#Founder of All Work Point

[nyhne]

.

[uchiha-gaeshi]

I’m calling off my SI/OC fic.

[reasonsforhope]

"Tim Friede’s YouTube channel is home to a collection of videos depicting the Wisconsin-native truck mechanic subjecting himself to purposeful snake bites, blood slowly dripping down his arms.

For the past 20 years, Friede has been one of the most notorious “unconventional” medical researchers, undergoing over 200 bites from the world’s deadliest snakes — and more than four times as many — 850 — venomous injections. 

He did it all in the name of science.

According to the World Health Organization, an estimated 100,000 people are killed by snake bites each year, with countless more being disabled by the venom of the deadly reptiles. 

While life-saving anti-venom is available, very few countries actually have the capacity to produce it properly, given that most bites occur in remote and rural areas, and anti-venom requires arduous sourcing and accuracy. 

But Friede’s blood is now full of antibodies, following decades of strategic exposure to the neurotoxins of mambas, cobras, and other lethal slithering critters.

His blood is now the source material researchers are using to develop an anti-venom capable of neutralizing a broad spectrum of snake bites...

Friede started this hobby — which he is indeed adamant no one else tries at home — out of sheer curiosity in childhood. After playing with harmless garter snakes in his youth, he began keeping more dangerous species of snakes as pets. At one point, he had 60 of them in his home basement.

In 1999, he began extracting venom from his snakes, drying it, diluting it, and injecting himself with tiny doses — keeping meticulous records as he went.

He had one major hospitalization in 2001, when he was paralyzed and in a coma for four days. But instead of giving up, he doubled down. 

“In hindsight, I’m glad it happened,” Friede told The Times. “I never made another mistake.”

Jacob Glanville, an immunologist and founder of biotech company Centivax, stumbled on Friede’s videos.

Now, Friede is the director of herpetology at Centivax and serves as something of a “human lab” to Glanville.

“For a period of nearly 18 years, [Tim] had undertaken hundreds of bites and self-immunizations with escalating doses from 16 species of very lethal snakes that would normally a kill a horse,” Glanville told The Guardian.

“It blew my mind. I contacted him because I thought if anyone in the world has these properly neutralizing antibodies, it’s him.”

To develop the new anti-venom, Glanville and his fellow researchers identified 19 of the world’s deadliest snakes — in the elapid family — which kill their prey by injecting neurotoxins into their bloodstream, paralyzing muscles (including the big, important ones, like the heart and lungs).

The trouble is, each species in the elapid family has a slightly different toxin, meaning they would each require their own anti-venom.

But Friede’s blood contains certain fragments of each of these toxins; protein molecules seen across the various species. Because of his decades of service to science, his blood also contains the antibodies required to neutralize these toxins, preventing them from sticking to human cells and causing harm.

Combining the antibodies LNX-D09, SNX-B03, and a small molecule called varespladib that inhibits venom toxins, Centivax has successfully created a treatment effective against the entire range of 19 species’ toxins.

Their work, which was recently published in the journal Cell, will soon be tested outside of the lab. 

Trials will start with using the serum to treat dogs admitted to Australian veterinary clinics for snake bites. Assuming that goes well, the next step will be to administer human tests.

Researchers also believe that because the serum stems from a human, this should also lower the risk of allergic reactions when being administered to other people. 

“The final product would be a single, pan-anti-venom cocktail,” Professor Peter Kwong of Columbia University, a senior author of the study, told The Times.

Or, he added, they could make two: “One that is for the elapids, and another that is for the viperids, because some areas of the world only have one or the other.”

As for Friede, he maintains his affinity for snakes, though his last bite was in November 2018, when he said “enough is enough,” according to The New York Times.

By then, he had certainly done enough. His pursuit of immunity could feasibly save countless lives.

“I’m really proud that I can do something in life for humanity,” Friede told The New York Times, “to make a difference for people that are 8,000 miles away, that I’m never going to meet, never going to talk to, never going to see, probably.”

-via GoodGoodGood, May 2, 2025

[mostlysignssomeportents]

Mark Zuckerberg personally lost the Facebook antitrust case

I'm on a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me at NEW ZEALAND'S UNITY BOOKS in AUCKLAND on May 2, and in WELLINGTON on May 3. More tour dates (Pittsburgh, PDX, London, Manchester) here.

It's damned hard to prove an antitrust case: so often, the prosecution has to prove that the company intended to crush competition, and/or that they raised prices or reduced quality because they knew they didn't have to fear competitors.

It's a lot easier to prove what a corporation did than it is to prove why they did it. What am I, a mind-reader? But imagine for a second that the corporation in the dock is a global multinational. Now, imagine that the majority of the voting shares in that company are held by one man, who has served as the company's CEO since the day he founded it, personally calling every important shot in the company's history.

Now imagine that this founder/CEO, this accused monopolist, was an incorrigible blabbermouth, who communicated with his underlings almost exclusively in writing, and thus did he commit to immortal digital storage a stream – a torrent ��� of memos in which he explicitly confessed his guilt.

Ladies and gentlepersons, I give you Mark Zuckerberg, founder and CEO of Meta (nee Facebook), an accused monopolist who cannot keep his big dumb fucking mouth shut.

At long, long last, the FTC's antitrust trial against Meta is underway, and this week, Zuck himself took the stand, in agonizing sessions during which FTC lawyers brandished printouts of Zuck's own words before him, asking him to explain away his naked confessions of guilt. It did not go well for Zuck.

In a breakdown of the case for The American Prospect, editor-in-chief David Dayen opines that "The Government Has Already Won the Meta Case," having hanged Zuck on his own words:

https://prospect.org/power/2025-04-16-government-already-won-meta-case-tiktok-ftc-zuckerberg/

The government is attempting to prove that Zuck bought Instagram and Whatsapp in order to extinguish competitors (and not, for example, because he thought they were good businesses that complemented Facebook's core product offerings).

This case starts by proving how Zuck felt about Insta and WA before the acquisitions. On Insta, Zuck circulated memos warning about Insta's growth trajectory:

they appear to be reaching critical mass as a place you go to share photos

and how that could turn them into a future competitor:

[Instagram could] copy what we’re doing now … I view this as a big strategic risk for us if we don’t completely own the photos space.

These are not the words of a CEO who thinks another company is making a business that complements his own – they're confessions that he is worried that they will compete with Facebook. Facebook tried to clone Insta (Remember Facebook Camera? Don't feel bad – neither does anyone else). When that failed, Zuck emailed Facebook execs, writing:

[Instagram's growth is] really scary and why we might want to consider paying a lot of money for this.

At this point, Zuck's CFO – one of the adults in the room, attempting to keep the boy king from tripping over his own dick – wrote to Zuck warning him that it was illegal to buy Insta in order to "neutralize a potential competitor."

Zuck replied that he was, indeed, solely contemplating buying Insta in order to neutralize a potential competitor. It's like this guy kept picking up his dictaphone, hitting "record," and barking, "Hey Bob, I am in receipt of your memo of the 25th, regarding the potential killing of Fred. You raise some interesting points, but I wanted to reiterate that this killing is to be a murder, and it must be as premeditated as possible. Yours very truly, Zuck."

Did Zuck buy Insta to neutralize a competitor? Sure seems like it! For one thing, Zuck cancelled all work on Facebook Camera "since we're acquiring Instagram."

But what about after the purchase. Did Zuck reduce quality and/or raise costs? Well, according to the company, it enacted an "explicit policy of not prioritizing Instagram’s growth" (a tactic called "buy or bury"). At this juncture, Zuckerberg once again put fingers to keyboard in order to create an immortal record of his intentions:

By not killing their products we prevent everyone from hating us and we make sure we don’t immediately create a hole in the market for someone else to fill.

And if someone did enter the market with a cool new gimmick (like, say, Snapchat with its disappearing messages)?

Even if some new competitors spring up, if we incorporate the social mechanics they were using, these new products won’t get much traction since we’ll already have their mechanics deployed at scale.

Remember, the Insta acquisition is only illegal if Zuck bought them to prevent competition in the marketplace (rather than, say, to make a better product). It's hard to prove why a company does anything, unless its CEO, founder, and holder of the majority of its voting stock explicitly states that his strategy is to create a system to ensure that innovating new products "won't get much traction" because he'll be able to quickly copy them.

So we have Zuck starving Insta of development except when he needs to neutralize a competitor, which is just another way of saying he set out to reduce the quality of the product after acquisition, a thing that is statutorily prohibited, but hard to prove (again, unless you confess to it in writing, herp derp).

But what about prices? Well, obviously, Insta doesn't charge its end-users in cash, but they do charge in attention. If you want to see the things you've explicitly asked for – posts from accounts you follow – you have to tolerate a certain amount of "boosted content" and ads, that is, stuff that Facebook's business customers will pay to nonconsensually cram into your eyeballs.

Did that price go up? Any Insta user knows the answer: hell yes. Instagram is such a cesspit of boosted content and ads that it's almost impossible to find stuff you actually asked to see. Indeed, when a couple of teenagers hacked together an alternative Insta client called OG App that only showed you posts from accounts you followed, it was instantly the most popular app on Google Play and Apple's App Store (and then Google and Apple killed it, at Meta's request):

https://pluralistic.net/2023/02/05/battery-vampire/#drained

But why did the price go up? Did it go up because Facebook had neutralized a competitor by purchasing it, and thus felt that it could raise prices without losing customers? Again, a hard thing to prove…unless Zuck happened to put it in writing. Which he did, as Brendan Benedict explains in Big Tech On Trial:

I think we’re badly mismanaging this right now. There’s absolutely no reason why IG ad load should be lower than FB at a time when . . . we’re having engagement issues in FB. If we were managing our company correctly, then at a minimum we’d immediately balance IG and FB ad load . . . But it’s possible we should even have a higher ad load on IG while we have this challenge so we can replace some ads with [People You May Know] on FB to turn around the issues we’re seeing.

https://www.bigtechontrial.com/p/zuckerberg-v-zuckerberg-will-the

So there you have it: Zuck bought Insta to neutralize a competitor, and after he did, he lowered its quality and raised its prices, because he knew that he was operating without significant competitors thanks to his acquisition of that key competitor. Zuck's motivations – as explained by Zuck himself – were in direct contravention of antitrust law, a thing he knew (because his execs explained it to him). That's a pretty good case.

But what about Whatsapp? How did Zuck feel about it? Well, he told his board that Whatsapp was Facebook's greatest "consumer risk," fretting that "Messenger isn’t beating WhatsApp." He blocked Whatsapp ads on Facebook, telling his team that it was "trying to build social networks and replace us." Sure, they'd lose money by turning away that business, but the "revenue is immaterial to us compared to any risk." Sure seems like Zuck saw Whatsapp as a competitor.

Meta's final line of defense in this case is that even if they did some crummy, illegal things, they still didn't manage to put together a monopoly. According to Meta's lawyers – who're billing the company more than $1m/day! – Meta is a tiny fish in a vast ocean that has many competitors, like Tiktok:

https://www.levernews.com/mr-zuckerbergs-very-expensive-day-in-court/

There's only one problem with this "market definition" argument, and that problem's name is Chatty Mark Zuckerberg. On the question of market definition, FTC lawyers once again raised Zuckerberg's own statements and those of his top lieutenants to show that Zuckerberg viewed his companies as "Personal Social Networks" (PSNs) and not as just generic sites full of stuff, competing with Youtube, Tiktok, and everyone else who lets users post things to the internet.

Take Instagram boss Adam Mosseri, who explained that:

Instagram will always need to focus on friends and can never exclusively be for public figures or will cease to be a social product.

And then there was Zuck's memo explaining why he offered $6b for Snapchat:

Snap Stories serves the exact same use case of sharing and consuming feeds of content that News Feed and Instagram deliver. We need to take this new dynamic seriously—both as a competitive risk and as a product opportunity to add functionality that many people clearly love and want to use daily.

And an internal strategy document that explained the competitive risks to Facebook:

Social networks have two stable equilibria: either everyone uses them, or no-one uses them. In contrast, nonsocial apps (e.g. weather apps, exercise apps) can exist [somewhere] along a continuum of adoption. The binary nature of social networks implies that there should exist a tipping point, ie some critical mass of adoption, above which a network will organically grow, and below which it will shrink.

Sure sounds like Facebook sees itself as a "social network," and not a "nonsocial app." And of course – as Dayen points out – when Tiktok (a company Meta claims as a competitor) went up for sale, Meta did not enter a bid, despite being awash in free cash flow.

In Zuckerberg's defense, he's not the only tech CEO who confesses his guilt in writing (recall that FTX planned its crimes in a groupchat called WIREFRAUD). Partly that's because these firms are run by arrogant twits, but partly it's because digital culture is a written culture, where big, dispersed teams expected to work long hours from offices all over the world as well as from their phones every hour of day and night have to rely on memos to coordinate:

https://pluralistic.net/2023/09/03/big-tech-cant-stop-telling-on-itself/

When Dayen claims that "the government has won the Meta case," he doesn't mean the judge will rule in the FTC's favor (though there's a high likelihood that this will happen). Rather, he means that the case has been proven beyond any kind of reasonable doubt, in public, in a way that has historically caused other monopolists to lose their nerve, even if they won their cases. Take Microsoft and IBM – though both companies managed to draw out their cases until a new Republican administration (Reagan for IBM, GWB for Microsoft) took office and let them off the hook, both companies were profoundly transformed by the process.

IBM created the market for a generic, multivendor PC whose OS came from outside the company:

https://www.eff.org/deeplinks/2019/08/ibm-pc-compatible-how-adversarial-interoperability-saved-pcs-monopolization

And Microsoft spared Google the same treatment it had meted out to Netscape, allowing the company to grow and thrive:

https://apnews.com/article/google-apple-microsoft-antitrust-technology-cases-1e0c510088825745a6e74ba3b81b44c6

Trump being Trump, it's not inconceivable that he will attempt to intervene to get the judge to exonerate Meta. After all, Zuck did pay him a $1m bribe and then beg him to do just that:

https://gizmodo.com/zuckerberg-really-thought-trump-would-make-metas-legal-problems-go-away-2000589897

But as Dayen writes, the ire against Meta's monopolistic conduct is thoroughly bipartisan, and if Trump was being strategic here (a very, very big "if"), he would keep his powder dry here. After all, if the judge doesn't convict Meta, Trump won't have wasted any political capital. And if Meta is convicted, Trump could solicit more bribes and favors at the "remedy" stage, when a court will decide how to punish Meta, which could be anything from a fine to a breakup order, to a nothingburger of vague orders to clean up its act.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/04/18/chatty-zucky/#is-you-taking-notes-on-a-criminal-fucking-conspiracy

[esperderek]

Hbomberguy did a pretty good job pointing out how Somerton has tried to take up the air of modern queer creators, stealing the works they made to little or no money or exposure, and using them to bolster his own fame. It's a truly reprehensible act.

But I feel like it's also important to briefly touch on what he stole from the past.

The Celluloid Closet is a backbone text on queerness and cinema. Like, if you're at all interested in the subject, please read the book, and watch the doc. Yes, the language will be outdated. It was written in 1981 and the doc published in 1995. Language evolves. I was fortunate enough to both read the book and see the documentary in the early 2000s, when I attended university.

It was written by Vito Russo, who held a Masters in film and a desire to fight for queer rights after witnessing the Stonewell riots. The Celluloid Closet was first a live lecture presentation, then a book. He would try to get the book made into a documentary in the early years, and after he died, others picked up that torch to carry on his work and to pay respect to the man.

Vito Russo was also one of the co-founders of GLAAD. He was a co-founder of ACT UP. You may have, if you've watched documentaries or seen news stories about the AIDS crisis, seen parts of his speech, Why We Fight. He protested, advocated, and educated even as people he knew and loved died, and he himself was dying.

As Hbomberguy notes in his doc, he would go on to pass in 1990. This was a man who fought his ass off, even while dying, for a better tomorrow and better representation.

The fact that Somerton stole his work is beyond insulting to the queer history, and queer film history, that he purports to give a shit about.

[avelera]

So apparently, Fortiche shared concept art where Jayce's Hexcorization in the cave would extend all the way to his face:

And this is really interesting to me from a narrative perspective, here's why:

Much of S2 Jayce's arc is incredibly... punitive. Like, he is really being punished step by step for everything he did wrong in S1. From Renni terrorizing and almost killing him for the death of her son, to Viktor leaving him "for another woman" (the Hexcore as represented by Sky) much like Jayce left him for politics as represented by Mel, there's really a sense of the narrative not only tearing Jayce down to his bare essentials (something that's very common for TV writing to do, by the way, it's very common that you want to see characters reduced down to who they are for their "long night of the soul" moment before they learn the lessons of what they really stand for before going into the climax armed with those lessons), but Jayce's time in the cave really goes even further than that and not only does S2 take away his political career, his Hextech ambitions, his state as someone able-bodied, much of his strength, and certain other gifts, it looks like in this draft they considered taking away his beauty too.

I think it would have been interesting either way if they had, but I want to dive into the narrative structure of action and punishment in Arcane, why Hexcorizing Jayce's face might have been a step too far and not really addressed a lesson he needed to learn, and my thoughts on punitive character arcs in general in Arcane (or lack thereof), specifically with regards to Jayce and Caitlyn.

I've mentioned elsewhere that I always found it interesting that much of the hate directed towards Jayce by the fans was for his perceived incompetence in difficult moments, rather than at how naturally gifted he seems to be at everything.

When I first watched S1 on my own, I thought Jayce was a bit unbearable because everything comes so easily to him (after Viktor becomes his partner and Hextech takes off as a result, that is). He is naturally beautiful, he's built like a god but doesn't appear to do any sort of exercise routine to maintain this other than working in the forge, he becomes the Man of Progress and rockstar of Piltover pretty much without trying, girls are literally sighing dreamily as he goes by.

He's also naturally a genius, from what we see, revolutionizing multiple industries with one invention. Even his rescue as a child is a literal miracle and it spurs him to create an invention that makes him a rockstar. When he enters politics, he immediately dominates, to the point where he's able to get a unanimous vote to overthrow the founder of the city within weeks of going there. Even in battle he's naturally gifted and naturally lucky during the raid of the Shimmer factory (up until the death of Renni's son), even though he has no prior skills as far as we know. He also wins the love of arguably the most beautiful woman in the series, again, seemingly without trying.

Then, S2 doesn't just take all of this away from him, it seems to go a step further into actually punishing Jayce for how easy and miraculous his life was in S1.

I'm of two minds about the Hexcorization reaching his face, but I have a hypothesis. I think it would have looked fucking rad but, I kinda get why they didn't do it:

Because Jayce's good looks are not something he can control, unlike the other things the narrative punishes him for.

Insofar as he can control his looks, he gives up on the clean-cut, immaculate "Golden Boy" image. Even in the idealized astral plane, he keeps most of the marks of his time in the pit like his hair and beard. I think it's because Jayce likes who he became down there. The clean-cut version of him was always the mask of him trying to please others, Jayce's appearance after he emerges from the cave is him shedding the opinions of others (contrast this with how Viktor idealizes himself in the astral plane, removing all marks of his illness. This isn't a criticism, just an interesting point of contrast).

So basically, my theory is Fortiche may have pulled back on Hexcorizing Jayce's face on the one hand to soften the visuals a bit, but secondly because it keeps the focus on punishing Jayce for things he chose to do, rather than things he doesn't really have control over.

But make no mistake, the narrative comes down hard on Jayce in S2, for every little thing the fans could and often did hate him for in S1. He pays for all of them, arguably in excess of what he maybe deserved, since as he says he didn't ask for any of this. But he did go along with it, and there's where the hammer of consequence (quite literally) comes down on him, tears away all his privileges, drags him down to literally the level of Viktor when he first left the undercity and says, "You have to do it all again but now focused on what really matters, and it's going to be ten times harder than it ever was."

This, in my opinion, is why Jayce is so popular coming out of S2. It is a hell of an arc, it's a hell of a redemption! You gave the man everything any man could want, then you took it all away, and then as his crowning moment of showing he has truly learned these lessons and made up for his mistakes, he makes possibly the most loving gesture possible, puts his weapons down, and reaches out to the person he loves most and literally sacrifices himself on the altar of his mistakes to make things right and show Viktor he is loved, and to protect Viktor from the horrifically lonely fate of his future self. It doesn't get any more noble, loving, or self-sacrificing than that.

Because more than we like to see a character punished we like to see them learn from their mistakes and come back better. Jayce's S2 nobility is earned, perhaps even to excess, no one can question whether he suffered enough to make up for what he did in S1 but even the most uncharitable read of him in S1, his biggest hater, would have to agree his time spent starving to death in agony, alone in that cave for months, has got to be just about the worst punishment a human can face and live.

Which is one reason I must add that I find it a little puzzling that Arcane's creators didn't predict the hate that Caitlyn would get in S2.

Keep in mind, because this is very important, the Arcane creators did not make S2 in response to fan reactions to S1. S2 was already in production and the script was locked in and done before anyone outside their organizations saw S1. So nothing that happens in S2 is as a result of fan response.

But, the creators did understand that Jayce was going to need to suffer narrative punishment for what he did in S1 in order to be redeemed, whether they predicted how hated he would be after S1, they did predict that redemption would be necessary. And boy-howdy, did they give him a hell of a redemption arc!

But Caitlyn's S2 actions are almost in lock-step similar to Jayce's S1 actions, being manipulated (by a Medarda!) into accepting power, but maybe not having a choice in the matter, but still maybe expanding that power on their own because it is useful in its own right. Caitlyn also makes terrible mistakes. A child doesn't die but people in the undercity do get hurt during her rage-fuled raids, even if most of them are mob bosses and their goons. The narrative asks, does that make it right? Caitlyn like Jayce hurts the person closest to her who is from the undercity and uses bigoted language against the people of the undercity to Vi's face in much the same way that Jayce did to Viktor on the bridge, though in Jayce's defense, he apologized immediately after.

So, seeing how hated Jayce was coming out of S1, to the point where there's still barely any merchandise of him, I'm shaking my head rather ruefully that there was so much merch made for Caitlyn this time around. And I get it! Caitlyn and Vi were very popular after S1, they are intentionally THE main romance of the show and it was a very popular romance coming out of the innocence of their meet cute in S1.

But it's a romance that dearly needed a longer third act if you wanted Caitlyn to be as embraced after her mistakes as Jayce was after making up for his all through S2. You need to give her as long or at least as in-depth of a redemption act with as much suffering and acknowledgment of her mistakes if you want Vi and Caitlyn at the end to get celebrated the way Jayce making it up to Viktor is, because as much as I understand the choice to focus on pacing instead of exposition, and I do think Caitlyn's apology and realization of her mistakes are there on the page more than people complain, I do also agree that it is a bit "blink and you'll miss it" even if it's there. Jayce got a whole episode of being thrown into the Torment Nexus for his mistakes, real or imagined, if you didn't like him or his choices, you definitely got the sadistic glee of watching life kick the stuffing out of him for what he did in S1.

But besides her fight with Ambessa, which was a result of a confluence of many events in the story, not just Caitlyn's mistakes, Caitlyn doesn't really suffer much for the mistakes she made to those she loves. Her losing an eye to Ambessa didn't happen because she said bigoted things to Vi or became a short-term puppet dictator of Piltover. It was a result of Ambessa's actions and maneuvering more than it was a result of Caitlyn's personal mistakes to her loved ones.

In contrast, Jayce's time in the pit gave him the chance to reflect on and suffer for the the mistakes he made that led to the Anomaly that led to him being down in this pit, and what he would do to make it up to his loved ones like Viktor when he returned. Caitlyn never got a moment like that and from what I'm seeing of the vitriol directed towards her, so similar to what Jayce got after S1, it seems like she really needed it if we were going to like her to the same extent again, in a way uncomplicated by lingering questions about whether she ever truly learned the lessons her character needed to learn to grow as a person.

And it's just funny to me that a narrative that was so aware that this whole huge punishment arc was needed to rehabilitate Jayce wasn't aware that we'd need one for Caitlyn too, at least if they're going to move all that merch they made for her (please give us Jayce merch, Riot, I'm begging).

[nanenna]

A bit of detective work

A continuation of this post, now separated so you don't have to scroll forever to get to the newest installment. Also: masterpost

---

After escorting the Fentons back to their home, Batman, Wonder Woman, and Constantine mutually agreed it was best to stick around Amity Park for a little while. Constantine wandered off to look around on the civilian side, while Batman of course kept his promise to excuse Danny from school. Wonder Woman, also of course, kept with him. Sadly even as a very prominent member of the Justice League, well known to be one of the founders, somehow in situations like this it always took twice as long to get anywhere with civilians if he didn’t have at least one other League member with him.

“Hello, how can I help you?” the secretary asked with a forced grin as the two heroes entered the school’s front office.

“Good morning,” Diana said cheerfully, thankfully taking point. “I’m not sure who we should speak to, we’re here to excuse a student.”

“Oh, you are?” The secretary looked unsure, glancing back and forth between the two heroes.

“Yes, he’s currently marked with an unexcused absence, we’re here to change it to an excused absence.”

“Right…” the secretary squinted up at them suspiciously. Or rather, up at Diana suspiciously. “Well, if you would just hold on one moment please.” The secretary picked up an old style land line and pressed a button. “Principal Ishiyama, there’s a Mr. Batman and a… Ms. Wonder Woman here, they wish to speak about a student’s absence.” The secretary made a few “I’m listening” sounds before hanging up. They turned their attention back to the League members. “Principal Ishiyama’s office is just down that hall.”

“Thank you!” Diana beamed at the secretary before walking confidently down the hallway, Batman at his side.

The inside of Principal Ishiyama’s office is rather cramped,clearly intended pubescent children and not adults who keep such active lifestyles. Diana graciously sits in one of the austere, hard chairs. Batman chooses to remain standing.

“Now, what’s this all about?” Ishiyama asked, eyeing Wonder Woman warily.

How odd, it was usually Batman that everyone eyed suspiciously.

“We’re here about Daniel Fenton’s absence,” Diana started. She paused long enough for the principal to pull up the young man’s information. “The investigation is ongoing so we can’t give out any details, but last night we rescued Danny from kidnappers. He has been returned to his parents, but for obvious reasons he will not be back in school today.”

“Ah, I see,” the principal said. She did not seem to see. “And you want his absence excused?”

“If the police had come to you saying he’d been kidnapped,” Batman stated clinically.

“Yes, right, of course.” The principal set about clicking a few things on her computer before returning her full attention to the heroes. “Was there anything else?”

It was almost refreshing how easy that had been. Normally Batman would have to lay out what he meant in excruciating detail and have whoever was with him repeat it before a civilian in half a position of power listened to him, outside of Gotham anyway. “Dr. Madeline Fenton was upset not to have been informed of Danny’s absence,” Batman stated.

Ishiyama flinched, “Oh dear. Thank you for warning me, I shall look into that before they arrive later.” She rubbed the bridge of her nose.

“Dr. Madeline Fenton also stated that everyone in Amity Park knows about the Ghost King.”

“Ghost King?” The principal looked up in surprise, “What does he…? No wait, ongoing investigation.” She side eyed Diana warily, then sighed as she looked back towards Batman. “Last year the Ghost King got out of his sarcophagus, we still don’t know how, and pulled all of Amity Park into the Ghost Zone. Fortunately Phantom, along with the help of most of the town, managed to put him back in the sarcophagus.”

“Why didn’t you contact the Justice League for help?” Diana asked with a frown on her face.

“How were we supposed to do that from inside the Ghost Zone?” The principal asked with a raised brow. “By the time we were back in the real world everything was over and dealt with, aside from cleaning up all the damage his army of skeletons did.”

“And Phantom is?” Batman prompted.

“Out local hero, I suppose. At first he was a menace, but recently the good he does far outweighs the inevitable collateral damage.”

Batman leaned forward, looming over Ishiyama’s desk. “Are you aware the Justice League has programs specifically meant to give support to minors doing hero work?”

“I was not, but considering Phantom is a ghost we’re not sure exactly how old he is. Either way, you’re here now.”

“Yes, and we should speak with the mayor about the supervillain attack recovery programs the Justice League also has.”

Ishiyama smiled and nodded along, “That sounds like a wonderful idea.”

Once out of the school and walking towards city hall, Diana turned to Bruce. “Phantom is a minor?”

“He is described as appearing to be in his mid-teens, strangely no photos of him despite there being photos of other ghosts all over the residents’ social medias and newspaper articles.”

“That is odd,” Diana mused.

“This whole town is odd,” Constantine said as he sidled up to them. “Apparently getting sucked into, and I quote, the lime jello dimension by the ghost king is just another Tuesday here.”

“The principal called it the Ghost Zone,” Diana supplied.

“A silly thing to call the Infinite Realms, but not the silliest name it’s been given over the eons. What I don’t get is how Pariah Dark got bloody out for a day and not one single person noticed, that should’ve been a huge event everyone even remotely sensitive to æther should’ve felt.”

“You believe someone intentionally hid this event?” Batman asked.

“It’s the only thing that makes a lick of sense, but that would take either someone scarily powerful or a group of very powerful people. And that’s not even getting into the why.”

“Perhaps this cult wasn’t the first to attempt to summon him,” Batman mused darkly. “Someone chose to release him, and since Amity Park is already a ghost hotspot I can see why this is where they’d choose to attempt such a thing.”

Constantine nodded along, “I was thinking the same thing. But it gets worse, no one in the JLD has heard or sensed a single thing about this town before today. I’m thinking it’s less someone chose to cloak Pariah Dark specifically and more someone is cloaking the whole town and everything going on inside it.”

“Then how did whoever freed Pariah Dark know to come here for their attempt?” Diana asked, “How did this cult know enough to use one of the residents as a sacrifice?”

“Ain’t that just the million pound question?” Constantine asked airily. “Along with: how did they even get into the Infinite Realms to let the bloody tyrant out?” The group fell into silence, no one having an answer to that question. “So, what next?”

“We’re heading to the mayor’s office to make sure they’re aware of Justice League resources that are available to anyone who’s suffered from villain attacks,” Diana answered.

“Despite numerous attacks and complaints of collateral damage, not one request from Amity Park for villain attack relief,” Batman added.

“Now that is interesting,” Constantine said.

[halcyone-of-the-sea]

The Invisible String Theory

PAIRING: König x F!Reader

SYNOPSIS: You didn't expect the man who gave you his coat to be the same one to bust down the door where you and the other women slept - sniper hood scaring everyone within an inch of their life. You didn't expect him to become so important to you, either. (Based on König's in-game backstory).

WORDCOUNT: 9.2k

WARNINGS: Human trafficking, mentions of unwanted touching, trauma, blood, gore, guns, bullets, protective!König, soft!König, nightmares, mentions of bullying, etc.

*I do not give others permission to translate and/or re-publish my works on this or any other platform*

'DATE: 25, NOVEMBER, 2021

LOCATION: BERLIN, GERMANY

TIME OF EVENT: 0230

MISSION REPORT: PENDING….'

You don’t remember much from the day that could be called out of the ordinary. Ever since you’d been moved here with the other girls, everything was predictable down to the time the men would come over, to the point where the screams had to be muffled by pillows. 

Never in your life did you think you’d be part of the nearly fifty million people stuck in this situation, and neither did you think you’d be the one in one hundred who got out. But before you can think about November twenty-fifth and those pale gray eyes, you have to go back to the beginning. To Al-Qatala. 

You hadn’t been with this cell initially—you’d been moved around and bartered off more times than you could count; the initial founder of your predicament was long gone at this point. North and South America, Europe, Africa, Asia, and Oceania…you’d been practically everywhere and on every continent barring the obvious last. In Europe, you couldn’t name the countries, but you knew this for a fact: you’d never been to Germany before. 

They had you with five other women in a large SUV in the beginning, this international ring of human traffickers. You had watched from the window, face blank and eyes unblinking, at the men who met near the docks. They had brought you in through Hamburg, first—not only the largest seaport in Germany but the third largest in Europe; you think you read that on a flier at some point. One of those flimsy ones that you find in gas stations with bright lettering to attract the tourists with their interesting facts. 

You wished you were only a tourist. 

You’d watched the men shake hands, and that was when you knew your fate, as well as that of the five other women, was sealed. You were going to all be here for a long time. 

This Al-Qatala cell was ruthless, but you supposed with being around terrorists, ruthlessness was better than being executed. 

For days you’d be exploited with the false promises of moments of freedom, breaks, food, and water. For some of the women it was drugs or money, but when your stomach was empty and your eyes blurring from lack of sleep, even addictions seemed to pale for brief hours. But above it all was the threat of death at every corner. These men would kill you. 

It was only a matter of time unless you could give them what they wanted. 

You yourself had developed a system, and it was probably the only reason you were still alive. Pick one of the handlers, gain his favor, and pray that he treats you specially while you keep up the act of a mindless, weak, woman. 

Ivon was the man’s name this time around. Born and raised here in Berlin before the clutches of his fanatical ideations brought him to Al-Qatala. You hated him.

Hated his touch—hated his scent and how he talked; every bit of him was corrupted like a black dog at a crossroads, always leading people down the wrong path. Your only saving grace was that he was stupid. The other girls called you Cat—said you managed to nuzzle up to someone and soon after got them to give you what you wanted. Everything you wanted except freedom, that was.

You didn’t deny that Ivon did give you privileges, but that was the point. About a week into your stay in Berlin, he allowed you to go into public with him. Arm-candy.

A doll. 

The townhouse you’d been stuck in had disappeared into a spec behind the rearview mirror, the chilled air from outside making you shiver at the lack of heat and the thin shawl you’d been thrown. No jacket. 

The care of your health only extended to how well you were able to work—at the moment you were relatively healthy despite the bulge of bruises and constantly shell-shocked look behind your eyes.

But the trip—the trip. You supposed that was when it had fully started, and you didn’t even realize it before you saw those gray eyes again. 

“Come,” Ivon orders, holding tightly to your arm and dragging you along from the corner shop without making a scene. Your hands loosely brush the wrack of clothes, fabric soft under your fingertips as it sways. 

Fixing your shawl, you try to burrow your neck into it, gaining what little heat is available to you. It was cold out—you were shivering. People send looks, eyes tight as they shift up and down your form, but no one ever says anything. To be this bold, this cell had to have been at this for a long, long time. The realization didn’t make you feel any better. 

That was when you first saw him. 

You were standing outside a coffee shop, quivering like a newly hatched butterfly, Ivon making a call only a few feet away with fast motions of his arms. It was hard not to make a run for it right then and there; hard not to take those few seconds of open air and dash away—start screaming and yelling until the authorities came. 

It would save yourself, but what about the others? They wouldn’t be so fortunate, you’d be sentencing them to death. None of this was simple—it needed to be thought out. Two games of chess being played at the same time.

The irony of it was that König had been off-duty that day. It had been a shot in the dark. 

“Are you alright?” A thick Austrian accent makes you flinch as it appears beside your right ear, grating.

Your eyes snap to the side, moving one foot back as you blink wildly up at the blue-gray orbs that would become a staple. You liked to call it as everyone else did—the invisible string theory. A theory that stated that the universe connected people who were destined to meet one day. Through thick or thin waters, it was inevitable. He was inevitable. 

“Yes,” you say quickly, holding your hands tightly around you. The man ahead of you was tall, almost startlingly so, with muscles more bulky than a boulder and his buzz-cut head open to the chilled breeze. He wore a surgical mask over his lower visage, his hoodie under the thick material of a canvas jacket. “Yes,” you say again, hearing Ivon’s voice behind you still on the phone. “I’m fine, thank you.”

Gray eyes furrow slightly, gaze darting over your head. 

“Are you…sure, Ma’am?” 

“Thank you for your concern,” you fake laugh, eyes pained, backing up farther. That invisible string snaps into place, pulling tight at only those few simple words. 

His stature made you slightly nervous—large, intimidating; those hands could do quite the damage if given the chance. Your eyes had hit and bounced off the identity discs at his chest with little thought, too preoccupied to notice the fact that he was in the Service.

König’s eyes had narrowed softly, dark brows minutely moving in.

Ivon hangs up his phone. 

“Can I help you?” He asks, coming up and sliding a hand around your waist. The man had stared at him for a long minute, and you had felt Ivon tense slowly at the unblinking eye contact. 

This stranger had commented in German a long string of frim words, hands going to his jacket and grabbing at the arms—he slips out of it while still uttering. 

Before you can react, the large coat swallows you whole and you snatch at the heat that’s still inside instinctually, now only realizing how much you were shivering. Your body sags into the weight of the fabric, the scent of sweat and coffee. 

You don’t even pay attention to the growing tones, shocked. People look over to the two fast words being tossed.

Yet it could only last so long. 

Ivon’s hand latches onto the side of your arm, beginning to drag you back and away from this kind stranger like a lap dog while throwing curses behind him. Gray eyes meet yours as old shoes skid and stumble. 

König had taken a firm step towards you that day, his body tense and his hands clenched at his side—ready to do anything on a moment's notice should you ask for it. But all you do is stare, jaw loose, and the given coat still on your shoulders. You just couldn’t understand why he would do that. 

The stranger gets swallowed by the crowd, and just like that, he’s gone. 

That was all it had been; a moment—a few mere seconds in the large plot that was this almost impossible tale. You were glad it had been him, or else the events of the future could have been very different. 

Of course, they hadn’t let you keep the jacket, but the memory was enough to warm you for days even as old pains faded and new ones took their place. 

But those gray eyes would help you in the future, like a guardian; a protector in your dreams as you watched the snow fall from the sliver of outside light in your room with the others. Your mattress was on the floor like the rest, thin blankets and clouds of cold breath wafting up from sleeping forms. 

This was the time it happened, and you’d just woken up to find the curtains shifting as one of the women near it moved in her sleep. Shadows slip past, the light interrupted as it shifts over your tired face with broken fractures. 

You were always kept on the ground floor. 

'CLEARANCE: APPROVED 

TRANSLATING MISSION REPORT ‘RED FREEDOM’…

STAND BY…

Operation Red Freedom took place on November twenty-fifth, 2021, at approximately 0230 in the neighborhood of [REDACTED], at the residence of [REDACTED], Berlin, Germany. A squad of ten highly trained [REDACTED] personnel covertly entered the residence in two teams of five. Fireteam One advanced from the back entrance while Fireteam Two entered the residence from the balcony at the top floor, accessed via ladder.

Squad Leader [REDACTED], part of Fireteam One, set foot in the residence of [REDACTED] at approximately 0238 and began sweeping the ground floor as Fireteam Two cleared three of twelve known individuals belonging to the terrorist organization, Al-Qatala, on the top floor….'

You shift and shiver, your body trying to warm itself as the world blurs at the sides of your vision. Fingers twitch as your hand goes to wrap your waist, curled into the fetal position, creaking emanates from above you. Blinking softly, you frown and take a quivering breath, head nuzzling the thin mattress. 

“Cold,” you say, the following low exhale of air out of your lips only making it all worse as everything seems to drop another degree. The darkness didn’t help either, only that one line of light trying desperately to fill the room like a bucket descending into a dry well. 

You’re only clothed in the dirty and tattered remains of a large shirt, your legs feeling like they don’t hold any blood in them as they quiver without your knowledge—shaking the blanket above you. A few of the girls had said it would be okay to share, but everyone was afraid of the lock on the door clicking open and the men coming back in and seeing them. In the end, you could only look after yourself.

A thump makes you startle, drooping eyes snapping back open as you gasp. 

Head shifting, you blink rapidly upward to the ceiling, confused as to whether that had been a part of a failing mind or if you’d really just heard a muffled bump upstairs. Brows furrowing, you lightly sit up, hands still around yourself and legs limply outward; spine hunched. 

Your fingers had lost feeling, just as your nose had gone numb, but moving helped a little. Your hands dig into your flesh and your ears twitch at every creak in the wood—every pass of silent feet that suddenly becomes all the clearer as the sheen of fatigue slowly leaves your brain. 

Walking? Small pains move along your body like needles, poking and prodding, but you ignore them as easily as you do the vile hands that had touched you. Survival had forced you into a constant state of self-preservation—pain couldn’t bother you, because if you stopped, you wouldn’t get back going again. 

Your head tilts so you can side-eye the door to the room, sleeping forms all around shifting, singular groaning of tired lungs. But there’s something inside of you that stiffens like a prey animal, and you don’t know why. Inside of your sockets, your eyes hone in, bones stiff and your chest stilling as the grain becomes the most interesting thing to you beyond breathing. 

There was someone….out there. 

Watching, the sides of your vision shadow over to focus harder, your muscles tight. Your mind goes to the thumps from upstairs, the moving feet that sounded far more careful and deliberate than the ones your jailors took care to walk with. 

Inside your ribs, your heart patters a bit faster, adrenal glands sending a certain flight or flight through the few veins you hold that aren’t chilled over.

Something was happening. Something wasn’t right.

Only when you move to shake the shoulder of one of the women sleeping beside you does it happen. 

A yell. 

A scream. 

The girls in the room all startle awake, sounds of concern and shock entering the air that you mirror; faces snapping to the ceiling and the door. The townhouse erupts into gunfire and the sound of slamming wood—a warzone that only is separated from all of you by the thin material of the four walls.

You feel yourself being grabbed and held in fear in the dark, as your open face holds the expression of a rabbit in an open field, looking along the long, hidden grass. 

The sounds persist, loud German shouts going up over the house and echoing with heated fever. This continues for minutes, added in with the sound of doors breaking off hinges, bouncing off the ground, and shaking the foundation so hard that you can feel it reverberate. The women go silent. Stone-still. 

But the gunfire—so much gunfire. The constant pop of assault weapons and a pound of multiple booted feet. 

What was going on? You can't make sense of it, so you only freeze and listen; trying to understand the longer the fight goes on, heart hammering; mouth slack-jawed. And then it’s like it never happened.

Silence. 

You share quick looks with the others, all gripping one another and heads angled to the door. The heavy feet start back up again, coming closer. Your mind slashes to the window across the room, but it’s hard to think beyond the sudden body that shakes the door that leads directly to you all—the women scream, some standing up and racing to the glass with the same idea as you. 

'…Squad Leader [REDACTED], and both Fireteams successfully eliminated all targets inside of the [REDACTED] residence, leaving the room occupied by known hostages last to prevent casualties and/or the usage of bargaining chips. Squad Leader [REDACTED] made contact with hostages at approximately 0244 after the final sweep of the townhouse had been completed and all personnel accounted for.

Local authorities had been contacted by neighbors due to noise but were dismissed.' 

The door busts off its hinges and the room devolves into panicked yells and hurled bits of mattress material. Loud pleas and curses stuck like gums to teeth as they were forced out in fear and bone-crushing terror. You remember pushing back into the wall, many others doing the same, as a beast of a man enters the room with his face covered with a loose fabric hood of some sort. 

Large—brutish. Like a demon walking with the color of black printed over his entire body; gear hangs from a combat vest, hands holding an assault rifle as a sidearm is strapped to his bulging thigh. Forearms the side of your head stays near his chest, and in order to not hit his head on the doorframe, the individual has to bend slightly. Over that hood, the lenses and head-gear of a night-vision rig sit heavily before it’s moved back with a firm hand that is nearly double the size of yours.

A monster.

Your entire being is tight with quivering tension, eyes blinking away tears at the smell of blood that rolls in from the hallway. The women at the window duck down, hands to their heads as if expecting a bullet to carve its way between their skulls. 

“Cat,” one of the ladies behind you mutters, voice quivering. You shush her on bitten lips and move her farther behind you. 

“Don’t speak,” you mutter. “Don’t move.”

You don’t know what you expect, but nothing about this is correct. 

The man raises his hands, the rifle slapping his chest as it hangs from a strap. He speaks in German, and the heavy and fast noise of it makes your already addled head spin. No one answers beyond the slide of their own feet over the hardwood floors.

“Ich heiße König,” his head swivels from one to another, “Sprichst du Deutsch? Irgendjemand?”

You stare blankly, panting. 

After a moment, and a slow step forward from the stranger, he speaks again, though this time, it’s in English. 

“My name is König.” His voice is familiar to you, and you blink in confusion quickly, hidden near the back of the shaking bodies. “I am with the German Military, yes? We have conducted a raid on this residence.” 

Military? Raid? 

“...I am not here to hurt you.” He nears one of the women, beginning to bend down slowly. She squeaks, balking back—making him tense and halt. It didn't matter what he said, König was the epitome of a man who was intimidating on body alone; the gear wasn’t helping. Neither was the hood. 

A soldier appears in the doorway, calling out to him in his native language as you flinch at the noise. 

König calls back calmly, trying to keep an air of gentle strength around him.

The second soldier comes inside, dressed similarly despite the lack of fabric over his visage which instantly puts many at ease again. He clears his throat as König steps back, gargantuan hands coming up to rest at his vest collar as his legs shift. He seems a bit put off at the fearful stares from everyone, rolling his shoulders for a moment as he turns his head to look out of the doorway. 

Your eyes don’t move from him, though. A nagging feeling in the back of your skull. 

“We have to leave this place,” the second soldier tells you all, kneeling and resting a hand over his knee. “We’ll get you medical attention. Food. Water. There’s no need to suffer here any longer, hm? We can see to it that all of you will get the best care that can be provided.” A pause. “We can get you back home.” 

That certainly got the attention that was needed. 

Meek questions started falling out, then louder ones before pandemonium was roused in that tiny room pushed to the very back of the townhouse. Home. It was a word that had almost lost all meaning but was still that constant shining light in the back of everyone’s mind. 

Home.

Did you even have one of those left? 

As the rest of your fellows all got to their feet, taking you with them, you had to think over that fact as the soldier guided them gently out of the room to join the others waiting—trying to answer their questions and get them away from the gore before they saw it. 

You stayed behind, feet shifting over the floor and your lips thin. As the silence settles in, you hold yourself a bit tighter and glance at the mattress all mashed together and stained—those thin blankets as you shiver. 

“Are you alright?” Your head snaps over. 

You’d forgotten about König.

He still stands there, still and with his hands at his collar; he clears his throat softly, speaking up from his low utterance. “Please…do not be afraid.”

“I’m not afraid,” you say tinily, your voice cracking in the lie. 

You can’t see his eyes—not with the shadow from his hood or his head rig, but you can see the way his skull lightly tilts to the side, trying to see you better in the low light. 

“That is good,” he answers, not convinced. “I’m glad. I did not wish to scare anyone.” He moves back and motions with a hand to the door from where they hang. “Please. It is best not to linger, yes?”  

“Do I…” you hesitate, shivering. “Do I know you from somewhere?” 

König’s face isn’t visible, but you can still sense the feeling of confusion leaking out of him. The man takes a small step closer, and you gaze up at him until his eyes are visible. 

Blue-gray. 

You stare, mouth parting in shock.

König blinks twice, quickly making a noise in the back of his throat at the sight of your eyes gazing into his—the same woman outside of the coffee shop from days ago.

That little invisible string pulls you closer, small millimeter by small millimeter. 

“You?” You both say it at the same time, laced with surprise and shock. 

It’s a long moment of gazing into each other, a battered body and another more strong than an ox. All fear of the man dissipates. 

“You gave me your jacket,” you whisper, still torn up about it. 

König’s hood shifts as he glances back to the door, German speech over the radio strapped to his chest which he takes in and processes in the back of his skull. But he always looks back at you, eyes crinkled with concern and perhaps even a bit of misplaced guilt. 

A protective knife sides into his side.

“Come.” The man reaches out a hand, hovering it over your arm. You stare at the gloved limb for a moment before softly moving towards it with your breath caught in your throat, hesitant. König’s fingers delicately slide over the flesh, not closing around it until he feels your muscles loosen. “...Let’s get you warmer, Schatz, yes?” 

You blink.

“It’s cold here,” you mutter, letting him guide you along, his gray orbs always keeping you in the side of his vision. 

“Yes,” he agrees, nodding. “Very cold. Have you been to Germany during the winter before?”

Your head slightly shakes, bare feet padding along next to the pair of great boots—you lean closer unconsciously to the promise of warmth. König guides you away from the seeping blood on the floor and protects your eyes from the view of the bodies across the room with his own as a guard dog would. 

“No.” He notices your leaning and brings you nearer to him, letting you use him as a brace. The man knows the effects of shock, and you wear it as plainly as any other. “I’ve never been here before.” 

König hums and his free hand goes up to press into the radio, muttering in his native tongue. He releases the connection and asks as he blinks at you, “Do you require any immediate medical attention?” 

Again, you shake your head. 

“Where are the others?” You sink further into him, being guided to the front door, open to the soft snowfall and a chilled wind as your shoulder hunch. 

“Just outside,” König glances at the bodies across the room—the ones he’d riddled with bullets that still twitch even as the minutes draw longer. Gray eyes going from one to another, the house is heavy with the weight of dead men. Twelve in total and all getting colder just like the temperature outside. König didn’t feel bad about it, and when he’d finally busted open that door to find you and the women, he was satisfied with the blood on his hands. If hell were to be his home, he would walk there with a golden-fanged smile. 

But now wasn’t the time for that. 

“I will bring you to them,” the soldier speaks, snow blowing in from the entrance. “Slowly, now, Schatz, watch the steps. Allow me to help.”

You stop at the doorway, bringing a hand to your mouth to cover a haggard cough as König makes his way down the first concrete step ahead of you—large armored vehicles had pulled up from a ways away. The women huddle around one another, the rest of the soldiers sticking by them and opening the doors to the vehicles as the night gets only more cold and stormy.  

Gray eyes flicker for a moment down to your lack of proper protection, fingers twitching and tapping at his thigh as König remembers your expression the day he’d first met you. 

“Do you want me to carry you?” He says slowly, cautious in his approach. The man wasn’t stupid—he wouldn’t touch you unless you explicitly stated it was alright for him to do so. “I will be gentle, I promise. I do not wish for your feet to freeze, I...” He pauses as you blink, staring into his soul. “I…will not touch you if you do not tell me to do it. You have my word.” 

You continue to stand there for a moment, face unreadable before your head slowly turns to the vehicles in the street. 

The neighborhood was so normal it still caused you to wonder how no one had spoken up and seen something. Rows of connected houses now with their lights on—faces peeking from the windows like little children on Christmas morning; trying to get glimpses of Santa and the man’s reindeer. 

Finally, your gaze moves back to the hooded visage of König, able to see it better under the moonlight and the glare of falling snowflakes—a few of those frozen pieces sitting in the folds of the fabric.

“The hood scared them,” you utter about the others. König stiffens a bit, blinking at you but not looking away. “They’re used to people trying to hide their faces, but yours…with how large you are…”

“I understand.” König doesn't tear away his eyes. “...Did I scare you, Schatz?”

You don’t know why, but for what seems like the first time in years, the question makes you giggle. The beast of a man goes still with his feet on the ground, usually jittery and moving body captivated by the sound as it echoes over the night’s air—the puff of your breath as it moves around his hood; rustling it like leaves on a tree. 

Eyes widening only a sliver more, König’s breath is in his throat.

It was like listening to a bird’s song.

“Maybe only a little,” you whisper to him. “But it’s okay. I’m scared of most things.” 

He licks his lips, but you’re unable to see the slight quirk of them afterward. 

“Then I will make it up to you, yes?” He holds out a hand. “Let me? The car is warm and your friends are waiting for you. My men say they ask about your health.”

You softly nod, the shadow of the house trying to drag you back into it—its blackened arms reaching and latching onto old scars. When your hand connects with König's, the man takes his time putting one foot back to a step and scooping you up from behind your knees. With a tiny grunt, you settle at his chest, calming your heartbeat with the fact that you know he won’t hurt you. 

“I’ve got you,” he says. 

In his arms, your bare legs hang in the air, hand wrapping his neck, and with a slightly nervous look to you as your body hovers. König watches for a moment, hesitating before he begins walking to the same vehicle the other woman had been moved into out of the snowfall. 

“Can you tell me your name,” he asks to distract you from his hold, to get you more comfortable with him as his boots crunch through the packed powder on the ground—making sure to watch his step so as to not jostle you. 

“Everyone calls me Cat.” Gray eyes blink your way, visible skin painted black. König’s head tilts. You can’t help but find it endearing.

“Katze?” He hums, and you can imagine his lips moving slightly upwards from the innocent tone of his voice as if taken by the strange moniker. “That is…interesting.” 

You huff tinily, shivering again as your body moves to curl a little more. 

The soldier quickly reassures you. ���Nearly there.” 

The vehicle is in front of you, and a nearby man opens the door for König as he carries you over. Nodding in thanks, the large individual eases you into one of the seats as the blast of warm air makes you sag—the other woman in there mulls closer, grabbing onto you and laughing through tears. 

Looking back at them, you smile and feel yourself get a bit teary-eyed as everything starts to slowly come into focus. 

Glancing outward, you stare at the snow that hits the dark hood of König, sticking and hanging off until the tiny white dots melt from the heat of his body. With his legs shifting he moves back a step and nods to you, eyes moving to stare at the ground for a moment. 

“We will take you to base. From there you will all be given dorms and fresh apparel to—”

“Thank you, König,” you interrupted him. He stares, lips parted with the half-tones of cut-off speech. “And please extend my thanks to your men as well.” 

“...Of course, Katze.” König stands straighter, always twitching fingers moving to the car door as engines start with a grinding roar. He nods again, the loose fabric swaying as the lenses of his rig stay firm at the movement. “There is no need to thank us. Relax. Sleep, if you wish to do it. The ride will be long.” The man’s gray eyes linger for a moment on your own, studying the bumps and small marks on your face. His hand tightens over the door as your gaze is stuck with his own; warmth blooming in his chest. He was glad he had found you. 

König slips out a soft, “There are blankets under the seats,” before he closes the door with a firm thump of metal. 

You can’t help but smile. 

'…Hostages were taken back to [REDACTED] and received minor medical attention on site. Housed in [REDACTED] and were admitted for needed treatments/medications - all details/names listed in File 3 Section 6 for future reference. DNA was placed into databases. 

Next of kin were informed of their family members’ position and/or state of being via phone call to the corresponding government official that then traveled through the appropriate channels once identified.'

You sit as a nurse hands you heating pads for your hands, which you take with a small thanks and clenched tightly, sucking every ounce of warmth from them to stop the shaking. Your body was heavy with the weight of new clothes and heated blankets, the room utterly normal in a way you’d not known for years. A corner table with books and a chess board—a connected bathroom stocked with amenities you may need; even a rug on the tile floor. You don’t know why that was shocking to you, but even the simplest thing was awe-inspiring. Your eyes had even slipped over a tiny nightlight near the door. 

It nearly made you cry. 

Your nurse moves back a bit, smiling down at you kindly. 

“Is there anything else you might need, Dear?” Her accent is prominent, though not as much as König’s had been. She waits for your answer diligently as the pitcher of water and a similar glass sit on your nightstand. 

“No,” you say, shaking your head. Your socked feet rub together like a grasshopper. “I think that’s all.” Your eyelids blink. “But…” you stop.

“What is it?” The lady asks gently, hands slack at her sides.

“The man—König,” you pause. “Is he here?” 

Blinking at you, the nurse tilts her head to the side in curiosity. “Not currently, no. At least, not in this specific building. He and his men are being debriefed across base. They will be there for a long while.” At your blank look, her brows slightly move up in accommodating comfort. “Would…you like me to tell him something for you?” 

Playing with the heating pads in your hands, your face gains a slightly embarrassed sheen. You liked the thought of being near König, truthfully. No one had made you feel safe like he did—him and his selfless action of a large coat given with no intention of getting anything in return. 

“Just,” you breathe softly. “Just that I’m sorry for losing his coat, and that I hope it wasn’t expensive.”

The nurse stares, very much confused but not about to question you. Her feet shift over the floor, and a light nod is sent your way. 

“Of course. I’ll tell him.” She motions to the bed with a hand and explains that whenever you wished to sleep, you were free to use the bed—and the TV was open to you as well, though you might not be able to understand the local stations. With that, she exited the room. 

Left alone, your head moves around the room slowly, taking it all in once more as the small bandages under your clothes pull at your flesh. The tears start slipping down your cheeks with no warning. 

Wrist coming up to your eyes, the limb presses in tightly, water staining the flesh as it dribbles down, and your lip quivers like a worm below it. You don’t know why you’re crying now and not when König had gotten you out of that townhouse. Why now, when there wasn’t anything prompting you to do so? 

But something was prompting you—the knowledge that you would never be going back to anyone who would mistreat you again. You had your own room. Good food. All the water that your stomach could drink down. A nightlight that pushes back the darkness even if you’re so used to living in it. 

Through your soft sniffles, chuckles move out, filling the space with a warm echo. You pull the blankets closer to you and collapse backward onto the mattress, smiling widely at the ceiling. 

That little invisible string dances as your heart pulls at it. 

—

König’s leg lightly jumps from under his table, signing off his name at the bottom of a report before he stands and rubs a hand over the top of his un-hooded head. He grabs the paper and slips it into a manila folder, hands pale with deep scars running the length of them like fissures in the earth. Deftly taking the item, he walks out of his office and begins moving down the length of the building, fingers tapping over the yellowish material with a small connection of flesh and thick envelope. 

Tap-tap, tappity-tap. 

His fingers were always fidgeting—moving, tensing, twitching. It was one of the reasons they never let him become a recon sniper; the more obvious being the blatant size of his body. Both of which had been the cause of much teasing throughout his childhood. 

But König’s mind was on something other than the report in his hands, and it was starting to become a very strong distraction. You. The women. Al-Qatala. 

He was angry he hadn’t acted outside of that coffee shop—angry he hadn't noticed the signs right in front of him even if he had been powerless to stop it then. The soldier’s jaw clenched, the strong muscles of his jaw roving. 

“Verdammt,” he hisses under his breath, glaring at the tile. “Should have done something.”

König gets to his commanding officer’s office and knocks, only staying long enough to hand him the folder with his finished report and leave once more. His mind wouldn’t stay silent tonight. There’s no doubt that he won’t be able to sleep unless he reassures himself that you and the others are okay. 

The man’s head shifts back to the email he had gotten from your assigned nurse, whom he’d taken it upon himself to know the name of when he carried you into the base’s hospital—Eva. 

‘...She says she wants to apologize for losing your coat…”

König’s heart had twisted at that—that was what you were concerned about? He had to tell you that it was alright, or else he would never know peace. Perhaps even ask how you’ve been treated so far, just to make sure that everything was comfortable for you. 

The man’s eyelids move slightly downward in thought, a pull at his heart to walk outside. He passes a few other soldiers in the hallway, nodding to them with a tiny greeting but unwilling to stop and talk. In only fatigues, König exits the main doors quickly, lightly moving into a jog as his body shivers at the sudden chill touching his arms under the black compression shirt. Under him the snow has grown deeper, the large lights illuminating the almost greenish reflections of the winter landscape of open roads and large buildings. 

Curfew was long past—this had to be quick. 

Just a check-in, König tells himself as he nears the hospital, his breath puffing in the air. Then I can wipe my hands of it. 

He slows as he nears the doors, huffing a breath as he pushes on the barrier, opening it with a squawk of hinges and metal. Entering, the front desk staff looked up at him in surprise, muttering his name in question.

“Katze?” He responds, pushing a hand over his head and feeling the melting snowflakes. His cheeks are a light shade of exposure-red, and inquisitive eyes shift over the two individuals slowly. “What room?”

The pair share a glance and tell him in the same breath. Room ten. 

It’s no sooner after that König finds himself there, hand hovering over the handle as the hallway clock ticks beside his right ear. His gray eyes blink at the door, feet shuffling from under him before he clears his throat under his breath, glancing away for a second in hesitation. 

Was this appropriate?

König didn’t have an answer, but the pull in his chest was tight and firm—he just needed to see you. A glimpse, nothing more. He raises his fist and raps his knuckles over the wood delicately, three tiny knocks that hit his ears like bullets from a gun; the bullets he’s put into pathetic Al-Qatala bodies and watched burst like sacks of fluid. 

He waits, hands going to grasp at his shirt collar, pushing out a low breath to calm himself. 

After a long moment, his foot taps the floor, blinking. Again he knocks—a bit louder. 

“She is sleeping, you evolutionsbremse,” he utters, accent low and grating. “Leave her alone.” But even if you are, his nerves peek their head over the brimstone wall of his brain. 

With his fingers caressing the handle, slowly moved to clutch it fully, swallowing the metal in his grip. König takes a deep breath into his lungs, letting it fill them up. Again, he tells himself, just a check-in. 

He twists the doorknob and sets his forearm on the wood, pushing the barrier open. 

König moves so that his body makes no noise, even with how large it is as he angles the side of his head through the opening. He finds a large mound of blankets atop the bed—stacked and layered so heavily that he has to blink in surprise at how you can breathe under them; because you were under them. 

Gray eyes make out the small sliver of skin peaking out from the side of the bed—fingers—and the top of your forehead near the pillows formed around your skull. Unconsciously, a soft smile works its way over König’s lips until he finds himself chuckling.

“Niedlich,” he mutters, scars over his face shifting as he speaks. 

Sighing lowly, König pulls back his head, beginning to close the door once more.

“König…?” Your tiny voice makes him halt like he had in the townhouse. 

Eyes wide and lips parted at being caught, the door remains open, only a sliver visible to your vision as your furrowed brows are stuck at the barrier. A red sheen moves across the soldier’s face in a slow sweep of embarrassment that goes bone deep.

With a lick of his lips, König re-opens the door slightly.

“I did not mean to wake you, Katze.” He finds your eyes and nods to you. “I apologize. Go back to sleep—you must be tired.” 

 “Wait,” you utter, moving your head fully out from under the blankets. König pauses, eyes staring as his other hand comes up to itch at the back of his neck. 

“What is it,” the man asks, opening the door fully and moving inside. “Do you need anything?” 

The question had hit you in your thin slumber, interrupted only partially by the opening of your door to the familiar pull of gray eyes and a strong build. A buzz-cut head. You take a slow breath to wake yourself up more, watching him from your bed. “...Did you know that I would be in that house?”

König tilts his head at the question, sighing slightly and glancing at the clock inside of the room on your nightstand. He frowns. 

“No,” he explains gently, coming closer. “No, I did not. I do not get told such things—only where to shoot and where not to.” The man tries a small smile, kneeling on one leg down by the bed and staring into your sleepy eyes. “But I am glad I found you again, yes? You had me worried.”

“You were worried?” You can’t quite grasp it.

“Ja,” he nods. “Your eyes—they have stuck with me, Schatz, you understand?” 

Your eyebrows pull up your face, blinking in shock. 

“...Yours, too,” you confess. König’s heart flutters, listening until your lips have fallen still. “They’re very nice, König.”

He goes sheepish, lips flicking up into a smile and his eyes daring away for a moment. “You can thank my mother for them, then.” He chuckles. “I have stolen the family's eyes, I was told.”

You chuckle with him, hand coming to rub at your cheek. A silence falls between the two of you.

“I don’t sleep well,” you tell him in the relative darkness, light from the hallway and your night light illuminating the dips and bone structure of his face. “I was awake when you opened the door.” 

He nods after a moment. “Ja.” A pause. “I don’t either…Nightmares?” 

You watch him before nodding tinily. 

“Ah,” he mutters. “They are not pleasant, I’m sorry that they have been plaguing you. Do you…” König wonders if he should leave—this was far more than he had anticipated. “Do you wish for me to stay?” 

 Why had he said that?

The string between the two of you tightens evermore, gaining another thread just as it would for the years to come until it became as unbreakable as steel.

“I don’t want to be a nuisance,” you begin but are quickly interrupted with a shake of a square head and a huff of a sharp nose.

“You are not. Do not call yourself such.” His accent deepens with emotion, eyes narrowing as the dark brows on his face pull in. “If you want me to stay, I will stay. Wake you if you become shaky, yes? Keep the bad dreams at bay.”

“But what about you?” Your voice moves around the room as König stands and goes to the table in the back, shifting one of the chairs so that it’s angled your way. You shift so you can watch him sit back, grunting as his legs move out in front of him, opening so he can be more comfortable. He needed a bigger chair, but he wasn’t going to complain about it. 

“I’m not tired, Schatz.” A lie. His muscles are heavy, and he longs for his bed in the barracks. He pushes out, “Please, go back to sleep. I’ll watch over you.”

You stare for a long while, studying him and how he fidgets in his seat of choice. A small laugh meets the man’s ears as he crosses his arms over his chest. König pauses, blinking over in confusion. His lips move upwards slowly. 

“What are you laughing at, then, hm?” 

“You look like you’re about to break it,” you mutter, head nuzzling the pillow under you as fatigue claws its way under your skin. 

König huffs, fingers twitching over the meat of his biceps as he slouches. He nods jokingly. “Perhaps,” he shrugs, the window behind him letting a slight tinge of cold air in from outside. “It would not be the first, I’m afraid, though it would be quite the embarrassment to do it in front of you, Katze.” He smirks. “But I’ll say, hitting my head on door frames hurts more than letting my arsch kiss the ground.” 

You laugh under your heap, your body jerking to the movement of your lungs. 

“I bet,” you say, fingers grasping one of your blankets and pulling it closer. “It’s a funny image.”

“You can laugh all you want,” König jokes, eyes soft as they gaze at you. “It does not bother me.” 

Your sweet sounds of amusement waft out from under the crack in the door, where a small group of curious nurses mull and listen with glances to one another. A doctor moves past the hallway where they stand, and all scatter on quick feet. 

'…Signed,

[REDACTED]

SUBMITTED: 0517, 25, November 2021

END OF MISSION REPORT ‘RED FREEDOM’

RETURNING TO SELECTION MENU…

STAND BY…'

It’s only after most of the other women leave—sent home to awaiting families or loved ones—that you know your time is coming to a close here in Berlin, Germany. While you’re excited to put this behind you, you can’t help but feel a bit…lost. 

There’s something that keeps you here, on this base, until you’re the last out of all of them, waiting. And then you’re given the green light to go—go home—and suddenly you have a backpack full of necessities and you’re closing the door to your room with the little nightlight’s plastic body pushing against your spine. Yet, you stand in the hallway for a long minute, fingers interlocked. 

You take a long, deep, breath. 

Over the weeks of recovery, König had been a constant companion when he wasn’t needed. He had eased you back into a comfortable state, letting you somewhat lose the black-and-white view you had gained of the world. But there was only so much he could do, even if his soft eyes were still stuck in your dreams—the good ones, of course. 

You needed to go home, and, today, the C-17 was whirring on the tarmac, waiting for you to be transported to a military base far from here where you would be processed and, ultimately, let go. 

Let go. It was jarring to think about, all of that freedom. What would you do with it? Right now, you don’t have the faintest clue. It was the best feeling you can remember having.

Smiling, you take one last look at the room behind you and walk on. 

At the entrance, you say a heartfelt ‘thank you’ to the nurses and doctors in broken German, shaking their hands as Eva kisses your forehead and whispers how happy she is to have had you here for such little time—you know what she means and you chuckle with her at the double-edged sword. 

König waits by the door, holding it open with…you blink at the item in his hands as well as his sudden appearance. Canvas fabric. A coat.

The coat. 

“I had to have it processed,” he says, smiling as you gape at him. “Very long process. It was found in the closet in the townhouse.” 

“Then why are you handing it to me,” you ask, tilting your head and walking closer. 

“I gave it to you, did I not?” The man hums, head tilting as he motions with it again. “It’s a good coat, Katze. Winters get cold.” Gray eyes crinkle gently. “I would hate for you to shiver, wherever it is that you end up, yes?”

You shake your head, cheeks hot. But your hands don’t hesitate to grasp the item, König’s hold on it remains fast, though, and you blink at him as you both keep it gently clasped like it’s worth its weight in gold. 

König stares at you, the door still kept open behind him. He opens and closes his mouth for a moment as you tilt your head. 

“Keep it safe for me,” is what he ends with, but his expression tells you he’s not talking about the coat. 

It makes your arms tingle—your heart skips a beat. 

“I’ll be sure it never gets lost,” you smile warmly, eyes malleable as the make of their color glints. There is a connection to this man that transcends words, and it is tied to you just as heavily as it is to him; unexplainable, incomprehensible, non-describable. 

Enigmatic. 

König’s reverential face is soft with care. 

“Good,” he mutters, unable to look away. “Very good.”

Clearing his throat, his grays dart to the floor, shifting his feet to move backward. He pushes open the door wider for you, and you hold your backpack in one hand as you shift past him and slip into his coat. 

It was exactly how you remembered it, and you sank into the fabric with a thankful sigh and a fluttering of your lashes. You shift the bag back over your shoulders, letting the straps fall into the bulk of the extra material. 

The snow wasn’t falling today, and the ground was shoveled of any white powder too. On the air, you can hear the whir of the C-17. 

König comes up beside you, a hand hovering over the small of your back as he guides you along. For the most part, the walk to the tarmac is silent with the weight of the future. You had no phone. No socials. You didn’t even know if you wanted any, to be honest. Your mind had convinced you that a good bout of soul-searching was exactly what you needed. And you had to do that alone. 

Your lips are thin as your legs take you closer to the plane, König’s scent stuck into the stitches of the coat and covered your senses. 

At the ramp, he stops as your feet take you onto the metal. Closing your eyes for a moment, you turn and lock gazes with him—gray hiding away what other, more human, emotions to be found. It was a slate of carefully crafted acceptance, and your own followed soon after. 

It had to be this. The string wouldn’t break, no, but it had to be stretched to such a point to come back stronger.

“Thank—”

“Don’t,” he says, not blinking, looking up at you. 

You smile. “What do you want me to say, then?” 

“You don’t have to say anything to me.” You hadn't known it then, but the both of you had truly thought that this would be the last of your meetings. It produced a pulse in both of your hearts that would never be told aloud. “....Live well,” König utters. “Heal, Mein Schatz.” 

The soldier wasn't one to give his chances to hope. 

Your eyes follow as he backs up, moving away as you stare. In his head, König pleads with you to stop and give him a reprieve from the hypnosis of your gaze, the addictive movement of your head as it tilts to the side. 

Live well. 

You send him a smile, a delicate thing, and then you back up a step and turn, disappearing into the darkness. 

The string follows, and it continues to do so even as your hands slip into your pockets hours later, bumping into the small form of a black flip phone. The note hidden inside of it. 

 ‘For whenever you find what you’re looking for.’

'REQUEST FOR ADMINISTRATIVE DISCHARGE

REQUESTED BY: [REDACTED]

ENTERED: DECEMBER 15, 2021

TIME: 1422

OPEN FILE?...

REQUEST CANCELED….

RETURNING TO FILE SELECT MENU…

FILE SELECTED….

TRANSLATING…

STAND BY…

REQUEST OF HONORABLE ADMINISTRATIVE DISCHARGE OF [REDACTED] APPROVED ON JANUARY 2, 2022

OPEN FILE?...

REQUEST CANCELED…

SYSTEM SHUTTING DOWN'

You sit in a coffee shop in Berlin, Germany, by the window. It wasn’t just any coffee shop, but you try not to think about all of that. It was all in the past—three years, now. You like to think you’d learned something in that time.

“Danke schön,” you say to the woman who brings you your drink, nodding kindly. You take a small sip, humming and winking at her teasingly. “Perfekt.” 

She chuckles, wiping her hands on her apron. “Möchten Sie noch etwas anderes dazu?”

“Nein, nein,” you shake your head, waving a hand that soft bumps the flip phone on the table. “Danke.” 

The lady walks away, and you take another sip of the hot beverage, never put off by the heat. 

It was winter again, and your eyes followed the flakes as they fell from a cloudy sky, finding the beauty in it easily as you sat inside. The scarf around your neck is loose—your gifted coat open. You smile to yourself and hum, watching people walk past outside, thinking about their lives and how they live them. 

A large form travels out from a shop across the street, a plastic bag in his loose grip. He was not small, no, this man was a beast of height and strength alike. The loping, canid-like, walk was accented by the twitch of his fingers over his quarry. 

Your wide eyes stay stuck to him for a long moment as he moves to the crosswalk, people shifting out of his way as he ignores them. Familiarity strikes like lighting—a buzz down your spine that leaves you straightening.

After a long moment, a breathless laugh sneaks out of you.

There were just some things that people were never meant to understand.

Your hand places your cup back on the table, picking up the old flip phone and pushing it open. Your thumb runs the keypad, moving to the only contact that had ever been entered into the device. 

Pressing, you move it to your ear as you watch with a soft expression, heart pattering. 

Across the way, the man tenses, hand patting his leg before the other hand moves inside his pocket and shifts the item out. People walk away, moving to the other side of the crosswalk as he stares at the contact. 

A minute passes, and all the while you hold your breath.

He presses and moves the phone to his ear, staying as still as stone. As still as a man afraid his hood might scare a group of terrified women. 

His voice graces your ear.

“...Katze?” You beam, trapped in the warmth of the coat around your shoulders.

“How do you feel about coffee, König?” 

Blue-gray eyes had never been more beautiful than when they snapped up to meet yours.

TAGS:

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[wilwheaton]

Hey man, I could use a few talking points to help convince a friend that Musk is horrible. I'm reading 'Think Again' by Adam Grant (good read btws) and he says to help convince people to come to your viewpoint that it can be good to have 2 or 3 strong points instead of 10 mixed points. The counter argument I get from people about Musk being good is that he did spacex and tesla, and without him we'd be decades behind. Maybe, but I don't have good ammo. Please help as I get too angry tobe critical

Well, listen, the fascism, the transphobia, the chaos, and the unwavering support for autocrats all over the planet really ought to be enough to outweigh anything else, if you ask me. It sounds like you know some people who got excited about the companies he threw money at, and they are having a tough time updating their feelings due to current events. Or maybe they share his values and don't want to admit that.

But I'll try to offer some simple facts.

He did not do engineering with Tesla or SpaceX or even PayPal. He is a fraud. He walked into these existing businesses, where people had done actual work and engineering, threw some of his Apartheid money at them, and took credit for their work. He claims, over and over again, to be a founder of these companies, and that's just straight up a lie that is easily disproved.

He literally did nothing except throw money at people and take credit for their work. Look at every Tesla up to the (chokes back laughter) Cybertruck. Those Teslas look like cars, because they were designed by engineers. Look at the Cybertruck. When you stop laughing at what a joke it is, know this: that's what happens when Elon Musk is in charge. It's like a ten year-old with some crayons drew it on a menu at Denny's.

All of the things his weird fans claim he made possible, are things that would have happened, and were in the process of happening, without him. He literally did nothing to advance the technologies or engineering. In fact, SpaceX whistleblowers have told reporters how they had to keep Musk occupied with bullshit, so they could do the real work without him fucking it up all the time with his incompetence.

But even if he were telling the truth, even if the myth were fact, it would not outweigh the damage, the pain, the chaos, and the suffering he has inflicted on millions and millions of people, all over the world with his lies, his spread of misinformation, and his incitement of angry incels.

Also, don't forget, when Ukraine was trying to defend itself, he turned off Starlink access when they could have decisively ended Russia's aggression. A lot of people have suffered and died as a direct consequence of that action, which he took to support his buddy and fellow autocrat, Vladimir Putin.

That's more information than I think your friends will be willing to hear. Studies indicate that people who are heavily invested in the myth of a person will fight hard to hold onto the myth, and reject truth and facts, because it's so jarring to them. Musk has built a cult of personality, and maybe your friends are stuck to it.

I'd gently encourage your friends to consider one key fact: he has lied about his entire origin story, he has lied about his contributions to Tesla and SpaceX. He lies about everything, except when he posts on Twitter like a 12 year-old edgelord, because that's who he is, emotionally.

Finally, and this is for you, specifically: if your friends insist on supporting a fascist, a racist, a misogynist, or a bigot, because they think rockets are cool, maybe it's time to look for new friends.

I hope this helps.

And fuck Elon Musk.

[sleepiestoken]

i've just pulled out some interesting quotes from the metal hammer article for myself and anyone else interested. anything bolded for emphasis by me.

-

George Lever [Sleep Token producer 2016-2021]: The starting point was removing this idea of the music you listen to being related to the person making it. By being anonymous, the listener is forced to relate to what they're actually hearing.

-

James Monteith [Tesseract guitarist/publicist at Hold Tight PR]: I was approached by Tom Quigley, who was a scene regular and ran a few blogs at the time. He said he was working with this new band, would we maybe be interested in doing their press? We ended up talking for an hour, and he rolled out the whole concept, the imagery and everything about it... other than the music.

George: The lore/narrative was pretty loose still, but it definitely existed.

James: There was nothing specific as such, more this idea of creating an occult vibe and feeling, led by this prophet-like character who leads a religion.

-

George: A lot of the first EP was actually us trying stuff out. We recorded the drums on a whim at Monnow Valley Studio in Wales. I introduced him to one of my friends, who actually still drums in them now.

-

James: We always got requests [for interviews], but the band said from the start they were anonymous and wouldn't do them. It helped create more curiosity because nobody could get access to them.

Matt Benton [Metal Hammer writer]: You can't do an introductory piece without an interview. We managed to get an agreement for an email interview with Metal Hammer. Even then, the band knew they didn't want a voice.

Matt: It's one of only a few interviews they've ever done. It's something I'm glad exists, because it's like getting the Word Of God.

-

George: I had freedom to offer interpretations of what I was hearing. It was a very fortunate combination of personalities and ideals. There was never any, 'We're going to take over the world' -type chat. It was more, 'Do we like this? Let's do more of that.'

-

Nathan Barley Phillips [co-founder of Basick Records]: Trying to keep some sense of anonymity was a real mission. Particularly getting them to and from the stage [at Great Escape festival 2018] without anyone seeing who they were.

-

George: We did Sundowning in three months - we went from demo to final master being released in just 12 weeks. We didn't have days off; we'd do seven in the morning until seven, eight or even nine at night every day for three months. We were in each other's pockets; we'd go to the gym together, swim, do the sauna... All this stuff to recover from being sat down all the time. There was a lot of time to spend holistically being friends making this record. We didn't know how to make this thing, but we had a confidence that we'd get there in the end. That's my favourite three-month period of my life.

-

George: We started making [TPWBYT] and the first day was when lockdowns began. Tomb... was tough for all of us emotionally. There were lifestyle pressures as a result of the lockdown that made it not very conducive to making art that is supposed to be welcoming. A lot of those songs are, in one way or another, about love, love being lost or remorse, they are compassionate tales that are designed to bring the listener towards the artist. It's hard to do that when it feels like the world is going to end.

-

Matt: I've got friends in merchandising and they say Sleep Token shift more merch than any other UK heavy band - more than even Iron Maiden.

-

Nathan: Bands like Ghost and Sleep Token aren't successful because they wear masks. They're successful because they write great music. Masks don't mean anything if the music isn't any good.

Matt: I'll be interested to see, when the first official TV movie of the band gets made, the difference between the reality of what happened and the story that gets told. In a way, the myth becomes reality.

[felassan]

Some Bluesky posts by David Gaider:

David Gaider: "So prepare yourself for another series of threads (easy to ignore that way, if you're not so inclined) where I discuss the journey - from leaving BioWare and then Beamdog, to doing what seemed impossible and starting the studio, to now!" [x]

DG: "The Road to Summerfall - Part 2 I guess the best place to start is with leaving BioWare. Right off the bat, I'll say I enjoyed working there - a lot. Until I didn't. I started in 1999 with BG2 and ended in 2016, 2 years after shipping DAI and after spending a year on the game which became Anthem." [x]

Rest of post is under a cut due to length.

"Things at Bio felt like they were at their height when the Doctors (Ray & Greg, the founders) were still there. We made RPG's, full stop. We made them well. Sure, there were some shitty parts... some which I didn't realize HOW shitty they were until after I left, but I'd never worked anywhere else." [x] "To me, things like the bone-numbing crunch and the mis-management were simply how things were done. I was insulated from a lot of it, too, I think. On the DA team, I had my writers (and we were a crack unit) and I had managers who supported and empowered me. Or indulged me. I'm not sure which, tbh." [x] "It's funny that Mike Laidlaw becoming Creative Director was one of the best working experiences I had there, as initially it was one of the Shitty Things. You see, when Brent Knowles left in 2009, I felt like I was ready to replace him. This was kinda MY project, after all, and who else was there?" [x]

"Well, it turned out this coincided with the Jade Empire 2 team being shut down, and their staff was being shuffled to the other teams. Mike had already been tapped to replace Brent... Mike, a writer. Who I'd helped train. There wasn't even a conversation. When I complained, the reaction? Surprise." [x] "It was the first indication that Bio's upper management just didn't think of me in That Way. That Lead Writer was as far as I was ever getting in that company, and there was a way of Doing Things which involved buddy politics that... I guess I just never quite keyed into. I was bitter, I admit it." [x] "But, like I said, this turned out well. Mike WAS the right pick, damn it. He had charisma and drive, and he even won me over. We worked together well, and I think DA benefited for it. I think I'd still be at Bio, or have stayed a lot longer, but then I made my first big mistake: leaving Dragon Age." [x]

"See, we'd finished DAI in 2014 and I was beginning to feel the burn out coming on. DAI had been a grueling project, and I really felt like there was only so long I could keep writing stories about demons and elves and mages before it started to become rote for me and thus a detriment to the project." [x] "Plus, for the first time I had in Trick Weekes someone with the experience and willingness they could replace me. So I told Mike I thought it was time I moved onto something else... and he sadly let me go. So, for a time, the question became which of the other two BioWare teams I'd move onto." [x] "Both needed a Lead Writer. Mass Effect Andromeda was just gearing up, and while I liked everyone out in Montreal I didn't really want to move. So I joined the new project that the former Mass Effect team in Edmonton was cooking up - the one that became Anthem but, at the time, was code-named Dylan." [x]

"That was a mistake. You see, the thing you need to know about BioWare is that for a long time it was basically two teams under one roof: the Dragon Age team and the Mass Effect team. Run differently, very different cultures, may as well have been two separate studios. And they didn't get along." [x] "The company was aware of the friction and attempts to fix it had been ongoing for years, mainly by shuffling staff between the teams more often. Yet this didn't really solve things, and I had no idea until I got to the Dylan team. The team didn't want me there. At all." [x] "Worse, until this point Dylan had been concepted as kind of a "beer & cigarettes" hard sci-fi setting (a la Aliens), and I'd been given instructions to turn it into something more science fantasy (a la Star Wars). Yet I don't think anyone told the team this. So they thought this change was MY doing." [x]

"I kept getting feedback about how it was "too Dragon Age" and how everything I wrote or planned was "too Dragon Age"... the implication being that *anything* like Dragon Age was bad. And yet this was a team where I was required to accept and act on all feedback, so I ended up iterating CONSTANTLY." [x] "I won't go into detail about the problems except to say it became clear this was a team that didn't want to make an RPG. Were very anti-RPG, in fact. Yet they wanted me to wave my magic writing wand and create a BioWare quality story without giving me any of the tools I'd need to actually do that." [x] "I saw the writing on the wall. This wasn't going to work. So I called up my boss and said that I'd stick it out and try my best, but only if there was SOMETHING waiting on the other side, where I could have more say as Creative Director. I wanted to move up. I was turned down flat, no hesitation." [x]

"That... said a lot. Even more when I was told that, while I could leave the company if I wanted to, I wouldn't have any success outside of BioWare. But in blunter words. So I quit." [x] "Was it easy? Hell no. I thought I'd end up buried under a cornerstone at Bio, honestly. I LIKE security. Sure, I'd dreamed of maybe starting my own studio, but that was a scary idea and I'd never pursued it. I had no idea where I was going to go or what I was going to do, but I wanted OUT." [x] "Which led to me at home after my last day, literally having a nervous breakdown, wondering what kind of idiot gives up a "good job". How was a writer, of all things, with no real interest in business supposed to start his own studio? It felt apocalyptic. Within a year, however, I was on my way." [x]

[original thread, following thread]

Follow-up Q&A Bluesky posts:

User: "Were David Gaider still at Bioware, I am certain you would have showed us exactly how Mythal was transferred to Morrigan. You would have paid off on all those years of growth since DAO" David Gaider: "You can be certain I would have *wanted* to, for sure. Whether I'd have been able to is something not even I can be certain of. During my time at BioWare, I had to settle for less-than-ideal results lots of times - that's just how it goes, when it comes to making games." [x]

User: "jesus fuck that is a revolting way to treat any employee" DG: "The thing that got to me most was the apparent assumption that I needed "success". That this was the most important thing to me, to work on projects that sold millions of copies. I like that, sure, who wouldn't? But he obviously didn't know me at all." [x]

User: "Could you elaborate on the anti-RPG sentiment? Was it like the team didn't want narrative choices or game mechanics that affected dialogue? Did they even want dialogue choices?" DG: "There has always been an element within Bio that quietly resented the idea we could never quite get away from being a studio that "just" made RPG's and that our writing was more celebrated than our action. So, yes: more action, less story, less cinematics, and less dialogue all around." [x]

User: "I mean, that's the team (Ship of Theseus!) that made ME2, right? ME2, which was like ME1 if you added more loyalty quests, more romance options, and made the good ending more dependent on doing the loyalty quests?" DG: "When I say an "element within BioWare", I don't mean the entire team... we're talking about a group of devs, many of which worked on ME2 yes, who gained traction because their views likely aligned with what EA also wanted. Speculation on my part, largely, because I wasn't on that team until Dylan." [x]

User: "Gods that is some really shitty corporate culture to say 'You'll ammount to nothing outside of Bioware!'." DG: "From some perspectives, I haven't. I make indie games that sell thousands of copies, and from a triple-A perspective that's... basically nothing. But I'm happy, I enjoy what I'm doing, and I feel creatively fulfilled. Not everyone thinks those things equate with success, though." [x]

User: "Hold up. Jade Empire was gonna get a sequel? How did that not happen?" DG: "The team worked on it for quite a while. First it was Jade Empire 2, and then they rebooted it as a different game altogether which was kind of "modern Jade Empire but minus anything Asian"... and then they cancelled it. Happens a lot to projects as they spin up." [x]

User: "What do you think began the conflict between the Dragon Age and Mass Effect team?" DG: "I honestly have no idea. Competition for resources, I suppose? One team's plans were always being cut short because the other team suddenly needed all their team members for an upcoming release." [x] User: "That makes sense. I can't imagine how it must feel to have your project side lined or reduced because of another team. Do you think the ME team were more entitled because they perceived their franchise as having a bigger cultural impact?" DG: "I never got that sense, though I was never in the meetings where these things were hashed out. They tended to always get what they needed, however, because EA always expected that each ME game had way more *potential* for huge sales than DA did." [x]

User: "Wow.... this makes so much awful, shifty sense. It has seemed to me, from the outside, that there has been a preference for ME over DA. The launch of DATV and the residual layoffs seemed more of a hit job from inside than just a troll problem." DG: "While I was at BioWare, EA *always* preferred Mass Effect, straight up Their Marketing team liked it more. It was modern. It had action. They never quite knew what to do with DA, and whenever DA outperformed ME, ME got the excuses. If you ask me, it was always just shy of the axe since DA Origins." [x] User: "Can I ask a follow-up question ? Is them not knowing what to do with DA the reason why every DA game was different ? While I love all the games I've always wondered where that originated from" DG: "Maybe in part? I'd say the biggest reason was that, while I was there, the BioWare teams were bad at overreaction. They'd take the feedback/criticism to heart - both our own and the fans' - and generally fixed that but also overcorrected. And then there was EA's influence on top of that, yes." [x]

User: "Is that why DA games never got a remaster/remake?" DG: "There's a lot more that goes into such a question, I'd say, though I honestly have no idea. I can't imagine it helped." [x] User: "Do you feel EA will perhaps sell off DA to another developer like Larian (Baulders Gate) or Playground (Fable)? Considering the reception of Inquisition and Veilguard?" DG: "I suppose anything is possible, but to me it seems unlikely if EA thinks there's any chance they might just sit on the IP until they can reboot it later on." [x]

User: "I've always gotten that vibe from the games department, yet I also saw Dragon Age getting a LOT more attention than Mass Effect when it came to the peripheral material like books, comics, lore books, etc. Do you know why?" DG: "I don’t think that was ever true? ME was so much easier with logo branding, and the N7 hoodie was ACE. 😅" [x]

User: "Was there ever any pressure put on the DA team to move away from RPGs?" DG: "Not initially. Initially Ray & Greg said they were fine with having two different styles of RPGs. After they left, there was pressure to emulate ME more and more because, again, it was the “future”." [x]

User: "May I ask for timeframe? Did you work on Joplin at all, or did you move before it even entered planning stage?" DG: "Joplin wasn’t really being worked on while I was still there. The DA team was finishing the last of the DAI DLCs." [x]

User: "i don't think it was just EA, was it? i recall several instances of ray muzyka praising mass effect in interviews or open letters but i don't recall once him doing it for dragon age." DG: "I can’t say. Ray was a big fantasy fan, so I doubt it." [x]

DG: "In terms of the remasters, I suspect the major difference between the two wasn’t favouritism but rather the engine. All three ME games were made in Unreal." [x]

User: "If you stayed, would you be able to persuade BioWare/EA to push DA4 on the success of DAI or would it be cancelled/delayed like Veilguard did?" DG: "I was a sub-lead, not even a senior lead. I would have had as much influence as I did when I was there, which is to say very little." [x]

User: "Anytime I see ex-BioWare people talk about Anthem, I can’t help but wonder if that game should have been axed early on - it never felt much like a BioWare game, even in the marketing. Or would you say that the game itself could have been fine, but it was the management of the IP that was the issue?" DG: "The initial version I worked on still had some RPG in it, but you could see where the winds were blowing. I think the team leads just convinced themselves it was good and would all work out somehow. Through “BioWare magic”, I guess." [x]

User: "Every time I hear about this or see it, it always sounds like the ME team were just a-holes. No great way but to say it bluntly. Nothing to be done." DG: "I wouldn’t say that. Most of them were lovely. We were always competing for very finite resources, however." [x]

[original thread, following thread]

[ckret2]

Chapter 89 of human Bill Cipher and his uneasy ceasefire with the Mystery Shack: Bill and Ford go to the museum to plant false clues that will fool Agent Powers into thinking Never mind all that, we're getting gay y'all

A turning point has been reached and none of them know it yet.

Also: Ford learns more about the Blind Eye than he's comfortable with, and Bill and Mabel have as much of a heart-to-heart as they can manage at like four in the morning.

####

The plan was simple. Break into the museum; watch a couple of videos, so that Ford could get a sense for how they sounded; record one of their own; strategically place it amongst the rest, along with the map that Mabel had made.

There was only one complication: the videos they'd be watching were the memories stolen by the Society of the Blind Eye.

Ford had been dying to know about them for thirty years. Back in the 80s, for a few days, the mysterious red-robed stalkers had probably done more to terrify Ford out of his sleep-deprived, paranoid mind than even Bill had. He'd realized they were the work of Fiddleford and his memory gun, but all the way up until last summer he'd never been sure whether they were Fiddleford's way of trying to forget Bill, or if Bill had infiltrated his mind and influenced him to ravage the town's minds.

Now? Ford still didn't know much more about them—just their founder, and the fact that they'd wielded Fiddleford's memory gun. He doubted even Fiddleford recalled what had inspired him to escalate from erasing his own trauma to forming a cult that literally brainwashed people; but, Ford had never asked.

There were things Ford and Fiddleford had tacitly agreed never to bring up. They didn't talk about the things they'd said to each other after the portal test. They didn't talk about the "demon" Ford had let haunt the halls the entire time Fiddleford had stayed in his house—at least, they didn't talk about the demon until he came back a few weeks ago. They didn't talk about their respective rapid mental breakdowns. They certainly didn't talk about Fiddleford's cult.

Under any other circumstances, Ford would have suspected Bill of deliberately choosing a plan that forced Ford to see Fiddleford's worst side again—except that Bill was so obviously miffed that Ford had been the only one qualified for this role. All the same, it felt like a betrayal to sneak behind Fiddleford's back and dig through his thirty-year-old dirty laundry. To go through all the things Fiddleford didn't want Ford to know and might not even remember himself.

He weighed up his desire to find out more about the cult against his loyalty to Fiddleford. As usual, Ford's curiosity won out over everything else. "Why are we using the Blind Eye?" Ford asked. "Were they one of your cults?"

Bill laughed shortly. It wasn't loud, but in the dark, silent car, it sounded like hammers on fine china. "You think the All-Seeing Eye ran the Blind Eye? Puh-leez. Your paranoia's slipped off its ball gag, Stanford." He pantomimed a pair of scissors with his hand. "If I wanted to erase anyone's memories, I'd snip 'em myself."

Ford didn't know whether or not that was a relief. Was it better to know Fiddleford had never been one of Bill's puppets, or would it have been better if Fiddleford hadn't been responsible for the Blind Eye? "Technically, you haven't said they weren't one of your—"

"No," Bill snapped. "They weren't."

Ford waited for Bill to elaborate—maybe explain why the Blind Eye had to be part of the plan? Boast about the cults he did have in the area? Insult Fiddleford's choice of mind-meddling techniques? But Bill just resumed the post he'd maintained since getting in the car: leaning against the passenger door as if trying to get as far away from Ford as possible, staring out the window at the passing night, and saying nothing. Bill had been a foul mood since leaving the house, and he was expressing it by ignoring Ford. It irked him, and he didn't know why he cared.

"All right," Ford said tiredly, "What in the world did I do to offend you today."

Bill didn't deign to reply.

"Tell me it's not because I used dollar coins."

"It's nothing you need to worry about," Bill said coldly. "Mabel just said I'm not allowed to be nice to you, that's all."

"Whatever she said, I'm sure it wasn't that," Ford said. "So you're giving me the silent treatment because you're mad at Mabel?"

"I'm not mad at Mabel and I'm not giving you the silent treatment. I don't have anything worth saying to you."

"You don't expect me to believe that. You could talk for a million years straight without pause."

"None of which you'd appreciate. Talking to you isn't worth the water vapor I'd exhale in the process."

"That's never stopped you before—"

"There's no winning," Bill snapped. "When I talk to you, you complain. When I don't, you complain. Either make up your mind or stop griping at me for existing!"

Ford shut his mouth. Yeah. All right. Fair enough.

He could only tolerate the silence for a few more seconds. "Here I thought you were the one who wanted to be friends again."

That was what made Bill explode. "Oh, that's what everyone thinks, isn't it! That I'm crawling on my hands and kneesbegging you to give me the time of day! Newsflash, Stanford: I'm over you. Ya blew it."

"Really." He would have assumed it was just another of Bill's attempts at manipulation—if Bill hadn't spent the last few days shooting down all of Ford's attempts to ask him basic questions. Now... it felt uncomfortably true.

 So, that was it? At last, Bill had given up on Ford? He should have been relieved. Instead, a part of him was disappointed.

He hadn't realized just how satisfying it was to repeatedly shoot Bill down. Satisfying to know that Bill still thought he was worth the pursuit. Ford had been so proud of himself for keeping Bill at arm's length—but did he actually want Bill any farther away than that? (After all this time, was he still just chasing Bill's approval?)

"What finally convinced you I'll never be one of your loyal little followers again?" Ford asked. "Was it the mac and cheese?"

"It didn't help," Bill said. "But no. It has a little bit more to do with the fact that you still want me dead."

Ford hit the breaks a little too soon at a stop sign so he could stare at Bill. "What in the world are you talking about? As Irecall, the last time we discussed the topic, I'd just spared your life!"

"Exactly!" Bill laughed bitterly. "Spared me because something I did gave you—" In the faint indirect glow of the streetlights, Ford could see Bill make sarcastic finger quotes, "'hope."

"Wh—That's it?! You're mad at me because I had the gall to have a little hope for you?!"

"Hope for me to what, Stanford Pines?" Bill had put on a sickeningly sweet sing-song voice, thick with venomous sarcasm. "Come on! We both know what you're hoping for, but I wanna hear you say it out loud!"

What? Ford's eyebrows scrunched up in confusion. "Hope for you to change for the better?" Had Bill assumed he meant something else?

"Exactly," Bill hissed. "What you have is hope against me. You didn't spare me—you spared an imaginary person you invented! You think I'm worth letting live because I might turn into someone else you like more—well what does that say about me?"

The quiet click of a seat belt buckle was the only warning Ford got before Bill was in his face, a finger jabbing in his chest, a sharp knee digging into his thigh. "That I'm not worth it! You're just keeping me around as a human sacrifice to the Bill Cipher you wish existed! You still wanna watch me die, you just want it without the violence! You're trying to kill me in your mind right now!"

"Bill, get off—" Ford's foot slipped off the brake pedal.

The car only jerked forward a few inches before Bill shoved the gear stick into park, all without breaking eye contact. He went on, relentless: "I'm supposed to be so grateful that I'll let you just—erase everything that makes me me and magically reincarnate as some good person—"

"You're already a good person!" Ford snarled.

It took him a moment to register that Bill was no longer trying to out-shout him. He took the opportunity to shove Bill back to his own side of the car; and then silence fell over them.

Ford stared at the seat between them. He felt like, if he looked up, Bill's eyes would be glowing in the dark. "That—didn't come out the way I meant it."

"Oh, phew, here I was trying to remember when I'd switched your definitions for 'good' and 'depraved.'"

"You are depraved. But—there's—" it was so much harder to say a second time, "—a good person in you somewhere."

"Well sure, with all the souls I've swallowed, one or two of them were bound to be—"

"Can it, I'm being serious!" Ford sucked in a sharp shaky breath. "I've seen that side of you! You've saved little girls from certain death! You saved Dipper and me! You've driven more than one hostile supernatural entity out of the house. You've said the household's under your protection. You taught Mabel and her friends to summon demons—"

"—hold on, that's a point for me?"

"It was a very informative lesson with a large emphasis on proper warding techniques," Ford said angrily. "And it wasn't the only time! You've also taught Mabel about—about alien genetics and non-Euclidean geometry and who knows what else! And maybe this is all just another one of your schemes, maybe you've made a fool of me yet again for convincing me you'd ever do anything without an ulterior motive, but—" His voice caught in his throat. He cleared it roughly. "You were—so patient with her. You were kind." The way he'd seemed kind when he'd taught Ford. "I... want to believe it's more than just a trick."

And that was the problem, wasn't it. He wanted to. Maybe Bill wasn't even suckering Ford this time; maybe Ford had suckered himself.

Bill finally muttered, "Of course I had an ulterior motive."

Ford's heart and shoulders sank. "Of course you did," he said, hollow. "What was it."

"The kid thought I thought she's stupid. When you compare her against every brat in her school that shares her last name and her birthday and her mitochondria, her GPA's at the rock bottom of the list, and that's what she's used to snotty know-it-alls judging her by—and I just so happen to know it all." Bill shrugged expansively. (That shrug he did with his hands instead of his shoulders.) "And she doesn't trust anything I say that she doesn't already believe—so if I want to convince her I know she's got plenty of neurons sloshing around under her cranium, hey, what about tricking her into cramming a college semester's worth of interdimensional science and extraterrestrial history into one afternoon!"

Ford stared at him, waiting for the rest of it. "That was your—? What kind of ulterior motive is that, that's not selfish."

"What are you talking about? Of course it is," Bill said. "Do you think I did all that for her sake? No! I did it for mine! I only hang out with her for that thousand-watt personality she's got, I'm not about to put up with her moping around like a thirty-watt busted bulb. Plus it tricked her into listening to everything I said for the rest of the day!"

"You felt bad because she felt bad," Ford said, "so you spent the rest of your day making her feel better."

"Yes," Bill sighed, "now you're getting i—" He stopped. He squinted at Ford. "You think this is some kind of empathy thing?" He sounded mildly disgusted by the suggestion.

Ford laughed, and he wasn't quite sure if it was in amazement, hysteria, or fury. "Listen to yourself! There's a good person in you—a wonderful person—and it's buried underneath the worst person I will ever have the displeasure of meeting—but it's in you." The words came out like a damning accusation. He shoved his hand deep in a coat pocket, felt around for a piece of folded paper—he didn't even need to look at it to know what it was; he'd carried it in his pockets for a week, felt it so many times that he could recognize its creases by touch alone—and he flung it into Bill's lap.

He could hear Bill unfolding the paper. Ford wasn't able to see it in the dark, but he was sure Bill could: 

A drawing of Bill, in his natural triangular form, floating in the sky with blue flames in his upraised hands, over Mabel's handwriting: "I BELIEVE IN YOU. YOU CAN CHANGE!"

"I don't believe you've changed one bit since the start of summer," Ford said. "And that means, this has always been a part of you! Just as much as the lying and the backstabbing! Any time you want, you could choose to be the muse you've always pretended to be! You already are that muse! So why don't you do it? When you could be like that every single day of your life—why are you like this?"

He heard a quick, quiet inhale from Bill. But he didn't reply.

Ford didn't even know whether he'd meant the question to be rhetorical. Part of him desperately wanted an answer.

"That's why I let you live," he said. "You're a piece of scum, Cipher. But, the chance that you might... might change, yes, but not into somebody new, just another version of who you already are... I think that—makes it worth it."

The dark almost swallowed Bill's voice: "Worth risking the universe for?"

Ford suddenly felt very vulnerable.

Bill's voice was oddly flat. Too self-controlled. "You know, coming from a guy that hates my guts, that means more to me than I can say."

"Just—shut up." Why had he ever imagined anything he said might get through to Bill.

They'd been parked at the stop sign for several minutes. Ford put the car in drive and pulled out. He heard Bill click his seat belt in place and shift to lean against the door again; and then an awkward silence fell over the car once more.

Why wasn't Bill saying anything? Privately gloating? Thinking about how he could turn this to his advantage? Congratulating himself on successfully using Mabel as a pawn to fool Ford into thinking he had a secret charitable side?

The silence was too much for Ford to bear.

Just as he was about to turn on the radio, Bill's hand shot out and snapped it on first.

A 90's R&B singer cooed, "Ohh baby, I'll give you one last try-iy-iy. Just promise, you won't break my hear-ar-art—"

Bill snapped off the radio.

They rode the rest of the way to the museum in silence.

####

Ford quietly sighed as they pulled up to the museum. Under any other circumstances, going to the museum, investigating a mind-wiping secret society, and roleplaying as a spy movie villain sounded like a great way to spend a night. He wantedto be able to enjoy it.

"Look, Bill. Neither of us wants to be here with each other, but we don't have to make each other miserable. Can we at least act..." He groped for a word.

"Friendly?"

Ford was sure he detected a hint of sarcasm. "I was thinking of something more like 'civil.'"

"Oh, of course! Let's not get unreasonable."

"Can you manage civility."

"Can you?"

"I can if you can."

"Ha! I could out-civil you in my sleep."

"Then fine."

"Fine."

"Fine." Off to a terrific start.

Ford got out and circled the car to open Bill's side.

As Bill got out, carrying the camcorder, he said, "You know, it was nice running around with that agent today! He held doors for me like he respected me. Instead of like a guard escorting a convict out of the prison bus."

Ford shut the door behind Bill. "You are a prisoner."

"Obviously!" He held up a wrist, showing off the bracelet chaining them together. "But do you think I like feeling like one?"

I don't care what you like, Ford nearly said—by reflex more than anything—then stopped himself. He wasn't about to be the first one not to be civil.

"You know, it would be really nice if I could open doors on my own—then I wouldn't have anything at all to complain about..."

"I won't compromise on the doors, but I'm willing to drop the bracelets."

That got Bill to look at him. "What?"

"You've had an opportunity to drown me, you escaped us for the weekend, and you spent an entire day seducing a government agent who would probably be thrilled to arrest everyone in the Mystery Shack if you told them you'd been kidnapped," Ford said. "If you were planning to run off, it wouldn't be here and now."

Bill's face was unreadable. But he slid off his bracelet and held it out dangling from one finger. Something in the atmosphere imperceptibly lightened as Ford took it.

Bill said, "Or maybe my grand plan is to go pound on his door at three in the morning, claim I just escaped a kidnapping, and have him catch the lot of you in the middle of drugging his agents and breaking into the police department."

"That would be just like you." Ford eyed the museum's double glass doors critically, then fished around in his pocket for his wallet. "Clever of you to admit your dastardly plan after I uncuff you."

"See, this is what makes me a real mastermind," Bill said. "I don't gloat about my brilliant plans until after it's too late for my enemies to stop 'em."

"Right, right." Ford pulled his miniature lockpicking kit from his wallet, selected a long stick with a hook on the end, and slid it into the gap between the two doors "Like when you only gloated about using me after I'd built your portal."

"Ye—"

"But before I let you through it."

Bill shot Ford an exasperated look. Ford smirked.  Bill rolled his eye. "And it was too late for you to stop me, because in the end, I got through! Checkmate."

Ford muttered, "You couldn't checkmate me if you tried."

Bill jabbed his arm with a finger. "Hey! Hey! Play me when I'm running on more than thirty minutes of nightmares and forty calories of mystery meat puree, we'll see who can checkmate who."

Ford nearly said he'd take him up that, before remembering who he was talking to. "That didn't feel like a very civil poke."

"You must be unfamiliar with poking etiquette!"

Bill was back up to his usual gregariousness. More than usual; Ford hadn't heard him this chatty in weeks. Not with him, anyway.

Just because of the bracelets? He couldn't imagine what else it might be.

He caught the hook around a hidden bar inside the door's lock, tugged it free, and unlocked the door. "Ha!" He swung the door open, beaming proudly—at Bill, who didn't look as though he'd registered that Ford had done anything interesting at all. "Oh. Right."

"'Oh right' what?" Bill walked past Ford into the museum.

"Nothing. It was just—an impressive bit of lock picking, that's all."

"Oh, I bet it was," Bill said sarcastically.

"It was!"

"And I'm supposed to just take your word for it because I can't prove you wrong? Sure."

"Why would I lie about that?!"

"To impress me!"

"I do not want to impress you!"

"That little smirk you did when you opened the door said otherwise!"

"That wasn't...!" Wait.

"So old even your body hair is gray, and you're still just a schoolboy so eager to impress your teacher that you're willing to lie!"

"I am not trying to impress you, I don't lie to teachers, and I am not lying now!"

Bill examined his nails casually. "Well if you want to convince me there's only one way! You have to give me the ability to understand what you just did!"

"Fine!" Ford reached for Bill—caught himself, and pulled his hand back. "Ah hah! Ahaha." He wagged a finger at Bill. "Nice try."

Bill grinned. He looked far too pleased with himself. "You almost fell for it."

"Not even close," Ford lied.

It was a relief to have Bill trying to get under his skin again.

While Ford dug in his pockets for a flashlight ("Didn't bring that useless Civil War lantern this time?" "I'm not lighting a kerosene lantern in a museum!"), Bill took the lead, wandering ahead into the dark. He informed Ford that they'd have to wait to visit the museum's subterranean ritual chamber until after they'd swung by the Hall of the Forgotten. This was the first Ford had ever heard of any subterranean ritual chamber beneath the museum. He would have been dying to see it first, if whatever "the Hall of the Forgotten" was didn't sound so cool.

And so, he followed Bill through the dark.

####

The Hall of the Forgotten had changed quite a bit since Bill had last seen it—mainly in terms of the quantity of memories cluttering it up.

Granted, he'd last seen it nearly twenty years ago—which was when they'd chiseled an X over the eye on the chest of the statue that watched over the room. Bill may have had billions of eyes upon Earth, but the Blind Eye had been rigorous about keeping them out of this room.

Not on purpose, he was sure—in spite of the fact that they'd taken over what had once been an Anti-Cipherite clubhouse, he was sure those idiots hadn't known a thing about him or how to counter him personally. It was simply a lingering relic of Specs's paranoia. But X-ing out any image of an eye they saw also meant X-ing out any eyes that just so happened to be intended to serve as one of his faces, and nobody was exactly flashing dollar bills around the room. He'd been frustratingly unable to keep up with the Blind Eye's movements for nigh on two decades now.

With, as it turned out, significant personal consequences.

The rebirthmark stretched across his chest itched.

As they entered the Hall and Bill didn't immediately see what he needed, he tried to peer above the third dimension to get a view past all those memory canisters piling up—and pain lanced his eye socket. He hissed, flipping up his eyepatch to press a hand over his eye. He'd more than overused his eyes today; he couldn't bend his eyes anymore until he'd gotten some rest. He'd have to look around like a normal person.

"Somewhere there should be a filing cabinet," Bill said. "Three drawers and painted a color so boring that looking at it makes you yawn. And a stock of unused canisters. Tell me if you find either of them." He started circling the room, peering around the piles, looking in the crates in hopes that he'd find one not full of old memories but fresh canisters. 

"What are all these?" Ford picked up a random canister. Bill glanced over at it; there was a label stuck to it with "ARNY WINN (TOURIST)" written on it in marker. Nobody important.

"Memories," Bill said.

Ford froze. He scanned the room, slowly making sense of what he saw—the mountains of canisters, some almost as tall as him. Bill fought back a smile, wishing that he could see the room through Ford's point of view: all these memories, people's memories, thrown in careless piles like they were nothing. There were more canisters than there were residents in Gravity Falls. It was a treasure trove of occult knowledge that Ford's precious college pal has robbed the town of—oh, that had to sting, didn't it. 

Horrified, Ford asked, "Every one of these is a memory?"

"Unfortunately, it looks like it," Bill grumbled. "Where the heck do they store the spare canisters!" He'd circled most of the room and dug at least a little into each of the crates, and hadn't found any blanks. He kicked the leg of one of a couple of heavy worktables in the room in frustration, then grunted in pain. He kicked the leg again a little harder. Oh, that was a nice. He'd do it again if he weren't worried about being able to walk without a limp the next few days. Had to be careful about doing permanent damage to this thing. He made a mental note about the work table for the next time he had the pleasure of driving a loaner body.

Ford asked, "Can we even use the canisters without the memory gun? I'd expected there to be a spare gun here."

"There'd better not be," Bill muttered, rubbing his chest. "But we don't need one! The packaging on these things is unusual to make 'em compatible with the gun—buuut at their core, they use the same tape you find in a standard video camera! If Specs was a little smarter maybe he would've designed his gun to work with the cassettes you already had in the house—but with a little jury-rigging," he lifted the camera they'd brought, "we can hook up one of the canisters to run through this baby, no prob."

Ah, there was the filing cabinet he'd been looking for: chest-high and beige, exactly where it had sat for twenty-five years, but now it was completely buried in canisters. Must not have been used for a while. Bill shoved an armful of memories off the filing cabinet, tapped twice on the top, and lifted it straight into the air as lightly as a balloon to free it from the memories burying it on every side. The pile slid in on itself and collapsed in the cabinet's wake.

Ford winced. "Careful with those! Don't break them."

"These tubes are made of plastic as thick as your incisor, they won't break." He settled it to the ground near the statue, tapped it once more to return its proper gravity, and started rummaging through its files. The Blind Eye used to keep meticulous records of all the victims they'd "helped"—name, time, date, circumstances under which they'd been brought in to have their memories erased, what they'd witnessed, who else might have witnessed it, the number of their unique memory canister—but it looked like they'd fallen behind some fifteen years ago. Probably as their memories of even their own secret society and its procedures became muddled and patchy. Bill might not have been able to watch their little club rooms from afar, but he'd certainly been able to check in on their dreams, and ohoho, were their minds a mess.

He found a well-worn folder with the memory gun's blueprints and their notes on its upkeep, and another folder with the society's membership list. He flipped through the memory gun file until he found Fiddleford's initial blueprints, and inserted Mabel's map with it, its corner peeking out of the folder like a tempting bookmark; then he emptied the top drawer's contents, plopped in the blueprint folder and the membership folder, and slammed the drawer shut.

"Is this what you're looking for?" Ford was examining the memory playback station. He had opened a drawer on one side of the console, revealing a couple dozen canisters neatly lined up.

"There they are! Finally!" Bill pulled out an empty canister. "All right, you get to researching—" He grabbed another canister off the shelf behind the robed statue, where the most important memories were stored, and plopped it down in front of Ford, "—while I set up the rest of the scene."

Ford glanced warily at the canister Bill had left for him—the one with Preston Northwest's name. "What exactly am I supposed to be researching?"

"Your character! You want to get his voice right, don't you?" Bill dug into another pile of memories, scanning the names. "Ah, this oughta be a good one." He set another in front of Ford.

"You expect me to watch these?"

Bill had already dug back into the memories, but he paused to glance at Ford. "You were planning not to?"

"I—of course I wasn't going to watch! These are records of—of people's psychic violations!"

Bill gave Ford what he hoped was an incredibly disbelieving stare.

"I mean..." Ford gestured helplessly at the memory canisters, "Sure, this is a treasure trove of Gravity Falls' lost and forgotten paranormal secrets. Of course I want to know what they contain. But finding out like this would be incrediblyunethical, since these are people's memories—and stolen memories at that—and none of them agreed for their memories to be taken, much less for me to watch them. No matter how much I'd like to—"

"Stanford Pines," Bill said. "If you'd stumbled on this room all by yourself, and if I weren't in the room inspiring you to second-guess the morality of everything you do—would you have stopped for a second before devouring these recordings as fast as you could?"

Ford thought that over. He stuffed his hands in his pockets, shoulders hunched sheepishly. "Well."

He really was just like Bill in all the ways that mattered. He had the same appetites. If he weren't so stubbornly determined to reject everything Bill had ever taught him, by now he'd be regularly swimming in other humans' dreams just to comb through their memories—never mind watching stored memories at the museum. It was a pity for him he'd rejected all those gifts. Pity for them both.

"There's no one here for you to impress!" Bill gestured around the room, bereft of any human presence but Ford's. "But if you want to skip this part and risk getting the guy's accent a little wrong and tipping off the agents, fine! You're only risking your entire family's arrest—"

"I hate you." Ford reached for the canister with Preston's memory, then stopped and forced himself to take the other instead.

Bill turned away before the screen lit up. A woman's voice filled the room: "Where am I?! What do you think you're doing?! If you don't let me go, I swear I'll strangle you with your own stupid red bathrobes—"

Blind Ivan replied, "Be calm. Cooperate and this will all be over soon."

"Like hell am I cooperating! Let me go! HEEELP—"

"All we want is for you to tell us one thing: what is it that you have seen?"

Bill set another canister on the console. "You don't have to watch this one, Toot-Toot's not in it."

Ford had stood five feet back from the console to pretend he could literally distance himself from the violation he was participating in; but his eyes were already glued to the screen in fascination. He reluctantly dragged his gaze from the stolen memory. "If I don't need to watch it, then why are you adding it?"

"These aren't for you! I figure Agent Bermuda could use a little primer on the Blind Eye. These will show him everythinghe needs to know."

"None of them—implicate Fiddleford, do they?"

Oh, who cared if they did. Bill bit back several snide retorts. They were being civil. "No. They're all from the last five years."

Ford eyed the newest canister distrustfully.

Bill sighed heavily. "Fine! Don't take my word for it." He gestured at the playback station. "Watch it yourself, if you think we can afford to waste time!" He sat on the worktable, crossed his legs to cradle the camera in his lap, and pried it apart to get at the wires.

After the first memory ended, Ford grabbed the one Bill said he didn't need to watch. Bill had found another memory he wanted Powers to watch; but this one, he absolutely could not let Ford see. He took off his hoodie—he needed to be in his dress shirt for his part in their recording—and slipped the canister beneath it.

In between memory playbacks, Ford asked, "Does anything else in here implicate Fiddleford?"

Bill fought back another sigh. "Not directly. He took his own memory canister home when the kids brought him here." Bill would kill to find out what had happened in the museum that night. He'd been forced to stare in frustration at the hallways while agitated cultists and an entire half of Bill's zodiac ran back and forth between the Blind Eye's eye-free chambers. Spectacles recovering his full memories just days before Stanley was scheduled to reactivate the portal could have spelled disaster. "There might be a few memories in here that he recorded personally before Toot-Toot took over—but he was involved in the Blind Eye for under two years before he scrambled his own brains, anything he recorded is probably buried somewhere at the bottom of these mountains. Even I wouldn't know where they are."

Ford hesitated, then reluctantly nodded. "Fine."

Why in the world did he want to protect that hick so much anyway? When Ford found out one friend was up to secret shady things, he swore a thirty-year revenge mission against him; when he found out the other one was, his biggest worry was making sure he didn't get arrested for it! Bill had done far more for Ford than that walking waste of potential ever had or ever could—and of the two of them, Bill might have invaded Ford's brain, but he never erased part of it. Not without putting almost all of it back later, anyway! Oh, no no no—when Ford confronted Bill about what he'd been doing behind Ford's back, he didn't destroy the mnemonic evidence and deny everything, he owned up to it! It was admirable, really! But who did Ford consider "trustworthy"? Why didn't Bill warrant that kind of loyalty?

It was unfair. It made Bill feel... sick. That was probably the emotion he was feeling. Sick, that Ford wanted so badly to patch things up with that cowardly, backstabbing, underachieving loser, while he'd written Bill off completely.

(Not completely, Bill reminded himself. And then he buried that thought as deep into his subconscious as he could.)

Ford watched a few more random memories while Bill attached the empty canister to the camera with electrical tape; Bill heard him mutter, "'What is it that you have seen?'" under his breath, trying to match Ivan's inflection. Eh, Ford wouldn't win anything at the Academy, but it was good enough for community theater.

When Bill glanced over, one of Ford's hands was twitching toward his coat pocket the way it did when he wanted to grab his pen and start taking notes. He gradually moved closer to the console with each playback; by the time he turned the screen off, he was leaning on the console with both hands. "I think I've got the hang of my role."

"Great. Stick that first memory you watched back in, I want Powers to see it first." Bill hopped off the table, holding up the camera. "Ready for your acting debut?"

####

Half an hour later, as they walked back from the Blind Eye's ritual chamber to the Hall of the Forgotten, Bill said, "That wasn't so bad, was it!" He was spinning the canister with their false memory on one finger. (He'd almost dropped it three times.)

"No," Ford admitted grudgingly. "It was... a bit like Dungeons, Dungeons, and More Dungeons."

"Ugh."

"Except more immersive than pen-and-paper roleplay," Ford mused. "Maybe I was overly hasty when I dismissed Soos's invitation to FCLORP."

"Ugh. You're already nerdy enough, stay away from that slippery slope," Bill said. "Marker-and-cardboard isn't the step up from pen-and-paper you think it is. You wanna know why this is more immersive? Because you believe in the game you're playing now. Sure, you're only pretending to be the Blind Eye's boss—but you're actually part of a conspiracy to bamboozle a federal investigation."

Bill politely (smugly) pretended not to notice the gleam in Ford's eye—mainly because, if he dared point it out, Ford would immediately try to convince them both he wasn't enjoying this. "I suppose that's true," Ford said. "Fantasy can't measure up to reality. Pretending to battle undead sorcerers to plunder their dungeons has never been as thrilling as actually battling undead sorcerers to plunder their dungeons."

"Exac—hey, when did you ever battle undead sorcerers?"

"I needed a thousand-carat blessed antiprism to focus the beam of the Quantum Destabilizer, so I went to Dimension 777.7—"

Bill laughed in delighted surprise. "Hold on, you found the lost treasure of the Undying Sentinels of the Sacred Mines? Aww, you shouldn't have," he cooed. "I prefer gold, but I'm flattered you went so far just to get such an expensive diamond for me!"

Ford pretended not to hear him. "DD&MD still has its advantages, though," Ford said. "In real life, I don't get to do as much math in the middle of combat."

"And there he goes, tripping down the slope into the Gorge of Geekery."

Back in the Hall of the Forgotten, Bill wrote "GOLDIE LOCKE (VISITOR)" on their false memory's label and planted it prominently on the memory playback station with the other memory canisters he'd chosen for Powers. "Ta-da! Trap set." He added a date in 2009 to one of the canisters, and loaded it into the station so Powers would watch it first; then scooped up his hoodie. "Wanna watch another couple before we go?"

Ford looked longingly around at the room full of free information; then shook his head. "No! No. I watched what I had to for this plan of yours work, and that's it. You won't make a voyeur out of me."

"I don't have to! You're already a voyeur—and you've got the gnome mating ball photos to prove it!"

"That was for scientific research and the answer is still no."

Bill tucked his hoodie under one arm so he could pick up a memory canister, casually switch it out with the one currently loaded in the memory playback station, and click it down into place. "Oops!"

"Nope! Nope!" Ford marched determinedly toward the door, hands covering his ears. "I am not watching any more! I'm an ethical scientific researcher!"

"No you aren't!"

"Let me pretend!" Ford veered around a pile of memory canisters.

And he locked his eyes onto one canister, immediately did a U-turn back to the pile, picked it up, marched right back to the memory playback station, removed the one Bill had started, plugged the new one in, and crossed his arms.

The recording opened up on a shot of Mayor Befufftlefumpter, sitting in his wheelchair looking around placidly.

"What is it that you have seen?" "Speak!"

"Well, uh..." The major tapped his chin. "My vision isn't quite what it used to be..."

"Just describe it as best you can," Ivan said.

"Alrighty. Welp! I was visiting my office in Town Hall for the first time in ten years, looking for some coupons I think I left at my desk, when this bear walked through the wall—"

Ford smacked the console. "I knew he knew something about the ghost bears!"

He didn't look at Bill. "Stop smiling like that."

When the former mayor had finished recounting his tale of ursine phantoms, Ford stomped toward the door, red in the face, without looking at Bill.

Before Bill followed, he switched out the canisters again for the one he wanted Powers to see first—and took out the canister hidden in his hoodie to balance it carefully on the right corner of the console.

####

Bill diverged from their path into the museum to pluck an out-of-date calendar for the museum's May events from a corkboard, and around the corner a new addition to the museum caught Bill's eye: a heavy black curtain had been hung over one wing, and it was surrounded by signs reading "NO PHOTOGRAPHY" "NO CAMERAS" "🚫📷" That was intriguing. He'd just love to find out what was behind that curtain.

But Ford wouldn't slow down just to go sightseeing; and as badly as Bill's eyes were throbbing, he shouldn't try to peer through the curtain that way.

That was fine. He could wait to see what was in that wing. If everything worked out, he'd be back here tomorrow.

####

As they approached the exit, Ford mumbled in nobody's particular direction, "I'm sorry."

Bill gave him a suspicious look. "What?"

"For the mac and cheese," he told the floor. He stuffed his hands self-consciously in his pockets and felt like an idiot. "And giving you burnt eggs instead. It was... petty."

Bill didn't answer. When he stopped walking, it took Ford a moment to remember that he had to get the door. He pushed it open. 

Bill walked past Ford without looking at him. He said lightly, "Were they burned? I didn't notice. I didn't eat them."

Apology not accepted, apparently. "Well. I'm sorry anyway."

Bill scoffed. "I'd kill to be able to take a peek under your skull." (Ford suspected that wasn't a hyperbole.) "One day you're laughing in my face for thinking you worshiped me, a week later you're saving my life. All your multiverse-hopping must've scrambled your brain. Tragic, since that's the only thing you had going for you."

Ford re-locked the museum's doors behind them. "You don't think there are any options in between worshiping you or wanting you dead?"

"I'm not the kind of person who inspires indifference."

"That's true."

Bill stretched as they walked to the car—fingers laced together, palms turned out, arms lifted over his head. It was a muggy night, and Ford could feel the layers of his sweater and trench coat cling damply to his back; but when Bill's baggie hoodie sleeves fell down to his shoulders, he lowered his hands, shook out the sleeves, and hooked his thumbs in the cuffs so the sleeves wouldn't fall again when he repeated the stretch. "Just get me back to the tomb. This body needs a little sleep before Romeo comes looking for me tomorrow."

"'Romeo'? Are you planning to trick him into drinking poison?"

Bill flashed him a wicked grin. Sometimes Ford was still hit by how incorrect Bill's human face looked—a mouth too low, teeth shaped like tombstones instead of arrowheads—and it was usually at moments like this, when the gleeful curve of his eyes was so familiar. "Hmm, now that's a thought! Not yet; but you should know better than to give me fun ideas."

####

"How was it?" Mabel asked anxiously, the moment the back door unlatched.

She was answered with a piece of paper shoved over her face. "The good news is I got something for your last project," Bill said. "The bad news is Ford's considering taking up FCLORP. Talk him out of it."

"I'll make all his cardboard armor."

"When I get access to my gang's group chat again, I'm inviting you just so I can ban you."

"It was fine," Ford told Mabel. "We had no trouble getting in and out and I think our recording was convincing."

"Did you... get along?"

Ford paused. "We were—civil."

"Ha!" Bill crowed. "And you thought I couldn't do it!"

"I did not. I thought you wouldn't do it."

Mabel inspected the calendar page Bill had given her. Aww, the last weekend in May they'd decorated straw hats with live bird nests and she'd missed it.

Bill trudged into the living room, flopped into Abuelita's chair, and said, "Wake me up if anyone needs orders." He pulled his hood down over his face and retracted his arms from his sleeves. 

"Is there anything else I have to do?" Ford asked.

"Uhhh..." It took Bill a long moment to summon up an answer. "No. Go sleep. Up here, in case I change my mind."

"Fine," Ford said, sighing in relief.

Mabel waited until he'd headed upstairs to get ready for bed; then crept into the living room. "Hey, Bill?"

"Hmm?" He tilted his head just enough for one tired eye to peer out from the shadows beneath his hood. "Aren't you supposed to be writing a threatening anonymous letter?"

"It's fine, Grunkle Stan isn't back yet." She sat in Stan's chair by Bill. "So..." She sheepishly tried to dodge around having to apologize. "Are... we cool?"

"I dunno. Are you cool?" Bill asked. "You're not going to turn lame on me, are you?"

"What! Why would I turn lame? I'm literally the coolest."

"Well, I thought you were cool," Bill said. "But if you were only being cool until you thought we were close enough you could start nagging me about everything—"

"No! No. It was just a one-time thing, promise. Because you and Grunkle Ford have a history, and I had to make sure he's safe—"

"Safe from all that flirting I've never done with him?"

"I got worried, okay!"

Bill crossed his arms under his hoodie. "Find another way to worry. Maybe one that doesn't involve scolding me for something I never did," he said. "If I had been trying to sweep your uncle off his unexpectedly five-toed feet, that'd be one thing—"

"(I didn't need to know how many toes he has.)"

"—but when I wasn't and you keep treating me like I'm already guilty—" He stopped, and said suddenly, as if he were changing topics, with a slight sharp tilt to his head like an old-fashioned TV dial being turned to another station, "Didja know it's way less annoying to be called a liar when you are lying? If you weren't lying but no one believes you, it kinda makes you wonder—why are you wasting your breath telling the truth in the first place!" How much Bill had just offered her about himself?

She sank back in her chair, trying to figure out how to reply. I'm sorry didn't seem to cut it. She suspected Bill really had offered her something; she wanted Bill to know she got it. "One of my teachers thought I copied Dipper on a book report. Because she thought mine was too good."

Bill considered that. "Fifth grade?"

"You already knew about it."

"Not this time," Bill said. "Buuut I know that's the year you started skipping the assigned reading. And I don't blame ya! If you're gonna get a worse grade for working harder, you can save a lot of precious time by phoning it in."

"Yeah." Unexpected relief flooded over Mabel. "Yeah, that's—that's it." She'd never been able to put it into words. Her parents had been worried, Dipper had been exasperated with her. Bill had hit the nail on the head in one sentence.

"Been there. I had a teacher who thought I was using my eye to cheat," Bill said. "So you know what? I did!" He laughed, absolutely no shame.

Being called a cheater had been the most humiliating thing to ever happen in Mabel's seemingly never-ending academic career; Bill's apathy was almost enviable. "Okay. So. There's no emotional stuff going on with you and Grunkle Ford." Just to clear the air. They could agree on it and move on.

But even though Bill had denied it immediately the first time, now, his eyes flickered uncertainly before he said, "Right. None."

That had been less definitive than she'd hoped. "None?"

"No romantic emotional stuff," Bill said. "I think we've cycled through just about every other emotional cocktail that human neurotransmitters can mix up, but desire isn't one of them."

Mabel decided to give him the benefit of the doubt. "Then what are you thinking about?"

"Nothing," Bill said. "My brain's empty. Four pounds of inert meat with no neurons firing."

"Oh, come on." She jabbed a finger into his cheek. "I can see it on your face! What's bothering you?"

He scrunched a shoulder to guard his cheek. "Nothing bothers me."

Mabel hissed, "Yes it doesssss." She leaned across the gap between their seats to jab Bill's shoulder with both hands. "I can sssmell it."

"Retune your sniffer, Miss Nose-y!" He flipped one of his empty sleeves to wave away her hands like a couple of mosquitos; but something in his eyes had shifted, something in the tilt of his pupils. He was caving. "I was just thinking about what you'd said about the—the goofy little 'be yourself' moral the critters are so fond of."

She had to think back to their conversation yesterday: where she'd tried (and failed) to explain that be yourself didn't mean be a jerk, even if you were really good at being a jerk. "You were?" Even now, Mabel was surprised whenever she found out that Bill had been actually thinking about Color Critters when they weren't watching it. It was good that he was thinking about it—she was trying to use the cartoon to teach him morals, after all—but she kept assuming that Bill treated Color Critters the way she treated pre-algebra. "You'd better not try to use it as an excuse to be a jerk again..."

"No, not that. I—figured out what you meant," he said. "It's 'be yourself,' but—not sink down to your worst self. Rise up to meet your best potential. Be the..." he made a vague gesture ceilingward. "The best version of yourself."

"I... Yeah. I guess so. Yeah." Where the heck had that come from?

"This is supposed to be a cartoon for kindergarteners," Bill said wryly. "Their target audience can't even read yet, and they're expecting these kids to read between the lines?"

"Aww, was the kindergarten show's moral too complicated for you?"

"Shut your face. I figured out what it meant, didn't I?" Bill's eyes turned toward the doorway a moment before Mabel heard Ford's bootsteps coming downstairs. He pushed his arms back into his hoodie sleeves properly and timed his exit of the room so he was swooping onto the stairs the moment Ford stepped off. "I can't catch a nap down here," he griped. "Somebody thinks she's more important than this tyrannical body's need for R&REM."

"Sorryyy!"

"You are more important," Bill called down the stairs. "But that's the thing about tyrants! You can't reason with them."

Mabel should be getting to work on her next art assignment, anyway. But before she did, she followed Ford to his room and grabbed his sleeve. "Grunkle Ford, what'd you say to Bill while you guys were gone?"

"What?" He gave her a puzzled look. "Say to him about what?"

"I dunno! But you must've said something to him. He's been thinking thoughts."

Bewildered, Ford shrugged. "Whatever I said, it was the wrong thing. He gave me the silent treatment most of the way to the museum. I suspect he's even more irritated with me now."

Somehow, Mabel didn't think he was. She hugged Ford. "Well, whatever you said? Thank you."

####

Bill dug out his burner phone and plugged it into the extension cord Soos had strung into the room. He considered sneaking out his stolen journal to slide Mabel's crayon portrait in it, then elected to just hide it beneath the couch cushions. So that it would be within arm's reach, in case he ever needed it. For some reason.

And then Bill slept.

Or—tried to.

This stupid body needed it; he'd been up almost 22 hours, burning the psychological oil as he tried to pull together this scheme—and he'd had an hour or two of very vigorous exercise in the midst of all the scheming. By all rights, he should be out like a rock that vividly hallucinated 3-5 times a night.

But instead, he kept thrashing in his thin sheet, twisting and trying to get comfortable. He couldn't quiet his mind. Too restless. The thoughts he'd tried to drown in his subconscious had bobbed back to the surface. Hearing over and over in his head, there's a good person in you. A wonderful person. A wonderful person. A person worth risking a universe for.

Him.

Any time you want, you could choose to be the muse you've always pretended to be.

You already are that muse.

Dr. Stanford "Six-Fingers" Filbrick Pines had said that about him. The one and only Bill Mischief Cipher. Ford knew exactly who and what Bill was—and he'd said that about him.

He couldn't sleep. He could feel his heart fluttering in its cage. He could feel his lungs struggling to grasp at the thin air. He felt dizzy. His brain burned.

By the time Bill's mind finally quieted, he'd squirmed and clawed his way halfway across the orange couch. As his consciousness blinked out, he dully registered the scent in the cushion: the comforting scent of the Nightmare Realm. The smell of burning hair.

######

(Post-TBOB changes! Inserted one or two sentences saying the Anti-Cipherites originally used the Blind Eye's meeting places—I'd already decided the Blind Eye got the place due to a connection with the Northwests (and had already written a scene expanding on that), and Abigale Northwest née Blackwing is the only person with both the motivation and resources to build weird culty ritual chambers beneath the museum, so thanks TBOB.

Added some subtle Theraprism allusions to the wording of Bill's "you don't wanna save me, you wanna save some person you've imagined me to be" speech; he's always been indignant & defensive in this fic at the idea of people trying to "benevolently" "fix" him, TBOB just backs that up. Added a couple mentions of Bill's death scar. Since we were already talking about Bill & Mabel's slipshod school careers, I slipped in a light allusion to Bill's disdain for assigned reading.

Everything else is the same. One of the most common post-TBOB questions I've been asked is "are you gonna make it gay[er] in the wake of TBOB?" and my answer is always: no, I'm going to make it exactly as gay as I'd planned to since 2023, on the same schedule I've always had planned. This chapter very much included.)

[seahorsepencils]

I 100% believe that Nathan Fielder made a deliberate choice in focusing the episode around footage of him interacting with two autism "advocates" who are ultimately ableist and reductive in their understanding of autism. A congressman who doesn't even know what masking is, and an advocacy organization founder who uses outdated tests and won't acknowledge that not-autistic folks might benefit from rehearsing difficult social situations? That's not an accident.

If you look up Doreen Granpeesheh, you'll see that she is known for promoting the idea of autism "recovery," and that she has a history of publicly supporting the claim that there's a link between vaccines and autism. Her Wikipedia page makes very clear that she is a problematic figure whose work has been critiqued, and that she should not be taken seriously. Fielder, along with his writers and producers, would have known her reputation when booking her for the show.

A screenshot from Granpeesheh's website. Yes, it would appear she is actually proud of this headline.

And I think he's using the meeting with Cohen as a commentary on how autistic folks (and minoritized people in general, most likely) are treated by people in authority. Instead of masking and politely leaving the room, instead of picking up signals that Cohen is wrapping up the meeting without wanting to announce he's doing it on camera, Fielder purposely doesn't "take the hint" so that Cohen has to flounder and keep trying to wrap up the meeting in a way that is ultimately vague, dismissive, and rude. The longer the audience has to sit and watch that dynamic play out, the more likely we are to recognize Cohen as the bad guy in the situation rather than Fielder. It's brilliant.

And it's the exact same strategy he's using by spending the first half of the season ostensibly focusing on the first officer in those cockpit interactions, while deliberately giving screen time to guys like the "banned from every dating app" pilot to make it clear who is actually the source of the problem (and to hopefully trigger an FAA sexual harassment investigation in that one instance). In all three of these situations, he's showing us how a problematic person in power holds all the cards and is unwilling to budge.

I know there are differing opinions on what aspects of the show and his character are exaggerated or performed. As a very self-aware autistic comedy writer, this is my assessment: I think he's semi-deliberately not filling silences with masking behaviors, and asking questions he probably knows are uncomfortably direct, to create a space where others (often the neurotypical folks in these situations) have no choice to fill in the silence, which ultimately makes them say or do something relevant. I think he also acts like an unaware, unbiased observer in situations where he has a strong idea of what's going on. So whenever he says "I didn't know why" or "I didn't understand," he probably mostly does know and understand, but he knows that performing the role of an unbiased observer is a stronger strategic choice to get his message across.

He's basically playing the role of a journalist who knows that two of the most effective tools in his toolkit are a) silence when he wants a subject to reveal crucial information, and b) an "unbiased" narrative frame that makes the audience feel as if they're coming to a conclusion on their own, rather than being told what to think.

It's a nuanced approach but I think it's a smart one, especially considering that autistic-coded folks are very easily dismissed when speaking truth to power. And yeah, he's not gonna get his Congressional hearing. But pointing a camera at the problem and airing it for a massive audience, while saying "Me? I don't have an agenda; this data just presented itself in response to my neutral, unbiased question" is a pretty autistic—and often effective—approach to problem-solving.

[reasonsforhope]

"A 1-megawatt sand battery that can store up to 100 megawatt hours of thermal energy will be 10 times larger than a prototype already in use.

The new sand battery will eliminate the need for oil-based energy consumption for the entire town of town of Pornainen, Finland.

Sand gets charged with clean electricity and stored for use within a local grid.

Finland is doing sand batteries big. Polar Night Energy already showed off an early commercialized version of a sand battery in Kankaanpää in 2022, but a new sand battery 10 times that size is about to fully rid the town of Pornainen, Finland of its need for oil-based energy.

In cooperation with the local Finnish district heating company Loviisan Lämpö, Polar Night Energy will develop a 1-megawatt sand battery capable of storing up to 100 megawatt hours of thermal energy.

“With the sand battery,” Mikko Paajanen, CEO of Loviisan Lämpö, said in a statement, “we can significantly reduce energy produced by combustion and completely eliminate the use of oil.”

Polar Night Energy introduced the first commercial sand battery in 2022, with local energy utility Vatajankoski. “Its main purpose is to work as a high-power and high-capacity reservoir for excess wind and solar energy,” Markku Ylönen, Polar Nigh Energy’s co-founder and CTO, said in a statement at the time. “The energy is stored as heat, which can be used to heat homes, or to provide hot steam and high temperature process heat to industries that are often fossil-fuel dependent.” ...

Sand—a high-density, low-cost material that the construction industry discards [Note: 6/13/24: Turns out that's not true! See note at the bottom for more info.] —is a solid material that can heat to well above the boiling point of water and can store several times the amount of energy of a water tank. While sand doesn’t store electricity, it stores energy in the form of heat. To mine the heat, cool air blows through pipes, heating up as it passes through the unit. It can then be used to convert water into steam or heat water in an air-to-water heat exchanger. The heat can also be converted back to electricity, albeit with electricity losses, through the use of a turbine.

In Pornainen, Paajanen believes that—just by switching to a sand battery—the town can achieve a nearly 70 percent reduction in emissions from the district heating network and keep about 160 tons of carbon dioxide out of the atmosphere annually. In addition to eliminating the usage of oil, they expect to decrease woodchip combustion by about 60 percent.

The sand battery will arrive ready for use, about 42 feet tall and 49 feet wide. The new project’s thermal storage medium is largely comprised of soapstone, a byproduct of Tulikivi’s production of heat-retaining fireplaces. It should take about 13 months to get the new project online, but once it’s up and running, the Pornainen battery will provide thermal energy storage capacity capable of meeting almost one month of summer heat demand and one week of winter heat demand without recharging.

“We want to enable the growth of renewable energy,” Paajanen said. “The sand battery is designed to participate in all Fingrid’s reserve and balancing power markets. It helps to keep the electricity grid balanced as the share of wind and solar energy in the grid increases.”"

-via Popular Mechanics, March 13, 2024

--

Note: I've been keeping an eye on sand batteries for a while, and this is really exciting to see. We need alternatives to lithium batteries ASAP, due to the grave human rights abuses and environmental damage caused by lithium mining, and sand batteries look like a really good solution for grid-scale energy storage.

--

Note 6/13/24: Unfortunately, turns out there are substantial issues with sand batteries as well, due to sand scarcity. More details from a lovely asker here, sources on sand scarcity being a thing at the links: x, x, x, x, x

[its-not-a-pen]

i love the hilarious eunuch ranking system by @welcometothejianghu so i decided to make one based on (mostly) REAL historical chinese enunchs!

in chronological order:

Warring States Period long story short, the PM is sleeping with the Empress Dowager, and he wants to extracate himself before her son (future Emperor Qin Shi Huang) gets old enough to find out. the PM finds her a suitable replacement, and the replacement is attached to a guy named Lao Ai. They pluck his beard and pass him off as a eunuch so he can sneak into the palace. Bing bang boom everyone's happy. This goes terribly wrong later, since Lao Ai tries to replace the emperor with his own kids and stages a failed coup. rest in pieces buddy...

it's very likely that Lao Ai was a ficticious character invented by Sima Qian, who will be appearing on this list later.

Qin Dynasty

Zhao Gao helped the first emperor of China conquer an empire, and administer it efficiently with his legal knowledge, but he also made the second emperor into a puppet, and weakened the empire for his own political gain. Max points of complexity, but you'd get more loyalty out of a coffee club punch card.

Before launching his soft coup, he decided to test the waters by bring in a deer and gaslighted the emperor by calling it a horse. the officials who were loyal to him called it a horse, and he executed the rest.

Han Dynasty Jiru, male favourite of Emperor Gaozu (Liu Bang), the peasant scoundrel who became the founder of the Han Dynasty. look, if the emperor has a harem of hundreds of women and you manage to catch his attention, you max out in style points. simple as. for most of chinese history it was fairly common for high-ranking men, especially eunuchs, to wear make up like powder and rouge, but i decided to give Jiru some women's huadia as well, cause he's a baddie.

Jiru gets a bad rap for alledgely distracting the emperor from his duties, but lets be real, history is written by civil officials who have no shortage of professional jealousy and gender/sexuality related prejudice towards eunuchs, since they were the personal attendants of royalty and could exert a lot of influence. plus Liu Bang was already pissing in the hats of confucian scholars, most of the poor work ethic is on HIM. Jiru should get credit for making him marginally less of a troglodite.

all in all he didn't try any court intrigue so extra points for loyalty and complexity. free my man >:( he's just a Han dynasty Monica Lewinsky who got slutshamed by jealous coworkers >:(

Han Dynasty

meet the father of east asian history, sima qian. half the people on this list can owe their placement here thanks to his extremely though history books "records of the grand historian"

history at this time was mostly "creative writing" and sima qian attempted to give the practise more academic intergrety, he went out and personally interviewed people, tried to get primary sources, and got rid of most of the more fanstastical aspects. however, he was not without his biases and some texts can be seen as allegorical/veiled insults towards the Han Dynasty, especially towards Emperor Wu. unlike most of the people on this list, sima qian was from the gentry and castated later in life as a punishment for treason. he was implicated after trying to defend a friend, and could not pay the fine to commute his sentence. the gentlemen at the time were expected to die by suicide rather than live with such ignimony, but sima qian chose to live so he could finish writing the history book his father started. the "giant conspiracy" joke explained: the chinese word for penis is a homophone for "conspiracy".

[ad-hawkeye]

the take of "artem is so boring i don't get why people like him" always makes me laugh because like. .. wording aside, that's kinda the point! the appeal?!

he's introduced as this Serious and Cold suit wearing senior attorney of themis, which in most otome would indicate your typical Sexy and Smooth Daddy Dom. like. the first official art we see of him is him sweating and pulling his tie loose. upon global launch, advertisements for tot always included the first evo of his atmospherics ssr out of context.

but the twist is that he's just A Dude. he's respectful and gentle with rosa. he struggles to make friends because he's really socially awkward, takes his work seriously, and has a resting bitch face. he has a film review blog and likes to write fan scripts. his dad wasn't around much and rarely visits. despite appearances, he is deeply empathetic. he's surprisingly idealistic in regards to his work and the impact he wants to make on the city. he grew up not wanting to cause trouble for the adults in his life and as a result has great difficulty acknowledging what he's struggling with and expressing how he feels. he's easily flustered. he has been called out on his bullshit several times by rosa. his father figure is missing and he would do anything to save him. he is earnest in all he does. he is only friends with one person at work and that's celestine, the founder of the law firm and a family friend of his mother's. he's endearing!

despite the prestige and pedestals people place artem on, he is literally just A Dude and i think that's neat