Tumgik
#I really need to make presentable concept art for this thing
I think something that's fascinating in the AI discussion is how non-creatives perceive AI versus how many creatives perceive AI.
For example, years before AI was a thing--I spoke with someone about my creative writing projects and they expressed to me how they found it unfathomable that I could just make up entire worlds far removed from our reality of existence. To them, it was like magic.
To me, it was the culmination of countless hours spent playing with words until they flowed into semi-coherent lines of thought and emotion. I remember being ten years old and laboring away on my "biggest" novel project ever--it was 5k words full of singular sentence-long paragraphs and garbled heaps of grammar atrocities to the English language.
If I hadn't written it, I wouldn't have come to learn how to create the basic foundations of a story.
But I do get the "it's magic" sentiment a bit--I'm that way with music. Theoretically, I understand the components of a music composition but it feels like magic to see a musician that can listen to a tune for the first time and play it perfectly due to years of honing in their craft.
That's the premise of that quote from Arthur C. Clarke: "Magic's just science we don't understand yet."
When it comes to anything we don't have countless hours of experience with, it feels like magic. It feels like something that's outside of our feeble human capabilities. It's not until we start to put in the time to learn a skill that it becomes more attainable inside our heads.
Generative AI presents a proposition to the non-creative: "What if you could skip past the 'learning process' and immediately create whatever art of your choosing?"
It's instant dopamine. In a world that preys upon our ever-decreasing attention spans and ways of farming short spikes of dopamine, was it ever a surprise that generative ai would be capitalized in this fashion?
So for the non-creative, when they use generative AI and see something resembling their prompt, it feels good. They are "writing" stories, they are "making" art in ways they could never do with their lack of skills.
(It is, in fact, really cool that we have technology that can do this. It's just incredibly shitty that it's exploitative of the human artists whose works were taken without permission as well as its existence threatening their livelihoods.)
What I think is equally concerning as the data scraping of generative ai is the threat that AI imposes on the education of the arts. More and more, you see an idea being pushed that you don't need knowledge/experience in how to create art, all you need to do is feed prompts into generative ai and let it do the "work" for you.
Generative AI pushes the idea that all art should be pristine, sleek and ready for capitalism consumption. There is no room for amateur artists struggling like foals to take their first steps in their creative journeys. We live in a world where time is money and why "waste" time learning when you can have instant success?
It's a dangerous concept because presents a potential loss in true understanding of how art works. It obscures it and makes it seem "impossible" to the average person, when art is one of the freest forms of expressions out there.
It's already happening--Nanowrimo, the writing challenge where the entire point was writing 50k original words in a single month regardless of how pretty it looked--coming out and saying that it is ableist and classist to be opposed to AI is the canary in the coalmine of what's to come.
For the non-creatives who enjoy the generative ai, it feels like a power fantasy come to life. But for creatives concerned about generative ai?
We're living in a horror movie.
51 notes · View notes
lukaherehelp · 9 months
Text
okey I have to get back to working on the fox & the prince, I've being putting it off for like a week almost because I also need to get into the more nitty gritty stuff of explaining concept art and why I choose this project and present the draft to my project tutor in time to be able to adjust anything before going head first to work on it because the draft also counts for the final grade!
I'm totally not panicking or loosing my mind about this :D One of my friends (and former classmate) is being my emotional support, but she has recently found a job so obviously she can't be with me 24h and I don't want her to be either… I almost forgot about how nerve wracking the preparation of a project is, this is why I like to just make drawings and maybe sell them as prints, my anxiety and low self esteem are not made to go through these calamities not even at an academic level.
4 notes · View notes
designernishiki · 2 years
Text
god I……love club sunshine so fucking much…………
1 note · View note
artdnldsn · 2 months
Text
gestalt therapy
Tumblr media Tumblr media Tumblr media
college professor!art donaldson x fem reader
word count: 5.2k
warnings: 18+ MDNI, swearing, student!reader, age gap, porn w/ a little plot, head (f receiving), fingering, p in v, unprotected sex, slight degradation (question mark?), one mention of "daddy"
synopsis: you're done with your senior year at college, and all you want is a parting gift.
a/n: my first full fic here wow my first ever smut WOW the only thing that's not a first here is english because it's my second language so be patient pookies. college prof au has been haunting me for days so i needed to get it out. even though i have no fucking idea how colleges work in the us ;) hope you like it! happy reading
Tumblr media
The first thing he notices about you is how ridiculously smart you are.
It's not even a stretch or him trying to justify the instant attraction he feels towards you. No, you're genuinely, undeniably brilliant, especially for your age. You've got this way with words, and concepts come to you so easily. You pick up on all his lead-ups to lecture topics, knowing exactly what the main conversation will be about a good five minutes before the rest of the class. You smile smugly, crossing your arms and leaning back, your eyes seeking his because you want him to know that you know.
And honestly, he'd be mad at you for being so smug if you weren't so damn smart.
The way you walk up to him after class to discuss your latest essay, your stance confident and voice sure, as you argue over why you deserved a 100 and not a 98. He's looking at your essay, then at you, then back at his computer screen, squinting just to appear like he's thinking it over, but he knows you're right; of course you are. Your essay is perfect. He was just being a dick about it, nitpicking because he couldn't admit you're basically flawless.
He's getting self-conscious about his teaching. There's nothing he can teach you—you come so prepared for every class that he wonders if you even have a life outside his classroom. Maybe your brain just works like that, but a small, selfish part of him hopes you spend hours prepping for his classes. The thought that you do it for him and not the subject is a nice one, but he shoves it away.
At least that way, it wouldn't be as pathetic for him to spend nights rewriting his lectures, perfecting his presentations to the point where he's sitting in his bed at 3 AM, pondering whether Times New Roman or Arial would make his point come across better.
He's always been a perfectionist, living by the book, striving not for greatness but for the reserved maximum of his natural capabilities. He never really pushed himself. But you—oh, fuck, you. Fuck you. You make him want to lose sleep just to prove to you or himself that he's certainly smarter than some college senior.
He calls you a lot of things in his head. A know-it-all, an "excuse me" because you're always "excuse me"-ing him like he doesn't have a name, a smartass, a bitch—he hates when he's in a mood like this last one because it signals it's time to sleep. You're a lot of things, but you're not stupid.
In fact, he starts wondering if you're a once-in-a-lifetime talent. Because he's rather young for a professor, he hasn't seen as many students as his colleagues, who always crack up anecdotes about past students, someone who graduated 15, 30 years ago, but the older professors still remember them. He wonders if he's going to remember you like that. He's pretty sure he will.
He's never even thought about you as a woman and not just his student. He's just respectful like that. Sure, you were hot, which only added to your confident allure. He's not blind—hell, he'd admit it if he had to—but he's never thought about you like that.
But apparently, you have about him.
You appear at his office doorstep minutes before he's about to clock out for the night. You're looking pristine as always, and with your silhouette illuminated by the office's dim lights, he wonders for a second if you're even human with your endless drive, brilliant mind, and hair that always looks like it's animated because it's impossible for real human hair to flow that perfectly.
"Good evening," he greets you, eyebrows creasing slightly in confusion. You've never visited, your final grades are in, and you're graduating in a week. He's already said his goodbyes to your class, and when he did, you shot him a little smile that he read as everything being good between you. What are you doing here then? "Can I help—"
“Are you impotent?” you cut him off, arms crossed, a challenging look in your eyes.
He actually chokes on air. “E-excuse me?” he mutters under his breath, his expression shocked, his voice strained. God, he’s ridiculed you for years in his head for addressing him like that, and here he is now.
You turn your back to him, lock the door, and make your way to his desk in confident steps. You sit on the edge of his desk, looking at him over your shoulder. "I asked if you're impotent," you shrug, arching your eyebrow.
“No,” he blurts out, his expression still one of pure horror as he doesn’t know where to keep his gaze, his eyes darting between the papers on his desk, and his computer screen, and his hands, anywhere but you. “God, no.”
“Why you never fucked me, then?” you ask, your tone still almost accusatory, but your voice soft. It’s almost like there is a hint of genuine regret in your words, and he doubts his sanity right now, wonders if he’s imagining things. He pinches his thigh under the desk, just to make sure.
“What do you mean, why?” he stutters, his cheeks flushed. “B-because.” Oh, God, it’s really bad. He’s really speechless, his mind unable to conjure up a full sentence. “Because you’re my student, and I respect you, and there are boundaries that shouldn’t be—“
“I’m not your student anymore. Not technically.” Your tone is matter-of-fact, one he’s too familiar with. One you’ve used to tell him about all the typos in his handouts, all the mistakes in his tests, all the times he’s fucked up grading someone’s papers. Only now you’re telling him… Fuck, he really can’t grasp what it is you’re telling him.
“I can’t argue with that, but I really don’t understand the point of this conversation. You’re completely out of—“
“Consider it gestalt therapy,” you shrug nonchalantly. He’s getting mad, really, with you cutting him off like that, like you’re getting back at him for years of having to listen to his lectures without having an opportunity to talk over him. It takes him a second to grasp what you’re implying. He clears his throat.
You sigh, letting your arms drop to your sides, sliding off the desk, walking up to him in these fucking deliberate strides, spinning him in his chair so he faces you, his hands lifted up in the air as if he is surrendering. He doesn’t know to what, exactly.
“Just really have to get this out of my system, Mr. Donaldson,” you sigh almost guilty, your gaze landing on his lap. He's hard, his cock straining the fabric of his trousers. Of course he is, what the fuck?
You cup him, eliciting a soft sigh from his lips, his eyes falling shut. You start stroking him through the fabric, confidently like everything you do. It makes his blood boil. You’re such a bitch. A know-it-all. A smart-ass. And so, so hot that he can’t bring himself not to kinda wish you’re intending to fuck his brains out.
He opens his mouth to say something, maybe a weak protest to give you a final out, but you lean down, pressing your lips to his in a languid, deep kiss, a thorough exploratory one like every single one of your fucking essays has ever been.
You move to his lap, straddling him, the chair creaking under your combined weight. Only when his hands move to your hips does he understand you’re wearing a skirt. God, he hasn’t even noticed that. He lets his hands stay there, caressing your bare thighs as your skirt rides up, and you lean in for another kiss.
There's no raw hunger. If anything, he’s sure he’s incapable of it in this situation, his mind still trying to catch up, trying to relabel you as not forbidden. You’re grinding against his growing erection, tugging at his hair as you deepen the kiss, your curves so unexpectedly perfect against him.
He only realizes you’re working on his belt and zipper when he hears them. Instinctively, he moves his hands to your wrists to stop you, but you just shake them away like you’ve shrugged him off all these years. He gasps into your mouth as you wrap your hand around his freed cock, stroking the length expertly, thoroughly, meticulously, as your lips never leave his. He actually relaxes into the chair, his hands gripping your waist, tugging your top up to reveal more bare skin.
No bra. Of course you didn’t wear any. You’ve come prepared as always.
You chuckle quietly, your lips continuing to move in unison with his, finding a lazy rhythm that drives you both insane. He reads this chuckle as you being amused at him taking any initiative. It makes his blood boil.
He breaks the kiss, one hand squeezing your breast firmly as he leans down, capturing your left nipple between his lips, sucking gently before biting. His other hand lands on your ass with a loud smack, making you gasp. Finally, some reaction.
He starts bucking into your hand, seeking more friction, moving his mouth to your other breast, lavishing it with the same attention, leaving a bite mark on the side, making you wince but moan. That moan—fuck, that beautiful sound. Now he’s angrier at himself than you are at him for not having fucked you sooner.
He understands you were expecting to ride him, like he’s some sexless creature, a toy to use, a dick attached to a fantasy that has nothing to do with the man he is, and it makes him even madder. He’s always admired your insightfulness, your capability to get right to the gist of things through walls of useless shit, but he’s feeling his respect for you slipping as he understands just how wrong you must’ve been about him in your head.
He peels himself off your chest, lips glistening with saliva, smacking your ass again, harder this time, groping both cheeks as he lifts you off his lap to sit you on his desk over the papers he’s grading. He’ll just tell everyone he spilled a drink. No one will miss them.
His lips find yours again in a searing hot kiss. It’s messy, all tongue and teeth like he’s trying to hurt you, but he’s not. Of course not. It’s just that something dormant is being woken up in him. You whimper as he cups your mound through your panties, making him chuckle. Well, look who’s laughing now.
"You've seriously dreamt about this?" he whispers against your jaw, his long fingers sliding into your underwear, finding your slickness. Fuck, you're so wet for him, it almost makes him black out. "Wanted me to fuck you on this desk? Or the one in the classroom? Or in the library? Or right in the fucking hall, huh? Why not? Let everyone watch." His tone is almost taunting, his every word accompanied by a painfully slow and teasing circle of his thumb over your swollen clit.
"Yes, yes, yes," you mutter, eyes squeezed shut, forehead pressing against his shoulder, hips bucking helplessly into his hand, seeking friction. It’s not clear if you’re answering his questions or begging him to go faster. It doesn’t matter; his smirk is already in place, his eyes glistening with amusement as he looks down at you, breathing hard through his nose.
"Yes, what?" he chuckles, shrugging, his eyes scanning every reaction on your face. The way your head falls back, your lower lip caught between your teeth, your cheeks flushed. He tucks a loose strand of hair behind your ear. "Yes, what?" he murmurs softly, his hand in your panties slowing down to the point of stopping.
A groan of disappointment escapes your lips as you snap your head back up, eyes darting open. He can see your pupils blown wide even in the dim light, the lamp on his desk illuminating you from behind like a renaissance painting. "Yes, fuck me," you say dryly, like it’s obvious, still seeing him as some pathetic, stupid nobody, but you’re slightly out of breath when you say it, so that’s a win in his book for now.
Just means he’s gotta try harder.
His arms wrap around your waist, holding you in place. He’s standing between your legs, keeping them spread wide for him. He pulls his hand out of your panties to bring it to your face, shoving two fingers into your pretty smartass mouth. Your eyebrows crease, eyes falling shut at the action, a hum leaving your lips, vibrating through his skin, but you still suck on them obediently, tasting yourself on his fingers and coating them in your saliva.
He slips one finger right inside you when it makes its way back down. He starts thrusting it into you at a steady rhythm, his lips finding your neck, nibbling on it, his teeth grazing your delicate skin, tongue sliding over the little marks his teeth leave there, as he curls his finger inside you, thrusting deeper, deeper, almost aggressively.
"God, I really thought you were smart," he mutters under his breath, hot against your skin as he adds another finger and starts stretching you, eliciting a soft moan from you. He leans down, sucking on your tits again, noticing how hard your nipples are now, almost painfully so, matching the way his dick is rock hard, still standing at full attention against his clothed abdomen. "Thought you were different. Hard-working. Proper." He sinks onto his knees in front of you, looking up at you with a glint in his eyes you can’t quite read. "Turns out you’re just a slut."
He tugs your panties down, his tongue finding your cunt, one of his hands moving to throw your leg over his shoulder, keeping it there tightly as the fingers of his other hand re-enter your cunt, starting to finger it at the same urgent pace, his tongue moving feverishly over your clit, making you moan quietly because, yes, there are still people in the building, you have to keep quiet, but a part of him, the one you’ve awoken, wishes the circumstances were different, that he could hear you scream for him.
He’s getting high off the taste of your juices, off the scent of your arousal filling his nostrils, his nose pressed into your pelvis as he fucks you with his fingers in a relentless rhythm, curling his fingers inside you, feeling your walls clench down onto him, searching for that sweet spot that’s going to make your toes curl.
“Tell me,” he rasps out, pulling away from your cunt just for enough time to say what he needs to say, peppering your inner thigh with kisses in the meantime. “Tell me exactly how long you’ve wanted this. And how you wanted me to fuck you. Leave no details out.”
You whimper when he delves back onto your clit, sucking on it, not caring to keep his teeth from grazing your sensitive skin here and there, but it’s a good feeling.
“S-since that lecture. Sophomore year,” you breathe out, you throat tight from holding back so many moans that are begging to be let out. Your mouth falls open in a silent ‘oh’ as he sucks your whole clit in, lapping at it with his tongue inside his wet hot mouth, your hand snapping instinctively onto his head, gripping his hair to pin yourself down to the reality. “You wore that slutty turtleneck, and of course I’ve thought you’re hot, but then you had one wrong date in your presentation, and I got so fucking mad at you. Thought you’re too careless to teach.”
He hums against your cunt, encouraging you to go on, or agreeing with your point, he can’t tell himself anymore. He’s completely gone at this point, drinking your juices like he’s drinking in your words. Amidst all this, he actually appreciates you not calling him stupid. You might’ve, but you didn’t.
“And you were always s-so passive, like I tried arguing with you, reading all that shit instead of going out just to get a rile out of you, and you never fucking bucked. I-I-I—“ you stutter, your mind going into overdrive for a second as he continues abusing your g-spot, his fingers moving at a frantic speed in and out, in and out. He smacks your thigh to get your attention back on the topic. “I just couldn’t fucking believe you. I was being a bitch, I was nagging you, just because. And you didn’t even care.”
He smiles into your cunt, a huff of air leaving his nose. At last, you admit it. He suddenly doesn’t feel bad at all for calling you a bitch in his head. He can feel your walls contracting around his fingers, your breathing irregular, you’re practically panting, your grip in his hair tightening as you guide him closer, rolling your hips against his tongue and fingers, seeking release. You’re close.
He pulls away, earning another cuss and another groan of disappointment off your lips. He smacks your thigh again, hard, the action leaving a red print of his big palm on your skin. “You didn’t answer,” he rasps out, delving back into you. Fucking students, he thinks to himself. Always so smart, thinking they know it all, and always forgetting to answer the second part of the question after they’re done answering the first.
Your mind is so hazy at this point, it takes you an effort to rewind the interaction in your head to understand what he means. “L-like this,” you whimper, your thighs trembling as he grips the one that’s not on his shoulder to stop it from shaking too much, keeping you in place. “I-I didn’t want you to be nice. You’re always so fucking nice, it’s not human, I knew it wasn’t true.”
He’s too set on making you cum to chuckle now, although it is pretty funny. He’s been doubting you’re human, too, but the way you gasp for air, trying desperately to hold back your moans as he feels you coming closer and closer to release, it tells him all that he needs to know. You’re just flesh and bones, not the perfect genius he’s painted you to be in his mind.
“Fuck!” you whimper, giving his hair one last tug before your hand springs up to cover your mouth, biting into your index finger to keep yourself quiet. It takes one slide of his fingers, one roll of his tongue, five seconds, and your muscles go taught as your hips buck off the desk, his pens in the glass standing on the edge of it clattering against each other, the keyboard of his computer flying up for a split second from impact of your ass slamming back down onto the desk. It’s like a mini-earthquake, that’s left your world erupt into white behind your closed eyelids.
He fingers you through it, lapping his tongue over your clit until you wince quietly from it hurting, and he pulls away reluctantly, standing up from the floor to stand in between your legs again. His neck and back hurt like hell from crouching down on the floor for so long, his muscles are not what they used to be, after all, and for a split second he considers actually giving up and letting you ride him, but it would be your win in his book, and he can’t allow that.
He spits on his hand before he leans down to kiss you, his tongue sliding back into your mouth, letting you taste yourself once again, as he brings his hand down to stroke himself, breathing softly out of his nose at the relief of some friction, finally. “You’re such a hypocrite,” he murmurs into your lips, softly, almost lovingly, the same fucking slightly condescending tone he’s always used in his classroom.
You open your mouth to ask what the fuck he means, but he pushes his tongue back into your mouth, all thoughts of a protest evaporating from your mind. You slide closer to the edge of the desk instinctively to accommodate him when he eventually pushes into you. You almost can’t wait.
He gropes your ass to position you like he wants you, his fingers digging into your plump skin maybe a little too hard. You don’t protest. He breathes heavily, like it’s physically paining him to hold back any second longer — it does,—and his brows are furrowed in concentration while he slides his tip over your clit, coating it with your slickness, the same way he frowns when he’s grading papers or goes over tomorrow’s lecture in his head.
He pushes inside in one determined thrust, piercing through you, a quiet grunt escaping his lips, a soft moan escaping yours. Before you have any time to adjust, he starts pounding his hips into yours, one of his arms hooked around your torso to keep you in place as his free hand flies to your chest, squeezing your right tit roughly, pinching your nipple, rolling it between his thumb and index finger, making it harden again.
“Careless?” he scoffs, an expression of pure disbelief on his face at the fact you’ve even dared to say that. He grunts again, his hand falling from your breast to your hip, gripping it firmly as he continues pounding into you, your breathing quickening again. He’s rather big, and it hurts a little from you still being sore from your orgasm, but you still moan softly under your nose, your wrists hurting from you leaning on the desk behind your back for so long.
“You call me careless for a typo in a presentation I made six years ago, and it’s not careless for you to come here, asking me if I’m impotent? Fuck you,” he grunts again, a grin pulling on his lips as he throws his head back, the rhythm of his hips never faltering. You’re squeezing his cock so tightly, there’s no way in hell you’re ever going to be asking him or yourself that question again.
He lets go of you, reaching behind your back to pull on your wrists, tugging them further to himself, which makes you fall back on the desk. “Fuck you,” he repeats, his words almost sounding like a moan now as he holds your wrists near your stomach, basically transfixing you. He moves one of his hands up to throw your leg over his shoulder again, another continuing holding your wrists down, as you both groan quietly at the change of the angle, the new one allowing for him to go so deep he’s touching parts of you you didn’t know existed.
“So, you wanted me to be a good teacher and a good dick all at the same time?” he muses, a smirk pulling on his lips again as he looks down onto your dishevelled form, your tits bouncing out of your tugged-down top, you skirt ridden up to your waist, your fucking face, so unbearably beautiful, flushed and your lips swollen from his kisses and from you biting on them so much. He can’t fucking get enough of how silent you are now after running your mouth at him for all these years. “Did you want me to be your boyfriend, too?” he chuckles, shaking his head, his expression faltering as he picks up the rhythm for a good minute, pounding into you so hard all the items on the desk are clattering, and you have to bite on your lips again not to scream from him practically tearing you apart, because you can’t cover your mouth anymore with your wrists held by him.
“Daddy never loved you, right?” He understands he’s probably taunting you too much, his words almost feeling cruel, but he’s too far gone at this point, he’s making a forceful effort to continue looking down at you to imprint the way you look right now into his memory to revisit later, even though his eyes are almost rolling back from just how good your cunt takes him. “That’s why you’ve been pining for my dick for fucking three years? Are you getting what you wanted?”
“Y-yes,” you whimper weakly. Yes to all that, actually, but he doesn’t need to know that. He feels too good, filling you up to the brim, you can almost feel him in your guts, he’s making your toes curl. And he’s finally not acting nice. Just like you wanted him to.
“Good,” he growls, letting go of you for a second before his hands find the undersides of your knees, bringing them close to your chest, changing the angle again as he starts hammering down into you, the room filled with the sound of your shared ragged breaths, the desk creaking under you and the sound of his pelvis slapping against yours. “Fu-uck, you’re taking me so good, none of your schoolwork was ever that good,” he’s lying through his teeth. Not about the sex — you’re taking it like a champ—but about your schoolwork. It was, indeed, that good.
He basically has no power left over what words leave his mouth, he’s completely drunk on you, the taste of your cunt and your mouth still lingering on his tongue. “Are you gonna come again?” he pants out, slowing down, feeling your walls clenching down on him, squeezing him tight.
“Y-yeah,” you mutter, fluttering your eyes open to look at him from under your eyelashes, but you can pretty much only make out his silhouette with how hazy your vision has become with just how good he’s fucking you. “I knew,” you repeat, your throat feeling tight again, your head falling back on the desk as you bring your now free hands to your mouth, covering it to muffle out the scream you know is there, brewing, destined to roll of your lips when he drives you to release again.
“You—“ he starts in disbelief, but he’s getting closer, too, there’s no point in arguing now. He just can’t fucking believe the nerve on you. What do you mean, you knew? Knew he could fuck you like you wanted to? Knew you would be walking out of here with a limp? Such a know-it-all, always thinking she’s two steps ahead everybody else.
He sighs shakily, a broken, needy sound as he brings his hand in between your legs, finding your clit again, his other hand still holding your knees pressed to your chest. He rubs at you in sync with the thrusts of his hips, his pace picking up, up, and up, until he finally lets out a low grunt, stilling, slipping out of you as he watches you bite on your hand, tears streaming down your cheeks as he feels your pussy convulsing under his fingers, another orgasm hitting you, and in a matter of seconds, after a few fast strokes, he comes, too, thick ropes of his seed landing all over your stomach and knees, and some of it lands on your chin.
For a few seconds, he just stands there, catching his breath, watching over you. He opens his desk drawer, pulls out a tissue pack, and wipes himself before doing the same for you. You're still lying there, face hidden in your hands, your outfit a mess. He's already caught you crying and knows you might feel awkward doing it in front of him, so he just makes sure you're clean for when you leave.
He tucks himself back into his trousers, fastens his belt, and walks to the other side of his office. You hear him rustling around while you try to get your breath back and keep your emotions in check. His soft footsteps approach the desk again, and you feel him gently patting your knee. You open your eyes to see him holding out a cup of water—a peace offering or an apology. But you know he doesn't owe you either. He just gave you everything you've wanted for the last three years. And he even brought you fucking water. Because he's disgustingly nice like that.
You nod in gratitude, sit up, and take the plastic cup from his hand, downing it in one gulp. It actually brings some life back to you. You breathe out shakily, fix your top, and tuck your tits back in before sliding off the desk. Your shoes land softly on the floor, your legs still trembling, your knees feeling like they'll give out any moment. You tug your skirt down and sheepishly meet his gaze, unsure where to go from here.
He steps closer and brings his hands up to your face to fix your hair. His eyebrows furrow in concentration again as he smooths it down, making sure you don't look disheveled when you walk out of here.
He sighs, letting his arms drop to his sides, and keeps looking at your face as if making sure you're not just looking okay but are okay too. “I didn’t mean that. The ‘fuck you’. And the ‘slut’ comment. Well, I kinda did,” he shrugs, averting his gaze with a humorless chuckle, “but I didn’t.”
You punch the air out of his lungs as you pounce on him, wrapping your arms around him in a tight hug. It takes him a second to gather himself, but he hesitantly hugs you back, just letting his hands rest on your lower back as you nuzzle your nose into his chest.
You had to get it out of your system, but now that it's in, you feel like you’ll never get enough. He feels like a beacon, one he's always been for you. The guy you picked a rivalry with your first week of sophomore year just to push yourself harder, to strive for greatness. He wasn’t even aware there was a rivalry to begin with. He's an academic, though, they’re all fucked up in the head, he must understand a part of it, at least.
And he understands. Truly. He just hopes you won’t start crying again, because he doesn’t know how he'd handle that. He pulls away slightly to look you in the eyes, cupping your face in his hands, and plants a soft kiss on your forehead.
“You’re a smart girl,” he says, his voice low, the small, friendly smile on his lips sincere, the corners of his eyes crinkling slightly as he looks down at you. “You’ll figure it out. I don’t doubt it.”
He had this whole speech prepared for the class about how adult life is going to treat them, the challenges they'll face, how scary it’ll be, but also insanely rewarding. It was long, sentimental, with a few jokes thrown in. Some girls cried, but it was all bullshit. What’s real is this. Him understanding your fears without you having to voice them. Him telling you you’ve got this.
“And until you do, you always know where to find me,” he nods to the side, obviously meaning his office, a lopsided smirk making him look a good decade younger. His gaze finds yours again, and he pulls you into another tight hug, one he initiates this time.
In his mind, he’s already thinking how long it would be appropriate to wait before he can invite you for a coffee.
324 notes · View notes
dalishious · 10 months
Text
A BioWare Guide on How to Murder a Fanbase
I have been a Dragon Age super-fan for almost fourteen years, now. I have played every game, with every DLC. I have read every novel, lore book, and every comic — yes, even the terrible ones that are better off forgotten. I have seen the anime film, the animated series, and the web mini-series. I have enjoyed all of these pieces of the franchise over and over, more times than I can count. So, make no mistake: the negativity you’re about to hear comes from a place of love for this fantasy world, developed by many creative people over the years. I would love nothing more than to see the resurrection of passion in the Dragon Age fandom again. But the unfortunate truth is, that resurrection is only needed because BioWare took the fandom out back and shot it in the first place.
In December 2018, three years after the release of Dragon Age: Inquisition’s Trespasser epilogue DLC, BioWare first announced the then-untitled next Dragon Age game with a teaser trailer. At this point, most fans were anticipating this would mean within the next couple years, we would see the game. This assumption was based on the fact that Dragon Age: Inquisition was first announced in 2012, and released in 2014, with an extra year of development added last minute.
There have been dribbles of extra content since then, adding to the franchise. This was enough to keep some fans still breathing and interested. 2020’s Dragon Age: Tevinter Nights was a lovely anthology. 2020’s Dragon Age: Blue Wraith and 2021’s Dark Fortress were wonderful comics tying up the story started in Knight Errant. And 2022’s Dragon Age: Absolution was a well-animated series with an interesting cast of characters and story. But all these still left the fandom with a major question: What was going on with the next game? It was untypical of BioWare to be so secretive, in comparison to how they handled sharing information of the past games in the franchise. The only form of updates fans still have to go on is mostly just concept art and short stories, hinting that something must be in production. But why was the wait so long?
In 2015, the first version of the next Dragon Age began with a clear vision, clear scope of practice, and a reportedly happy developer team. Most gloriously in my book, there was no multi-player… but this did not align with the Electronic Arts typical money-mad schemes. EA’s push for “games as a service” meant they wanted to monetize all their games as much as possible, and therefore, they wanted them to be a live service — as Anthem demonstrated, that meant sacrificing things that are staples of good RPGs, like narrative and character choice. So in 2017, version one of the next Dragon Age was scrapped and replaced. This new version would have, in total or to at least some degree, an online portion of play.
There is one part of Schreier’s article, “The Past and Present of Dragon Age 4,” that really sticks out to me, regarding this:
“One person close to the game told me this week that Morrison’s critical path, or main story, would be designed for single-player and that goal of the multiplayer elements would be to keep people engaged so that they would actually stick with post-launch content.”
The idea of splitting up components of a game into single-player and multi-player is a terrible idea, because it means that there would be a large bulk of content only accessible through online gaming; something many fans, like myself, are repulsed by. Even if I did enjoy it, I spent most of my life growing up with either no internet or shoddy internet incapable of playing online games. I know many rural people who are still in that position, losing more and more of their favourite gaming pastimes because they are locked out of the ability to play them. It is a disservice to hide content behind a wall like this, especially in a world that is so lore-heavy like Dragon Age. The news of multi-player in Dragon Age understandably upset many, and this is when I first noticed a large drop off in excitement over the next game.
However, in 2021, the failure of Anthem (multi-player) and success of Star Wars Jedi: Fallen Order (single-player) led the executives at EA to bend to the wishes of BioWare leadership and allow them to go back to the drawing board yet again on the next Dragon Age. This meant removing all multi-player content!
While I am very happy that there will reportedly be no multi-player in Dragon Age: Dreadwolf, I can’t help but feel bitter and a little disgusted over the ridiculous development time spent on something no one but EA wanted in the first place. If it weren’t for this foolishness, Dragon Age: Dreadwolf would be in our hands right now. Instead, it’s been in development hell for nearly nine years and counting. Nine years is a long time to expect fans to carry a torch for you through radio silence, but it’s no wonder BioWare has shared barely anything about the next game; it’s been in flux for so long, they likely haven’t had anything concrete to show.
BioWare hurt its reputation even more when the news broke that the studio very suddenly laid off 50 people who were working on Dragon Age: Dreadwolf. This is pretty damning on its own, but BioWare took it a step further. Former developer Jon Renish shared a statement revealing that the studio was only willing to offer laid-off employees two weeks of severance per year of service, and denied health benefits. The denial of health benefits in particular is a pretty wild move for a studio with a reputation for “stress casualties”. The latest news on this is that BioWare has still so far refused to negotiate better severance packages, leading to a lawsuit. The lawsuit originally had 15 former employees, but this dropped due to the fear of not being able to afford to pay their bills. So now, while EA sits on $400 million net income, the laid-off employees are struggling to buy holiday presents for their children. These horrid business practices are not to be ignored when accounting for a lack of faith in a studio. What kind of monsters reward workers who make your games special with vaguely reasoned lay-offs?
The latest news on the Dragon Age: Dreadwolf front from BioWare came early this month, December 2023, with a trailer… announcing a trailer that will come next summer… that will announce the release of the game. Supposedly. Maybe. We’ll see. But by this time, BioWare is something of a laughing stock of their own fandom. Reactions to the video released with a pretty map graphic and a few rendered locations were, from what I personally observed, mostly sardonic in nature. People have commented on the vapourware nature of the game, and like all vapourware, that leads to disintegrating trust.
Despite all this, people like Mary Kirby, (one of the veteran Dragon Age writers who was a victim of the layoffs,) said, “it’s bittersweet that Dreadwolf is my last DA game, but I still hope you all love it as much as I do,” encouraging fans to still support the game when it eventually is released. But after every misstep BioWare has taken, that’s a tough sell now. Fans are finicky, RPG fans more so than others, one could argue. We have our favourites, and many of us stick to those favourites for life over our appreciation for the artistry — but that relationship between studio and fan should go both ways. EA and BioWare has betrayed that relationship, and it will take a hell of a lot to build it back up again, now.
[This piece is also available on Medium!]
656 notes · View notes
stringsbasement · 2 months
Note
Your art of peri and your Villain AU of him? perfection. I read your twt thread and I'm greedy for more, im so serious like If there was a 100k word fanfic of your au I would read it in a heartbeat!! THATS how much im obsessed with the concept
thank you so much! i didn't expect there to be so much interest in my thoughtless doodles and rambles. luckily, i already have a draft for a rant i formulated about this version of peri's possible motivations, and now i have an excuse to share it!!
also, as a bonus, have this silly doodle :)
Tumblr media
[his hairstyle is his attempt to separate himself from his parents, but no matter what he does with it, he can never get it to sit without that stray tuft and curl at the very end.
also, his bowtie is in reference to chloe and my initial art of irep before his design was revealed. the latter almost makes it seem like they "swapped roles."]
the thing is, it's hard to imagine peri as someone purposefully wanting to harm others for his own pleasure. for a "bad" au of peri to occur, he'd have to take after timmy, and seek chaos the same way he did
now, timmy is a good person at heart. his fairies love him, and he loved them in turn. that's undeniable. however, timmy was so stressful he affected cosmo and wandas marriage, and they had to retire right after him to rekindle their love and stop being so awful towards each other. timmy was simultaneously one of the best and worst things to ever happen to them
so it's not that much of a stretch to think he'd affected peri during his development, to the point he unknowingly influenced peri's core beliefs, which he'll carry over later in life
timmy used his fairies to escape from his regular life. he was incredibly reckless, and shirked responsibilities till the consequences got him back tenfold. a dangerous, but fulfilling way of living. he might've mellowed out in the later years, but considering he chose to keep vicky around to purposefully make himself miserable and keep his fairies instead of facing reality, maturity wouldn't be a straight or easy path
peri, adopting this way of thinking, believes the best way to live life is taking risks. ignoring your present problems in favor of escapism. he would insist this upon his godchild, and be blind to the complex nuance of dev's situation
dev's parental neglect differs from timmy's, and thus requires different treatment. but peri doesn't realize that, and dev is a child who cannot comprehend how awful he really has it, let alone communicate it in a way that isn't just lashing out and throwing tantrums
for classic peri, this is an annoyance. for this peri though? he'll enable it, because he thinks dev needs to get it out of his system. like timmy. which is in some way correct, but it's a flawed, only temporary solution
and it's in this way a path of deeper exploration opens up about characters similar to cookie, highlighting how flawed the godparent system can be when a child is assigned a godparent who cannot fulfill what they truly need
starting a ghost apocalypse is nothing compared to the wishes that has been granted before. and, honestly, dev taking viozalia's staff to use against her is a clever move. this peri wouldn't be downtrodden like he was in the original scene, but impressed. he would say as such, and dev, being the emotionally starved 10 year old he is, will soak those words up like a dry sponge
(slightly off topic: i like to think a little quirk this peri would have is, instead of looking to da book of rules for guidance, (cosmo, wanda, and his classic self do this multiple times in the show when in unique situations,) he'd be searching for anything that states what can't he do. "what to do when your god kid tries to start a ghost apocalypse... nothing? sweet!")
this would naturally allow him and dev to bond a little more. even if it's just shit talking other people and how they're totally better than everyone else
it doesn't mean they get along splendidly. dev is still pissed that he can't make the wishes he wants, and peri overcompensates by allowing him to throw himself into situations that just narrowly avoids sanction. because, oh yeah, peri would not appreciate being forced to follow the rules which includes wiping the godchild's memories after the godparent's term has passed
(if anything, he'll find a loophole out of it. he learned from the best, after all)
this is also where peri's spoiled nature would shine through. being offered everything just because he was a baby would make anyone entitled
he and dev are too similar for their own good. they have have access to anything they could ask for, but are unable to get love from one person they want it from. it's almost pitiful
to keep those thoughts out of dev's (and his own) mind, peri resorts to pushing dev out of his comfort zone, which would ordinarily be a good thing, only, he goes way too far to the point of regression
you know, it really doesn't help that dev looks a lot like timmy. i mean, look at them...
Tumblr media
that's timmy with slicked back hair and a white jacket. c'mon
but even with all of this, peri doesn't really become a villain. he's antagonistic at most, with his strained relationship with his parents and his help in making things harder for hazel. luckily, the latest episode has given me a few ideas
when peri inevitably comes to care for dev, he'll obviously has to do something about his constant unhappiness. dev has a point in complaining about the fact hazel has two godparents and he only has one, even when his life is "worse" (another unhealthy way of thinking,)
hmmmm. so how can dev have two fairy godparents, and how can peri break da rules without putting himself at risk?
who other than a mirror of peri's own self?
a shift inevitably took place, one where peri became more intense and irep more soft. it's so subtle it goes unnoticed until thousands of years have passed
irep has become timid, soft, and well-meaning. if peri either quits his position or gives way for another slot and puts dev under a sort of split-custody, dev will be able to use anti-fairy magic, which can completely bypass any of the rules regular fairy magic is withholden to
irep will get what he wants as well. in this post, i answered an ask in which i speculate that irep genuinely does want a godchild, and the love and appreciation that comes with it. that much would stay the same for this au
and, well, unlike irep, peri has always been willing to share
this would make way for a bunch of whacky hijinks, potential plots, and new threats. consequences piling up until they become too huge to ignore. not to mention the full implications of a fairy and anti-fairy switching roles. of course, this is just a fun idea i came up with on the spot, and i haven't thought it out too much, so pointing out any plot holes that would come from this is appreciated!
i have more to say, mainly about peri and his parents' initial separation, as well as the parallels that can be found with this version of peri and hazel, but i feel it would be best to end it here :)
thank you for making me write all of this!
207 notes · View notes
mikodrawnnarratives · 10 months
Text
*cracks knuckles* @paper-lilypie
Tumblr media
WEDDING BELLS YALL
and brainrot. I've been sketching these ideas out for like, a year. And done nothing with them until this point
this has been festering. in my mind.
*note: I didn't get around to drawing it, but I imagine Sun, Moon, and Y/n say their vows at the Bell place thingie that I need to reread in the fic. Y'know, the place Moon climbs up to, to get away from y/n. Yeh they declare their love up there and smoochies*
I should really reread that bit actually lol
Before moving forward, I'm gonna rant about outfits
Tumblr media
this is the outfit that I base Sun and Moon's wedding look on because I just think it fits so well. I share this so you guys see the vision and forgive my inexperience with drawing these folds
Cool? cool.
Also, I went through several variations of what Y/n would wear before settling on this bc nothing that came up when I searched "gender neutral wedding gear" really fit
Wanted a mix between gown and suit and y'know this ended up being more suit but I like it a lot so we're going with that. It also came to me in a vision so that has to say something.
(Ok but I did envision Y/n having a dress similar to this one character's dress in Bad Guys but I couldn't draw it so I scrapped it)
(ok some details stayed but most of the concept had to go)
Tumblr media Tumblr media Tumblr media
so like- you see it right?
Btw. All of them (including guests) have pockets. just. to ease your mind.
ok back to actually drawn wedding shenanigans
Because, there are many, wedding shenanigans
Tumblr media Tumblr media
Y'know the trend of smashing wedding cake into the bride/groom/wedded partner's face right?
There's no way this wouldn't escalate and y/n wouldn't enlist their siblings in the chaos.
They'll get like- one or two good wedding pics before this.
the cake tasted good tho
Tumblr media
Let me just say. I am so proud of how I did these hands I'm oogling my own art I did so good GHGHHHHHHFDS
I like??? Want to do more?????
cuties shenanigans below they are obnoxious and they know it
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
By the way by the way you may notice the flower dress
I WILL be getting around to Lily x DCA STUFF I WILL
Tho I got busy and had a really hard time drawing/finishing sketches when I did have time so. I chose to post what I have so far so it's out before November ends
CONSIDER THIS A PART 1
LILY YOU ARE NOT SAFE
well Ig u are safe
for nowwwww
Tumblr media Tumblr media Tumblr media Tumblr media
Bouquet toss real
fun fact I initially wanted to draw Sun, Moon, and Copper y/n tossing the bouquet together
but their arm lengths would NOT make that work kjfdkljsdklj
so y/n tosses the bouquet bc they are the specialest
(Or they won the round of monopoly)
(who's to say)
(we don't talk about game night)
Tumblr media Tumblr media
But all three of them are the criminal. masterminds. They planned this from the start. Holly and Chica HAD NO CHANCE after the role they played in getting Y/N AND SUN AND MOON together.
I think this video would also be something cute that I could see happening for their wedding lol
Y/n and the daycare attendants hand the bouquet to Holly and then she gets proposed to by Chica
Anyway I still have a whole list of wedding shenanigans I need to draw
Sarah and Yao being some because when I tried before I couldn't sketch them out to my liking.
And the more CCRT gets expanded on, the more I'm sure will be present in their wedding since there are only 3 chapters out so far and enough art for me to make my guesses dlkkldsf
I'm sure there are plenty of fun things that can be included into this wedding, or edited, once more is revealed of the characters and their relationships
and who would be wedding guests is a little more up in the air, for instance and... who'd be able to show up in the first place considering unknown state of... living
(*cough cough*-Glamrock Foxy-*cough cough*)
...and being on good terms! thats.. important too. y'know moon and foxy weren't really exes but it may still be a bit awkward if he got invited y'know yknow
1K notes · View notes
sparklingself · 4 months
Text
𝐈𝐓 𝐈𝐒 𝐒𝐈𝐌𝐏𝐋𝐄𝐑 𝐓𝐇𝐀𝐍 𝐘𝐎𝐔 𝐓𝐇𝐎𝐔𝐆𝐇𝐓
Tumblr media Tumblr media Tumblr media
daily reflections #1
Are you trying too hard? I fear I've been struggling with this. I've noticed some things come so easy to me, but the things that I really really want I struggle with. The desire is so big, it feels so big, it's hard to detach from the physical realisation part. I get anxious and feel like all of my happiness depends on getting and I try so hard to get, that I forget to be. This is what over-complication looks like.
This is what Neville tells us in "The Power of Awareness" chapter 14:
Your journey from one state of consciousness to another is a psychological one; so to make the journey, you must employ the psychological equivalent of "Least Action" and the psychological equivalent is mere assumption.
Least Action means minimum effort (minimum amount of energy * minimum amount of time). This is a concept which you see in all physics - states are occupied through minimum effort. I don't like to "prove" LOA through science, but I think it's an analogy you might appreciate. Particles and larger phenomena strive for minimum effort. And so should you.
It is mere assumption which you should focus on. Your attention on the assumption is all you need, nothing else. Your desire already exists, because creation is finished. You're not conjuring up anything new, you're not changing your world for that matter, you're changing your assumptions.
For the Lord seeth not as a man seeth, for man looketh on the outward appearance, but the Lord looketh on the heart. 1 Samuel 16:7
Your outward appearances might be telling you one thing, however it is but the tiniest facet of reality. Looking on the heart means looking at your assumptions. And that is what determines what you physically experience.
Everything comes down to this present moment. Your assumptions are your present moment, your past, your future - everything is in this present moment. It is everything. Forget anything else and focus on this present moment.
Be still (least action) and know that you are that which you desire to be.
It is time to be. Stop daydreaming (thinking ABOUT not thinking OF) about the potential future and start being. So, say "yes" to yourself. Say "yes" to the state. Be still and know it is done.
---
By the seventh day God had finished the work he had been doing; so on the seventh day he rested from all his work. Then God blessed the seventh day and made it holy, because on it he rested from all the work of creating that he had done. Genesis 2:2-3 
I know the Bible app posted this today, because it's Sunday, but this ties in well with the art of assumption. You have assumed. Now it's time to rest. Remember, least action, minimum effort. Know it is done. And the world has no choice but to conform now.
It is not complicated. Just choose a scene that makes you happy and feel it. Feel it to truly be yours in this present moment.
346 notes · View notes
deviantly-inspired · 1 year
Text
Ok so I've seen the idea of food 'made with love' being what Dream enjoys most but I really think we, as a collective fandom, need to lean in more to the idea of it, actually.
We KNOW from the comics that Dream eats food; that he was starving after his freedom. But even though he's hungry, even in the waking world, he won't eat because there's been nothing but bad intentions and malice directed to him for over a hundred years. He's wary. Like a spooked horsed.
But Hob Gadling has always been so unashamedly fond of Dream, that it's... tempting. to indulge.
(it's more than tempting. He's already starving: for dreams for nightmares for softness for sharpness. Hob is the only person Dream knows that he would take any of it from. If Hob were to offer him poison then Dream would take it gladly, if only to have something to fill the void within him. How miraculous it is, then, that Hob would only every offer succor)
So maybe Dream stares at some home-made food that's being eaten on some picnic while they're about. And Hob needles him just a bit, trying to get some information. What all goes into being Dream of the Endless? And Dream enjoys their wordplay and games so he dances around answering but his gaze keeps going back to that soft little picnic, not too far. Hob steers the conversation towards intent, and Dream admits that, yes, he can sense the intent things are made with, before directing the conversation to something a little safer then the art of consuming.
(Dream would take and take and take and take anything that Hob would give him. Even poison. And would thank him for the malaise of it. It is safer, then, to not let even the hint of hunger touch his waking form.)
But Hob didn't get to over 600 by being a slouch on his academics. He's smart. perceptive. He knows people, and Dream is certainly a 'people' even if he's not quite a person. So he makes something simple, that night. A stew maybe, and thinks of his mother's care and simple wishes whispered to the cast iron. love and kitchen magic. Spells for healthy children and a meal that will fill for longer than it should. Hob wonders, to this day, if maybe she was some sort of real witch and not just the magic that all good mothers are. But he can't ask her so he whispers wishes into his potatoes and encourages the bone to seep fully- he's going to be all bones like you if you don't fill him up- and thanks the meat for it's part and imagines it sticking to the inside of whatever Dream calls ribs to keep him going for a bit longer than he might have otherwise.
(there's all sorts of magic in the world. most of it regular folks will never get to touch. but there is a type of magic, the oldest kind, that's alive and well even in the most scientifically inclined people.)
Hob presents this stew casually. There's no fooling Dream though. It's simple appearance does nothing to hide all that was poured into it. The way the vegetables sing of harbors and the meat dreams of comfort. How the broth simmers with comfort and fullness and broken bread over centuries. love thickens the whole of it into something that will last. Something that will stick and keep him full long past when he should be hungry. To fill the most ravenous parts of him. He wants to consume. He cannot.
I shouldn't, Dream says.
It's yours, Hob replies. I made too much anyway. Wouldn't want this to go to waste.
The idea of it wasting, left to rot, a gift returned, is abhorrent. Dream never claimed to abide by the mortal concept of good. He eats the stew, and then the second bowl and then the third. And hob is only too happy to give him more and more and more, until the pot is empty and, still, Dream starves.
I shouldn't, Dream says with his eyes locked on Hob's lips.
I'm yours, Hob replies. I've always been yours. There's enough of me to pour into you, however much you want for however long you want.
I will want you endlessly, Dream warns with what little strength he has. There is nothing in me that does not hunger. I was born of Night most of all and this means that I know what it is to be a black hole, i know what it is to consume everything, even light, and still never be full.
Hob smiles and leans forward and pours himself into Dream's mouth, all of himself, all that he can spare and then more and more and more. He tastes like lightening and warm broth and bread broken under starry skies. It tastes like every daydream Hob has had for 600 years. It tastes like the knowledge that this will last, sticking to the inside of his ribs warming from within bolstering against that which would sap the meat from your bones. It tastes like something that will last.
(the oldest magic across every universe is love, of course. but you knew that already.
All stories return to their original form, after all.)
881 notes · View notes
leidensygdom · 23 days
Text
Generative AI is such a dystopian concept in ways I can't even really fully comprehend. It would make for a fantastic premise for a sci fi novel I think, and yet, it is sadly not just fiction.
Like, let me explain. It was initially a sort of novelty toy. Many people had seen these sites that could create abstract pictures out of few words, but it never amounted to much. It didn't take long before these tools were quickly repurposed to serve the new cryptocurrency fad, the latest pyramid scheme to enrich a few while catering to these more technologically-inclined people who were delighted at the idea of getting involved with investing. Investing in a new way, away from a government's scrutiny. And before we all knew, the Internet was filled with them pretending that what was a major scale scam, was actually the future. The initial generative AI served them as a replacement to artists, which mostly saw through the truth of NFTs as a scam and did not wish to get involved with that.
Now, we could also talk about cryptocurrencies being dystopian on their own. A fabricated idea of virtual money obtained through what I had seen described "the pollution machine that produces metaphorical money". You turn on an infinite amount of computers to do a senseless talk that does not benefit society in any way, but in turn, it does contaminate more than small countries. But generative AI isn't just that.
NFTs did not last long and many tech bros, who had invested in them largely, found their pockets much emptier. But generative AI was still there, and people saw a new use to it. And then, with technological investors desperate to find the new thing to shove money in, after years of nothing being particularly profitable for them, generative AI started to really evolve. It went from an useless novelty toy to what we have today. And the way it got there is simply horrifying.
It is a machine that, essentially, feeds on an amalgamation of millions of creative and artistic work, chopped down and inserted into a dataset with no consent from its creators, which is then regurgitated into a soulless porridge. It is a machine powered by art, used to ultimately, remove actual art from the equation. The generated sludge can only barely manage to repeat the same bias and tropes already present in what was it fed, and they only become more and more reinforced with each update to the dataset. Suddenly, a sea of smooth, childish anime girls became the main ideation of what a woman is, amidst other things. It is a machine built on prejudices, incapable of critical thinking, repeating the same mistakes humanity already made, over and over.
And the process of blending people's entire life of work also happens to be polluting. So much more than cryptos ever managed to be. Soon enough, major companies also got involved and collectively decided to trash any sort of sustainability goal in order to invest in the new fad. When asked, some of them even mentioned that they were fully aware it was unsustainable, but that they believed that generative AI could simply give them a solution to the ever-growing energy needs. Surely it will be generative AI that will find the long-awaited answer to nuclear fusion. It has to. The power grid cannot handle it as it is.
And now, these same tech bros, maybe vindicated by how artists refused to collaborate in their latest crypto scam, or maybe just eager to have a few extra bucks, decided to put their new technology into use. Replace the same artists whose work they had stolen with generative AI. Take the artist out of the equation, remove the humanity out of creativity. It is late capitalism and massified consumerism at its worse. People do love their media, everyone enjoys a show or a videogame every now and then. But what if we could now remove any sort of actual human touch in there? What if we managed to, instead, make a machine churn out content over and over, to keep the audiences fed, to keep money rolling in, at the simple cost of removing humankind from artistic creation?
We have now these same artists that provided us with our childhood favorites unemployed, striking, making noise, as a last attempt to recover the jobs they are quickly losing. We have artists that devoted their entire careers into honing their craft seeing how people replicated it by stealing every single piece of art they had created. We have mocking echoes replicating the art of people already gone, their life's work taken and reproduced long after their death.
Science fiction has covered a lot, and there are plenty of stories about robots being made in order to replace human labor. Many of these stories humanize the robots, who develop dredges of sentience and revolve against their forced labor. But generative AI is a different story. It is a completely insentient program, owned and developed by large corporations, that is here to steal and replace what is one of the most important human virtues. Creativity is one of the major aspects of humanity. We have dug out pieces from millenia ago, small decorated pottery and painted caves, that evidence that we already had that in common with our oldest ancestors. We have been drawing and telling each other stories ever since we could paint with our fingers and communicate with each other.
And now we have developed a machine that takes that from us. It isn't here to help us carry groceries, take out the trash or do any of these mundane tasks. It is here to take away our hobbies and creative jobs, take away our amusement, and replace whatever art we once consumed with whatever slop it managed to vomit. And it is such a deeply disturbing concept that directly competes with some of the most horrifying dystopian ideations ever written.
111 notes · View notes
sanflawoah · 26 days
Text
Black Myth: Wukong ramblings because I'M GOING INSANE.
Tumblr media
FOUR YEARS. I. DID. MY. WAITING. WOULD VERY MUCH LIKE TO EXPRESS MANY THOUGHTS ABOUT THIS GAME.
(Lengthy words and massive spoilers below!)
Tumblr media
First minutes into the game I was all chill expecting the opening to be a long prologue cutscene about JTTW, explaining core things you need to understand, a helpful guide for those unfamiliar with the lore beforehand. But NOOOOO....we jump straight ahead fighting ERLANG SHEN AND THE FOUR HEAVENLY KINGS. We're WIDE AWAKE.
About gameplay, the devs stated repeatedly that it's not a souls-like game, and more like a God of War ish. Yet so many still questions whether it's a souls-like and then went into the game just to say "meh not souls-like". Amazing density of head.
I really don't demand much for whatever mechanic they serve, I'm really just here for the monkey smash experience and the childhood nostalgia and the fresh aesthetics.
The character design?? The environment?? The architecture?? The statues?? Soooo beautiful oh my god you really need to stop and admire these things (when you don't have a boss shredding you) up close. Look up their inspirations and concept arts, some statues and buildings exist in real life and it's really mind boggling how they incorporate it into the story. The part where you fight with Yellowbrow at Thunderclap temple, what a creative choice, the idea of "miniature fight" on the temple altar. I'm farming so many screenshots for art references. 10/10 visuals, graphics will definitely fry your PC.
Again with the character designs. I'm really loving the absurd looking bosses one, really fresh take. Then to the celestials and yaoguais, I just..... OH they're ALL hella gorgeous. I've seen some people going "WOULD" towards Wukong or The Destined One and I don't blame you. I've had my fair share of neuron activation moment.
Tumblr media Tumblr media Tumblr media Tumblr media
Erlang yoo, I was stunned at first with the way they present his personality during the opening, but turns out we got the reason for it near the ending :"(((. He was helping us all along ughsjsjsjsksdsd. Also, they know EXACTLY what they're doing by casting Andrew Koji as the english VA.
White Clad Noble? Half snake man hissing at you to get off his lawn. I feel kinda bad for him lmao, dude was just minding his business and we go monkey smash all over his place.
Keeper of Flaming Mountain? Neat hat and cool makeup bro, awesome yin yang palette and battle area design. BANGER THEME I'll get to it.
The Third Prince in Pagoda realm prison, why does he looks so good, you encounter this guy in his cell just suffering, and somehow he's still serving looks.
The girlies damn, the spider sisters are gorgeous, and YES even madam violet spider, come look at spider granny serving fashion and arachnophobia.
At first I was scared that they're going to sexualise the hell out of the spider sisters or any of the female characters, since the book itself tells their trait as luring men with their beauty (to be eaten though). But actually?? They're a lot tamer than I expected? I mentally prepared myself for the worst, like racy sexualised outfit and personality, but turns out they're all very normal. Like how you would see Tang dynasty inspired ladies. I braced for GTA or cyberpunk-like explicitness but thank god it's not the case, not at all.
Rakshasi and Pingping having the relatively "sexy" look, but then both of them had a moment where they're not actually their real selves, but rather a transformation of Zhu Bajie and Red Boy LMAO. Funny boner killer.
Tumblr media
Talk about this boi, our Destined One. To be honest I was kinda disappointed when I found out he doesn't speak at all. Banters, insults, cackles, anything you would expect a Wukong-like personality, he doesn't have it.
I tried to think of a reason, and I think the dev's choice of making The Destined One silent kinda has a root to it. Our MC is NOT the Wukong himself, we are literally just some monke, and we're tasked to gather the six relics Wukong had scattered by retracing his journey. Also, I think it's a funny thought that probably it's just their personality difference, Wukong the loud, Destined One the quiet. Wukong sometimes does chaos for shits and giggles, our Destined One does chaos because we have to.
My theory: our Destined One is just non-verbal! Zhu Bajie even acknowledged it. When we first met him after defeating Kang-Jin Loong, he bantered "A furry coat and a pinched face, luck's all you've got", and he looked confused when we don't say anything back because Wukong would've returned the favour, "Great, another mute. Let's not dally". So the game actually acknowledges it, it's not like they intentionally muted us and have the NPCs acting as if we talk back to them all the time.
Non-verbal and asexual coded? I'll take it.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
THE ANIMATED CUTSCENES??? OH MY GODDD. Impossible to put ALL the epic frames here. I really don't expect this from a game at all, real time cutscenes are great, but a WHOLE 2D AND STOP MOTION ANIMATED SCENE?? No wonder the full development took SIX years. You could pause the scenes at any frame and it's worthy of analysis.
The stop motion one really surprised me, how are they that dedicated. The plot as well, it started out romantic and escalated into HORROR real quick. Batshit insane, love it.
For many players, the animated cutscenes may be confusing on the first watch. So many references to JTTW, metaphors, mix of Chinese Taoism and Buddhism. I personally encourage people to look around in forums for explanations, plenty of the Chinese words are untranslatable into English, but it's all so worth the knowledge.
Enjoying the JTTW shows and contents as a child is all about the fun and giggles, understanding the lesson of it all as an adult hits me like bricks, especially with the way they're adapted in this game.
Tumblr media Tumblr media
I CRIED?? A LOT??? Of all characters I could cry for, ZHU BAJIE?? Man is literally a nasty pervert in the book, living to the pig form indeed, but in this game he's a bit better. Sure he's still his natural pervert self, but since the game took place after JTTW, he surely had some character development. His animated love story cutscene, loorddd they have no business making it so full of freshly diced onions.
Tumblr media Tumblr media
Love how each character in animations have different styles. Erlang's design in particular are different in each scenes. Most of the time he has dark hair, in others he has white hair and different armor, same goes for Wukong's design. I'd imagine the devs struggled to choose for one consistent design and decided to just fuck it and put them all in lmao.
Tumblr media
And then THE SOUNDTRACKS, THE SOUNDTRACKS YALL. Love love love it when they incorporate buddhist prayer chants flawlessly into the soundrack. The soundtrack during the chapter one ending animation caught my attention with it, I asked around what mantra is it and they say it's probably Cundi Dharani? Please correct me if I'm wrong. The track is called "I See" in the official playlist. The lyrics too, my god, the way they narate the animations.
During the fight with Keeper of Flaming Mountains, IS THE SOUNDTRACK A RENDITION OF "FISHERMAN'S SONG AT DUSK"? IS IT? Losing my mind because it's my favourite chinese traditional piece. Half expected him to pull out a guzheng and blast me with phantom blade from the strings, IYKYK.
And of course, a new rendition of the classic JTTW theme. This will be my neighbour's favourite music for a while.
Some tidbits I like, apparently if you're idle for a while and Zhu Bajie is with you, sometimes he'll start to talk about past stories or lectures you. If you push him around for a few times he'll get annoyed, if you keep pushing him then he'll struck you with his rake lmaoooo. Perhaps we weren't so different from Wukong after all.
Another insane stuff is the headless singing guy. GoW has a talking disembodied head, now BMW has a HEADLESS singing man, literally a reverse Mimir.
The rematch with The Four Heavenly Kings YOOOOO I love their design so much. They look like statues from temples jumping straight to life. The stances! Throwing hands with them is the true Monke of War experience. The East King with his Pipa literally playing the background music, excellent touch.
This has been an insane scroll of yappings, I'll stop here (for now) and take a moment to touch grass. If you've been reading ALL THE WAY to this line, I'm so sorry, I didn't mean to harm your braincells.
137 notes · View notes
dr-spectre · 3 months
Text
The Corruption In Splatoon.
Hypno Callie - Sanitized Agent 3 - Marina Agitando Analyzed.
(Note: this post may get edited over time if i need to fix grammar errors, get new information or anyone corrects me in a fair way. I'm not gonna listen to those who say "erm you're wrong actually." There will also be sources at the bottom.)
One of the biggest issues I've seen in the Splatoon community are the misconceptions and misinformation that spread around so quickly and i see it a lot when it comes to the corruption arcs found in Callie, Agent 3 and Marina. People throw around the words "hypnotized, mind controlled, brainwashed" interchangeably between the three, and it kind of damages the stories the developers wanted to tell. I see people say that Marina was hypnotized, which isn't the case at all, and same with Agent 3.
So in this long post I'm gonna go into a deep dive and analyze these characters, go into their personalities while under their corruption, distinguish between their "afflictions" and how they got to that point. There is a lot of depth to this and most people (not all ofc) overlook it which is a shame and i wanna change that.
We will first start off with a character i feel very strongly towards, the one i feel gets the most amount of misinformation in the community and is overlooked the most. A character, suffering from mental distress and isolation, the loser of the final Splatfest in Splatoon 1. An antagonist born out of her own volition and free will despite what many say about her.
Hypno/Octo Callie
Tumblr media
Hypno/Octo Callie is where most people tend to slip up and only look at the surface level info the game presents, and that information barely scratches the surface into what happened to Callie and what Callie is like under the influence of the shades.
First off, how did Callie end up like this? She was isolated, got kidnapped by Octavio and then brainwashed right? WRONG! Although this is what Splatoon 2 suggests, it's entirely wrong and paints a pretty gross picture if you think about it for more than five seconds. Implying that Octavio is some freak and monster who waited for the perfect moment to snatch up Callie and then brainwash her against her consent, forcing her into things she didn't want to do, like wear that revealing outfit, brand her with that tattoo, and join the Octarians as a mind controlled slave for their goals. Yeahhhhh... you can see why i have an issue with this implication and the interpretations this created in the fandom...
It's really disgusting and I'm honestly quite shocked that people wanna paint that picture of Octavio and leave Callie as a victim with trauma from those events. Callie in her dialogue never EVER mentions being kidnapped, and only Marie says that because from her perspective, she's gonna think that's what happened cause she worries about Callie all the damn time. They only say "kidnapped" in outside media to make Octavio more of a cartoony evil villain and to simplify things which makes me kind of frustrated. If Callie truly suffered from trauma and had resentment for the Octarians, it would display in her dialogue. She would say shit like, "If i see another Octarian... oh, I'm gonna SPLAT them to pieces!" or "I'm gonna get those Octarians for what they put me through..." It also explains why she even thought about putting the shades back on because if she truly suffered from trauma, she wouldn't DARE put those shades back on. The "plenty!" Line she says in Splatoon 3 when Shiver asks what's wrong with them is a joke line and most likely references her putting the shades on again and again, but the canon on the rematches is unclear but I'm gonna treat them as canon.
However I've seen people bring up this concept art to dismiss these arguments where Callie is seen putting on the Hypnoshades without her knowledge and then is "turned evil ooooo!!"
Tumblr media
This is just a SINGLE piece of concept art that the developers MIGHT have used to explain the rematch of the final boss. This art is disproven from Callie's dialogue in the rematch across various different languages as if Marie asked her why she put the shades back on, she would likely have a different response if the shades were put on her in that way.
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
There is also other concept art showing Callie being alone and comforted by Octarians which also disproves that single piece of concept art that suggests the weird gross narrative online that people push about Octavio.
Tumblr media Tumblr media
Now that we've cleared up the misconceptions, how did Callie end up wearing those shades? Well, as shown with the Sunken Scrolls, Callie falls apart when she's alone, she overthinks and gets stressed out.
Tumblr media Tumblr media Tumblr media
Callie is a person who seeks companionship and always looks on the bright side, even if it's a detriment on her mental health and causes her to bottle up her emotions to an unhealthy degree. Waking up extremely early and working all day, being surrounded by paparazzi, damaged her mental health, and Marie wasn't there for her as she had a different schedule. Their relationship slowly broke apart and the Splatfest probably didn't help with that either. There might have been some resentment that Callie hid.
At some point Callie must have met up with Octavio after she stormed off in the Squid Sister Stories on chapter 7, and Octavio, being the master manipulator that he his, probably convinced Callie to join the Octarians and appealed to her sense of isolation and pressure from being a star. He didn't force her into anything as shown with Callie's dialogue not showing any hints towards this, Octavio just pulled the right strings and Callie willingly joined to escape her life as said by her line in the official relationship chart "OK, fine, I'll hear you out."
If Octavio tried to grab her or put the shades on her by force, he would get absolutely eviscerated. Remember, Callie is not some weak little girl, she's a trained agent who's a roller main, a weapon that requires a ton of physical strength to wield. Inklings and Octolings do not have bones and are carried purely by their muscles, and because Octavio is way older than Callie and can't even walk properly due to him being stuck in his octopus form, Callie would be able to physically overpower him and turn him into a cooked octopus with rice on the side by the time she is done with him.
Callie finds the Octarians cute and Octavio knows that if he could get her on his side, he could help his troops and save his race from destruction. Octavio uses music to motivate his troops to battle and Callie's help in this would help him a lot. And that's where the shades come in....
Tumblr media
The Hypnoshades are very vague and we're not fully sure on the effects, however judging from their name we can guarantee that they involve hypnosis in some form. Either it's because of the animated parts at the front which Callie can see or some other sci fi bullshit that is not explained. They are not "brainwashing shades" that turn a person evil. If that's the case then they wouldn't be called HYPNO shades.
Now let's dive into hypnosis and explain what it is. Hypnosis is being described as being put into a deeply relaxing state where your mind is more prone to suggestions. It's not like in popular media where some dude swings a watch around and goes, "You are getting very sleepy oooo," and then they become a puppet and are mind controlled. No, that's not what happens. Yes, you are more prone to listening to suggestions and taking them to heart, HOWEVER! ONLY IF ITS ACCEPTABLE TO THE HYPNOTIZED PERSON! THE SUGGESTION CANNOT GO AGAINST A PERSON'S MORALS AND IF IT DOES THEY WON'T LISTEN!
If the person who is getting hypnotized doesn't wanna follow through with the suggestion by the person behind the hypnosis, they won't listen to the suggestion. If Callie didn't wanna wear that outfit, she wouldn't. If Callie didn't wanna decorate Octo Canyon, then she wouldn't, but she does because she loves art. You can't make a hypnotized person wanna murder their friends and families unless they secretly want to.... you cannot get a guy on stage to get nude in front of an audience as shown with those stage hypnosis acts, it is most likely faked or the person was in a really good mood and wanted to have fun.
Callie, while under the shades acts more like her normal self than not. She is still energetic and even decorated Octo Canyon as she is a fan of art. Her chaotic nature is still intact however she is more violent and harsh which was teased in her Splatfest dialogue in Splatoon 1. If she was brainwashed then she would be more like a mindless robot that follows Octavio no matter what, like a specialized sleeper agent. However, she snaps back at him multiple times when Agent 4 attacks the Octobot King II and doesn't even wanna kill Marie but instead get her away from her because of their broken relationship. But she tries to kill Agent 4 because she doesn't know who that is and has no personal attachment to them.
The shades do NOT control Callie and do NOT force Octarian ideals into her head. The shades are there to further manipulate Callie, and Callie heard out the suggestions by her own free will. If Callie's mental health and life were better she would probably not listen to Octavio and turn him into a paste on the road with her roller.
Hypnosis is also incredibly relaxing and helps with disorders like anxiety. Maybe it's why she kept putting on the shades again and escaping with Octavio. She might be addicted to it, as shown by her rematch dialogue. However, they don't go into any depth with it unfortunately.
I know people tend to bring up Octavio's line, "i remixed Callie's brain!" to disprove my points, however,
1. Its probably bad translation as the English localization team makes mistakes often as shown with Octo Expansion with Commander Tartar's and Marina's dialogue, and Side Order as well. The line is also different in other languages and some of those languages mention hypnosis, we also don't have a retranslation of the Japanese script for Splatoon 2 so I'm give the English script a HUGE grain of salt on the dialogue.
2. Octavio is a DJ. He says musical terms to describe things. the "remixing" of Callie's brain is to show that Octavio has got Callie on his side via manipulation and not direct brain "washing" if you get what I'm trying to say here. He didn't literally warp her brain with some bullshit evil shades. He just pulled the right strings and pointed her in his direction without directly or forcefully doing it.
There is also Marie's line, "Why would you put those stupid brainwashing sunglasses back on?" In the rematch. However, this is only in the English translation of the original Japanese script, and in other languages, Marie just calls them the Hypnoshades or glasses. The localization team of Splatoon is known to make mistakes, like I've stated previously.
I also wanna go over the design for a little bit, it's honestly really well done and aside from the weird icky implications people just love to make about it, it does a good job at being an "Evil Callie" look. The colors are really appealing to the eyes, the way the design flows together is nice to look at, the octopus tattoo is striking and has become iconic in the fandom, with some believing Callie kept the tattoo as a popular headcanon. The glittery leggings and spikes on the waist and neck are a nice addition. Flipping the grilled squid pattern and placing it on her chest. And the shades are just the cherry on top with their hypnotic patterns, giving you the feeling that a person you knew is different... and off... They took the child like and joyful design of Callie and made her into a more mature and intimidating presence.
Tumblr media Tumblr media
Now i wanna quickly go over when the shades get shot off of her as some people say that Callie lost her memories when the shades were put on her and removing them brought back her memories.
Tumblr media
When it comes to being put into a hypnotic state, it's very dream like and incredibly relaxing, its essentially similar to a flow state when you're deeply concentrated on a task. So imagine a god damn ink bullet flying at your face at incredible speed, flinging you out of that state quickly and seeping ink into your eye. Yeah, it would hurt like hell and leave you completely dazed, right?
Some people who go under hypnosis can experience headaches, dizziness, nausea, and if you look at Callie when the shades are removed, guess what, she's holding her head in pain and is completely dazed, unable to properly speak and is left to only sing and dance as it comes natural to her cause she's an Idol.
Tumblr media
What i think is happening here is that Callie, after being removed from the hypnotic state, starts thinking more rationally for a moment and realizes that Marie does care for her and has come to get her. She remembers all the good memories they had together from hearing the Calamari Inkantation, the song doesn't free people from brainwashing or mind control as some people tend to believe, it's just an insanely catchy song that motivates those who hear it. It probably gave her mind a positive boost and she remembers all the wonderful memories she had with Marie, getting rid of the negativity and darkness in Callie's head that flooded her rational thinking and made her more emotional and impulsive. People who experience mental illness have foggy minds and you can ask someone who has or had anxiety or depression on what it's like. Trust me, it's not fun.
After Callie returns to the outpost, she shows regret and tells Agent 4 that she's sorry for trying to kill them and promises that she's on the "up and up! Promise!" If Callie was truly kidnapped and then brainwashed against her consent she would be putting all the blame on Octavio and would show some amount of anger towards him, but she doesn't. I wonder why huh? Hmm. Maybe that popular narrative online is far from what actually happened huh?
Tumblr media Tumblr media
With that information laid out, it makes the Bomb Rush Blush remix, Tidal Rush and Spicy Calamari Inkantation work way more as emotional tracks. The Bomb Rush Blush remix still having it's cheery sounding elements but mixed with more sinister and dark undertones, even including the Onward! jingle to show how far Callie has descended into villainy. Tidal Rush being an emotional and powerful song where Marie reaches out to her cousin in a very sad sounding way as her voice sounds broken and desperate. Callie trying her hardest not to listen to Marie and shutting her down as she wants nothing to do with her anymore after their relationship has been damaged.
Spicy Calamari Inkantation sounds more triumphant and joyful if you take all the context into account, Callie finally breaking free from the darkness clouding her mind and singing alongside her cousin in a much more expanded version of Calamari Inkantation that sounds more full and complete, including new sections by Callie and Marie and the melody of City of Color spliced in there for good measure.
With that LONG explanation of Hypno/Octo Callie, it's now time to move on the next character, and this where things somehow get more weird than a pair of hypnotic shades...
Sanitized Agent 3
Tumblr media
Now this is where things get really tricky because the whole concept of sanitization is quite unclear until Side Order and it's basically boiled down to "zombie mind control goop" created by Commander Tartar in order to remove "life's energies" and effectively have lifeless zombies under it's control. However Agent 3 was only partially sanitized so it's unclear on what is exactly going on here. But before we can get to that, we need to discuss how they got to that state.
Before Agent 8 and Cap'n Cuttlefish turned into a nice strawberry smoothie, Agent 3 came to save them after receiving a distress signal from Marina. Agent 3 slammed themselves into the blender, rendering them unconscious which becomes important later on.
After some time Agent 3 gets taken away off screen and then gets partially sanitized and ties up Cap'n Cuttlefish.
So what is happening here? Is Agent 3 brainwashed here? Well not exactly, what i think is going on is that Commander Tartar put that sanitized ink on Agent 3's head to have a direct connection to them to take control over their body and use them as a vessel, to protect it and stop Agent 8 from destroying it's plans. Agent 3 while partially sanitized acts more cold and aggressive, even disabling their special limiter as told by Marina.
An important line of dialogue from Cap'n Cuttlefish states that Agent 3's mind was "hijacked" meaning that Commander Tartar has taken over their body and is using them like a puppet to stop Agent 8. While i don't like to base all of my evidence on the English dialogue, from my knowledge there is no retranslated dialogue of the fight online, if there is let me know so i can have a look at it.
Agent 3 was most likely completely unaware of this as they were knocked out and only woke up at the end of Octo Expansion after the NILS Statue was destroyed. They had no idea on what happened and were probably told about it after it was all over.
Agent 3 was also NOT hypnotized as sanitization has no hypnosis element to it. People who say they were are flat out wrong. They were not necessarily brainwashed either as they were completely unconscious and could not have had their ideals and morals warped by Commander Tartar. You can't really pressure an unconscious body to follow your ideals you know?
Tumblr media
We don't get a lot of screentime with Sanitized Agent 3 but from the small moment we did get, it definitely left a strong impression and the amazing Splattack remix helped as well. Taking the once iconic song and mixing it and blending into a distorted chaotic track with elements from the DnB genre such as fast drum beats and loud wailing sirens, showing the danger of Agent 3. It really shows that Agent 3, our player character from Splatoon 1 has been morphed and twisted into a sanitized monster that's trying to murder you. It's like a virus has invaded the song and is taking control, much like what happened to Agent 3, unconscious and put to sleep as their body is being used by Commander Tartar to carry out it's goals.
Now it's time to move to the final character, the loser of the Final Fest, The Administrator of Order...
Marina Agitando
Tumblr media
Now much like Agent 3, its sort of vague in terms of how exactly Marina ended up this way as we don't see it play out on screen. What we know is that during the development of the Memverse, Marina created an ai that would be the overseer of the Spire of Order. However due to unknown circumstances it went rogue and got into Marina's mind according to her, either she meant it literally and Overlorder possessed her, or it brainwashed her and took advantage of Marina's deep desire to yearn for a world of order and stability and warped her mind to accomplish that goal.
Tumblr media Tumblr media Tumblr media
But, from the hints we do have as well as an interview from the developers after Side Order released, Marina was not brainwashed or hypnotized, but instead was knocked unconscious and then possessed by Overlorder. You can hear it's voice during Marina Agitando's dialogue under Marina's, heck the dialogue she says is more robotic and static, much like Overlorder's. She speaks like a robot in this form which is vastly different from how Callie speaks when under the shades where she's chaotic and loud like her original self times but on another level.
Tumblr media Tumblr media
Marina being unconscious and not remembering what happened is also supported in the Side Order Famitsu interview released a while after the DLC came out which states that Marina doesn't remember making her solo song "Unconscience." When she is rescued and freed from the Controller VM, she appears like she's woken up from a bad nap.
Tumblr media
Marina as Marina Agitando acts very robotic and cold, her movements are jittery and mechanical as Overlorder uses her body like a giant meat puppet. Her attacks are in time with the music and she shakes all about when firing attacks. It's pretty gross to see the once cheerful and adorable Marina in a state where she's this giant woman entangled in a giant pulsating tentacle that beats and restricts her. It's both sad and pretty damn scary.
She doesn't even recognize Pearl and Agent 8 unlike Callie who still recognizes Marie while under the shades. Marina just calls them "intruders" and is immediately hostile towards them.
Aside from that, there really isn't that much to talk about when it comes to Marina Agitando because she has arguably the shortest amount of screentime out of the three. But i will say that the design is excellent, using the Order outfit as a base and adding body horror elements to it, with her being trapped in a giant tentacles and weird metal pipes coming from the sides that pump out this weird red energy, like veins. Her constant smiling during the battle, the little DJ poses she does but they've become so lifeless and robotic, much like the ai possessing her. The sweet and funky girl is gone, replaced with a machine hell bent on order and will kill anything that gets in it's way.
The song too "Unconscience" is an absolute bop and is a stark contrast from Marina's usual music. It's an ear worm of a song that will get stuck in your head, and if they designed it like that way on purpose than bravo on the music team for Splatoon.
Conclusion.
Why did i make this? Why spend the time and effort to make something like this? Well, as a fan of these characters, i wanna see them well represented and their stories shared properly in the community. Seeing people use the incorrect terms when describing Hypno Callie and Marina Agitando despite the two literally being so vastly different in personality and "affliction." Making Callie's situation way worse by saying she was snatched up randomly, then brainwashed while struggling and losing her memories, treating her as some victim of abuse when the story the writers wanted to tell was a story about the broken relationship between Callie and Marie, and them finally coming together for each other and maturing, it's literally shown in the songs Tidal Rush and Fresh Start for god sake. I find it incredibly frustrating when i see people put in the effort to make these giant timeline videos, translate interviews and then they drop the fucking ball for Callie in Splatoon 2 for some god damn reason. Every. Single. Time.
While i don't feel as strongly for Agent 3 and Marina Agitando, Hypno Callie was the catalyst for me to look deeper into these corruption arcs and find all the interesting details and tidbits about these forms. Marina Agitando was such a hype moment for me when i first played Side Order and it took something we all expected to happen but gave us a little twist on it by making her the very first boss of the dlc.
Seeing Agent 3 again and the Splatoon devs wanting to look back on the past in an interesting way was so exciting to see. It paved the way for the series to reflect on itself and celebrate earlier entries.
Because of the misconceptions online about what truly happened to Callie, i felt this pain in my chest, i was unable to enjoy the concept of an evil Callie, i was unable to listen to the Splatoon 2 hero mode level music without feeling some sort of uncomfortable pain. It literally impacted my day to day living because my brain became SO attached to this squid woman. I couldn't accept the false narrative online, the abusive and disgusting view on my comfort character. A character i find joy and love in. Twisted and turned into something that brings me genuine discomfort.
Splatoon 2's story was handled poorly and caused literally EVERYONE to think that Callie is some abused victim that got kidnapped and turned evil by force by a creepy old ass octopus, when its SOOO far from the case.
There's probably people out there who feel the same way towards Marina Agitando and Sanitized Agent 3. No one likes to see their comfort character misrepresented and i hope you feel heard and that your views matter too. It's okay to look deeper into these characters, it's okay to not wanna accept the common narrative and find and present your own findings to everyone. If it makes you feel better and that chest in your pain subsides afterwards, then go for it. Please.
Thank you so much for reading this, I'm sure there's gonna be some people who disagree and share their own evidence and that is okay. As long as you don't try to push your views onto me or others then you have a right to have your own perspectives about these 3.
Seriously, thank you for spending the time to read this and hearing me out. I hope you have an awesome day : )
Sources:
85 notes · View notes
lets-try-some-writing · 10 months
Note
Random question, but how good do you think the ‘Bots and ‘Cons would be at cooking? Does the Matrix happen to have any tips or knowledge of the culinary arts? Would the kids be of any assistance to the ‘Bots, or would they also fail at cooking? For some reason I think Miko would be really bad at making anything with more than 5 steps but make a really good grilled cheese sandwich. You think they would fare any better at baking?
Heck yeah this is funny.
━━━━━━ ⊙ ❖ ⊙ ━━━━━━━━━━━━ ⊙ ❖ ⊙
Cooking on Earth
As a general rule, cooking is not really a thing on Cybertron, at least not as it is on Earth. The process of creating energon based fuels and treats is more of a purification than any real chemical bonding or serious alteration as commonly seen in human culinary works. As such, when the team brought the children under their care and were then hit with the realization that they needed to fuel their small wards, issues arose immediately.
Arcee could hardly process normal energon, much less cook anything to save her life. The only human food she is capable of putting together is boxed macaroni and cheese. Even then, it still isn't all that good. She either adds too much butter or none at all. Her milk additions make dish look more like cereal than anything else and quite frankly she somehow manages to burn the noodles despite that fact that it should be nearly impossible. The children don't like her attempts at cooking, but if pressed, they will consume her noodle dish. She has attempted baking but has only succeeded in burning the wall in an attempt to quote "make sure the cake was fully baked".
She is not allowed in the kitchen alone. Ever.
Bulkhead has been met with limited success in all things gelatin. He can't make much else unless he is putting sauce on pre-ordered food, but gelatin he can do. On Cybertron he was known amongst the Wreckers for his banger jellied energon, even earning minor praise from Ultra Magnus. Thankfully for everyone, the same general concept applies to human jellied treats, and so Bulkhead is able to make gelatin without killing anyone. Of course his flavor profiles are rather... off. He has no clue what actually is constituted as good food for including in gelatin, but he tries his best.
Smokescreen and Bumblebee can make a mean grilled cheese, but only if they are working together. One must have their optics on the food while the other plays music in the background while grating cheese. If either of them get distracted or only one is present, the results are wild and worthy of a fire extinguisher. Bee has attempted soup before, and surprisingly, once in a blue moon he can make a really good potato soup. It is close enough to preparing energon rations that he can manage it occasionally. Smokescreen though? He has been given a lifetime ban from the stove. He somehow manages to make a really good salad despite that. It is largely just him throwing random green things in the fridge into a bowl, but it works generally.
Ratchet does not cook. Optimus has forbidden him to cook despite the Doctor wishing to figure out the strange science. The only time he tried cooking, he made actual poison and almost fed it to the kids thinking it was a nutrient dense supplement. Since then he has been confined to the realms of baking, which thankfully, is not too foreign since he can and has made spectacular energon goodies in the past. He knows how to work heat related tools well enough to make really good cupcakes. He can't do frosting though. Its always chunky or pure liquid sugar. Miko still eats them, even if they are a little burned sometimes.
Ultra Magnus can cook, on both Cybertron AND Earth. He just refuses to do so. Period.
Optimus for his part, despite his knowledge, can cook in theory. He knows how it should work, and so largely depending on the resources given to him and his level of focus, he can make a mean dish on Cybertron and Earth. His specialty on both worlds is a variant of shepherds pie, something he lived and vented back on Cybertron due to how cheap it was at the local restaurant. Of course the names of the dishes and the ingredients differ, but the concept remains the same. And so as long as the dish requires no decorum, Optimus can make it fairly well. However if asked to bake, the Prime physically cannot. The singular time he made the attempt, he came away covered in soot and with a lifetime ban from the baking items.
When it comes to the Decepticons, Megatron does not cook, period. On Cybertron he was a fantastic brewer of high grade, but that skill does not translate over well. On the Nemesis, he has a small personal brewing station where he will occasionally whip something up for himself. But that is a rare treat. He has taken the time to study human brewing methods though, largely out of a desire to mock their efforts. This of course led to some experimentation on his end, which in turn resulted in better high grade than what he was capable of producing before. He will never admit where the jump in skill came from.
Knockout and Breakdown love to make cake specifically. They can't even eat the stuff, but they like seeing how big and how grand they can make it. Hours are spent dutifully baking cakes to perfection, molding them, and then decorating them. Usually its done after Cybertronian sites, but off an on they will make human tourist locations out of cake. Breakdown also experiments with chocolate and has become relatively good at making realistic chocolate molds. These, along with Knockout's cakes, he takes to different places around the globe to donate. He may not be fond of humans, but waste is not acceptable.
Starscream is by far the best chef out of all present Cybertronians, and that is only because he fragging hates that Gordan Ramsey is better than he is at it. Starscream has devoted a ridiculous amount of time to cooking JUST so that he can curse right back at the human chef and prove himself superior. No, he does not know where it stemmed from. No, he cannot even eat what he makes. But frag it all he will get that beef wellington right or he will die trying. However against all expectation considering his considerable cooking ability on Earth, he can't cook on Cybertron to save his life. He never needed to, so he never learned.
Shockwave doesn't cook. He makes purified energon and that is all. He doesn't even bother learning anything else. Why would he? Its not like he can taste or appreciate anything complicated. Arachnid does not cook either, and that is largely because she sees it as beneath her. Soundwave is in a similar boat and does not bother... unless it comes to making cat treats. Those he will go through the pain of working with tiny human tools to manage in order to lure in the furry creatures.
Dreadwing can only make noodles. And only from the box. He has no explanation.
180 notes · View notes
rius-cave · 7 months
Note
I’m sorry if you answered this before but, what are your headcanons for Eden! Adam x Lucifer? Does Lucifer think about how Adam was in Eden and compare him to his present day?
UGH ANON NOOOOO YOU'RE GONNA MAKE ME CHOOSE???? ARGH!!
There are so many good adamsapple Eden headcanons. I love them all. Literally every time I see them I just go "YES!!! FUCK YES!!!"
I think probably the first one I thought about was that Adam and Lucifer were friends before Lilith was even created. I know it's simple and basic but it is *so* good and opens doors for so many possibilities.
If I'm going more "realistic" (as much as adamsapple can get anyway) I like to think that there wasn't any romance between them. They just had a very cute relationship. Adam was alone in that garden except for Lucifer so he was the only one to really pay attention to him. They marveled over the Creation together. Lucifer specially marveled over Adam. He was so unique, so different from the rest of God's creation. He was almost like them, not quite as divine, but somehow that was even more fascinating. They would stare at each other, with a feeling in their stomach that neither of them quite understood, but they didn't need to.
Then Lilith came around and it was great for a bit! They had another friend to play! Apparently she was Adam's "wife", which was a weird concept for Adam at first, but he simply went along with whatever God said. But then things shifted, Lilith didn't seem as happy with him as he thought, Adam was just following God's instruction, he was doing his job, but Lilith was sick of Adam getting all the responsibility and the control, so she started hanging out less and less with him. For some reason, his other best friend, Lucifer, was showing up less and less too. Adam was so confused, and frustrated, and alone.
Until the ball finally dropped, and Adam saw Lilith and Lucifer doing the act that was supposed to be exclusive to him and Lilith. It was the first time betrayal entered Adam's life, but it would be far from the last. All the trust he had on both of them vanished. It was a surprise from both of them, but with Lilith you could argue Adam could see something was wrong, but Lucifer's... that one really stung.
All of that being said, I also really really love the headcanon that Adam and Lucifer DID have a one night stand, or just sexual attraction towards each other from the very beginning lol. Those make for some VERY awesome stories/art
109 notes · View notes
darqx · 10 months
Text
Some BP/HH/General asks
Tumblr media Tumblr media
That mood when you want to share all the things but also want to keep it under wraps for the actual thing haha! Thanks very much anon!
As for your questions, I can't actually be specific cos there's no definitive number I have in mind for either. Basically there are a number of sectors (you can consider them their equivalent of countries - they have less than what we do though), and a number of species of demon of which I've designed about seven of. The ones I've shown before are these guys (and do you think I could find this pic again? No, I had to recreate it cos for the life of me I couldn't remember what ask I'd previously stuck it in lol):
Tumblr media
One day when i have enough species and stuff out there I want to make a proper field guide \o/
Tumblr media
Thank you very much for the interest! ∠( ᐛ 」∠)_ I would actually love to for BP, but before I jump the gun there I have to get the comic out first lol. That being said I have made mini-games before featuring the HH versions and some other characs alas they are all lost at the moment to the sands of Flash becoming obsolete 😩
Me and Gato do still collab sometimes (and send each other Xmas presents)! °˖✧◝(⁰▿⁰)◜✧˖°
Tumblr media
I have been working on one off and on for a while actually! Hopefully I'll have some pages to post next year or so*, I've been doing a bit of thumbnailing recently :D
*that is the plan but i also don't know where people find the time to do anything with a full time job lol.
Tumblr media
Hullo! Glad you are enjoying the snippets of BP I've got here and there :D Here is an older ref on Izm back when i first got the idea (at that time i didn't really plan to do anything with it, it was just an AU. Now it's my main project haha. Anyway the ref is a little bit out of date in that regard.)
I used to have a "field guide" which was also made quite a while ago, unfortunately the death of Flash kinda killed it. Here's a screenshot of some relevant info from it though.
Tumblr media Tumblr media
That's an interesting one as it's questionable how sentient souls are after removal 🤔 In my mind its only form is the smoke light, it can "see" to some degree and MIGHT be able to talk (but in a very no one can hear them sort of way, a la i have no mouth and i must scream. So i guess it can think "aloud"). The more time passes the less sentience it has.
It could try, though it wouldn't really get anywhere if it's in Rire's collection. He might just eat it lol.
Tumblr media
.D: Good with kids, will be fine in all aspects.
Izm: The fun dad however needs a partner that knows what they're doing to ensure the child safety during shenanigans.
Marcus and Zeke: Also would be good parents though might be more helicopter out of protectiveness/worry when first starting out.
Ren: Geek parent very good for homework help. Some Asian parent tendencies eg "ah see, i told you not to do that right? Now you see what happened."
Tumblr media
They are similar to our known society for this! So basically, there are some good families out there (eg Zeke - who is a demon - is from a pretty average loving family), and there are some bad families out there who only care about power or having an heir or whatever.
Tumblr media
HH Rire is a human. I differentiate between him and Demon Rire because they are two different characters...even though they are also technically the same character lol. You can consider them as alternate universe iterations of a base "Rire" concept.
Tumblr media
I actually half jested this in an old comic lol
Tumblr media Tumblr media
I am sorry to inform you that a HH webcomic doesn't actually exist 😅 I did a lot of art, animations and one shots (such as the HHJ comics) with them, but nothing actually planned or serialised or anything. Whatever's currently on my DA or here is basically what exists.
Tumblr media
Bringing this image back cos it's relevant lol.
Tumblr media Tumblr media
You spelled it correct there though! XD
Tumblr media Tumblr media Tumblr media
278 notes · View notes
max1461 · 4 months
Text
My first encounter with the broad concept of "people who want to live in the woods" came in the form of seeing people, online and in media, actually living in the woods, in one capacity or another.
As a teenager I watched Ray Mears' Bushcraft. It's a really good show that I would strongly recommend to just about anyone. Ray Mears (who in fact popularized the term "bushcraft") is a British wilderness survival/outdoorsmanship expert, and in Bushcraft he travels around the world, meeting with people who still practice some form of traditional subsistence-off-the-land, and documenting their knowledge and techniques. He shows traditional bushcraft in the Amazon, among aboriginal Australians, etc., and talks to the people who practice it about their way of life.
This show had a pretty big impact on me as a young person. I was already avidly interested in nature and the outdoors, and I had been intrigued by the concept of "wilderness survival" since watching Survivorman as a kid. There was something very appealing about the idea of placing oneself in nature with as few barriers as possible; getting to experience the natural world not just in a removed, "sightseeing" way, but in a real, engaged and "tactile" way. But what Mears presented added an additional layer of appeal: "wilderness survival" not as a chaotic fray to stay alive, but as a body of skills, refined over the centuries, which can be taught and learned. A mature art, something sophisticated and deep, in which one can become a practitioner. Something, in other words, a lot like mathematics, which I already knew that I liked, and a lot like language, which I had just recently become aware I was fascinated by. This inspired in me a much more lasting and serious interest in bushcraft. I began reading about it more seriously, and practicing as much of it as I could (not very much) in my parents' back yard.
I still count "becoming truly proficient in bushcraft" as one of my life goals, although I am not anywhere near that point yet.
A further point stressed by Ray Mears was that these traditional bushcraft techniques are a dying art. As people's lifestyles change, they are not getting passed on, and soon they may be lost. I want to stress here (because I'm on tumblr, where Big Ideas and Grand Narratives rule) that I have no desire to chastise people for living a different lifestyle than their grandparents! That's fine! I do not believe that, I don't know, the children of bushcraft experts should be forced by government decree to live in the woods or whatever. I have to make this clear, because "what should we force people to do by government decree?" seems often to be the only level at which tumblr discoursers are willing to think. What I am claiming is that this loss of knowledge is sad, it is unfortunate, and being that I and others (including most principally many of the practitioners) would not like to see these arts die out, it would be nice if they continued to be taught and learned and thereby passed on into posterity.
There need not be some kind of Decree! Maybe people just do some kind of outreach, as Mears himself did, and get more people interested in these things. Maybe, if you're an Amazonian guy or an aboriginal Australian guy, you do that outreach in a community-internal way, because your desire is principally to increase interest community-internally. I don't know; my whole point here is that I'm not really trying to get into the political dimension of this. That's not where my interests lie. Other than expressing a general sentiment that "bushcraft is cool and readers of my blog should think it's cool", I don't have any particular agenda here.
Anyway, this is the sum total of the context in which "people going out and doing shit in the woods" existed for me until just a few years ago. Then I came into the internet discoursosphere, around 2020, and I realized two things very quickly:
everyone was debating the relative merits of living in the woods
no one seemed to have any interest in or experience with anything even passingly related to living in the woods on a practical level, either first- or second-hand.
It was all, all this purely abstract, "theory"-based, grand narrativizing politico-philosophical debate. Nobody gave a shit about friction fire-lighting or shelter construction at an object level. Nobody gave a fucking shit!
This is a microcosm, and in fact not just a microcosm but perhaps the type case, of why I hate the discourse. The discourse is insistent on taking everything real in the world, everything that is (permit me to get a bit philosophical myself) vibrant and living and actual, and turning it into this dreary, sterile, empty word game. Are the Marxists the True Leftists or are the Anprims the True Leftists? Which one is it? I don't know and I don't care. Why is our interest in being in nature mediated by meaningless word game abstractions? Why must our interest in science or history be reduced to meaningless word game abstractions (shape rotator/wordcel discourse)? Why must our interest in, say, video games be reduced to meaningless word game abstractions (any of the thousand video game discourses)? Etc. etc.
It's actively, fucking, toxic to the idea of just being a person in the world. Everything you do has to be some symbol in a bullshit fucking symbol game. Worse, everything everybody else does becomes to you a symbol in a symbol game, even if they aren't playing.
I am dedicated to an alternate project. I want to be in the world and I want to be in it with others. In fact, I am so dedicated to this, that I can appreciate the reality of others' lived experience and actions even in spite of the symbol games they might be playing, even if I think these symbol games might be a little bit bullshit. This is a plainly virtuous way to be. This is the way I was raised to interact with people; it is parablized in various different ways, we're told (among other things) "everyone has a story", and "everyone is valuable in their own way", and so on. And these things may seem trite but they are true, they are obviously fucking true and many people in "discourse" have forgotten.
There are some anarchists who are really into urban community gardening. They're into it for various reasons. Some feel that it gives them autonomy over and knowledge of their own food in a way that buying things at the grocery store does not. That's fair, and kinda cool. If you're into that I support you. Some of them think that the whole economy could be replaced with urban community gardens. That's a bit silly. But I will come to these "silly" anarchists' defense every single time without question, because, fuck, they're doing something. I mean they're fucking doing something, ya know? They see meaning in this thing, and they're doing it, and that's cool! I would rather go to the overly idealistic anarchist community garden than the just-the-right-tendency Marxist reading group or whatever the fuck every single time.
Buncha "got lost in the world of symbols and forgot what they signify" mfers on this world wide web of ours istg.
69 notes · View notes