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domsaysstuff · 1 year

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(ronance, robin(/a lil bit stobin too)-centric, side steddie fic idea)

So I'll probably at this point will never write this idea but I still wanted to share it with the fandom so I'll just dump my ramblings abt it here

I've been toying with the idea of actually nancy falling for Robin first and also Robin's queer adolescence and how Robin's trauma goes into her relationships

Specifically her relationship with Vicky

I just want her to care? To feel like the world is breaking because it's her first relationship??? like i want her to try and try to make this relationship work and still it doesn't because vicky wanted a clumsy cute normal girl and robin is all of that but also, also she wakes up in the middle of the night screaming, there are days where she needs to keep holding steve's hand to be okay, to remind themselves that they are real and here and alive and she has a group of people that she's very codependent with, a group of people that vicky will never fully be absorbed with and like all of this is fine if it's something vicky could take but she doesn't want and she doesn't have to!! but like it still hurts robin deeply because vicky is kind and she likes her back and she's her first love and to lose that slowly, to see vicky get overwhelmed with all of this is killing robin, it's making her feel even more broken and it hurts but also, it's just how things go

sometimes you fall in love and you get loved back and it still doesn't work out

it doesn't mean it doesn't hurt tho

so i just want her to care i want her to be hurt deeply in a way only first relationships hurt

Like I want Vicky and Robin to be cute and together and I want Robin to like her so fucking much and I want it to fail anyway because that's how it sometimes is no matter how smitten Robin is, how much they want it to work and it hurts, it hurts because it's unfair and it hurts because it's just how it goes and there is also just nothing special about it

And like Robin understands, but it hurts and it feels like there is just one more wrong thing with her, before she couldn't connect with people because of her being a lesbian and now when she found a girl that likes her she can't connect with her because of her trauma and it feels unfair, so fucking unfair

And at the beginning from Robin's side Ronance is platonic because she's preoccupied with Vicky and also because Nancy is Robin's first female friend

The thing is that Robin has grown up weird, it's like everybody could smell the queer on her before she could even understand it herself and so at first ronance from robin's pov is just a lot of being grateful for having a girl friend, for experiencing girl nights and sleepovers and Nancy doesn't make her feel like a freak and it feels safe and girly in a way Robin has never allowed herself to feel, always just too uncomfortable around girls even before she knew why, so she's kind of reliving her girlhood and honestly i think she deserves it

Meanwhile Nancy in the background is just working through her compulsory heterosexuality and figuring out she's a lesbian and she has been halfway in love with Robin since the Creel thing

Also I feel like Vicky would try to be supportive but she wouldn't get it but Nancy does

i have this scene

in my mind

like robin's nightmares are fine for vicky, it's when she's waking up all panicky and she needs steve in a way Vicky just doesn't get why, it's not that she doesn't try to be supportive but she doesn't get it

but one night when robin sleeps over at nancy's and she wakes up with steve's name on her lips, she gets nancy's hand on her back drawing small circles, little movement reminding her she's not alone and nancy calling steve on the walkie, not because robin asked but because nancy knew it was what robin needed, robin fell asleep again with nancy's arms around her and steve's voice on the walkie that night

and then in the morning nancy is like "don't mention it, sometimes i need to call jon, just to hear his voice, i understand the need" bc i'm a firm believer that jonathan is to nancy what steve is to robin and i will take no criticism (but i will accept that it might also be eddie and not jonathan but like also they are both her bestfriends you honor)

but robin is like feeling this queer dissonance bc she still doesn't know nancy isn't straight and it's like, yeah, but it's different. It's always different for me. you call jonathan because he's your boyfriend, that's what couples do, i call steve because he's an extension of me i didn't knew was walking outside of my body before i found him and suddenly i was whole again, i don't want to ever kiss him but i want to spent my life with him but she doesn't say that, because nancy might be kind and understanding, but she still was nancy the priss wheeler and robin doesn't want to lose girls' nights and sleepovers in one bed and this easy friendship because she's different again, so she just smiles and later when steve arrives to pick her up she cries in his shoulder

Like this scene is mostly a foreshadowing of how much Nancy fits and gets it

Also Steve and Robin platonic soulmates supremacy so a lot if this is also platonic soulmates stobin because Robin realizes she's going to leave for college soon and she doesn't want to leave without Steve, even if he won't be alone in hawkings bc he has the kids and Eddie (bc Eddie lives, ofc, i'm not killing my baby, lmao, also there is a steddie sideplot, imma talk abt it in a second)

But Steve is hers and she is Steve's first and she doesn't want to leave him, can't imagine, feels like leaving half of her body and it's not fair, but also can't take it upon herself to ask him to leave with her because she doesn't think she can handle it if he says no

And so like the fic would starts in late April/early may and Robin is trying so hard with holding the ones she has so close because she's going to leave and she's trying to grasp on the last crumbles of her teenage years and onto her relationship with Vicky and throughout all of this Nancy is this constant that just is there, steady, safe and becoming actually one of her best friends

And it surprises her, because it was easy to be friends with Eddie once they bonded over being gay and also caring for Steve, it was somewhat comfortable to have a budding relationship with Jonathan and Argyle, caring for the kids came with caring for Steve because they are somewhat also a part of him and he is part of her so they are also hers but Nancy always was so unreachable, so far away so untouchable, except she wasn't

Except she was there inviting Robin to sleepovers and over milkshakes and stupid diners and going over college application with her and talking about Steve and Jonathan and Eddie with fondness because these are their boys and somehow Nancy has become an integral part of Robin's life

And so a lot of the first part of the fic is Robin trying to hold onto all those things before she moves to college

And then Vicky breaks up with Robin in the middle of july, and it's a nice weather, Robin wishes it was raining and the thing is that even when breaking up with her Vicky is just so sweetly nice, so perfect and Robin wishes she could hate her, that she could be mad, but she only feels sad, so incredibly fucking sad, it feels like something that she saw coming, because she did, she knew it was going to end like this, but even when breaking up with her Vicky wasn't mean, was nice enough to tell Robin, to lie, she just doesn't want to do long distance

it's when Steve is comforting her abt the break up that Robin ask him to come with her, she already had her heart ripped out once today, it's a little bit self-destructing, it's maybe her punishing herself for her codependency that in her eyes cost her her relationship, but he says yes, is ecstatic, because wherever she goes he won't hesitate to follow, they are a package deal after all, somehow they also rope Eddie into it and it makes sense, it makes sense to leave with both Steve and Eddie that have become such vital parts of her, steve is an extension of her outside of her body, but Eddie is someone who understands and fits between the spaces that she and Steve leave behind seamlessly, it would make sense to leave and take them with her

quiet interlude to explain the steddie side plot because it's now kind of necessary

so i have this in mind that like steve knows he's bi before the whole vecna, he figured it out with robin after starcourt

and robin already feels like having one other queer person in hawkings is extraordinary but then vecna happens and eddie joins the crew, eddie with his bandana, eddie with his big boy and chains and jokes and attitude and robin and steve argue back and forth if he is queer or not, while also steadily forming a friendship with him and it's just robin wants him to be so bad, because a part of her feels like eddie understands the queer parts of her that steve bless him never could, bc steve somehow could hide behind the heteronormality but robin and eddie never had a choice, they were always too weird, too different for that, but robin is afraid, it's steve, brave steve that ends up coming out to eddie first in a comment that he plays of as nonchalant but robin sees right through him, he's afraid and yet, and yet he barrels through, holds himself under eddie's gaze and is brave because that what steve is, brave

and so they're my three queer best friends and i love them

Also this is once again me pushing Steve is a brave, beautiful boi agenda

and robin sees how eddie looks at steve and steve at eddie and she thinks that maybe steve just is oblivious (i mean after they all came out to each other, thanks to steve) but then she talks to steve about it

and the thing is that steve knows that eddie wants him, that he's attracted to him, but steve actually fucking likes eddie, might actually fucking love him

and after the whole being bullshit and all the girls that went out with him because they wanted king steve and not steve he doesn't know, doesn't trust himself to know if eddie likes him the same way

He doesn't trust himself to not be bullshit again

and eddie is a bit of coward, like let's face it, that boy is ready to pine his whole life for steve harrington if it gets him to just exist in his space

and so steve just doesn't let himself have this

because he would rather to have him as a friend than an ex-hookup and he couldn't have handled it if that's all what eddie wanted to be, so they're like tragically pinning, they're my idiots you honor

So then the summer is ending and so they organize a party to celebrate the last days they have together, the whole party and when there is only a spicy six left Robin, my baby comes out as a lesbian!! And she's so afraid of Nancy's reaction, but Nancy, beautiful, kind, stubborn Nancy just takes her hand and says with a smile that she's glad that she told them and her smile is beautiful, happy and Robin feels like a weight is lifted off of her because now, now she doesn't feel like she might lose her friendship with Nancy too, because she was so afraid that once Nancy will know, it will be the end of them, it's why she waiting until both of them are going away, until the pain of missing her won't be as visible because Nancy isn't supposed to be there with her anyway

So after that

Nancy ofc goes to NY

Robin, Steve and Eddie somehow land in Chicago and my boy Eddie is a mechanic for sure bc i love the idea, Robin ofc will be studying and I haven't decided what Steve will be doing

And Jonathan and Argyle will stay in Hawkins, taking their gap year

Robin thinks it's partly why Steve wasn't as afraid to come with her, knowing Jon will be there keeping an eye on Hawkins, on the kids, because it's not that Steve doesn't trust Joyce and Hopper but he doesn't trust them to call them when things go bad, and kids are always too preoccupied to call when things go wrong and he trust, trusts Jon to call when things go code red in Hawkins, also i think Jon deserves a gap year, let that boy relax please

And so Nancy calls, all of them do actually, the kids and Jonathan with Argyle, I kind of like to think that like sometimes all three Robin and Steve and Eddie are gathered around the phone talking with whoever calls, like Steve is painting Robin's nails while listening to Eddie and Jon arguing about some music thing on the phone while Robin keeps adding her opinion only to stir shit up even more and sometimes it's Eddie and Steve parenting Dustin while Robin just lays next to them doing her school assignments

But Nancy calls when she also knows Robin is just there alone, Nancy calls and asks her about Chicago and college and it's good, it's good talking with her

Also I have this scene in my head where Nancy and Robin talk about Barb, it's late and Robin is alone in the apartment, Eddie and Steve gone somewhere together and Nancy is talking about how sometimes she finds it hard, knowing that Barb probably wouldn't have recognized her now, that she changed, grew up and she isn't the same person that Barb was friends with anymore (my personal headcanon is that Nancy didn't even want to be a journalist before Barb's death, but after seeing how they covered it up, how the press twisted and manipulated the truth she wanted to be the one good one, for Barb, a sense of justice paid to her through others, it's why she wanted the facts for Eddie so hard)

And Robin asks her how she deals with it and Nancy says that she just has to, it won't go anywhere, she won't stop aging, "besides" she says "eddie recently told me something and, don't tell him that, but it was actually pretty smart"

"Impressive for him" Nancy giggles and it's good to know her giggles make her feel the same feeling of accomplishment even through the phone

"Anyway, he told me that we survived so we could change. That we are the lucky ones that get to change, dead people don't change. So it's good, to sometimes, become something new"

And it sticks with Robin and she somehow that leads her to asking Steve to cut her hair even shorter because hair holds memory and she wants to have space for new ones, the good ones, she wants to see them grow (one of this days I will think of a sapphic idea that doesn't involve hair, i swear, but today is not the day) also both Robin and Steve dye a strand of their hair pink, for platonic soulmate unity reasons

so anyway chicago is good, good for her and Steve and Eddie and they're thriving and they're finding queer bars and are growing up, becoming adults together and like Robin manages to hook up with a girl and meet more queer people, grow into herself and there a set backs and bad days, like once a girl started roleplaying a cop as a part of foreplay and asked "where do you work" in a voice that reminded Robin too much of the russians and the torture, she cried for an hour and a half on the girl's floor, before she managed to exhaust herself and only then she managed to give out their number so the girl could call Steve to pick her up, she cried in Stevie's arms the whole night after that because she just felt broken like yes she could move, she could grow up, she could experience new things but the trauma will always be a part of her

and so then! we have like two important seeing nancy moments

one where everybody comes back to hawkings for smh idk if will be holidays or smh or smh different, but even if nancy and robin called on a regular it's the first time she's seeing her since they went away for college and during that time robin finally catches up to nancy and realizes she's in love with her

But she thinks it's hopeless because Nancy hasn't yet came out to Robin (in my mind Eddie helped her in figuring it out during summer, she came out to Jon in the meantime after moving but before this coming home and during the stay in Hawkins she will come out to Steve but it will be unnecessary bc honestly Steve suspected that Nancy liked Robin since fucking the first words of the fic) and so Robin pulls away

Also during this visit is when she asks Wayne how he dealt with dating people after going to war, did he ever manage to separate his trauma and his dating life and he tells her that there are people who will understand and love her with her trauma not despite of her (with like a heavy look towards Nancy bc Uncle Wayne knows what the fuck is up)

Oh also per Chicago being good for the boys, it's where Steve finally allows himself to be loved, it's where they come home to each other, it's where they stay with each other, it's where they slow dance together in the kitchen, it's where Steve realizes that Eddie is here to stay, when Steve tells Robin he kissed Eddie over dinner, they both cry, simply because they are happy, Robin is so glad that Steve finally, finally is happy and healthy and is letting himself be loved how he deserves

and then we have a second time where the whole spicy six gather in New york to celebrate with nancy i'm thinking maybe new year??

and then nancy comes out as a lesbian and like than robin realizes what nancy was doing all this time, she realizes that they are steve and eddie (because eddie has waited, all this time until steve was ready, was right beside him when steve blossomed into someone who could trust that eddie wants him back, eddie waited and nancy... nancy waited too) and it's like the both of them go to bed together ofc and robin has this like feeling of, they had time, they finally have time, and they could take it in whatever pace they want, this like finality of feeling that they are finally on the same page and the rest is like fluff

Also something something Nancy belonging to NY and being even more beautiful somewhere where she is healthy and happy and thriving, something something about rosy cheeks and long coats and frosty kisses

So i guess i just want Robin to like grow into herself and who she is in relationships and have experience and grow comfortable in herself before she let herself love Nancy, i want them to be friends first and also i want the slow burn of it all

#i'm putting this here bc i kind of want attention but also i have so many unwritten fic ideas that i never shared here only with my friends #that its just #and like i said ill probably never write this one bc recently i have been distracted with a nancy-centric ronance fic idea in my head but #i still love this one a lot also i have still so many ideas abt it that i havent written out like the whole steddie side plot lives rent #free in my mind #btw if you follow me for a while you've probably seen me talking abt screaming fic ideas into my friends dms and if you ever wondered how #it looks like this is literally plugged from one of my dms with my friend sbsjsn so now you know #dom's au idea of the day #ronance #platonic stobin #steddie #fruity four #stranger things #robin buckley #nancy wheeler #steve harrington #eddie munson #fic idea

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netherfeildren · 16 days

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FABLE OF THE DOG : 1. The Two Headed Calf

Series Masterlist;

Pairing: Joel Miller x FMC

Summary: Welcome home and buck up, cowgirl.

Rating: Explicit 18+

Content Warnings: Cowboy/Heiress AU; Slowburn(ish); Original Characters; Alcohol & Drug Use; Discussions of Grief; Daddy Issues; Graphic Descriptions of Vomiting; Description of a Dead Body; Death of a Parent; Parental Neglect; Older Man/Younger Woman; Jealousy; Past Teenage Crush; Unrequited Pinning; Yearning and Longing Galore; Boss’s Daughter; Complicated Family Relationships; A Home is a Place but ALSO a Person!; Found Family

A/N: Disclaimer, I know nothing about Wyoming and it’s geography, ranching, or being a cowboy and just made all this up. Any and all misrepresentations are fallacy of my laziness.

The FMC tag was decided because she has a last name. It was just too difficult for me to speak in depth about her father without giving him a name, and thus her one too. After that decision was made, she kind of went away from me and devolved into her own person who I have come to be quite obsessed with. It’s still written in ‘you’ format, anyhow.

I’ve been having a whole lot of fun with this, I hope you do too.

Word Count: 10K

Read on AO3

1: The Two Headed Calf

“She’s been shut up in that house goin’ on three days now, Joel,” Tommy says as the two brothers make their way across the lawn.

The ride had been long and hard, and Joel is tired—he levels a dark look at him. “Just sayin’. Nothin’ you find in there’s gonna be pretty to look at.” He raises his hands in surrender at the brooding glare, that non-confrontational shrug that’s set Joel on edge since they were boys.

“One of you’s should’a gone in there. Made sure she’s okay.”

“The housekeepers’ve been keepin’ an eye. And Frank tried to go in there and check on her himself, but she’s angry as a barn cat. Hissin’ ‘nd yowlin’, and just bein’ downright scary as hell, to be honest. You should be prepared is all I’m tryin’ to say.”

“Her father just died, Tommy. I’m not expectin’ pretty sights right now,” Joel gruffs, trying to swallow the panic that flutters in his throat as they crest the final hill up to the big house.

The beautiful stone, oak, glass monstrosity that’s stood as monument to this place, this home that is not truly his, for over a decade now. The Kelly Ranch. The sky above is still a sultry, yawning blue, deep and tired, basking in the throes of dawn as the sun just now makes its way over the crest of the Tetons in the distance so that the house sits for just a moment longer in its pool of shadowed blues.

Joel pauses on the border of that somber darkness, afraid suddenly of what awaits him inside; boots glued to the ground with the gum of cowardice. He doesn’t want to see her broken. He doesn’t want to see her hurting. But there’s no other recourse, he knows this. The death of the estranged father she’d fought with all her life, the inheritance of this world that seems suddenly too big for just one orphaned girl, all alone now.

He’s afraid that he’ll walk into that house he’s always seen as other and home all wrapped into one—that Olympus that was so far removed and out of reach even when he walked through it’s halls to the man who’d given him sanctuary and salvation, to the man he knew mistreated her sometimes, didn’t love her enough—and not have the capacity to recognize her, this girl who’d always been familiar and stranger all in one also.

Joel Miller suddenly feels afraid of the memory she exists as in his mind, in the face of the woman he knows she is now.

When he lets himself in the back kitchen door, it’s still nighttime within. The cool dryness of the AC cranked up to inhuman temperatures makes him shiver once while sprouting a damp sweat along his nape. He should’ve showered before coming, should’ve washed the ride and the days of camp off his skin before walking into her presence, but all he’d managed were his hands and face. There’d been panic to make sure she was well, if not then alive, at least. But he should be more presentable for her.

Hell, he should’ve been here for her when she came home for the first time in two years to the house where her father had died. He should’ve been here when the man died.

But the herd had needed moving. He hadn’t thought it’d all happen so quickly, thought he had more time, that they all had more time. He’d hoped she wouldn’t return at all, if he was being honest. There was nothing here for her. Nothing except memories of a gilded and loveless, already motherless childhood. The reality of all she was set to inherit. The truth of an aloneness Joel didn’t know if she was prepared for.

He moves through the house slowly, afraid to disturb the ghosts and the silence. The interior, immaculate and beautiful and solemn. Something out of a movie picture or the gloss of a magazine. Something covered not in dust but in sadness. The stairs are silent as his spinning mind makes up for the creak, the boots she’d sent him on his last birthday hit the richly piled rug at the top, and the hallway to the bedrooms yawns long and frightening in front of him. Two grand a pop, the boots—Lucchese, he’d looked them up on the iPhone she’d sent him the year before. A gift giver, generous to a fault, kind to a detriment. She sent something to all the ranch hands that’d worked for her father since she was a girl. Something for the entire ranch at Christmas. And all he managed each time was a perfunctory thank you card, like he did every year because he remembered, years ago, in her little voice, polite people send thank you notes, Joel, my grandmother told me so. Last year he’d written that they were too much, that she shouldn’t have, that he was grateful. There wasn’t much else to say.

That was the extent of their communication, familiar and stranger in one, the far removed golden child of the Kelly. They’d all called him that, the Kelly, for as long as he’d known the man. As if he was some Scottish laird of old, ruling over his clan and half the world. Egotistical, was what it really was. He’d thought himself a god among men, in the face of his only child. Ridiculous was what Joel saw it all for, a put on play, a farce.

And wonder of wonders, she was entirely unlike him because of course she would be. Of course a man ruled by nothing more than ego and narcissism had been sent his polar opposite in the form of his only child. Kind hearted, was what she was—sending him a birthday gift every year. Remembering them all here always no matter how far she’d gone. He sent her a thank you note for each benevolence in return, a word of respectful gratitude for the fact that a person like her could ever remember a dog like him.

Sometimes, Joel had wanted to go to him, the old man, Oswald Kelly, and ask him where his daughter was, why he wasn’t looking for her, keeping her closer, caring for her. He wasn’t the sort of man that could’ve ever understood such callous behavior towards one’s child.

The last time she’d been here, over two years ago: less than forty eight hours that had ended in screaming so terrible they’d all heard it down from the barn, sitting in uncomfortable, swollen silence, the spinning of tires ringing as she yelled at her father that he was never going to see her again, the man’s echoing laugh as she’d fled him.

Joel hadn’t seen her on that visit, it’d been so quick and angry. Flying down on the jet from New Haven for her father’s seventieth birthday and not even making it long enough for the festivities. This was what her life was, as he’d observed it from a distance for all these years, the singular daughter of this great house, coming to her father, attempting joy and finding nothing but disappointment at the end of him.

She’d been right, a knowing streak running through her. Kelly had never seen her again, and Joel didn’t know if the old man had regretted it or not, the anger and the estrangement and the lack of love. But the last time he’d spoken to him, hours before setting off on their move, the herd always came before everything else, the ranch was all that mattered is what the man had always said, with death scratching at the window, his frail and withered body licked down to almost nothing from the austere and imposing figure Joel had always known him as, he’d asked for her. His only child. Do you think she’ll come, Joel? The dying man had asked him. My daughter, do you think she’ll come see me? Joel had lied a lie he hadn’t known was one, said she would, that he’d call her as soon as he was back.

In the end, he hadn’t even afforded her that decency, a personal call.

He comes to her open bedroom door now, pitch dark as grief within, and the stench of sorrow and liquor seeping from the living grave. He looks down the long and empty hall for a brief second, wishing it didn’t have to be him, that again, he didn't have to see her any way other than okay. And he realizes that there’s something about her, as she will exist now, that makes him cowardly. Something about this house without the man who’d granted him the absolution of a hiding place all those years ago, who’d understood and sheltered Joel in the midst of his own past grief, that makes him cowardly. The house feels wrong without Kelly within it, wrong with only her as its holder now.

Joel steps into her dark, and it’s a battleground—

—You are silent and motionless in the blue room.

Nothing of the gleaming splendor that dresses the rest of the home sleeps in here. There are clothes everywhere, an exploded suitcase lies open and massacred in the middle of the plush white rug, a turned over bottle of red wine bleeding into your clothes. Shredded pages with scratched on writing slashed across them, the dusted white mounds of crushed pills, as if you’d smashed each one individually beneath the thumb of your grief. The sight makes him more afraid, the scent of weed and cigarettes heavy in the air, as he takes the final step towards the wrecked bed, and a single small foot hangs limply from the edge.

He stares at it long and hard for a second, afraid, afraid again, still, of what he’ll find. He says your name once, short and gruff like a dog’s bark. It’s what he feels like. Animal, bestial, lacking any sort of cognizance amidst this minefield. His heart beats against his spine, and he thinks he should do something else, shake you, check for a pulse, his bones throb inside his skin. He needs to fucking move, but the smell of smoke is so cloying he’s choking on his own tongue.

Your ankle twitches.

And Joel sucks in a sigh of relieved air without panic, saying your name again. His voice is level now, maybe gentle, no more barking dog. His eyes move up the length of one pretty leg, and then quickly, he averts his gaze when he gets high up enough he’s met with soft-creased asscheek covered in silk. Swallowing his tongue, his eyes roll in their sockets, looking for anything else to look at besides the sight of panty clad ass. He steps closer again, gripping the edge of the sheet to pull it over your scantily clad body, eyes flitting to the silver spun clock on the nightstand, the warm glow of the hall light shows that they have two hours to get you sober and presentable before the funeral.

Joel should have been here. He does not feel that he is even here now. And the guilt eats at him like acid. The fear too.

“Darlin’, you’ve gotta get up now,” he says softly, taking hold of your shoulder, scalded by the feel of fragile skin, realizing with the suddenness of a gunshot that you’ll be the Kelly now. He gives you a gentle shake, “We’ve gotta get you ready,” and his heart pumps blood like a machine. The sight of the dry liquor bottle toppled on the nightstand, the shattered glass glittering the floor in crystal, the empty pill bottles, it all taunts him. His guilt is a cacophony in his mind. He knows he’s going to have to stick his fingers down your throat, make you spit it all up, that you’ll hate him for all of this afterwards, but when his gaze meets streaked rust, dark and shocking against the white sheets, he’s kicked into terrified action.

He turns you over, your head lolling sickeningly in unconscious stupor, hair a tangled mess strewn about your face so that he has to dig for your eyes, parting the curtains of your fringe to uncover you. He focuses on your closed eyes, the too long lashes clumped together, lips cracked and parched.

He should’ve fucking been here.

Smoothing his fingers along the lengths of your arms, he keeps his eyes on your face and averted from all the skin that keeps peeking out below, searching the divots and slopes of your arms for hurts. When he gets to your right hand, battleground of a long ago broken hurt, he finds the drying crust of blood, the ragged split in the soft, small palm, thankfully shallow.

His eyes smart, looking down at the broken glass, feeling the tear in you.

Gripping you gently below the elbows he pulls you into his arms, cradled like a child, light as loss. Your head lolls again, neck crooked at an unnatural angle as he carries you into the restroom, careful of your head, knocking the lights on and putting you down in front of the toilet bowl. He pulls your camisole to rights, making sure everything is covered, and gathers your mess of hair as carefully as he can, trying his best to not snag the fragile strands in his too rough hands, but gripping you firmly in position. And ignoring the sound of your awakening cry, he sticks two fingers into your slack jawed mouth and down your throat until he feels the hot rush of vomit.

Crouching behind you, his thighs bracket you, keeping your form from slumping over as you empty the poison from your belly, flushing the alcohol soaked bile as you struggle. He wipes his messy hand on the leg of his jeans and rubs soothing circles on your back, his fingers woven through the soft silk of your hair to keep your head in place and your face clear. His heart thumps in rhythm with your heaves, your too quick, panicked breathing. There seems to be not enough oxygen for the two of you and your grief in the too small room of the commode, and Joel gasps like a dying fish, trying to swallow calm breaths.

When you finally stop your heaving, you rest your arms at the edge of the gleaming porcelain, head hung low, defeated, wracked with shivers or silent sobs, he isn’t sure, a strange and horrible keening noise, so small he barely catches it, held in your throat. There’s the finest down of peach fuzz that covers the tender slope of your vulnerable nape, and it makes Joel feel suddenly, just as vulnerable, just as unprotected. At a complete loss for how to help you.

“Finally decided to show your face,” you croak, voice ragged with your sick.

His fingers tighten once around your shoulder, a panicked tick of reminder that he’s here now, that he’s him. “I was moving the herd. It had to be done. Your father, he—” he stutters, trying explain, tripping over his own guilt ridden words. “I didn’t think it’d happen now, so fast, that you’d get here so soon. I thought we had more time.”

We.

Your skin seems to cool by the second beneath his fingertips, and then you’re shrugging his touch away, huddling closer to the porcelain bowl, further away from him.

“Get out.”

“Let me explain. I—” And he’s begging now. He can hear the note of it in his voice. Begging for forgiveness. For a chance.

“I don’t want to see you.” You don’t say his name. “Get out.” It feels worse than anything.

“I’m here now. I didn’t know— I didn’t think.” He reaches to grab for you again, but you turn to face him suddenly. Wiping the back of your hand against your mouth, pushing your heels at his shins to kick him away. Your eyes are red rimmed, the hollows beneath bruised with lack of sleep. But fire spits from the deep color, all anger and hurt.

“Go deal with your fucking ranch,” you fling the words at him. “It’s all you care about anyways.” And they weren’t shivers, he sees now, they’re tears tracked as proof of all his guilt, all his lacking, along the slopes of your fine grained cheeks.

Your, you say. As if this place and anything in it has ever been his. He’s never wanted any of it like that, only ever seen a thing that needed taking care of, and him, with the ability to care for it.

“I needed you,” you whisper as if the thought comes along on a second wind of anger, a realization that sends your voice breaking, hitching, your chest caving in on itself as the tears come faster and faster now. “He’s dead, and I needed you.”

“I’m sorry,” he begs. “I’m so sorry.” His voice breaks now too. He thinks he’ll cry now too, for the man who he also lost, who despite it all meant something to him, as well. For you, who’s lost even more. For Joel’s own guilt.

But he doesn’t think you see any of that, not his apology, not his regret, not his own grief. You turn away from him again, laying your temple down again on your forearm. “Get out. I’ll be ready soon.”

And so he goes.

Your father is made small and withered in death.

One of the wealthiest men in the entire world. A stranger, a titan, a nightmare of a man.

It wasn’t something you’d ever considered, that a human body could look so colorless and frigid and not alive. Like a shock or a ringing bell, it’s a realization that you’re an orphan now. That you’re all alone.

You feel something like a memory of regret. Or something that’s like the idea that you should feel regret, that you should feel guilt for how it was between the two of you. But all that is overshadowed by the reality of what you weren’t. All you feel even more, or in actual reality, is the old loss of what you’d never been to each other. That, you realize, is the seed of your grief. That long ago wound, that child’s understanding that he wasn’t like all the other fathers, that he’d never care for you the way other children were cared for.

Looking down at the frozen face that looks nothing like the one he’d worn the last time you’d seen him, the wispy thatch of hair that hadn’t been so jarringly white before sickness had ravaged his body, you realize that this is no new loss, it is only a continuation, a reopening of a very old one.

The cavernous cathedral at your back is silent, vacated by the sea of people that had congregated here earlier. And with sickening curiosity, you uncoil an arm from where you’ve got it wrapped around yourself, reaching out to press a finger against the ice cold back of his hand. Shockingly not alive; he feels made of rubber.

Everyone that’d been here to bid farewell to this behemoth turned slip of a man, to catch a glimpse of you, packed like teeth into Jackson’s grandest cathedral; business men and heads of state from around the world, the oldest family names in the country, figures of the highest echelons of wealth and society, vipers circling the barrel—half the world here to see this person who was supposed to have been your father but was really only a stranger.

You take your hand back, and you don’t say goodbye as you turn away from his body. There’s no farewell to really tell.

And at the back of the church, hiding in a bright ream of sunlight, Joel stands propped against the face of a saint. Dark and silent and maybe even more far removed than your dead dad. Watching sentinel. Oswald Kelly’s hovering man—come to watch over him one last time.

The silk of your stockings slide against each other at the junction of your thighs, the hiss of your skirt around your calves as your reed thin heels click against the stone, and you pull your armor as tightly around yourself as you can. There’s a hollow echo inside of everywhere and everything, your mind like a gong, reverberating, and his gaze is so steady, hazel bright, deeply shaded by the lip of his dark hat, beckoning you towards him from beneath the brim.

Large and strong and steadfast, your heart gives a painful, longing thump—stupid, writhing thing—and you can only bear to look him in the eye for a second, and if you were to really think about saying goodbye to that father that never really was, lying behind you, slipping further and further away, you’d say it to the man that always stood as his shadow before the world, before you ever said it to the man himself.

The drive back home is cast in frigid silence and made all the more uncomfortable because you can practically hear Joel’s brain clicking and ticking away with worry.

He’d sent your car and driver away with a harsh word while you collected your final goodbyes and words of respect from the last smattering of people congregated and waiting for the newly birthed heir to one of the greatest fortunes in the world.

Hovering over your shoulder, he’d kept anyone from stepping too close or getting too friendly, so close you could feel the heat of his chest through the silk of your blouse, and then going suddenly full on aggressive when a reporter from the New York Times had approached, fishing for a quote on the future of the Kelly empire. Ushering you away with a hovering hand at the small of your back before the man could get half a question out, he’s opening the truck’s door for you as a haze descends over your eyes, the distant shutter and flash of cameras bursting in your peripherals, a latent hangover and sleep deprivation and not enough to eat in the last forty eight hours causing you to sag in his hold. Then it’s only his big fist wrapping around the span of your wrist as he lifts you into the truck, your eyes downcast and unable to take in sight or sound, vision all a blur. You murmur a barely there thank you with his hand fitting at the dip of your waist, big body blocking yours entirely from prying eyes trying to catch a glimpse or a stumble, and for a single second, your entire weight is suspended in his hold, allowing you to bypass the struggle of balancing your high heel on the step up, and then you’re sliding onto the leather of the seat, the whisper of your cashmere and silk rustling around you as he handles you like a child being spirited away from the scene of a crime.

The door shuts gently behind you, face turned away from the flashing lights, the watchful eyes of the whole world, and worst of all, the assessment of his concerned gaze. All you’re afforded are thirty seconds of privacy to let out a single gasping sob.

And now, an hour and a half of silent purgatory.

You slip your heels off, flexing your smarting toes against the damp of your stockings and tuck your folded legs beneath you on the seat. Paying the frantic energy of his anxiety and lodged words no mind, you consider instead: your new reality. The burden of it all means very little to you now. The last of your worries is being readied for entombing as the two of you speed down the eighty nine, zinging past the bright Wyoming green. The thrum of his truck drowns out your thoughts, brand new, probably over a hundred grand, only the best for your father’s right hand man, and the Kelly Ranch insignia emblazoned proudly on the sides. A brand for the whole world to see just who exactly is being whisked away to her old home turned brand spanking new grave.

You might be feeling a little bit dramatic. But then again— you’d just put your last remaining parent in an actual grave, surely that provides you some allowances.

Out of the corner of your eye, you can see his big paw gripping the leathered steering wheel in a death clutch, knuckles white with his frustration at the dilemma you pose, his own discomfort. You’re sure if he thought you wouldn’t catch him, he’d be squirming in his seat.

You do something to him sometimes, you know this. Not in any way you’d like, not in any interesting way, that of a woman affecting a man, but something respectfully harrowing. Maybe something a little bit like fear.

There has existed between the two of you, always, that strange intimacy of two people who’ve known each other for a very long time, and yet, have always remained at a far removed, arms length distance from one another.

A professional intimacy of sorts. Your father’s foreman, shadow, fixer. The man who guarded that treasure trove you’d inherit one day, today; the thing your father loved most in the world. Two people who’ve known each other a long time, and yet, don’t really know each other at all.

There has always been, however, the fact of the birthday.

The birthday. Your birthday.

The way you’d latched onto that small, immense, detail when you’d first discovered it at fourteen, when he’d newly arrived at the ranch and the true weight of your first real crush had really hit you, it was probably not entirely healthy. But you’d thought yourself in love with your father’s man, the first figure of the male species who’d ever drawn your attention in such a way.

He’d never paid you any mind; you were the boss's daughter, a figurehead or a responsibility, maybe a nuisance, although he’d never ever treated you as one. But the day someone had let slip it was his birthday, on the same day as yours, your teenage heart had swelled with the naive hope of fate. It was meant to be, the two of you were connected, so on and so forth, swallowed by girlish innocence and made buoyant by fantasy.

But you’d had something to share with someone, which was what really mattered. Something tangible, even if only in your inexperienced little mind, something to wield as comfort so that the first time your father had forgotten your special day, fifteen, and what a tender age it had been, you’d had something to cling to. That's when your gifts to him had started. It was your way of making sure there was at least one person in the whole world who’d remember that was your day too. That you were alive, that you mattered. A reminder of yourself. And as the years and birthdays passed, sometimes, when he sent those coldly gracious notes of his, you’d wished you could’ve written back with honesty. Said something like, I’m so lonely, wish you were here, wherever it was in the world you’d found yourself at the time.

And of course, he was gorgeous and older, strong and patient and capable, entirely unattainable. Impossible to forget. You’d gone so far, traveled wide, gotten yourself an overpriced education that would probably serve you for nothing, had lovers and parties and splendor, and always, you remembered your gifts for him, you remembered him. It was the single most important detail of your birthday every year.

The leather creaks beneath his fist again, chapped knuckles set to burst before he flexes his fingers out, long and straight. Thickly built hands, strong, made for working or hurting, on a man who you’ve never seen be anything but stoically patient.

He was strange in that way, neither wholly impulsive nor precisely intentional in his mannerisms. More so, it was that there was something extremely neutral about him, a middle buoyancy of personality. Strict with the cowboys, exacting, wielding his title as ranch foreman with an iron fist and your father’s blessing, and yet still, quiet, serious, with that patient gentleness about him. You’d seen it in the way he’d handled Ellie when she’d first come to the ranch, young and skinny with that hollow look of trauma kids who’d seen things they shouldn’t have shamed adults with. She’d been a little older than you, and with an air you’d not understood, a sort of lived past you’d been naive to the existence of, frightened when confronted by it, and yet inevitably, the two of you’d become fast friends eventually.

You’d even experienced it yourself, on two treasured occasions, that gentleness that you’d held onto for years. Nurturing the memory of him in your mind like a delusional bloom.

He stretches his hand again, wheel caught between his thumb and forefinger, cinching it there, back and forth. His nails are meticulously clean, cut to the quick, and you imagine he must spend a great deal of time cleaning himself up when he works so hard at getting himself so dirty most days.

You can see him sneaking glances at you, and he coughs once, a clearing of his nervous throat. Averting your gaze, you turn your face away so that you’ll be able to watch him through the reflection in the window. He monopolizes the space in the cabin of the truck, broad shoulders and hulking form, all the fine leather smell washed away in the scent of him. That bay rum aftershave he’s always worn, the one with the distinctive notes of bay leaf, cloves and citrus. An old fashioned scent, masculine and crisp.

You’d snuck into the bunk once with Ellie, before he’d moved into the foreman’s cabin, before Switzerland, when the two of you were still girls running rampant and free through the ranch, clutching desperately at the last vestiges of any sort of happy childhood you could scrounge up for one another. You’d peeked in his things, found a whole world of Joel shaped curiosities. The glass etched bottle of aftershave, a hole spotted t-shirt with a burnt orange longhorn across the front, Flannery O’Connor’s The Complete Stories—something you found comforting, knowing he could read about the small, the freakish, real life; thinking that perhaps he was homesick for the comfort of the South, hungering for a taste of the life he’d had then, through books. And then, in a spine cracked copy of Suttree, the pages almost falling apart beneath your fingertips, dog eared and well loved, her picture tucked between the pages.

It had been the first time you’d done something you knew you shouldn’t have and actually regretted it, looking down at that green eyed photograph.

You’d run back to your room after that, ashamed and something a little bit like jealous, desperate to know who she was, desperate for someone to keep a picture of you like that—as if they loved you. And years later, you’d found the scent for yourself. The little molasses glass bottle you still have and pull out on occasion, when you’re feeling extra bad, extra lonesome, extra far away from the whole world, just for a reminding of home.

Beside you, he sighs again, coughs again, brings you back to himself and the present. Just spit it out already, you think exasperatedly, say something, anything else besides how sorry you are.

“I’m sorry I wasn’t there,” he starts, and you roll your eyes, scoffing quietly.

“You already said that.” Sullen. Mullish. You wish you were a child who could still throw a tantrum and get away with it. Letting your eyes go unfocused from his reflection in the window, you brood at the sight of everything that’s yours now as he turns off the highway, passing below the iron eave of the Kelly Ranch entrance. Eight hundred thousand acres of pristine Wyoming land nestled into the deep valley surrounded by the Grand Tetons mountain range.

“Well, I’m sayin’ it again.” He’s driving too fast, and you refuse to turn and look at his face. Your heart beats blood in your ears, and you screw your eyes shut to the dizzying blur of green legacy, not wanting to see any of it—him.

Your belly swoops, going slightly nauseous and gurgling.

“I didn’t think you’d get here so quick.” He swallows, “Hell, I didn’t think it’d all happen so damn fast.”

“I was already in New York,” you tell him, voice clipped with breathlessness. “I left Paris last week.”

“What? I didn’t know— I—”

“Why would you?”

“I would’ve called you. I would’ve gotten you out here quicker.”

“Ellie called. It’s better like this, Joel.” Finally letting yourself say his name out loud, it feels wrong and molten on your tongue, a heaviness being spit up from the depths of your stomach. “We don’t have to pretend anymore. He’s dead now.”

“There’s no pretending. He wanted to see you—”

“Please, stop.”

But he urges on unheeded: “He told me so before I left. Told me—”

“Stop,” you snap. Finally turning to look at him and hating him for it. For how gorgeous he is, for all the things he’s always made you feel for as long as you can remember what it was to feel something for a man, for all he did or did not have with your father when you had none of it or so much of an entirely different thing. “Stop. I don’t want to hear any of it. It doesn't matter anymore, Joel.”

“But you should know. You deserve to know that—”

“What?” Because that one hurts. “I deserve to know what?” That he actually had loved you but had just never been able to show it? That now it was too late? That the only person the great Oswald Kelly had ever been able to speak to of the supposed care he had for his only daughter was the hired help? You’d read once that one should never let their parents anywhere near their real humiliations. You’d tried your damndest to follow that as soon as you’d grown up. “It’s not your place,” you seethe with teeth bared, an animal shoved into a corner and made to fight for its life, deciding you won’t ever let Joel near them either.

He spits a cursing, growled sound of frustration, but doesn’t continue. The two of you find yourselves at an impasse, and you turn back to your windowed mirror of him, eyes pinching hot, filling with tears. One of the things your father disliked most about you, your easy tears, and a single salt marred inadequacy tracks down the slope of your cheek, dripping off the edge of your jaw into the bandaged cup of your palm, and you breathe slow and measured through your open mouth, watching the fog cloud grow and shrink against the glass obscuring your vision of him.

The last time you’d missed your mother, the one you’d never known, in any sort of real and true way, you’d been eighteen. Returning to an empty house after celebrating your high school graduation in a far off school, alone.

In the midst of your sophomore year, you’d been sent away to a Swiss boarding school. It had been something worse than devastating, losing your life in Wyoming, the only home you’d ever know, Ellie, the other people on the ranch… But it was far removed enough that you couldn’t bother, where you couldn’t ask for things like attention or consideration. The education had been excellent, the upbringing desperately lonely ending on a whimpering sigh despite your many accomplishments. You’d wanted her very badly then indeed, your mother. To have been there, to have helped you pick your dress, kissed your cheek after watching you walk across the stage. To have wiped your tears when she told you that your father wasn’t there because he was busy managing the whole world, but that he was proud of you, that he’d have been there if he could. You’d wished she could’ve been there to lie to you so that you wouldn’t have needed to lie to yourself.

Peering down from your balanced perch atop the deck’s bannister, you survey the deep bed of Lily of the Valley, destroyed beneath the vindictive soles of your bare feet. He’d planted them for her all around the house after she’d died, her favorite flower.

You’d always hated them.

And that was the thing of it all, which you’d learned when you grew old enough to recognize such things like disdain. He couldn't stand you because you reminded him of her. Clichéd and old and tired. An excuse for being a neglectful father. The daughter who was too much like her dead mother, and thus did not deserve to be loved.

You tip your head back, nursing at the lip of fine aged Macallan, and the sky is a glass mirror of blackened silver streaks. You’re almost positive that all the stars in the Milky Way are visible from right here at this very spot in the heart of Wyoming. The sight makes your broken heart feel full and falsely mended.

You’re certain you’re painting a pretty picture right now: tipsy on a bottle of your dead dad’s sacredly hoarded whiskey that probably cost as much as someone’s house, staring up at the stars in your newly inherited home with a whole unappreciated life full of possibilities ahead of you. Basking in the title of your newly minted— orphan-hood? Orphan-ness? A peer of the orphans.

You snort softly, sucking on the bottle again, letting the heat of it settle in your belly, smolder in your heart. Your head feels full of bubbles and sugar and sad.

There’s a part of you that feels a little ridiculous, despite the circumstances. You’re good at compartmentalizing, good at being objective of your realities. Obviously: sad because your father is now dead, and it’d been nine months and eleven days since you’d last spoken to him. Sad because he’d never given a shit about you. Sad because you’re alone, dumped by the stupid French jockey boyfriend who you’d not even liked very much, just a few days before this whole pathetic ordeal of acquiring your orphan-hood, yeah, that’s what you’re sticking with, had occurred. Not to mention the army of looming lawyers and financial advisors and various heads of business vying for your attention, waiting for the what next?

And Joel.

A one man army of looming Joel.

So you’re feeling morose, blue, maybe a little spoiled, but brought low and cut short. Depressed and unsatisfied with your life thus far.

Poor little rich girl. Poor little orphan. Poor little me.

What you want?

Someone to care.

Someone to love you.

Hard to come by. Impossible to buy.

The stars gleam purple silver, winking at you. The bracketing black so dark it swallows the eye. Another taste of the nutty bouquet of smoked apple oranges, and soon you’ll be tipsy enough you won’t be able to balance your butt on the bannister’s ledge anymore. Maybe you’ll go humpty dumpty over the edge and crack your skull against your mother’s valley of destroyed Lily’s.

You laugh again with sound now, not crazy, only an orphan, ha, but you think that it’s only that it feels shockingly as if you’ve fallen through the surface of your life. As if you are still falling with nothing and no one to grab on to, to help stabilize you. A really terrible, shit-out-of-luck feeling.

Your eyes continue their infernal leaking, and you blow your nose loudly on the inside of your sweater. You’ve given yourself three days to do whatever the hell you want, be as disgusting as you may. When the three days are up you’ll plan to get your act together, take responsibility and hold of your life and become the woman you should be.

Who that is? Still being decided.

You think that maybe you’ll buy another jet before that time’s up. Or an island. Something ridiculous. Maybe you’ll sell the goddamn ranch.

You eye the dark rolling hills of the valley with seething suspicion. Let’s see what Joel says about that. You, marching up to the highway entrance and spearing a For Sale sign in the dirt of the largest privately owned cattle ranch in the continental United States. Way more than that God forsaken surly frown is what you’d get.

So long, Joel, it’s been swell. I’m done with this place. It’s time to pack it up and find some new hunk of land to care about more than you care about me or anything else.

Maybe you’ll be real funny and put up a Craigslist ad.

And it isn’t that you don’t love this place, the only home you’ve ever known. You do. In a way that is passionate and consuming and irreconcilable. Everything about it, the serenity, the guarding mountains and the deep woods, the home you’d been born in, that both your parents had died in. You do love it in your way.

It’s only that every man you’ve ever loved—loved—had always cared more about the place than he’d ever cared about you.

For the longest time, most of your youth until you’d decided that you officially felt an adult, you’d thought you’d hated your father. There was just so much anger and resentment and the resound of his ever furious words and insults and endless disappointment. The echo of no mother ringing so loudly in your ears that the confounding feelings had all been mistaken for hatred. But with age and distance and life, you’d realized you didn't hate him. You never had. You thought, actually, and this was a very good and mature thought of yours, that you were the only person in the whole world that had ever seen him as only a man and not a god.

He was only a man, full of greed and grief and missing the mother of the child he’d probably never wanted. Nothing more or less.

Maybe it was that you felt sorry for him. Not in the way of pity, but in the way of one person feeling empathy for another in a clinical and helpless sort of manner. And a numb, detached sort of sadness. A longing for something that you’d never had and had always wanted but eventually learned to live without.

Ultimately, his disappointment had turned on him, and now it was all you felt you had for him at the end of it all.

But, for some reason, and an annoying one at that, you do think that, if you try very, very hard, you could bring yourself to hate Joel Miller. There’s satisfaction in that possibility, vindication—resentment that even now, as practically strangers, you know he’d be able to pull that sort of feeling out of you which could result in hatred. Something strong and overwhelming and not easily escaped.

Your stomach rumbles, and you smile blithely at all your inherited legacy, filling the hollow with more drink. Three days to behave very badly, as badly as you can. The whiskey is so good, and swishing it around in your mouth, you tip your head back further, gurgling it loudly at the back of your throat.

“What the hell are you doing?”

You jerk, scrambling to keep your balance, choking a little on smokey apples and your own spit. A trickle of the golden amber liquor drips out of the corner of your mouth as you find him hiding in the dark across the deck. Accustomed to drooling over him, you wipe it away with the back of your hand.

“Having a party. Would you like to join?”

“Are you drunk again?”

Tough crowd. Ugh. “Never mind. You’re not invited. Go away.”

“You need to go inside and go to bed.”

You tip your chin at him, putting on doe eyes. “Alright. And are you going to be my new daddy also?” You say in a baby voice.

Fucking Christ, you hear him whisper under his breath, turning away to run an exasperated palm over his mouth. Frustration seethes off of him like sulfur. He’s tired. Of you maybe. Of the whole circus this place has become in the past few days—and rightfully so.

“What do you want? I’m extremely busy, if you can’t tell.”

“Just thought I’d check on ya.” Courteous, always the gentleman, bullshit. You roll your eyes at him.

“I don’t need you to check on me.” And you, ever the child. One day you swear you’ll grow up.

But it can’t be said that you’re entirely selfish either. You have considered the fact of Joel’s own grief at the loss of your father. After all, they’d been much closer than you’d ever been to him for many years. And maybe, in his own cold and removed and superior way, your father had seen this man who you’ve thought yourself in love with since you were a teenager, as something like a son.

Probably, that’s just your own wishful thinking: that Oswald Kelly had ever been capable of such tender feelings.

Maybe the fact of Joel’s own grief is the thorn beneath your nail bed that’s making you so angry with him, so needing of his attention. Maybe it’s that he’d failed to fulfill your silly and girlish fantasy that upon receiving the news of your only remaining parents death, he’d have been here waiting for you, at this home he’d guarded for you for so long, ready to take you into his arms and console and care for you.

When instead, he’d been off doing what he’d always done for as long as you’d known him. Protecting your father’s interests, his legacy.

“Is this how it’s going to be?”

“How?”

“You, being difficult.” Driving me fuckin’ crazy— he adds again under his breath.

“I’m an orphan now, Joel.” You’re becoming quickly addicted to the word. “I think I should be afforded a tiny bit of leeway to drive people fuckin’ crazy,” you mock his Southern drawl. Enough of your time had been spent in Europe over the past two years, kissing Europeans, that you’d sloughed off the last of your American twang; something of a vaguely European lilt peppering your words every now and then that Ellie likes to tease you for whenever the two of you speak on occasion.

A muscle under his left eye twitches at the jab, and you take another deep swig of the bottle, provoking him with your gaze. Wishing you had whatever it is a woman needs to entice this man. Like the fucking vet. Fucking world renowned, brilliant, highly coveted, beautiful veterinarian. You know about her. You’re sure he thinks he’s been discreet over the years with their whatever they’ve had, Tess, but you know.

Maybe you’ll be insane and irrational and possessive, taking advantage of your three crazy days, and fire her with your new found power. See what he has to say about that. Ha.

Ha. Ha. Ha.

Obviously not.

Despite your current hysteria, your goal is not to send the ranch head over heels into a tailspin.

But the imagining is soothing.

“Want some?” You hold the heavy crystal out towards him in a peace offering, held precariously between two sweaty knuckles. “It’s probably worth as much as your truck. Would be a waste for me to finish on my own.” You eye what’s left of it, about half, and give him a sheepish grin. It really is very good.

He looks at you for one long, solemn moment, always so silent and pensive, this strange enigma of a man. You get to watch in real time as he loses whatever fight it is he’s trying to fight against you, victorious when he shrugs and comes over slowly, resting his butt against the bannister—a carefully respectful distance away from you.

When he takes the bottle from your swinging clutch, gripped from the base, careful not to touch you in any way, you see the real sad in his eyes. The dim lights bleeding out through the big windows of the family room without a family shine on his face in strips and bursts. A shadow here, golden warmth there. He’s got more lines around his eyes than you remember from the last time you’d been this close to him. Smile lines made bright white in the center and gold burnished at the edges from too much sun. There’s little bursts of silver threaded at his temples now too, a gleam here and there in his dark beard. Forty four years old, he’d turned on your last birthday.

You dig your nails into the soft meat of your palms, and your belly smolders as he brings the bottle to his lips, tasting the exact place your own mouth had just been moments ago. You press your knees together as hard as you can, head a little woozy with the color of his eyes; the most gorgeous green, caramel hazel.

You’d graduated two years ago with a degree in art history and had done absolutely nothing with it since. It was just that everything appeared boring and pointless and shallow. Your whole life had one day suddenly seemed just a little silly. Useless, overpriced degree, nothing to be done with extensive knowledge in color theory when your world is expecting such different things from you now.

But you sure as hell can appreciate the color of his eyes in extensive and meticulous detail. There is that.

Watching the slow slide of the amber liquor down the bottle-neck, the long pull of his lush mouth, the ripple of his strong throat, and the way his eyes go a little wider, shocked at how good it is. You laugh soft: “I know, right.”

He takes another pull, another swallow. That’s what you want to be—swallowed just like that. “Damn, that’s good.” His mouth is a little wet, bottom lip shiny with thousands of dollars worth of your father’s favorite whiskey, and his eyes are sad.

You’d said you were going to be bad, but you don’t want to be bad to him. “I’m sorry,” you whisper.

He swallows again, tipping his head towards you, trying to catch your too soft words—he’s got a bad ear, you know why—and turns to peer at you from beneath his low pulled brow, the tip of his tongue peeking out to swipe at the drop of liquor you wish you could suck off his tongue.

“You’ve got nothin’ to be sorry for.”

The first time he’d shown you that gentleness of his: You’d fallen from your horse at school in your junior year. Something had frightened the beast, and she’d bucked you, sent you flying ten feet in the air, ragdoll-like, before you’d landed badly on your right arm, a comminuted fracture in your radius that you’d needed surgery to fix. At your insistence, and with only a few weeks left to spare, you’d been sent home for the remainder of the semester. Your father had been incensed but eventually allowed it. He’d been away from the ranch on business, after all, at no risk of being truly disturbed by you. But when you’d been readying to return to Switzerland at the end of the summer, arm healed, courage not, you’d not been able to get back on a horse no matter what you tried. Joel had helped you, before they’d shipped you off again. Trotted the corral with you for hours and hours before you’d finally been able to relax and sit on your own without tears and vertigo. No questions or admonishments, nothing but the quiet burr of his deep voice, guiding you and the mare along.

It had been a kindness unlike any you’d experienced in maybe your whole life.

“I’ve been bad.”

“Nah. You couldn’t ever be.”

The second time: “Did today make you think of Sarah?” Years after you’d found that green eyed photograph, he’d shared her with you.

His gaze turns suddenly sharp, but you’re not worried you’ve stepped in unbreachable territory. “Yeah.” The echo of her name rings around the two of you.

“In a bad way or a good way?” He takes another long swig, a low whistle through his teeth and a shake of his head before he’s handing the bottle back to you—again, carefully.

“Both.”

You take your own swallow, slicking your tongue all around where his just was, and you’re drunk for real now. Drunk on a man.

“Do you ever regret telling me about her?”

“Nah.” He tips his head back, looking up at the thick beams of the deck’s awning. He’s got the longest lashes you’ve ever seen on a man, thick and curling. The deepest voice you’ve ever heard too, sultry, a bedroom voice. A voice for fucking. Your belly swirls and dips, and you want so much you’re dizzy with it.

Heart beating like it’s about to burst, out of breath on the verge of hyperventilating, you can taste his mouth in your mouth, the imagination flavor of it. This is what it must feel like to die. This is what your father must have felt like three days ago, this agony.

His Adam’s apple bobs, and it’s so pronounced, the skin of his throat sun pebbled. There isn’t an inch of him that isn’t all rough-hewn man. “You needed to hear about her then, I s’pose.”

Yes. “You told me when I needed you to.” After that lonely graduation, the last time you’d missed her really very badly, longed for a mother. Alone, alone, alone little girl.

“You were missin’ your momma somethin’ fierce. Needed to know you weren’t the only one that felt like that sometimes.”

You laugh a not-laugh, butt scraping against the railing, slipping off your perch, socked-feet thudding beside his gifted boots. The pleasure you feel whenever you see him use one of the things you’ve given him is indescribable.

“Silly,” you say with barely any sound, his bad ear reaches for your voice again. “At the time it felt like I was the only person in the whole world that had ever felt like that.”

“We all feel like that at one point or another, I reckon.”

“Will you miss him a lot?” You ask looking up at him, the beautiful profile, the strong jaw. You’ve always wondered how he sees you. If he’s ever thought you were beautiful. Other men do, it’s a common thing, a nothing sort of thing. There are always men, there will always be men. But this singular man—this one is not like the rest.

“Maybe. Can’t tell yet, don’t think. But it felt wrong earlier, walking through his house without him in it.” His house, not yours.

“Do you wish he’d been your father?” And he turns to look down at you at that, gaze snapping, and you can tell you’ve shocked him with the question. But you’d always wondered.

“No. Never,” he says with such assuredness, an uncompromising shake of his head.

And the answer doesn't necessarily shock you in turn. You don't think anyone could have ever wanted a father like that. But it also doesn't help you understand what it was that lived between them either.

He sighs, perhaps reading the confusion in your gaze. “He helped me at a time when I needed it real bad. Gave me a place and a purpose and a thing to do and take care of. You get me? It was gratitude—maybe. He saved me in a way, after Sarah. Nothing more.” He thinks for a moment, and then, “Perhaps it was that we understood each other about certain things.”

You gaze across the sprawl of dark land as far as the eye reaches, that point of no return where the earth shoots up into the sky, purple blue behemoths in the shape of mountains.

From this spot, rooted to the deck of your family home, it seems like the whole world is yours to keep. Also, like you’ll never be able to touch any of it with fingers or taste or meaning.

Your love for this place is complicated—tied up in the people, the memories, the could’ves and should’ves, the whole dreamscape idea of the monument of childhood and all it’d really never been. The time away had felt eternal, like you’d never really been here to begin with, like the young girl who’d grown up on this land had never really existed. But you’d not forgotten them, this, despite your distance. Your home, the father that wouldn’t want you, Wyoming and all its splendor, the people you’d left behind, Joel and Ellie and shared birthdays that meant a secret world to you. Morsels of small happinesses interloped amidst a largely lonely and sad childhood. That’s what it was at its core.

“Would you be angry with me if I gave it all away?”

He thinks for a moment, maybe you’re making him sadder, but then finally says with a swallow, “No. It’s yours to do with as you please.”

You eye the quarter of whiskey left, but your belly isn’t hungry for its warmth anymore. You want something heavier now.

“Could you even do that—legally—sell it or somethin’?”

“Probably not. He probably tied it to my fucking life. Sell and die.” You mime your name in an imitation of your fathers deep voice, frowning at yourself the way he’d always frowned when he looked at you, but it pulls a laugh from him, and the painful memory is worth it. “But I have a billion dollars to spend now. More?” You tap your chin—you want to make him laugh again. “Gotta think of something interesting to do with it all.”

His mouth slides into an easy half grin. Like the moon—that beautiful. And he turns to face you fully. “You’re gonna be just fine. You know that, right?”

You turn to face him too, gripping the bannister for dear life. “What? Will you make sure of it?”

“That’s my plan.”

“How’re you gonna do that, d’you reckon?” The American twang bleeds back into your voice, and you’re all swollen lush on the inside, heart a beating fist in your chest.

“Haven’t gotten that far, if I’m bein’ honest with you.” God. His eyes, the strong bridge of his nose, his mouth. He’s so tall your head has to crook back to look up at him. “I’ll figure something out.” And after another pensive second, and still with that soft, sloped eye smile, he asks, and nicely, “Will you stop drinking now—for me?”

“Maybe tomorrow,” you say with the same sort of smile in return.

And then suddenly, like vomit again but maybe more humiliating this time: “Did you respect him?” Because you don’t know all the things about him that there are to know, but you do know that Joel Miller’s respect is a thing hard earned.

He clicks his tongue, and you hear the pop of his jaw as he shifts it like he’s chewing on an honesty. His eyes, his eyes, they’re serious, mercurial, warm and deep also. You worry he won’t answer, that he wouldn’t want to disappoint you or something, but then: “No,” said real simple like.

“Why not?”

And the way he looks down at you, you know already, and it makes that falling through the surface of your own life feeling rise up inside you again, makes your ears pop with embarrassment. Ah. “He never did a very good job of hiding the way he treated you, sweetheart. I couldn’t ever respect a man like that.”

This is reality right here, this is you falling through your life, this is the realization that it wasn’t only you imposing yourself, your existence, on someone with gifts they didn’t want or ask for. Joel had seen. Joel had understood.

Someone else had noticed that you exist, and it had been him.

What else had you ever wanted?

And in the blink of a desperate, yearning eye, drunk on a man still, you’re throwing yourself at him, pressing your mouth hot and heavy to his, kissing him full on the way you’d dreamt of since you knew to dream of such things.

Chapter 2; Sugar, Not so Sweet

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