#I wanted to read the whole thing it felt important

[devine-fem]

Now… Due to my birdflash fixation, I have completely struck out and decided to make this post to explain why I read/headcanon them as exes. I now realize that this is going to be a long, drawn out way of saying “I think they have explored each other’s bodies,” well, it’s a little bit more than that 😭. In my head, I always felt as though Wally and Dick’s relationship sometimes read to me as two people who felt greatly for each other in their youths then over time found other people and new purpose and continued to pull away from the other.

Sometimes they treat each other kind of like how I’d treat an ex boyfriend or girlfriend, especially in Flash/Nightwing years.

Now I think it’s important to talk about their roles as Robin and Kid Flash, they are characters created to be relatable, the whole sidekick schtick was about appealing to the younger audience. It was such an early era that it should be noted that Dick and Wally did not have anyone else. Unlike now, Dick has a plethora of Robins to have seperate and distinct relationships with, same thing with Wally, any insecurities and worries can make someone feel extremely lonely. They did not have anyone, anyone but each other.

The early years for Robin and Kid Flash must had been confusing for the both of them so they had to confide in each other. Around this time I feel like it could be easier to fall more into a queerplatonic relationship with someone, Dick could feel confused and lonely, as he does then seeks and finds in Wally, with emotions hitting a peak I could totally see them accidentally falling for the other and sharing a relationship that’s a little more than friends…

It’s a big contrast. Wally has shown this big obligation for helping Dick and being there for him. This has always been strange to me. His inclination to try and be that person for him, which to me can feel like someone clinging to a relationship they know is slipping away.

It’s important to note that as Nightwing, the people there for Dick was not Wally, by this time, Wally became the Flash, found family, found love and entered the JLA. He was moving on and so was Dick but they still feel this inclination to call each other “best friends” though all the evidence says otherwise. It feels like one is clinging to a broken friendship to me.

He’s always so concerned for Dick because he knows how often he represses his emotions.

It’s why in my head, I can totally see Dick and Wally in their Robin/Kid Flash eras, losing their way, getting confused and confiding in each other in let’s say: a romantic way and now as adults they don’t know how to deal with it.

I know Dick is just thinking here but like, they do this A LOT. Like what is the need for this constant tension in the air with these two? Why is it so awkward? Why does it feel like there is something they want to say but can’t bring themselves to say it?

It makes my mind want to fill in the blanks…

Here they are saying flatly that it feels like an obligation. This is the closest they’ve gotten to really talking about how their dynamic has changed. It’s very sweet. It’d also be due to outside factors, like DC not knowing what to do with these two and refusing to let these two acknowledge that they are not best friends anymore and their lives have changed greatly. The thing about Superhero comics is that there’s so much fighting that the characters never get a chance to sit and just talk so it’s more the writers constantly trying to cling on to what they remember the Robin/Kid Flash dynamic to be and making it seem like these characters are clinging to their relationship.

Thry gush about the progress they make a lot and Wally feels like… I don’t know, his pride may fill the void the graysons left behind? Like he’s kind of a subtle replacement. It helps with my idea that Dick could be greiving his parents then quickly subconsciously seek and confide in Wally. Their relationship just is distinctly different from all their other friends in a way I can never pin down or the writers refuse to acknowledge. How Dick is much closer to Donna and Roy but they both still are mindlessly attached to one another like there’s this secret third thing keeping them together.

Wally has fully moved on and found his soulmate. Dick found Kory and fell pathetically in love but now he has nothing again and in canon still does this “Oh my best best friend to ever was, Wally~” It feels very much like someone hasn’t gotten over their little break up… 🙄 Even now they still comfort and talk about each other with a little bit more love and affection then they might do their other friends for this same weird reason.

Although, there’s one Wally West panel that Birdflash shippers had taken out of context: the one where Wally says “I got married and he didn’t.”

It’s not saying that Wally wishes he got married to Dick, 😭 but even then that goes into the little foulder of evidence that proves I think Wally and Dick’s relationship is ex-coded because it’s literally a bunch of thought bubbles about how Wally is heartbroken that he has moved on with his life and his life with Dick and they are no longer as close as they once were at all. (I can’t fit the panel in this post so I can just hope you know what I’m talking about) <- but my point is: Birdflash as a ship could be so much better if we stopped ignoring Linda and started treating them as exes instead. It’s so much more interesting. This is what I mean when I say they are my favorite exes.

[gatheringbones]

[“G: Why did you get pregnant?

M: To prove to myself that I was a woman.

G: And then how did you feel about it?

M: I had been doing a lot of self-destructive things since I was thirteen - I dove into heterosexuality and I did it angrily and was contemptuous of any man I ever fucked. I somehow thought that fucking them would get back at them for everything, and somehow I thought that debasing myself would do something. So I got pregnant, which was very heavy 'cause at the time I thought I wanted to have kids. I really believed that there was a living person in me - my whole body was freaking out. They say you can't feel it, but I felt that energy, and I knew there was something alive in me - even if it was not more than a lump of cells, I thought it was still something alive - it was something that I was going to stop from being alive, but I figured I would rather do that. First of all I knew if I had a boy I'd drown it, and even if it was a girl I knew it had 23 genes I hated - and I didn't know who had made me pregnant. All of my hostility came to the surface - I was blind with fury and it all came out. I couldn't sit in the same room with one without wanting to murder him, literally. I couldn't listen to male music, I couldn't read male poetry. Lots of great male artists who had always been a great comfort to me I just couldn't... no male... I couldn't deal with any male, I hated them. After I calmed down about that it became very clear to me that I loved women, and I always had loved women, and that I had never had good relationships with men. I had always had good relationships with women. I had never been attracted to men, I had always been attracted to women, and I realized that I was just going to have to get used to the fact that I was a lesbian.

G: You had an abortion then?

M: Yes. I had two abortions... that was the first one. I dropped out of school and plunged right into feminism. It was obvious to me even at the time that the main reason I was there was because I wanted to come out. I wanted to come out so bad - I just wanted to do it and get it over with, you know, and just be comfortable in my identity as a lesbian. I had been avoiding the women's movement for years because I didn't want people to think that I was the old dyke who couldn't get a man. I wasn't able to become a feminist until I realized that I didn't give a shit if I was an ugly old dyke who couldn't get a man. I didn't want a man anyway. So I became active in the women's movement, and I met lesbians for the first time in my life. It was scary because even though I knew I was one I had never met a real one.

G: Were you saying you were a lesbian at that time?

M: Oh yeah, I had been saying that I was a lesbian for years before that. I can remember saying to a friend a couple of years before, when I was fucking all these men, "You know, I'll bet I'm a lesbian, because people with case histories like mine always turn out... if I didn't know me and I heard my case history I would be convinced that was a lesbian." And she said, "Oh, don't worry, you're not a lesbian." She tried to reassure me, but I knew. I just didn't want to deal with it; it was scary being a lesbian. Particularly since being a woman was so important in my family. So I became involved in the women's movement full-time. Then I needed money - so I got a job as a waitress. I was working nights and sleeping during the day and I didn't have any time for the women's movement. The only people I was hanging out with were the people I worked with. All of a sudden, since I didn't give a shit about men, I was really attractive to them. I'd never been attractive to them before, but all of a sudden I was fascinating - I guess every man want to fuck a dyke, you know, to prove they're a real man. So they started following me home. I was horny and I didn't have any lesbians knocking at my door, and I knew how to manipulate men, so I figured fuck it, I'll give them one more chance - so I started fucking a couple of guys. I told them, "Look, I hate men. I'm  a lesbian, I haven't come out yet, but I promise you I'm a lesbian." So I fucked them. And at that time I had an IUD which I had gotten after my first abortion, which they had promised me would be very effective. I got pregnant again, six months after my first abortion. My second abortion was really nice. I went to a really nice clinic and it was very clear to me, never again, never again. It's over. There was a really nice woman who was my counselor and I was awake for the abortion. She was holding my hand and while the fetus was being taken out of my body I was holding her hand saying to her, "Never again," and she said, "Oh, you're going to come out?" I said, "Oh, yes," and she said, "Far out," and she called across the room to another woman who was a counselor, and said, "Hey, this woman's coming out." It was so nice, so supportive, she's holding my hand, a woman, and I was telling her that I was a lesbian. She was telling me that that was great, and they were taking that goddamn thing out of my uterus. It was almost worth being pregnant, it was such a nice abortion. I was so into her that I didn't feel any pain, it was annoying, but all of a sudden it was over. It was really nice.”]

The New Lesbians, edited by Laurel Galana and Gina Covina, moon books, 1977

[biromanticbookbabe]

Okay for real. I think what finally made me finally realize I was a lesbian and not bisexual was my reaction to Stone Butch Blues. 

I know Jess isn’t real. But I wanted to go fight everyone who ever hurt her and they aren’t real either. Like that was one of several really strong emotions I had while reading that I can’t remember feeling in a very long time. 

The intensity of my reactions didn’t seem like a straight reaction to that book. I was like oh, okay. 

[sureinsunlight]

saw the wildest article about like. actually we should all be horrified by death and people are too apologist of it as a concept. which first of all I don't think I could describe western mainstream society as comfortable with death at least and second. ok cool philosophical statement now go ahead and live in fear ig

[0tul1ss]

.

[todayisafridaynight]

What do you think drove Daigo to go legit and open his security business?

well, one big reason was prob cause he realized that trying to live as yakuza under the current laws was more akin to being a 'slave' to the government than just. doing what they do

[voulezloux]

.

[girlscience]

I don't know if my life is just extremely charmed. but listening to my coworkers talk is so bizarre to me? the way that money is the only measure of success or good life that they care about blows my mind. we are talking about furthering our education and the only thing they are looking at is how much the salary for that field pays. I understand money is important, but that's honestly not something I've given even more than a passing thought to with the programs I'm applying for? I just don't get it? We do science, don't you care more about the work than the money? Am I just blind because I haven't ever had money troubles? I don't know.

[emeryleewho]

I used to work for a trade book reviewer where I got paid to review people's books, and one of the rules of that review company is one that I think is just super useful to media analysis as a whole, and that is, we were told never to critique media for what it didn't do but only for what it did.

So, for instance, I couldn't say "this book didn't give its characters strong agency or goals". I instead had to say, "the characters in this book acted in ways that often felt misaligned with their characterization as if they were being pulled by the plot."

I think this is really important because a lot of "critiques" people give, if subverted to address what the book does instead of what it doesn't do, actually read pretty nonsensical. For instance, "none of the characters were unique" becomes "all of the characters read like other characters that exist in other media", which like... okay? That's not really a critique. It's just how fiction works. Or "none of the characters were likeable" becomes "all of the characters, at some point or another, did things that I found disagreeable or annoying" which is literally how every book works?

It also keeps you from holding a book to a standard it never sought to meet. "The world building in this book simply wasn't complex enough" becomes "The world building in this book was very simple", which, yes, good, that can actually be a good thing. Many books aspire to this. It's not actually a negative critique. Or "The stakes weren't very high and the climax didn't really offer any major plot twists or turns" becomes "The stakes were low and and the ending was quite predictable", which, if this is a cute romcom is exactly what I'm looking for.

Not to mention, I think this really helps to deconstruct a lot of the biases we carry into fiction. Characters not having strong agency isn't inherently bad. Characters who react to their surroundings can make a good story, so saying "the characters didn't have enough agency" is kind of weak, but when you flip it to say "the characters acted misaligned from their characterization" we can now see that the *real* problem here isn't that they lacked agency but that this lack of agency is inconsistent with the type of character that they are. a character this strong-willed *should* have more agency even if a weak-willed character might not.

So it's just a really simple way of framing the way I critique books that I think has really helped to show the difference between "this book is bad" and "this book didn't meet my personal preferences", but also, as someone talking about books, I think it helps give other people a clearer idea of what the book actually looks like so they can decide for themselves if it's worth their time.

Update: This is literally just a thought exercise to help you be more intentional with how you critique media. I'm not enforcing this as some divine rule that must be followed any time you have an opinion on fiction, and I'm definitely not saying that you have to structure every single sentence in a review to contain zero negative phrases. I'm just saying that I repurposed a rule we had at that specific reviewer to be a helpful tool to check myself when writing critiques now. If you don't want to use the tool, literally no one (especially not me) can or wants to force you to use it. As with all advice, it is a totally reasonable and normal thing to not have use for every piece of it that exists from random strangers on the internet. Use it to whatever extent it helps you or not at all.

[thedeliaishere]

YOUNG WOMAN - Actually, detective, I'm a woman.

EMPATHY [Easy: Success] - She says it so insistently, as if arguing with you. You may have upset her.

COMPOSURE [Formidable: Failure] - You feel a pit in your stomach. You did something wrong, but you don't know what.

LOGIC [Trivial: Success] - Her way of dressing, the feminine name, yet deep voice - it should have been clear to you sooner. She's transgender.

ESPIRIT DE CORPS [Formidable: Success] - Almost imperceptible, the lieutenant anxiously twitches his eyebrow.

DAMAGED MORALE - 1

Transgender? What's that?

This doesn't have any bearing on the investigation.

ENCYCLOPEDIA [Trivial: Success] - A transgender person is someone who does not identify with the gender they were assigned at birth. Oftentimes they will dress conforming to their desired gender roles, change their names, and seek medical intervention to, "transition."

Gender is rather bourgeois, anyway.

Why would any proud Revacholian discard their masculinity?

Changing your gender? That sounds like quite the hustle. Maybe we can learn a thing or two from this woman.

That's cool. I have no opinion on this one way or another.

RHETORIC [Medium: Success] - Just as Mazov dared to challenge the established order of capitalism, so too do others challenge the order of things such as sex and gender.

ELECTROCHEMISTRY [Trivial: Success] - IT'S BEEN SO LONG SINCE WE'VE FELT THE TOUCH OF A WOMAN. WHO CARES IF SHE USED TO BE A MAN? HAVE SEX WITH HER NOW! ITS WHAT A REAL MAN WOULD DO!

EMPATHY - [Trivial: Success] - Don't do that. It's clear now, you upset her for accidentally calling her a man. Just apologize.

COMPOSURE [Medium: Failure] - Profusely.

ESPIRIT DE CORPS [Medium: Success] - It's important to be a good ally.

DRAMA [Medium: Success] - Make a real show of it, sire!

"Oh, I didn't realize. I'm sorry."

"I'm so sorry I'm so sorry I'll leave you alone forever now."

"I haven't been a good representative of the RCM. We're here to help the people of Martinaise, no matter their identity. I'm sorry to have let you down."

[Drama - Legendary 14] Try and come up with an elaborate, heartfelt apology in the style of the turn of the century thespians.

HIGH 83% +1 Found testosterone ampoule on nightstand. +1 Homo-Sexual Underground. +1 Read about the turn of the century thespians. -1 Recovered your gun. -1 Masculinity challenged. This is a Red Check. It cannot be retried.

⚀⚀

CHECK FAILURE

YOU - You try and come up with the words to convey your apology to the young woman, but you come up blank. It's hard to fit, "transgender" into iambic pentameter, as it turns out.

DRAMA - I'm sorry, sire. I have failed you.

KIM KITSURAGI - "Detective? You've been standing there for a whole minute. Are you okay?"

ESPIRIT DE CORPS - Shit, the lieutenant is onto us. We have to say something soon, or we could lose him.

COMPOSURE [Trivial: Success] - Don't worry, we can still salvage this. Anyone have any ideas?

VOLITION [Heroic: Failure] - Let me handle this.

You - "I'm so sorry, I'm so fucking sorry. I'm such a fucking failure. Do you want me to kill myself?"

[louisa-gc]

how to start reading again

from someone who was a voracious reader until high school and is now getting back into it in her twenties.

start with an old favourite. even though it felt a little silly, i re-read the harry potter series one christmas and it wiped away my worry that i wasn't capable of reading anymore. they are long books, but i was still able to get completely immersed and to read just as fast as i had years and years ago.

don't be afraid of "easier" books. before high school i was reading the french existentialists, but when getting back into reading, i picked up lucinda riley and sally rooney. not my favourite authors by far, but easier to read while not being totally terrible. i needed to remind myself that only choosing classics would not make me a better or smarter person. if a book requires a slower pace of reading to be understood, it's easier to just drop it, which is exactly what i wanted to avoid at first.

go for essays and short stories. no need to explain this one: the shorter the whole, the less daunting it is. i definitely avoided all books over 350 pages at first and stuck to essay collections until i suddenly devoured donna tartt's goldfinch.

remember it's okay not to finish. i was one of those people who finished every book they started, but not anymore! if i pick up a book at the library and after a few chapters realise i'd rather not read it, i just return it. (another good reason to use your local library! no money spent on books you might end up disliking.)

analyse — or don't. some people enjoy reading more when they take notes or really stop to think about the contents. for me, at first, it was more important to build the habit of reading, and the thought of analysing what i read felt daunting. once i let go of that expectation, i realised i naturally analyse and process what i read anyway.

read when you would usually use your phone. just as i did when i was a child, i try to read when eating, in the bathroom, on public transport, right before sleeping. i even read when i walk, because that's normally a time i stare at my screen anyway. those few pages you read when you brush your teeth and wait for a friend very quickly stack up.

finish the chapter. if you have time, try to finish the part you're reading before closing the book. usually i find i actually don't want to stop reading once i get to the end of a chapter — and if i do, it feels like a good place to pick up again later.

try different languages. i was quickly approaching a reading slump towards the end of my exchange year, until i realised i had only had access to books in english and that, despite my fluency, i was tired of the language. so as soon as i got back home i started picking up books in my native tongue, which made reading feel much easier and more fun again! after some nine months, i'm starting to read in english again without it feeling like a huge task.

forget what's popular. i thought social media would be a fun way to find interesting books to read, but i quickly grew frustrated after hating every single book i picked up on some influencer's recommendation. it's certainly more time-consuming to find new books on your own, but this way i don't despise every novel i pick up.

remember it isn't about quantity. the online book community's endless posts about reading 150 books each year or 6 books in a single day easily make us feel like we're slow, bad readers, but here's the thing: it does not matter at all how many books you read or what your reading pace is. we all lead different lives, just be proud of yourself for reading at all!

stop stressing about it. we all know why reading is important, and since the pandemic reading has become an even more popular hobby than it was before (which is wonderful!). however, there's no need to force yourself to be "a reader". pick up a book every now and then and keep reading if you enjoy it, but not reading regularly doesn't make you any less of a good person. i find the pressure to become "a person who reads" or to rediscover my inner bookworm only distances me from the very act of reading.

[ranboolivesaysstuff]

IMPORTANT POST PLEASE READ

Im gonna be honest and open for a sec, and please do not take this as "oh I HATE my community or I dont like the people who watch me" but honestly as of late (and I did highlight this during the mcc bit), ive felt like I havent been able to really be in my own community simply because of the constant way that "discourse" is handled. Making vague posts and not really tackling issues in a good way, all that is going to do is just show people a big "THIS COMMUNITY BAD" sign and not actually help anything within the community, all its going to do is have the good and potentially good people leave or not join in the first place. The way that discourse is treated that ive seen has been the main reason why I have started to try to distance myself, which has been the most heartbreaking thing I have had to do. I want problems to be solved in a mature, civil way, with either a dm or a reply, not an entire vague thing that only says "bad things are happening" and doesnt elaborate on anything or barely elaboratesa and only gives people on both the inside and outside a bad sign of what the community is. Making posts whenever something happens being like "here we go again" is only going to highlight the wrong things, and actually DOESNT help the issue at all! The problems should be discussed directly with the people who are doing said problems FIRST! Bring attention to behaviors and things that arent good DIRECTLY! And also, YOU DO NOT HAVE TO!!! It is not your duty as a viewer or fan of me to be involved in any of this if you do not want to! Just enjoy the content and make silly posts! As someone who constantly tried to fix and get into every problem as it was happening, it took a huge toll on my mental health, and I want you guys to just be able to enjoy the content without having to worry about what you say about it! Be constructive! Dont make posts again just being like "wow this community is so bad" because that doesnt solve literally anything! If you have enough passion to make the posts saying "wow this community is bad" then only post about that, you are only spreading that negative message, and not uplifting anything of actual value! And if the person you are trying to help is not willing or not listening, BLOCK! MUTE! DONT BRING MORE ATTENTION TO THE PERSON IF THEY ARE NOT BEING A GOOD PART OF THE COMMUNITY!!!! I know I say that if I see problems I will call them out, but I shouldnt have to babysit every single time a thing happens within the community as that just isnt a healthy way for a creator or a community to be handled. This does not mean that I do not care about the issues or dont want them fixed, rather it shouldnt take me having to make some grand statement every single time something happens it should take only your own self reflection and self awareness. And to add onto this, make sure that every once in a while no matter who you are you think and have that self reflection, you should be open to being willing to learn and grow as a person! And again, I do NOT want anyone taking this as "Wow this community is terrible" but rather that we just have things that need to be fixed and changed and THAT IS OKAY! I do not hate the community, I care so much about it that I want it to be a silly place for my content again! I want it to be the reason why people get into what I do because of it again! And I want to be able to just have fun and relax without having to worry about how every single thing that I may say could have someone stirring things up that simply dont help or solve anything! Take care of yourselves. And this isnt coming from a place of "I hate the community as a whole" but rather again I want to be able to exist and make content that we can all enjoy without having to worry about walking on eggshells around me or around eachother! At the end of the day im just a fella that wants to make silly videos for you all, and you are people who enjoy said videos. Nothing more. Nothing less.

[libraryofgage]

Good Vibrations Part One

Hello, it's me, back at it again with another Steddie AU.

Anyway, if I were tagging this AU, these would be the most important ones: Deaf Steve Harrington; Tooth-rotting Fluff; Getting Together

If you wanna be tagged in future parts, just let me know!

As always, if you see any typos, no you didn't ;)

----

Steve has blown through three pairs of hearing aids in the past year. The first pair had lasted a few years and needed replacement because of normal wear and tear. The second pair was sacrificed during that fight with Jonathan. He hadn't been wearing them, but they'd been in Steve's pocket, and he'd landed at just the right angle to feel them shatter. The third pair was taken by the Russians because, despite Robin's shouting and cursing at them for being dumbasses (and this was before she actually knew what they were for), they accused him of recording their kidnapping and torture.

Honestly, he wouldn't recommend fighting Russians and Billy and Mind Flayers and driving while nearly totally deaf.

The funniest part of it all, though, is that Steve doesn't even use hearing aids regularly. He normally only wears them at home. The pair lost to Jonathan were present because, well, that whole day had been a lot for Steve, and he needed the comfort of knowing he could stop reading lips the moment it became too exhausting for him. The pair lost to the Russians was because he'd been getting ready to tell Robin about being deaf. She'd already clocked the weird things he does (well, weird to her, normal to Steve), and he figured letting her in on the big secret would bring them a little closer.

Of course, that didn't go the way he expected. Robin thought he was confessing love and decided to beat him to the punch. That's how he learned Robin is a lesbian, and Steve couldn't let her be the only one admitting to something like that, so he told her about being bi and his long-standing, hopeless crush. And being deaf. But the bi with a crush thing seemed more important in the moment. She took it in stride, it brought them closer, and then Robin asked if Steve could teach her sign language.

Which meant that Steve had to learn sign language because he never had. Between not wanting to feel even more different than he already did and trying to convince his parents that, really, everything was fine and he didn't need to go to a special school for deaf and hard-of-hearing kids, he'd never learned. Learning it had somehow felt like an admission of weakness, and that was the last thing he wanted. But he learned for Robin, and they stumbled through sign language together, creating new signs only they knew.

But that's all in the past now, and Steve is working his ass off at Family Video to afford a new pair because he refuses to ask his parents for money. If he asks them, they'll come back, and that's the last thing he wants. They don't need to have all their worries confirmed that Steve is helpless, and he doesn't want them anywhere near Hawkins "Hellscape" Indiana.

So. Working his ass off, taking extra shifts, and babysitting the kids as much as he can to make up for the whole Friends and Family Discount he gives their parents. He's exhausted, but he gets to recharge somewhat during his lunch break.

About a ten-minute walk from the Family Video is a record store, which Steve has started visiting daily to just breathe. The lone worker in the store is usually too busy listening to her own music to pay Steve any attention, letting him wander and try to determine which records will best serve him.

Steve drifts over to the rock and heavy metal section, hoping to find a new album but unsurprised when he doesn't. He browses through them anyway, moving past Metallica and Black Sabbath and Iron Maiden. He already has all of these albums on his shelf at home. He has the cassette tapes for them, too.

But he really wants something new. He likes the novelty of experiencing unfamiliar vibrations through the speaker, letting them thrum through his fingertips and into his bones. It's fun and relaxing, and after all the bullshit he's been through lately, he probably deserves something relaxing.

After glancing over a few more familiar albums, Steve sighs and glances at the counter by the door. The lone worker is standing there, headphones over her ears, and idly flipping through a magazine. She's chewing gum, and Steve braces himself for the sheer hell of trying to read her lips without making it obvious he's reading her lips while she's got something in her mouth to disrupt the normal shape of words and sounds.

But he has to try. Steve takes one more deep breath before walking over, shoving his hands into his pockets when he comes to a stop at the counter. The girl raises a hand, motioning for him to wait, so he stays quiet as she finishes reading her page. She flips to the next one before looking up, not making any move to pull her headphones off.

"Hi. Do you have any new rock or metal albums coming in soon," Steve asks, feeling the vibrations of speech in his throat and hoping his words aren't too loud.

They don't seem to be. The girl doesn't flinch or pull back. She just looks him up and down, taking in the polo shirt and the nice khakis and the Family Video vest he forgot to take off before leaving. Finally, her neck and shoulders jerk slightly, and Steve knows she's huffed in annoyance. "No," she says, the word clear enough in the shape of her lips for Steve to know it immediately.

He frowns slightly, his fingernails digging into his palms. Steve wouldn't mind just leaving now, but something keeps him there. He just...he really wants new music. He needs something new. "Are there gonna be any shows nearby?" he asks.

The girl rolls her eyes and says something, her mouth distorted by gum-chewing. Steve can barely make out the words "you" and "check" from her response. Thankfully, it's accompanied by a vague gesture at something behind him. Steve looks over his shoulder to see a bulletin board with flyers plastered across it.

"Right. Thanks," he says, nodding to her before walking over. The flyers are all different colors with various fonts that scream for Steve's attention. Some of them are for bands, some are advertisements of garage sales or instruments in need of a new home, and others are just business flyers from stores nearby.

He's seen the bulletin board before, but he's never actually paid attention to it. Steve has always been laser-focused on browsing the records. But now, Steve carefully reviews each flyer advertising shows. Some are for comedy shows, which he immediately dismisses. One seems promising, but then he sees how far it is, and Steve definitely can't do an overnight trip like that.

Finally, Steve sees a flyer advertising a show at the Hideout later that week. It's close enough that he won't be out overnight. The place is kind of seedy, but Steve figures he can find some corner near the stage to hide. Or he can bring Robin and let her help him navigate any potential social situations. He tugs the flyer off the board, gaze lingering on the "Corroded Coffin" emblazoned across the top.

He knows the band. Of course, he knows the band. He's extremely familiar with their singer. From a distance. Honestly, Eddie Munson probably doesn't have the best impression of him, but Steve's heart never really cared about that. Because Eddie is like everything Steve wants to be: he's loud and unafraid of being so, he doesn't care about his image and how others perceive him, and he looks like his laugh sounds beautiful. Steve wouldn't know if he's actually right about that last point, but Eddie throws his head back when he laughs, eyes crinkled and hand over his stomach like his muscles ache.

His mouth suddenly feels dry, but he's also filled with unprecedented courage. Steve has graduated (barely), and that means a significantly lower chance of running into Eddie during the day if watching the show somehow goes wrong.

Steve folds the flyer into quarters and stuffs it into his back pocket. He'll be overly aware of it being there until Robin starts her shift and he can show it to her, but that's okay. He throws a quick thanks over his shoulder as he leaves the shop, glancing up at the bell he can't hear that signals the door's opening. He vaguely remembers what bells are supposed to sound like (he'd heard a few before losing the ability to hear them), but he doesn't let himself dwell on it.

Instead, he focuses on the trip back to Family Video, keeping an eye on the road to watch for any cars he wouldn't notice otherwise.

----

When the final bell rings, Eddie Munson can't get out of class fast enough. He'd been packed for the last five minutes, and he slid out of his seat the moment that first peal rang out. He has a gig to prepare for, and every second counts. At least, each second counts until he notices something (or someone) that could prove entertaining for a while.

He spots Dustin alone near one of the exits, and Eddie decides to relieve the kid of his isolation. He waits until he's behind Dustin to shout, "Henderson!" and throw his arm over the kid's shoulders, ignoring the way he jumps like he'd been expecting an attack.

"Holy shit!" Dustin shrieks, jerking back to look up at Eddie. "Don't do that, man, you're gonna give me a heart attack."

Eddie snorts, waving away Dustin's concern as he continues toward the exit. The general flow of students trying to get out helps him along, and Dustin doesn't seem to realize they're actually moving until they've gotten into direct sunlight. "You're fine," Eddie says, "Anyway, whatcha doing all alone, Henderson? Lose your way?"

"No, I have...stuff to do today," Dustin says, shrugging as he blinks to acclimate to the sunlight.

Oh, yeah, way too cryptic for Eddie to not dig for more. "Stuff? What kinda stuff? Got a hot date? Going shopping with your mom?" he asks, and then he gasps dramatically and moves to stand in Dustin's way. He puts both hands on his shoulders and very seriously says, "Be honest, Henderson, you're seeing another DM, aren't you?"

Dustin stares at him for a few seconds before rolling his eyes and shrugging his hands off. "Who else in this town DMs?" he asks, "Other than Will, I guess, but he's still working on a campaign."

"Fair," Eddie concedes, "so, whatcha really doing?"

After a few seconds of getting nudged by the students around them, Dustin sighs and says, "I have chores, okay? But that doesn't sound cool to say, does it?"

Fair. Eddie nods in agreement and moves out of Dustin's way, continuing to follow him. "So, what, your mom picking you up today?" he asks.

"No, Steve."

"Oh, the famous Steve."

Dustin nods, looking over the parking lot before pointing to one end. "Yeah, he's awesome," Dustin says as Eddie follows the direction of his finger.

And standing there, leaning against the hood of his car and looking to the side where a group of trees is swaying in the breeze, is Steve Harrington. Steve "The Hair" Harrington. King Steve. The worst thing, Eddie thinks, is that Steve looks good. His hair is still perfect, of course, and his stupid little striped shirt is pulling against his biceps and riding up just enough for Eddie to see a tiny sliver of tanned skin above his jeans. He looks a little tense, but Eddie chalks that up to him being back on the campus after already graduating.

"Harrington? You've been talking about Steve Harrington this whole time?" Eddie asks, his voice a little strained, "How the fuck do you know Steve Harrington?"

"He's my babysitter," Dustin says, his voice implying that much should have been obvious, but Eddie wants to grab his shoulders and shake until his head rolls off.

Steve Harrington doesn't babysit. He doesn't know nerds that talk about D&D. He doesn't drive nerds around. At least, he never did in high school. Granted, Eddie never actually talked to Steve, but everybody knew that Steve Harrington was too cool for, well, anything that wasn't the typical jock and popular guy shit.

As he's thinking about the last time he saw Steve Harrington (in the halls, while the guy had bruises and looked worse for wear), they get within shouting distance. And Eddie has zero impulse control when Wayne isn't around, so he doesn't think before shouting, "Hey, Harrington!"

Next to him, Dustin whips his head to glare at Eddie. And Steve Harrington doesn't fucking react. He just keeps staring at that group of trees like it's the most fascinating thing in the world. "Dude," Dustin says, grabbing Eddie's arm and yanking harshly, "don't shout like that."

Eddie frowns, anger beginning to simmer in his stomach at the complete lack of acknowledgment. "Why are you upset with me?" he asks, gesturing at Steve as he continues, "I'm not the one being a douchebag here."

Dustin opens his mouth, about to say something, only to snap it shut once more. He frowns like he's just realized he can't say something, and huffs with frustration. "Just...just don't do that," he finally says, keeping a hand on Eddie's arm and dragging him across the parking lot. And, yeah, something is definitely weird here.

Instead of just walking up to Steve, they make a large arch until they're within Steve's line of sight.

Eddie watches as Steve notices them, seeing Dustin first and pushing off the car. He relaxes for a split second until he sees Eddie and his shoulders tense again.

Great.

Once they're close enough for Eddie to count the moles above the collar of Steve's shirt, Dustin grins and says, "Hey, Steve." But it's odd, because Eddie has never heard Dustin talk this slow or this carefully, like he's doing his best to enunciate his words.

Steve flashes a grin and ruffles Dustin's hair. "Hey, twerp, you're late," he says. He then glances at Eddie, his grin becoming a little smaller, and says, "Hey, Munson."

Wait. Steve Harrington knows Eddie's name? And he called him by it? He said Munson, not Freak. Eddie stares at Steve for a few seconds before nodding. "Harrington," he says, "how the fuck did you become a babysitter?"

Is he just imagining things, or is Steve looking at his mouth? Like, really intensely. He's definitely not, because Steve looks up after a few seconds with a raised eyebrow. "I needed some extra cash. Also, don't swear around Dustin. I'm the one who gets in trouble when he curses in front of his mom."

Something about the words makes Eddie grin. Never in a million years would he have guessed that he'd be talking to Steve Harrington. And he would have laughed you into Mordor itself if you suggested their conversation would be about Dustin Henderson swearing in front of his mother. "What's his mom do when he swears?" he asks.

Because he can feel the conversation veering into something potentially embarrassing for him, Dustin lets go of Eddie and starts pushing Steve toward the driver's side of his car. "Okay, we gotta go. So many chores, so little time," he says, his voice back to that normal speed and enunciation.

Steve frowns slightly, looking down at Dustin and tilting his head just slightly. "What?" he asks. Instead of actually answering, Dustin just makes some vague gesture with his hand and looks at the car. "Oh, right. Go ahead and get in the car. And, uh, see you later, Munson."

"Is that a promise?" Eddie asks before he can think better of it.

Steve pauses, looking at Eddie's mouth with a slight scrunch to his nose. He seems to be considering something as Dustin scrambles into the passenger seat, watching them with narrowed eyes. Honestly, Eddie is surprised he's not blasting the horn to hurry Steve up. Finally, Steve comes to a decision and meets Eddie's eyes again. "Your band has a show tonight, right? At the Hideout? I was planning to go. So, yeah, I'll see you then, I guess."

And with that, like he hasn't just fucking rocked Eddie's world, Steve Harrington gets into his car. He makes sure Dustin is buckled before waving at Eddie and pulling out of the parking spot.

Eddie finds himself waving back, staring dumbly at the car as it pulls onto the street. It only hits him a few seconds later that Steve Harrington is coming to his show. At the Hideout. His metal show. A Corroded Coffin gig at the Hideout.

Holy. Shit.

[motherlvr]

3+1 times Prowler! Miles Morales x Spider-woman! reader

SPOILERS FOR ATSV

read part 2 here!

3 times Miles tried to confess, + 1 time he did.

Word count: 2.7k

Summary: Instead of the radioactive spider biting Miles, it bit you. You turned into Brooklyn's one and only Spider-woman, while Miles turned into the prowler. Miles also helps you with Spanish.

Warnings: friends to lovers, lots of cursing, most definitely not canon, kind of slow-burn?, jealousy, morally gray reader, he's lowkey toxic, no smut, heated make-out session, im feasting on crumbs (his 2 minutes of screen time), this is not ATSV plot heavy, the whole prowler x spidey thing isn't really until the end (enemies to lovers)

A/N: for the sake of the plot, the reader doesn't fluently speak spanish, but can speak some. this has been rotting in my drafts ever since ATSV came out

1.

Miles glares at you two from across the room, predominantly at the guy you're laughing with. Surely he's not that fucking funny. Miles thinks as jealousy spreads within the pit of his stomach like a forest fire. However, you don't seem to notice his stare burning holes through the guy you're speaking to. The same cannot be said for him, however. Miles makes eye contact with him and sends him one glare that immediately makes the poor guy cower with fear away from you.

"I uh...gotta go." The guy squeaks out to you, his voice cracking with terror as he runs away. You raise an eyebrow as you watch him run away. What the hell was that? You think.

Miles appears next to you within the next moment and says, "Hey, ma." he gives you a slight smirk and wraps his arm around your shoulders. That smirk made you weak in your knees, you almost kissed him right then and there. You should be given an award for your amount of self-restraint.

"Hey Miles, qué pasa?" You greet him with a smile that reaches your eyes. Miles' smirk drops and he furrows his eyebrows at you as he inquires. "Who was that guy?" "He's just a friend, why?" You raise an eyebrow and question back. "Don't worry about it, you like him?" His words catch you off guard. You pause for a moment and turn your head to him with a judgmental stare as you shake his arm off you and say, "Miles. What is this? 20 questions?" You deadpan and continue, "He's not important, alright?" Seemingly satisfied with your response, he drops the subject.

After school, Miles and you head to his house. You've been struggling in Spanish class. Spanish grammar might actually be the death of me, you think. Since Miles excels in Spanish due to primarily being raised by his mother, you asked him to tutor you, which he surprisingly agreed to.

It doesn't hurt that you get to spend more time with Miles, either. Something about him never fails to send butterflies straight to your stomach, maybe it's his intense stare that makes you weak in your knees, his accent that somehow makes him ten times more attractive, or- You cut your thoughts off. You felt guilty for feeling this way about Miles. You know you shouldn't. These feelings you harbor would only cause more harm than good. After all, the people you love always seem to be in danger.

After a couple of hours of pure torture, (Spanish grammar) Miles started to speak, "Escúchame, mami. I-"

Loud, blaring police sirens cut off his sentence. Thanks, Brooklyn. Pretending to get a message from your mother, you glance at your phone's screen and look at Miles with an apologetic expression, "Shit, sorry Miles but I gotta go. My mother wants me home. She said it was urgent. But we're still on for tomorrow right?" Miles raises a skeptical eyebrow but ultimately says, "Yea. It's 'Ight, princesa. See you tomorrow" his accent lacing his words. You get up to kiss his cheek and wave him goodbye. As normal friends do, you tell yourself. Shit. You shake the thoughts away before your overthinking completely undoes your brain.

You wait until you're at least a couple blocks away from his house before you reveal the spider suit underneath your clothing and pull your mask down your face. You thwip your webs and swing away to investigate what crime was scheming tonight in Brooklyn. Leaving Miles alone in his room to regret not telling you.

2.

Honestly, you weren't paying attention to whatever Miles was saying. Instead, you were just focusing on how attractive you found his accent. You'd suffer through two more years of Spanish just to hear his voice. In fact, during most of these tutoring lessons with Miles, you weren't paying attention to the actual lesson. It doesn't help that he keeps staring at you with those eyes of his. But behind that cold exterior, you knew he had a soft spot for you. Even if he didn't outright admit it.

Miles' voice brought your attention back to the actual lesson, "Lo entiendes, princesa?" Miles asked you with a knowing smirk. You nodded your head immediately, trying to play it off. "Uhh, si." You said with a thumbs up, immediately regretting it. That was so nerdy. You shame yourself in your mind. You pretended to take notes, shamefully lowering your head down to your notebook.

While you were pretending to take notes, Miles broke the silence.

"So what's up with you and that guy from earlier?" "I told you, he's just a friend. Nothing is going on between us." Miles puts his hands up in his defense, "Alright, mami. It just didn't look like that with the way you were laughing at whatever he said. He's not Kevin Hart."

Way to completely ruin the mood. You dropped the pencil you were holding and stopped taking notes. Looking directly into his eyes, you said "Miles, I really don't know what your deal is." "You really wanna know what 'my deal is'? 'Ight. It's 'cause-"

Miles' phone beeps, interrupting him. He cursed in his mind, not being able to tell you how he felt yet again. He glances down at his screen. "Ay princesa," Miles spoke up, his words never failing to make your face go warm. His nicknames for you weren't new by any means, but they still made your heart flutter. He continued, "Uncle Aaron needs me, I gotta roll. He said it's an emergency. Don't think I'm trying to cut this short. You're still my girl, alright?" He started to leave when he turned around suddenly. He walked over to you and turned your head to him with his hand, kissing your forehead. "Hasta luego, mami." He left the room, leaving you alone in his room with only your thoughts swirling around your mind. You were sure you were about to have a heart attack. His girl? The kiss? Miles was acting oddly affectionate. And what's with him practically using the same excuse I used? It's not like he's the crime-fighting vigilante here. You rolled your eyes.

You didn't know what Miles and his uncle were so busy doing, but you had a feeling that it wasn't very morally right. That would explain how ambiguous he's been lately. More often than not, he's had to leave in the middle of tutoring to tend to whatever his Uncle needed him for. But you can't entirely blame him, you have secrets you've been hiding from him too.

You packed up your things and left his room. "Chao, Mrs. Morales. Thank you for letting me into your home!" You said to Miles' mother while leaving. "Of course, you're always welcome here." She replied to you with a warm smile. That woman was a true saint.

3.

If you had to spend any more time confined in a room alone with Miles and just your emotions, you were sure you'd fucking lose it. By losing it, I mean grabbing him by the collar of his hoodie and kissing him senseless. But you were afraid. Afraid that he would take your heart right out of your chest to shatter it and then leave you alone to pick up the pieces. So, you came up with a little white lie to get out of tutoring today.

"Is it alright with you if I skip tutoring today? My mother is sick and I have to take care of her." The lie slipped off your tongue like butter.

"Nah that's cool." He shrugs. Huh. He let me off that easy? You were two seconds away from having the dreaded 'What are we?' conversation with him after last night, until someone's arms wrap around you from behind.

"Hey, beautiful." Your friend from the other day was back. And he clearly didn't see Miles right next to you. You cringe and awkwardly take his arms off of you and turn around, "Hey, Josh." "Are you free tonight?" Miles was watching this interaction with jealousy coursing through his veins. Did this douche seriously not see him right next to you? Right before you could even open your mouth to respond, Miles responds for you. "Hell no she isn't. Get the fuck out of here, man." Miles snaps at him. Your friend's head whipped to Miles so fast you were sure he'd get whiplash. "Oh shit." He stuttered, "Sorry, man. I didn't see you...I'll leave now." He ran away as fast as his feet could take him. Poor Josh.

You glared at Miles. "What the actual fuck was that, Miles? He was just asking me a question." "He was asking you out, idiot." Miles said right back to you. "So what if he was? Honestly. What's it to you? You've been acting so possessive. May I remind you that we are not together?" You snapped at him. "Maybe I want-" He started, but this time, he was the one cutting his sentence off. He couldn't find the words to tell you just yet.

The bell rings. You look at Miles, awaiting his response. When a few silent moments pass by, you finally say, "What? What is it you want?" For once in your friendship with Miles, he didn't have a response. You, he thought. "Y'know what Miles? Until you've come to your senses, just leave me be for now." He had no right to start acting like you were bound to him. You walked to your class without him. He cursed himself in his head.

You'd been ignoring him the whole day. Yet ever the petty, he hadn't messaged you at all.

Your phone pings. "You busy with Jake?" You read. It was from Miles. That petty fucker. Your face immediately drops. That's not even his name. You left him on read and turn off your phone. For someone who thinks he's heartless and nonchalant, he sure was acting possessive.

+1

Dusk approaches Brooklyn and you're out patrolling instead of thinking about Miles. That's all you've been doing lately, and you needed a distraction.

Unfortunately, Miles had the same idea. He was out taking missions Kingpin gave him.

As you were searching the streets of Brooklyn for crime, you sensed a presence. Ahead of you was a silhouette in a dimly lit alley, their back facing you. You hid behind the wall. Finally something interesting tonight! As you climb on the walls and get closer, you recognize the figure.

Oh, great. It's the Prowler.

This wasn't your first time meeting the Prowler. No, you've fought with him in the past. He's ruthless and a cold-blooded killer. He's efficient and excruciatingly fast. That's what makes him an imminent risk to be allowed to roam the streets freely.

As Spider-woman, it's your responsibility to keep the streets of Brooklyn crime-free. So, you follow him. As you're trailing behind him, crawling on the walls, you notice the people he's meeting with. It's an arms deal, you realize. As you crawl closer, you notice that they weren't regular arms. They were abnormally high-tech for these seemingly harmless criminals.

I'll just web up the couple of amateurs and then deal with the big guy Prowler, easy. Oh how wrong you were.

"Hey, boys! Nice toy you've got there." You said as you dropped your voice down an octave, disguising your voice. You jump down from your place on the wall and thwip your webs at the unsuspecting arms dealers, binding them to the wall. They were knocked unconscious.

You thwip'd your webs at the weapon and effectively took it away from them. You'd have to drop it by the police station later with a friendly note.

The Prowler lunged at you, his steel claws missing your face by an inch.

"Hey, man! That felt a little personal." You shouted, thankful to still have your face attached to your head. You used your webs to grab onto the Prowler and strike him directly on his mask. You started to run, with the Prowler tailing right behind you.

He had you cornered, but you weren't surrendering that easily. You positioned into a defensive stance, ready to defend yourself.

His mask was cracked a bit, causing his voice modulator to reveal his unfiltered voice. "Nowhere to run, spider."

Your heart dropped as your eyes widened through your mask. Not in fear, but in recognition. You could recognize that voice anywhere. That was the voice that sent shivers down your whole body, yet made you want to strangle him the next.

"...Miles?" The words came out more of a whisper. Your voice sputtered as you dropped your fake voice. You webbed the weapon to the wall, disregarding it. Turns out, he didn't need to reject you to shatter your heart into a million pieces.

His stance immediately faltered. He could recognize your voice out of a thousand others.

Prowler, or rather Miles, stood silent.

“Miles, take off that damn mask. I know it's you.” You took off your mask, and he opened his. His eyes were unreadable. “What the hell have you gotten yourself into Miles?" You sighed. You didn't recognize him anymore. You didn't know who he was. There was no way the Miles you knew had become this.

"Fuck, princesa. I didn't want you to get involved in this shit. You're the fucking spider?" You feel as if he was seeing you for the first time again. "I'm fucking Spider-woman, you dick. And I've been involved with this 'shit' ever since I got bit by a spider. Now explain this, whatever you've turned into!" You spurted out, pointing at his suit. "I got roped into business with Kingpin after my father died. Shit, I never meant for this to happen." He exclaimed.

"What, you think you're protecting me by not telling me? Bullshit." You say, throwing your hands up in the air. "I was protecting you. I was protecting you from Kingpin. Because I fucking love you. I meant it when I said you were my girl." He proclaimed.

When you thought this night couldn't get any wilder, it just did.

Alarms blared in the back of your mind, telling you to leave. Your brain is screaming at you to think about your moral obligation to stop the Prowler, no matter who he is. But your heart is telling you otherwise. You choose the latter.

"Fuck, Miles. Shut the hell up." You threw a web at his abdomen and pulled him towards you, efficiently shutting him up by connecting your lips to his. Sliding your hands onto his braids, you pulled him in closer. He immediately reciprocated and grinned into the kiss, setting his arms on your hips.

Turning into a heated make-out session, he backed you against the wall of the alley. You felt your legs giving out on you. Miles put his knee in between your legs, supporting you. He kissed you with passion. He's pinned for you for the longest time, and he finally has you. He wasn't going to give it up for anything. Unfortunately, you needed oxygen to live, so you pulled back. A string of saliva connected your lips as you parted.

He took away all the oxygen in your body, and apparently your moral compass as well, with only one kiss. Unable to open your eyes until a few moments after, you fluttered your eyes open. "I fucking love you too, Miles" You whispered against his lips. "Oh, really? Couldn't tell." He teased with a smirk, his lips seconds away from yours as he looked down at you. He held your gaze with longing in his eyes.

Muffled screams ruined the moment. Miles and you react immediately, putting your masks back on. You got your webs ready while Miles had his steel daggers out. Lowering your guards, you realize it was the couple of guys you webbed up and forgot. "Sorry, I'll go take care of them." You said as you rubbed the back of your head awkwardly. Miles stifled a laugh as he said, "That's alright, ma. You can make it up to me later." You heard the smugness in his voice as you swung away to the police station. You made sure to fulfill his request later that night.

---------

part 2!

[charlotte-zophie]

Therapy conversation

Dear Fandom, dear Mr. Gaiman,

I hope this isn´t weird but i have something to confess.

Since I watched the second season of Good Omens, I've gone through so many phases that I barely recognize myself anymore.

My first reaction after episode 6 was shock, then I was disturbed because I didn't know that it was possible for a series to have such a strong influence on my psyche, I questioned myself and doubted my sanity. Then I was overcome by an incredible sadness and was really heartbroken. I felt like a pubescent teenager, in my mid-30s. I couldn't sleep properly for several days, had nightmares and my thoughts were with these two ineffable loving idiots the whole time.

And the worst thing about it was that for the first few days I was really ashamed to admit to myself and my husband that I was completely and hopelessly immersed in this world. I did nothing but watch videos, listen to sad songs, and read heartbreaking fanfictions for days. And of course I read the book again and watched the series over and over again. All in the hope that it will ease my heartache a little.

But as is often the case in these situations, after a few days in which no real change occurs, you have the thought that you will be lost in this feeling forever. But since I have 3 children that I need to look after, of course locking myself away for weeks with heartbreak wasn't an option, so I had to find an outlet for myself to channel my pain.

So I started painting a picture. By Aziraphale and Crowley. And stroke by stroke I let my feelings flow out of me and into the picture.

It took over a week until I had a motif in which I could see my thoughts and feelings expressed and then it took another week until I finished the picture. On an old canvas with paints that haven't been used for a long time, with many, many layers of old paint underneath.

But when the picture was finally finished, it really took a load off my mind. It was like I had broken a dam and was finally able to let it all out and convert it into creative energy.

But I think the most important thing was that I uploaded the picture to Tumblr and received such a response that I was incredibly touched and immediately motivated to paint more pictures.

Since that day, hardly a moment goes by when I am not holding a pen in my hand or not thinking about a new picture. I'm in one of the most creative phases in a very long time and I'm really enjoying it.

I am so grateful for the wonderful people here! Here I see that I'm not alone with my strange feelings that I still don't really know how to classify. Here I read thoughts that are so similar to mine, here I see works of art that melt my heart, here I feel understood!

And I am so grateful for the pain that showed me the way back to my creative energy!

Thank you Fandom!

Thank you Neil Gaiman!

I would have been lost without you!

Because I don't know my way around here very well, I didn't think about pinning the picture in question as a link when I created this post, but since many people have asked about it, I've pinned it here. Thank you all, love love love

[little-hermit-crab56]

I've been writing for a while so I thought I'd share some writing tips I've learned along the way.

1. Never sacrifice the flow for a quirky line.

That bit of dialogue or flowery paragraph you really like but it kinda disrupts the flow? Scrap it. I know it hurts, but you need to. If you really want to keep it, find somewhere else to put it where it actually fits in.

2. Dialogue is a dance.

Dialogue should go at the pace of an actual conversation, back and forth with little breaks and pauses. Add as little dialogue tags as possible while still making it clear who is speaking. You can also describe what is happening during a pause in the conversation rather than saying they paused, unless the pause is important.

3. Show don't tell is a guideline, not a rule.

Show don't tell is a very useful guideline, but if you're ALWAYS showing it can get exhausting to read. Skip the boring bits and just tell us what happened, then we can get to the good stuff.

4. If it's boring to write, it's probably boring to read.

If you can cut out a whole scene with little consequence to the story, you probably should. As I said before, you don't always have to show us, you can always tell us.

5. Everything needs to have a purpose.

I know there are probably lots of interesting or cute scenes where your characters are just fucking around, but if it doesn't develop character, relations, conflict, or plot, why should we care? Definitely still write them if they make you happy, but if you're gonna add it to your final draft, make sure it matters.

6. You don't need to explain everything all at once.

I know it feels tempting to put all the lore, and all the character's intentions, and reasonings into the first few chapters, but please refrain, you can reserve that for your character and worldbuilding sheets. Instead, take the time to let us get to know the characters, and the world, in the same way we'd get to know a real person. Make your exposition as seamless and natural as possible. It will take practice to know when to reveal information and when to let us wonder, but you'll get there.

7. Write in a way that comes naturally.

I know you probably have an author you wanna write just like, but that is unlikely to happen. Embrace your natural writing style and perfect it, rather than trying to be something you're not. Writing is an art, you need to find your own style and polish it as best you can.

8. Try to make us feel connected by cutting out certain words like "felt".

"Chad felt like a glass of water." Can be replaced with, "Chad was thirsty, so he reached for a glass of water." Both sentences tell us Chad wants a glass of water, but one makes us feel more connected to Chad than the other. Though both sentences have their time and place, you want to make your audience feel as close to their protagonist as possible. Make them feel like they're there, rather than just an onlooker.

9. We don't need to know every physical detail of your character.

I know you probably spent ages creating the perfect characters and you want to give us the perfect image of what they look like, but it can get monotonous and boring, why do we care that your character has brown eyes unless the colour has some sort of significance? Try to list off only the most notable features of your character and put focus only on the relevant details. Sometimes you can even not describe them at all and throw in little bits of information about their appearance for the audience to put together. We read to imagine, not to have a perfect image painted for us when we could be getting to the plot.

10. You're allowed to be vague.

Allow your audience to assume things, with some things you can just be lazy and let your audience's imagination do the work for you. Of course, don't do this with important things, but you can save so much time you might've spent researching an irrelevant topic when you can just be vague about it. You don't have to know everything you're writing about, so long as you know the bits that matter.

11. Writing is a skill that takes practice.

Don't be so hard on yourself if your writing is a bit cringe, we've all been there. The important part is that you research how to get better and keep writing those super cringe chapters. One day you'll reread something from a while ago and realize you're actually not as bad as you thought.

12. Leave your work to rest.

I know you wanna start editing right away, but once you've finished, leave it for at least a month. The longer you leave it the better, but that depends on your attention span. A month to six months is good if you're really impatient but want a good result. If you keep writing in that time your skills will continue to improve, then you'll be editing that draft with fresh eyes and fresh skills.

And if you're a fanfic author, I usually leave my chapters for a week before editing and posting.

Hope this helps anyone struggling, I thought this might be especially relevant now with nanowrimo.

I recently realized how much knowledge I've been accumulating over the years, I definitely have more but this is all I can think of for now.

I'm no writing guru, but if anyone has anything they're struggling with, I can do my best to help you out, so dont hesitate to ask questions.