#Either way it just adds more to his character

[sirfrogsworth]

Let's talk about vintage lenses.

Here is your cool samurai show with modern lenses.

Here is your cool samurai show with vintage lenses.

Hollywood is no stranger to fads.

We are currently in the middle of a "make everything too dark" fad. But that fad is starting to overlap with "let's use really old lenses on ridiculously high resolution cameras."

This is Zack Snyder with a Red Monstro 8K camera.

He is using a "rehoused" vintage 50mm f/0.95 Canon "Dream Lens" which was first manufactured in 1961.

This old lens is put inside a fancy new body that can fit onto modern cameras.

Which means Zack is getting nowhere near 8K worth of detail. These lenses are not even close to being sharp. Which is fine. I think the obsession with detail can get a bit silly and sometimes things can be "too sharp."

But it is a funny juxtaposition.

The dream lens is a cool lens. It has character. It has certain aberrations and defects that can actually be beneficial to making a cool photograph. It's a bit like vinyl records for photography.

[ Peter Thoeny ]

It has vignetting and distortion and a very strange swirly background blur.

[ Gabriel Binder ]

Optical engineers have been spending the last 60 years trying to eliminate these defects. And I sometimes wonder if they are confused by this fad.

"I WORKED 70 HOURS PER WEEK TO GET PERFECT CORNER SHARPNESS!"

And whether you prefer to work with a perfect optic or a vintage one... it is a valid aesthetic decision either way. I think vintage glass can really suit candid natural light photography. You can almost get abstract with these lenses.

[ Peter Theony ]

Personally I like to start with as close to perfect as possible and then add the character in later. That way I can dial in the effect and tweak how much of it I want. But even with modern image editing tools, some of these aberrations are difficult to recreate authentically.

That said, it can be very easy for the "character" of these lenses to become distracting. And just like when someone first finds the lens flares in Photoshop, it can be easy for people to overdo things.

Zack Snyder decided to be his own cameraman and used only vintage glass in his recent movies and it has led to some complaints about the imagery.

I mean, Zack Snyder overdoing something? I can't even imagine it.

Non camera people felt Army of the Dead was blurry and a bit weird but they couldn't quite explain why it felt that way.

The dream lens has a very wide aperture and it lets in a lot of light. But it also has a very very shallow depth of field. Which means it is very difficult to nail focus.

[ Peter Thoeny ]

Her near eye is in focus and her far eye is soft. You literally can't get an entire face in focus.

There is no reason you have to use the dream lens at f/0.95 at all times. But just like those irresistible lens flares, Zack couldn't help himself.

Here is a blueprint that you can't really see.

Extreme close ups of faces without autofocus at f/0.95 is nearly impossible to pull critical focus on.

Looks like Zack nailed the area just above the eyebrow here.

Let's try to find the point of focus in this one.

Ummmm... she is just... blurry. Missed focus completely.

But Zack isn't the only one going vintage. I've been seeing this a lot recently.

Shogun is a beautiful show. And for the most part, I really enjoyed the cinematography. But they went the vintage lens route and it kept going from gorgeous to "I can't not see it" distracting. And perhaps because I am familiar with these lens defects I am more prone to noticing. But I do think it hurt the imagery in a few spots.

Vingetting is a darkening of the corners of the frame.

Light rays in the corners are much harder to control. A lot of modern lenses still have this problem, but they create software corrections to eliminate the issue. Some cameras do it automatically as you are recording the image.

Vintage lenses were built before lens corrections where a thing—before software was a thing. So you either have to live with them, try to remove them with VFX, or crop into your image and lose some resolution.

It's possible this is the aesthetic they wanted. They felt the vignetting added something to the image. But I just found my eyes darting to the corners and not focusing on the composition.

And then you have distortion.

In this case, barrel distortion.

This is mostly prominent in wide angle lenses. In order to get that wider field of view the lens has to accept light from some very steep angles. And that can be quite difficult to correct. So you kind have to sacrifice any straight lines.

And sometimes this was a positive contribution to the image.

I thought the curved lines matched the way they were sitting here.

But most of the time I just felt like I was looking at feudal Japan through a fish's eye.

It's a bit more tolerable as a still, but when all of these verticals are bowing in motion, I start to feel like I am developing tunnel vision.

I love that this is a tool that is available. Rehousing lenses is a really neat process and I'm glad this old glass is getting new life.

This documentary shows how lens rehousing is done and is quite fascinating if you are in to that sort of thing.

But I think we are in a "too much of a good thing" phase when it comes to these lenses. I think a balance between old and new can be found.

And I also think maybe Zack should see what f/2.8 looks like. He might like having more than an eyebrow in focus.

[egophiliac]

Hi there! I really love your comics and how expressive they are. How do you go about making the characters in your comic so expressive?

thank you! 💚💜💚 I am REALLY bad at explaining things, so my apologies if this doesn't make a lot of sense, but maybe there's something helpful in here somewhere. :')

1. warm up! drawing is a physical activity, after all! so if I'm planning on sitting down and drawing for a while, I usually start off by taking a couple of minutes to doodle a bunch of circles and lines and random shapes, just to get my drawing arm goin' again and get back into the physical groove. just stuff like this:

and just do that for however long you feel like! you can kind of feel when your arm starts to loosen up and your strokes get more confident. it makes it a lot easier to get those swoopy big lines and gestures!

2. play around with how you use your lines! paying attention to the shapes that they're making will change a lot about how much force and life your drawing feels like it has. (no way is better than another, it just depends on what effect you're going for and how it looks as part of the larger whole.)

and you can also use lines against each other to get different vibes:

it's not really a matter of "you need to make sure all your lines are always doing this all the time", it's more like...being aware of it, and getting that into the general thrust of a pose, if that makes sense? like a lot of smaller lines of action, beyond the big one that goes through the spine.

(just gonna use my own art as examples, apologies)

if you have a good foundation of tension, then all of the little bumps and contours of a character's details won't get in the way of it, and it'll still come through.

and don't forget about negative space either! the spaces between things have their own interesting shapes too!

I don't mean this to come off as, like, all these extra things that you need to be constantly thinking about and stressing over. more like...just try different stuff and then see how it works and how it changes the feeling! if you find a good shape, see if you can exaggerate it and make it more interesting, and how that affects things! angles and shapes are a LOT of fun to experiment and mess around with, especially when you're going more cartoony. :D

3. acting!

just...spending a little time to think about what the characters are actually doing! (aka the "figuring out what everyone is doing with their hands" bit.) this is more a personal preference, but especially in multi-panel comics, I like to have them be in the middle of doing stuff. not just big actions, but smaller things -- like even just how they're sitting or standing -- so that it feels like we're looking in on the middle of a scene, instead of a couple of characters just standing around neutrally and staring straight ahead while talking at each other.

this probably sounds really obvious, but it is one of the most fun parts for me! I love trying to find some little action or something that they can be involved in, especially if it's relevant to their character or adds an extra joke. (for some reason this usually involves me being mean to Sebek) (I'm sorry)

it doesn't need to be everyone Always! Doing! Something! all the time, especially if starts becoming distracting (sometimes they do actually need to just be standing around neutrally and staring straight ahead, especially if there's a bigger action going on that you want the audience to focus on instead). but even just figuring out some kind of non-neutral pose for them to be in can add a lot and make it feel less generic!

3. thumbnailing!

this is, again, very much a personal preference; unfortunately, every artist really is different, and we all have different processes that work better for us. so I can only speak to my personal experience! but I find what helps is to start REALLY rough -- not so much as in messy, as in not trying to start right into actually drawing everything out. like, literally just starting with stick figures and :O faces.

it probably doesn't sound relevant when talking about Drawing Expressively, but I find it's really, really helpful to have already figured out what everyone should be doing (acting!) and what the overall general layout and flow of things should be, before getting into the actual meat of drawing the characters. like having a sketch for the sketch!

(good compositional flow is something I struggle with, and text layout especially, so this stage also helps a LOT with making sure things are fitting where I want them and staying consistent/not breaking screen direction/etc.)

then after that, I can go ahead and focus on getting those Shapes and Lines and Angles and all that, without having to think too much about the layout or where things should go!

(of course, the downside of that is that my thumbnails are usually way better than my actual drawings, alas alas.)

4. this is more philosophical, but...give yourself some slack. the stress of Making Things Look Good is, ironically, often the biggest problem. (see: thumbnails looking better than the actual drawings.) so...let yourself draw shittier and without regards to accuracy. make things just for yourself without thinking about posting or showing them to anyone else. draw stupid faces and wrong proportions because they feel better that way. focus on what's fun and not on getting a perfect end result. "draw expressively, not well", as they say -- you can always tighten up things like proportions and details later, if you really want to.

that's all WAY easier said than done -- god knows I haven't really managed it -- but even just aiming for that attitude really, REALLY helps. if your lines are confident, they'll look a lot more alive and expressive than lines that are exactly technically precise but have no rhythm in them. (this is why tracing photographs tends to look so weirdly stiff and unrealistic, by the way -- even if you're drawing realistically, you usually need to exaggerate and stylize a little bit so it doesn't look lifeless.) it's a balance between caring about what you draw, but also being willing to let things go a little bit.

↑ I hope some of this helps! I don't know if any of this was actually what you had in mind, let alone much of it actually made sense outside of my head. :') but hopefully you (or other people) will be able to get something out of it!

[livrere-green]

ATLA x Omegaverse AU

Part 1 | Part 2

I've been thinking about an omegaverse atla au a lot recently, so I'm gonna vent about it cuz it's getting tiring just to have it spiralling in my head ngl

So, the only thing that I need to mention now it's that the standard age at which someone presents is around 13 to 14 years old. Knowing that, lets talk about the main characters.

Aang (12) would be unpresented by the time of the show. Also, I don't believe that being the avatar makes him an alpha perse. I mean, there's a possibility he presents as one (but he could also be a beta), and it wouldn't have anything to do with his avatar status (historically there could be a higher rate of avatars being alphas/betas, but there are some important exceptions... iykwim). Well, I think he'd present at age 13 almost 14.

Katara (14) is one of the characters that confuses me the most in this aspect, but just to add fuel to her fury and her personality, I'll make her an omega, not the kind that rejects her nature but the kind that embraces it and doesn't see it as something that makes her inferior or helpless. Katara would fight against the life society wants to impose on her in the same way she does in canon, maybe even more. She would resent the people who doesn't respect her because of her gender (just make it double), and at some point, she'd get frustrated about it, but she would think that hating herself would mean letting them win. About her presentation, there's two option: 1. She presented some months before they found Aang, 2. She presented during the first months they were traveling to the NWT (in this case, I think the ideal place would've been Kyoshi Island, because there's people able to take care of her there).

Sokka (15) would be an alpha, he probably presented after Hakoda left (14), he fits the type and the stereotypical personality at the beginning of the show. But I think he would get over it sooner rather than later and he would learnt to respect and don't underestimate betas and omegas just based on their nature. Also, I think that Sokka would scent the Gaang to protect them and particularly to cover Katara's scent as they travel or run away from trouble.

Toph (12) would be unpresented by the time of the show. She'd present as an alpha some time after the end of the war (13). There's not a lot to explain here (talking about her at that age, except for the fact that even during her time with the Gaang, she probably hated Sokka's essence, just as an early hint about her gender). I consider that there's a lot to discuss about her as an adult and how she managed her relationships, but that's a discussion for another time.

Zuko (16) would be an omega, and also a late bloomer, probably presented a couple of years after his banishment (15).. Zuko would be determined to hide his true nature under any circumstances, letting only his Uncle know about it. Ozai would've been informed that his son is a beta, which was already a disappointment for the Royal Family (historically alphas), but it wasn't nearly as negative as being reduced to be treated as an omega. Zuko would end up causing himself a lot of damage in order to disguise as a beta, either by using too many suppressants or other medications, or even hurting himself physically and mentally. He would stop hiding he's an omega after joining the Gaang but It'll be complicated, since he'd be distressed all the time and even Aang and Toph would be able to notice (their senses are not totally develop, so it'll be kinda alarming).

Suki (15) would be a beta, presented at 14. In her case, the characteristics of its gender would be especially helpful to mediate conflict or get out of it. The scent of a beta has calming effects in both alphas and omegas, so she would use it with her friends, or even in battle, to make her opponents lose focus, particularly if their driven by rage. The fans are particularly helpful for that.

Azula (14) would present early as an alpha (12/13). At that age, one of the traits she would manifest the most is assuming the position of head of the pact with her friends, she'd probably scent them with the intention of establishing superiority and control over them. In this context, Mai would be a beta and Ty Lee an omega or a beta as well.

That's all for now, I still have some things in mind for this, but I'll share that later, and if you have questions, I'll be happy to answer!

[cerise-on-top]

hi :D if you do character x character (with possibly x reader, too) headcanons, may i request nikprice hcs? aghh.. i love them so much, but there's (in my opinion) little content of them compared to other ships.. if you do have to add reader into it too thats okay :) i don't mind poly (´▽`ʃ♡ƪ)

but besides that how are you doing? i hope youre doing good :]

Hey there! I'm doing well, thank you! I've actually got five days off next week, which I'm really looking forward to! Plus I get to go to my regular department again too soon enough! But unfortunately, the other apprentice left me with so much work ^^;

NikPrice and NikPrice x Reader

NikPrice:

Although the two of them may be a bit older than some of their peers, they can still be considered idiots, especially when they’re with one another. Sometimes they get weirdly competitive with each other, which can result in either of them getting hurt. Nikolai leads Chimera and Price leads the TF141, both of them sometimes need to show off just how good they are at some things. Nikolai is usually a pretty calm guy, but he does get a bit cocky with Price, so he’ll instigate some competitions. Who can carry the most groceries. Who can find the most dogs and take pictures with them. Who will be favored the most for the week among their boys. It’s just dumb things, and Nikolai does try to cheat his way through most of them, but Price knows him well enough by now to know how he will try to weasel his way into victory. Price usually plays fair and forces Nikolai to do the same. The winner gets bragging rights and that’s about it. Sometimes they poker on who pays for dinner, but they don’t really mess around too much when it comes to more serious stuff. However, they both also compete with each other to show off just how good of a partner they are, even if there’s no need to do that anymore. They can both be proud as peacocks and always need to outdo one another.

Although it may sound stupid, the two of them do spar with each other from time to time. Since they’re about equal in strength it’s actually quite interesting to watch the two of them fight, both have a pretty good technique as well. However, Nikolai has more experience under his belt since he’s quite a bit older than Price. Again, he’s also not above cheating by trying to entice Price with just about anything he can think of. They’re adults, they’re leaders, but they are still morons with each other. Sometimes they fight over the TV remote when Price wants to watch his football game and Nikolai wants to tease him. Price gets mad every time he misses the football game just because he lost to his stupid lover. Nikolai gets a good laugh out of it every time. Although he may love Price more than anyone else, he can be a playful and cocky bastard at times. He makes up for it by taking Price to a real football game in a stadium, though. Can’t enrage the boyfriend too much all the time. Price is usually overjoyed when he does since he gets really into it. There’s nothing better than enjoying some football with Nikolai. Unless Nikolai teases Price about his team losing. In that case the two of them won’t be talking more than necessary for an hour. However, Price goes back to normal after the initial anger of his team losing has worn off.

Nikolai is actually a chef of the master class. He can cook just about anything and make it well at that too. Since he’s been pretty much everywhere at this point he’s learned quite a few recipes from all around the world. He also knows how to use his spices well. Though, his favorite recipes to make are still Russian ones. The two of them cook together often, it relaxes them. Besides, Price gets the privilege of eating Nikolai’s pirozhki before anyone else does. It’s an honor to him since he’s never had anything better in his life. Loves being Nikolai’s taste tester as well. Price isn’t as good a cook as Nikolai, but he does like showing his appreciation for all the good food by cooking something in return. However, his food is kind of bland. It could be worse, but it could also use a lot more spices. Nikolai used to tease Price about that before, but he’s stopped since as Price really does put a lot of effort into cooking for Nikolai. The latter really isn’t so mean to genuinely hurt his boyfriend like that. He does give Price some constructive criticism, though. Offers to help with cooking next time, but both of them know that Nikolai will just take the lead. But in the end, they both really do enjoy cooking with each other, regardless of who makes the main dish. They also get really chatty during it.

NikPrice x Reader

Considering how long they’ve been with each other, they've gotten used to it, but you genuinely cannot cuddle them during summer. You’ll become a sweaty mess and won’t be able to sleep at all since they’re both very warm. Nikolai more so than Price. However, the two of them can cuddle each other just fine since they’re used to warmer nights because of all the missions they’ve gone on. However, it’s pretty nice in winter. They’re two big, burly and warm men who love to make you feel toasty. Price is actually a pretty cuddly guy and Nikolai can be too with the right people. If you’re not on the cuddly side then they’ll settle for giving you a pat on the back every once in a while or just holding your hand. But Price loves touching you and Nikolai. He doesn’t need to do it every single waking moment, but it’s nice to hold your loved ones. Nikolai can go either way, but he’s pretty cuddly with Price. Sometimes the two of them fight over who gets to be the big spoon, other times they’ll just plop into each other’s arms. If you’re shorter than them then you’ll likely get sandwiched between them. If you’re as tall or taller than them then they might ask you to take on the role of big spoon. Sure, they won’t mind it when you’re shorter than them, but they’ll chuckle since you’re just a little backpack.

Both of them will try to teach you how to fight and defend yourself. Even if you’re capable of that already, they’ll teach you something anyway. They’re both military men, they know what they’re talking about. Besides, it’s not as unlikely as one might think that you might get hurt because of them. You need to be able to defend yourself. They’ll take turns teaching you, improving your form and all. They’ll sometimes even deliberately spar in front of you so you could learn something from them fighting with each other. They won’t be as rough with you as they are with each other, especially not if you’re not part of the military, but they’ll be diligent in teaching you either way. If you’re part of the military then they’ll be rougher with you, but not as rough as with each other. Nikolai and Price have known each other for so long, they know where each other’s limits are. You’re the newest addition, so there’s still things they need to get to know. But I can assure you they will take good care of you. They’ll also reward you if you’re doing especially well during your little training lessons. Nikolai tries to bribe you into doing well by offering to cook your favorite meal if you do so.

The two of them actually spoil you rotten, especially if you don’t earn as much money as they do. Nikolai earns even more money than Price, so he has quite a lot to spend. Loves buying you and him all kinds of things. These can range from something useful to just something he saw and thought you might like. Price doesn’t like being indebted to people, so he always tries to buy Nikolai something back, even insisting that he shouldn’t buy him as many things. Nikolai never listens to him in that regard. And since Price buys Nikolai things he has to buy something for you as well. Sometimes it’s just your favorite kind of cake, sometimes it’s some nice and expensive jewelry. It’s always a mystery with Price. You don’t have to feel obligated to buy them something either. You’re more than welcome to if you have the finances to do so, but if you usually barely get by then you really shouldn’t have to. In fact, if you don’t have a lot of money then the two of them will pay for just about anything you need. Clothes, food, other necessities. It doesn’t matter. Together they have more money than they know what to do with anyway. It’s nice to spend it on someone you love and make them happy anyway. Don’t pay them back, they’ll find your bank account and return the money. They love you, let them pamper you like the little royalty you are.

[batfambrainrotbeloved]

How to Writing multiple characters in a scene!!

Writing tips w/ Sunny (part 1, because I ramble and im positive ill end up doing this again if people want or for my own satisfaction)

This is just my methodology put in a way I think makes sense, if this doesnt apply to you thats okay everyone has different stradegies that work for them <33

SO lets begin.

"Rules" of writing multi character scenes + arcs, (First half is how to add them into a scene, second half is maintaining and not letting them vanish)

AHEM- Well there are four ways to place a character in a scene

Narration POV Aka the protagonist, this is the perspective ever present unless you CLARIFY the story is now through the lens of another character (Take for example my fic, while I play with multiple perspectives- a bulk is from Tims POV)

Secondary POV This is the character that DIRECTLY interacts with the narrator aka their "first point of contact" so to speak, they ground the narrator in the scene as not alone and is actually interacting with other people. (This DOES NOT have to be a speaking role, it can be purely observational if need be- but its the character that gets the most attention via the narrators perspective SIDE NOTE- THIS CAN SWITCH AS WELL)

Interactive POV Now we get to the "filling"- since Secondary doesn't need a direct tie to the narrator, you can have another character interact with the secondary character. But since they are not the focus of the scene its good to have a REASON they "Enter" or else if you spend so long giving the narrators perspective on #2 then you risk having someone "Materialize" in thin air. (This isnt really a concern unless you wait too long into the scene to go "Oh this guy exists-" you have time as you paint the reader a picture of the new enviornment/scene)

Enviorment POV Last but most certainly not least (and the one i've seen people struggle with the most) is the character that is PRESENT A N D NAMED- But serves no plot importance/relevance (to the narrator) during the opening part of the scene.

To put in better perspective- think of being in a room, The Narrator is you observing your surroundings (depending on POV style how "into the mind" of the narrator we go)

Secondary is the person you focus on, you hear their conversation, see their body language, expression, clothing, etc. They are the personal "focus" (there can be multiple as well)

Interactive is people SURROUNDING the focus, those who still play a semi active and visible role. They can either be within your line of sight interacting with the enviorment or speaking to a secondary/narrator character.

Enviorment is the person in the back of class that you know, but don't really register unless they do/say something- but you are still AWARE of their presence. CAREFUL NOT TO INTRODUCE THEM TOO LATE, OR ELSE YOU HAVE THE "MATERIALIZE" PROBLEM AGAIN

Now into a scene(aka recycling an old one)

Tim starred ahead silently from his side of the couch, watching Jason fidget with the soda tab on his shitty off brand Doctor Pepper he always insisted on getting. Around and around over and over, it was giving him second hand anxiety.

Thankfully they weren't forced to stay in the moment as Dick leaned over and pressed his shoulder into Jasons with a beaming smile "Oh come on it'll be fun"!

"Says you golden boy" Steph teased, half hanging off her chair and a foot almost knocking over Cass chip bag, only stopped by the fact Duke snatched it and moved it further along the table.

Well at least Damian seemed to be reacting rationally, seeming intent on slouching in on himself the more Dick tried to pull him and Jason together into a "group hug". It was a wonder his arms could even reach that far- even more so that they were still intact.

But Jason, like the rest of them, was weak to Dicks puppy dog eyes. Tim saw the moment he gave up a losing battle and his shoulders slumped in defeat, though his scowl ever present. "If I say yes will you fuck off"

"Ah ah language, we have children here"! Dick gasped, placing his ears on Damians ears which only earned him a snarl in return.

"I don't think Damian counts as a kid- and I just turned 16 which is basically an adult" Duke tried to defend, but his 'fierce glare' had less effect with his hand stuck in a bag of gummy worms.

Tim huffed- if Dick kept it up, they would end up with "family night", and he doubted all of them would come back alive.

(END SCENE)

Now to break down- Tim was of course the "Narrator" perspective that was viewing the scene, we get his insight even while not directly interacting with the characters just by his description tone.

Jason was of course the main "Secondary"character (though Dick was a mix as well) where the scene introduced by Tims perpective and tone by someone else in the enviornment.

Then you have Dick who is a perfect mix of Interactive character (how he entered the scene via movement, placing himself in perspective to the established other two) while shifting to have the most "scene impact" whilst still not being Tims focus.

Finally you have everyone else serving as Enviornment characters, with either a simple Line-action (ex-Steph) or a name drop in general placement (Cass) or establishment through movement, and only relevent later in the scene (Duke).

Damian kind of floats between, he is introduced via a reaction + Narrator observation, but then is mostly just an eviornment character. He is THERE but not really awknowleged beyond that.

NEXT- If that doesn't help much you can rely on "Environment rule"

Aka everyone is always doing something in any space they occupy- apply that to your characters. It can be as simple as when you have one character speak loudly to the narrating POV, another character shifts away or laughs.

They didn't need to speak nor did you need to detract from the tension/pacing of a scene by describing in detail their expression, positon, etc.

BUT in that moment your reader just clues in to "Oh okay x is here-" that is established, and whether or not x plays a role in a future scene within that enviornment doesnt matter much.

This is also the PERFECT oppertunity to give characterization. If a tense moment is going on you can have the narrator notice another character stiffen/flinch (aka affected by the conflict, even if not an active participant)

FINAL PART- MAINTAINING

This is where shit can hit the fan f a s t- getting a bunch of characters in a scene is one thing but keeping them there?? Hell at times.

But once again this all relies on "Narrator perspective" and unless you are switching narrators, you need a "cone of vision" to determine what is or isn't important unless you might break the tension of a scene.

Methods include-

Reactions

Two+ background characters interact (verbal or not)

Interact with enviornment

Enter/Leave a space (of note)

A sound registered but not explored (a chair creaking back, a glass dropping, snack bag rustling, or even my favorite which is the sudden absense of sound implying an audience)

"Incidents" (Someone drops something, attention goes to them for a sec- apology/oneliners, then switch back)

Check ins from NON NARRATOR, (or narrator, but usually works better to keep track of who is focused on who)

Characters don't need to be "ever present" just remind your reader they exist somewhere generally in the scene (and keep them in your back pocket)

But The best possible tool at your disposal?? BANTER.

Let characters interact, feel out their dyanmics- If you dont know how they interact in non tense situations, how does that change when tension amps up. Have a background character throw in a one liner- or the narrator observe a conversation they aren't a part of.

LET PEOPLE BE PEOPLE- And they basically write themselves

Last but not least- if you feel stuck or lost?? Treat EVERYONE like a narrator.

Who are they paying attention to? What are they seeing? How do they REACT to that? Do they speak up, do they tense, do they try and slip away or stay strong?

You don't need to know this for EVERY scene- but sometimes it helps out of a rut moment

ANYWAYYSS- This is my rant and personal methodology of how I place/maintain multiple characters. I hope this helps for anyone interested, if not find what works for you!!

My Asks are open if anyone wants me to give any other advice, tips, or just general ramblings about writing.

Otherwise,

Happy writing!!

[dangerpronebuddie]

Okay, I hate this

I hate this I hate this I hate this

We just had an episode that implied Eddie didn't know he could say no to the possibility of sex with Marisol. It was also implied that option didn't occur to Buck either.

And now there's a speculation that Buck and Eddie are not just letting loose and having fun... but are drugged and out of their minds.

Eddie getting his shirt ripped off because he's finally breaking out of the box he's been confining himself to? Beautiful and poetic and I love it.

Eddie getting his shirt ripped off because he's been drugged? No fucking thank you!!!!

But it's possible and that pisses me off.

(Whump is always fun. But in canon, with two characters who don't know they can say no and one who's been assaulted before, it's not good!!! This show is fantastic about handling serious issues and heavy conversations. Consent? Not so much).

Unfortunately, since there's possibilities surrounding consent right now, I have a theory or two.

If they're really copy pasting BT onto Eddie and Marisol, then they could possibly do the 5x11 thing and Eddie is going to kiss someone. Drunk. (Or drugged, depending on that spec). Consent? Don't know her.

But if they do, it could shatter the box he's been in, and himself. I hate the idea that Eddie always has to completely break to be able to heal, but he doesn't know any other way to be. Ryan hinted at the possibility of Eddie breaking again. So what makes it happen, what does he learn from it, and how does Marisol factor in?

If they do the BT parallel and he kisses someone, consensual or not, he's going to feel incredibly guilty about it. He's failed as a boyfriend (and knowing him, he'll twist it around as failing as a father too) and the box will break again.

The next few episode titles even lean into the guilt of it all. Ghost of a Second Chance, Step Nine, even Unfinished Business is ominous enough to suggest the storyline is involved there too.

With the writers for 7x08 being Juan Carlos Coto and Bradley Marques, and Coto being who wrote the breakdown, I wouldn't be surprised in the very least if something happened that episode. It doesn't need to be a breakdown again, but it can be this cathartic experience where Eddie finally lets go of the guilt he's been carrying for decades.

The title for 7x08 has been on my mind since we found out about it. Step Nine in AA is about making amends, no matter what. It's going to be a Bobby centric episode, no doubt, but Juan Carlos Coto usually writes episodes that are big for both Bobby and buddie (2x06, 3x09, 4x05, 5x13, 5x16, 6x10 to name just a few). Add in the fact Bradley Marques is writing it with him, the guy who's only done episode 100 so far, is... Interesting!

Bobby is likely making amends with Amir. Eddie has to make amends with himself. If we get a realization or a coming out that episode? I will pass out.

They're setting it up to be a brilliant queer storyline for Eddie. I would HATE for it to be tainted by drugs and a lack of consent and another cheating storyline.

And if they don't go the drug route (yay!), then an almost between Buck and Eddie would most likely be enough to make Eddie feel guilty about it and then have to face it and realize he has nothing to feel guilty about at all. Nothing happened. He just realized he wants it to happen, and for a moment it felt like Buck did too. It would push him to either hide with Marisol or drop her and be free. And since he's grown and recognized that he moved too fast asking her to move in, it's possible he breaks up with her instead of becoming more serious.

[kuroshitsuji-igurisshu]

Illustration of Rich Black

𖤐Hello everyone Kuronians𖤐

Today I would like to tell you about the illustration Yanuzza did for the 15th anniversary of the series. The illustration in question was presented as the official visual of the Rich Black or the magnificent exhibition that perfectly summed up every facet of the work.Being a very complex illustration, that is probably why it was simplified in the G-fantasy magazine while still bringing the same atmosphere.In addition, the illustration we see in the magazine was the first idea she sketched, whereas, the Rich Black illustration she came up with by modifying the initial idea several times.

Dwelling on Rich Black's illustration, we are immediately catapulted into a gloomy and cold atmosphere, where the figures of birds flying away certainly do not help to make this illustration more welcoming.We can say that the scene takes place on a chessboard where we notice the two protagonists in the foreground. Sebastian, and especially 'Ciel', are wearing very peculiar clothes, so peculiar that our attention lingers only on them.

Apparently Sebastian's tailcoat looks like the usual garment he always wears, but when seen up close, one can see that behind the back it has a black lace embroidery depicting a horned skull crowned with beautiful lilies. Just above the swallowtails one can see another lace decoration containing two buttons.The trousers, seemingly innocuous, have a side band with lace encrustations forming the Roman characters XV or the number fifteen.

If Sebastian's look amazed you with its elegance, that of 'Ciel' is undoubtedly on another level. Starting from the jacket, you can see some very peculiar brooches, in fact each of them represents an arc from the manga. They are all placed on the jacket, except for one, namely the brooch that specularly represents two identical skulls. This brooch represents the Blue Memory arc and happens to be placed on the shoe. At first glance it might look like an anti-brother gesture, but in fact it is anything but, because in non-verbal communication it is the feet that are the most truthful body part. If we do not like someone unconsciously when they come towards us to talk to us we will not tilt our foot towards them, symbolising a kind of 'non-acceptance' rather we will turn away or something. Perhaps with this gesture Yanuzza wanted to emphasise the relationship he had, and has, with his brother, because despite everything he will always remain a part of him.As with the butler, we have the same skull motif with lace lilies on the jacket of the human puppy. The illustration, or rather, the clothes are so well-rendered and detailed that it is easy to get lost in the details, such as the dark train of 'Ciel' ending in skulls.

Nevertheless, this is not the real message of the illustration, because the interesting part is behind it. It will not be very easy to explain this also because the illustration is so complex that it is not really easy to see the pawns. Yes, the pawns. Behind Sebastian and 'Ciel' there are several white pawns, not random pawns, this because we saw them in Emerald Witch where Yanuzza associated the colour white with the enemy.

White pawns

Bishop = Joker

Knight = Undertaker

Pawn = Doll

Queen = Victory

In between Sebastian and 'Ciel' we can see a strange pawn, this because it is missing a piece. The pawn in question is actually that of Undertaker, the horse, whose head they 'decapitated'.On either side we can see the pawns associated with Joker and Ciel in a strange pairing... Joker is on 'Ciel's side, while Ciel on Sebastian's side. Indeed, our count has exterminated the Noah's Ark Circus and surely Joker (perhaps Polaris) will want revenge. As for Sebastian, well... he's the cause of Ciel's death and I don't think there's anything more to add. Behind the human cub is the queen's pawn, obviously associated with Victoria, but unlike the side pawns, it seems to be going the way of the horse, since it's in an unsteady position that suggests an imminent crash. Even its position does not seem coincidental, considering the great power Victoria has over 'Ciel'.

The scenario of this illustration almost seems to announce a battle, a battle that 'Ciel' will face head-on and with confidence given the way it is drawn. For the first time, we have a young man with his legs spread wide apart, in a commanding position of confidence, as if marking territory. Perhaps later Yanuzza will show us a new 'Ciel'? After all, he still has to take back his villa.

Even in this illustration we have two readings: the first is on the two protagonists who, with their peculiar clothing, not only distract us from everything else, but also bring attention to the essence of Kuroshitsuji, giving us a broad vision of the series.The same vision we had in Rich Black where each story arc had its own corner with exclusive panels, unpublished plates and more.The second reading is in the background and, unlike the first, here we do not have a focus on the series in general but on what could be a hypothetical future of the events of the manga.

If you are curious to see more of my posts, you can find me on IG as Kuroshitsuji_itaru 😈

[miz-orque]

When two buddies are causing havoc and are supportive of one another

[treasureplcnet]

someone on the bodies production team you have to release more layout/bts pictures of charles whiteman's flat please. this is a great start but i need to know him better. particularly if it's got about as much mould as a second year uni house and if he owns as many chairs as it seems LOL

[lieutenantselnia]

I was rewatching AWE the other day and got remembered of Davy's absolutely feral growl in this scene. I have no idea whether it was scripted this way or not, but I'm glad they left it in because honestly - I absolutely love it. and I kind of want more feral Davy now

[princekirijo]

Omg it's just hit me. Those kimono outfits, Ren's not wearing his glasses for his. It's just one little change but it looks pretty cute, I dunno

I actually had to go check this but omfg you're right.... Is he wearing contacts or was the hc of he's wearing fake glasses right all along 👀

[narwhalandchill]

yknow as much as the (deserved) inazuma backlash has clearly changed hoyos writing for the better i do think there v much is one completely wrong lesson theyve taken from it and thats incorporating story quests into the AQ sequence (and specifically how theyve never attempted it again)

the concept itself was Never inherently bad. in fact it unironically has a ton of potential bc you could lessen the need for sudden character specific exposition in the AQ AND pull off way more high-stakes and timeline-specific plotlines in the SQs by ensuring players will experience it at the intended place and time.

the issue was that they introduced a bleak depressing inazuma in the middle of a fucking civil war and then went omg AQ on pause!!! lets go to a festival with ayaka and u will be her first friend ever OwO yoimiyas is at least vastly better written and actually involves the VH and sakoku decrees so its always been a favorite of mine but even then im sure theres things worth criticism in there its just been 2 years so i cant analyze it off the top of my head. but the greatest offender has always been the way ayakas comes with such a complete tonal dissonance it just takes you out of the atmosphere they spent the entire act I building up.

and it rly makes me sad bc i Know hoyo took the backlash about interrupted pacing and disjointed tone as "ok story quests bad as AQ requirements" when its like. no the one you wrote just sucked

AQ incorporated story quests need to have a damn good reason to be mandatory at that specific point and while its far from perfect i DO think yoimiyas fulfills that! but ayakas doesnt! at all! and like im realizing the issue is also in how genshins made it a standard that a character must receive a story quest Instantly on release. so i guess ayakas had to be in between acts I and II for plot reasons but like. that being the case then the story quest itself shouldve focused on a completely different theme as opposed to her very predictable tropey personal problems that werent even explored properly imo. like im sure plenty of depth and nuance in her characterization was lost in translation but i almost cry laughed the first time the restaurant vendor went "oh ayaka is lonely because she is so perfect that no one sees her as a friend but instead an aspiration" like what in the 3rd grader writing mary sue self insert fic tarnation 💀 you couldve worded that exact same concept in 12 different ways to make it actually sound poignant and you did That SHAHSKSJSKDLJH

(and a quick addition before i get accused of being a blind hater hater lmao. here goes: "the burdens of miss ayakas position as the public face of the kamisato make it difficult for her to shed the mask of practiced perfection. i think people struggle to see her as a person whod enjoy simple things in life like friendship just like everyone else when theyre so used to viewing her as an unreachable figurehead." there. now its way more clearly nuanced. this took me 3 minutes and is far from any fluid writing yet. the difference is staggering)

but like. as a result this ambiguous timeline limbo most story quests end up falling into is genuinely a shame bc i do think theres potential in attempting the ayaka n yoi thing again but with characters for whom it makes sense and actually enhances the AQ experience by necessitating it. and yeah yeah ik genshin wants to be casual friendly so they dont want to force ppl to do quests they dont like for AQ so its unrealistic to expect them to ever try it out again but man

as long as they pick the right place and time and characters for it they could massively alleviate the issue of some story quests contents ending up feeling like somewhat empty fluff bc they cant assume what point a player will be in the main plot could be so they lack actually impactful lore and or character beats.

obviously im not a writer at hoyo and idk how much backlash the ayaya/yoi situation got them but like. idk. taking the lesson "never do anything like inazuma again" isnt rly what id consider the full picture. inazuma does suck and has clunky moments throughout but like in 2.0 people were still hype! inazuma had good ideas and concepts and attempted sth that couldve been great the issue isnt inazuma bad on all levels its that they never delivered its potential and 2.1 was an incredible letdown.

[fortes-fortuna-iogurtum]

feeling very weird about the last two episodes of Miss Scarlet (3.3 and 3.4), because I... actually really loved them?? and I know it was largely because of the absence of William.

which I find odd, because I actually DO like him!! he's a complex and interesting character, he and Eliza's spark off one another is really fun (and also lbr, infuriating, and that's a large reason why this show works; hence the title), and I just... genuinely do like the character. he's irksome as all get-out, he can be entirely insensitive and a touch misogynistic and sometimes I really do wanna break his nose. but I still like him! he has a part to play in this story and I understand that for what it is within the narrative, I really enjoy it!

and yet... I've felt like these last two episodes were some of the most genuinely well-written and especially well-character-written ones for a good while.

I guess it's just because, with the Duke out of the picture, other characters aren't constantly being held up to him in one way or another. Moses, Detective Fitzroy, Mr. Nash, Detective Phelps--they're all given a chance to be developed as characters in their own right, instead of just supporting William/William and Eliza's relationship. and even Eliza grows and is a far more multi-faceted and, I think, genuinely enjoyable character when she's not reduced to simply her reactions to and against William.

I'm intrigued, to be honest. I know he's back in his usual spot as the second lead in the next episode, and I'm looking forward to seeing what happens given the ~revelation~ in the very last scene of episode 3.4... but I'm already kind of sad that the rest of the characters I've so enjoyed getting to spend more time focusing on are going to once again be cast in the shadow of 'Miss Scarlet and the Duke'. despite that literally being the entire point of the show.

[pandoratheprocrasticreator]

huntlow shippers who cherry-pick every single frame where these two stand next to each other and TJLC it into a secret metanarrative that they’ve actually been madly in love since the moment they met, but disney forced the crew to cut the token m/f couple during The Shortening bc somehow there was no way for these two to have any meaningful conversation in the many many times they were onscreen together

vs.

huntlow dislikers who cherry-pick those same screenshots and say that because other characters blush in non-romantic contexts sometimes, it definitely means every single interaction between these two were 100% platonic on both sides and all huntlow shippers are under a collective delusion, and that dana terrace is being held at gunpoint by disney/other members of the crew to add in a romantic subplot she hates against her will. despite it also not being romantic somehow

FIGHT

[malewifehenrycooldown]

Re-reading Bleach’s Arrancar arc, and… god I want to give Orihime a shoulder to lean on and cry on. Just… gosh the poor girl… she can’t catch a break :’(

The moment she has self doubts about her own abilities (a very understandable and normal teenaged thing!) she has an even more stronger insistence to be stronger, and just when she’s about to get a tremendous improvement in her abilites, the bad guys show up (specifically Ul//quiorra) and basically coerces her to join the arrancar because the value her abilities. That refusal would lead to the deaths of her friends, and as a pacifist who doesn’t like violence and wants to keep her friends safe, it’s understandable that such an offer is VERY HARD for her to decline.

May I remind people that Orihime at this point in Bleach is a teenaged girl attending high school. Who just a few months ago almost saw her best friend die (they’re okay but they’re not the same person anymore), had a near death experience herself, and also saw the person she has a crush on be violently defeated in a battle he wasn’t prepared for.

Arrancar arc is really just… Orihime and the horrible, terrible, no good, very bad day :(

[vullcanica]

@nightmarecountry : “God, you’re like a fancy dinner plate that you don’t wanna budge off the edge of the table.” (I'm sorry dan)

It's usually meant as a compliment, he's found. The way people look at him and think of rare, pretty, cold things by way of comparison. He's learned to accept it without much complaint, learned to gratify it when someone's tone dips saccharine and their flattery turns demeaning. Pearl, painting, plate. Proper perfect Perkins.

He's been called a thing before, in as many words as one could manage.

He's never been called fragile.

Doesn't expect to sting as much as it does, his skin assumedly thicker to the sentiment but, by god, this man - this creature or thing, whatever it is which does not seem to breathe and whose eyes clack enamel behind their shades - he makes it sound affronting. His tone lilts southern, mawkish and cloying, almost sticky-slurred from all the wretched saliva gathered just behind bared teeth, and Daniel's skin prickles. The gravel rumble pitch unnerves where it should charm, eerie in its artificiality like a distorted record. Like a predator growl. There's something wrong and enchanting and infuriating about it all.

You don't know the half of it, he thinks, suddenly, oddly possessed by an urge to defy the assumption. To commit the debasement of gracing a farce with answer. He should leave instead. Run. But disdain is a mighty root and the scowl cannot be helped when Daniel looks at him from beneath heavy brows - luciferian with anger too polite to become fury. His lips curl to stave off a rude tone. He thinks he ought to snarl but can't justify the reaction.

"I think you'll find.. I've weathered worse than a 'budge'."