#I don't want to make another one

[antiyourwokehomophobia2]

Is there an active (key word) creative writing discord anywhere around here?Gender crit is a must, but that's my only requirement. Preferences are that there are occasional voice calls where we talk about our stories/writing processes

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[knifearo]

this year my challenge for everyone is to unlearn the association between love and morality. love is not something that is inherently morally good, and the absence of love is not something that is inherently bad. sex without love isn't morally bankrupt, it's just an action. people without love aren't less kind or less good, they're just people. when we can get past this false (and often unnoticed) dichotomy of good love/evil lovelessness then i think we are going to be able to take leaps and bounds in sex positivity, aro advocacy, certain discussions of mental health...

[royalarchivist]

Tubbo: What was wrong with the timing?!

Pac: You did it in the worst possible timing! Everything was–

Bagi: I think we ruined the kiss.

Everyone:

Pac: It– it wasn't the kiss, more– you know? It was– *mumbles*

Tubbo: IT WAS MORE?! IT WAS MORE?! ON THE FIRST DATE?!

Bagi: WE DON'T NEED THE DETAILS!

Fit: That's not what he meant!

[warpedpuppeteer]

It's interesting how Buck's love interests are all written in a way that ends because of the reason they meet/happen in the first place and then of course, we have Eddie.

Abby, who changes Buck's view of a healthy relationship but then turns around and ghosts him, making him wait for months on end and letting him realize she's not coming back on his own.

Ali, who meets Buck during a dangerous situation in his line of work and then leaves him for how dangerous his work is.

Taylor, who lashes out at Buck for using her as a fake date and saying she thought she could trust Buck to be a friend who then ends up using him for her career and chose to put his friends in danger.

Natalia, who's there to help him embrace and deal with his temporary death but it leads to their break up because of the constant talk surrounding death when Buck's not comfortable with it.

We can't confirm for Tommy till it ends but it's important to note how he offers to get Buck into his interests like flying and muay thai yet doesn't show effort with Buck's interests like dressing up according to the bachelor party theme despite Buck being stressed about it. And we also have the fact that the entire reason they got together was due to Buck's jealousy for Eddie which he then claims to be was for Tommy. Makes me think they are either going to end because of differing interests OR because of the jealousy issue popping up again.

Funnily enough, every scene above has an Eddie parallel:

Eddie co-parents with Buck and not only does this not stop after a dangerous event but Eddie also has Buck down as a legal guardian (healthy relationship - Abby).

Eddie is in the same dangerous line of work and they have each other's backs. This happens right off the bat too.(dangerous job - Ali).

The Lawsuit era and The Dispatch era - both where they "betray" each other but manage to work through it (betrayal/lie - Taylor).

Eddie doesn't pressure Buck to talk about his temporary death until Buck's ready and is more focused about him living than in his death (death doula - Natalia).

Eddie who has different interests than Buck (poker, basketball and UFC/MMA) but also manages to show interest and actively takes part in whatever Buck comes up with; he suggests their outfit for the themed party AND ends up staying there for Buck even when others leave (different hobbies & showing interest/taking part - Tommy).

Absolutely fascinating when you start noticing that Buck's relationships keep failing for one reason or another and then we have him and Eddie who face the same sort of situations but they still come out of it stronger together.

It's clear that there's a reason Buck is able to overcome anything when it comes to Eddie (that conversation with Maddie about being there for each other even at their worst 👀) and we've already established that everything Eddie looks for in a partner is already something he has found in Buck. So really, all that's left is for them to realize that hey, the one I'm looking for is right in front of me! 🤷🏽

And yes, it's been said to death (hah) but you don't find it son you make it. And Buck and Eddie have already made it.

[yvtro]

i think in general sometimes when people interpret characters they give them too much credit in a sense that they forget that people are often very much contradictory in their beliefs and sometimes they believe one thing but do another like. sometimes people say they want to leave when they want to stay. sometimes they stay when they want to leave. sometimes they say they understand something when they don’t and sometimes they say they don’t need things that they’re desperately yearning for. and if you want to create an appropriately multi dimensional reading of a character you need to accommodate this.

[lilybug-02]

Bribed with Chocolate. The way it should be.

Part 22 || First || Previous || Next

--Full Series--

More to come as this is a two-parter. But you know how I am with schedules.

Bonus:

I think this was an equally possible reaction from Chara.

[fiepige]

Compilation of EVERY single time they changed Hobie's filter in the digital version:

Left: Theatrical release Right: Digital release

You might have to click on some of them to get a better look at Hobie, sadly I don't have a video editor that allows me to make better edits than these :')

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[ruporas]

lonely

[ID: A limited palette of green and pink, Vashwood comic. The first page serves as a prologue. The first panel shows Vash speaking to someone off screen while Wolfwood is lingering behind him. A black arrow is drawn pointing at him. In the second panel, Vash is buying donuts in the distance while Wolfwood is once again in view, lingering. and the black arrow is drawn pointing at him. In the third panel, Vash is leaving a cubicle and turning towards his right with a slightly peeved expression. He sees Wolfwood, leaning against the cubicle, waiting for him, and with the black arrow drawn, pointing at him, implicating the consistent hovering of Wolfwood’s presence during Vash’s everyday. At the bottom of the page, they’re drawn out of panel with Vash turning to Wolfwood and saying with an irritated expression, “You’re really following me everywhere, huh?” Wolfwood responds, “What, you got a problem?” Vash responds without hesitation, “Yeah, kinda...”

The second page starts with a new day. In the first panel, Vash is seen alone, weighing apples in his hands at a mart, with crowds passing behind him. In the second panel, he turns to his right and starts to say, “Hey, Wolfwood...” In the third panel, he’s startled from seeing a stranger, whom he’d accidentally called out to when he was expecting to see Wolfwood. He says, “Oh, you’re not him. Sorry!” In the fourth panel, the stranger walks off and Vash muses, “Right, he said he had something to do today...”

The third page begins with a close up of Vash's miffed expression, the continuation of Vash's thoughts, "Now that he's not here, this is just like how I used to be, but... It feels lonely somehow. Oh well, I'll see him again tonight, like always." In the second panel, it shows Vash walking through the marketplace crowd, alone. In the third panel, the door panel is a close up of the door opening with a peek of Vash's head. He says, "Wolfwood!" In the fourth panel, Vash is holding a bag of food with a bright smile and says, "Are you hungry? I got you something to eat today!"

The fourth page begins with a shot of the room, two beds being highlighted, one of them being made properly with the blanket draped over the bed and the other with the blanket folded and pillow sitting on top of it. There's no sign of Wolfwood. The second panel shows Vash with a disappointed look as he thinks, "He's still not here?" The third panel shows Vash putting the bag of food on the table. Stapled to the paper bag is the receipt with a written note "For Wolfwood." Vash's thoughts continue "He does like to stay out so, I guess there's no reason to worry..." The fourth panel shows Vash sitting his bed somberly with his thoughts continued, "It's not any of my business anyway..."

The fifth page starts with a close up his blank expression as he looks downwards, thinking, "Even if he left completely... That'd be understandable and better for him. I'll just travel alone again... like before... Huh?" The next panel shows Vash's composure break, tears welling up in his eyes suddenly, as he didn't expect to cry. He starts to sob, putting his hands to his face to quiet himself and wipe at his tears, as he says, "Ugh... Dammit... I miss h..." The last panel shows Vash leaning over into his hands, still crying, and in the back, the door swings wide open with a bam as Wolfwood walks through with the punisher swung behind him. He shouts, "SPIKEY! You in here?!"

The sixth page starts with Wolfwood confused, looking at Vash and Vash looks back, just as confused, with tears in his eyes and snot out of his nose. Wolfwood starts saying, "Ah? You..." No longer in panels, at the bottom of the page, Wolfwood takes the Punisher off of himself and starts to walk towards Vash, continuing with slight concern, "What's wrong with you? Did something happen?" Vash, hurriedly begins to wipe at his tears, denying immediately, "No! No, I'm fine! Nothing happened!"

The seventh page, Vash points towards the table, with a hand still wiping at his tears and he smiles as he says, "I uh got you food. On the table." Wolfwood looks towards to the table and responds, "Oh. I was getting hungry, thanks." He turns his head back to Vash immediately after with an uncertain expression, knowing the other wasn't responding to his concern, and says, "But, I know you're an idiot with this stuff, so I'm reminding you again. Don't brush it off if it's an issue, alright?"

The eight page, Vash's tears have dried and he looks to Wolfwood with a soft smile and responds, "Yeah. It's okay though..." A panel at the center shows a side view of Vash approaching Wolfwood. At the bottom of the page, with no panel, is a close up shot of Vash's hand, holding onto the edge of Wolfwood's jacket sleeve, as he says, "Because you're here now. Wolfwood."

The final page is a back shot of both of them standing next to each other, Wolfwood's head tilted slightly to the left, not fully believing Vash as he says, "That doesn't answer anything, Spikey." Vash responds, "There's no need to talk about it! You should enjoy your food. Let's have a drink too?" Wolfwood responds, "Tsk, tsk. Fine, yeah. I could use one." END ID]

[poorly-drawn-mdzs]

Wardrobe Woes

[First] Prev <–-> Next

[territorial-utopia]

Huzzah! It's birthday time! I'm slowly accumulating more and more things I like (latest additions this vest I made and a travel typewriter! Still need to fix the latter one though)

Sure has been a year.

[amanitacurses]

[tarttedup]

jamie and his little bags

bonus:

[wasyago]

oh boy, what are we doing to do with you now...

[kyouka-supremacy]

BSD Official Guidebook Tenkaroku - characters profiles

Profiles from the season 3 guidebook. I heavily relied on automatic translators for this, so if you notice any mistake, please feel free to bring it to my attention. I'll be posting the Japanese original text in reblogs not to make this post too long. Other guidebooks profiles: Shinkaroku; DEAD APPLE; Gongeroku.

Fifteen arc

Osamu Dazai Age: 15 years old Height: 155cm Weight: 51kg Impression when he met Chuuya for the first time: “I'll never feel positively about him again” Places he would like to visit if he went travelling: Famous suicide (by drowning) spots What are the qualities of a “king”?: The ones of people like Mori-san

Chuuya Nakahara Age: 15 years old Height: 150cm Weight: 53kg Impression when he met Dazai for the first time: “There's trash all around” Places he would like to visit if he went travelling: I want to go to a trip overseas with my friends What are the qualities of a “king”?: Being strong

Arthur Rimbaud Age: 27 years old Height: 185cm Weight: 68kg What he believes are his strengths and weaknesses: Strength: having a useful ability / Weaknesses: being sensitive to cold Favourite type: A woman who can warm him up Motto: Always put the mission above everything else Something he wants right now: His lost memories of the past

Canon

Osamu Dazai Something they've been into recently: Showing everyone the footage of Kunikida going insane because of Q's ability Something at which they think they can't lose to anyone: Since Ranpo-san is here, there can't be a “can't lose to anyone” What they want to overcome: Nothing at all

Atsushi Nakajima Something they've been into recently: Checking the bankbook page with his salary Something at which they think they can't lose to anyone: He doesn't have any confidence in himself, so there's no such thing. What they want to overcome: I want to learn to have the common sense of and behave like a member of society.

Kyouka Izumi Something they've been into recently: Research on cooking for Atsushi Something at which they think they can't lose to anyone: Gratitude towards Atsushi and the Detective Agency What they want to overcome: I want to become less startled by thunders.

Doppo Kunikida Something they've been into recently: Education for the increased number of new employees Something at which they think they can't lose to anyone: Ability to plan, and passion to carry it out perfectly What they want to overcome: My own imperfections that sometimes prevent me from carrying out my plans

Junichirou Tanizaki Something they've been into recently: Visiting western pastries shops with Naomi Something at which they think they can't lose to anyone: I'm embarrassed to say it, but supporting and protecting a certain woman. What they want to overcome: My indecisiveness

Kenji Miyazawa Something they've been into recently: Teaching farming to the members of destroyed gangs Something at which they think they can't lose to anyone: Love for nature What they want to overcome: I want to be able to use a computer

Ranpo Edogawa Something they've been into recently: Initiating Kyouka to the deliciousness of cheap candies Something at which they think they can't lose to anyone: I can't lose to anyone in anything What they want to overcome: I am perfect like I am now

Yukichi Fukuzawa Something they've been into recently: Showing up at a Go club Something at which they think they can't lose to anyone: Excellence of subordinates What they want to overcome: The mistakes of the assassin from the past

Akiko Yosano Something they've been into recently: Collecting photos of dissected patients' internal organs Something at which they think they can't lose to anyone: Human body dismemberment skills What they want to overcome: If possible, I want to save patients who have no choice but to die.

Chuuya Nakahara Something they've been into recently: Enriching his wine cellar assortment at home Something at which they think they can't lose to anyone: Hatred towards Dazai What they want to overcome: When buying a big motorcycle, I want to stop checking whether my feet can touch the ground

Ryuunosuke Akutagawa Something they've been into recently: Searching for Dazai's house Something at which they think they can't lose to anyone: I would rather have something that no one can beat. What they want to overcome: My nemesis, the man-tiger.

Ougai Mori Something they've been into recently: Coming up with new strategies to recruit Dazai Something at which they think they can't lose to anyone: Organization management techniques that request rationality and logic What they want to overcome: Buying too many clothes for Elise

Fyodor Dostoyevsky Age: Unknown Height: Unknown Weight: Unknown What he believes are his strengths and weaknesses: Strength: wishing for world happiness / Weakness: low blood pressure Favourite type: He loves all human beings equally Motto: Happiness in this world Something he wants right now: Someone to talk with who has the same brain as him

Katai Tayama Age: 23 years old Height: 175cm Weight: 53kg What he believes are his strengths and weaknesses: Strength: his life is not expensive (no expenses for transportation and socialization) / Weakness: if left to himself, he won't change his clothes Favourite type: A refined, dignified and gentle woman Motto: There are many dangers outside the house Something he wants right now: Faster communication networks