#Form and Content

[omegaphilosophia]

The Philosophy of Imagism

The philosophy of Imagism is grounded in clarity, precision, and directness in both thought and expression. Originating in early 20th-century poetry, Imagism was a literary movement that rejected the ornate and sentimental style of Victorian poetry in favor of clear, sharp imagery and economy of language. Philosophically, Imagism can be understood as a response to the changing perceptions of truth, language, and beauty in modernity.

Core Philosophical Principles of Imagism:

1. Direct Treatment of the “Thing”

Imagists believed that a poem should present an object, emotion, or scene without unnecessary abstraction or embellishment. This reflects a philosophical commitment to phenomenological clarity—capturing experience as it is perceived, not mediated by convention or vague generalities.

2. Precision and Economy of Language

Imagists strove for linguistic minimalism, where every word earned its place. This economy reflects an anti-rhetorical stance, opposing the idea that more words equal more meaning. In this way, it shares ground with analytic philosophy and logical positivism, which also value precision and clarity in language.

3. Image as Epiphany

The image in Imagism is not merely descriptive—it is revelatory. A single image, rendered cleanly and truthfully, can convey complex emotions and insights. This approach resonates with Zen philosophy, where truth is often transmitted through the immediate and the concrete.

4. Rejection of Traditional Forms

Imagists often broke away from strict meter and rhyme, favoring free verse that matched the natural rhythm of thought and speech. This rebellion mirrors a broader modernist critique of tradition, questioning inherited structures in both art and life.

5. Sensory Experience as Truth

Imagism’s reliance on visual and sensory imagery places it close to empiricism, the philosophical view that knowledge arises from sensory experience. The image becomes a primary unit of meaning, conveying truth without requiring conceptual explanation.

Philosophical Influences and Parallels:

Ezra Pound (a key Imagist) was influenced by Chinese and Japanese poetry, especially haiku, which share a focus on simplicity and immediacy.

T.E. Hulme, another foundational figure, drew on Bergson’s philosophy of intuition, arguing that art should convey the essence of experience, not abstract ideas.

Symbolist poetry and phenomenology are also close cousins to Imagism in their emphasis on perception and inner experience.

Summary:

Imagism, philosophically, is a poetic discipline rooted in clarity, perception, and minimalism. It values truth that arises from direct experience and believes that a well-rendered image can carry the weight of philosophical insight. Imagism is not just a style of poetry—it is a way of seeing, one that honors the concrete over the abstract, the specific over the general, and the immediate over the idealized.

[anaxerneas]

This chapter opens by comparing Bergson’s and Schlick’s biological epistemologies. Both philosophers agree with Spencer, Mach, and the Pragmatists in seeing the emergence of perception as biologically explainable by reference to practical goals. Both disagree with their evolutionist predecessors, endeavouring to set a limit to biologism, though in each case the limit is set differently. While Bergson finds a source of disinterested knowledge in intuition, Schlick sees intuition as a type of disinterested aesthetic attitude that cannot pertain to knowledge. Contrary to Bergson’s pragmatic account of scientific knowledge as a ‘system of images’, Schlick develops an account of theoretical knowledge (Wissenschaft) in which images are replaced by exact concepts. On this basis, Schlick objects against the thesis that intuition is a form of knowledge.

Might be worth tracking down sometime?

[mias-back-from-the-dead]

tbh i think the funniest phenomena that's been happening in the last couple years is "youtuber, having gone too deep into the research hole, has been made an investigative journalist against their will"

[juney-blues]

trans women specifically are so hated that getting mistaken for a trans woman is dangerous. thank god all of us can clear up that we aren't trans women to defuse that tension a little bit, thank god we can all fall back on not being trans women when it comes to legal matters. imagine if you couldn't do that. sure would suck if there was a type of person who couldn't do that. glad none of us are like that though.

I'm Glad We're All Equally Susceptible To Being MISTAKEN For Trans Women. Truly We Are All Faggots In The Eyes Of The State.

[ruushes]

sleeping arrangements (not sure tara would ever actually deign to sleep in the same 20ft radius as shovel but who can resist those big shiny insectoid black eyes 🥺)

plus:

[headcanon-fodder]

I have a headcanon that the only selfcare chilchuck regular engages in is taking really good care of his hands/nails cause he views it the same as the upkeep of his tools

he also liked keeping his hands nice for holding his wife and children but don't worry about that part

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[yourslimeybuddy]

@keferon 's apocaplyptic ponyo au has gripped me in a chokehold, specifically lil baby jazz and blaster. ouuhh i love them sm i will be drawing them again and forever <333

[pseudophan]

anthony is dead: the funeral roast (paid content)

[theside-b]

Babygirl is having a ✨rough✨ time

Boom Raveewit as Akin Tahra in TOP FORM • 『抱かれたい男1位に脅されています』 (2025)

[pritong-baboy]

tfp ratchet's character development

[axoqiii]

pony thieves 💥💥

au notes ⬇️

[zuzu-draws]

Stardew Valley Bachelor Portrait Sukuna, anyone?? (I made some quick pixelated gifs while musing lolol)

I wonder how many folks would romance him in-game 🤔 Make your attendance here, folks ✋

[shivunin]

Because I have just seen this specific thing for the second time, I would like to say:

If I reblog your art, I do not expect you to reblog (or share!) my fic in return

If I comment on your fic, I do not expect you to comment on (or read!) mine in return

My enjoyment of anyone's work does not come with strings or expectations

My friendship is not a bill that you will have to pay later

That's it!

[mothpendragon]

Made a sequel to this because I have free will

Hope y’all enjoy it!! @kyri45

Part 3 is here

Swearing warning cause it’s Snapcube