not completely foolproof; given enough time, Kim can find ways to disarm Chay, as we see in their final scene together.

And of course it goes without saying, there are moments in the show where it's very obvious Kim truly returns Chay's affections, even moved and inspired by him. But ultimately, even where the audience is left off in terms of where their relationship is at, Kim doesn't respect him—or rather, he doesn't respect the boundaries Chay has drawn in the sand between them.

If Kim had truly respected those boundaries, he would not have reached out the way he did. He would not have reached out with an unknown number, in order to bait Chay into clicking that video link. He would not have used Chay's own song to re-write it into a love song for him.

Because for all of Chay's mental fortitude, in the end, even if Kim himself did not see Chay's reaction to the video, the end result he likely wanted came about: he found a way for Chay to pay attention to him again and more than that--hold that attention, because Chay doesn't delete the video.

Everything this final scene together entailed is arguably calculated on Kim's part. After all, nothing has changed: it happens against the backdrop of Kim's selfish motive. The motive has changed (from getting information on Porsche to getting Chay back/to forgive him), yes—but the nature of it hasn’t.

I think that's what makes Kimchay's relationship the most insidious of the three in my eyes, because despite everything they've been through so far, Kim still doesn't respect Chay's boundaries, not at this stage of their relationship, if ever. Besides that, Kim can and has found ways to counter Chay's strongest asset, to bring his guard down if you will.

And Chay has nothing else he can use against Kim to reinforce his boundaries, not fighting capability and certainly not distance, alas.

There is definitely a level of selfishness in Kim that surpasses the selfishness also inherent in Kinn and Vegas due to their upbringing, yknow?

It's why they hold my attention so much, I think: the sheer potential they have to become the most unhinged couple in this story, and how much I'm drawn to it like a moth a flame~

[shy-taylorsversion]

Want You Back | Dean Winchester x Fem!Reader

Inspired by Want You Back by Maisie Peters

Pairing: Dean Winchester x Fem!Reader

Summary: Over a year ago, Y/n started hunting with the boys. Her and Dean's friendship became more than anything she ever had before. Then he hurt her like never before. The worst part was she didn't really care.

Takes place somewhere in season 6 after Sam got his soul back. Flashbacks are during season five.

Word Count: 4k

Warnings: Cursing (minimal), canon-level violence, few innuendos, and mentions of things. Reader is kinda sad and desperate. Angst. no happy ending :(

A/N: Hi!! After a year of trying to write a complete fic to post, I finally did it. Please excuse any grammar or spelling errors, I relied on Grammarly lol Also I had no idea how to write the action scenes but tried my best. I really don't know if this is worth much but I had so much fun writing sooo I hope you enjoy it!! (gif not mine)

March 2010

  Y/n’s phone buzzed, drawing her attention from the hunter drunkenly blabbering in her ear. They’d just wrapped up a quick hunt, a werewolf somewhere in northern Montana. She didn’t even really know the guy but Bobby had given him her number to ask for help. She agreed, not really having anything more to do. He was fine for a hunter, other than he never shut up and was getting too handsy for her liking, and him being on his fifth drink wasn’t helping. 

She opened the message, not recognizing the number. Bobby had to stop handing it out to whoever.  

           “Hey, Sweetheart. Whatcha up to?”  

The phone fell into her lap. There was only one person she ever let get away with calling her that, or anything really, and he didn’t come around often. 

           “Depends, who is this?”  

    The response was almost immediate. 

          “Don’t do me like that, Y/n”

 She could almost see his stupid grin on the screen and had to look away to control the heat rising in her face. Within five seconds and two texts, Dean Winchester had turned her into a giggling schoolgirl with a crush. 

          “I’m at a bar, what do you want?” 

         “Ah, a girl after my own heart. Which one? I wanna see you.” 

In any other universe, she would have assumed he had ulterior motives. She had the first few times she’d received that text but ended up spending the night hiding her disappointment. He only wanted to see her. He’d meet with her wherever she was. A bar, a motel, a diner.   

They’d spend hours talking about everything. She’d tell him stories of her recent hunts and the hunters she was stuck helping. He’d tell her of whatever they’d been facing. On rare occasions, when it was super late and they were sprawled on her bed, in a half-drunken stupor, he’d tell her about Sam or their dad. He’d mention their childhood and what he was put through. One night, he even mentioned a girl named Cassie, he skirted around details but Y/n understood. 

   They’d fall asleep like that, on top of the covers of a dirty motel bed. The next morning, he’d take her to breakfast, hug her goodbye, and then he was gone. 

     Her phone buzzed in her hand again. 

       “I miss you.” 

Her blood ran cold as she stared at the screen. He’d definitely never said that before. They just never went there and maybe this wasn’t him going there but it was different. Without another thought, she sent him the address. 

Present, April 2011

  “What Dean did wasn’t ok, you know that right?” Sam said through the phone. “He never should’ve left like that. We just really could use your and Bobby’s help on this case.” 

  Y/n sighed in response. What could she even say? That she knew, that she understood. That it still didn’t matter because even through all of the anger and hurt, she’d take him back tomorrow. 

  Not that he’d ever actually been hers. It was only half a spring, barely two months. 

It didn’t matter either way. There was a job to be done and she had to do it. She could put her feelings aside for a few days. 

 “He always left like that, not like I’m surprised.”  

   “Look, I’ve gotta go but please, Y/n, call us if you need anything. We’ll be there soon.“ 

 “Bye, Sam.” 

  The call ended, leaving Y/n leaning against the railing of Bobby’s porch. The early spring wind whipped around her and she hugged her flannel closer, looking out onto the empty road. 

   It had been over a year since she’d seen either of them. She knew of everything that happened to them. Sam going to hell and coming back without a soul. Dean, living a normal life for over a year with a woman and her kid. 

 Y/n didn’t know her, only hearing about the situation from Sam and Bobby in passing. She knew her name was Lisa and that Dean cared for her. Maybe more. She knew that Dean had promised Sam to live a normal life after he jumped into the cage. And she was happy that he got a year of peace. She was. 

   She could picture him helping in the kitchen, wearing an apron with flour smeared across his face. He’d probably set up family movie nights and weekend outings and birthday dinners. He’d been happy and okay. Against all odds, he had gotten out. 

    That didn’t stop the wave of hurt that washed over at the thought of him, all domestic and soft.  

 The click of the door opening pulled her out of her thoughts. Bobby stood there, a knowing look on his face.  

     “C’mon kid, let’s see if we can figure out something before those boys get here.” 

A few hours later, Y/n stared at the book in her lap. She’d been rereading the same paragraph for thirty minutes. Every time she’d get drawn into the book, the house would creak or the wind would blow and she’d be snapped out of it. 

   She kept waiting for the door to open, for footsteps to trail down the foyer and into the living room. She couldn’t even begin to prepare for what the next few days were going to be like. Her only plan was to act as normal as possible, which was already proving to be difficult. 

  A pit formed in her stomach, there was a lump in her throat and her head was clouded. The whole room was hazy and it felt like she was watching herself exist.

    She didn’t even realize she was crying until something wet hit her hands and slid onto her jeans. She quickly wiped her eyes and tried to focus on the book again. The lines blurred together as more tears filled her eyes.  

    God, she was sitting here crying over some guy. She was a grown woman, she had to get over this. It was pathetic at this point. 

   “You know, what Dean did was wrong. Leaving like that, not telling you what happening.” Bobby said, walking into the room, a stack of books in his hands. “I love the kid but he’s a real dick sometimes.”

       He meant well but she swore if one more person said that Dean had done bad, she was going to go crazy. 

    She knew that. More than anyone, she knew. She was the one who spent months hunting with him, helping him and Sam figure out how to save the damn world. They’d spent nights wrapped up in each other, more than ever before. Farther than before.  

  She was the one who woke up to an empty bed with no trace of him anywhere. He never responded to a call or a text. Never even let her know he was alive. 

  He’d left like an assassin. 

   Part of her couldn’t even blame him. It probably had been for the best because if he’d told her what the plan had been, she’d have begged. 

     In the end, he’d got to be a coward and she salvaged some amount of self-respect. 

 “I know, Bobby.” She said, giving him a small smile, “I know.” 

The door creaked causing Y/n to jump, earning her a concerned look from Bobby. 

  She smiled at him again, trying to reassure him. She could tell he’d been worried about her lately. He was justified in it. She’d been on edge and closed off for the last year and a half. 

   She took a deep breath and steadied herself. She’d known these boys for the better part of her life, it wasn’t a big deal. 

     Sam rounded the corner first, entering with a slight grin. His eyes immediately found hers and without warning he pulled her off the couch and into his arms. 

   Y/n let out a surprised laugh as her feet dangled off the ground and the life was squeezed out of her.  

   “I missed you too, Sam.” She said, unable to hold back more laughter, “Put me down now.” 

   Her feet hit the floor and Sam stepped back. She looked him over, still smiling. 

     “I’m so glad you’re back.” 

   “Yeah, me too.” 

A set of footsteps grew louder causing Y/n to look up, only for her to meet two green eyes. 

  The breath was knocked out of her and she was all too aware of the pit in her stomach again. 

Ignoring the pairs of eyes on her, She spun on her heel to face Bobby.   

    “Let’s get started?” 

March 2010 

“I call shotgun!” Y/n yelled as they walked out of the diner and took off towards the Impala.

   She was probably being unfair. She’d barely shared the passenger side in the few weeks she’d been with the boys. Sam was getting huffy about it, she could tell but she enjoyed the view more from the front.  Sitting in the back she’d miss the way Dean’s hands looked gripping the steering wheel, the way his lips moved as he mouthed the lyrics to whatever was on the radio, or the way his eyes would flicker to hers for just a split second. 

 Dean had also finally let her DJ and she didn’t plan on giving that rare privilege away anytime soon.

   “C'mon, dude. It's my turn.” Sam whined, “My legs are starting to cramp.” 

Sam beat her to the car which wasn’t surprising since he was literally the size of one. She was close to giving in when an arm landed on her shoulder. Dean nudged Sam out of the way, ignoring his protests, and opened the door. 

     “Sorry, Sammy.”  Dean’s eyes never left hers as she slid into the seat, “Need my Darlin’ by my side.” 

Present, April 2011

   Cracked wooden planks creaked under Y/n’s feet as she followed the boys and Bobby into the abandoned house. It was pitch black. She blinked her eyes, trying to adapt to the lack of lighting.  

According to Sam, a nest of vamps had been holed up there for weeks. They’d started leaving a trail of bodies, teens who’d come through as a dare or curiosity. She didn’t know the exact numbers racked up in that time but it was enough for Sam and Dean to ask for help. 

   Dean motioned for them to split up, two taking the downstairs and two going up. She went to follow behind Sam who had taken off into the next room but Bobby beat her to it. She would’ve fought back but it wasn’t exactly like she could cause a scene right then. 

   She followed Dean up the stairs, cringing every time the stairs groaned underneath their feet. 

Dean slowed as he hit the final step before a long, dark hallway. Y/n was a step behind him. His body nearly covered her. She shifted to the side to peer around him. 

  Both raised their machetes, trying to keep their breathing quiet as they waited for any sign of movement.

    A crash came from down the hall. Dean started towards the sound, Y/n following close behind. The complete darkness put them on edge. Being minus one sense in a house of at least ten fanged bastards, not fun. 

      The floorboard creaked behind her causing her to flip around, just in time to dodge the first vampire of the night. 

       She swung her machete, hitting its arm. Distracted, she brought down the weapon. Its head hit the floor. 

        Dean yelled out from behind her. She flung herself around to hear him fighting off, what she guessed was three on his own. Her presence seemed to catch the attention of one of them because it charged at her. 

   She dodged, the vamp lunged again grabbing her by the arm. She twisted out of its grasp. Using the angle to her advantage, she swiped her leg around, knocking it off balance. Its head rolled away as its body hit the ground. 

     She wiped the sweat from her forehead and turned to try to find Dean. She still couldn’t see him but she could hear him panting a few feet away.

She was yanked forward. Hands gripped her forearms tight enough to leave bruises and slammed into the wall. Her head buzzed on impact and she forced herself to stay upright. Its fangs grazed her neck and then its head dropped to the floor. 

   Dean stood in front of her, so close she could feel him breathing, rather than hearing it. Without thinking, she reached out to him and landed on his arm. She went to pull away but his other hand grasped her wrist, holding her in place. 

“Thanks.” She breathed, “You good?” 

“Yeah, You?” 

She wished she could see him, make sure he was being truthful. He didn’t exactly have the best track record with honesty. But in the dark, she had no choice but to trust him. 

    “I’m fine.” There were definitely bruises forming in her arms and her head was still spinning but she’d had worse.  

   Dean’s hand dropped her wrist. She ignored the deflated feeling in her chest and dropped her arm back to her side. 

  Without warning, he ran his hands over her arms and up her shoulders. She tried to pull away but he didn’t stop. 

    “What are you doing?” She whisper-yelled. 

“I literally heard you hit the wall, Y/n,” He said, running his hands over her head, checking for any bumps. 

“I am fine.”  She tried to swat him away but he grabbed her wrists mid-air and pulled them to his chest.  

    The air was humid around them. She heard him panting. Leather and sweat invaded her senses. Any focus she had before vanished. 

He was here, touching her, after so long. 

  Silence enveloped them. The only noise was their panting. 

 This was wrong. Sam and Bobby were probably fighting for their life downstairs and here they were, doing whatever this was.

  She was about to pull away when a loud yell came from downstairs. 

   The moment was broken. They took off down the hallway and stairs. Staying close to not get lost in the dark. 

  They hit the last few steps as a vampire, charged at them. 

 Dean swung his machete and it fell to the floor.  

 They moved further into the first floor of the home, finding Sam and Bobby fighting off at least four vamps each.  

   They split up, him going to Bobby and her going to Sam.  

     None of the vampires were aware of her yet. She grabbed the syringe of deadman’s blood out of her pocket and plunged the needle into the closet to her. 

  Now they knew she was there.

 Two turned towards her giving Sam time to take down his remaining one. 

   Both charged at her, hissing. She ran in between them.She flipped around, slicing the blade in an arc. The one on her left doubled over at the impact. 

    She swung. 

The right one lunged at her. She pivoted and cut the blade up. 

Its head hit the floor. 

She looked around the room, a slight beam of moonlight flooded the house now. She made out Sam helping Bobby up from the floor, right as Dean took down the last vampire. 

   The room was silent other than everyone trying to catch their breath.  

Dean’s eyes found hers. She forced herself to look away. Sam interrupted the non-moment. 

“Time for drinks?” 

Y/n and the boys decided to go out. They were leaving soon but everyone needed time to wash off and get ready. 

   She dragged the black liner across her eyelid, double-checking to see if it smeared the shimmery brown eyeshadow she’d already put on. The cracks in the old mirror made it kind of hard to perfect the make-up but it would have to do.  She already changed from her bloodied hunting clothes into a clean pair of jeans with a simple tank top. She didn’t own much and traveled with less. 

“Broke mirrors are bad luck, ya know?”  

  Dean leaned against the doorframe, flannel pulled taut around his crossed arms. 

She ignored the pit that had reappeared in her stomach and continued applying her lipstick. She flipped through ideas for a response. She could yell at him to get out or cry about how much he hurt her. Instead, she opted to act like nothing was wrong. 

   “I’m pretty sure you’re the one who broke it.”  She said, shoveling her makeup back into the bag, still never meeting his eye. She stood and gathered the rest of her stuff into a neat pile on her bed. Her back was completely towards him. 

    She heard him walk into the room and the door clicked shut. 

“Y/n, look at me.”  

She turned around and looked up at him. Her eyebrows raised like he was boring her. In reality, she was struggling to breathe. Her hands shook and a lump was stuck in her throat.  

 Her eyes glanced over his face. His jaw was set but eyes were soft.  She knew where this was going. 

  Dean took a deep breath before starting.  

“Look, what I did-” 

“Do not finish that sentence, Dean Winchester.” She spat. 

“I just-”

“No. You don’t get to say anything. You don’t get to say that what you did was wrong or how sorry you are. You don’t think I don’t know that what you did was wrong? Everyone keeps telling me that. Bobby, Sam and now you. They kept telling me how horrible of you that was like it wasn’t me. Like I wasn’t the one who spent months with you, like I didn't help you figure out how to stop the fucking apocalypse. Like I didn’t stitch you up after every hunt or spend every car ride next to you. Like I wasn’t the one who would hold you after you woke up screaming or it wasn’t me who spent every single night in your fucking sheets.” 

 Every ounce of refrain she’d worked to keep was gone. Hot tears were streaming down her face as her eyes bored into his. He didn’t try to interrupt her but his jaw twitched and body tensed. 

  “Like it wasn’t me who woke up two months later to an empty bed. You were gone, Dean. You left without a word. No text, no note. Nothing. You fucking left me. And then I found out you were with some other girl for a year? So yeah, I know that what you did was bad.” 

Somewhere in her speech, she’d moved close enough for their chest to touch. Her finger was stabbing into his chest.  He didn’t move, was barely breathing but she wasn’t finished. 

   “Maybe it was cheap to you, or maybe it was some fling to pass the time but it was real to me. It was all I had. You were all I had.” Her voice broke at the last word and she dropped her hand. Her head fell as she cried. Over a year of built-up heartbreak exploding in one moment was too much. 

     His hand found hers and placed it back on his chest. She looked back up at him, his other hand reaching out to cup her cheek. She closed her eyes as his thumb wiped away the remaining tears. 

    “Do you want to know what the worst part is?” She whispered, eyes still shut. “I’d be yours again if you wanted. If you asked. How pathetic is that?” 

      “Y/n.” 

She opened her eyes to look at him despite her embarrassment.  

  “You are anything but cheap or pathetic.” His voice was thick and his eyes were glassy. She’d seen him in so many different states but she’d never seen so much emotion written across his face. 

   “Ask me then. Ask me to come with you.” 

His expression darkened and he dropped his hand from her face. He took a step back and looked away. 

   “It’s not that easy.” He said, shaking his head. “It's never that easy.” 

She let out a bitter laugh. 

 She wasn’t even surprised. She should’ve been disappointed or furious but she was just over it. She was tired and desperate. And if she couldn’t have him, he needed to go. 

  She wiped a hand down her face and glanced back into the mirror assessing the damage her outburst caused. She started wiping off the messed-up liner before starting to reapply. Dean stood behind her, brows furrowed in confusion. 

    “Get out.” She said without hesitation, her voice as steady as possible.  

He opened his mouth as if to speak but shut it. He walked towards the door but stopped with his hand on the doorknob. 

   “For what it's worth, I am sorry.” 

The buzz of conversation filled the packed-out bar. Sam found them a small booth in the corner and was now talking about a new piece of lore he’d found about some Egyptian god. Most of the time, she loved hearing what he had to say but right now all she could focus on was Dean's hand trailing up and down the woman’s hip. He never even sat down with them, finding himself a spot at the bar, next to a pretty blonde. She’d watched for half an hour now as he grinned at the girl, whispered in her ear, and bought her a drink. 

  She wanted to puke or cry or both. She decided to get drunk instead. 

She went to take a sip of her beer only to realize it was empty. Motioning to Sam she was going to get another, she slid out of the booth and made her way to the opposite side of the bar from Dean. 

   She planned to order a shot of some vodka and another beer but she couldn’t catch the attention of either bartender.

  A body bumped up against hers causing her to stumble. A hand wrapped around her waist to catch her. She almost jerked away but she looked up to find a familiarly unfamiliar pair of dark green eyes and dark blonde hair.  

   The man was by far the prettiest she’d seen all night. 

 “I am so sorry, It's packed in here. Isn’t it?  Nowhere to stand.” He had a slight southern drawl and a boyish charm about him. 

 “It is. Can’t seem to even order a drink.”  She smiled at him.

 “You see, now that had to be fate or something because I was just wantin’ to buy you one.” He grinned and waited, almost seeing if she’d allow it. His hand was still on her but she found she didn’t really mind. 

 The room was fuzzy and she could only make out the man in front of her. Even then, he was a little hazy and she had no idea what he was saying, only that his mouth looked pretty as he said it.    

  Y/n didn’t know how long it’d been since the handsome stranger volunteered to feed into her night of drunkenness or even how many she’d had so far. She vaguely remembered him buying her the first shot and then the second and maybe a third. They made small talk, she gave some bullshit story about what she did for work and where she was from. Somewhere in between she had a fourth, fifth, and sixth one. 

 And somewhere between the seventh and now, she’d lost track of Dean. She didn’t even know if he was still there. She did know that the new guy made her feel ok, at least for now. His hands never left her and the drinks never seemed to end.

  She could barely remember the events of the day. Maybe by tomorrow, she wouldn’t remember any of it, or at least a girl could hope.

But right now, she didn’t feel like crying or throwing up as long as she didn’t think of it. 

   She decided in her drunken haze that maybe this was what she needed. So when the stranger asked her if she wanted to leave, she agreed. And when he leaned down to kiss her, she let him.

[annymation]

My Thoughts On Wish Deleted Scenes

Now that we got all the deleted scenes out, I thought it would be fun to share my thoughts on them... Mostly rant, yeah, I might get pretty heated with this heheh but it'll be fun.

Villain Couple

So let's begin with my personal favorite, the villain couple that we could've had

I am literally scared with how I nailed their characterization in my rewrite, like, that's them, that's King Magnus (Magnifico) of Rosas and Amaya (Amable) of Rosas right there. The dramatic, power hungry dude that can barely control his temper + a cunning, calm and collected queen that thinks before acting but is just as vicious as him.

AND THEY CALL EACH OTHER SO MANY PET NAMES! SHE CALLED HIM "GOOD BOY"!!! HE PULLED HER FOR A ROMANTIC DANCE UGHHH DISNEY YOU TOOK THEM FROM MEEEE!!!

Now let's talk about... WHY this was scrapped, according to Mark Kennedy, the head of story in Wish, he says in the Behind the Scenes documentary that the reason they changed this, and I quote:

"We didn't want people to know Magnifico was evil right away, we wanted the people of Rosas to love Magnifico, and have only Asha realize he's not as good as he seems"

... Okay? That's not a reason to not make him SECRETLY evil, just have the rebels be like a group of people who are considered ungrateful weirdos by the people of Rosas, and the king spreads rumors that they're a threat, since they think NO ONE should get their wishes granted. So we have Asha being part of this rebellion, that doesn't fully know what Magnifico does with the wishes, but they know he's doing something bad, so it's up to Asha to find proof and open the eyes of the citizens of Rosas who love Magnifico, easy.

"Also it serve the story better to have Amaya be a good person"

Why? Because she distracted Magnifico and told them about the pulleys they needed to open the castle's ceiling? Just have one of Asha's MANY FRIENDS be a spy of the rebels that became close to the king and queen, maybe the king's apprentice, let's say Safi, and he tells them that info and also distracts them if needed, there, no need for good queen.

This one is the cheery on top, are you guys ready? I don't think you are, but here goes... "Additionally we couldn't really answer the question of why Magnifico wanted a star, and what it would do for him."

............................. I don't know if I can put into words how ENRAGED this make me feel, but I will try.

Mark, my guy, I'm sure you're a lovely person, but I know for a fact that you are lying. Because in a room full of professional screen writers THAT MADE IT TO DISNEY there's absolutely NO WAY no one stepped in and said "Oh but why does the villain want power though?"... THAT'S LIKE ASKING WHY JAFAR WANTED THE LAMP OR WHY URSULA WANTED THE TRIDENT!!!! HE'S A VILLAIN!!! VILLAINS ALWAYS WANT POWER!!!

"Oh buT MaGNiFicO Is DiFfERRenT bEcAuSE He'S A kINg sO He alREadY HaS pOWeR" SO WHAT??? Villains are never satisfied! Magnifico says it himself in the deleted scene

"I can't take it, this wanting that is never satisfied"

THERE! That's your villain motivation, he wants to fill a cup with no bottom, he wants more and more than he already has! Which makes him a PERFECT FOIL to Asha, because Asha wishes for more to her people, because they indeed are struggling, she wants what they need! And she'll fight for it, while Magnifico will only lie, cheat and steal his way into more power! GAAAAH IT WOULD BE SUCH A NEAT CONFLICT I'M GOING FERAL!

Anyway, on to the next one

Wishing Tree

Deleted Sabino my beloved, you only get one scene in my rewrite, Tiana's father style, but I love you so much you sassy old man

I love this concept of the wishing tree so much, because this is actually a tradition here where I'm from, we take colorful ribbons, think of a wish, and tie them on a tree.

Would be lovely if Wish showed many types of different traditions of wishing besides just wishing stars, like blowing dandelions, throwing a coin down a well and soon.

But I digress, Asha has such an inspiring personality here, her writings show how she's fierce, longing for adventure

SHE HAS KNACK FOR SWEARING LMAO

She has an undying hope in her, and she wonders if it'll take Magnifico to DIE for her people to be free to wish, this is amazing, this is what I wrote my Asha into in Kingdom of Wishes

@uva124 joked the other day saying I might secretly be one of the disney writers just pretending to be a fan and sharing the original script, guys I swear that's not the case, they just communicated with me telepathically.

Jokes aside, this scene is so beautiful, Asha had everything to be an amazing protagonist.

Now for what Mark said in the documentary... Oh boy...

"The people of Asha's village keep their wishes a secret, and don't say them out loud, because if they do Magnifico will find their wishes"

Now THIS is very interesting, making Magnifico this almost omnipresent threat that even if you just SAY what you desire he might hear with his magic, maybe with a crystal ball or something Idk but regardless this is a great way to make him aware of who Asha is.

Cause think about it, Asha does make a wish, upon a star, so Magnifico would probably feel that wish, and thus he'd know Asha is the one who summoned a wishing star, so the chase would begin.

Heck, with this concept he could manipulate Asha into giving away star by promising that if she did so all her people would be free and he'd stop eating wishes all together because he wouldn't need more power anymore, obviously that'd be a lie, but it would make Asha have to choose between taking the easy way out and giving away her friend/love interest in exchange of her wish coming true, or risk it all and protecting him at all cost, ya know, a internal conflict.

"We wanted people to love Magnifico, and Asha to be the only one who finds out about his true evil nature, that way, when she tries to tell people, nobody believes her, and that's make fighting him much harder for her"

See Mark, that's a good idea, thing is, that's not what happened... Asha didn't try to tell people, and the times she did tell her family that Magnifico would never grant their wishes, they DID believe her, and Sabino got mad she wanted to tell him his wish. And when she told her friends, they didn't question her much about the fact she challenged the king, Dahlia just rolled with it like it was no big deal...

So yeah it would've been great if Asha tried to spread the truth but people didn't believe her, it really would, but that's not quite what we got

Star and Asha Chase Scene

And there it is, the closest thing we'll ever get of Star Boy, and I love him

Star can take shape of any animal in this version, and that made him too similar to Maui and the genie, well, dear Disney, riddle me this, why didn't you just scrap the idea of him being a shapeshifter? There are many ways for a being to embody magic and creativity that don't involve them turning into animals, maybe have them be- oh I don't know- ANIMATED IN 2D???

"The ability to change into anything made star very powerful"

Here's an idea, make Magnifico MORE powerful than star, by making forbidden magic Star's weakness

"We wanted Asha to be our hero, and we wanted her to solve all her problems by herself, without too much help from star"

Bruh, Walt Disney said himself "You can design and create, and bild the most wonderful place in the world. But it takes people to make that dream a reality" Asha could NOT do this on her own, and that doesn't make her weak or less of a hero, it just means the threat was too big.

And if she was the one who had to make her wish come true, GREAT, just use Blue Fairy logic, she couldn't make Pinocchio a real boy right away, all she did was give him life so he could pursue that himself, same could happen to Asha, star gives her some magical intervention, but he can't do everything for her.

Also let me just say, that interaction between Asha and Star?

"Star we'll have to be very discreet" "Discreet? Got it, sounds like another plan, I'm getting pretty good at this planning stuff" "Uh you know what would help that plan? If you weren't so bright" "Oh-hoho thank you!- oh wait, you mean-" "Shinny, glowy, way too much light, turn it down"

I can SEE KOW!Asha and Aster having this exact same interaction!

And then that scene Star holds her hand under water! Bruh don't tell me they wouldn't be a thing Disney!

And all the sea creatures coming together to make a big spectacle, THAT felt like Disney magic, that WHALE!!!

That would've been so beautiful to see fully animated.

In The Dungeon

Can't believe that I also wrote a scene of the 7 teens and Asha going to the dungeon before this scene came out, like, it's such an specific scenario

Anyway, so once again we see this better version of Asha, that is caring, smart and inspiring.

And Magnifico being a freaking DESPICABLE monster, saying that Dahlia is a burden that no one would miss because of her disability, like DANG that's something I never considered writing because it's so heavy, but they almost did include it, and I think it would've been great to show just how evil he is, and in turn, how amazing Asha is because of what she says next

"He underestimates you, and that's a good thing. When you're underestimated, they don't see your power coming until after it changed the world"

Thank you Wish deleted scenes, I'mma take this line and fit it in my rewrite somehow cause WOW imagine that, the 100th disney princess teaching something very valuable for children of today!

Think of all the disabled kids that would've felt seen in this scene! Instead Dahlia's disability is more of an after thought, and from what I've read, the way she walks doesn't even seem like she's disabled according to some crutch users.

"Also, Asha already had 7 friends, and we thought adding another one was too many"

I agree Mark, so here's a thought, make ONE OF THE 7 TEENS the apprentice that gets locked up in the dungeon, like Safi for example, and they find him by hearing him sneeze! There, suddenly the character whose only personality is sneezing get's something to do!

Magnifico breaking the wishes of people "No one would miss" is actually a thing in my rewrite, I didn't explore it that much cause it wasn't that important, but I'm glad I also got that right

Star was more useful in this clip than he was in the whole movie

Climax

Not much to say about this one, hot take, but I'm actually glad this one was changed, sure I like Magnifico eating a bunch of the wishes to get more powerful, but personally I'm not a fan of him turning into a giant muscular monster, but I understand if you're into that.

Though, it's still a funny scene, it's silly yeah, but it's definitely entertaining, which is more than what I can say about the movie

Also Valentino is cute here

I like how Magnifico uses the wishes to shine a spotlight on Asha

This face, lmao

"THATS JUST A GOAT!"

The thing about this scene though is that... I can't imagine where they were going with this, like, then what? Magnifico climbs the tower to get star and Star manages to defeat him somehow? If so then yeah no wonder you deleted star for doing all the work for Asha, what's Asha supposed to do now that the king is all powerful???

Star saying "We just need one more ingredient" YALL MAKING A POTION??? This feels weird, a magical being making a potion... Wait hold up, I thought of this in this second, was the last ingredient Asha? Like she goes up there to warn them and it turns out she was what they needed to figure out how to defeat Magnifico?... Probably not but who we will never know.

Wish Worth Making

This made me CRY when I first watched it, like WOW Disney, are you TRYING to make this movie as soulless as possible???

This is such a powerful moment that would make us actually CARE about Sabino, feel what Asha feels, and it's a calm and beautiful moment in this movie that never stops to just BREATHE.

Can you imagine Magnifico showing up after THIS?? It would've been so scary because it was the calm before the storm.

Imagine him breaking not only Sakina's wish but also Sabino's lute!

If I was Sabino's voice actor I'd be pissed to find out they deleted my song but kept the chicken dance song... That was a thing.

Anyway, hope yall had fun with this little rant, let me know YOUR thoughts on these scenes too! See ya next time!

Thank You For Reading!

[overleftdown]

this is going to be my somewhat-brief analysis (buckle in, it's not brief at all) of preluding scenes to farleigh and olivers... scene, lmao. because i can't read micro-expressions and social cues IRL, but i can for movies! also, i want to give my understanding of farleigh's character using the most substantial part of his arc. i disagree so much with a lot of people's takes on farleigh. i needed to talk extensively about it.

[0:58:46] farleigh makes eye contact with a footman. this is one of the footmen that farleigh mentions to felix in a later scene, which i'll also go into. what's interesting about this subtle interaction is how wildly differently you could consider it, depending on how you choose to view farleigh as a character. if you go the "mirror of oliver," route, then this eye contact could be the moment farleigh decides the route he's going to take to confront felix.

on the other hand, the hand that i believe makes more sense, farleigh is genuine in his confrontation with felix. the eye contact he shares with the footman is reciprocated; the footman holds it, even as his body pulls back and his head turns. this gives the idea that they are making a connection. the expression farleigh makes afterwards is also an indication that farleigh isn't plotting or scheming to earn pity points; he feels a connection and comradery with the only other black people at saltburn. when the footman turns away, unneeded anymore (this can be a parallel to farleigh), farleigh glances down, back up, then purses his lips. he looks dejected, in my opinion. this is immediately followed by farleigh's dig at oliver; "i think oliver looks like he'd rather throw himself out of a window.

food for thought.

[0:59:9] elsbeth: you can invite all your friends. farleigh: what friends?

this can obviously be a petty dig. and it is, in some ways. but i think a lot of these petty digs are because farleigh has been here before. he has watched his cousin drag home mediocre and tragic (presumably) white boys for perceived self-benefit. whether felix wants entertainment, wants to quell his guilty conscious (both of which are motivations for his mother), felix seems to have these fleeting possessive relationships with the friends he brings back to saltburn. he could also be queer and deeply repressed, lmfao.

i digress; farleigh is sick and tired. the first thing he says to oliver, before oliver even got to felix, was bitchy as all hell. after that, farleigh had more incentive to belittle oliver; yes, his comments about mannerisms, class, and overall character were petty. they were also all of the qualities that farleigh couldn't afford to have. farleigh is pointing out that oliver has no social life, yet still gets a 200-person party full of people that don't even know his name. this is tragically unfair, at least in farleigh's mind.

[1:01:25] felix: and fucking farleigh, what a little shit stirrer. oliver: well, someone has to entertain us all. felix: ...right. oliver: that's why we love him.

there's a clear disregard of humanity and depth, when felix concedes that farleigh is "entertainment." the sheer fact that felix would immediately believe oliver, a "stranger (as venetia so eloquently puts)" over a close family member, is odd on it's own. there are probably more reasons for distrust; everyone in saltburn is a shit stirrer, and farleigh does put on a particularly good show.

that's intentional, though. farleigh is very intentionally entertainment. otherwise, why would the cattons keep him around? they're welcoming people to their house as family, because they want a break from the reality of soul sucking wealth. because they want entertainment. elsbeth with her friend, who's only real personality traits are being pitiful and visibly different. felix, with his summer pet projects like oliver. farleigh can't be a temporary show; he needs to keep coming back. he needs sir james to support his mother.

[1:02:40] farleigh: i'm not saying my mother isn't completely idiotic when it comes to money. felix: you just have to be firm with her. farleigh: well i can't call her and tell her no! felix: i know, i know, you've said that. i know, i understand. farleigh: no, you don't know! you don't, it's humiliating. felix: it's very hard.

felix's approach to discussing other people's issues--that he does not relate to--makes me giggle sometimes. not that he's malicious or a fumbling idiot, but because of this scene specifically. in just this chunk of dialogue, you have the "i understand" and "you don't understand" conflict. an age old one. a common representation of someone who has never lived a specific struggle yet frames themselves as knowledgeable. felix seems to enjoy the "it's very hard" verbiage. the manner in which he speaks to oliver about his supposed impoverishment and struggles is very similar to the way he speaks to farleigh, in this scene.

i don't know what else to say about this. you can make your own inferences on felix's dialogue, i suppose.

[1:02:50] farleigh: i'm sorry, but it's a bit fucking shitty. you're all throwing oliver a party for 200 people while my mother lives in squalor. felix: well, she's hardly living in squalor, mate. farleigh: well she can't pay her bills so she will be! okay? at the rate she's going, she will be.

GAH. again, this dialogue can be considered in two different ways. farleigh could be hyperbolizing in order to play into the catton savior complex. or he could be completely genuine in his anxiety surrounding his mother's finances. it's very important that you recognize the fact that farleigh isn't arguing about himself, in this situation. he's talking about his mother. later in the conversation, he recenters himself as a person of color. but the original conflict is about whether or not his mom is living comfortably. this arguably affects him, but not entirely. he could continue to maintain his oxford-student-and-saltburn-resident character and continue to frolic around while his mom struggles to make responsible decisions.

[1:03:02] felix: right, well that's exactly why dads concerned about helping her. he doesn't want to enable her. he wants her to learn how to stand on her own two feet. farleigh: yeah, like he does?

and farleigh ate.

[1:03:09] farleigh: i mean, you know how this looks, right? making me come to you with a begging bowl. felix: what are you implying? farleigh: i think you know what i'm implying, felix. why don't you ask liam and joshua? felix: who... who the fuck are liam and joshua!? farleigh: ...your footmen.

farleigh's mannerisms in this portion of the scene GAG me. the easy confidence, the self-assured and confrontational attitude. the cocky wave of his shoulders and tilt of his head. he smirks, scoffs, makes and holds eye contact as emphasis to what he is accusing. the way he says "i think you know what i'm implying" even though i'm not quite sure if felix did. this really hammers in the implicit nature of the cattons' treatment of farleigh.

[1:03:33] felix: oh, oh. that is... that is low, farleigh. farleigh: okay. felix: jesus christ, mate! seriously, is that where you wanna take this!? farleigh: right. felix: make it a race thing!? what the fuck! i mean, we're your family, we hardly even notice that you're... different, or anything like that! farleigh: mmm. felix: i never know our footmen's names!

GAGGED. i eat up this scene and lick my fingers. "wohohoho, i don't see color! i can't believe you'd make it a race thing!" i know i should cut felix some slack, but this is just a little too real. although i've cut farleigh some slack for his classism.

the complete change in farleigh's mannerisms from the previous timestamp to this one is EDIBLE. i can't cope with it. his smile as felix says "that is low" is so painfully real. it says "i've been here before and maybe i was expecting this." for a second, felix is almost entertainingly cliche. then the exasperation hits. farleigh just looks tired. he blinks rapidly, smooths over his eyebrow with his hand, vocalizes his disbelief in felix's denial. "we hardly even notice you're different," to which farleigh crosses his arms (defensive), raises his eyebrows, nods along.

i won't include the final few lines of this conversation cuz i'm blabbing FAR too much, but farleigh's expressions of absolutely exhaustion and disappointment as felix says they've "been more generous then most"... i'm so sick. it doesn't matter what other families would do, because this family passes out charity like it's their favorite pastime. farleigh is your best american girl.

oliver, overhearing this conversation, immediately knows what his next plan of action is. compare himself to farleigh. and really, it's funny, because oliver misses the obvious differences between him and farleigh. just like everyone else. he will never feel different, not in the same way farleigh does. not with farleigh's relationship to the cattons, the legacy of his parents, and his blackness.

[1:06:32] (godfather's karaoke scene, AKA apple bottom jeans. he's a disgusting manchild and he throws his jacket at his wife.) is it odd to point out that another one of the only visible black characters is being degraded/mistreated/disregarded? not crazy, right? especially following the conversation about bias two scenes ago.

[1:07:02] farleigh: y'know, i think i'd fuck richard the III. he's so insecure, so you'd know he'd put in the work, right? oliver: or you could just fuck me, right?

here, i think there's a level of projection that farleigh is using in his line about insecurity. not only is it made known that farleigh uses sex as a tool (with teachers, specifically), but it's also made known that farleigh believes/knows that he is treated differently due to his race and/or family history. oliver seems to have clocked this, considering he relates himself to richard the III, then tells farleigh they have similar experiences.

[1:07:34] oliver: y'know, if you ever wanna talk to anyone, you can talk to me, farleigh. farleigh: ...what do you mean? oliver: well, i know you're going through a hard time at home. i know how that feels, when things are so precarious. it's terrifying... and lonely. and it must be so fucking weird, having to ask them for everything. and i know you fucking hate me. farleigh: i... i don't hate you. oliver: but... if you ever wanted me to talk to them, to see if there's... if i can help in any way... just ask. farleigh: ...okay.

i love this movie. have i said that yet? i bet you definitely couldn't tell by this post. this conversation is so... there's so much to talk about.

i'll start with some of my favorite of farleigh's mannerisms/expressions. when oliver first cuts their... tensions with "you can talk to me," farleigh pulls back slightly, sits up slightly, looks across oliver's face. there's a level of shock to it, but. farleigh was comfortable with oliver, his sworn enemy, flirting with him. yet, he pulled back at a genuine offer of support. some see this as farleigh always wanting oliver sexually, but i think it's more nuanced than that. when oliver says "terrifying... and lonely" that's when the camera cuts back to farleigh. he previously wore a half-smile that is now dropping; "lonely" was the hardest word to swallow. his lip is quivering. he looks up in an almost-eye roll when he says, "i don't hate you." he's laughing when oliver finishes, like he finds it all funny, yet the way he says "okay" makes him seem genuine. however... clearly not, considering the next portion of this scene!

even though oliver is lying out of his ass, everything he's saying is a description of farleigh. people grossly misunderstand farleigh's character, even when it's laid onto a banquette sized table through this portion of the movie. he's insecure, desperate, terrified, unsure, and lonely. farleigh, with so many friends and so many scandalous choices, is so fucking lonely. he knows he doesn't belong here, so he jams his ill-fitting puzzle piece into the saltburn jigsaw and crosses his fingers.

he tells oliver he doesn't hate him, and he looks like he's struggling to spit it out. he looks up towards the ceiling, closes his eyes like he's gathering himself. again, people take this as a bonding moment. the next portion of the scene contradicts this. honestly, i'm not completely sure, either. i think he's honest when he says he doesn't hate oliver. so, what? he's jealous, definitely. he wants to hold the same power as oliver, a foreign entity with somehow so much more privilege than farleigh. maybe that bred a certain kind of infatuation; the need to emulate what you'll never be. of course, he sees himself in the boys felix brings home; they, just like farleigh, need or want something from the cattons (although i object to the idea that farleigh is somehow "a mirror" of oliver). do what you will with this word vomit, i don't know where i'm going here.

and OH MY GOD "if you ever wanted me to talk to them, to see if there's... if i can help in any way," is diabolical. so terribly diabolical. the sheer idea that oliver knows, is pummeling it into farleigh's face, that he has authority over farleigh's life like that? that he knew felix for six months and he can somehow "talk to" farleigh's family about treating farleigh better... vomit inducing. farleigh is actually your best american girl.

[1:09:39] (karaoke scene) elsbeth, so uncomfortable with the idea that oliver is using them. i suppose that's the manner of wealthy people; they don't want to believe that they're only good for their money. but... they did that to themselves, in a way. they enjoy the pet projects, the charity work, the ego boost that comes with inviting the "lesser" to saltburn. hanjob on a haybale, golden big boy summer, right? everyone in the room is scandalized. farleigh is having the time of his fucking life. yet, here's the kicker,

[1:10:10] oliver: this is your song too, farleigh. come finish it. farleigh: only if you insist!

and then farleigh gives the performance of his life, by the way. people died. but... nobody is uncomfortable. literally no one. no one shudders or gasps at the scandal of oliver saying "this is your song, too" over the karaoke microphone; everyone heard. nobody cares. they all know. they start clapping farleigh on, cheering. elsbeth relaxes back onto her bed of cushions, because farleigh is entertaining. the change in mood is soooo... interesting.

[1:10:45] curse this scene, i don't even want to talk about it. it was hot, oliver and farleigh are so homoerotic, whatever yadayada. just like every other sexual scene in this movie, it is riddled with a suffocating kind of uncomfortable tension. we are made intimate third-party witnesses to carnal, sinful, emotionally ambiguous scenes. when i pointed out farleigh seemed more comfortable with flirting then comfort, when i said farleigh uses sex as a tool, when i said farleigh was projecting with "he's so insecure, so you know he'd put in the work." i just overthink. but any person that has sexual relationships with teachers needs intensive therapy and that cannot be denied. however, it's oliver, that uses sex as a tool throughout this movie. another uncomfortable parallel between the two characters.

something about farleigh's expression throughout this scene is... kind of hurtful. the way the moonlight just barely illuminates the light in his eyes, whereas any detail of oliver's face is shrouded in darkness. it make's farleigh look young, innocent, real. (sidenote, as i'm watching, i have to mention this. the way farleigh says that second "no" is so funny. "...no...?" LMFAO). man, i don't even know what to say, past this. the whole dominant dynamic, farleigh saying "i'm going to behave" is a little too painful considering the context leading up to this scene. it's freaky. it's so very oliver.

this is way too long but i could make so many more connections with their final confrontation at oliver's birthday party. i'm drowning in thoughts. what i really wanted to highlight was how ambiguous farleigh's character is, and how differently a lot of his scenes can be perceived. i've decided that farleigh is a sympathetic character, similar to oliver but so much less powerful. some people hate farleigh! so. there's that. the end! thanks to anyone who read this whole thing!

[ghostgirl101]

Can we get some headcanons of Jeff t.K. in a relationship? ^^

Dating Jeff The Killer Would Be Like This:

A/N: Well, this is a long overdue request, hope the wait was worth it 🙃 I’m going to be waiting for you all at least twice a week from now on, and there are a few spaces left for requests if you want to get yours in for Jeff and others now if you're interested 🔪 This is the original creepypasta Jeff, but I could try writing for David Near's version too if anyone's wondering... enjoy.

🔪• Well damn, there's a lot to include for this crazy son of a biatch, so get ready-

🔪• It's an uncomfortable night, the skies outside pitch black, stars clouded over and your curtains ruffling as you glare tiredly at the ceiling, wishing for sleep to overtake you. But there's just something that's keeping you half-aware, something that makes you toss and turn for a while, eyeing the window with a furrow of your brows. It's almost like someone's watching your every move. You just can't see them.

🔪• Until that whispering, hoarse voice pierces through the still silence from behind your curtains, making your eyes widen in horror at the sadistic chuckling that only gets nearer as you will your body to move from its frozen position.

🔪• The tip of his blade skims across the skin off your face before you can make out his own, pale and deathly and twisted with a nasty, deeply cut grin etched up his cheeks. His cold blue eyes linger over your features, and it’s a frustrating and vulnerable feeling knowing that can read you a lot better than you can him. It’s a tense few moments when all you feel is the end of the sharp dagger trace just light enough down a cheek and your lips, resting there for a second, as if he’s thinking.

🔪• Jeff doesn’t keep you alive just because you’re you - he doesn’t know who you are, or why you look, in his eyes, almost as beautiful as he does. But it makes him curious and confused, something he’s not used to and doesn’t particularly like at first. So with a scoff, the knife is suddenly snatched away, replaced with his face right down next to yours, with a “go to sleep~” and sudden darkness.

🔪• It’s a wonder to you when you wake up the next morning unharmed. It’s unheard of for the infamous killer to let his victims go, but after that night, it’s clear to you that what you experienced wasn’t some sort of weird nightmare. You feel eyes on you almost every minute of the day, footsteps that aren’t your own following you when you’re by yourself, shadows in the hall that turned out to be nothing…

🔪• The only times Jeff will make his appearances where you can actually see and talk to him is at night. At first, it's kind of to see how you'll react - scared and screaming panicking like the others, or oddly curious and mildly apprehensive - if you show the latter, he'll definitely be caught if guard, because he's used to the screaming and crying. But even if you do panic and start some weird chase scene around your house, Jeff seems to find it amusing, until he's had enough and corners you, hissing in your ear, "would you calm the hell down doll, you don't wanna wake the whole damn street, now do you?"

🔪• And you're like yes?!?? Because a scarred maniac is in my room and getting blood stains over my non-washable flooring??! Or maybe that's just me

🔪• This boy can be an absolute mystery to anyone who manages to survive him, because they never really figure out the solid reason why, or his whole backstory, his intentions, etc. All they know is that he's a killer who preys on young people at the night and disappears in the morning. Some survive him because they're interesting for a while, and die when they're not anymore. Some remind him of his past self, and on a bad day, he remembers how much he hates that and gets rid of them too. Some are just to play around with. And then there's you.

🔪• Jeff doesn't give you much of a reason either when you question his motives, because at first, he can't even be sure of why he's ket you around. Is it because you're pretty? Somehow different from his other victims? It's not because he's gone soft. The whole thought process ends up frustrating him, so he'll storm out the window to be alone and try taking his mind off it by going after some whiny targets. But still, he keeps thinking about the question, about you, watching him in some kind of awe and confusion. Why do you care? Why does he care?!

🔪• This whole thing is not some fast-paced cliche love story where everything's sappy and sweet and he'll kill everyone but you. He's still the infamous Jeff The Killer. But that doesn't mean he isn't a little soft for you. Just don't point it out, or he gets flustered and defensive.

🔪• At one point, he wanted to just kidnap you and have you with him all the time, but you had to put your foot down and promise to stick around every night for him to come and go as he pleases, which calmed him down. Because, yeah, that's not happening Jeff, calm yourselffff

🔪• It ends up being him popping in almost every night, with you learning to keep your windows open so you don’t have to keep on replacing the forced-in smashed glass. And even when he visits, it takes time for him to reveal himself, little by little, until you can make out all the rough burns and dried blood that blemish practically every inch of his skin. It's not that he's all insecure - he thinks he’s beautiful most days, and he’s not trying to make you feel less scared by his appearance, because him being the jackass that he is, finds jump scaring you funny.

🔪• But he can have bad days, days where he can't stop thinking about his brother and parents and all that made him who he is, and when that happens, he either bearly says anything and sulks with his knives in the corner of your room, and pretty much lets you do anything. Like, you could end up playing and studying his knives - he watches apprehensively at first, all ready for you to try to stab him in the back - but after time goes by and you've given up questioning yourself as to why you're letting a cold-blooded murderer hang out with you almost every night in your room, he sees that you're not trying to defend yourself in those extreme measures, so kind of lets you do your thing.

🔪• It's nice for him to have the company, too, and he enjoys the small conversations he has with you: the nosy, lucky, pretty little survivor who asks too many questions about him and has a smile that's almost as good as his. Him being him offers to carve one in, and still jokingly tries to while you fight him off with a string of curses. He can be really annoying when he wants to, because he finds your reactions cute. If, on the extremely rare occasions, you happen to see him before it goes dark, doing your homework or something, he'll try drawing on the paper or mucking around with your stuff to distract you. If you're watching something, he'll spoil the ending or give a stupid running commentary. If you annoy him back by any means you can, Jeff gets all pouty and frustrated, but it's also sort of endearing to him??

🔪• So he'll be all "are you freaking stupid, or just suicidal, antagonising a serial killer?!" but he can't help scoffing at you in some form of fondness that he hasn't even realised has been growing in him

🔪• When he ultimately realises that hey! you're stalking and killing the bullies of and are increasingly obsessing over this person, it takes him a bit of time to process. He might not show up on that night, wanting to get his thoughts straight, leaving you very confused, but Jeff does show up the next night wanting you to shut up and sit down and listen to him, because he doesn't want to make this any weirder than it feels for him. You'll hardly understand what he's getting at when he spurts out how you're different and he doesn't really believe in fate but something feels right and every Clyde needs his Bonnie and random crap like that 😂

🔪• You'll have to cut him off with a "so are you asking me out?" and he's like "well... yeah, duh. Don't even think about saying no, because you're not getting rid of me, even if you want to, alright?!?" You can tell he's uncharacteristically nervous. So when you've assessed the situation and see that there's no more harm than there already has been to saying yes, there's an unreadable look of shock and something more in his stony eyes. Then his grin is back, and he's annoying you again by whirling you around in the air and stuff, and boom! You're never getting rid of the maniac. He's yours. Congratulations.

🔪• I'm gonna be honest with you; dating Jeff The Killer is definitely not the easiest mountain you chose to climb, but at the end of the day, if all you want is his manic, obsessive love and devotion to you, then it's well worth it. Take the amount of obsessiveness and stalker behaviour he's shown to you as a weird-ass friend and multiply it by a thousand. I'm not kidding.

🔪• Jeff The Killer genuinely cares about those who have somehow made it to that point with him, and as you're at the top of that list, damn, you'll be spoiled. Don't ask him where he gets all the jewels and trinkets and things you've been wanting or that match your hobbies and talents, because they're yours, and they've always been yours. So your welcome, enjoy, he knew you'd like it. That's one way he shows his love. It's kind of like a way of saying that he's always thinking about you, which isn't an exaggeration at all. I can definitely imagine him killing for you with pride and bringing back a heart all casual-like, while you shake your head with an awkward smile.

🔪• "That's, uh, sweet of you, Jeff, but seriously, throw it away now, that's rank."

🔪• No one else catches his eye after you, too. He's never met someone truly beautiful, inside and out, before you, and he's convinced he won't after. So if someone tries to beg for their life or give him compliments he used to like, it's pretty much ineffective now. "You'll ever be as hot as my doll is, you sadass, but here, I'll carve a little something to get you halfway there~"

🔪• He can actually be surprisingly sweet when he wants to. On his bad days, now he'll just lean into you in silence and twirl his blade around, while you play with his hair or put something on TV or somehow end up staring at him. If you look closer and beyond the chalky white shade of his burnt skin and the deep, bloody scars that trace up from his lips, you can notice how he probably was a good-looking boy before the 'accident.' But don't let him catch you looking, because, bad mood or not, he's a cocky bastard, and will end up grinning and saying something like "it's rude to stare, dolly," which ruins the moment lmao

🔪• Jeff can also get clingy when he feels like it too, though he'll never admit it. He likes how your body's always warm when he is somehow always freezing, and being able to have time alone with you, where you're all his, and no one can take it away from him. He'll go freaking rabid if anyone tries, and no one wants that.

🔪• He gets a little awkward when it comes to comfort and opening up, but he'll get there. He learns from you to just give you a silent hug instead of patting you on the back and telling you to chin up or something stupid, or tries to make you laugh, or kills the thing that's getting you down, if you let him. That's your decision 🙃

🔪• He eventually opens up to you about his past, too, which takes him a lot of courage and a lot of patience for you. It's good that you know, though, because it's something to be even closer about, and the more you know about each other, the more you belong together. At least, that's Jeff's logic.

🔪• Jeff can be a bit possessive and sulky when those moments have to end in the mornings, and he's been known to just shove his white hoodie over your head and demand you wear it when he's not with you. Which is fine, Jeff, but seriously, clean that blood of it first.

🔪• But when all is said and done, no matter how heartless and cold and crazy he may seem, and undoubtedly is, he's sane enough to know that he loves you. His love can be ridiculously intense and overwhelming at times, but you can learn to work around or with it. He will do it. Whether anyone believes it or not, him and you knowing your love is enough for Jeff.