#I don't have a reason for them to be animal people within the story. But maybe I want them to be animal people.

[gnosk]

Normally I'm all for extra subtext and hidden meanings in writing choices but I wish it was more acceptable to just write about animal people who are just animal people for the hell of it (specifically in the context of literary fiction). Like yeah this guy is a dog and his friend is an armadillo girl. Why? Furry reasons. The curtains are blue intentionally, but dog guy is a dog guy because dog people slap.

[beannoss]

Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:

Anya isn’t needed for Strix. Twilight decides to adopt her anyway.

[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]

Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.

So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?

On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.

But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)

He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.

Then there’s also this, from earlier in the chapter:

It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:

Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:

And what changes his mind is Anya asking to come home.

One of the important parts of this to me is this:

He seeks consent.

This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.

He’d decided to change Strix.

Anya asks him, in essence, not to.

So, he doesn't.

But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.

So, yeah, why? Maybe because of this —

In conjunction, I often think of this moment in the cruise arc:

Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?

Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:

Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?

I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)

Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).

But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.

Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!

And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.

In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?

But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.

Maybe Twilight should just keep Anya himself, eh?

[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]

[honoura]

Shaaloani: The Land of Enchantment Part One

Hello again! It's another lore-adjacent post from me about a niche special interest of mine. This time it's Shaaloani, the American Southwest/Northern Mexico inspired zone in FFXIV's Dawntrail.

I want to disclose a few things right at the start just to temper people's expectations: I will not be definitively ID'ing any of the indigenous-inspired structures or visuals as inspired by any specific tribe. That's not my lane! I'm going to link to things that they remind me of, for sure. But otherwise my hyperfocus is going to be on the physical environment, some animals, and the ceruleum as petroleum industry. It's what I recognize best! And what I know best, truthfully.

"Hon why are you doing this?" A variety of reasons honestly. After DT dropped I saw a lot of folks who did at least one of the following:

Commented on the Old West theme park aspect

Called it "miqo'te Texas"

Generally just called the whole map "Texas"

And if I'm honest... it bugged me! Not because I thought anyone was being malicious about it (it's mostly pop culture saturation I'd suspect), but to me it stung a bit that this zone, which I grew up on the fringe of, was... kind of flattened by a lot of people?

I don't know, the response to me just felt like people assumed they knew everything about it because they'd seen it already in movies or TV or Red Dead Redemption rather than the same open-mindedness about what was presented in places like Urqopacha.

This zone isn't just Texas -- yes there are some bits and pieces here (because it's pulling from the Chihuahuan Desert and the Sonoran Desert), but so much of it reminds me of New Mexico, Mexico, and Arizona. There's some Colorado, Utah, and Nevada there too! And the background story going on there is something that still happens in a lot of those states, by both the government and corporations alike.

That variety deserves to be celebrated! So come learn with me about the inspiration for Shaaloani!

Shaaloani Geography

Shaaloani has three major regions in the zone -- Eshceyaani Wilds, Pyariyoanaan Plain, and Yawtanane Grasslands. To get this out of the way, I'm going to tell you the one that reminds me most of Texas.

Ready?

Lake Taori of the Pyariyoanaan Plain.

It's river-fed, with canyons on both ends of the Niikwerepi. The trees crowding around it are cypress trees, as you can tell by the little nubby off-shoots called knees. To compare, here is a photo of cypress trees along the Frio River:

This is also reminiscent of places along the Rio Grande and Pecos Rivers, two significant water sources in West Texas. I also would not call them bayous! Bayous typically have brackish water, are slow-moving, and are way too far east.

However, it could be partly considered a ciénega -- which according to its wikipedia article:

"Ciénagas are usually associated with seeps or springs, found in canyon headwaters or along margins of streams. Ciénagas often occur because the geomorphology forces water to the surface, over large areas, not merely through a single pool or channel."

As a caveat, ciénegas generally don't have trees around them, but I also know that you can't really drown a cypress and they love sunshine. Regardless -- if you see trees in the desert they are typically growing along a water source. Balmorhea State Park has some cottonwood trees native to the area that are going strong.

Yawtanane Grasslands reads as a mix of the Chihuahuan Desert and the Eastern Plains of Colorado. Both are rather arid and home to a variety of grasses that can thrive in such a climate -- which has historically made both areas home to large cattle industries (whether or not this was ever a good idea is debatable, since cattle are very thirsty animals).

Meanwhile the Eshceyaani Wilds looks similar to the Sonoran Desert -- the red-hued soil and rocks, the abundance of cacti with the scrub brush and some drought-tolerant grasses. Here's a shot of the Sonoran within Saguaro National Park in Arizona:

Saguaros also only grow in Arizona in the States! As well as the organ-pipe cactus, which you see in Tender Valley. And prickly pears grow just about anywhere they can get a chance -- as well as barrel cacti, both of which we see in Tender Valley (along with what could be agave!).

You could probably make a case for it being a piñon-juniper scrubland -- everything's very short compared to those cypress trees, including the juniper trees! Piñon-juniper scrubland's found throughout the Southwest. There are also piñon-juniper savannahs and persistent woodlands intermixed in the same places. The difference lay in what plants you find with the piñon pines and junipers.

Visually, aside from the Sonoran Desert, I can also see a lot of New Mexico, like the Ghost Ranch in Rio Arriba:

It matches up with the mountains you can see, and both Yowekwa Canyon and Tender Valley. And of course, Tender Valley is likely a Grand Canyon reference, going by the sheer height of the cliffs. But you could also make a case for Canyonlands National Park in Utah.

There's a shot from Grand View Point Overlook within the park -- the closeness of the canyon walls and the warm earth tones also evoke Tender Valley!

There's also a lot of these sandstone formations in Utah that better fit Shaaloani -- like here in the Valley of the Gods:

Shaaloani Structures

I also at this point want to call attention to one of the two sites with cliff dwellings & adobe structures. We just saw Tender Valley above, which is confirmed to be old Yok Huy structures. But check out these Tonawawta buildings below.

As I stated before, I don't want to state which tribe these two styles remind me of. But I do want to say this again strikes me as another New Mexico and Arizona callback; both the Gila Cliff Dwellings and the Puye Cliff Dwellings are found in two different areas of New Mexico. And the Gíusewa Pueblo, also in New Mexico! Montezuma Castle is found in Arizona, and is pictured below! Look at that rich reddish earth color.

I also want to call attention to the place of worship for the Tonawawta in Yowekwa Canyon:

When I saw it my kneejerk response was to call it an ofrenda. But that's ultimately an incomplete response -- that was just the vibe I felt after seeing them during my life! What it also reminds me of are pictographs and petroglyphs. You find these all over the Southwest (the climate helps preserve them!), but I'm going to link some really great examples. I won't provide images to all though!

Crow Canyon Petroglyphs:

Piedras Madras Canyon at Petroglyph National Monument (New Mexico) Petroglyph Point Trail at Mesa Verde National Park (Colorado) Petroglyph Panel at Canyon Reef National Park (Utah) Nampaweap at Grand Canyon-Parashant National Monument (Arizona) Horseshoe Canyon at Canyonlands National Park (Utah) and the Hueco Tanks State Park (Texas)

In contrast, I don't want to spend a ton of time on the boom town structures in this zone; they are pretty straightforward references to mining towns during the different resource booms (gold, silver, copper, oil).

Similar blocky shapes, built out of wood. One thing I noticed as a neat addition are the decorative patterns painted on it -- again, I don't want to presume if there's a specific tribe tied to this. But I do think it's a neat touch and I want to think that's a design choice to convey the underlying theme that this is a zone at odds with advancing technology and wanting to keep hold of important traditions.

I WILL talk about the ceruleum wells and pumping though. Mostly because I'm impressed that they went with structures that so closely resemble early 20th century oil derricks. Those were also predominately made of wood (including the barrels, yikes!). The pump part of what's called a pumpjack were covered in the old days -- the ones we're most used to seeing now are made of metal and are thus left uncovered.

However, as you can see from this century old rig, even the wheel's made of wood:

I don't think ceruleum gushes the same way oil did -- it seems to behave more like natural gas. However, most natural gas pipelines do burn off excess, which can be seen as a little spout of flame atop.

Oil's occupied an awkward spot in the Southwest, and still does. Aside from the heinous crimes committed in Killers of the Flower Moon (where members of the Osage tribe were murdered for their oil shares in Oklahoma) and the Teapot Dome Scandal, oil is just... well.

Bear with me, I'm about to rag on Koana a moment.

The people who make the most money and have the most power over the average roughneck's life never live in the Southwest. They work in the c-suite and have more money than sense.

I find it very fascinating that DT chose to recreate this dynamic, this uncomfortable push-pull of a region rich in a resource, and it's being harvested at the suggestion and behest of a power that is physically removed from the area. And to some NPCs it's with a certain level of disregard to traditions and practices in place before, with the focus on the nebulous quantifier of 'progress'. Progress how? It depends!

But the folks at the highest seat of power never have to grapple with those questions, because to them it's a fairly cut and dry answer. This is the way to proceed, and if they want to take this nation into the "future", then this is the clear way to do it. It speaks to Koana's fixation on foreign technology to the point he de-values his own (partly due to his childhood trauma, which kind of prepped him to be susceptible to it).

Meanwhile the locals are the ones grappling the most with this change -- how it affects their plants and animals. Sometimes pits open up in the earth and ceruleum burns (which, Santa Rita New Mexico sank multiple times into the earth thanks to copper mining). On the map there's even discolored plants -- and they only occur in the vicinity OF the bulk of the ceruleum pumps.

This is at odds with core beliefs, keeping up with traditional practices. It puts people in the place of 'do I participate in this system, which promises work and the means to take care of my family, even as it pits me against my cultural heritage?'.

Growing up in West Texas, one of the weirdest things to me (to this day) is how many people will claim they love the land. They do! They love the outdoors, they worry over how certain species of animals have become scarcer. But they also work in the single most damaging industry because it pays the most money. It lets them cover bills and give their kids what they never had.

That same push-pull is in Shaaloani narratively; when progress has been thrust upon you, how do you survive it? How do you make sure what's dearest to you comes along with you?

In Conclusion

I want to call it here for Part One -- Part Two after this will cover more observations I had regarding flora and fauna in the Shaaloani zone, and how that also shows the attention to detail given this zone! It's a good time! There will be dinosaurs!

[ohnoitstbskyen]

So, considering what's going on with Riot right now, do you think Arcane Season 2 got caught up in all of this restructuring?

Yes and no. Arcane season 2 is part of the reason for the restructuring.

As I understand it, internally at Riot, after Arcane was a huge (and more importantly: prestigious!) success, the decision was made to basically hand the entirety of the game's lore and story over to the Entertainment division within Riot. These are the people in large part responsible for projects like Arcane, K/DA, Heartsteel, that animated series China got, all that sort of thing.

The writers at Riot were basically told to flat out stop producing new content and lore for the game - that's why there's BEEN no new story content for League for over a year - because everything was going to be consolidated under the Entertainment division from now on. This is why Riot started talking about "One Runeterra" and "Arcane is going to be canon" and so on.

The success of Arcane convinced executives that what League of Legends needs is a singular cohesive brand with its most successful public property leading the charge, Arcane is going to be the gateway drug, the hook on the end of the line that brings new players and new paying customers into the exciting world of the League of Legends multimedia IP universe!

Nevermind that Arcane's story and worldbuilding is fundamentally incompatible with >checks notes< the overwhelming majority of Runeterra as it exists and enormous compromises would have to be made to either the world of Runeterra or Arcane itself to make it work. Arcane is the big shiny prestigious mainstream Emmy-award winning project that every executive wants to put their name next to, and like companies Pivoting To Video in 2015 because Facebook showed them inflated viewership stats, Riot Games is Pivoting To Arcane. It's better than them pivoting to crypto and NFTs, at least, although I know for a fact that high ranking people at Riot tried to make that happen too.

Now, the primary cause for all of these games industry layoffs is that interest rates aren't zero anymore. Borrowing money isn't free, the curve of constant growth has ever so slightly slowed, taking on debt is becoming a little tiny bit more risky than it was previously, and corporations are responding to this with massive rounds of layoffs and constriction to show "financial responsibility" and prove to shareholders that they are prioritizing core growth strategies and blah blah blah etc. They're also trying to kneecap the growing labor movement in the games industry and exert downwards pressure on wages, but the interest rates seem to have been the main thing.

In Riot's particular case, a secondary reason is they want to pivot the focus of the company to support their One Runeterra pipe dream, so a lot of the people who got fired at Riot are writers, artists, creative leads and sometimes extremely senior and successful staff who are now surplus to requirements. This is also why Riot shut down Riot Forge in the same round of layoffs - can't have a bunch of talented indie devs going off making video games that don't adhere to the new One Runeterra policy. What if someone played Mageseeker and got confused how there can be mages all over Demacia but somehow there are no mages in Arcane's Piltover and Zaun. That's a plot hole! People write snarky articles about that sort of thing. It turns off new consumers! What if Cinema Sins makes a video making fun of it?!?

So yeah. A bunch of cocaine-addled fame hungry executive vultures at Riot are absolutely gagging on their own d*cks to put their name next to Arcane related projects, and since they were going to be screwing hundreds of people out of their careers, healthcare, and in some cases their fucking visa status anyway, it seems to have presented a nice opportunity to clear the board for their latest Visionary Scheme for the company IP.

That is as I understand the situation, anyway. I'm a bitter old man and most of what I hear is second hand and anonymous gossip through my social networks, take what I say with a grain of salt, but I've followed this company for (oh god) twelve years now and I have developed a tragically keen understanding of how its executive class operates.

[biscuitdragonwithastick]

Wolf in Sheeps Clothing, Another idea

While writing, it's common to come up with multiple ideas centered around one idea. For this prompt, there was quite a few I was considering:

CW: Monsterfucking, noncon, eggpreg, broodmare fetish, pregnancy kink

What if the monster was well known on the farm. You're the rookie out grazing with the sheep when your pushed down and fucked full of eggs. Your fellow farm hands drag you back to the farmhouse and explain that what this monster is. It protects the sheep and cattle and even the farmers. There isn't just one on the farm, probably dozens, but they're all complete replicas of their mimicked animal. You can't tell which one is which and at this point there's no real reason to try and discern the creatures. You're not allowed to kill them and, honestly, the only reason why they haven't tried to kill everyone here is that you're all useful for taking their brood. What does it matter that a few livestock goes missing overnight and a farmhand is left pregnant for the next few months when you some useful monsters at your side more than happy to keep the herd safe.

Or maybe the monster just leaves you there. Hole unplugged. The eggs don't settle within you and quickly try to evacuate the way they came. It takes fifteen minutes of pushing for a pile of eggs to brush between your thighs. That's when your finally able to sit up and get into a more natural position on all fours, letting gravity do all the work. You hate how pleasurable it is to birth these eggs, but you can't get pregnant with them. You'd hate to what birthing them months from now would be like. It takes an hour of groaning and painful spasming orgasms to finally feel like you've gotten rid of them all. You even stuff a hand inside to see if you can force any out manually. You're thankful when you finally get back home to owrest. Terrified of going back to tend to your flock, but shits still got to get done around here. And, as the months dredge on and try to forget what happened, you start to notice that knowing bulge of your stomach growing bigger.

I always love the stories of people being strapped to the underbellies of centaurs and being fucked with every step. It went in a way different direction than the prompt, but imagine if it hadn't left you there. Instead you were assimilated into its body. You hadn't seen the eggs against its facade, no one would be able to see you, stuffed full of tentacles at both ends and gravid with eggs. The other farmhands you worked with would wonder what happened to you, its just like you vanished into thin air. If only they knew you were being fucked among the herd grazing out in field unnoticed. The only time you weren't stuffed is when you were finally allowed to birth the eggs. They quickly grew into their own adult "sheep" and kidnapped their own broodmares to be bred. How many would have to disappear before an investigation occurred? Or maybe you were sacrificed to this creature on purpose.

[victoriadallonfan]

Having re-watched Alien (1979) and Aliens (1985), I think I've realized what went wrong with the further expanded film universe on a thematic level (this is not accounting for AVP films, which seem to exist within their own continuity atm).

The main issue is that these films made 2 intertwining mistakes:

Making the Xenomorph too animalistic

Removing the mystery of space

For the first part, Alien and Aliens are quite vague about the Xenomorph mind. Alien treats it almost like a serial killer at times, including a particularly interesting moment where it disregards Jones the Cat entirely, despite making a very easy target, and how it will sometimes meander up to the crew as if it knows it's inflicting terror upon them. This Xenomorph even seems to only flee when Parker goes to kill it with a knife and hides within the evac shuttle when it realizes that Ripley was going there as well.

Aliens forgoes this in favor of showing how terrifying their numbers are even in the face of superior (if greatly mislead) fire power, but then pulls the rug under our protagonists by (seemingly) cutting the power and testing the endurance of the auto-turrets. While the drones are not individually as intelligent as the original xenomorph from the first film, this is instead given to the Queen, who understands not only the danger Ripley poses to her Hive but hostage negotiations of the most blunt variety. And, of course, incredible spite and vengeance when Ripley burns her eggs.

Basically, the two films do a good job of making you wonder... how sapient and sentient are the Xenomorphs? Do we take Ash's word and think of them as simply Hostile Weapons or do we see them for the adaptable and complex - if instinct guided - parasites just trying to protect their hive? This is further food for thought when we learn that one of the cut endings would have had the Xenomorph kill Ripley, tentatively use the shuttles control panel, and speak into the intercom with Dallas voice (ala Predator).

Imo, that goes too far into making them human, but we'll circle back to that later. The point is that the Xenomorph is never clearly one thing or another, but rather, something that constantly foils our attempts to understand them completely.

Aliens 3, Alien: Resurrection, Prometheus, and Alien: Covenant fail in that regard, because they take the firm stance that the Xenomorph is... an animal. A very, very, dangerous and hostile animal but an animal nonetheless. It's not some vague horror that we struggle to comprehend and reason with, because all the facts (as they are for now) are laid out: the Xenomorphs are weaponized animals that just kill, reproduce, and kill etc etc.

Nothing is entirely new about the Xenomorphs in these movies (beyond the forms and one part of Covenant, but we'll circle back to that as well), but rather trying to recapture the formula of Alien and Aliens. And even when the film isn't necessarily about the Xenomorphs like Prometheus, it still goes out of its way to copy the play by play of Alien to an almost hilarious degree (except, somehow, having a cast entirely of stupid scientists).

The Xenomorph is used as a toll for the films to talk more about the human threats who would use them, which is fine, except the same message of "Weyland-Yutani wants Xenomorphs, They Failed" over and over again (except I guess for Alien: Resurrection, but that had Walmart as a plot point so...) gets tedious. It's not longer about the folley of mankind, but rather this one company led by a man (or Android?) who keeps fucking up.

Ditto goes for the second part: removing the mystery from space. Alien and Aliens treat the Space Jockey and other (non-Xenomorph) alien life at an arms distance. They are large, grand, ominous, and vaguely defined. We don't know much about WY in either movie, nor how much is them knowing versus independent people within the company (Burke mentions cutting out his own bosses for profit for example, and Bishop the company Android is heroic and horrified at the situation they are all in, a big difference to Ash). The Xenomorphs having a Queen was a huge reveal, because we literally had no idea until then if those were actual eggs or simply pods artificially created.

Aliens 3 tries to add some mystery with the prison colony, but it's also hamfisted and given a lot of exposition to explain the situation they are in, but I will give it kudos for making Weyland (???) look like Bishop as a twist. Aliens: Resurrection... yeah, no.

Prometheus and Alien Covenant gave us a plethora of seeming mysteries, but also gives us really super simple answers. Basically, Space Jockeys are just super humans seeding life across the planets and they wanted to bomb Earth into oblivion because we killed Jesus Christ (who was a Space Jockey). And one of our androids then - possibly - goes to their home planet and bombs them to oblivion thus wiping out the human race. And they made Xenomorphs yadda yadda.

Prometheus in particular seems to despise the idea of space being a mystery, with the conversation David has with a scientist being plainly spelled out as the theme of the film: "Sometimes, humans/space jockeys just build shit, and it goes wrong I guess. No gods or mysteries here, just hubris."

Which, if handled well, is still a fascinating idea (I think it's a pretty interesting 'take-that' against the stupidity of Ancient Alien Conspiracy Theorists)... but it's not handled well. At all. And certainly doesn't work well when trying to write Xeno-Horror.

So, what COULD work?

Well, I think we need to look at how Alien and Aliens made the Xenomorphs, Space Jockey's, and Space itself all work.

For the xenomorphs, I think back to one scene I actually thought was interesting in Alien: Covenant; as a chestburster is born from a hapless scientist, it lays its eyes (???) on David and replicates his movements, mimicking the first living thing it witnesses. Nothing is ever done with this (of course), but think about the potential that could be used! Plenty of animals like crows, ravens, dolphins, octopi, killer whales etc etc can use mimicry in voices and actions, and that includes things like tool-use! And of course, the fact that they take on new forms from hosts helps with that.

For the Space Jockey's: scrap them. They had their time, the mystery is basically solved. Show us new and different alien civilizations long past. Were they also victims of the Xenomorphs? From some other threat entirely? Surely, there are extraterrestrial predators out there that don't follow the Xenomorph formula. Why not have them share the splotlight, with just as little explanation?

For space itself: stop with trying to recapture Alien and Aliens. Alien: Isolation is the only successor specifically because of the format of the medium. Alien and Aliens rely heavily on the shock factor of sudden reveals. Remove that, and you are given "bug hunt" games and movies ala discount Starship Trooper. Focus more on making human space feel almost alien and beyond our understanding as well, but just enough that we can recognize the purpose that we would have them for our society.

How I would write an Alien Story:

(This would all be backstory and setup for the actual story)

I would set it within a colony satellite with an explicit task: a skyscraper ecological time-capsule for deep space experimentation of wildlife.

It would have levels, with humans situated at the second uppermost and an AI as the manager at the top level of the satellite, with all the other animals in different levels fit for their habitats (including some non-earth, non-xenomorph aliens). It's a religious sponsored and run organization, offshoots of [Insert Church Here] that is trying to get good press with cutting edge AI and biological research.

The prize is an alien lifeform that looks like a cross between a crocodile and a panther. Usually docile when fed, it has been growing more and more agitated, harming several workers on the job. Most assume it may be some late-stage degenerative disease within it's brain.

Not all things are as it seems, as at the bottom of the station, a location no one but a select few faithful engineers are sent to maintain, a pod is damaged. A young attendant watches in shock and horror as a bloody and maimed chest burster crawls out of the pod, possibly having injured itself to burn through the lock. The creature is mewling in pain, but the young attendant makes a choice: leaving food, water, and blanket for the creature. Watching as the creature watches them, before going to feast. All under the gaze of a camera.

The xenomorph grows and grows, eating more, getting bolder and allowing its "caretaker" to feel more comfortable. Soon it begins to recognize certain sounds as they pray when he feasts, and association occurs. One day, its hiss sounds suspiciously like "Lord".

This is when the young attendant reaches out to higher, but trusted, priests to share this miraculous revelation. The first one is shocked, terrified, but intrigued as the creature mimics words like "Lord" and "Mighty". Barely audible, some would say hallucinatory, but they believe they can here this humanoid creature speak their language.

The second is equally shocked, terrified, but listens and becomes a believer.

The third one does not believe. Rightfully horrified and full of questions. Their arguments in front of the beast escalate into violence and when the young attendant shoves the priest to the ground, it is the Xenomorph that pounces. Blood is shed. the creature rises in front of it's faithful, and the Xenomorph uses the same sounds it heard over the fight. Lord. Mighty. Here-tik.

They can't be delusional or driven by guilt! This is a sign... right? This creature is speaking to them!

The faith grows. Never large. Can't risk word getting out or people noticing too many missing priests. The satellite is just barely large enough that people can excuse going missing for a few days between objectives.

But key individuals are brought in. The creature is worshiped. Animal offerings are delivered. It's changing, slowly. Growing larger (not a Xenomorph Queen, it's too maimed, but adapting to a steady diet).

Things might have escalated, had one of the priests killed not had an estranged sibling/spouse/loved one who had the pull to make a formal investigatory complaint.

The investigator arrives with his repertoire, this supposed garden of eden in deep space, none the wiser to what he would uncover. (Again, this would be the backstory, not revealed except through character investigations and evidence found during that. Defeats the purpose if it's spelled out like this).

It would play with the idea of how sapient/sentient the Xenomorphs are (do they care? do they understand? if not, why act like this? if yes, what does this mean for their continued slaughter), how much one puts into faith versus delusions, and leaves lingering questions: who put the xenomorph on the ship, why is the AI so complicit with the deaths and disappearances, and why is the one non-xenomorph alien acting so dangerously agitated despite being far away from the xenomorph's quarters?

[birder-of-remnant]

A Story Done Right

Kill Bill, The Princess Bride, Blue-Eyed Samurai, Wrath of Khan. Our media is saturated with revenge stories. Even children's tales often have revenge as a sweeping premise (e.g., the countless Star Wars villains as a modern example, but older tales such as Cinderella were even more rife with vindictive messages). And to be honest, I have never cared for this plot type.

Revenge stories are usually violent, merciless, myopic, and pretty disregarding of 'collateral' losses. Not all, but most lack any type of interesting moral symbology and substitute dynamic storylines and complex character development in lieu of exciting action scenes and a prosaic fixation on bloodshed. There are certainly exceptions to this, many of the titles I listed above actually have a lot of great things going for them. But I would say that these qualities are in spite of their focus on revenge and not because of it.

And there are an endless number of animes, movies, books, and other stories based on revenge that simply do not appeal to me (not judging other people if they like violent action media, just not my personal taste). Most of the time, I am just left feeling empty at the end, like Neo after volume 9.

But there is one exception to this theme. One revenge story that leaves me feeling whole, not empty. From the banner image, I think it is pretty obvious which story it is. This is my own highly subjective opinion, but I truly believe that the fight with Adam represents the perfect revenge story. And here is my reasoning.

Revenge is Not The Hero's Purpose

In too many stories, the premise begins with douchebag 'X' killing damsel 'Y', leading to hero 'Z' killing a lot of henchmen and blowing up a lot of buildings all for the singular purpose of making Mr. X pay. Once they achieve this purpose, they look around aimlessly before wandering off to have a milkshake or play golf or something. Yeah well, this story does not do this. Killing Adam was never the objective for Blake and Yang, because they have actual goals that involve saving people and not just executing some vendetta.

Don't get me wrong. I love redemption stories, I find them so much more satisfying, especially when the character in question has to struggle to overcome the gravity of what they have done (note: a redemption arc does not mean instant forgiveness, it might never end with actual for absolution for what they have done). I love Emerald's story and think it has a lot of interesting twists that it can take. But there are some characters who are just too far gone to save. And Adam fits that perfectly.

He has a tragic backstory and I truly pity him. But he is also an abusive, murdering shitlord who manipulated and groomed Blake (I wouldn't be surprised if he physically or sexually abused her, which is somewhat implied by her frequently defensive body posture, but is not definite). He kills out of spite and represents Yang's demon, who she could have become. It was cathartic to watch him fall, but I am ever so grateful that his demise was not the purpose of Blake and Yang. Because killing him out of spite for what he did to them would not be much different than the way he lashed out at others for the traumas that he has endured. Some might call it justice, but justice and revenge are two sides of the same coin and the edges between them can be blurry.

The point is, Yang and Blake are so much more than Adam. They killed him out of necessity, not out of hate.

They Are Set on the Future

As I mentioned, I often feel empty at the end of a revenge story. When the villain lies dead within a pool of their own blood and the hero has achieved everything they sought to accomplish, what more is there really? Often, I feel like the story has reached its ending without really achieving anything of note. Often, without really making the world a better place. A plot about revenge is not the same as one about taking someone down to save other people. The former is what Adam wanted and it would have made the world a worse place. But Yang and Blake are protectors. The fight was exhilarating and satisfying, but it ultimately humanized these characters whereas most revenge stories do the opposite, treating human life as cheap entertainment to be killed in the most 'epic' way possible.

But more important, the fight left me feeling excited about the future, rather than feeling burn out from seeing the villain die. Adam was fixated on the past. He was a character of the past. He represented Blake and Yang's trauma, their old demons and fears. He had no further place in their character arcs, because they had evolved into something so much more. Killing Adam was not the end of their story as it is in so many revenge plots. It was simply a new beginning. It felt whole and wholesome. Past, present, and future.

Because it is the People Who Matter

Ultimately, the fight was never about killing Adam. It was about bringing Yang and Blake together. About having them overcome the demons of their past. About the importance of mental health. About their individual traumas (abandonment issues & PTSD for Yang and Blake's fear of hurting others). About the challenges that LGBTQ+ people face in finding security in a hostile world. It was about these two, fucking amazing characters and the ineffably wondrous relationship that forms between them. One based on actual fucking support, equality, and love.

That is all I have on this right now. Hopefully, I did not offend too many people by criticizing typical revenge stories. But I have been wanting to talk about my love and appreciation of this scene for years. I know there have been so many more people who have discussed these same themes and points before, probably more adroitly than my rambling mess, but this is my rambling mess. Thanks for reading!

Random side trivia 1: Mandy Patinkin, the actor who played Inigo Montoya in The Princess Bride, is famous for his iconic line, "Hello. My name is Inigo Montoya. You killed my father. Prepare to die." Mandy felt that the scene was symbolic of feelings towards the illness that took his father. But regarding revenge against people, he actually dislikes his iconic line and how it idolizes revenge.

Random side trivia 2: I love Jeff & Casey William songs and I just love BMBLY (except or that creepy line about the birds and butterflies knowing, wtf). But as an ecologist, I should note that bumblebees do not make honey. Jeff was thinking of European honey bees. Bumblees are cute, fuzzy, chunky super pollinators that live in the ground, in hollow plant stems, or other obscure spots and are either solitary or have very small hives. They virtually never bother people and are super pollinators, actually much better pollinators than honeybees (which are super awesome cool in their own right, but also highly invasive in the western hemisphere and hurt our native pollinators D: And yes, I cherry-picked the ugliest picture of one that I could find). Many bumblebees are endangered, just like our beloved Bumblebees. Save the bees! AND THE BEES!

[blackbackedjackal]

You know I've been feeling a little anxious bc Captain's werewolf form and June's shadowy version of her werewolf form look a lot a like and I always hope no one accuses either of us of design theft like it happened to me with one of my old characters, though I made his werewolf form in like 2020. June is cool as hell (if not cooler) I wouldn't want someone to be a jerk about it. Maybe I should draw them together shaking hands as a preventive measure lol

Heya! I hope this is ok to post but please don't worry about it! June's design is based off of other (mostly animated) werewolf designs I liked, but was given meaning through her story and the reason as to /why/ her form looks a certain way.

It's not that she's just shadowy, it's an intentional visual representation of black trauma. There's are cultural and social stigmas of Black people being systematically denied access to mental health resources or being told that they're just "lazy" or "crazy" or "faking it". June's form is altered by her mental/emotional state, it's what she /believes/ she is due to her past trauma and her story is, in part, learning deal with her trauma in a healthy way.

June's form is also based on the lesser known theories that The Beast of Gévaudan (which June is related to via her lycan lineage) was either a product of mass hysteria from the high number of wolf attacks in the region or was potentially a serial killer. The way the beast is often described (black fur, red lips, white/yellowed eyes and teeth) is similar to racist depictions of Black people in the past. I used this as a basis for designing her form. It's the intention and her story that's important, followed by visuals that are found within the werewolf genre and outside of it.

I'm a little too tired to go more in-depth but I'll leave this quote from the Jim Crow museum:

The mission of the Jim Crow Museum is straightforward: use items of intolerance to teach tolerance. We examine the historical patterns of race relations and the origins and consequences of racist depictions. The aim is to engage visitors in open and honest dialogues about this country's racial history...The Jim Crow Museum is founded on the belief that open, honest, even painful discussions about race are necessary to avoid yesterday's mistakes.

June's story is about racism. It's about intolerance towards black queer folk. It's about how Black people (especially black women) have to suffer under a system that denies them mental health resources, resulting in many Black people turning to unhealthy coping mechanisms. Her design was me intentionally marrying old werewolf motifs with a different perspective on the werewolf genre (since even today is it still mostly a white space). There's a stark difference to me when someone comes up with a similar design independently vs when someone is actively lifting direct inspiration from my work and twisting the meaning in the process.

[bakuhatsufallinlove]

since the general fanbase seems to find calebs translations questionable, is there any translators you'd recommend instead? (if you answered this before i couldnt find it, so sorry if its an FAQ)

The general fanbase does not speak Japanese, so first I would recommend you not take their opinion into account.

I am not trying to be combative, I’m serious. About 85% of the hatred for the official translator stems from things that have absolutely nothing to do with the quality of his work. 10% of the hatred claims to be about the quality of his work, but comes from people who do not actually speak Japanese and therefore have no place judging it. Only 5% of the negativity I've seen has any real merit as translation criticism.

For the record, I’m not going to address the source of that 85%, because the quality of a person’s character is objectively irrelevant to assessing whether their translations are accurate or effective. What you or I think about the official translator is of no importance. Shitty people can be good at their job. That’s just a fact.

The official translations are overall accurate, effective, and of high quality. Viz obviously has in-house standards for tone and aesthetic in translation; they have an existing “shonen” branding adapted for American audiences. It is about marketing. This is evident in all of their published works. Some people find the tone and aesthetic off-putting—this is totally understandable, I’m not particularly a fan myself.

Generally, the worst you tend to get with the official translations is somewhat weird or exaggerated characterizations and the occasional missed thematic callback. The worst you get with the fan translations that are popular is them being factually wrong at times—as in, their translator simply did not know the meaning of the words they tried to translate. It's not that mistakes never happen in the official, but the Viz translator is fluent in Japanese and translates as his full-time occupation. He works with Japanese fluidly and constantly. He knows what he’s doing. When fan translators falter, it is usually because they are clearly not fluent, and this is something they do out of passion or for fun in their free time.

I typically avoid criticizing the fan translations for this reason, despite their issues. I myself translate out of love and enjoyment; I don't want to harsh on anyone's good time or discourage fan activity. I bring this up only because many people put the fan translations on a pedestal while promoting scorn and distrust of the officials.

But you asked me for recommendations.

So, I will tell you what I would do if I were in your shoes: if I loved a series that was written in Spanish, I would read the official English translation. If someone told me some important things are glossed over in the official release, I would surely look into those—but only take the perspectives of Spanish speakers into account, because how are English speakers supposed to know what’s what? I would compare those perspectives (because there is no way everyone will have the same opinion) and see if there are any other translations, while looking to understand what the rationale is for the differences therein.

And then I would come to my own conclusions about the characters and the story, because in the end our relationship to media is personal. What the story means to me and what I think the creator was trying to do is fundamentally up to me to decide.

I grew up in the era of bootleg anime and manga with nigh-incomprehensible translations and official releases with butchered, thoughtless dubbing, released seven years after the series already ended. By comparison, what we have today—cheap or even free releases available simultaneously or within two weeks of the Japanese release—is fucking magnificent. It is the result of many people working incredibly hard all the time. I don't think we should take that for granted.

No translation will ever be perfect. Human beings are not perfect, we all have biases and our own interpretations and reactions to media. Our relationships to stories are personal. This includes translators.

I disagree with the official translator on a few things, particularly in regards to characterization. But I don’t think that ruins the official release, and I don’t think anyone should shun or scorn it on the whole. We should engage curiously and thoughtfully about why it is the way it is, and what else can be gleaned from the original text.

Having said all that, you actually inspired me to do a little series examining the wins and losses of the official release, so please look forward to that.

[bitterrobin]

I see a lot of confusion on why calling Damian Wayne "feral" is racist/problematic, so here's a rundown.

There's a difference between calling your child or your younger sibling "feral" and calling a character like Damian "feral." You know your child/sibling/niece/nephew etc. They're real people, and unless they have a problem with it personally, then there's nothing wrong with calling them feral as a joke. It doesn't (shouldn't) affect their perceptions by other people. It doesn't become a label that follows them.

Damian al Ghul-Wayne is a fictional character. A canonically mixed Arab/Chinese/Jewish White character with a history connected to some of the most prominent Arab comic book characters, who themselves also get insanely mischaracterized.

He's constantly whitewashed. He's been written with racist undertones (the suicide bomber vest). He's had his character development and progress backtracked time and time again by DC. DC treats him weirdly most days and completely shitty in the worst stories.

A good majority of fanon hasn't done any better than DC. You cannot pat yourselves on the back for being more inclusive or mental health aware than DC when you call a mixed Arab/Chinese boy "feral". It's constant. You can come up with various titles and nuances for every Bat-character, for every Robin.

Tim can be smart, a skater, a genius, the one holding everyone together, the little brother, the one who needs love. Jason can be cool, morally "right" or "wrong", unstable, PTSD-stricken, the one who was betrayed, the one with Shakespearean tragedies. Dick can be fun, happy, the first one, the prodigal son, the one with complicated history and the big brother.

You give them room for exploration. Love and care and attention and research. Many headcanons. You either comply with canon or you don't, but there's substance to their character.

What does Damian get? He's feral. He's rabid. He's a gremlin. He can't be reasoned with. He has no self-control, he's impulsive. He's hurt others, and you can't forgive it. Sometimes he's homophobic. Or classist. Or plain mean and rude to your favorite boy. He's always carrying a sword. A psychopath with no regard for another's well-being (usually Tim in a lot of fics). He can't be taught what's right.

I've seen people cry that Damian needs to punished or kicked out or treated the same way he's treated others. He needs to be brutalized or talked down to. He can never grow as a person, because he's mean to Tim or Jason, and you need him to exist as the abuser. His first move is always violent.

Fanon compares him to an animal often; he bites, claws, hisses, growls. Bruce or Dick or Jason or Tim have to wrangle him, tame him, civilize him the white man's way in lieu of his brown mother and grandfather who "clearly" raised him wrong. You don't see the issue with that? The issue with always labeling one of the few major brown characters in Batman comics as the unreasonable animal? That the child of color is always the abuser, the instigator, to older characters?

And even if you don't see him this way, you don't write him this way - then are you giving him the care and attention you give for other Bat characters?

Do you know anything else about him other than his "anger"? Because he isn't always angry. In fact, he's typically well-mannered. Quiet even, when he's not being provoked. DC's writing will always vary but whenever Damian lashes out, he's usually written with a reason to act the way he does.

Are you making him intelligent like he should be? A hard believer in redemption? A neglected and abused child who isn't meek or crying or closes himself within? Are you willing to explore that he's always exhibited the "wrong" kind of trauma responses - lashing out, being snippy, ruining relationships, refusing to admit weakness?

Do you write anything about him without making his mother and grandfather comically abusive and violent? Will you give him the supporting cast/friends he actually has? Can you write his dad/siblings interacting with him without making them white saviors or therapy pets? Can you write him without a ship or his love for animals or being vegetarian overshadowing everything?

Is he a character to you at all other than a glorified plot device with a sharp tongue and the convenience of being violent?

[fanatical4creation]

INVERTED!Poppy!!!

Finally made her up, I was just putting it off and putting off designing her but then I took my pen, my new laptop and drew it, now look at her!!!

Alright let's start shall we?

Design:

"OMG FANATICAL WHY DOES POPPY LOOKS LIKE A FRISK-" Shhhhh, you need to calm down, i'll explain everything;

Alright, bare with me: The original Poppy mentions in an animation, that she's talking to her therapist, that people usually thinks she's a Chara, but she's none! And I think, I theorize, I suppose that the reason why she looks like a Chara is bc an Frisk was drawing her (you know her lore?), so supposing that the whole concept of Invertedverse is that the original universe Underswap, that Frisk who drew her is an Chara, so if the Frisk drew a Chara in the original, here the Frisk that is now a Chara would draw a Frisk....... so, that's the logic here.;

Even though Poppy is still not a Frisk nor a Chara, but I don't think I translated that into her design, maybe I'll redo it sometime.

Her clothings are intriguing. It's her original teenage/adult clothings but with some green and a purple cloak or cape, whatever that is. This cloak represents her importance inside OmegaTimeline, that reminds me;

View from back Ω:

Made it with wind because it's cool, plus, her silhouette is cool too

Story:

Core was the "ruler" of Omega Timeline, everyone would look for them when there was a problem and needed help, everybody trusted them, but they put Poppy on their place... Core is a very mischievous character, no one really knows why they put Poppy in charge.

Omega citizens theorize that the reason is because Core was lazy, or that they didn't like the attention, or maybe they wanted to focus fully on recruting people, even thought after Poppy got in charge Core was rarely seen interacting with people and also the numbers of new survivors to get to the OT decreased.

Poppy tries her best to help remain peace within Omega Timeline, even if it requires all of her energies, thought she could really use some help, she thinks that the reason why her parent is more absent while she was in charge was because they knew she could everything alone, and that she should do it.

She doesn't have many friends, and the old ones got far away because she's too busy working signing papers, solving problems, financing projects, etc, etc.

Character:

She suffers. That's the truth, she just needs a vacation and a hug from her girlfriend.

She doesn't like parties... just thought it was important to mention.

Poppy doesn't like her parent, almost hates them even, they seem so irresponsible, imature and a coward, after just letting their daughter in charge of a (practically) country in surprise, it's expected for her to feel that way

Poppy has to be the clueless character in the whole Invertedverse, the reason is that she's so busy at work, or too busy being tired, and she usually gets information on what's going on from Core, but Core have been very silent lately, wonder why...

She has the hobby of playing board games, dancing and origamis!

She likes to cook more for others than herself

Sometimes she would visit the Madame T's orphanage, mainly to see Cadence and her friends, but also to donate and all of that things famous ppl do in orphanages idk.

Even thought she does a lot of hard work sometimes she'd take credit over someone elses work unintentionally, i mean, she's kind of the president.

She can't lie, like literally, maybe it's just her morals, or maybe it's a supernatural force idk.

She also keeps taping her fingers in hard surfaces all the time, I think it's anxiety.

Oh yeah, her full name is still Poppy Marusina, but she can also be called Iris Marusina, or maybe I'll change that to her original name, idk

Poppy (c) fmsdraws

[thesarcasticreader]

PAC: THINGS TO KNOW ABOUT YOUR FUTURE SPOUSE

These are general readings meant for entertainment purposes. You can partake in advice, but do not let it cloud your decision-making.

I do take paid readings. You can contact me for them. Make sure you have either Paypal or Gpay! DM for the price list!

(IMAGES ARE TAKEN FROM PINTEREST)

Pile 1:

Your person is very emotional or has a tendency to put family above all. It would piss you off sometimes that they give too much of themselves to others who don't deserve it but you admire this trait of theirs as well.

They are very good at keeping secrets and hiding their feelings. This is a result of being lied to very often. This trait will drive you nuts too but when you get into a relationship. People can grow and learn. Do not keep unrealistic expectations from relationships but if someone doesn't show signs of change. Talk to them and resolve the issues.

Your person is someone who will change a lot in their lifetime. They are capable of learning and growing. 

This person loves cats a lot.

This person indulges in luxury quite a bit but stays within their means.

I am not seeing something about finances but this person is well-off. Not obnoxiously rich. But lives in a town with a cute two-story house that they own and have a shop where people from the town make purchases from. Very well off and can afford the best things.

Both of you are going to be from a well-off family. Affording Chanel is not all that there is in life. But I guess it helps 🥰🤣

You two are very likely to start a business together. You will end up leaving the place where you start at.

Say you live in a Town right now, you are likely to move to a bigger city to start your business with this person. For some of you, the business could revolve around event management or something to do with weddings and making wigs.

Looks like they could kill. Is a cinnamon roll.

Pile 2:

Your person was the heartbreaker of their time. This person had a bad childhood and they do not like talking about it.

Even though they say that it doesn’t bother them, it does.

They could even be in therapy for this too. And it is vital that their trust never be violated. This person needs a very emotionally stable person who is confident in them.

Your person could be argumentative too. It is one of the past influences that affected them badly. However, if they are made aware of the same. They will notice the pattern and actively try to change it.

This person is very lovely in a relationship. Their love will be displayed in their actions. It’s not always the big thing. The little ones like making sure your coffee is not too hot, shielding you from hitting your head in a corner, keeping you away from the roadside while you two are walking etc.

They are absolutely focused on you and they will do everything possible to make your life easier. 

This person is very supportive and will persuade you to go after your dreams. This person is literally soulmate material. Even if their past has been jaded, they stand strong.

For this pile, I am seeing appearance more clearly. Stoic and strong build for men. Dark hair and prefers to wear a sleeveless T-shirt at home. Taller, likes going to the gym, likes coffee from a solid red cup (this was very specific for some reason), and probably has a home with ceiling-to-floor windows. Might be scared of heights.

For women, blonde to brown hair, the classic mean girl look on their face, insanely business-oriented, no bullshit attitude, people are scared of her, has a small smile, when she laughs her eyes wrinkle cutely, and black loafers

Looks like they could kill. They will!

Pile 3:

This is my sunshine pile. There is a lot of cute in here and that’s what your person is like.

This person is someone who would cuddle a raccoon. I am sorry, but that’s what came through 😂😂

They love animals and probably volunteer a lot at shelters or reduce them. If you end up dating this person, you can expect to foster a lot of animals.

This person is not all sunshine though. Life has dealt them a tough hand but they have persevered. 

A lot of Fire and Water Energy in this pile. This has to be the happiest Scorpio pile I or most people have ever seen 😂😂

This person has a lot of energy. I know who this pile reminds me of. There is this girl on YouTube, Mikayla from SaveAFox. If you don’t know the channel. Go there right now. Get your immediate serotonin boost that even Masturbation can’t bring (I just had to) 😂😂

This is a relationship that will lead to marriage very quickly.

Your person is not concerned with material gains. They want emotional fulfilment.

This person feels like meeting an old friend after a long time. This person loves baking.

They prefer cute, handmade gifts and letters too. They are likely to give them to you as well.

Words of affirmation are their love language.

Early childhood may have included bullying in their case.

Looks like a Cinnamon Roll. Is a Cinnamon Roll.

The messages were flowing so happily and easily today. Sometimes it is so annoying that the thoughts just refuse to come to you and other days, I can basically pour myself into these readings. It is amazing afff✨🧿

IF YOU WANT MORE READINGS, YOU CAN CHECK MY INSTAGRAM: @A_sarcastic_Reader.

[godbirdart]

You don’t have to answer this question as it’s probably dumb to ask…but do you know what platform(s) would be a good starting point? Particularly for original content rather then fanart? I heard deviantart is a good place where alot of ppl got there start on but there’s lots of art thrives and such.

don't even worry, it's not dumb at all! it's hard to gauge where to Begin in the vast hellscape that is the online world. i do get this question [and some adjacent questions] often so please allow me to use your ask as an excuse to post a few of my site rankings for various art things!!

for reference, these are the sites I'll be addressing because i have used them at some point within the last year. please note: my information on Cohost and Itaku specifically may be out of date as I haven't used them in a long while. naturally, this is all solely my perspective. i run both a furry/original content account and an anime/fanart account on most of these sites and run them reasonably independently from one another. these rankings are based on how well each account fares on each site.

I will be talking about Patreon and Ko-Fi as if people will only be posting paywalled content there. you Can publicly post on both sites, but for the sake of this post i'm only going to treat them as paywalled sites since well, that's kind of their purpose.

POSTING ART IN GENERAL

the A-tier list sites here are the ones that are most practical, with a decent member presence and little to no algorithms impairing your reach. the only sites here with any sort of algorithm are tumblr and deviantart, but i feel they don't ruin your reach that much.

B-tier list is mostly centered around popularity. there are massive audiences on both masto and twitter. twitter can be really good if you're posting certain content. mastodon has countless instances [read: servers / subdomains, however you want to call them] that can help narrow down an audience and like-minded people. for example, i use mastodon.art whereas many furries may use meow.social. you Can be discovered by people on other servers than yours.

C-tier has been sorted in accordance to audience. this is solely in my experience, but not a lot of new people are flocking to cohost and itaku. we also just hate facebook in this house and i will never give a facebook products a high rating.

F-tier: if you are a new or growing artist, putting your art behind a paywall or making it a chat platform exclusive thing can really hinder your growth. you can still do this of course, but you won't get as many eyes on your work as you would on a public gallery. threads is there solely due to privacy issues that Cannot be overlooked. i will not recommend it.

POSTING ORIGINAL CONTENT / CHARACTERS / NON-FANWORKS

here's how i'd grade these sites for posting Original content, characters, stories, etc. your best sites will likely be furaffinity, deviantart, and tumblr. i've put these three here for their tag use, discoverability, and audience presence. tumblr can be a little glitchy with its tags, but they DO function.

A-tier is entirely centered around audience presence. these sites are great for showing off your work, but they don't have the same population as the S-tier. mastodon can be good as the quieter instances give you more discoverability. bluesky has been THRIVING when it comes to the furry community as of late [i'm personally on there daily] - the only reason i don't put it as S-tier is because it's invite-only AND you need to rely on your work being found through the Feeds feature if you aren't an already established artist.

B-tier: useful, but population may hinder your growth. toyhouse is GREAT for posting your original characters and stories, but it is invite-only and not necessarily gallery-focused [it can be USED for a gallery, but it's not the main purpose]. you can also post stories and lore to toyhouse. discord and telegram are Good, but again it can be hard to gain an audience through sites that require invites.

C-tier: it is DIFFICULT to grow on paywalled sites with original content. cohost [to my knowledge] has been stagnating with the release of bluesky.

F-tier: threads sucks, the end.

POSTING FANWORK, FANFIC, FANDOM CONTENT IN GENERAL

S-tier here is sorted because of audience presence. while twitter does suck, i'm finding a LOT of success there with fanart. tumblr is The fandom site of course. furaffinity is great for a surprising range of fanart that isn't exclusive to furry, and deviantart's Groups feature is still going strong which can give you that extra exposure.

A-tier is: fans Go here, but the population or algorithm can make things tricky. instagram is good for fanwork but the algorithm and the speed that things are posted there can make discoverability an uphill battle. patreon; if you make comics or art with fan characters [especially 18+ content lmao] you can grow pretty rapidly there. patreon, like any other paywalled site, should be a secondary site and not your Primary posting location. artfol and pillowfort are still growing. pillowfort has a Communities feature - sort of like deviantart groups - that you can submit your art to which gives you that extra exposure. artfol is just a nice gallery site and the tagging system is,, decent enough. a little confusing because the tag system looks up keywords in posts and titles First, you have to tab over to hashtag searching specifically.

B-tier: invite only and audience reach. again, bluesky relies on your art to be picked up in Feeds, as there's currently no tag search. inkblot is growing but has a decent audience. ko-fi isn't as known as patreon for exclusive content but it's still a good site. mastodon has tagging that makes discoverability easier, but mastodon and its many servers can make things confusing for some people. itaku's not as commonly used so it may be harder to gain new eyes there once you establish yourself.

C-tier: posting fanart to these sites Can Work. toyhouse focuses on posting and sorting original characters, so treating it as a gallery site won't get your far fast. it isn't impossible to grow as an artist there, but the site isn't intended for fanart posting. i cannot say much on cohost here. telegram and discord, again, it's harder for people to discover you out of the blue unless you mention your server / channel on another site.

F-tier: fuck threads.

lastly, to address thieves,

thieves are gonna be everywhere. i'm sorry to say, but there will always be shitty people. i recommend the following:

watermark your art. not in the corner, don't just sign in one spot, place a Huge translucent watermark over the WHOLE art. i recommend making it a colour gradient too instead of one solid colour or greyscale.

also: sign your goddamned art! put your username on there!

post a low resolution when sharing online. less than 1200px wide or tall. 72dpi. JPEG format. keep the high res privately for yourself.

add a subtle noise filter over your art. it doesn't have to be high opacity, and it'll make your art a little grainy, but it's good for fucking with AI bots and ruining any print quality potential.

i hope this offers some insight! if you have a different experience on these sites, please feel free to add your testimonial in the replies or reblogs! not every artist is going to have the same experience and growth rate.

[genericpuff]

From the standpoint of someone who doesn't even like LO that much. Reading through this gave me a strange sense of discomfort? I think. Something about the combination of the essays, and the digs at the author in a lot of posts, and making a community based on it, and the ranting. It made it feel a lot more group ragging on something than normal fandom re-writes. I can't help but want to say something on the subject (0/3)

Gonna respond to all your asks together if that's okay, from what I can glean there's a word limit on mobile (?) so it makes it very interesting to see who's able to put all their thoughts into one big ask vs. who has to cut them up into parts 😆

So I can understand that discomfort, it's actually one that I also initially felt towards the community when I discovered it. Though even more so because when I found out about antiLO being a thing, I was still a MASSIVE fan of LO and my thought was "wow, these people are losers" LOL but then a lot of what they were saying resonated with me more as I realized the story was going nowhere (it was around the trial arc when Eris was revealed to be the 'reason' for Persephone's wrath).

All that said, I don't think I was wrong to feel off back then even though I don't feel that way now. We have our own takes and ways of approaching certain subjects, and how we feel is how we feel.

I will say that I can't, in any way, take credit for 'creating' the community. AntiLO pre-existed me by years and I was simply welcomed in as my opinions of the comic changed. I was a lot more involved in UnpopularLoreOlympus when it was born around the S2 finale of the comic. So... don't give me any sort of credit in 'owning' this community or anything of that sort, I came in during a period when criticism of the comic was becoming more common practice. I'm just also someone who's very verbose and loud in their opinions which appeals to a lot of people in this community, so I get why people might see me as some kind of "pillar" within it or like I'm the loudest person in the room, but I promise you that doesn't mean I have any sort of ownership over this part of the fandom or that I feel my opinions carry any more weight than the people around me. It's just a community, after all, not a religion.

It's true that saying I'm not making money off Rekindled doesn't mean I'm not benefiting off it in other ways. But the 'benefits' are still kinda... nothing? in the grand scheme of things? like okay great I have loads of people reading my stuff every update but like, this is still just Tumblr lmao none of this is real and as soon as Rekindled is over, I might be lucky to bring some of the readers over into my next project, but I doubt whatever I do next will get as popular as Rekindled was. All the "benefits" I get are virtually the same as what people writing fanfiction get on AO3 get or what people doing redraw videos on Youtube get. It's fake Internet points for making fan creations.

And that's okay, because that's sorta just the nature of fandom in general, throughout any niche community. People will be naturally drawn to what's familiar and what I do here appeals to the people who are familiar with LO and the criticisms of it, often people who agree with those criticisms. The Zelda community has LinkedUniverse, Pokemon has Hanamusa, Attack on Titan has communities that are dedicated to loving the anime, hating the anime, and even dunking on people who don't 'get' the anime, Undertale has every single crazy rewrite and rewrites-of-rewrites that have been spawned from its fanbase. Did you know there's an entire community of people who discuss and argue over fire alarms? I didn't, but when I found out about it, it was after listening to a video on Youtube discussing all the interconnected drama of the fire alarm community. Like that's wild and seems so stupid and pointless... but it matters to the people who are in it, and my opinion of how they operate isn't going to change how it makes them feel to be a part of that space. That's kinda just human nature, we create our own little microcosms of things to bond over so for people within those microcosms, any amount of disagreement or discomfort will feel massive in proportion.

I guess the point of what I'm trying to say is that a lot of this stuff feels crazy loud but it's really only that loud because it's occupying a single room.

The reality is that Rekindled is still a very niche project dedicated to a niche webtoon that's a part of a niche medium. As loud as it is within here, it's still only because it's such a closed community. Anyone outside of the Webtoons community has zero clue what it is. The 'attention' that I'm getting is still from other niche people who occupy a very specific interest.

And that's not even exclusive to Rekindled, despite Webtoons attempts to sell LO as a 'worldwide phenomenon', a lot of people don't know it exists and couldn't care less. Does that mean my rantings about the comic and its creator matter any less to me or the people who are interested in them? Not really. Is it all pointless? Maybe, but not everything really needs to have some bigger point. We're all kinda just here spending time talking about something we both love and can't stand. What I say about LO and do with Rekindled is undoubtedly inconsequential and pointless to people who aren't in the room. That's fine. That's why I keep it all in my own house. There are definitely people who talk about it outside of the home but that's far from what I can control.

That said, I think LO also does fall into a very unique category where it's very easy to do rewrites and redraws of it simply because it, in and of itself, is a rewrite. Rekindled is far from being the first "fix it" fic, not only of LO but also of any piece of media in general, it's not really a new phenomenon (but again, when it's loud, it can be easy to go "well clearly YOU had to influence this"). People are drawn to retelling LO or 'fixing' it because LO is based on Greek myth. If it weren't for that, no, I don't think people would be as interested in doing so. It's because we literally have a solid foundation of reference material - the myths and original poems - that we can go "hey, why did LO do this? it should have / could have been xyz". You can't really do that as much with a purely original work besides wish fulfillment of "what if xyz happened" because whatever an original piece of work winds up being is clearly what it was meant to be. We have nothing to compare it against.

But with LO, we know what it could have been because we know what it was trying to be since day 1 - a retelling of the Abduction of Persephone. That's not to say we always knew exactly what Rachel was planning on doing with it, but it's not hard to be disappointed when we see certain mythical stories being established in LO - such as the tale of Eros and Psyche, the Titanomachy, etc. - only to see them get dropped or completely mishandled.

On the one hand I could use HADES and Stray Gods as examples of popular media that don't get 'rewritten' the same way LO does because while they have their own unique interpretations of the myths they're based on, they still feel like properly thought out stories that appreciate the source material. LO, by comparison, feels like it's written by someone who hates Greek myth.

But on the other hand, those rewrites may absolutely exist and I'm just not aware of them because I don't occupy those rooms! The world is only as big as we perceive it to be.

That said, it's always sort of ironic to me when people say Rekindled is "riding off the coattails of LO" because while I can understand their sentiment - because obviously it's a direct re-creation of LO - that opinion seems to operating from the assumption that LO was ever not riding off Greek myth's coattails to begin with.

And no, I don't think my criticizing of LO on an LO-focused blog should in any way be conflated with "media isn't allowed to be bad". I've said this before and I'll say it again, I'm into loads of bad media. I'm also fully capable of enjoying a piece of media but also shit-talking it without actually feeling any sort of vitriol towards it. House M.D. is one of my favorite TV shows but goddamn some of the plots are just so dramatic and out-of-this-world that you can't help but laugh at them (and that's why we have spaces like /r/okaybuddyvicodin LOL). One of my favorite games growing up was Starfox Adventures because I had never played the original Starfox games but I had played loads of Zelda and Adventures was basically Zelda but with Starfox, and I know there are plenty of people who will go "but puff, that game is ass!" and I know! But I love it regardless.

With LO, it's not a matter of "bad media shouldn't exist!" it's a matter of observing what makes it so bad and why that's had a negative impact on both the audience it attracts (primarily teenagers and children) as well as the culture it's taking its ideas from. If LO was just some "so bad its good" webtoon that was easy to enjoy but also poke fun at, I would have zero issue. It's the fact that it's blatantly problematic in its writing and intentions but still hailed as the #1 webtoon on the platform (webtoons in and of themselves being a medium that I've lived in for over a decade so it's virtually impossible to get away from whatever is influencing the culture as a whole) while winning all these accolades for being "brilliantly written" and its creator is given a voice over Greek culture when she herself is not Greek or even well-read on Greek culture in any capacity - that's the issue and why I've spent so much time talking about LO. And if it wasn't me, it would be anyone else, because the problem has been around for ages and people have been trying to get the word out about it for years.

I don't necessarily think every 'fix it fic' is built equally. I think it's a case by case thing. A lot of people are deadass just doing it for fun and to be a part of a community, and I think that's wonderful. There are also people who try to do this but ultimately disrespect whatever the creator was going for by somehow implying that their own original ideas were inferior just by existing, or using their fix-it fics as a way to deliberately harass the original creators (ex. whatever the fuck 'art lore' is on TikTok, based on what I've seen it seems purely made for bullying budding artists and talking shit which is... gross af, but I don't think it's anywhere near the same as readers of LO calling out its highly successful award-winning creator for having zero clue what she's doing with her comic lmao). I don't think a blanket statement of "fix it fics are bad" accomplishes anything because it depends on a variety of factors like the person's intentions and what they're trying to accomplish. Many fanfictions in general could be called 'fix it fics' even if the creator 100% loved the source material with zero issue - because they're still saying "what if xyz happened instead"?

Me, personally? I'm someone who loves Greek myth and who used to adore LO. I was very discouraged and upset when I saw it turned into what it became, and I wanted to try my own hand at creating something new out of the rubble that could give me closure. It's what I choose to do with my time and other people seem to enjoy it as well. I'm sure there's loads to criticize and speculate on regarding my 'intentions' in creating it, but at the end of the day I'm sorta just doing what I want to do with my time because I have a lot of thoughts and ideas I need to get out of my head and many of them are thoughts and ideas that other people like reading about.

If you feel uncomfortable by the amount I talk about it here and the way I talk about it, that's fine. Those are your feelings. There are loads of other antiLO-themed blogs to read that might not give you that same vibe. Even I have certain icks towards certain opinions within the antiLO community, I've seen some people be genuinely shitty and I'm sure that's ironic to hear considering you're describing your own discomfort towards my stuff, but we all have different tolerances towards different things at the end of the day.

I do my part to keep things in my own house of a neighborhood that's really small in the grand scheme of things. It just feels like a big neighborhood if you don't travel. There will inevitably come a day where I'll pack my boxes and move elsewhere, talk about new things and write essays about other topics. That's obviously not today but I definitely don't want this to just be like, my entire identity or the rest of my life LOL it's just something I've chosen to spend my free time doing and I'm content with that. Maybe a year from now I'll feel differently, who knows? At the very least I'm hoping to one day finish Rekindled because no, I don't want this to actually be my identity for the rest of my life, change is a good thing LOL but what that change will bring is, for now, a mystery. Here's hoping wherever I end up at least brings its own uniquely good times like I've had here :' )

Sorry, that was a very long response with a lot of sorta aimless muddling over the topic at hand, but thank you for the opportunity to discuss it regardless ! because I do think it's important to find that 'grounding point' when it comes to stuff like this. because as much as I get riled up over LO, yeah, at the end of the day, it's just a dumb webtoon and I don't wanna go soiling myself over it LOL but I'm also just like... running a Tumblr blog with my personal thoughts and ideas, no more or no less. Even the "attention" I get is still only 200-400 notes per new episode of Rekindled, which pales in comparison to any real metrics of "success" imo LMAO again, it just feels loud because this is a niche community made up of a lot of the same names and faces; step outside of it and no one gives a shit LOL

[kotlcfairytale]

KotLC Fairy Tale AU Exchange

Schedule (in CDT)

May 29: Discord server opens. Tag nominations open.

June 12: Tag nominations close. Sign-ups open.

June 26: Sign-ups close.

June 29: Assignments are out.

July 27: Assignments are due.

August 3: Works are revealed, with all creators anonymous.

August 10: Creators are revealed.

August 14 (approximately): Discord server closes.

Glossary

Assignment: The person you are assigned to make a gift for. You will receive a list of their requests and pick one to make.

Canon Tag: A tag that has been used enough that AO3's volunteers have organized into the tag list. These are the ones that appear on the dropdown menu when you're entering tags.

DNW: "Do Not Want," a list of things you do not want included in a gift for you. Everyone is encouraged to have one of these, and it must be followed by your gifter. DNWs must be reasonable, clear, and polite, but they can be petty ("none of this popular ship").

Exchange: A "gift exchange," where everyone receives a gift of a fan creation, and everyone makes a gift of a fan creation.

Match: When you offer something someone else requests, or you request something someone else offers, you "match" with them! You will need to at least have one offer that matches someone else's request in order to participate.

Offer: When you sign up, you will make a list of things you "offer" to create.

Pinch hitter: Someone who makes an emergency gift for someone whose gifter dropped out. You are welcome to participate only as a pinch hitter.

Request: When you sign up, you will make a list of things you "request" other people create.

Tag nominations: A period of time where people can nominate the relationships and AUs they want involved in the exchange. These will be the ONLY relationships and AUs permitted, so you want to nominate tags!

Treat: An extra gift you make with no expectation of a gift in return! You can make them for anyone in the exchange, whether or not you're assigned to them. It's just a fun and nice thing to do!

Gift Minimums:

Fic: 1000 words, with an ending

Art: A drawing completed to a level you would normally post as "finished"

Rules for Participating: 

You must join the Discord server and follow all rules listed there.

You must be 13 or older.

You must have an AO3 account, sign up through AO3, and post your gift on AO3. AO3 accepts fan creations of all types.

You must do your best to make a gift that meets the minimum requirements, and that you think your recipient will like, within the time of the event.

You must contact a moderator as soon as possible if you think you will not finish your gift in time.

You must keep your gift and recipient anonymous until creator reveals.

More information to come! I hope to see you all soon!

FAQ

What counts as a fairy tale?

I am using a broad definition! Any story that contains fairy tale elements: enchantments, curses, witches, wizards, warlocks, magic, talking animals, fairies, fae, trickery, etc... is allowed in the exchange! This could include a classic fairy tale, like Hansel and Gretel; an adaptation like Tangled, Ella Enchanted, or Land of Stories; or even an original fairy tale!

During tag nominations, people will "nominate" the specific AUs (fairy tales) they want included. These will be the only ones eligible for the exchange, so get an AO3 account and participate in tag nominations if you want to make sure something is included!

What if I don't match with anyone?

If no one wants to receive what you offer to make: We will give you an opportunity to offer more things. If you do not want to, unfortunately, you will not be able to participate in the exchange.

If no one offers to make what you want to receive: You can still participate. We will put you up as a pinch hit, meaning people can offer to make a gift for you without being assigned to.

What if I don't get a gift?

We will not reveal the works until everyone has a gift. If no one picks up a pinch hit, the exchange will remain closed until someone does. Everyone who participates will receive a gift.

What isn't allowed in the exchange?

For the comfort of the most number of participants: noncon, incest, bestiality, romantic relationships between characters who are canonically adults (over 18) and characters who are canonically minors (under 18), and NSFW are not permitted.

Considering the series, graphic violence and major character death are allowed, but only if the recipient says they're okay with receiving them.

My recipient requested ten things! How many do I have to make?

Only one! You can choose any of your recipient's requests to make, even ones you didn't originally offer.

Can I make more than one gift?

If you have more than one AO3 account, you may sign up multiple times. But please only do this if you're sure you can finish both gifts in time!

You can also be a pinch hitter, filling in for people who drop out, or make "treats"--extra gifts just for fun. But you won't receive extra gifts for either of these things.

[leportraitducadavre]

It's this article even real? I found it hard to believe someone would read the manga or watch the show and decide that Naruto "doesn't need the overdone Sasuke Arc".

First and most importantly, Sasuke singlehandedly moves the entirety of the plot forward, he doesn't have an entire arc dedicated to himself because he's relevant for every single arc the story possesses, and he's the reason key characters behave the way they do; taking away Sasuke's journey to make him a complying tool of the state wipes out the reasoning behind every villain's actions, therefore, it destroys them as well.

It's hilarious how this article exists to take away Sasuke's relevance within the story to give it completely to Naruto, something his fandom has wanted since the very beginning of the manga and that Kishimoto never complied.

In the Naruto series, Sasuke was Naruto's rival in the Hidden Leaf. However, he was training to kill his older brother, Itachi, for wiping out their clan. In time, Sasuke would learn Itachi did what he did to protect Konoha as their Uchiha kin wanted a coup. This enraged Sasuke, who nonetheless vowed to kill Itachi and exact revenge on Konoha.

Okay so, we start awfully, and no surprises there. Sasuke killed Itachi and later on, through Obito, learned about the reasoning behind his brother's actions. It's after this that he vows to bring down those who allowed and encouraged the construction of a system that pushed the Uchiha to rise up against this power dome and forced his brother to murder his entire family.

Regardless of the circumstances, Sasuke hated the fact he had to grow up alone. This is the reason he joined the Akatsuki, formed his own terrorist cell called Taka, and tried to murder Naruto after the wars against Obito and Madara.

No. You cannot use "regardless of the circumstances" when those circumstances are detrimental to his character's actions and the functioning of the system against which he, like other characters throughout the plot, stands. He not only hated having to grow up alone (a consequence of, once again, the genocide carried out BY THE STATE ITSELF through his brother), but also the indiscriminate murder of his relatives, both those who engineered the coup and those who were profiled based on biological conditions over which they had no control.

Also, there was one single war against Obito and Madara that stretched through a couple of days for which he participated in bringing down both of them as his idea of revolution didn't partake in their idea of absolute control of people's minds.

The Naruto movie (and obviously, the sequels) would be better served by doing something unpredictable. The Evil Sasuke arc is overdone, especially since it comes up in the Boruto era. In the latter case, a redeemed Sasuke keeps using it as a lesson to teach Boruto and Kawaki why they should not let rage guide them. Fans don't like being reminded how unnecessary this was in the source material.

Overdone? Did this guy actually watch the anime at least? The entirety of the plot focuses on the system flaws that even the protagonist is "set to change", Sasuke's arc is detrimental to the story as both Naruto and Sasuke observe the same issue from different standpoints, the former wants to keep the system and make gradual changes as not to "bring chaos" and the latter wants its complete destruction as a gradual change only guarantees greater injustices being committed over time until it is "changed".

Take Sasuke off of this equation and there's no reason for Naruto to even go on or have any introspection on the matter of Konoha's political and military system --and I'm being incredibly kind about this as even when Sasuke blatantly exposes it Naruto has a hard time grasping the most basic concepts to rebel against.

Additionally, Sasuke's villain arc would be a lot to condense into live-action, even if it's done over a trilogy. It could be done the way the MCU took 10 years to build the Thanos fight in Avengers: Endgame, but by that time, the story would be stale. Everyone would know what happened. The advantage the MCU had while adapting the source material is that it subverted the lore and crafted an original story. c

Does this author actually know what "adaptation" actually means? Or what it entails? What they seem to want is a reversion of the story as they desire to modify the entirety of the character that is the main plot device within the original product, not an adaptation. Also, what's with the last phrase? How can Sasuke be a loyal rogue? That's a contradiction in itself, is he a rogue of Konoha or is he loyal to Konoha? Pick one -you can't have both.

The advantage of Sasuke being a rebel without defecting from Konoha is that Naruto would have the help needed to fight the big villains of the franchise: the Ōtsutsuki. 

Sasuke fought alongside Naruto against Kaguya, bringing the union of former Team 7, without having to compromise his original ideals... did they just... forget?

Kaguya was the first alien who came to Earth, got sealed away, and then tried to return to enslave it. Naruto and Sasuke were reincarnations of her sons (Ashura and Indra, respectively), but the manga and anime didn't spend much time detailing how they would form their clans down the line and the emotional impact Kaguya had fighting her descendants.

Haha, come on, this is clickbait isn't it? Ashura and Indra are not Kaguya's sons, they're her grandchildren that reminded her of her sons, bet your ass this is a Boruto fan that just heard about the original series and wrote whatever this was without eyeing the og manga.

but the manga and anime didn't spend much time detailing how they would form their clans down the line and the emotional impact Kaguya had fighting her descendants.

That's because one of Kaguya's sons went to live on the moon and the other one, Hagoromo, had two sons on Earth (Indra and Ashura) who -as the manga establishes, founded their own clans (Uchiha and Senju respectively) that were at war until Konoha's foundation.

It focused heavily on Sasuke plotting in the shadows, and Naruto forming an army, realizing much later in the story of their link to Kaguya.

What? They learned about their connection to Kaguya through Hagoromo before fighting her, Sasuke also never plotted in the shadows, he blatantly tells them he wants a Revolution and later on decides to kill Naruto as he's his last connection to his past! That's the whole reason they fight!

By switching this up and making lineage a primary and not secondary arc, the movie can dial more into the emotional core: Sasuke and Naruto exploring their family tree and the overall theme of dynasty. Sasuke could learn more about how Indra developed a dark side, which passed down to the Uchiha, while Ashura's light gave way to the Senju and Uzumaki (Naruto's family) clans.

That's incredibly explored throughout the manga. The Senju are the only clan linked canonically to Ashura himself, the Uzumaki obtained Ashura's attention after the Senju disappeared as they were distant relatives.

Also, love the distinction of "Indra developed a dark side which passed down to the Uchiha" and "Ashura's light gave way to the Senju". Hagoromo favored this distinction by granting the totality of his power to one of his sons and expecting the other to be functional to his brother's decisions. If Hagoromo considered that Ashura's position was better than Indra's, why did he not teach his eldest son to make similar decisions? How is it that Indra decided to form a clan and a collective group of people if his idea was to move and gain power alone? How is it that Ashura, the being full of light, decided to fight his brother for power instead of seeking a peaceful solution to work together if what he wanted was power through union? Why did he not question the idea of a single person having the totality of command?

This would allow the movie to not hinge on Naruto and his fate with his Nine-Tailed Demon Fox (Kurama).

This just proves my initial point.

Instead, Sasuke would become a key player by garnering clues as to who Kaguya is. This would also unearth her plan to place everyone in a dream state (via the Infinite Tsukuyomi genjutsu technique) and drain their chakra. In other words, he would be the egotistical brains of the operation, while Naruto functions as the go-lucky muscle.

What's the point of doing all that if this exact thing ends up happening anyway without having to destroy any character's core? Are they serious?

This would not be different from what's been seen with Iron Man and Captain America, and Batman and Superman.

Brain minimized by the same comic story over and over again, what's the point of seeing a dynamic story repeated hundreds of times in different products? Is the main idea of this theme to make audiences like this guy believe that he possesses some kind of intellect because he can predict a plot he has seen thousands of times before?

Such an approach speaks to the legacy of both warriors, which makes them the yin and yang they were meant to be. 

Don't believe this fool. Sasuke and Naruto as characters explore the Yin and Yang implications very well as they are, he doesn't seem to understand what this metaphor actually entails.

Such a change fits Sasuke's destiny organically because this is the kind of sleuth he would become in the Boruto era, where he atoned and roamed the lands as a Ranger. This same development felt rushed and left-field in the manga, as he never did that kind of work before.

Making Sasuke a heroic anchor in the Naruto movie also works for the evolution of Team 7. To start with, Sasuke, Naruto and Sakura were all trained by Kakashi, but their story felt disjointed. Naruto was preoccupied with bringing Sasuke home, Sasuke was off seeking Itachi and an army, while Sakura tried to quell the anger in both of them. This took away time from her personal development and detracted from the bigger threat of the aliens. By making the plot so convoluted, fans found it odd the Boruto era would marry Sakura and Sasuke, despite them never being developed as an official romantic couple.

By not splintering the team, Naruto's director, Daniel Destin Cretton, can focus on what made Team 7 work in the first place. Sakura was known to stop arguments and function as the team's mature, responsible leader. Naruto also liked her while she liked Sasuke. Sakura eventually realized she needed to change the views of Konoha and have the village recognize female shinobi more. This worked in the love triangle that allowed Sasuke to develop feelings for Sakura that would pay off down the line. This would also allow Naruto to understand he was meant to lead the Hidden Leaf.

What is removing Sasuke's entire characterization gonna do for the rest of the characters? The author is not saying Sakura realized this canonically, by the way the paragraph goes, what he implies is that she could realize this in the movie. So he’s telling us that Sakura didn’t notice she needed to change Konoha’s views about females because Sasuke wasn’t there to help her or what? It's Sasuke staying that detrimental to her development?

He wants to change everything about the original Team 7 in order to make them fit their Boruto’s characterizations. Hell, I bet he’s a Boruto fan who barely watched the original series, I’ll go as far as to state he used AI to write this garbage.

That also was Tsunade’s ordeal as well. Shikamaru questioned her involvement and was proven wrong when she “consoled” him after Sasuke’s Retrieval Arc and proved herself to be a good Kage. He’s asking something of Sakura that Tsunade already did.

Does he know what character development is? Why should they change everything about the original series to fit better the spin-off? Is the spin-off that it's badly written as it couldn't follow the original's characterizations, not the other way around.

According to his page, Renaldo Matadeen, "author" of this abysmal take, focuses on: As a filmmaker and scriptwriter, Renaldo loves to dissect the nuances of stories, especially narratives involving people of colour, minorities, and the socially-displaced. He believes art is a medium to reflect and provoke, and loves engaging in content that evokes this energy. 

So you mean to tell me that Sasuke, a metaphor for the socially displaced people, a survivor of a state-sanctioned genocide, and a revolutionary is somehow better by being stripped of any value inside a story that focused on his struggles, to begin with? That somehow the story would be better if he, a minority, was more complacent with the State that represses him?