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ariainstars · 4 years

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Thank You, Disney Lucasfilm… For Destroying My Dreams

Warning: longer post.

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So… I watched The Rise of Skywalker on Disney+ a few weeks ago. Again.

Sigh.

I guess it has its good sides. But professional critics tend to dislike it and even the general audience doesn’t go crazy for it. I wonder why?

The Fantasy

When his saga became a groundbreaking pop phenomenon in the 1970es, George Lucas reportedly said that he wanted to tell fairy tales again in world that no longer seemed to offer young people a chance to grow up with them. The fact that his saga was met with such unabashed, international enthusiasm proves that he was right: people long for fairy tales no matter how old they are and what culture they belong to.

“Young people today don’t have a fantasy life anymore, not the way we did… All they’ve got is Kojak and Dirty Harry. All the films they see are movies of disasters and insecurity and realistic violence.” (George Lucas)

I’ve been a Star Wars fan for more than thirty years. I love the Original Trilogy but honestly it did not make me dream much, perhaps because when I saw it the trilogy was already complete. The Prequel Trilogy also did not inspire my fantasy.

The Last Jedi accomplished something that no TV show, book or film had managed in years: it made me dream. The richness of colorful characters, multifaceted themes, unexpected developments, intriguing relationships was something I had not come across in a long time: it fascinated me. I felt like a giddy teenager reading up meta’s, writing my own and imagining all sorts of beautiful endings for the saga for almost two years.

So if there’s something The Rise of Skywalker can pride itself on for me, it’s that it crushed almost every dream I had about it. The few things I had figured out – Rey’s fall to the Dark, Ben Solo’s redemption, the connection between them - did not even make me happy because they were tainted by the flatness of the storytelling reducing the Force to a superpower again (like the general audience seems to believe it is), and its deliberate ignoring of almost all messages of The Last Jedi.

Many fans of the Original Trilogy also were disillusioned by the saga over the decades and ranted at the studios for “destroying their childhood”. Now we, the fans of the sequels and in particular of The Last Jedi, are in the same situation… but the thought doesn’t make the pill much easier to swallow. What grates on my nerves is the feeling that someone trampled on my just newly found dreams like a naughty child kicking a doll’s house apart. Why give us something to dream of in the first place, then? To a certain extent I can understand that many fans would angrily assume that Disney Lucasfilm made the Sequel Trilogy for the purpose of destroying their idea of the saga. The point is that they had their happy ending, while every dream the fans of the Sequel Trilogy may have had was shattered with this unexpectedly flat and hollow final note.

I know many fans who dislike the Prequel Trilogy heartily. I also prefer the Original Trilogy, but I find the prequels all right in their own way, also since I gave them some thought. However, it can’t be denied that they lack the magic spark which made the Original Trilogy so special. Which makes sense since they are not a fairy tale but ultimately a tragedy, but in my opinion it’s the one of the main reasons why the Prequel Trilogy never was quite so successful, or so beloved.

Same goes for Rogue One, Solo, or Clone Wars. They’re ok in their way, but not magical.

The sequel trilogy started quite satisfyingly with The Force Awakens, but for me, the actual bomb dropped with The Last Jedi. Reason? It was a magical story. It had the spark again that I had missed in the new Star Wars stories for decades! And it was packed full of beautiful messages and promises.

The Force is not a superpower belonging solely to the Jedi Anyone can be a hero. Even the greatest heroes can fail, but they will still be heroes. Hope is like the sun: if you only believe in it when you see it you’ll never make it through the night. Failure is the greatest teacher. It’s more important to save the light than to seem a hero. No one is never truly gone. War is only a machine. Dark Side and Light Side can be unbeatable if they are allies. Save what you love instead of destroying what you hate.

Naively, I assumed the trilogy would continue and end in that same magical way. And then came The Rise of Skywalker… which looks and feels like a Marvel superhero story at best and an over-long videogame at worst.

Chekov’s Gun

“Remove everything that has no relevance to the story. If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.”

(Anton Chekov, 1860 - 1904)

If you show an important looking prop and don’t put it to use, it leaves the audience feeling baffled. There is a huge difference between a story’s setup, and the audience’s feeling of entitlement. E.g. many viewers expected Luke to jump right back into the fray in Episode VIII, because that’s what a hero does, isn’t it? The cavalry comes and saves the day. And instead, we met a disillusioned elderly hermit who is tired of the ways of the Jedi. But there was no actual reason for disappointment: in Episode VII it was very clearly said (through Han, his best friend) that Luke had gone into exile on purpose, feeling responsible for his failure in teaching a new generation of Jedi. It would have been more than stupid to show him as an all-powerful and all-knowing man who kills the bad guys. Sorry but who expected that was a victim to his own prejudice.

A promise left unfulfilled is a different story. The Last Jedi set up a lot of promises that didn’t come true in The Rise of Skywalker: Balance as announced by the Jedi temple mosaic, a new Jedi Order hinted at by Luke on Crait, a good ending for Ben and Rey set up by the hand-touching scene which was opposite to Anakin’s and Padmés wedding scene. Many fans were annoyed about the Canto Bight sequence. I liked it because it felt like the set-up for a lot of important stuff: partnership between Finn and Rose whom we see working together excellently, freedom for the enslaved children (one of whom is Force-sensitive), DJ and Rose expressing what makes wars in general foolish and beside the point. So if we, the fans of Episode VIII, now feel angry and let down, I daresay it’s not due to entitlement. We were announced magical outcomes and not just pew-pew.

The Star Wars saga never repeated itself but always developed and enlarged its themes, so it was to be expected that delving deeper, uncomfortable truths would come out: wars don’t start out of nowhere, and they don’t flare up and continue for decades for the same reason. In order to find Balance, the Jedi’s and the Skywalker family’s myths needed to be dismantled. Which is not necessarily bad as long it is explained how things came to this, and a better alternative is offered. The prequels explained the old political order and the beginnings of the Skywalker family, and announced that the next generation would do better. The sequels hardly explained anything about the 30 years that passed since our heroes won the battle against the Empire, and while The Last Jedi hinted at the future a lot, The Rise of Skywalker seemed to make a point of ignoring all of it.

The Skywalker Family Is Obliterated. Why?

Luke was proven right that his nephew would mean the end of everything he loved. The lineage of the Chosen One is gone. His grandson had begun where Vader had ended - tormented, pale and with sad eyes - and he met the same fate. Luke, Han, Leia, all sacrificed themselves to bring Ben Solo back for nothing. Him being the reincarnation of the Chosen One and getting a new chance should have been meaningful for all of them; instead, he literally left the scepter to Rey who did nothing to deserve it: merely because she killed the Bad Guy does not mean she will do a better job than the family whose name and legacy she proudly takes over.

I do hope there was a good reason if the sequels did not tell “The New Adventures of Luke, Leia and Han” and instead showed us a broken family on the eve of its wipeout. It would have been much easier, and more fun for the audience, to bring the trio back again after a few years and pick up where they had left. Instead we had to watch their son, nephew and heir go his grandfather’s way - born with huge power, branded as Meant to Be Dangerous from the start, tried his best to be a Jedi although he wanted to be a pilot, never felt accepted, abandoned in the moment of his greatest need, went to his abuser because he was the only one to turn to, became a criminal, his own family (in Anakin’s case: Obi-Wan and Yoda) trained the person who was closest to him to kill him, sacrificed himself for this person and died. And in his case, it’s particularly frustrating because Kylo Ren wasn’t half as impressive a villain as Vader, and Ben Solo had a very limited time of heroism and personal fulfilment, contrarily to Anakin when he was young.

The impact of The Rise of Skywalker was traumatic for some viewers. I know of adolescents and adults, victims of family abandonment and abuse, who identified with Ben: they were told that you can never be more than the sum of your abuse and abandonment, and that they’re replaceable if they’re not “good”. Children identifying with Rey were told that their parents might sell them away for “protection”. Rey was not conflicted, she had a few doubts but overall, she was cool about everything she did, so she got everything on a silver platter; that’s why as a viewer, after a while you stopped caring for her. Her antagonist was doomed from birth because he dared to question the choices other people made for him. It seems that in the Star Wars universe, you can only “rise” if you’re either a criminal but cool because you’ve always got a bucket over your head (Vader / the Mandalorian) or are a saint-like figure (Luke / Rey).

One of Obi-Wan’s first actions in A New Hope is cutting off someone’s arm who was only annoying him; Han Solo, ditto. These were no acts of self-defense. The Mandalorian is an outlaw. Yet they are highly popular. Why? Because they always keep their cool, so anything they do seems justified. Young Anakin was hated, Jake Lloyd and Hayden Christensen attacked for his portrayal. For the same reason many fans feel that Luke is the least important of the original trio although basically the Original Trilogy is his story: it seems the general audience hates nothing more than emotionality in a guy. They want James Bond, Batman or Indiana Jones as the lead. Padmé loved Anakin because she always saw the good little boy he once was in him; his attempts at impressing her with his flirting or his masculinity failed. Kylo tried to impress Rey with his knowledge and power, but she fled from him - she wanted the gentle, emphatic young man who had listened to her when she felt alone. Good message. But both died miserably, and Ben didn’t even get anything but a kiss. Realizing that his “not being as strong as Darth Vader” might actually be a strength of its own would have meant much more.

The heroes of the Original Trilogy had their adventures together and their happy ending; the heroes of the Prequel Trilogy also had good times and accomplishments in their youth, before everything went awry. Rey, Finn and Poe feel like their friendship hardly got started; Rose was almost obliterated from the narrative; and Ben Solo seems to have had only one happy moment in his entire life. Of course it’s terrible that he committed patricide (even if it was under coercion), but Anakin / Vader himself had two happy endings in the Prequel Trilogy before he became the monster we know so well. Not to mention Clone Wars, where he has heroic moments unnumbered.

The Skywalker family is obliterated without Balance in the Force, and the young woman who inherited all doesn’t seem to have learned any lesson from all this. The Original Trilogy became a part of pop culture among other things because its ending was satisfying. We can hardly be expected to be satisfied with an ending where our heroes are all dead and the heir of their worst enemy takes over. What good was the happy ending of the Original Trilogy for if they didn’t learn enough from their misadventures to learn how to protect one single person - their son and nephew, their future?

For a long time, I also thought that the saga was about Good vs. Evil. Watching the prequels again, I came to the conclusion that it is rather about Love vs. War. And now, considering as a whole, I believe it to be essentially Jedi against Skywalker. The ending, as it is now, says that both fractions lost: they annihilated one another, leaving a third party in charge, who believes to be both but actually knows very little about them.

Star Wars and Morality

After 9 films and 42 years, it still is not possible to make the general audience accept that it is wrong to divide people between Good and Evil in the first place. The massive rejection of both prequels and sequels, which have moral grey zones galore, shows it.

It is also not possible without being accused of actual blasphemy in the same fandom, to say the plain truth that no Skywalker ever was a Jedi at heart. As their name says, they’re pilots. Luke was the last and strongest of all Jedi because he always was first and foremost himself. Anakin was crushed by the Jedi’s attempts to stifle his feelings. His grandson, too. A Force-sensitive person ought to have the choice whether they want to be a Jedi or not; they ought not to be taught to suppress their emotions and live only on duty, without really caring for other people; and they ought to grow up feeling in a safe and loving environment, not torn away from their families in infancy, indoctrinated and provided with a light sabre (a deadly weapon) while they’re still small. A Jedi order composed of child soldiers or know-it-all’s does not really help anybody.

The original Star Wars saga was about love and friendship; although many viewers did not want to understand that message. The prequels portrayed the Jedi as detached and arrogant and Anakin Skywalker sympathetically, a huge disappointment for who only accepts stories of the “lonesome cowboy” kind. The Last Jedi was so hated that The Rise of Skywalker backpedaled: sorry, of course you’re right, here you have your “hero who knows everything better and fixes everything for you on a silver platter”. The embarrassing antihero, who saves the girl who was the only person showing him some human compassion, can die miserably in the process and is not even mourned.

Honestly: I was doubtful whether it would be adequate to give Ben Solo a happy ending after the patricide. I guess letting him die was the easiest way out for the authors to escape censorship. (I even wrote this in a review on amazon about The Last Jedi, before I delved deeper into the saga’s themes.) The messages we got now are even worse.

Kylo Ren / Ben Solo

A parent can replace a child if they’re not the way they expect them to be. A victim of lifelong psychical and physical abuse can only find escape in death, whether he damns or redeems himself. An introspective, sensitive young man is a loser no matter how hard he tries either way. A whole family can sacrifice itself to save their heir, he dies anyway.

Rey

Self-righteousness is acceptable as long as you find a scapegoat for your own failings. Overconfidence justifies anything you do. You can’t carve your way as a female child of “nobodies”, you have to descend from someone male and powerful even if that someone is the devil incarnate. You are a “strong female” if you choose to be lonely; you need neither a partner nor friends.

In General

Star Wars is not about individual choices, loyalty, friendship and love, it is a classic Western story with a lonesome cowboy (in this case: cowgirl) at its centre. Satisfied?

The father-son-relationship between Vader and Luke mirrors the Biblical story of Cain and Abel, saying that whoever we may want to kill is, in truth, our kin, which makes a clear separation in Good and Evil impossible. The “I am your father” scene is so infamous by now that even non-fans are aware of it; but this relationship between evil guy and good guy, as well as the plot turns where the villain saves the hero and that the hero discards his weapon are looked upon rather as weird narrative quirks instead of a moral.

In an action movie fan, things are simple: good guy vs. bad guy, the good guy (e.g. James Bond may be a murderer and a misogynist, but that’s ok because he’s cool about it) kills the bad guy, ka-boom, end of story. But Star Wars is a parable, an ambitious project told over decades of cinema, and a multilayered story with recurring themes.

A fairy tale ought to have a moral. The moral of both Original Trilogy and Prequel Trilogy was compassionate love - choose it and you can end a raging conflict, reject it and you will cause it. What was the moral of the Sequel Trilogy? You can be the offspring of the galaxy’s worst terror and display a similar attitude, but pose as a Jedi and kill unnecessarily, and it’s all right; descend from Darth Vader (who himself was a victim long before he became a culprit) and whether you try to become a Jedi trained by Luke Skywalker or a Sith trained by his worst enemy, you will end badly?

Both original and prequel trilogy often showed “good” people making bad choices and the “bad ones” making the right choices. To ensure lasting peace, no Force user ought to be believe that he must choose one side and then stick to it for the rest of his life: both sides need one another. The prequels took 3 films to convey this message, though not saying so openly. The Last Jedi said it out clearly - and the authors almost had their heads ripped off by affronted fans, resulting in The Rise of Skywalker’s fan service. It’s not like Luke, Han and Leia were less heroic in the Sequel Trilogy, on the contrary, they gave everything they had to their respective cause. They were not united, and they were more human than they had once been. Apparently, that’s an affront.

The Jedi are no perfect heroes and know-it-all’s and they never were, the facts are there for everyone to see. Padmé went alone and pregnant to get her husband out of Mustafar - and she almost succeeded - although she knew what he had done and that he was perfectly capable of it (he had told her of the Tusken village massacre himself) because she still saw the good little boy he had been in him; Obi-Wan left him amputated and burning in the lava, although he had raised Anakin like a small brother and the latter had repeatedly saved his life. But Padmé was not a Jedi, so I guess she still had some human decency. Neither Obi-Wan nor Yoda lifted a finger for the oppressed populations of the galaxy during the Empire, waiting instead for Anakin’s son to grow up so they could trick him into committing patricide. Neither Luke nor Leia did anything for their own son and nephew while he became the scourge of the galaxy, damning his soul by committing crime after crime. On Exegol, Rey heard the voices of all Jedi encouraging her to fight Palpatine to death. After that, they left her to die alone, and the alleged “bad guy”, who had already saved her soul from giving in to Palpatine’s lures, had to save her life by giving her his own. The Jedi merely know that “their side” has to win, no matter the cost for anyone’s life, sanity, integrity or happiness.

Excuse me, these are simple facts. How anyone can still believe that the Jedi were super-powerful heroes who always win or all-knowing wizards who are always right is beyond me. Luke, the last and strongest of them, like a bright flickering of light before the ultimate end, showed us that the best of men can fail. There is nothing wrong with that in itself. But it is wrong and utterly frustrating when all of the failure never leads to anything better. If Rey means to rebuild the Jedi order to something better than it was, there was no hint at that whatsoever.

And What Now?

The Last Jedi hit theatres only 2 years before The Rise of Skywalker, and I can’t imagine that the responsible authors all have forgotten how to make competent work in the meantime; more so considering that Solo or The Mandalorian are solid work. Episode IX is thematically so painfully flat it seems like they wanted us to give up on the saga on purpose. The last instalment of a 42-year-old saga ought to have been the best and most meaningful. I had heard already decades ago that the saga was supposed to have 9 chapters, so I was not among who protested against the sequels thinking that they had been thought up to make what had come before invalid. I naively assumed a larger purpose. But Episode IX only seems to prove these critics perfectly right.

The last of the flesh and blood of the Chosen One is dead without having “finished what his grandfather started”?

Still no Balance in the Force?

And worst of all, Palpatine’s granddaughter taking over, having proven repeatedly that she is not suited for the task?

Sorry, this “ending” is absurd. I have read fanfiction that was better written and more interesting. And, most of all, less depressing. I was counting on a conclusion that showed that the Force has all colours and nuances, and that it’s not limited to the black-and-white view “we against them”. That’s the ending all of us fans would have deserved, instead of catering the daddy issues of the part of the audience who doesn’t want stories other than those of the “lonesome cowboy” kind. I myself grew up on Japanese anime, maybe that’s one of the reasons why I can’t stand guys like James Bond or Batman and why I think you don’t need “a great hero who fixes the situation” but that group spirit and communication are way more important.

It was absolutely unexpected that Disney, the production company whose trademark are happy endings and family stories, would end this beloved and successful saga after almost half a century on such a hollow note. Why tell first a beautiful fairy tale and then leave the audience on a hook for 35 years to continue first with a tragedy (which at least was expected) and then with another (unexpected one)? And this story is supposed to be for children? Like children would understand all of the subtext, and love sad, cautionary tales. Children, as well as the general audience, first of all want to be entertained! No one wants to watch the legendary Skywalker family be obliterated and a Palpatine take over. The sequels were no fun anymore; we’ve been left with another open ending and hardly an explanation about what happened in the 30 years in between. If you want to tell a cautionary tale, you should better warn the general audience beforehand.

The Original Trilogy is so good because it’s entertaining and offers room for thought for who wants to think about its deeper themes, and also leaves enough space for dreams. Same goes for the first two films of the Sequel Trilogy; but precisely the last, which should have wrapped up the saga, leaves us with a bitter aftertaste and dozens of questions marks.

We as the audience believe that a story, despite the tragic things that happen, must go somewhere; we get invested into the characters, we root for them, we want to see them happy in the end. (The authors of series like Girls, How I Met Your Mother or Game of Thrones ought to be reminded of that, too.) I was in contact with children and teenagers saying that the Sequel Trilogy are “boring”; and many, children or adults, who were devastated by its concluson. There is a difference between wanting to tell a cautionary tale and playing the audience for fools. This trilogy could have become legendary like the Original Trilogy, had it fulfilled its promises instead of “keeping it low” with its last chapter. Who watches a family or fantasy story or a romantic / comedic sitcom wants to escape into another world, not to be hit over his head with a mirror to his own failings, and the ones of the society he’s living in. Messages are all right, but they ought not to go at the cost of the audience’s satisfaction about the about the people and narrative threads they have invested in for years.

This isn’t a family story: but children probably didn’t pester the studios with angry e-mails and twitter messages etc. They simply counted on a redemption arc and happy ending, and they were right, because they’re not as stupid as adults are. I have read and watched many a comment from fans who hate The Last Jedi. Many of these fans couldn’t even pinpoint what their rage was all about, they only proved to be stuck with the original trilogy and unwilling to widen their horizon. But at least their heroes had had their happy ending: The Rise of Skywalker obliterated the successes of all three generations of Skywalkers.

If the film studios wanted to tease us, they’ve excelled. If they expect the general audience to break their heads over the sequels’ metaphysics, they have not learned from the reactions to the prequels that most viewers take these films at face value. Not everybody is elbows-deep in the saga, or willing to research about it for months, and / or insightful enough to see the story’s connections. Which is why many viewers frown at the narrative and believe the Sequel Trilogy was just badly written. This trilogy could have become legendary like the Original Trilogy, had it fulfilled its promises instead of “keeping it low” with its last chapter. As it is now, the whole trilogy is hanging somewhere in the air, with neither a past nor a future to be tied in with.

The prequels already had the flaw of remaining too obscure: most fans are not aware that Anakin had unwillingly killed his wife during the terrible operation that turned him into Darth Vader, sucking her life out of her through the Force: most go by “she died of a broken heart”. So although one scene mirrors the other, it is not likely that most viewers will understand what Rey’s resurrection meant. And: Why did Darth Maul kill Qui-Gon Jinn? What did the Sith want revenge for? Who was behind Shmi’s abduction and torture? Who had placed the order for the production of the clones, and to what purpose? We can imagine or try to reconstruct the answers, but nothing is confirmed by the story itself.

The sequels remained even more in the dark, obfuscating what little explanation we got in The Rise of Skywalker with quick pacing and mind-numbing effects.

Kylo Ren had promised his grandfather that “he would finish what he started”: he did not. Whatever one can say of this last film, it did not bring Balance in the Force. What’s worse, the subject was not even breached. It was hinted at by the mosaic on the floor of the Prime Jedi Temple on Ahch-To, but although Luke and Rey were sitting on its border, they never seemed to see what was right under their noses. It remains inexplicable why it was there for everyone to see in the first place.

We might argue that Ben finished what his grandfather started by killing (or better, causing the death of) the last Jedi, who this one couldn’t kill because he was his own son; but leaving Rey in charge, he helped her finish what her grandfather had started. The irony could hardly be worse.

Episode IX looks like J.J. Abrams simply completed what they started with Episode VII, largely ignoring the next film as if it was always planned to do so. We, the angry and disappointed fans of The Last Jedi, may believe it was due to some of the general audience’s angry backlash, but honestly: the studios aren’t that dumb. They had to know that Episode VIII would be controversial and that many fans would hate it. The furious reactions were largely a disgrace, but no one can make me believe that they were totally unexpected. Nor can anyone convince me that The Rise of Skywalker was merely an answer to the small but very loud part of the audience who hated The Last Jedi: a company with the power and the returns of Disney Lucasfilm does not need to buckle down before some fan’s entitlement and narrowmindedness out of fear of losing money. And if they do, it was foolish to make Rey so perfect that she becomes almost odious, and to let the last of the Skywalker blood die a meaningless death. (Had he saved the Canto Bight children and left them with Rey, at least he would have died with honor; and she, the child left behind by her parents, would have had a task to dedicate herself to.)

The only reason I can find for this odd ending is that it’s meant to prepare the way for Rian Johnson’s new trilogy, which - hopefully - will finally be about Balance. We as the audience don’t know what’s going on behind the doors. Filmmaking is a business like any other, i.e. based on contracts; and I first heard that Rian Johnson had negotiated a trilogy of his own since before Episode VIII hit theatres. Maybe he kept all the rights of intellectual property to his own film, including that he would finish the threads he picked up and close the narrative circles he opened, and only he; and that his alleged working on “something completely different” is deliberately misleading.

Some viewers love the original trilogy, some love the prequels, some like both; but I hardly expect anyone to love the sequel trilogy as a whole. What with the first instalment “letting the past die, killing it if they had to”, the second hinting at a promising future and the third patched on at the very last like some sort of band-aid, it was not coherent. I heard the responsible team for Game of Thrones even dropped their work, producing a dissatisfying, quickly sewn together last season, for this new Star Wars project and thereby disappointing millions of GoT fans; I hope they are aware of the expectations they have loaded upon them. George Lucas’ original trilogy had its faults, but but though there was no social media yet in his time, at least he was still close enough to the audience to give them what they needed, if not necessarily wanted. (Some fans can’t accept that Luke and Leia are siblings to this day, even if honestly, it was the very best plot twist to finish their story in a satisfying way.)

I’m hoping for now that The Last Jedi was not some love bombing directed at the more sentimental viewers but a promise that will be fulfilled. “Wrapping up” a saga by keeping the flattest, least convincing chapter for last is bad form. Star Wars did not become a pop phenomenon by accident, but because the original story was convincing and satisfying. Endings like these will hardly make anyone remember a story fondly, on the contrary, the audience will move to another fandom to forget their disappointment.

On a side note, I like The Mandalorian, exactly for the reason that that is a magical story; not as much as the original trilogy, but at least a little. Of course, I’m glad it was produced. But it’s a small consolation prize after the mess that supposedly wrapped up the original saga after 9 films.

We’re Not Blind, You Know…

- Though Kylo Ren (Ben Solo) has Darth Vader’s stature, his facial features are practically opposite to Vader’s creepy mask. This should have foreshadowed that his life should have gone the other way, instead of more or less repeating itself. - As a villain Kylo was often unconvincing; by all logic he should have been a good father figure. (Besides, Star Wars films or series never work unless there is a strong father or father figure at their center.)

- Like Vader, Kylo Ren was redeemed, but not rehabilitated. Who knows who may find his broken mask somewhere now and, not knowing the truth, promise “I will finish what you started”. - The hand-touching scene on Ahch-To which was visually opposite to Anakin’s and Padmé’s should not have predicted another tragedy but a happy ending for them. - The Canto Bight sequence was announcing reckoning for the weapon industry and freedom for the enslaved children. It also showed how well Finn and Rose fit together. - Rey was a good girl before she started on her adventures. Like Anakin or Luke, she did not need to become a Jedi to be strong or generous or heroic. - Rey summons Palpatine after one year of training. Kylo practically begged for his grandfather’s assistance for years, to no avail. Her potential for darkness is obviously much stronger. - Dark Rey’s light sabre looked like a fork, Kylo’s like a cross. - The last time all Jedi and Sith were obliterated leaving only Luke in charge, things went awry. Now we have a Palpatine masquerading as a Skywalker and believing she’s a Jedi. Rey is a usurper and universally cheered after years of war, like her grandfather. - The broom boy of Canto Bight looked like he was sweeping a stage and announcing “Free the stage, it’s time for us, the children.”

Rey failed in all instances where Luke had proved himself (so much for feminism and her being a Mary Sue): - Luke had forgiven his father despite all the pain he had inflicted on him. She stabbed the „bad guy”, who had repeatedly protected and comforted her, to death. - Luke never asked Vader to help the Rebellion or to turn to the Light Side, he only wanted him back as his father. She assumed that you could make Ben Solo turn, give up the First Order and join the Resistance for her. She thought of her friends and of her own validation, not of him. - Luke had made peace by choosing peace. Rey fought until the bitter end. - Luke had thrown his weapon away before Palpatine. Rey picked up a second weapon. (And both of them weren’t even her own.) - Luke had mourned his dead father. Rey didn’t shed a tear for the man she is bonded to by the Force. - Luke went back to his friends to celebrate the new peace with them. Rey went back letting everyone celebrate her like the one who saved the galaxy on her own, she who were tempted to become the new evil ruler of the galaxy and had to rely on the alleged Bad Guy to save both her soul and her body. - Luke had embodied compassion when Palpatine was all about hatred. Where he chose love and faith in his father, she chose violence and fear. - Luke had briefly fallen prey to the Dark Side but it made him realize that he had no right to judge his father. Rey’s fall to the Dark Side did not make her wiser. - Rey has no change of mind on finding out that she’s Palpatine’s flesh and blood, nor after she has stabbed Kylo. Luke had to face himself on learning that he had almost become a patricide. Rey does not have to face herself: the revelation of her ancestry is cushioned by Luke’s and Leia’s support. Rey is and remains an uncompromising person who hardly learns from her faults.

This is cheating on the audience. And it's not due to feminism or Rey being some sort of “Mary Sue” the way many affronted fans claim. Kylo never was truly a villain, Rey is not a heroine, and this is not a happy ending. The Jedi, with their stuck-up conviction “only we must win”, have failed all over again. The Skywalker family was obliterated leaving their worst enemy in charge. Rey is supposed to be a “modern” heroine which young girls can take as an example? No, thank you. Not after this last film has made of her. Padmé was a much better role model, combining intelligence with strength and goodness and also female grace. The world does not need entitled female brats.

Bonus: What Made The Rise of Skywalker a Farce

- The Force Awakens was an ok film and The Last Jedi (almost) a masterpiece. The Rise of Skywalker was a cartoon. No wonder a lot of the acting felt and looked wooden. - “I will earn your brother’s light sabre.” She’s holding his father’s sabre. - Kylo in The Last Jedi: “Let the past die. Kill it if, you have to.” Beginning with me? - Rey ends up on Tatooine. - The planet both Anakin and Luke ardently wanted to leave. - Luke had promised his nephew that he would be around for him. - Nope. - Rey had told Ben that she had seen his future. What future was that - “you will be a hero for ten minutes, get a kiss and then die? (And they didn’t even get a love theme.) - “The belonging you seek is not behind you, it is ahead.” On a desert planet with a few ghosts. What of the ocean she used to dream about? - Ben and Rey were both introduced as two intensely lonely people searching for belonging. We learn they are a Force dyad, and then they are torn apart again. - Why was Ben named for Obi-Wan Kenobi in the first place, if they have absolutely nothing in common? - The Throne Room battle scene in The Last Jedi was clearly showing that when they are in balance, Light Side and Dark Side are unbeatable. Why did the so-called “Light Side” have to win again, in The Rise of Skywalker, instead of finding balance? - Luke’s scene on Ahch-To was so ridiculously opposite to his attitude in The Last Jedi that by now I believe he was a fantasy conjectured by her. (Like Ben’s vision of his father.) - Anakin’s voice among the other Jedi’s. - He was a renegade, for Force’s sake. - The kiss between two females. - More fan service, to appease those who pretended that not making Poe and Finn a couple was a sign of homophobia. - We see the Knights of Ren, but we learn absolutely nothing about them or Kylo’s connection with them. - Rose Tico’s invalidation. - A shame after what the actress had gone through because for the fans she was “not Star-Wars-y” (chubby and lively instead of wiry and spitfire). - Finn’s and Rose’s relationship. - Ignored without any explanation. - Finn may or may not be Force-sensitive. - If he is: did he abandon the First Order not due to his own free will but because of some higher willpower? Great. - General Hux was simply obliterated. - In The Force Awakens he was an excellent foil to Kylo Ren; no background story, no humanization for him. - Chewie’s and 3PO’s faked deaths. - Useless additional drama. - The Force Awakens was a bow before the classic trilogy. The Rise of Skywalker kicked its remainders to pieces. - The Prequel Trilogy ended with hope, the Original Trilogy with love. The Sequel Trilogy ends on a blank slate. - “We are what they grow beyond.” The characters of the Sequel Trilogy did not grow beyond the heroes of the Original Trilogy. - The Jedi did not learn from their mistakes and were obliterated. The Skywalker family understood the mistakes they had made too late. Now they’re gone, too.

P.S. While I was watching The Rise of Skywalker my husband came in asked me since when I like Marvel movies. I said “That’s not a Marvel movie, it’s Star Wars.” I guess that says enough.

P.P.S. For the next trilogy, please at least let the movies hit theatres in May again instead of December. a) It’s tradition for Star Wars films, b) Whatever happens, at least you won’t ruin anyone’s Christmases. Thank you.

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kinsey3furry300 · 3 years

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A very confused Star Wars Fan desperately tries to justify their belief that “Caravan of Courage” shows the way forward for the franchise. No, really.

Ever since I was a little kid, I’ve loved Star Wars. And I mean, all of it. The books, the games, the Lego, the spin-offs: I even enjoy the Holiday Special in a The Room so-bad-you-just-need-to-see-it sort of way. But particularly the films. But here is when we run into the big problem: I’m just the wrong age. The original trilogy launched before I was born, the prequel trilogy hit cinemas when I was already a teen and while I went and saw them and enjoyed them, I was at that age where I was self-conscious about seeing a “kids” film, and hyper-aware of how silly and cringy those films were in parts. So my indoctrination, my inoculation with the Star Wars bug didn’t happen in the cinema, and it didn’t happen with any of the main franchise works. It happened on home video, on a skiing trip in the French Alps in the early 90’s. I’d have been about 6, and this was the first time I’d ever been abroad other than to see relatives in Ireland. And I loved it: to this day I love skiing, but more than that, I have very, very fond childhood memories of this trip. This was shortly before I lost my biological mother to cancer, she’d have received her diagnosis just after we got back from the trip. This was when my younger sister stopped being an annoying screaming thing and became and became an actual person I could talk and play and share ideas with, this was before the combination my mothers long illness and my father having just launched his own IT start up meant I didn’t see him or her any more, despite the fact they were in the same house as me. This was this wonderful, nostalgic child-hood bubble when my family was intact, and nothing could ever go wrong. I skied all day with mum and dad, and would come back to the chalet in the evening. It was an English speaking chalet, I met my first real-life American there, and having grown up in the 90’s in the UK nothing was cooler than making friends with an actual American my own age. He had a hulk Hogan action figure with springs in the legs so if you put him on a hard surface and punched his head down, when you let go he’d jump really high in the air. We used to play with it together in the bath, back in that weird 90’s time-bubble when it was possible to convince two sets of parents that this kid you’d just met was you best friend in the world and of course shared bath time was, somehow, normal and appropriate. And fresh from bath time, tired from the day, the parents would give us some hot coco, dump us kids in front of the tv and grab the first shitty low-budget VHS they could find to keep us distracted while they went to the bar. In this particular time, in this particular place, that shitty low budget cartoon was the complete set of the 1985 Lucasfilm/ABC Ewoks cartoon, plus the two spin off movies, and to this day that cheap, kitschy, kind of bad series has a special warm and cosy place in my heart. I remember being enthralled by the world, in love with the characters, applied by the bad guys and the injustice they caused (to this day I’m still irate about that time Wicket lost his set of beads documenting his progress towards becoming a full warrior and the older Ewoks basically said, tough, you need to re-earn all those merit badges from scratch. This struck me as exactly the sort of bullshit an adult would pull, and pissed me off) and on tenterhooks about what would happen to the characters.

It was also, by a coincidence, the first ever Star Wars media I was exposed to, and the above combination of events probably explains a lot about me.

So I was surprised, the other day, when scrolling Disney+, to find they’d added Caravan of Courage AND Battle for Endor to the roster in my region. Surely Disney wouldn’t want their slick, cool brand associated with this old trash? Surely there could be no place for this in the post-Mandalorian Star Wars cannon? Surely this is a horrible mistake some intern made, right?

Unless…. What if I’ve miss-remembered? What if it’s not just rose-tinted nostalgia goggles, and it’s, in fact, secretly really, really good?

I rushed to my comfy chair, got a blanket, dimmed the lights, made some coco (with rum in it, because why the hell not?) and sat down to re-examine this lost gem.

And wow: it’s every bit as shit as you’d expect.

It has aged exactly as poorly as you’d expect a cheap, mid 80’s direct to video spin-off to age. Caravan of Courage? More like Caravan of Garbage, am I right?

And yet… I still enjoyed every moment.

And it was sitting there, in my pyjamas, watching a cheaply made direct to video cash-grab from just before I was born, seeing it again for the first time in nearly 30 years, and I realised something.

It doesn’t really matter if this film is bad, so long as I enjoy it. And if it doesn’t really mater if this is bad, then I, like many Star Wars fans, wasted a huge amount of time and emotional effort on being butthurt about stuff I didn’t like about the Rise of Skywalker and it’s ilk. Because somewhere, right now, a tired and frustrated parent is putting Disney+ on to keep their kids quiet for two hours. And they won’t think too hard about what they put on, so long as it keeps little Timmy busy for a bit. Somewhere, right now, a kid is watching Rise of Skywalker, and it’s the first Star Wars media they’ve ever seen.

And that’s okay. Because we don’t know what that kids home life is like. We don’t know if it’s good or bad. Maybe it’s great, maybe it’s about to take a dramatic plunge like mine did, and this moment here will be the cosy, warm memory they look back on in 30 years time, and that’s beautiful. They’re getting introduced to a fun, wonderful fantasy world that could be with them all their lives, through good times and bad, and as fans we should be happy about that.

Star Wars will never, die: it’s too darn profitable, Disney will never let it. And while I hope they learn from their mistakes and make sure every future Star Wars is a timeless gem of story-telling, statistically, if you keep making enough films, some of them will be bad. And while I’d like them all to be great, it’s still okay if they’re bad.

Because nothing can take away my memories of that week in that chalet. Nothing can take-away my memories of when they put the original trilogy on in cinemas for the special edition and I had my jaw hit the floor with how good it was on the big screen, not knowing or caring who shot first. Nothing can take away you memories of the Original Trilogy, the Prequels, or the Clone Wars. Nothing can tarnish the bits of the sequil trilogy that you like, and there are good bits in there.

But wait, what about continuity? What about the sacred, perfect written time-line that used to exist?

Well, what about it? Have you seen any other big, epic fantasy universe before? They’re all a mess. A work of fiction, particularly fantasy, can be extensive, or tightly written, but not both. Harry Potter is only seven books, and the last two feel, tonally, like they’re from an entirely different series. I love them, but the grim-dark kicked in so fast you’ll get whiplash. The Hobbit is a perfect written self-contained novel, and LOTR is *The* big boy high-fantasy trilogy: fast forward 50 years, and Christopher Tolkien is desperately squeezing every last drop of money out of his father’s corpse by finishing and publishing every unfinished note JRR ever wrote right down to his shopping lists. Even Dune goes of the rails with sequels. I can only think of four fantasy works that are both extensive and consistently tightly written, Song of Ice and Fire, Wheel of Time, Malazan: Book of the Fallen and Brandon Sanderson’s Cosmere universe. And even then, the prequels and spin-offs mess with the timelines: the Dunk and Egg novella’s change some character’s canonical ages and timelines, Wheel of Time was going slowly off the rails even before the Jordan died, Forge of Darkness made what was a good metaphor for the creation of it’s world into a literal war deep in the past, and Sanderson’s first Novel Elantris got a re-write to bring it more in line with the rest of the shared universe. The MCU, oft held up as the modern example of tightly planned, well thought out ongoing storytelling, is a lie: it was never as pre-planned out as Disney wants us to think; the first Iron Man, apparently, barely had a script, with Downey ad-lib-ing most of his scenes. None of the MCU films are direct sequels to each-other other than Infinity war and Endgame. There are three Iron Man films, and Three Thor films, and none continue an ongoing story line across multiple films, and the Cap films barely continue an arc, but only where Cap’s relationship with Natasha and Bucky is involved. Much like these, Star War’s cannon is a complete, nightmarish, confusing, tangled, illogical mess. And it has been since 1984, as Caravan of Courage proves. It was never consistent and well planned.

And that’s okay.

I used to care about plot holes. I used to care about which works were cannon in Star Wars lore. I’m over that now. I’m happy to imagine the books, films and games not as a blow-by-blow historical account of a galaxy far far away, but as campfire stories from within this fun, imaginative world that we’re all invited to listen to. Stories that are in-universe myth and folklore, that we can all snuggle up and listen to while drinking highly alcoholic rum and remembering better times, knowing that wherever the future throws at us, no matter how the world goes to hell around us, we’ll still have the memories, and the ability to make our own new stories in the wonderful Star Wars world we all share.

And that’s okay. No, more than that: that’s beautiful.

Also Star Wars is completely unambiguous on the fact we’re allowed to kill fascists no matter how many times they keep coming back with a new logo, so that’s timely I guess.

So, there’s my hot take two-years after everyone else stopped caring about this stuff, as per bloody usual. Tell me why I’m wrong below, and does anyone else have any truly awful spin-off shows that they kind of have a nostalgic soft spot for?

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crowdvscritic · 3 years

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round up // NOVEMBER 20

Hi, I’m tired. Actually, my friend Celeste created a piece of art that puts the emphasis needed on that sentiment:

I’m very tired. November felt like it was three years and also felt like it went by in a blink and also I’m not sure where October ended and November began—how does time work like that? (I’ve yet to see Tenet, but maybe that will explain it.) But like Michael Scott, somehow I manage, and lately it’s been like this:

Late-night Etsy scrolling. Browsing beautiful, non-big-box-store artwork is very calming just before I go to bed. I’d recommend Etsy stores like Celeste’s chr paperie shop, which I know from experience is full of great Christmas gift ideas.

Taking a day off of work to do laundry. I’m not sure if it’s more #adulting that I did that or that I was excited to do that.

Eating Ghiradelli chocolate chips straight from the bag. I actually don’t recommend this as a healthy option, but this is also not a health blog.

Watching lots and lots of ‘80s movies. One day I’ll ask a therapist why this decade of films is so comforting for me despite its many flaws, but for now I’m just rolling with it.

Reading. Have you heard of this? It’s a form of entertainment but doesn’t require screens—wild!

Memes. All good Pippin “Fool of a” Took jokes are welcome here.

Leaning into the Christmas spirit by ordering that Starbucks peppermint mocha, making plans to watch everything in that TCM Christmas book I haven’t seen, and keeping the lights on my hot pink tinsel tree on all day as I work from home.

This month’s Round Up is full of stuff that made me smile and stuff that sucked me into its world—I think they’ll do the same for you, too.

November Crowd-Pleasers

Sister Act (1992)

If in four years you aren’t in an emotional state to watch election results roll in, I recommend watching Whoopi Goldberg pretend to be a nun for 100 minutes. (Though, incidentally, if you want to watch that clip edited to specifically depict how the results came in this year, you’ll need to watch Sister Act 2.) This musical-comedy is about as feel-good as it gets, meaning there’s no reason you should wait four more years to watch it. Crowd: 9/10 // Critic: 7.5/10

Nevada Memes

Speaking of election results, Nevada memes. That’s it—that’s the tweet. Vulture has a round up of some of the best.

youtube

SNL Round Up

Laugh and enjoy!

“Cinema Classics: The Birds” (4605 with John Mulaney)

“Uncle Ben” (4606 with Dave Chappelle)

RoboCop (1987)

I’m not surprised I liked RoboCop, but I am surprised at why I liked RoboCop. Not only is this a boss action blockbuster, it’s an investigation into consumerism and the commodification of the human body. It’s also a critique of institutions that treat crime like statistics instead of actions done by people that impact people. That said, it’s also movie about a guy who’s fused with a robot and melts another guy’s face off with toxic sludge, so there’s a reason I’m not listing this under the Critic section. Crowd: 9/10 // Critic: 8/10

Double Feature – ‘80s Comedies: National Lampoon’s Vacation (1983) + Major League (1989)

The ‘80s-palooza is in full swing! In Vacation (Crowd: 9.5/10 // Critic: 8/10), Chevy Chase just wants to spend time with his family on a vacation to Wally World, but wouldn’t you know it, Murphy’s Law kicks into gear as soon as the Griswold family shifts from out of Park. The brilliance of the movie is that every one of these terrible things is plausible, but the Griswolds create the biggest problems themselves. In Major League (Crowd: 8.5/10 // Critic: 6.5/10), Tom Berenger, Charlie Sheen, and Wesley Snipes are Cleveland’s last hope for a winning baseball team. Like the Griswolds, mishaps and hijinks ensue in their attempt to prevent their greedy owner from moving the Indians to Miami, but the real win is this movie totally gets baseball fans. Like most ‘80s movies, not everything in this pair has aged well, but they brought some laughs when I needed them most.

This Time Next Year by Sophie Cousens (2020)

They’re born a minute apart in the same hospital, but they don’t meet until their 30th birthday on New Year’s Day. So, yes, it’s a little bit Serendipity, and it’s a little bit sappy, but those are both marks in this book’s favor. This Time Next Year is a time-hopping rom-com with lots of almost-meet-cutes that will have you laughing, believing in romantic twists of fate, and finding hope for the new year.

Double Feature – ‘80s Angsty Teens: Teen Wolf (1985) + Uncle Buck (1989)

In the ‘80s, Hollywood finally understood the angsty teen, and this pair of comedies isn’t interested in the melodrama earlier movies like Rebel Without a Cause were depicting. (I’d recommend Rebel, but not if you want to look back on your teen years with any sense of humor.) In Teen Wolf (Crowd: 8/10 // Critic: 5/10), Michael J. Fox discovers he’s a werewolf.one that looks more like the kid in Jumanji than any other portrayal of a werewolf you’ve seen. It’s a plot so ‘80s and so bizarre you won’t believe this movie was greenlit.

In Uncle Buck (Crowd: 8/10 // Critic: 7.5/10), John Candy is attempting to connect with the nieces and nephew he hasn’t seen in years, including one moody high schooler. (Plus, baby Gaby Hoffman and pre-Home Alone Macauley Culkin!) This is my second pick from one of my all-time fave filmmakers, John Hughes (along with National Lampoon’s Vacation, above), and it’s one more entry that balances heart and humor in a way only he could do. You can see where I rank this movie in Hughes’s pantheon on Letterboxd.

Lord of the Rings memes

This month on SO IT’S A SHOW?, Kyla and I revisited The Lord of the Rings, a trilogy we love almost as much as we love Gilmore Girls. You can listen to our episode about the series on your fave podcast app, and you can laugh through hundreds of memes like I did for “research” on Twitter.

Nothing to See Here by Kevin Wilson (2019)

Most adults are afraid of children’s temper tantrums, but can you imagine how terrified you’d be if they caught on fire in their fits of rage? That’s the premise of this novel, which begins when an aimless twentysomething becomes the nanny of a Tennessee politician’s twins who burst into flames when they get emotional. The book is filled with laugh-out-loud moments but never leaves behind the human emotion you need to make a magical realistic story.

An Officer and a Gentlemen (1982)

Speaking of aimless twentysomethings and emotion, feel free to laugh, cry, and swoon through this melodrama in the ‘80s canon. Richard Gere meanders his way into the Navy when he has nowhere else to go, and he tries to survive basic training, work through his family issues, and figure out his future as he also falls in love with Debra Winger. So, yeah, it’s a schamltzier version of Top Gun, but it’s schmaltz at its finest. Crowd: 8.5/10 // Critic: 7.5/10

November Critic Picks

Double Feature – ‘40s Amensia Romances: Random Harvest (1942) + The Ghost and Mrs. Muir (1947)

Speaking of schmaltz at its finest, let me share a few more titles fitting that description. In Random Harvest (Crowd: 8/10 // Critic: 8.5/10), Greer Garson falls in love with a veteran who can’t remember his life before he left for war. In The Ghost and Mrs. Muir (Crowd: 8.5/10 // Critic: 8.5/10), Gene Tierney discovers a ghost played by a crotchety Rex Harrison in her new home. Mild spoiler: Both feature amnesiac plot developments, and while amnesia has become a cliché in the long history of romance films, Harvest is moving enough and Mr. Muir is charming enough that you won’t roll your eyes. You can see these and more romances complicated by forced forgetfulness in this Letterboxd round up.

The African Queen (1951)

It’s Humphrey Bogart and Katharine Hepburn directed by John Huston—I mean, I don’t feel like I need to explain why this is a winner. Bogart (in his Oscar-winning role) and Hepburn star in a two-hander script, dominating the screen time except for a select few scenes with supporting cast. The pair fight for survival while cruising on a small boat called The African Queen during World War I (in Africa, natch), and the two make this small story feel grand and epic. Crowd: 8.5/10 // Critic: 9/10

Kind Hearts and Coronets (1949)

A young man’s (Dennis Price) mother is disowned from their wealthy family because she marries for love. After her death, he seeks vengeance by killing all of the family members ahead of him in line to be the Duke D'Ascoyne. The twist? All of his victims are played by Sir Alec Guinness! Almost every character in this black comedy is a terrible person, so you won’t be too sorry to see them go—you can just enjoy the creative “accidents” he stages and stay in suspense on whether our “hero” gets his comeuppance. Crowd: 8/10 // Critic: 8.5/10

Bluebeard’s Eighth Wife (1937)

What would you do if you found out you were to be someone’s eighth wife? Well, it’s probably not what Claudette Colbert does in this screwball comedy that reminds me a bit of Love Crazy. This isn’t the first time I’ve recommended Colbert, Gary Cooper, or Ernst Lubitsch films, so it’s no surprise these stars and this director can make magic together in this hilarious battle of the wills. Crowd: 9/10 // Critic: 8.5/10

The Red Shoes (1948)

I love stories about the competition between your life and your art, and The Red Shoes makes that competition literal. Moira Shearer plays a ballerina who feels life is meaningless without dancing—then she falls in love. That’s an oversimplification of a rich character study and some of the most beautiful ballet on film, but I can’t do it justice in a short paragraph. Just watch (perhaps while you’re putting up your hot pink tinsel tree?) and soak in all the goodness. Crowd: 8/10 // Critic: 10/10

The Third Man (1949)

Everybody loves to talk about Citizen Kane, and with the release of Mank on Netflix, it’s newsworthy again. But don’t miss this other ‘40s team up of Joseph Cotten and Orson Welles. Cotten is a writer digging for the truth of his friend’s (Welles) death in a mysterious car accident. Eyewitness accounts differ on what happened, and who was the third man at the scene only one witness remembers? 71 years later, this movie is still tense, and this actor pairing is still electric. Crowd: 8.5/10 // Critic: 9/10

The Untouchables (1987)

At the end of October, we lost Sean Connery. I looked back on his career first by writing a remembrance for ZekeFilm and then by watching The Untouchables. (In a perfect world I would’ve reversed that order, but c’est la vie.) In my last selection from the ‘80s, Connery and Kevin Costner attempt to convict Robert De Niro’s Al Capone of anything that will stick and end his reign of crime in Chicago. Directed by Brian De Palma and set to an Ennio Morricone soundtrack, this film is both an exciting action flick and an artistic achievement that we literally discussed in one of my college film classes. Connery won his Oscar, and K. Cos is giving one of the best of his career, too. Crowd: 9/10 // Critic: 9.5/10

Remember the Night (1940)

Fred MacMurray and Barbara Stanwyck in my favorite team up yet! Double Indemnity may be the bona fide classic in the canon, but this Christmas story—with MacMurray as a district attorney prosecuting shoplifter Stanwyck— is a charmer. I’ve added it to my list of must-watch Christmas movies—watch for some holiday cheer and rom-com feels. Crowd: 8.5/10 // Critic: 8.5/10

Photo credits: chr paperie. Books my own. All others IMDb.com.

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surveys-at-your-service · 3 years

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Survey #315

“can’t breathe to scream / suffocating in this dream / long way down”

Who was your first big crush? I would probably say this guy in high school named Sebastian. We sat beside each other in Art, and I definitely liked him a lot. Man, my freshman-sophomore years honestly involved a handful of crushes before Jason popped into the picture and I lost all romantic interest in everyone else. Where was the first place you drove after you got your license? N/A Is it a blue sky outside right now? No. All North Carolina has known for weeks on end now is rain. We've had very rare sunny days, but for the most part, it's just gray and gross. Was your last breakup a bad one? Nah, I'd say it ended maturely and with a mutual understanding of "why." When was the last time you were surprised, in a pleasant way? Hell if I know. Is there an ice-cream flavor that you strongly dislike? Which one? Yeah, like strawberry. What was the last sitcom you watched? No clue. ^ Do you have a favorite character in that sitcom? Why is that character your favorite? N/A What does the last group you joined on Facebook concern? I am 90% sure it was this group I joined that is literally just about cute yet dangerous animals lmao, mostly reptiles and invertebrates. "Misunderstood biteybois and where to befriemd them" or some stupid shit like that. Has there been a spider in your house at any time recently? Not that I've seen, no. Do you like wearing make-up? Not at all. I only like wearing it for pictures and then taking that shit off. ^ If so, how old were you when you first started to wear it? I started consistently wearing it my freshman year of high school. Then some time later I just showed up one day without any, shocked all my friends, and then only wore it when I felt like it. What foods are you craving lately, if any? Nothing, really. What were some of your favorite foods as a child? Chicken nuggets of course, as well as spaghetti, peanut butter sandwiches, just the typical stuff that kids tend to enjoy. When you were younger, did you ever have a friend that your parents hated? No. Have you ever talked in your sleep before? That's very normal for me, especially now that I have nightmares like every goddamn night. What was the last song you heard, that reminded you of someone? Well, not a real someone, but "The Ordinary World" by the Hit House is 110% one of Fetch's soon-to-be themes. What has brought you joy today? Nothing brought me "joy," really. When was the last time you won a prize in a raffle? What was it? I actually recently won an art rafle on deviantART hosted by a truly amazing artist, like I thought I had no chance, and she's going to be drawing Moondust!!!! :'''') What is the next non-essential item that you intend to buy for yourself? I'm still paying the bulk of my tattoo in May. Is there anywhere in your town/city that's rumored to be haunted? Oh, I'm sure. When you were younger, did you ever think that a certain place was haunted? Bitch I still do lmao. What were your school meals like? Did you enjoy them? This really depended on the menu for the day. My school lunches were nowhere near as bad as some people make theirs sound, but most things still weren't great. I think school pizzas are the most notoriously bad. What kind of granola bar did you eat most recently? I had a cashew bar earlier today. Do you have any books on your shelf that you've read multiple times? I never reread books. What did your last post on social media concern? That I personally wrote, something regarding subtle racism still being racism, pretty much. How do you feel about people using graphic images as a scare tactic to promote their beliefs? (i.e.: PETA, abortion…) I have mixed feelings on this. Like sometimes seeing the brutal side of certain things is definitely useful in opening someone's mind to things they don't want to see/think about, but then there's that, too: it can just be so invasive and unexpected, and thus very upsetting and even scarring. I'd say I'm most for the "appropriate" social media route: using censorship that the viewer can decide whether or not to remove. But you obviously can't do that in like, a public protest with a sign, so idk. Which is harder for you: writing creatively or academically? Honestly, both are pretty easy for me. I enjoy writing creatively far more, though. Do you think gender neutral bathrooms are a good idea? I think it's fine to have them as an option. When was the last time you voluntarily went outside of your comfort zone? Just talking about stuff in group therapy recently. Would you ever use a dating site that costs money, like Match.com or eHarmony? Have you known anyone who had good experience with such sites? No, and yes. Do you think it’s fair that people are able to make a reasonable salary and live comfortable lives just by making YouTube videos? Yes? It takes charisma and talent in some area (humor, education, etc.) as well as consistency for it to be a reliable career, and just consider how often you hear about creators burning out. That happens for a reason. Entertainment is a valid job category and should not be seen as an unfair joke. Whether you’re in college or not, do you become fearful about whether or not you’ll find a good job? Story of my life. What is something you can only understand if you've experienced it first hand? Deep heartbreak. Do you think it's a double standard that a woman can hit a man and expect to get away with it, but if a man hits a woman it's assault? Obviously. Abuse knows no gender, and hitting another person is just that. I do, however, believe in self-defense, also regardless of gender. In terms of a wedding, put these things in order from what would be MOST important to be perfect, to LEAST important... Engagement ring, dress, hair, venue, ceremony, food, pictures, decorations, honeymoon. This requires too much thinking, haha... but I do know the quality of my honeymoon would be most important to me, given that that's personal time with my new spouse and not a public celebration. I feel like what goes on behind closed doors is more important and heartfelt than how you act publicly. Do you have a go-to small talk conversation topic? Probably video games or music, idk. Define "small talk." Does anyone owe you money? Do you owe anyone money? (Besides credit cards) Mom does. She just a few days ago had to borrow $100 for rent. If someone was going to buy you any practical gift (anything except a house or car), what would you choose? It'd be dope as fuck if someone could pay for Venus' next terrarium, but that's a big purchase that I'd have a hard time accepting. How many people do you know with the same first name as you? At least one, but her name is spelled differently. What in your opinion is the best love song ever written? I'm not sure, but I can tell you that "When It's Love" by Van Halen has always been high on the list for me. Was your mother married when she had you? No, actually. I thought she was until my most recent bday, I think. It was just part of a conversation. How old was the first person you kissed? He was a few months into 18. The first person you were in a relationship with, do you still care about them? Of course, he's a sweet guy. We don't talk or anything, but that doesn't mean I don't care about him. Has anyone ever sang to you? Yes. So, what if you married the last person you kissed? That'd be pretty rad. What are you listening to at the moment? "Long Way Down" from the The Evil Within soundtrack. It's funny, like I've loved the game for many years, but I'm now in a serious semi-obsession phase after watching another let's play of it. Have you read the The Hunger Games trilogy? I only read the first book. I loved it, but just never continued. What is your boss’ (or school prinicpal’s) name? N/A Who is the person you dislike the most? That I personally know, probably a former best friend, oddly enough. Do you text your parents often? If Mom's not home, it's not unusual for us to text. I don't text my dad much because he's not a fan of texting. Do you watch YouTube videos often? Pretty much always. Do you know anyone with celiac disease? Sara, my aunt, and my cousin. Those are the ones I know of, anyway. Do you currently have any alarms set? No. How many cars can fit in your driveway? Barely even two. If someone else is here, they usually just park where the road meets the sidewalk of the cul-de-sac. Do you have the ashes of a family member or a pet? Of my dog Teddy, yes. Have you ever been involved in a car crash? Yes, as a kid. Do you prefer flash or no flash on a camera? Definitely no flash. It's more natural, and especially with people, it obviously prevents red eye. How often do you use hashtags? Just about never. Have you ever had whiplash before? No. Have you ever given another person or an animal a bath before? Pets, yes. I could never bathe another human. Is there a birdbath in your yard? No. Weirdest place you’ve ever had a cramp? Nowhere weird, I think... How many lamps are in the room you’re in? How many are actually turned on? Technically three, if you count my snake's heat lamp. Right now that's the only light that's on. Are there any activities you enjoy doing, but can only do for a short amount of time before you get bored or tired of them? Yeah, reading comes to mind first. Is there anything coming out soon (books, albums, movies, video games) that you're looking forward to? I'm not up-to-date on this stuff at all, not even video games. What is something someone recommended to you that you disliked/hated? I know Girt's recommended me music I haven't been a fan of. We like the same general stuff, but there are specific sub-genres we differ in opinion about. Can you unwrap a Starburst in your mouth? ... There are people who do this to even know in the first place??? What is the last thing you ate? Popcorn. Who is your favorite person to spend time with? Sara. Do you know how to grill a steak? I don't know how to cook, period. Do you have a large dog? We don't have a dog currently, but Mom is looking for one pretty intently. We don't know the size it'll end up being. Do you like walking places? Absolutely not. I can't walk far at all without my legs starting to scream at me because leading such a sedentary lifestyle led to muscle atrophy in my legs. It's incredibly embarrassing. Are you a fan of bands most people don’t know of? That's not uncommon for me. Have you ever sent an X-Rated picture to someone? No. Do you think your voice is higher or lower than average? It's deeper than the average woman's. Do you have a pool? No, but I really, really want one... Given how easily I sweat, I would love to use swimming to strengthen my legs. I could also stop the very moment I feel I need to; it in general sounds like something I could quite easily do. How many times have you been on a plane? Ummm including the trips going back, at least six times. Favorite ice cream flavor? Oh my gooooood, if you haven't tried Ben & Jerry's "phish food"... fucking try that shit. It is innnnnncredible. Do you have a TikTok? Nope. Do you enjoy driving? Fuck no I don't. Your favorite store as a teen? Hot Topic was and still is my fave, ha. Favorite YouTuber? There's this one called Markiplier that I think's pretty cool. How many online accounts do you have? A LOT. My whole life is essentially on the computer, so... .-. Do you tend to always be in some sort of drama? Quite the opposite. Do you collect quarters from every state? No. When was the last time your living room furniture was rearranged? Not since we moved into this place. When you were little did you like watching Cartoon Network, Disney or Nickelodeon more? Disney probably topped Nickelodeon. I didn't watch much CN. Who was the last person to kiss you on the cheek? Either my niece or nephew when saying bye. Have you ever seen a magic show? Yes, as a kid. I even had a magician for my bday once. When was the last time you vomited and why? It's been a year or so. It would've been a side effect of starting a certain med that I didn't stay on because it so consistently made me sick. Where do you usually sit when you eat dinner? Either in my bed (I know) or at the dinner table if Nicole is here to eat with us. What time do you usually go to sleep at night? It's typically around 7:30-8:30, occasionally a bit later. I can't believe as a teen, it was my "rule" that I couldn't go to sleep before 10:30 because it was "too early." Nowadays, I can barely imagine regularly staying up that late. Do you avoid using public restrooms? As best as I can. I've seen some nasty shit. What’s your favorite type of cookie? Chocolate chip. How basic.

#survey #surveys #questions #lyrics: ''long way down'' - the evil within ost

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gamora-borealis · 4 years

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bruh did you like the rise of skywalker? i want your opinions!

So I actually haven't yet 😂. I'm just really disillusioned with the sequels tbh, and I'm taking a class about Star Wars next semester and I need to rewatch them in release-order and I've only got two down 😂. Plus, I would go see it with my friends but we haven't been able to get together yet. I'll probably see it next week or the week after. I have read the spoilers though...

This is about the get very spoilery and rambly so, just a warning (I'm on mobile so I can't do a read more)

I can't tell you how enjoyable of a film it is (it might be fun to watch), but as a Star Wars film I think it sounds pretty bad. In terms of the trilogy, the characters seem to have been treated bad with the writing (like Finn, Poe, and Rose), and I really hate Reylo and the fact that JJ was like "oh they have a sibling relationship" but made them kiss??? Like wtf 🤢. And I'm not sad that Kylo died. It's the same thing that happened to Anakin in ROTJ. I am confused about how they went about the Ben Solo/Kylo Ren distinction because it sounds different than the Anakin/Darth Vader distinction.

Plus...the fact that Palpetine survived being thrown down a shaft and the Death Star exploding in space???? I thought bringing Darth Maul back was a bit of a stretch but that's pretty ridiculous...I really thought they were just going with Kylo Ren as the only villain. There are rumors that the villain was supposed to be the Son of Mortis from TCW, which would have been wayyyyy cooler. Because he is legit just like, the dark side as a person (Star Wars' Satan ig?).

I mean honestly, what is the point of episode 6 if Palp survives and just starts all over again? Why did we need these movies? Well, money. Money is why.

I like the characters in the Sequels but I think their potential was squandered by bad writing and a lack of direction. And Rey, Poe, and Finn probably came more out of the original TFA script draft by Michael Arndt that JJ rewrote to his own liking...

JJ is a joke, he just likes throwing around fan service (largely for the older ot fans) and I don't think he is that creative. TFA was pretty meh to me. I could go on for a while about that but I won't, since it was probably the best out of the three.

I have to say that I liked the subversion of JJ's writing with TLJ at first, but I hated how it disrupted any chance of a cohseive trilogy, side-lined Finn, made Luke really ooc (and like...what was that Yoda stuff lol), and had some creepy/bad Rey/Kylo Ren stuff. I also really wanted Rey Skywalker or Kenobi and Rian killed that, but that's just me. If Rey was supposed to be a nobody, they should have stuck with that rather than make her a...you know. I also think TLJ was kinda sloppy in general and like why did they allow Rian Johnson to just do whatever he wanted???

So from what I'm hearing, this movie is just more mistreating of Finn (he's force sensitive but never gets to say it??? Like that's so dumb... I'm so tired of the narrative being built outside of the literal film), randomly making Poe a former drug dealer (??? poor Oscar), adding in some new characters rather than using Rose (Kelly deserves better!!!), weird Reylo service, and trying to reconcile JJ and Rian's visions - which sounds pretty messy.

In my opinion, the sequels are just someone's fanfiction written for money...because they are definitely outside of George's vision. Stuff like Rogue One, the Mandalorian (which I haven't watched yet but I want to), that fits with George's vision - and it's good! Solo is meh to me but that's a whole other discourse...

Anyway, sorry if this was too jumbly and negative - I've been having some pretty strong feelings about this lol. I might actually enjoy the movie when I see it. But that's my critique based on...the larger picture.

Also it gets a 0/10 for no visible Anakin force ghost 🤷

#star wars #the rise of skywalker #tros spoilers #star wars sequels #personal #ask #anti reylo

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annakie · 5 years

Text

Thoughts on a DW Rewatch & Mass Effect replay.

So I’m in the Eleven / Clara half-season now.

Also I’m now replaying Andromeda. I have thoughts, about both. I’ll start with Doctor Who then label it when I get to Mass Effect stuff.

Oh my God this gets long and rambly. Apparently, I have a lot of thoughts.

So, season 702... I’m ready for it to be over. I miss the Ponds. I felt like most of the first half of this season was pretty great, honestly. I’d forgotten how fun some of those episodes were, I think at the time we were anticipating a new companion so heavily that it was harder to appreciate those episodes? I feel like there was a lot of criticism levied towards them that now I felt like was a bit too much. The western episode was kinda meh but still not bad.

I’m not sure what exactly it is about these Clara / Eleven episodes that I’m still not connecting with but I’m in the middle of the Crimson Horror episode (which is a Vastra/Jenny/Strax heavy episode and enjoying it more than anything else so far this half-season.

*edit later* NOPE NOPE NOPE I’D FORGOTTEN HOW THE DOCTOR FORCES A KISS ON JENNY. GROSS. SUPER GROSS. SHE’S A MARRIED WOMAN, A LESBIAN AND DID NOT CONSENT TO ANY OF THIS. BAD DOCTOR, BAD.

Honestly even with some excellent guest start acting, the Russian Submarine episode was STILL a slog and the ghosts in the 1950′s episode no better. Like they still weren’t ridiculous and unwatchable but... just didn’t feel fun or interesting at all? The Journey to the Center of the TARDIS episode was decent, and I felt like that wasn’t nearly as cool as it should have been..

I remember reading a criticism of these episodes early on where they said that the biggest fault is that they failed to give Clara any real characterization or solid personality other than “girl the Doctor is obsessed with”. She’s SUPER IMPORTANT but not only do we not know why at this point but it really doesn’t feel... earned? I don’t recall it ever feeling earned that Clara was supposedly always so important? “The most importantest companion EVAR!”

And as someone who stanned the hell out of a character who was hated in the fandom for “replacing” a previous companion I’m checking myself to make sure it’s still not because I Miss the Ponds. Like, I don’t HATE Clara, I just, at least at this point in the rewatch, can’t find any reason to really LOVE her? She’s there, she’s fine, Jenna-Louise Coleman is doing a great job with what they’re giving to her but... I don’t know. It all feels... off.

I had forgotten all about the “the Doctor rides a motorcycle up the side of a skyscraper” moment and something hit me in that moment that made me remember that wow people hated that moment. It felt really... shark-jumpy somehow.

I love Eleven, but this half-season isn’t connecting with me, AT ALL. It feels like the writers just went and dug through a bunch of rejected script ideas, polished them up and were likle “let’s just do this until Matt Smith is gone.” I’m anxious to get to Twelve.

Mass Effect Stuff

OK TECHNICALLY I haven’t finished ME3. I still need to do the party and the goodbye scene, (Citadel Epiloge Mod installed) but I’ve gotten all the Stuff and done all the missions in the arena. I just wasn’t quite ready to say goodbye yet, so I started Andromeda a bit early.

-----------------

OK look I had a point I wanted to make and never quite got where I wanted to go with it right here. I’m too tired of trying to fix it, so this stands as written.

This playthrough had me ruminating a lot on Kaidan and Garrus. I really love both of those characters, though in my heart I’ll always primarily love Kaidan, I’ve done the Garrus romance and wouldn’t mind playing that character again to see the romance one more time. In ME1, I bring Kaidan everywhere all the time, and pick which other companion I bring to the story-based missions based on what I know is gonna happen like I’m sure most people do. Wrex for Therum, Tali for Feros (though I REALLY wish you could switch before going to see the Thorian), Liara for Noveria, Ashley on Virmire, Garrus for Ilos/Endgame. I rotate through all five for sidemissions.

In ME2, Garrus is my always-bring companion, with Garrus + Miranda being my favorite team. Except after the Omega relay, where characters with Throw really shine with all those husks running at us, Jack holds the bubble, and Miranda and Thane, who both have Warp to help take down the Reaper Baby, are the preferred team. Also so Miranda can tell TIM to fuck off.

Then in ME3, once the game opens up, Garrus is back on the perma-team, with a preference towards bringing Liara along... until we get Kaidan back. And then I realized I didn’t bring him to a single thing except a side mission or two until Earth. Mostly, this is because I’m following the Kaidan Banter guide and it turns out Garrus is a real banter hog for most of the missions. At leat he’s not James, who I literally never use unless I’m going on an N7 mission and feel bad that I haven’t taken him off the Normandy in awhile. I mean, even Javik gets more play. Also EDI doesnt leave the Normandy til near the end when all of a sudden she gets real important.

But Garrus is always on the team for Priority Earth. And that always felt like the way the main game should end, with your two favorites. (Also what kind of monster wouldn’t bring Wrex to the combat-centric areas of Citadel DLC? I keep thinking I should have runs where I bring other people but... Wrex is my other fave and we don’t get him with us AT ALL since ME1.)

I love Garrus, so much. And I was thinking with this whole parallel DW rewatch / Mass Effect replay think I’m doing right now how both Rose Tyler and Garrus Vakaraian are characters that were ruined for me for awhile due to their respective... overly enthusiastic fanbases who a small percentage of were dicks to people who loved other characters. The Kaidan tag (and from what I understand Thane got some of this too, but not nearly as bad) was a pretty hostile place for awhile (and yeah I used to check the Garrus tag too and there was a small amount of tag-invasion there but uh, like 5% of what the Kaidan tag got) which made loving the character of Garrus a lot harder for awhile. But when actually watching seasons 1 & 2 / the end of 4 of DW, or actually playing the games, those characters are awesome.

Fanbases can be amazing or terrible, and time and time again I think you start to realize that no matter how great a fandom is, there are going to be a few people who can only enjoy themselves by feeding on drama, or on lifting up what they love by stomping on other people/characters/plotlines. Going back through my blog reminded me that even the TAH fandom had some of this, with a small percentage of fans being real dicks to two prominent female characters in favor of their favorite ship, which soured even that just a tiny bit.

It’s not fair to characterize everyone who loves a popular thing as someone who does this. It’s also hard to avoid completely because there will always be jerks, or young/new people who don’t realize what bad form they’re showing. I did learn by trying to fight it for a year or two, that responding might help that one person not do it again, but it’s not going to stop overall. Maybe yelling a lot about Martha Jones did change some people’s minds. It still isn’t that good of a look now, even knowing that in general I was pretty polite and logical about it. I might respond to an odd comment now and again in some favorite character tags, but in general, turns out that kind of fight just isn’t worth it.

And those fights seem so stupid in the light of everything else happening in the world today.

Anyway, don’t be a dick about the things you don’t like.

-----------------------

I also wanted to say, and I know I said it in a few other posts about this ME3 playthrough, but seriously I cannot believe how much ME3 is a changed game because of the modders. I cannot imagine ever playing ME3 again without these mods. There were so many small things that I kept thinking I should take note of to talk about and I’m sure I forgot 90% of them, but there’s things like... adding in mentions of the Andromeda Initiative, closing a few plotholes, mentioning Emily Wong, adding in many more Spectre console options which end up having their own plotlines, adding in an entire plotline about the VI civilization that had previously only been talked about in like, social media or Cerberus News Network posts, having the Normandy be so much more populated, seeing so many more other species on the Citadel with more variety in clothing for those species that have clothing / could have more variety, way more female Turians.... every time I play ME3 the game is more and more like the game we wanted when it came out.

I am kind of itching to go back and replay it even now.

But hey, instead, its time to talk about Andromeda.

-------------------------

So first of all, yes, mods for Andromeda. A few appearance mods, a lot of convenience mods.

After having recently played DA:I and I think Andromeda and DA:I are a lot more similar than Andromeda and the previous trilogy, I had decided it was time to cut down on the stupid stuff Andromeda does, like “Oh, you want minerals? Spend 10 minutes in each mining zone finding the PERFECT place to gather materials or you’re fucked” No, thanks. I’ll mine but give me that “one probe placed anywhere and you’re done” mod.

Make the modifications and crafting materials I use actually matter. 2% damage increase is nothing. Make my squadmates not suck because I remember doing 90% of the work myself before and that got exhausting with the number of spawns.

I tried to not go overboard so things feel like cheating, but there’s enough out there to just get rid of the stupid stuff, and it’s nice. And works together a lot easier than the DA:I mods did.

One thing I did do was install the Multiple Romance Mod. I enjoyed it in DA:I, even though ultimately I only did 2 full romances. I am **NOT** romancing Gil or Cora with the mod, I just wanted to experience all the content available for female Ryders at once, since I’m not going to have the energy to replay this 100+ hour game enough times to see every romance on its own. So I am poly-romancing Liam, Jaal, Vetra, Suvi, Peebee, Keri, and if it lets me, Reyes when it’s time.

I’ve only gotten all the way through Andromeda once (where I romanced Liam) My second playthrough was right after my first and stalled out about halfway through (was romancing Jaal.) It was one of those “I’m totally gonna get back to this! (She didn’t.)” things. I’m gonna be honest, I enjoyed the Liam romance and was enjoying the Jaal romance, I’d done a fling with Reyes but not the full romance my first time through and the fling with PeeBee on my second. Reyes was probably my favorite out of all of them. So this time I decided.. let’s see which I love the most, all at once. I don’t know if I’ll do this in the future, but this game is too long to not see all the content I wanna see, TBH.

And you know, I still really do like Andromeda. It’s a GOOD game. And I’m forever going to be mad that we’re not going to see how this story ends. This story deserved to finish being told. Like, there are a lot of very legit criticisms about Andromeda, but it didn’t deserve the harshness it got. And the worst thing about it, and DA:I both is that... there’s just a little TOO MUCH of it. 100 hours is an amazing amount of game but... it’s also just too much. For now I’m not trying to 100% this playthrough. My plan is on each planet to get the planet to 100%, take out the Kett or whatever major base, the Remnant Architect, and yeah probably clear out the sidequests that show up on the map, but fuck quests that are like “visit random Kett camps until you find the right datapads that don’t show up on the map!” or “scan random blobs in the forest that don’t show up on the map!”

So like, do the content, not the filler.

I still hate the vaults. The first one is cool. The rest are tedious. But they’re mandatory.

I love everyone on this spaceship though. They did the Tempest stuff SO WELL. All the companions I think are... good? There’s no one I don’t like, even the non-squadmate shipmates ship have so much interaction and so much to do/say. It’s not like “a bunch of randos and Joker, with occasional appearances by Chakwas and the Engineers” There’s no randos, it’s just a few people you have real interactions with, and its great.

The lack of enough beds in the bedroom will never not annoy me. There’s 4 beds for... Lexi, Liam, Cora, Suvi, Kallo, Vetra and Gil? Even if Liam slept on his couch, and Vetra put a bed in her supply room... still doesn’t add up. What, do Salarains not sleep or something? Does Lexi sleep in a medical bed?!? Peebee sleeps in the escape pod, Jaal brings a bed with him, and Drack’s like “Eh I’ll just sleep in the kitchen”. WHAT? THE KITCHEN?

I mean sure there weren’t enough beds, even with the sleeper pods, on the Normandy either, but somehow that was less disturbing.

Also, I know you’re supposed to HATE Director Tann but I love Kumail Nanjiani so I find it hard to be a total dick to him, even if he usually deserves it. If he wasn’t an anti-Krogan racist I think it’d be easier to like him. He was thrown into a pretty shitty situation and... did actually hold things together for some time. He’s not doing anything out of malice. He’s a dick, but also doing what he needs to do to keep the Initiatiave going. Oh, except for being a anti-krogan racist. (Honestly, I also think “until he turned Cerberus Udina was just doing his job pretty well” too, so...)

Taking some screenshots as I go. I mostly just take screenshots for me now. I have a few thousands screenshots from a dozen or more games rotating through my desktop background, and I keep adding to it, and love it.

Anyway, I’ve gotten Eos, Voeld and Havral to 100%. Time to go save the Moeshe. I’m having fun.

*edit from later* I’d forgotten that... idk if the dialog they recorded for Jaal was the first thing they recorded for him or they used a different VA or what but on the Save the Moshe mission his voice is VERY DIFFERENT and oh man, that is still bad.

Might take a break for when Onslaught comes out for SWTOR, though. I haven’t really played SWTOR in months. Oops.

#personal post tag thingy #annakie's mass effect stuff #doctor who stuff #hey this gets REAL RAMBLY sorry not sorry

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letstalksymphogear · 5 years

Text

Symphogear, EP.4

Last time on Beverly Hills 90210!

Hibiki begins to understand the true nature of the Sam Reimi Spiderman trilogy as she lives the life of a superhero by night and a normal student by day in the most miserable way possible. Constant cockblocking from the duties she explicitly chose to do distance her from her significant other Miku, as it drives wedges into their friendlationship. As Hibiki breaks off a plan prepped weeks in advance to see rocks fall from the sky, she takes out her frustration on the local Kamen Rider villian rejects before coming up to see Tsubasa, only to be greeted by a new face...

Let us continue!

As the situation tenses between the three gi- hey! Hey, wait a minute! This is a flashback! That’s no fair. You’re just going to throw this to us while we’re trying to do this stuff? Get it together, show.

The show hauls our asses to a flashback, because God knows we needed one right now. It’s not just any flashback, though. It’s a flashback of our favorite redhead, Kanade!

In a straightjacket.

While everyone is staring.

“i dont usually do this but you’ve got a bad case of catch-these-handsitis”

“oh god, she’s so wild, and angry... i... why am i hoping she’s single...?”

“aye. this is the fate of all rabiosexuals out there.”

Kanade is tied down because she’s the sole survivor of a Noise attack, and more importantly, she really, really wants to fight the Noise. What she doesn’t know is that she is potentially a new candidate for a Symphogear relic.

“oh... we’d pair so well... our colors are diametrically opposed...”

“GIMMIE A FUCKING GUN AND A TEN PIECE CHICKEN MCNUGGET MEAL YOU GUY FIERI LOOKING ASSHOLE”

Genjuro, who suffers from Compulsive Child Adopting Syndrome (CCAS), immediately comes to the conclusion to adopt this tiny gremlin. It helps that her parents are, well, dead.

Fatherly instincts vibrating intensely.

Genjuro talks to this small child, who is currently 99% anger and 1% chicken fluff, scanning their conviction towards working to the goal of fighting the Noise.

In retrospect, his methods are a bit weird. Feeding into the extreme edginess of a 14 year old scorned isn’t exactly the best thing in the world. Unfortunately, as we established before, the only thing that can fight Noise are Symphogear, and the only reason he’s not in the front lines is because he can’t wield one.

Kanade naturally obliges this deal, her braincells having long since perished alongside her parents. Then Perish indeed, Kanade.

“buddy im being trained as a samurai in modern times and i still could not fathom going as hard as you”

The pact is sealed. The child is adopted. Genjuro’s adoption addiction relapses, and he’s going to have quite a long talk at AA (Adopters Anonymous).

The thing about Genjuro that makes him an interesting character is that he actually really, really, really hates the idea of having to pit children in fighting these horrible threats. Unlike a lot of male characters who have a strong sense of manliness but a poorly written way of expressing it, Genjuro manages to be a compassionate person in the face of all this terribleness. He’s the only person to think about throwing parties for these girls, and trying to give them any sort of sense of happiness and normalcy to their lives, now changed forever by machinations he has been put in charge of. He’s the Anti-Gendo. He doesn’t tell Shinji to get in the robot. He makes sure Shinji is well enough to be in the robot, and would never do so otherwise, knowing the mental toll.

That’s why ultimately, he is The Dad.

So, with that in mind, they prep Kanade to recieve the relic assigned to her. One of the major elements of using relics is compatibility. Kanade is not naturally compatible to Gungnir; they have to slowly ease her into it.

“mumble mumble cant wait to kick their asses mumble mumble”

This is a process that takes years. The show doesn’t do well in showing this, but it takes many, many years for her to be compatible after endless medical examinations and controlled situations.

The experiments, naturally, hurt like a bitch to boot.

“genjuro she’ll be okay, right?”

“flip a coin on it, tsubasa”

“oh shit yall see this news? pornhubs gonna buy tumblr! damn, i can make an all in one profile now.”

When you’re forced to watch your newly adopted daughter torture herself to be compatible with an ancient, musty cursed relic.

After all that, Kanade still isn’t compatible. Of course, nothing is simple with Kanade. You may ask yourself, “Why did Genjuro have to tie up Kanade in a straitjacket? That seems pretty abusive.”

Simply put, it’s because Kanade has never fucked around in any second of her life, having taken off all the devices on her, taken a direct syringe of the stuff she’s trying to synchronize with, and directly inject it into her, herself.

Fear.

“i am so SICK, and TIRED, of all this namby pamby wimpy ass standard shit. YALL MOTHERFUCKERS THINK I WONT GO FULL THROTTLE?! MY LIFE IS FULL THROTTLE. I! AM! GONNA! GET! SHIT! DONE! TONIGHT! BOYYYYS!”

Tsubasa, likely already going through puberty by this point, simultaneously understands both the concepts of fear and arousal witnessing this near suicidal display of absolute madness immediately.

Holy shit, Kanade.

You know shit’s bad when even Ryoko is afraid.

Turns out, however, that Kanade did the right move in becoming compatible with Gungnir, at a very physically demanding price.

Really, physically demanding.

“shouldnt have had that massive spaghetti carbonara before doing all this shit but fuck i really liked that fuckin’ spaghetti slorp slorp go the sauce ooooooooh god this is bad”

“HAHA IM FINE- IM FINE EVERYONE- THIS- THIS IS JUST THE SPAGHETTI- I HAD BEFORE THE- BEFORE THE PROCEDURE IT’S NOT- IT’S NOT BLOOD I SWEAR- OH I AM FEELING LIGHTHEADED- DON’T WORRY YOUR PRETTY HEADS IM GOOD! OH- OH FUCK-”

The scientists, who have been easily staring at this entire situation for more than 5 minutes or more, have not stepped in to do a single damn thing, as if overpowering a 14 year old to stop her from injecting a dangerous thing that could directly kill her is completely out of their paygrade. Genjuro wakes them the fuck up and likely briefly contemplates firing some of these morons.

“so this is what’s called... getting lost in the sauce...”

The scientists scramble to keep Kanade from vomiting more marinara sauce but Kanade exerts but a mere fraction of her now developing Symphogear abilities, knocking them all out with ease.

“this is some shit right here, damn”

Kanade pulls some Independence Day theatrics on everyone, as a 14 year old on the verge of death typically would if given the opportunity. Death may be certain but you at least get to go out in style. Will Smith would be proud.

The half-life of Tsubasa’s fearousal reached completion as it has mostly decayed into fear at this point.

However, the relic pendant begins glowing. This is likely the one thing that keeps Kanade from dying. An interesting comparison given Hibiki’s own survival and gear manifestation.

Kanade achieves super saiyan.

“THEY ALL SAID I WAS LOST IN THE SAUCE... AND THEY ALL THOUGHT THE SAUCE WAS LOST IN ME. BUT NOW... I AM THE SAUCE!”

Tsubasa’s fear directly transmutes itself back into arousal per the first law of alchemy. Something to note is that Tsubasa was naturally receptive to her own gear; she didn’t need to go through the medical process Kanade went through. It’s because of this that Kanade earns Tsubasa’s admiration for life, even long after she dies.

“THE SAAAAAAAAAUUUUUUUCCCEEEEEEEEEE”

And so, the unambiguously gay duo known as Zwei Wing formed. Singers by day...

Noise slayers by night.

Saving the country, singing in the country, bonding together... in the country. Truly, there is no more iconic duo than these two.

“yall sing pretty”

“anyway bye”

Kanade’s initial motivation for getting Gungnir was to kill the Noise indiscriminately with no hesitation. It slowly dawns on her, though, that helping people... is good?

“the sauce lost me. i got lost in the sauce. i became the sauce. but... why don’t i... share, the sauce? because... people like sauce... and i like sauce... and we can bond together... liking sauce!”

Kanade and Tsubasa have a Captain America moment running together as Kanade muses about how singing for other people feels way better than just pure murder funtimes.

“hey, uh... tsubasa... it just hit me. i like sauce. and... you, you like sauce. do... do you want to share sauce together?”

“kanade as your girlfriend ive literally heard you talk about sauce metaphors for the last several years and if you dont think i wont slurp your sauce down without hesitation you’ve got another thing coming”

“hell yeah! ive still got some of my original leftover marinara to share!”

No heterosexual explanation whatsoever.

Not a damn one.

Oh yeah...! Because by shedding tears, the reality you face is...

Nehushtan? Weird end of a sentence, but okay.

We’re thrust back into the present time, present day, as we’re back in our three way throwdown.

Genjuro is an extra large McFuckingPissed with Large Fries and a Shake, supersized.

“you want some sauce with that? lmao, sorry, too soon”

As the werewolves come out in full force, the tension strengthens while a battle brews nearby...

“yall think you’re getting your hands on this goddamn armor without realizing im officiating this here gay pride parade. and guess what? you’re cancelled.”

“didn’t know clowns were part of the acronym, let alone capable of managing it. either way, you’ve gotta be at least this tall to use the armor.”

“so why not make like a hobbit, drop the armor, and burrow back to whatever hidey hole you came from, bimbo baggins!”

“guess you didnt read the books, moron. last i checked, bilbo doesn’t lose his traveling partners.”

“that low blow only comes at the cost of outing yourself as a fucking nerd.”

“im not ashambed. im gonna blow your mind with some math: my foot, plus your face, subtracting the teeth from your mouth, equals an ass kicking.”

“NOTHING IN THAT FORMULA INVOLVES ANY ASS WHATSOEV-”

Hibiki gets in the way immediately, citing the ethical ramifications of fighting humans as opposed to talking to them, conveniently forgetting this was the same person ready to body her merely an episode or two ago.

“hey first of all please don’t say bimbo thats really degrading, and second of all clowns aren’t actually in the acronym but im sure there are some gay clowns out there so please dont talk like that and thirdly im sorta short and that hurt my feelings and fourthly killing is fucking bad, tsubasa, let us not commit human on human murder”

both of them, in unison, i shit you not:

“yo, you like murder? shit. i like murder too!”

“like oh my god! murder is my favorite hobby. i take it back, you’re chill. still gotta die, though.”

Hibiki is casually tossed aside from this fight, given her very ideas are anti-thetical to fighting as a whole.

A real sick battle ensues.

Something to note is that our spunky opponent has another relic at her disposal which summons Noise. This relic is called Solomon’s cane. You’ll learn more about it later.

Not a pretty sight.

Tsubasa is losing. Not only is she losing, but the enemy cool kid reveals a very notable detail of her plan: She was distracted Tsubasa on purpose. The real plan...

Was to kidnap Hibiki.

In an ironic twist, Tsubasa’s inability to work with her teammate not only put her teammate in danger, but explicitly allowed her opponent to fulfill her mission of trying to capture her.

“i changed my mind kick her ass please oh god”

Hibiki still has not learned her lesson.

Tsubasa gets her ass kicked. Her opponent pulls every punch in the book, with some lowdown dirty fighting.

Unfortunately, Tsubasa, having learned from the Kanade Amou Private School Of No Brain Cell Combat, she pulls the last ace from her sleeve.

“lmao bitch whatre you gonna do, sing?”

“i didnt design my hair like a fucking 8th note for nothing, you cabbage patch kid”

“then let’s hear it, motherfucker.”

#symphogear #symphogear season 1 #recap #anime #comedy

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jihef03 · 5 years

Text

Thoughts on the Toy Story 4 trailer

okay, so I’m actually refering to the first two-minute slength trailer that got released a few weeks back, and it’s the french version, but I got busy so I couldn’t do it earlier. Therefore “ne perdons plus de temps!”

-The hype is real. I went Toy Story fan when I was three, and never got back. So happy to see the gang again.

-By the way, people were so pissed about a Toy Story 4, holy cow. I don’t get it. Are you people so afraid it’s gonna ruin “Toy Story 3′s perfect ending” ? Come on,at this point, it’s just like seeing old friends again. Sure, you can get a bit anxious at the idea that time has passed and you might not get along as well as before, but they’re your friends. You should look at the positive, and be happy at the prospect of meeting your pals back.

-Woody acting like a dad right out the bat, yes, this is content for me.

-Forky throwing himself out the window, probably triggering some PTSD for Woody and Buzz.

-Woody literally ready to risk his neck for a toy he’s only known for like only some hours/days, and he does it because Forky is Bonnie’s favourite, and no toy gets left behind. * wipes tear* I’m so proud of this cowboy doll guys, he’s grown so much.

-Buzz going “I’ve got to find my cowboy bro” is the sweetest, I did not expect less from him.

-Buzz botched acrobatics and Woody’s flopiness still getting giggles out of me after all this time. I’ve missed you guys..

-”Thank you, inside voice.”

-On that note, most of the french voice actors reprised their roles for the movie and I’m so happy. No offense to Tom Hanks and Tim Allen, but I cannot unhear Richard Dabois and Jean-Philippe Puymartin as Buzz and Woody. (Also, let me tell you : you experience some serious whiplash once you gotfrom Barbara Tissier’s Jessie to Joan Cusack’s Jessie, like wow, their voices have totally different pitches.)

-I do love myself some good ol’ color-contrasting ennemies, so good point for Bo and Gaby wearing opposite colors. Like, if Pete and Lotso were Woody’s villain, I think Gaby is gonna be Bo’s villain, and I like that. Maybe for turf war on the attraction park.

-On that subject , I wanted to say this for while now, but I really appreciate that the story is going to take place in an attraction park. The toys usually stayed in enclosed space in the trilogy, so this will be a nice change to see them a bit more on open space.

-On the “eh” side of things tho, I’m pretty sure this is gonna spark some debate on the future, but I doubt this Toy Story movie is gonna reinvent itself narratively speaking. It has shades of the second and third movie into it : “Woody is separated from the group!” “Buzz must search for Woody!”, “they all have to get away from some place to go back home!”. I think at this point it’s up to you to decide if those are “tired tropes” or “staples” of the franchise. I hope I’m just worrying myself for nothing over there.

-Still for the most part, I have good hopes for this movie. And I do think Pixar put care in it . I mean, it’s their master franchise, so they gotta play it good.

-I think the french trailer edited some stuff out and focused more on the “adventure/fun” aspect of it. Like Bo Peep is’nt really introduced in the trailer, she’s sort of “there” . I don’t really mind though, so I can experience the full gut punch of seeing her in the theaters once I watch the whole movie.

So yeah overall , I really like this trailer, it makes me excited, and I’m just happy to see my toy friends again. I like to think’ it’s gonna be a pretty solid movie and follow-up. Introducing Forky and the “what makes a toy a toy” is a good concept, and bringing back Bo is a good idea that hooks me up for more.

#toy story #toy story 4 #disney #pixar #thoughts #woody pride #buzz lightyear #french

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downeysgirl94 · 6 years

Text

Field Trip Ch. 9 of Cure for Nightmares

Peter walked tiredly into his science classroom sitting down quickly next to Ned. Peter put his head on the desk.

“Hey man you ok?” Ned asked glancing at him

“Yeah I’m fine just a bit tired was out a bit late patrolling” peter responded in a whisper

Ned nodded, and peter grabbed out his notebook and textbook and prayed class wouldn’t last forever.

When the bell rang Peter quickly gathered his stuff and was about to head to the door when his teacher made an announcement to the class.

“Before you guys rush out of here, I need to hand out permission slips for our annual field trip.”

“Where are we going?” a random student asked

“We got a special treat this year we are getting a special tour of The Avengers Compound.”

Peter immediately sighed he had a field trip to somewhere he goes on an almost daily basis.

“The field trip is next Friday so making sure you gets these signed by then.” His teacher said handing them out

As if on cue

“Hey penis I guess were finally going to see that you full of it when none of the avengers recognize you.” flash shouted at him as he walked out

Peter just looked at the permission slip and shook his head. While leaving class and walking to lunch he messaged tony

Hey can I come by today?

Tony responded about a minute later

Sure kid I’ll have Happy pick you up.

The rest of the day went by in a blur peter couldn’t stop thinking about the field trip.

Once he walked out of the school he saw happy there waiting with a smile on his face.

“Hey kid hop in, can’t wait to hear your nonstop talking” Happy said with a grin

Peter got in the car sighing

They were driving for a bit peter was responding anytime happy asked him anything but was not his usual talkative self.

“Hey Pete something up normally your talking my ear off by now?” happy asked

“I’m fine just tired I was out late patrolling yesterday so didn’t get enough sleep” peter responded

“Yeah me and tony noticed you like staying out late lately but you still need sleep don’t want May freaking on you again” happy said seeming to accept his answer

Peter nodded in understanding and sighed in relieve.

Once they arrived at the compound peter got out of the car quickly waved bye to Happy and walked onto the Elevator and headed towards the lab.

Once peter exited the elevator he walked to the lab saw tony mesmerized by his suits. Peter threw his backpack off his shoulder to alert tony he was there.

“Hey Pete sorry was in tinkerland” tony said with a chuckle

Peter wasn’t laughing he just went and sat near the work bench and sighed

“Kiddo what’s up what got you down?” Tony asked considered walking over to him

“Why did you give my class a field trip here tony? And better yet why didn’t you tell me about it so I wasn’t blindsided by my teacher” peter asked annoyed

“Pete I totally forgot about doing that I was doing it for one another just because you’re here a lot doesn’t mean others don’t get too see here I know your school is full of gifted youngsters so I thought your science class would enjoy it.” tony said simply

“You guys will embarrass me you guys always do” peter said sadly

“I will not and ill will tell the others not to as well or they be kicked out, happy?” tony said smiling

“Makes me feel a bit better but I don’t think I can trust them” peter said shrugging

“I’ll make sure we all do our best ok tell them go with intern story again ok” tony said smirking

“Thanks dad but to be honest if you don’t show your face around me on the tour that probably be for the best” peter said quietly

“Pete I’m hurt you don’t want your class to see me? I’m one of the most important avengers” tony said pretending to be hurt

“No I just know you will embarrass me somehow if were in the same room as each other” peter said grinning

Tony smirked “ok kiddo I’ll try not to interrupt the tour happy?”

“Very thank you” peter said

Ok kiddo now that’s out of the way lets grab some food I’m starved.

Tony led him to the elevator.

They spent the rest of the night snacking and watching movies.

Once Tony dropped peter off at home he asked May to sign the permission slip.

The day of the field trip arrived way quicker than peter would have liked. His talk with tony relaxed him slightly but didn’t help the nervousness he was felling right now. His teacher collected everyone’s permission slip and they all boarded a bus heading to Upstate New York to The Compound. The ride seemed like it took twice as long as it did when he would go with Happy. Luckily Ned and MJ were with him otherwise it would be a nightmare.

Peter sat with MJ and Ned sat close by on the bus. They both knew how nervous he was and were trying to talk about unrelated topics to distract him.

“Hey peter what’s your opinion of the Last Jedi? Does it betray the original star wars trilogy?” Ned asked

“I wouldn’t say it betrays the original ones but it definitely was my least favorite one” peter answered honestly

“Wow even worse than the prequels?”

“That’s debatable” peter said shrugging

Michelle rolled her eyes.

Ned was about to say something else when Flash interrupted him.

“So penis you claim to be a what? personal intern to tony stark? Were about to learn the truth I can’t wait to watch you freak.” Flash said laughing

“Flash get lost did we ask for you two sense no so bye” MJ said bluntly

Flash just stared at her for a minute than sat down.

MJ turned to peter “ignore the idiot he’s just jealous”

Peter nodded. So much for not being nervous as they pulled up to the compound they used a different entrance than he usually did.

As they walked into the lobby of the compound his class was all filled with awe but peter had been here before again not as often as other parts as the compound so he kept his mouth shut.

A receptionist it seemed like greeted them.

“Hello Midtown Tech my name is Sarah and welcome to the Avengers Compound. First thing we need to do is get each one of you a security badge.”

She handed everyone a badge besides peter that of course always had one but rarely needed it because Friday recognized him.

“Make sure your badge can be seen at all times Happy is a stickler for that kind of thing never know when he’ll show up.” Sarah said with a chuckle

“Hey peter didn’t get a badge” flash called out which made Sarah turn

“Hey Pete you got yours right?” she asked

“Yeah right here thanks Sarah” he pulled it out of his bag and put it on his shirt.

Flash was staring gaping mouth for a second, which made peter grin.

As they began walking through the security check point Friday started scanning all the badges. And reading aloud identities.

“Sarah Abrams clearance level 5”

She directed the rest though

“Guest Clearance level 2” Friday kept saying until they got to peter

“Peter Parker Clearance Level 10” Friday stated

His class looked at him confused. Flash was literally speechless.

Sarah directed them to the Training room first which peter crossed his fingers hopping Natasha and Clint were not there currently. Of course when his group walked in not only was black widow and Hawkeye there so was Captain America. Peter sighed. Natasha was in the middle of fighting Steve, Clint was rooting her on. He glanced up and saw the class and walked over.

“I thought Stark mentioned a tour but I thought he was just messing with us like usual” Clint said with a smirk glancing at peter

“Well now that you’re here this is where we all train or I should rephrase get our butts kicked by black widow over there” Clint added

As if on cue she got Steve down to the matt. The class cheered which made Clint laugh

Natasha helped Steve up and then joined Clint with the group.

“You guys do not want a go around with her she’s deadly” Steve said laughing

“Don’t you forget it” Natasha replied “if you guys want to learn some basic defense I can teach you” she added

Most of the student’s hands rose besides peter and MJ. But of course

“Peter come on you’ll be a perfect demonstration for them” Natasha pleaded

“Nat I don’t think it’s a good idea remember what stark said” Steve said into her ear

“Come on Pete it will be fun” Clint added

Finally slightly embarrassed peter nodded and followed Natasha back to the mat. When she lunged at him he easily Held his own pushing Nat back a bit, by the end he let her win since he didn’t want his classmates to know how strong he was. She helped him up and smiled

“Wasn’t that fun? Well I think you got to move on to the next part of the tour but I’ll see you tonight Pete” she said walking to the showers

“Yeah kid was a blast seeing you knocked on your head” Clint said laughing

Before they left the training room they were allowed to ask Steve and Clint questions

Of course the first hand was flash’s

“Is pen- Peter really a personal intern for tony stark?” he nearly shouted

“Of course he is I’ve never seen stark grown so attached to a kid but once he hired Pete he always a constant presence. Clint said chuckling

“yeah Tony loves bouncing ideas off the kid even asked him for help when he stuck on projects peter is always willing to help.” Steve added

Flash shut up real quick after a few other questions Clint and Steve waved goodbye as they moved on through the compound visiting different floors before they got to the labs.

Peter’s day hadn’t been as bad as he imagined it but he knew it could just get worse he just hoped Tony would keep his promise and not show his face. But of course nothing could go his way could it.

As they walked into the main lab they saw Bruce Banner working on a computer before he noticed the guests enter. Bruce noticed peter immediately and gave him a grin.

“Hey Pete, is this your gang from your genius school?”

Peter nodded.

“Yeah peter has told me of all the gifted kids from midtown so Tony was sure to make sure to have a stop in the main lab” Bruce said grinning

“You guys are welcome to explore the lab but do not touch a thing I rather not have tony ring my neck” Bruce said laughing

The class began exploring looking at different iron man armors or other projects tony seemed to work on. The main lab was huge so of course they were there awhile

Ned walked over to peter

“Hey if this is the lab where is Tony you said when you’re over your always tinkering with him” Ned asked

“This isn’t the only lab Tony’s got a private one only me and him have access to I guarantee that’s where he is now” peter said

“Oh ok makes sense otherwise we be seeing a lot more amour and your suits” Ned whispered

Peter nodded.

Sarah asked “does anyone have any questions for Dr. Banner?”

Hands rose before Bruce picked a hand the doors opened and Tony walked in with a smirk on his face.

“Brucey who’s all your friends I thought I was in charge of parties here?” tony said with a chuckle

Peter knew it was too good to be true when tony showed up and smirked at him

“Look at all the egg heads that peter brought with him” tony said grinning “if you are all half as smart as he is then the future is in good hands”

Peter blushed.

“So what was I interrupting Bruce?” tony asked

“Kids were about to ask me some questions” Bruce replied

“Excellent ask any questions for me ask well” tony said making eye contact with peter.

Multiple hands shot up and of course Flash’s did as well.

“What is it like having Captain America under your roof again?”

“Never boring but again living with all the avengers makes life here interesting.” Tony said with a laugh

When he called on flash he prepared for the worst.

“Is it true Peter is your personal intern?” flash asked

“Of course it’s true Pete is an amazing worker and I’m lucky to have him” tony said give peter a warm smile.

Once the questions were finished the class left the lab to have a break for food.

Siting outside the compound with Ned and MJ, Peter was taking a bite of an apple

When Flash walked over to them. None notice tony followed the group out.

“Ok you got to spill right now what the hell was that Penis? How did you get them all to play along?”

Peter was about to say something when Tony showed up out of nowhere looking pissed and stepped towards Flash

“Excuse me what in the hell did you just call him?” tony sounded furious

“Umn. It was just a joke sir...” flash said quietly

“If I ever hear anything about you bullying my kid again ill make sure no college accepts you, you hear me?” tony said still pissed

Peter was embarrassed but at the same time smiled at the time tony call him his kid.

“Yes sir” Flash said looking away.

“Good, hey Pete come with me” tony said

Tony stopped quickly and whispered something to Sarah

Peter got up and followed tony back into the compound.

Once inside tony looked at peter directly

“Pete when you told me Flash was an ass you weren’t kidding” tony said sighing “why didn’t you tell me he was still bullying you?”

“I don’t know it didn’t really bother me and he stopped for a bit after I told him off before he only really started again because of the field trip.” Peter said shrugging

“so you didn’t want him to get any other ideas besides that you work for me that’s why you were so worried before” tony said raising an eyebrow” well I just called you my kid to his face sorry I screwed the pooch on that one” tony said chuckling

“Tony your fine I know for a fact after what you did he never bully me again you were scary out there” peter said with a grin

“Well good watch you back kid” tony said laughing

“Well thanks though you’re basically my dad nice of you to stand up for Me.” peter said smiling

“Of course Pete” tony said with a smile and pulled peter into a hug.

A few moments later tony let go.

“Well I guess I’ll be back tomorrow right?” peter said heading for the door

“Nope I let the tour guide know that you were staying here when the bus leaves you coming over tomorrow anyways why not, I already let May know” tony said

“Sweet that’s awesome” peter followed tony to the elevator

“I sure the others have great stories to tell me from the parts of the tour I didn’t get to see” tony said with a grin.

Peter’s smiles dropped slightly “will the embarrassment ever end? “

“Not when I’m involved it won’t” tony said smiling.

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douxreviews · 5 years

Text

Star Wars: Episode III - Revenge of the Sith (2005) Review

[This review includes spoilers. It was written right after I saw it in the theater.]

Padme: "So this is how liberty dies. With thunderous applause."

I just saw Revenge of the Sith, and I can't get it out of my head. For me, it's up there with Empire, which has always been my favorite. This one is darker than Empire. It had to be. George Lucas deserves some heavy-duty praise after all the well-deserved criticism he took for Episodes One and Two.

During Episodes One and Two, I had some distance; I enjoyed them, but I couldn't stop obsessing about what was wrong with them and they didn't stay with me. They never felt like real Star Wars to me. But not this time. I was hooked from the first moment, and stayed completely absorbed until the final credits. Lucas gave us every single moment that we needed to see, tied up every loose end, and made it riveting at the same time. No stupid pod races, no Jar Jar (well, one second of Jar Jar, which was about right). The effects were out of this world, but they were there to support the story, which was what they were supposed to do.

It wasn't a fun ride. I felt dread almost immediately, and just kept feeling it. It grew throughout, as we watched that beautiful young man lose his soul out of fear of losing his love. I was surprised that I desperately didn't want Anakin to turn into Darth Vader, all the while knowing that it was inevitable. And I cried, twice. So did Dan, which almost never happens.

Ewan McGregor and Natalie Portman are big talents that were pretty much wasted in Episodes One and Two, but their talent certainly wasn't wasted here. McGregor was terrific, clearly channeling Alec Guinness, and carrying so much of the drama. And Hayden Christensen -- it's really his movie more than anyone else's, and frankly, I thought he was awesome. My heart just bled for him. Ian McDarmid, as the Emperor, was also very good, as was pretty much everyone else. There were no bad performances, or at least I didn't notice any. The stilted Lucas dialogue was present, but it didn't bother me because this was Star Wars. It really was.

The most disturbing scene was so hard to watch that Dan actually looked away (this was his second time, my first). It was seeing Anakin dismembered and burned. Extremely graphic and very disturbing, pretty far out there for a Star Wars movie. But again, it had to be. We all knew that there wasn't much left that was human, after all. The parallel scenes of Padme's death and Anakin's rebirth as Darth Vader were exceptionally strong, too.

Anyway, I cried, and I really can't get it out of my head. Those are the two major signs of an outstanding movie, as far as I'm concerned. I even want to go see it again in the theater, and I honestly don't do that much any more. I can see the critics finding something wrong with it and they may even be right, but frankly, if people don't find this movie totally engrossing, then they probably never really liked Star Wars in the first place.

Bits and pieces:

-- How long was the break between Episodes 2 and 3? Anakin was clearly older; his face was scarred. Obi-Wan had grey at his temples.

-- Chancellor Palpatine was such a minor player in the first two episodes. His seduction of Anakin and slow transformation into the Emperor was very effective. This was not an easy part to play. Samuel L. Jackson, who looked amazingly distinguished totally bald, did a fine job portraying the ambiguity that Anakin saw in the leader of the Jedi Council.

-- They did some obvious echoes of Leia in Padme. The first time we see her, she's wearing The Hair: the cinnamon buns over the ears Princess Leia do. Then she did Leia's beige and brown look with the braid, too.

-- Again, Lucas inserted bits that set up the earlier trilogy: Chewbacca, and the Wookiee army we should have gotten in Episode 6; a brief glance of the surface of Alderan; a quick glimpse of Grand Moff Tarkin.

-- Perhaps George Lucas should have spread out some of the goodness in this film into the first two.

-- The mass slaughter of the Jedis really got to me. Darth Vader slaughtering the younglings may have been the darkest moment in all six movies.

-- Dismemberment again. Here, there were so many instances that I'm probably missing them: Count Dooku, Mace Windu, General Grevious, and of course, Darth Vader, who lost his remaining three limbs.

-- There was a lot of stuff that could be interpreted as criticism of the Bush administration, and I never get tired of that. Palpatine literally tore up the Senate during that final duel with Yoda, symbolically tearing apart democracy.

-- General Grievous was a reflection of the future Darth: gooey organics and mostly mechanical.

-- I thought the PG-13 rating was appropriate. I wouldn't take a small child to see this movie.

-- Obi-Wan got to say it again. "Oh, I have a bad feeling about this."

Four out of four stars,

Billie Doux loves good television and spends way too much time writing about it.

#Star Wars #Star Wars Episode III #Revenge of the Sith #Anakin Skywalker #Obi-Wan Kenobi #Padmé Amidala #Star Wars Reviews #Doux Reviews #Movie Reviews #something from the archive

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spideyxchelle · 6 years

Note

Since I’m pretty sure MJ & Ned went to homecoming together (bc the flower on his lapel matched her dress + the pic from the app), imagine them going to ALL the dances as platonic dates, bc peter doesn’t realize his feelings and goes with other girls. Until senior year. He’s mustering up the courage to ask her, only MJ is already talking to Ned about coordinating their outfits for prom, and Peter looks at him like a kicked puppy, and Ned is just tired. He’s dealt with them for years. Let him rest

here is some adorable fluff for y’all. also, i love the idea of ned and mj going to homecoming together. IS THIS ACTUALLY CANON?!

Ned Leeds is tired.

he is the lone audience member to the dumpster fire that ispeter and michelle’s relationship.

look, he’s known for years that mj has had a crush on peter.it was glaringly obvious to him freshman year when she starting carrying aroundthe Thrawn trilogy. peter loved those books. he talked about them all the time.to the annoyance of everyone around him. and so, michelle suddenly readingThrawn was attention grabbing.

she only confirmed his suspicions when he saw her look atpeter on the bus to DC. he caught her in a private moment gazing at his bestfriend. and he had never seen her so vulnerable.

which was part of the reason he asked her to sophomorehomecoming. she looked so sad and sweet. and he knew what it was like to wantsomeone who did not even look twice at you (see: Betty Brant).

and, to his surprise, they had an amazing time. first, theywent shopping for homecoming together. he offhandedly told her yellow was hisfavorite color because Hufflepuff, duh. and without any more instruction sheonly looked for a yellow dress. then, the actual dance was amazing. theywaltzed to pop music and did their impressions of partner ballet during theslow songs. she made the whole night incredible.

until liz and peter strolled in and spider-man duties tookhim away from his date.

still, all-in-all, mj was the best dance date. period.

when the junior formal came around, he and mj did not even discussgoing together. they knew. it was just…a thing. and it helped that they wereeven closer junior year than sophomore year. mj finding out about spider-manand becoming a part of team webslinger helped. well, it helped him. it was hardfor him as michelle’s friend to watch her pine away after peter. who was toonose deep in gwen stacy to notice the way mj looked at him.

when they went shopping for her dress for junior formal,something silver, she had whispered to him, “is it me?” she didn’t have to clarify.ned knew. ned always knew. he put a reassuring hand on her shoulder, “you’regreat. he’s just…an idiot.” “well, yea,” she rolled her eyes, “but him being anidiot doesn’t necessarily mean its not me.” “its not you,” he had reiterated.

AND JUST LIKE THE YEAR BEFORE, michelle and ned had anincredible time at formal. peter blew off his date with gwen to be spider-man,a yearly tradition. and that year both michelle and ned got to help him overheadset fight off the back guy. in formal attire. later, ned called it veryjames bond. michelle said it was more charlie’s angels. but the pair couldagree it was very, very badass.

so, naturally, when senior prom was upon them, ned and mjbegan to plan their yearly tradition. this year, though, peter decides to throwin a wrench. and ned is so tired.

because his best friends in the last year have mutuallydecided they’re like five recklessly brave seconds away from making out witheach other at any given moment. and, like, michelle has been longing for peterfor years. he should be happy that his friends seem on the precipice ofsomething significant.

but its so exhausting watching them dance around each other.

and, frankly, he really likes going to school dances withmj. there is no pressure to be anything but himself. and they always have sucha fun time. and, and, and. well. he’s entitled to his traditions.

which is why, when peter comes at him somewhat sidewaysabout his arrangements for prom, ned snaps, “i always go to the school danceswith michelle.” peter stalls, obviously surprised by the outburst, and tries, “whatare you talking about?”

“me and michelle,” ned explains, “we’ve gone to every schooldance together since sophomore year. not that you noticed because you were sowrapped up in liz and gwen to see beyond your nose.”

peter sputters, “that’s…that’s not true.” “sure it is,” nedcounters. peter’s jaw drops and ned sighs, “look, I get that you and mj are inthat…what-are-we stage of an almost relationship. but she’s my date to thiskind of stuff. she makes it fun. and we’ve taken the same formal photo with herstanding behind me, arms wrapped around my middle for my mom the last twoyears. don’t fuck with my traditions, peter.”

peter rubs the back of his head sheepishly, “do you likeher?” ned has to stop himself from rolling his eyes because he’s afraid theywill roll right out of his head, “no. of course not. I’ve quite literally criedto you about betty. but, I dunno, dances are how michelle and I became friends.its important to me.”

in the end, peter concedes. he’s taken mj for granted fortwo years. and he tells ned that THAT means the least he can do is respect nedand mj’s traditions. and peter goes stag. but ned lets his date dopartner-ballet-free slow dance without him.

and as he watches michelle and peter slow dance, foreheadspressed together, from his seat on the side of the gym he thinks to himself……“damn, can they just make out already?”

and they do. they really do. in the middle of the dancefloor. he’s so delighted, he audibly whoops. and the entire decathlon teamjoins in, sans Flash.

while he’s laughing, Betty Brant catches his eye and smiles.

and, AH PANIC, his laughter dies. and his throat dries. and,lastly, he steals a bit of courage from his face sucking best friends, wipeshis sweaty hands on the back of his pants, and crosses the room to ask BettyBrant to dance.

#headcanon ask

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imtheperfectvoid · 6 years

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So I’ve been REALLY fixated on Danganronpa the last few weeks (replayed the last two games and recently finished DRV3 as well) and I realized I have many many thoughts about certain characters and their respective arcs/stories/behaviors/etc. and bc I enjoy shouting my thoughts into The Void That Is The Internet I’m just gonna mash em into one post and send it out to sea. Spoilers for DR1, SDR2, and DRV3 under the cut (and sorry, it gets looooooong)

DR1:

My biggest thought I’ve had is that, over time, I’ve slowly begun to realize that I just... don’t like Kyoko as much as I thought I did. Like, when I first played the game back a couple years ago, I thought she was pretty alright. Not a favorite, but perfectly fine. However, after replaying recently, I kinda realized she just... rubs me the wrong way? I guess? Like, I understand why she is the way she is, but she just constantly comes across as being so abrasive and distant and mildly unwelcoming. Byakuya is the same way, though - hell, he’s even more abrasive and unwelcoming - but I enjoy his character more. I couldn’t figure out why until it hit me about nearish the last chapter; it’s because Kyoko switched gears and started opening up to Makoto in a way that just didn’t feel natural or earned, y’know? Byakuya was an absolute shitheel, through and through, but his character shift (as small and hardly noticeable as it was) still made sense because he came to realize that him neglecting the feelings and thought processes of others can really bite him in the ass (a la Sakura’s trial) and he starts to cooperate a bit more with everyone. Kyoko, on the other hand, just kinda... decided to open up to Makoto a bit too fast for not really any clear, distinctive reason. Maybe I glossed over it? Maybe I just didn’t read deep enough into her lines or take enough interest in her Free Time events? I don’t know. All I know is this: Kyoko’s character development in terms of her connection with Makoto and the others felt too forced and disingenuous overall, like it lacked sincerity.

I enjoy Hagakure. Like, people seem to generally find him irritatingly dumb, which I get, but honestly? Sometimes his shit is just so wild that I can’t help but enjoy it.

Same with why I like Byakuya so much. He’s a dick, but he’s pretty entertaining to watch and listen to, especially when he’s thrown off guard. That shit’s the best.

I have no idea why but... I also would’ve liked to learn more about Ishimaru? He just seemed fascinating to me, especially in his Free Time events when you learn about his family and his history of harassment and whatnot

Junko being the mastermind was really unexpected and I enjoyed that twist a lot. I did not see it coming when I first played, and the small clues they left throughout the game pointing to her were very clever!

This first game will forever be iconic in many ways, but it is sadly my least favorite of the trilogy only because they just kept getting better

SDR2

*slams fists on table* I! WANT! MORE! GUNDAM! TANAKA! (I am fully aware that he was given quite a decent amount of development, both throughout the story as well as in Free Time events, but god, I don’t know what it is but I just fucking love this guy)

People seem surprisingly divided on Kazuichi??? Which is understandable but I liked him plenty. Sure, his thing with Sonia was a bit... much... but aside from that, he’s pretty enjoyable and funny. Like Hagakure, but less dumb, I suppose.

Honestly??? I wish the blackened in chapter 4 had been Sonia- please hear me out on this one. By no means do I dislike Sonia - she’s great, I love her! - HOWEVER, I think this could’ve led to a lot more interesting development for everyone. Imagine the insanity of realizing Nekomaru, a giant, strong, agile, keen robot who couldn’t even be killed by a bazooka to the chest being killed by Sonia goddamn Nevermind. That would be a mindfuck and a half (granted, they’d have to do some serious explaining on how she’d have done it. I don’t doubt she’d take on the Final Dead Room, though - she seems plenty capable of challenging that tbh). Not only that, giving her the same motive Gundam had is just as fitting and sad enough to boot - she’s the Ultimate Princess, of course she’d want to motivate everyone and use her influence to keep their morale up in such a seemingly hopeless situation, right? Hearing her post-vote explanation for why she did it would be heartbreaking. And possibly my biggest reason for wanting Sonia to be the blackened? Imagine Gundam and Souda after her execution. Now wouldn’t that just be a moment of despair? Gundam, likely, would be very steely and unflinching on the outside, probably saying something about how “the Dark Queen no doubt knew this was her moment to take flight from this world and prevent you mortals from abandoning the lives you’ve been so fortuitously bestowed” or whatever, but god, I genuinely feel like he’d be torn up about it inside (I should add: I’m not a sondam shipper, by any means - I don’t ship Gundam with anyone - I just like the idea that Gundam is so unaccustomed to kind gestures and compliments that he just gets nervous about them coming from literally anyone (like with Hajime in Free Time events)). And Souda???? He would either try to play it tough or he would be a fucking wreck. And as much as I like Souda, I’d love to see how he carries through the rest of the game after Sonia’s execution.

Komaeda is vastly overrated. Like, don’t get me wrong, I do enjoy his character - I think he’s complex and interesting and his batshit insanity is goddamn hilarious at points, but he’s waaaaay too overhyped. Bouncing off this thought, I also feel like his character went through a lot of ups and downs in terms of enjoyability. Like, first trial? Very enjoyable - we learn he’s fuckin cuckoo for Hope Puffs and it’s great but also awful but also great. Fifth trial? We see how far he’s truly willing to go to fuck with others and bring despair so that hope can shine through, and it’s fascinating. There are other times, though, where he’s just... annoying. Not really adding anything new and just babbling about hope and despair and saying the same tired shit again and again. But what makes him a neat character is that he’s at least fun to hate. Granted, not all the time, but most of the time, yeah, it’s fun to hate this guy. Getting frustrated at how he holds back information crucial to a case or how he turns his nose up at those he thinks are below him - it’s done in a way that I at least don’t get annoyed by hating him, and I have a good time doing so.

Y’know who’s not fun to hate, though? Saionji. I fuckin hate Saionji. I honestly do. Nothing fun about hating her. Nothing fun about her at all.

I am fascinated by Twogami/Imposter’s story and character as a whole. I would love to know even more about them.

Junko being brought back again was a bit... much, yeah, I’ll agree - I as a bit disappointed that they just made her the Big Bad again, but honestly? The whole Izuru Kamukura twist made up for it. Same goes for the simulation twist; yeah, had it just been “it was all a game!! nothing really happened!! your friends are fine and monokuma ain’t real lmao”, that would’ve been real shitty, BUT by making them all Remnants of Despair, leaving the dead people most likely dead (though it’s implied that they can actually wake up, it’s just unlikely), and making Hajime technically the mastermind behind this killing game, it became a really good twist ending.

This game had some bomb-ass music, especially with the 8-bit mixes and stuff. V v good

FUCK (IMPROVED) HANGMAN’S GAMBIT. “””IMPROVED””” MY ASS. YOU RUINED A PERFECTLY GOOD GAME MECHANIC IS WHAT YOU DID. LOOK AT IT - IT’S GOT UNFAIR PLAYABILITY

This game used to be my favorite of the installments, but then... but then...

DRV3

Yup. This game’s my favorite. It’s got the best overall cast (but I’ll give SDR2 credit for having my favorite character of the whole series - my sweet boy Gundam), best music, best debate game mechanics, AND best post-game content.

GONTA GOKUHARA IS A BIG FRIEND WHOMST I LOVE VERY MUCH

A lot of people seem to be divided on how the protag switch from Kaede to Shuichi was either good or bad. Personally? I liked it. Yeah, it would’ve been really cool to have a female protag for a change, but Kaede felt too... complete, I guess? She felt like a very self-realized, confident character. While yeah, that would also be cool to see, having a very confident, strong character as the protag from the get-go, I like seeing a protag go through something like this starting out weak or unrealized and coming out on top with more of a complete character than they started with. I love Kaede, and I love Shuichi. I thought the protag switch was acceptable.

People also seem to be divided on how they feel about Ouma. And by “divided” I mean a lot of people love him a lot and some people hate him a lot. I really liked Ouma’s character a lot. I don’t like Ouma as a person - God, Christ, I do not like Ouma as a person - but his character was absolutely fascinating to me. Having a character being the total embodiment of a lie was so interesting, especially in a situation where truths and lies can gravely affect the outcome of a vote. And much like Komaeda, he was enjoyable to hate, but to an even greater extent. So many moments with Ouma were fucking hysterical. He’s got some of the best lines (”Stop making such dumbass comments and keep your smelly breath in your dirty mouth” still cracks me up with the delivery he gives for it. Also any time he yells and his voice does the screechy thing is fuckin great) and his sprites are a goddamn trip (his creepy smile sprite that just keeps getting creepier over time???). There’s a lot I can say about Ouma but I’ll just keep it at that. I don’t love him by any means, but I greatly enjoy watching him throughout the game.

People are also very divided on the ending. I loved it. I love when shit gets so meta that it blows me outta the water. And it’s really easy to fuck up a metagame ending like that, but I don’t think DRV3 did (well, I’m a bit let down by the post-credits bit - kinda would’ve preferred for it to just cut off where it did before the credits - but even that wasn’t enough to really detract me) I even liked the twist of the mastermind (even though I definitely had my suspicions solely bc Tsumugi was just too boring, and Danganronpa wouldn’t make such a nothing character for no reason, even if being plain and boring was literally her character trait, y’know what I mean?)

I’m gonna be real upfront about this - I really liked Korekiyo at first and am subsequently really disappointed with how they chose to develop his character. Granted, the whole “I’ve killed nearly 100 women in order to appease my dead sister whom I was supposedly in an incestuous relationship with and is also a tulpa in my own mind who speaks through me sometimes” was definitely something that threw me for a loop and a half and was a surprising twist, but “surprising” doesn’t equate to “good”, not in this case. See, I loved the mysterious and creepy vibes Korekiyo gave off - doing his Free Time events, I saw how intelligent and composed and fascinating he was to interact with. His views on humanity, his views on a lot of things, were just so interesting. I wanted to see more into him, see what more he had to offer, and I thought we’d get something like that in chapter 3 when we unlocked his research lab, and I was really looking forward to it. When they threw that twist out there, I was... really let down. Making him something that was just so objectively vile and inhumane seemed unfair and not as interesting as it could’ve been. I was expecting him to be more Gundam-like (looks like they’d kill you but is actually pretty nice and likely would not kill you) or maybe even slightly Komaeda-like (his obsession with the beauty of humanity drives him to say and do some weird shit, which ended up being kind of true, but not to the extent I was expecting) Kiyo’s development felt too over-the-top, too, in that sense; like, it wasn’t enough that he’d killed nearly 100 women - he also had to have a tulpa who was his sister that encouraged him to do these things, and he also had to be in an incestuous relationship with said sister when she was still living. That’s just... a lot. Like, waaay too much. Had they thrown that out, kept his weird shtick about how “humanity is beautiful, even when ugly” and all his other overall strangeness, I think he could’ve had a far more compelling backstory and character arc. Honestly, maybe get rid of the serial killer bit, get rid of the incest, and he becomes more interesting while still being a character who eventually kills someone for the wrong reasons (i.e. maybe to see “the beauty of a life leaving its physical body” or something, not for his own survival or escape). Hell, maybe even keep the tulpa to give a twist on his story that focuses on how he’s unhealthily coped with his sister’s death. Maybe his sister tells him to do these things but he doesn’t listen to her and tries to avoid causing harm to others and block her out. Or maybe she’s more rational. Or maybe it’s not a tulpa and Korekiyo knows she’s not really with him but he pretends to help himself cope. Any of these would’ve been interesting to delve into (albeit assuming they’re done properly, as well). I didn’t anticipate to linger on this for so long but goddammit, I really wanted a cool character out of Korekiyo and was cheated out of it and it really disappointed me.

(also some people like korekiyo way too much and it frightens me)

(same with ouma like guys c’mon)

But on the bright side, I do love me some good “seesaw” memes

I’m also amazed at how there wasn’t a single character in this game that I didn’t enjoy to some degree. DR1 had Kyoko, Hifumi, and Celeste whom I never ended up feeling very strongly for one way or the other (though Celeste freaking tf out in the 3rd trial is always enjoyable to watch), SDR2 had Saionji and also had Mahiru and Akane who were kinda “meh” for me. But DRV3? Yeah, Angie got pretty annoying in chapter 3, and yeah, I can see in what ways people would get annoyed by Tenko or Himiko or Ouma or Miu or... most of them, really, but everyone in this cast was interesting and enjoyable for extended periods of time. Some, all the way through the game! (Looking at you, Gonta, Miu, and K1-B0)

THE DEBATE SCRUM SONG IS A FUCKIN BANGER

AND THE DEBATE SCRUM IN GENERAL IS AWESOME

Thank God they fixed Hangman’s Gambit

A lot of the music in this one was really really good!! I have the soundtrack CD in my car and I very much enjoy it and will probably blast it during my drive back to campus on Monday

Thanks for coming to my TedTalk

#danganronpa #danganronpa 2 #super dangan ronpa 2 #sdr2 #danganronpa v3 #drv3 #dangan ronpa

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josemaximiliano-blog1 · 6 years

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FAVORITE ALBUMS 2017 (TOP 50)

2017 was a phenomenal year for music and a special one because this year I went full dedication to music, heard albums here and there, a lot of them actually to be precise 402 albums I heard just from this year, there were good albums, bad albums, horrible albums, happy albums, sad albums, we had everything this year and out of those 402 I heard I selected the 50 that I liked the most from New Wave to Doom Metal to Bubblegum Pop to Hip-Hop, I found out about a lot of new interesting artists and I’m looking forward for what next year has in store for us. It was hard to choose my top 50 but here are the ones that stand out the most.

1. Alex Cameron - Forced Witness (New Wave, Synth Pop, Soft Rock)

Wow. This album has the best songwriting of the year, just to start the character development is sublime, the hooks are catchy, the lyrics are hysterically funny and the production is awe-inspiring, it brings back the 80′s in such an amazing way, his vocal performance is stirring. This album is an introspective look into the persona that Alex created. The recurrent themes of masculinity, bravado, love, failure, sincerity, hope and hopelessness make this album grow into you until it becomes addictive. The lyrics might be fun and everything but at the end there is a raw reality that some might feel identified with it.

Three songs you should check out: Candy May, Stranger’s Kiss (Duet With Angel Olsen), Politics of Love.

2. The War On Drugs - A Deeper Understanding (Heartland Rock, Synth Rock)

This album is awesome from start to finish, makes me want to take the car during midnight and drive and never look back, its beautiful and satisfying guitar riffs to its gorgeous instrumental breaks and dreamy synths make this album an almost perfect listening experience, with the cherry on top being the thoughtful and heart melting/breaking lyrics.

Three songs you should check out: Pain, Thinking Of A Place, You Don’t Have To Go.

3. Arca - Arca (Art Pop)

Immaculate and gorgeous production joined by a powerful voice, it is a journey into Alejandro Ghersi’s sexual life, fantasies and thoughts. This album has astonishing and beautiful falsettos with great lyricism.

Three songs you should check out: Anoche, Castration, Miel.

4. The National - Sleep Well Beast (Alternative Rock)

This album explores new territories into The National’s great discography and it is their most experimental album yet and it might be their best album too, time will decide. Frontman Matt Berninger gifts us one of the best written albums of the year with a sorrowful and mature songwriting joined by an amazing band work by the Dessner twins and company.

This album could’ve been my number one spot but being honest... Turtleneck is not for me. Excited to see them live next month!

Three songs you should check out: Nobody Else Will Be There, Dark Side of the Gym, Sleep Well Beast.

5. BROCKHAMPTON - SATURATION (Experimental Hip-Hop, Hip-Hop)

The first album out of the Saturation trilogy and what a perfect way to get introduced to this boyband, I want to be like them so bad! this album is banger after banger, the production is juicy and amazing, you will never get tired of this album.

I have more to say about them but (spoiler alert) they have two more spots on this list and I don’t wanna run out of praise.

Three songs you should check out: HEAT, SWIM, MILK.

6. Lorde - Melodrama (Art Pop)

This is an album that can define an entire generation, Ella wrote an album for the teenagers and it is a true blessing, with her beautiful voice and gorgeous production by Jake Antonoff (fun, Bleachers) Melodrama is really a melodramatic expression of the daily lives of many of us.

That’s a beautiful cover art by the way.

Three songs you should check out: Liability, Hard Feelings/Loveless, Liability (Reprise)

7. Perfume Genius - No Shape

Love has no shape, this album gorgeously produced songs (totally deserved that Grammy nomination) and Mike’s angelical voice make a wonderful listening experience.

Three songs you should check out: Slip Away, Die 4 You, Alan.

8. Sorority Noise - You’re Not As Alone As You Think (Emo, Indie Rock, Punk)

In a year where I openly struggled with depression, suicidal thoughts and a friends death this album helped me a lot even though I might still be depressed, yes, this album talks about the same stuff I struggled with but sometimes a negative plus negative make a positive change.

Three songs you should check out: No Halo, A Portrait Of, A Better Sun. (It is just 30 minutes long so why not check the whole thing)

9. Father John Misty - Pure Comedy (Singer Songwriter)

2017 was a hell of a year and it is slowly going to fade away as long as we keep fighting each other and this album is just a reminder of that but it is also a reminder that it is a miracle to be alive and there is nothing to fear. Tillman’s songwriting is really an inspiration for me and he is my role model.

Three songs you should check out: Pure Comedy, The Memo, In Twenty Years or So.

10. King Krule - The OOZ (Post Punk, Art Rock, Nü Jazz, Trip Hop)

Yeah that genre description is cool isn’t it. Archy came out this with an amazing set of songs that explore depression and he just keeps showing us how great of an artist he is and yes we have to honest his voice is just something else I dream with his voice.

Three songs you should check out: Dum Surfer, The Ooz, Midnight 01 (Deep Sea Diver).

11. Charli XCX - Pop 2 (Electro Pop, Bubblegum Pop)

Charli closed the year with an amazing mixtape that stands out thanks to the amazing production by the PC Music team, the album is very futuristic and enjoyable with great features.

Three songs you should check out: Lucky, Porsche (Feat. MØ), Track 10.

12. Remo Drive - Greatest Hits (Indie Rock, Emo)

Same issue as Forced Witness but now with the title, to my understanding this is their DEBUT ALBUM and the fact they named it “Greatest Hits” made me think that this was a compilation from an old band trying to have more revenue but I’m glad I was wrong. This set of upbeat teenager songs is one of the best debut albums of the year.

They’re going to be touring with Sorority Noise how cool someone take me there!!!

Three songs you should check out: Crash Test Rating, Yer Killin’ Me, I’m My Own Doctor.

13. Julien Baker - Turn Out the Lights (Singer Songwriter)

The follow up to her debut album “Sprained Ankle” couldn’t be better, this is one of the most heart breaking and depressing albums (second most depressive because A Crow Looked At Me exists) of the year, Julien opens up with more depressive themes such as drug abuse, faith, suicidal thoughts and love and her delivery brings me to tears, the song structures here are brilliant and satisfying almost depending on the vocal performance but she doesn’t disappoint.

Three songs you should check out: Appointments, Sour Breath, Claws in Your Back.

14. Tyler The Creator - Flower Boy (Experimental Hip-Hop)

I didn’t like Tyler before this release but it did change my mind, this project was the album of my summer, literally, that was the only album I heard during summer camp so it brings me a lot of good memories with my friends and girlfriend.

Three songs you should check out: See You Again, Boredom, 911/Mr. Lonely.

15. Kirin J Callinan - Bravado (Art Pop, Synth Pop, Euro Dance)

The fact that one of my favorite songs from this album is one of my favorite memes of the year makes me feel wholesome.

Watch it for yourself: https://www.youtube.com/watch?v=rvrZJ5C_Nwg the joy starts at 2:23

Three songs you should check out: S.A.D., Big Enough, Bravado.

16. Fleet Foxes - Crack-Up (Chamber Folk, Folk)

One of the best produced and written albums of the year, beautiful instrumentation comes along with a strong set of lyrics to give one of the most pleasing albums this year, this would be even higher on my list if it hadn’t been for the replay value (that is good but it took me a while).

It has one of the most beautiful cover arts of the year for sure.

Three songs you should check out: -Naiads, Cassadies, Third of May / Ōdaigahara, Fool’s Errand.

17. Phoebe Bridgers - Stranger in the Alps (Singer Songwriter)

Another set of depressing songs now this time from Phoebe, props for being a debut album too, her songwriting reminds me a lot of Mark Kozelek and yes she actually sings a cover (which is my favorite cover of the year) from a Mark song. The narrative on her songs is criminally incredible.

Three songs you should check out: Smoke Signals, Funeral, You Missed My Heart (cover).

18. Charli XCX - Number 1 Angel (Electro Pop, Bubblegum Pop)

It’s Charli, again. One of the catchiest releases of the year with a more mainstream focus than Pop 2 but still the album is great and the features again are amazing, so much chemistry.

Three songs you should check out: Emotional, Babygirl (feat. Uffie), Lipgloss (feat. CupcakKe).

19. Protomartyr - Relatives In Descent (Post Punk)

The songwriting...

I’m not saying anything about this album just read this verse.

From the song “Half Sister”

In Northern Michigan There was an incident in winter A horse was hit by lightning And began to speak in a foreign language When he was finally understood It repeated, "Humans are no good" So they shot it behind the shed and stuffed him He's now on display as a lesson For the kids to always do your best Do your best always.

Have to say that the “she’s just trying to reach you” reprise used throughout the album is just heart breaking.

Three songs you should check out: A Private Understanding, The Chuckler, Night Blooming-Cereus.

20. Counterparts - You’re Not You Anymore (Metalcore, Hardcore Punk)

This album doesn’t catch a break at all 27 minutes of straight forward madness. All I have to say.

Three songs you should check out: Bouquet, No Servant of Mine, You’re Not You Anymore.

21. Mount Kimbie - Love What Survives (Future Garage, Indietronica)

Every time I listen to this album I just want to lay down and chill for a minute, great production and it has an overall dreamy vibe, shout out to Mount Kimbie for introducing me to King Krule.

Three songs you should check out: Blue Train Lines, Marylin, We Go Home Together.

22. BROCKHAMPTON - SATURATION III (Experimental Hip-Hop, Pop Rap)

The boys back at it again, the conclusion to the Saturation saga and it is as creative as previous efforts, they keep changing their sound with every new album, what I liked the most from this album was that members like JOBA got more spotlight than ever before, the MVP’S of this one were Matt, Merlyn and JOBA.

Three songs you should check out: LIQUID, BLEACH, HOTTIE.

23. Oneohtrix Point Never - Good Time Original Motion Picture Soundtrack (Soundtrack, Ambient, Original Score)

The highest entry for a movie score is Good Time, what an addition to the movie with high gripping and tense sequences of dreamy acid songs and with one of the best closing tracks of the year with The Pure and the Damned featuring Iggy Pop the song is heartbreaking and a great culmination to the album.

Three songs you should check out: Leaving The Park, Connie, The Pure and the Damned.

24. Rex Orange County - Apricot Princess (Alternative R&B)

This is an underrated and overlooked album that definitively deserves more attention, Alex delivers sweet and lovely songs with his unique and tender voice, great instrumentation and vocal performance. If you are looking for a love album this might be one of the best ones of the year.

Three songs you should check out: 4 Seasons, Rain Man, Happiness.

25. BROCKHAMPTON - SATURATION II (Experimental Hip-Hop)

What a year for the boyband. This one is full of bangers.

Three songs you should check out: SWAMP, JUNKY, SUMMER.

26. King Gizzard & The Lizard Wizard - Flying Microtonal Banana (Psychedelic Rock)

It is the strange vibe to this album and the crazy tuning that makes this an exotic and groovy album. The prolific Australian band proved that they are here to stay, they put out four solid albums in a short span of time and this has to be my favorite (one more to come out before the year ends). Looking forward for the fifth of the year!

Three songs you should check out: Rattlesnake, Sleep Drifter, Doom City.

27. Kyle Dixon & Michael Stein - Stranger Things 2 (A Netflix Original Series Soundtrack)

In my opinion the score outlives the tv show, this nostalgic vibe is incredible and all the layering is chilling yet beautiful to hear, from mellow synths to dark and eerie atmospheric sequences this album is one of the most memorable things of the show.

Three songs you should check out: Eulogy, Descent into the Rift, Soldiers.

28. Xiu Xiu - FORGET (Art Pop)

It’s unsettling, bold and dreary, this is an album you should not forget about, vocal performances on point plus a weird and iconic instrumentation.

Three songs you should check out: The Call, Wondering, Get Up.

29. Mount Eerie - A Crow Looked At Me (Singer Songwriter)

The year’s most depressing album follows the story of Phil Elverum who tragically lost his wife after fighting against cancer, this is as real as it can be, the songwriting is heart breaking and outstanding, this album is arguably one of the best three albums of the year for me but the replay value affected its place on the list, the listening experience is too pessimistic and full of gut punches that I find it hard to listen to the full album in just one sitting.

Three songs you should check out: Real Death, Swims, My Chasm.

Starting from the next album I’m just giving my quick thoughts...

30. Benjamin Clementine - I Tell A Fly (Chamber Pop, Art Pop, Avant Garde)

An album with great and beautiful instrumentation joined by one of the most interesting and satisfying voices working today.

Three songs you should check out: God Save The Jungle, Phantom Of Aleppoville, One Awkward Fish.

31. Sampha - Process (R&B)

One of my favorite R&B releases of the year, Sampha has such a great voice.

Three songs you should check out: (No One Knows Me) Like the Piano, Under, Timmy’s Prayer.

32. IDLES - Brutalism (Post Punk)

The album title describes everything, brutalism all over the place with an interesting political/social point of view. Vocal performances are awesome.

Three songs you should check out: Mother, Divide & Conquer, White Privilege.

33. Ariel Pink - Dedicated to Bobby Jameson (New Wave, Synth Pop, Art Pop)

This album was my introduction to Ariel Pink and it was so good I enjoyed so much every track with a nostalgic vibe of music from the last century.

Three songs you should check out: Feels Like Heaven, Another Weekend, I Wanna Be Young.

34. Destroyer - Ken (Synth Pop)

I love the synths here, to be honest that was what made me love this album, it is so well designed and the lyrics were pretty cool.

Three songs you should check out: Sky’s Grey, Rome, Sometimes in the World.

35. Daniel Hart - A Ghost Story (Original Soundtrack Album)

I went to see the movie almost six months ago and the first thing I did after walking out of the movie theater was crossing the street to the nearest record store and buy the album, it still haunts me to this day, the album itself haunts me as well as the movie.

Three songs you should check out: Whatever Hour You Woke, Post Pie, The Secret In The Wall.

36. Jay-Z - 4:44 (Hip-Hop)

One of the best written hip- hop albums this year for sure, pure sincerity and emotion in this project and the production is just brilliant.

Three songs you should check out: The Story of O.J., Caught Their Eyes (feat. Frank Ocean), 4:44.

37. The xx - I See You (Indietronica)

One of the first albums I heard this year and it was good enough to make it to my list, I like the sensuality of the beats here and the smooth vibe to it.

Three songs you should check out: Say Something Loving, Perfomance, Test Me.

38. Primitive Man - Caustic (Doom Metal)

I like the way my favorite reviewer (theneedledrop) described this album, I share the same feeling so I’m just going to quoute “ Doom metal trio Primitive Man returns with one of the most nihilistic albums in the genre. For anyone who enjoys some pain with their pleasure.”

Three songs you should check out: My Will, Victim, Inevitable.

39. Moses Sumney - Aromanticisim (Art Pop, R&B)

Uhhh his voice is so beautiful and he is such a talented artist I’m in love with his voice, make sure you enjoy his voice as much as I do. I urge everyone to listen to Doomed if you wanna know what I am talking about.

Three songs you should check out: Plastic, Make Out in My Car, Doomed.

40. Code Orange - Forever (Sludge Metal)

It is brutal it is dirty it is aggressive it makes you wanna throw punches.

The cover art is easily top 3 of the year for me.

Three songs you should check out: Forever, Real, Spy.

41. King Gizzard & The Lizard Wizard - Polygondwanaland (Psychedelic Rock, Progressive Rock)

This is a great concept album that you should check out (if you are into concept albums otherwise you might not like it) because I love how every song builds to a great climax at the end.

Three songs you should check out: Crumbling Castle, Loyalty, The Fourth Color.

42. Alvvays - Antisocialites (Dream Pop)

Dream pop at its best this year.

Three songs you should check out: Dreams Tonite, Your Type, Forget About Life.

43. Slowdive - Slowdive (Shoegaze)

Great comeback from one of the most important bands of the genre, good for driving.

Three songs you should check out: Star Roving, Sugar for the Pill, Falling Ashes.

44. King Gizzard & The Lizard Wizard - Murder of the Universe, Chapter 1: The Tale of the Altered Beast, Chapter 2: The Lord of Lightning vs. Balrog (Psychedelic Rock)

The boys are here again for the third time, why did I put the chapters? Because this album is divided in three chapters and oh god the third chapter almost ruins everything so that’s why I didn’t put it here and I think that the first two need recognition, I love the narrative tone of the album and how it feels like a real story or a video game.

Three songs you should check out: Altered Beast I, The Lord of Lightning, The Balrog.

45. Zola Jesus - Okovi (Art Pop)

This album is so meaningful (a little bit of background, Zola Jesus wrote this album for a friend who tried to commit suicide twice) and powerful, it has a very strong message and the production is beautiful.

My favorite cover art of the year here.

Three songs you should check out: Witness, Siphon, Half Life.

46. Hans Zimmer - Blade Runner 2049 (Original Motion Picture Soundtrack)

So nostalgic and brings back the vibe from one of my favorite movies of the year.

Three songs you should check out: Flight to LAPD, Joi, All the Best Memories Are Hers.

47. Yung Lean - Stranger (Clout Rap)

This album might had its flaws but it is a great listening experience if you just one to chill for a minute, solid production, lyrics and performances so yeah why not. Also bonus points for having two of my favorite singles of the year.

Three songs you should check out: Red Bottom Sky, Hunting My Own Skin, Agony.

48. ROSALÍA - Los Ángeles (Flamenco)

One of the last albums I heard this year, If I had listen to this album earlier on the year it might have been higher on the list but anyways this is a good project from Rosalía and she has one of the most attractive voices of the year.

Three songs you should check out: Nos Quedamos Solitos, Día 14 De Abril, I See A Darkness.

49. Ex Eye - Ex Eye (Post Metal)

This is just four tracks long but it is epic and progressive, really well produced album and nice to see Colin Stetson experimenting more with his saxophone.

Three tracks you should listen: Go with all the album, it is just four tracks, If I had to choose one... Anaitis Hymnal; the Arkose Disc.

50. Mac DeMarco - This Old Dog (Singer Songwriter)

The songwriting here is solid with a nice production, the song structures make this album a satisfying session.

Three songs you should check out: For the First Time, Moonlight on the River, Watching Him Fade Away.

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