#I will combine both the characters someday.

[anistarrose]

So I have only my two cents to give on the "curing disabilities in fantasy/sci-fi stories" trope, as just one disabled person among many disabled people, but here are my two cents nonetheless.

One defense of the trope is that it's simply a form of escapism, and moreover, a fantasy that disabled people themselves can quite reasonably find joy in — as a feel-good story, a break from all the pain of real life. Many — not all by a long shot, but many — of us would jump at the chance for a cure, after all, and it's not like we're not valid to do so. Lots of us take pride in being disabled, but nevertheless, sometimes it really fucking sucks.

The counterargument to the above is this: that this isn't a realistic trope, and that particularly in combination with the suffocating frequency that this trope is used, this becomes the opposite of a hopeful fantasy. When you have an incurable condition, and the only happy endings you see represented for people like you in fiction are inevitably only achieved once the characters stop being like you — that can be indescribably upsetting.

Disabled characters do not get happy endings while remaining disabled — and fiction is fiction and all, but I'm not going to pretend like this doesn't have gradual, accumulative real-life effects on the amount of effort people/society are willing to put into accessibility and acceptance, because of beliefs like "aren't you going to be cured someday anyway?" Or "isn't this disability just going to stop existing, someday? one way or another?"

I hope I don't have to explain how damaging it is to think the above way, or to imagine a future where disability doesn't exist. (Yes, even though disability is partially socially constructed. That's a load-bearing "partially".)

So, if you couldn't tell, I do generally relate a lot more to the harsher, more critical view of this trope — but I certainly don't want to judge actual disabled people for writing it either (and especially not people with progressive conditions), not when there is genuine catharsis and escapist joy that can be wrung from it. I obviously don't trust non-disabled folks with writing "cure" stories any further than I could throw them, due to a long fucking history of non-disabled people fucking it up — but also, no one should be forced to reveal personal details, let alone medical history, to justify their choice to write something.

This is the paradox that I am willing to come to terms with, by throwing up my hands and saying, "okay, so some of the time I sure don't like it, but it's technically none of my business."

That said: if you're non-disabled, or you're writing about a disability much different from your own (a physical disability when you're autistic, for example), and you want to write an escapist feel-good story featuring disabled characters: I also want to stress that "escapist themes" versus "no one's disability gets cured ever" is very much a false binary. You can have both.

I've never written a "curing a disability" story. But I've both written and enjoyed some extremely escapist, unashamedly hopeful stories revolving around disabled characters — and it's all about accommodation.

A story of any genre where society is more accepting of — and willing to collectively help care for — chronic illnesses and chronic pain? That's escapist, and if it's something that characters once fought tooth and nail for, it's pretty damn cathartic. A fantasy or sci-fi story where medicines are still required to treat a condition, but the medicines are more accessible, more effective, et cetera, may also be escapist depending on the context.

Fantasy service animals, high-tech service robots, magical or indistinguishable-from-magic mobility devices? They're all possibly escapist too. (Just note that a lot of disabled people may still maintain a personal preference for seeing the "real world" versions, and that's that's also perfectly reasonable. Remember that the gripe with the original trope has a lot to do with a lack of variety in representation, justified by arbitrary rules about how fantasy/sci-fi "should" look, and the goal should be not to replicate that.)

So, in conclusion: if you find yourself writing a disabled character, and want to give them a happy ending, I urge you not to jump to "their disability is cured now" without at least thinking through the alternatives. Do your research regardless, and accept that disabled people will likely have a wide range of opinions on whatever you decide to go with — but accept that disabilities themselves are varied, and should not inherently have to consign either characters or real human beings to tragic lives by their mere existence.

[imagitory]

Review: Wish (2023) [SPOILERS]

Evening, everyone! Tonight my mother and I went to go see Disney's most recent film, Wish, which fortunately came to theaters in my area right before its formal American release date. I'd been very curious to see how this tribute to Disney's last 100 years of filmmaking would turn out, and now that I've seen it...well, I have to be honest, I was a little disappointed. I want to be very clear both that I was going into this with a rather sunny outlook and that there are things I really liked in this film...but overall, it felt like a lot of the good ideas it had were only half-baked, and I found myself -- forgive me -- "wishing for something more" than what we got.

For a more comprehensive deep-dive...a cut!

The Good!

+The single best element in this film for me was Chris Pine's performance as our villain, Magnifico. There are definitely some things I can critique about Magnifico's overall storyline and "character arc" further down, but Chris was clearly having a grand old time being an egotistical, sassy jerkwad, and it totally showed. Even in his villain song This is The Thanks I Get?, which just screamed "passive-aggressive abusive parent," you can hear how much fun Chris was having in the studio, recording it. I just about always enjoyed when Magnifico was on screen, and I actually did really like the idea that a lot of his villainy is rooted in him being obsessed with control over everyone and everything. In a weird way, Magnifico's turn to the Dark Side parallels Anakin Skywalker's in the sense that he lost so much in the past that he's determined to never lose anything important to him again -- especially the power he's accrued to make himself feel strong, after having felt so powerless. I find that very interesting, and I kind of wish that aspect was really highlighted more in the story, but we'll talk about that later.

+Asha was a likable enough heroine, even if I found her to be a lot like a two-way fusion of Mulan and Anna placed in a vaguely Snow-White-ish role in her clearly Seven-Dwarf-inspired friend group. Ariana DeBose portrayed her rather well, both acting and singing-wise. I also liked the "social justice" bent to Asha's character where she wants better things not just for herself and her family, but also Rosas overall -- in the French translation of her main song "This Wish," they even push this further by having Asha wish "to see the world happy again someday." We haven't seen a heroine really express this kind of desire for a positive change in the world since Esmeralda in The Hunchback of Notre Dame, and that's cool! Plus representation in mainstream media for previously underrepresented groups is always nice. ^.^

+As much as I don't think they all got enough focus as individuals, I liked Asha's friend group! Especially the fact that it is a friend group made up of people that are around the same age as our protagonist, which -- let's be honest -- isn't that common for Disney heroines. Often with "sidekick groups," you're more likely to have situations like Cinderella with the mice (who are more like cutesy sidekicks than equals) or Snow White with the Dwarfs (who are all quite a bit older than our heroine)...so a friend group made up of peers with their own personalities and motivations was kind of fun.

+The setting of Rosas itself could be pretty. I liked a lot of the Mediterranean-inspired architecture, especially inside Magnifico's tower.

+The combination of 3D and 2D-esque animation was also interesting! It really served to give the film its own distinctive visual style that sets it apart from other Disney projects, which I always appreciate.

+Star was...cute. Obviously just designed to sell plushies and definitely reminded me way too much of Kirby, but cute enough. I do think it's kind of cool that they're never gendered at all in the entire movie, because it'd be silly to think of a sweet little androgynous ball of stardust as being specifically male or female.

+I liked the idea of Simon "betraying" Asha, only to be turned into a pawn by Magnifico in the process, but not being treated unsympathetically by the story for it. Didn't love the full execution of the idea, but hey, that's what the negative section is for.

+The idea of everyone finding the power inside of themselves to stand up against Magnifico (because they're "all stars," and presumably all have the magic needed to make their wishes come true) was a little predictable, but still sweet. I have problems with how the film wrote it (which we'll get to), but the idea itself was wholesome and fitting.

+I like several of the songs, just on their own -- I added This Wish and Knowing What I Know Now on my ITunes as soon as I first heard them prior to the film's release, and now I've added At All Costs too: it's a really pretty duet! (Gorgeous work, Chris and Ariana!) I'll leave my praise here, though, because sadly the soundtrack is going to get a lot of discussion in the less positive section.

The Not-So-Good...

+This film being "Disney's 100th anniversary film" really got in the way of this movie telling a compelling and unique story sometimes. The whole movie really twisted itself into a pretzel trying to check off all the usual Disney tropes, and there were points that certain choices made the story seem incredibly stilted. For instance, one common Disney trope is a dead parent, so of course Asha has lost her father -- but we learn so little about him and he ends up playing such a small role in Asha's arc and story that it seems like an unnecessary detail. Asha's grandfather honestly plays more of a role in Asha's motivation throughout most of the film, so it would've made just as much sense to have Asha's grandfather be the one who believed in stars having power, rather than her father. Another example is the concept of the cute animal sidekick who's just there to make jokes -- as much as Valentino the goat didn't annoy me personally, he added just about nothing of value to the story whatsoever aside from comic relief, in contrast to other funny sidekicks like Sebastian from The Little Mermaid or Olaf from Frozen, who also serve a plot purpose and have a developed relationship with the protagonists. Then there's Asha being cut from the same "naive, awkward, wide-eyed idealist" cloth as many of our Disney Revival heroines like Anna, Rapunzel, and up to a certain point even Mirabel are; Star being in a similar vein to cutesy, innocent sidekicks like Pua, Crikee, and Baymax while Valentino is more akin to sassier, comic ones like Mushu and Sisu; her friends literally being based on the Seven Dwarfs from Snow White; our heroine getting a pretty standard "I Want" song and the villain getting his own solo number that doesn't really take any risks...oh yes, and we mustn't forget the trope of the Storybook opening, which (I'm sorry) I know was supposed to be a reference to Snow White, Cinderella, and Enchanted, but just gave me Shrek vibes the entire time. I was waiting for Shrek to rip out the page and use it for toilet paper any minute. It just felt a lot of the time like the movie was very paint-by-numbers, rather than throwing in much that was surprising or different.

+This isn't even touching all of the pointless meta references to other Disney movies. Asha wearing the Fairy Godmother's cloak and getting a wand like hers at the end -- the mushrooms crowing "we love crazy!" the way Hans did in Love is an Open Door -- Asha riding the reindeer the way Kristoff did in Frozen 2 -- Magnifico using green smoke hands a la Ursula -- the ending with those obvious Wendy and Peter Pan look-alikes, come on, really??? That was just painful.

+As much as Magnifico was an awesome idea for a character and Chris Pine's performance was beyond entertaining, the movie did not always write him as well as they could've. From the very start, we see this guy is an egotistical control freak -- obsessed with his own image, incredibly hard-to-please, arrogant, vain, desperate for attention and unwavering praise and adoration from all of his subjects, and determined to keep an iron grip on everyone else's wishes because of the power it gives him. He's ALREADY a terrible person, from the start -- and yet the film tries to introduce this dark magic book that gets no explanation or backstory whatsoever and has no real characterization or presence, so it leaves no real impact on the audience corrupting him and making him a bad person, when it didn't need to! Magnifico was already the villain this film needed! Just let him fall head-first into madness without the book prompting anything! Even if Magnifico "lost everything" in the past, that doesn't make him a good person, if he takes everyone's wishes away from them and hoards them all to himself, only to grant a few now and again when it would make him look good.

+This above point actually leads nicely into one change I really, really wish the film had been ballsy enough to make -- have Asha already be Magnifico's apprentice, not trying to become it at the start of the story. Give our villain and hero a real relationship, with history that started before the events of this film! Asha lost her father at the age of 12...how interesting would it have been -- whether to make Magnifico more of an anti-villain or show how manipulative he really is -- if he'd tried to fill that fatherly role for our main character and twist her to serve his ends? What if At All Costs was rewritten to be about Magnifico not just being determined to hold onto all of the kingdom's wishes, but also this apprentice he sees as an extension of him and his legacy, while Asha is determined to protect this Star she's accidentally summoned and the suppressed wish of hers it represents? This change would've made Asha's break with Magnifico so much more powerful for both of them -- it would've both justified Magnifico's descent into madness and given Asha more reason to feel like it was her responsibility to stop Magnifico. You even could've then played more with Asha's relationship with Queen Amaya too, in this kind of a scenario.

+Oh yeah, and on that note, Queen Amaya. OOH, this really annoyed me -- okay. So this woman is supposed to be a good guy, in this story. But as I touched on earlier, Magnifico was already a pretty awful person, hoarding people's wishes away in order to make himself powerful. Was Amaya truly so blind to that? Did she truly never question anything, ever? But no, really, she only turns on Magnifico after he starts using the dark magic book and actively threatens her. Only that makes her turn from him, and it's pretty damn immediate. Now okay, I hear you saying, it's like Amaya sings in Knowing What I Know Now, right? "The good in him, I've watched it melt // I was blinded by the love I felt"? Excuse me, lady -- but Magnifico wasn't a good person, before. He was just playing a part so as to stay powerful and adored by the masses. And if the story wants to claim otherwise, and act like that dark magic book was responsible for Magnifico going bad, then why would our Queen decide to keep him locked up in his staff's crystal forever? If the book was responsible, then Magnifico would be the Frodo or Golum to the book's One Ring -- he'd be a victim, in such a scenario: one in need of help and pity, not punishment. So either Amaya is a selfish person who only cared about her husband's mistreatment of others when it affected her, or she's a needlessly cruel person who decides to punish her husband for a vice that anyone could fall prey to. Either way, I don't want this woman ruling anyone! Make this woman a straight-up villain, same as her husband, and have the whole monarchy come crashing down after she and Magnifico both go down in flames! VIVE LA RESISTANCE! (Playing into my idea with Asha being Magnifico's apprentice all along, maybe there could even be a twist on the Evil Stepmother trope with Amaya, where she's jealous of how much Magnifico has tried to groom Asha as his apprentice, rather than spending time and/or starting a family with her or something.)

+As I touched on earlier, there wasn't even close to enough time to develop all of these characters properly. Since our heroine and friends are most similar to Snow White and her friends the Seven Dwarfs, let's compare cast size. Snow White is 83 minutes long and has a cast of ten (Snow, the Prince, the Queen, and the Dwarfs) -- Wish is 95 minutes long and has a cast of fourteen (Asha, Magnifico, Star, Valentino, Amaya, Asha's mum and grandpa, and our seven Friends). This results in us getting the vague idea that "Grumpy" role Gabo is sweet on our "Bashful" role Bazeema, but no time to develop their relationship or give it any kind of conclusion; the others saying "Sneezy" role Safi apparently loves the castle chickens with no sympathetic explanation why, to the point that he gets super excited about a chicken growing to a giant size for no real reason; "Doc" role Dahlia having a crush on Magnifico that is then dropped immediately after Asha turns against him; oldest kid and "Sleepy" role Simon feeling incomplete without the dream he gave Magnifico and "betraying" Asha as a result in an attempt to get it back, only to get stabbed in the back by Magnifico, and then have no time for a proper redemption after he's unhypnotized; Asha's grandfather turning on a dime about whether or not he wants to know what his wish was if Magnifico thought it was dangerous; Magnifico getting some justification in his backstory for his bad behavior, but Amaya's backstory being a complete black hole before she married Magnifico when you'd think it'd explain all the more why she stuck with him so long; and Asha's mum having her wish crushed to dust by Magnifico and then given back without us EVER LEARNING WHAT IT EVEN WAS IN THE FIRST PLACE, even after we see just about everyone else's wishes as soon as somebody picks it up and Asha's mum's wish gets picked up multiple times!! Come on, if you're going to set up NOT showing it, you may as well have a pay-off for it!! At least give us some moment where Asha's mum hugs her in relief and acknowledges that her daughter was her wish! That would've been a nice "aww" moment for everyone!

+Okay, I said I was going to talk about my problem with the songs, so here goes. As I said before, I listened to the soundtrack before watching the movie, and even when I did, I could immediately sense a problem: these songs did not tell me much of anything about the movie, just on their own. Welcome to Rosas, which is pretty much just an exposition dump about the kingdom and how Magnifico founded it, didn't really paint a picture of our setting or characters much at all, the way opening songs like Belle or The Family Madrigal do. This Wish, although pretty, was something I could hear just as easily on the radio -- it didn't feel as tied or necessary to understanding our heroine the way something like Part of That World does. I'm a Star, quite frankly, felt like a lot of inspirational word salad, rather than anything particularly memorable or revelatory -- why else wouldn't it even be worthy of a musical salute in the reprise, where Asha remembers that she and everyone else are stars during the climax? Even after reading summaries of the plot and spoilers from the storybook for this film, I could not figure out for the life of me how At All Costs would fit organically into such a story, being sung by our villain and hero. It wasn't until I saw the film that I saw how the filmmakers decided to fit it in and honestly...the song didn't help tell that particular scene at all. It's a really pretty song and I like it a lot -- but it lacked any of the irony or contrast that kind of a scene that introduces the difference in focus between our hero and villain required. If the scene itself is needed to understand what's supposed to be going on while the song is playing, then the song is not effectively telling the story and is therefore unnecessary. There wasn't even a particularly Spanish or Mediterranean flair to the soundtrack to help set the stage, aside from the occasional flourish of castanets -- instead it sounded very contemporary, which I guess is appropriate, since it was largely written by pop composers rather than any musical theater talent.

+There were also points where the songs felt the urge to shove in a bunch of extra words just because, rather than have the words flow well and really mean something. I'm a Star is most guilty of this, of course, but even in This is the Thanks I Get?, we hear Magnifico gripe that "I let you live here for free and I don't even charge you rent" -- mate, THAT MEANS THE SAME THING! If you live somewhere for free, then you are NOT paying rent!

+Knowing What I Know Now is a bop and I like it (aside from Amaya's stupidity), but I'm sorry, all I can think when I hear it is "This is clearly trying to be Ready as I'll Ever Be from Tangled the Animated Series, but that song blows this out of the water." However fun the song can be, it would've been so much stronger if it actually addressed the contrast between the characters and revved us up for a big final battle, instead of it just being our eight underdeveloped characters psyching each other up.

+The idea of everyone being stars was a lovely idea, but the execution of Asha remembering this fact and using it to defeat Magnifico was terribly handled. First off, there was no revelatory phrase or action that prompted Asha to remember this fact, so her suddenly saying that "they're all stars" came out of nowhere. Second, even putting aside that there'd be no way any of her friends could hear Asha from all the way up on the tower if they're stuck in the courtyard below, there's no reason I can see for Asha's friends or family to know what the hell she was even TALKING about. They weren't there when the I'm a Star number happened! And the way that number made it seem, just based on the visuals, it looked like the "star" power came from a person's dream, since it's the same glow that returns to Asha's grandfather when he gets his dream back, but most of the town's dreams have been already yanked out by Magnifico at this point! I think the idea is that since everyone is a star, even with that big piece of them and the power accompanying it taken out, they still have enough stardust inside of them to be powerful enough to chase their heart's desires...but yeah, I'm sorry, for all the word salad I'm a Star threw around, this world-building aspect was really not made clear, and because of that and the lack of a proper callback to this plot turn, the climax didn't hit as strong as it should've.

Overall, this film felt a lot like a batch of unbaked chocolate chip cookies that someone decided to throw a bunch of brightly colored sprinkles on top of, just because they could. A lot of ideas just don't feel like they were fully developed, and there was a lot tossed in that didn't contribute to the overall taste or bring the disparate elements together in a cohesive whole, instead feeling more like a distraction than anything of actual substance. That doesn't mean I couldn't eat it -- I like eating cookie dough as much as the next person -- but that doesn't mean it felt like a complete, finished product worthy of great praise. Instead I'm left looking at the wasted potential and wishing the movie had carved out its own path more, one distinctive to itself, rather than just be a mashup of previous Disney concepts and tropes. I won't act like there's nothing to like here, nor that it's completely lacking in heart: I actually would love to see fandom for this movie re-imagine it in ways that could've improved the story and characters, because there were SO many good ideas here...but for me personally, this movie left me colder than it should've and -- like Asha after meeting Magnifico -- a bit disappointed.

So I make this wish...to have Disney make a film better than this.

Overall Grade: C-

[broomsticks]

What was the HP fandom on AO3 writing in 2022?

some stats diving, ship- and femslash-focused.

default filters used for everything unless indicated otherwise: language: english, no crossovers. only on AO3 (obviously)

hmm someday i'll do a yearly breakdown maybe.

for reference, there were ~324,676 total works in the HP tag updated in 2022 and before, so the top ship Drarry makes up 16% of HP works.

ships in this list but not the former: jegulus, dorlene, and regulus & sirius.

ships in the former list but not this one: snarry, sevmione, tomarry.

harry the character is tagged in 42.7% of all HP works.

the list of "fastest-growing HP character tags in 2022" was almost identical to this. sirius, remus, james, and lily went up one place, severus and ginny down by one, and ron dropped by two. no change in the top 3.

i'm thinking of doing one for HP ships but am unsure which ships to do. you can get a rough estimation from graph #2 though!

A closer look at just the 2022 ships:

filters used: english, no crossovers, works updated between 2022-01-01 and 2022-12-31.

color = ship type by canonical gender. outlined = canon ship

Background vs main pairing ships:

most commonly tagged ships, with the otp:true filter:

very pretty spread of (canon gender, not AO3 category) F/M & M/M ships here.

notable: there is not a single snape ship in the first list, and two snape ships in the second (sevmione at #4 !! and snarry at #8). grindeldore is the other new entry, and

romione, dorlene and regulus & sirius fell out of the top 10

this is probably a better view though:

a mix of all ships in either of the top two graphs (excluding the platonic ship regulus & sirius by definition of the otp:true filter), plus remadora.

open to more ship suggestions, but at some point i need to think about a size cutoff

anyway: some interesting strata here:

snarry+sevmione at the >60-70% mark. (do all snape ships show this trend? just crossgen snape ships? what about other crossgen ships? to be investigated)

grindeldore is an expected outlier due to the different canonical time period

marauders era tends to have more fics-with-multiple-tagged-ships. unexpected - there are so many more named lightning gen characters! lightning gen fandom more splintered/fragmented?

clustering of canon couples at the 15-20% mark, surprisingly consistent across marauders vs lightning gen

oooooo i could soapbox about this dorlene outlier for days. (tldr: if you want to write OFCxOFC that's all well and good, but writing OFCxOFC as what's quite clearly a background ship and a background ship alone? i think we can do better.)

Multi-shipping & ship overlap

marauders era is dominated by one main fanon pairing. no other “/” pairing with either of these two characters makes the top 10 list. in contrast, wrt lightning gen, Draco, Harry, and Hermione are all shipped with each other, with all three combinations making the top 10 list.

there is one pair of marauders era ships with ship overlap, though. which means stats! also included remadora as an additional comparison point since that's another big overlapping ship

jegulus AND jily are tagged in 675 works, out of 3944 works (17%) where all three of james, lily, and regulus are tagged.

meanwhile drarry + dramione: 80 works tagging both ships, out of 8128 works tagging all 3 characters, with an overlap of <1% fics tagging both ships. these two do not mix.

actually ykw this all was very funny

---

✨ FEMSLASH! ✨

filters used: english, no crossovers, works updated between 2022-01-01 and 2022-12-31, and category:F/F.

ok so that's a complete nonstarter 😂

tried two ways of filtering down to just femslash ships without losing too much else in the process:

1) excluding works tagged M/M, F/M, and Gen (leaving 2765 fics)

dashed outline = cross-gen ship. solid = marauders gen. everything else = lightning gen.

oh, interesting, people are writing genderbend wolfstar? *checks fics* -- no they're not. 'nuff said.

2) instead, tried adding the otp:true filter (2402 fics)

very similar results -- both lists had the same 9 femslash ships. Bellamione (#1 on both), Fleurmione (#2), Pansmione (#3/#4), Dorlene (#3/#5), Linny (#4/#6), Cissamione (#5/#6), Ginmione (#7/#9), Marylily (#7/#9), Ginsy (#8/#10).

i don't see any obvious trends re. which ships are ranked higher on one list vs the other.

a real quick rating comparison between categories, using the otp:true filter:

"angst" and "fluff" were the top two tags used for most categories so i decided to try a bit of:

<1 = more angst works than fluff, >1 = more fluff works than angst.

the other top tags for each category:

F/F and F/M: both romance (#3)

M/M: established relationship (#3)

Multi: polyamory (#3)

Other: au canon divergence (#3). "other" was used to refer to a mix of NB/trans character, thingfic, and x reader.

Gen: au canon divergence (#1). i was worried about using the otp:true filter for gen fic but the top two tags were indeed & tags (harry & severus, regulus & sirius).

[i-heart-hxh]

I think a dynamic needs to develop between Killua and Leorio or Kurapika, same goes for Gon. They have a lot to talk about, especially Kurapika and Gon

Yeah, I would love to see more interactions between the main four in general! In any combination really, but particularly the character sets we've only gotten to see together a little like the ones you brought up. I appreciate that they're all on their separate paths, as I think that's part of what makes HxH unique, but the scarcity of getting to see them together makes me crave more at the same time.

Gon and Kurapika have a lot of parallels and similarities, particularly with how Kurapika was when he was younger and his bond with Pairo, as well as his revenge quest. I think Kurapika would be saddened and even feel somewhat guilty upon hearing what Gon went through in Chimera Ant Arc. It would be nice if we get to see them talk it out one day, maybe sort of a follow up to that great conversation they had on the airship in the Hunter Exam.

Killua was somewhat standoffish with Kurapika and Leorio early in the series but he's gradually come around in accepting them as his friends, so I look forward to hopefully getting to see him interacting with them more at some point. Kurapika recalling talking to Killua on the phone about Bisky in the current arc always makes me smile, I love that we have confirmation that they've reached out to each other. It's funny that Killua is a bit of a punk towards both of them, but that's part of what makes his interactions with them fun to watch.

I really hope we'll get to see more someday, but in the meantime it's fun to see fan interpretations!

[elijahs-dumps]

What Happened to Gonzo's Queerness?

Gonzo is, undeniably, the Muppet that Disney has struggled to keep consistent and in character the most. But why is that? If we take a look at any recent Muppets projects, from Muppets Haunted Mansion, to The Muppets (2015), or even Muppets Most Wanted, Gonzo is simply a shell of his former self. An entertaining shell at that, but a shell nonetheless. Before we can get into the how and why though, I’ll explain a little bit of who Gonzo really was when featured in the Muppets of the past. 

A Brief History of Past Gonzo

Gonzo’s key traits have always been that he is zany, immature, unpredictable, and often takes things far too literally. While “Modern Muppets” keeps these core traits in the Gonzo of today, he still lacks his usual depth. Often people overlook the fact that any of the Muppets have depth at all, but they’re all given their own moments, especially film to film.

I think a perfect example of what I’m talking about is his song, “I’m Going to Go Back There Someday”, from the original Muppet movie. Within The Muppet Show no characters ever struggled that much with overarching plots or even real negative emotions that carried from episode to episode. But in film where an episodic format won’t work, you need these small subtle layers. Your characters all have to have more obvious wants and needs to move the story along, or else it’ll all fall flat. This song is just a testament to the Muppets seamless transition from television to film. The number humanizes and grounds a character that is often perceived as ignorant or carefree by giving him a single wish, a wish to return to the sky like he did previously in the movie. Gonzo wants to be free from the world and view it simply as a spectator, completely at peace. It’s a childish wish, but a real and relatable one. The layers of this song can go deeper when you take into account the fact that Gonzo is the only one of his species, and probably spent most of his life alone or without a true home before the Muppets. Combine this with the fact we’re at the lowest point in the movie where all hope seems lost in the middle of nowhere, and then have all the other Muppets in the scene do backing vocals, it becomes a really somber and special moment for the movie as a whole. It connects well with Gonzo, the other Muppets, the film’s story, and audiences around the world. 

Other moments that showcase this level of subtle emotional complexity can be found in The Muppets Take Manhattan during the song “It’s Time for Saying Goodbye”, or throughout the entire Muppets from Space movie where Gonzo discovers and comes to terms with his own identity and place within the world. 

Muppets Haunted Mansion tried to recreate some form of a plotline for Gonzo, but because there was such little set up the pay off felt out of place. The idea was to have Gonzo briefly struggle with the idea of being alone and losing the attention of his friends, but it didn’t even really connect to any past storylines with Gonzo or even past moments within the movie, and just felt forced. Especially since he never truly grew at all from this experience either. 

But depth wasn’t the only thing we lost from Gonzo in the “Modern Muppets”, we also lost so much of his queer-coding. In the past, Gonzo has always been shown as unidentifiable in both gender, gender expression, and sexuality. Some of my favorite pieces of evidence towards this include the Gene Kelly episode of The Muppet Show where Gonzo distracts Miss Piggy so he can be serenaded by Gene Kelly. Gene briefly acknowledges how strange this is, but Gonzo seems unconcerned and so the two sing a love song together and all is well. Gonzo often does this, flirting with both male and female guests on the original show, as well as cross dressing throughout all five seasons of the show. Gonzo also cross dresses on the original Muppet Babies show from the 1980s, and there is even a Muppet Babies picture book from 1986 titled “What’s a Gonzo?” in which Gonzo and the other Muppets try to figure out what Gonzo is, only for Gonzo to be confronted by other versions of himself and told that he doesn’t need to know what he is because he knows who he is. Then, of course, there is also the iconic washroom comic strip from the officially licensed “Jim Henson’s Muppets” comics from 1981-1986, which I will be inserting below! 

Flanderization

Flanderization is the process through which a complex fictional character’s essential traits are oversimplified to the point where they constitute their entire personality. The term’s name is a reference to Ned Flanders from The Simpsons. 

While the Muppets aren’t exactly “complex”, they do have a certain level of depth like I’ve previously explained. Watering them all down to their most well known traits is what causes most problems with the “Modern Muppets”. Obviously, all new versions of the Muppets have been put through unfortunate amounts of flanderization. However, even though all the Muppets have suffered through a similar treatment, I still feel like Gonzo takes the brunt of it. This is also because Gonzo is one of the only core Muppets who has become less of a main character than before. Meaning he doesn’t actually get a lot of screen time, especially when compared to the movies from before Disney bought the Muppets. 

Why is This Happening?

This answer as to why any of this is happening at all is actually quite simple; it’s not marketable! In order to rebrand the Muppets, Disney has had to take the safe approach when it comes to reminding people why they liked the Muppets to begin with. However, in trying to keep things simple as far as character work goes, we then lose that character integrity which is what makes these “Modern Muppets” feel so hollow. Obviously this did not work at all, because Disney had stripped these characters so thoroughly, they thought they could do whatever they wanted with them and no one would notice. Cough cough - The Muppets (2015) - cough cough. 

So yes, while Gonzo does keep some basic sense of his personality through taking things too literally, participating in crazy stunts, and just acting pretty random, it’s such a toned down version compared to the Gonzo so many grew up with. Especially when it comes to all his queer coding, Disney is often too afraid of backlash to even put things like that into their kids or family orientated media. This could potentially be a reason why they sort of shoved Gonzo out of the main cast in everything but promo. The only time they attempted this was around 2021 with the reboot of the Muppet Babies and an episode titled “Gonzorella”. The episode was actually quite charming, and follows young Gonzo as he decides how to tell his friends he wants to wear a princess dress to their costume party. It’s a nice concept, completely in character for Gonzo, and a good message for children about how you don’t have to look how people will expect you to look all the time. It also helps to break the stigma around “boys clothes” and “girls clothes”. Still, lots of parents were very angry about this episode and claimed it was Disney’s “new woke agenda” that was turning the Muppets into something they’re not. As if the Muppets haven’t always inherently been queer-coded and a part of queer culture! 

Conclusions

So, if the Muppets are being washed out to their most basic selves more and more with each new project, what does this mean for the future of the Muppets?

Honestly? Nothing good, in my opinion. The franchise has been going downhill for quite some time, but I don’t think I’ll ever come to dislike it. If you don’t like these “Modern Muppet” adaptations, then that’s more than fine. I just personally don’t see it improving anytime soon, especially since Disney so rarely puts out any Muppets content that doesn’t get canceled. If they do put anything new out, I’ll obviously be the first to watch and praise it, because I really do enjoy the Muppets a lot.

I think the saddest thing here, and the reason I made this little essay, is that Gonzo’s queer-coding will only be lost in translation the more that time goes on. At least, that’s how I see it. The backlash Disney got for that episode of the Muppet Babies is exactly the kind of thing the company is always trying to avoid, especially with the media they make for young kids on Disney Junior. I doubt they’ll ever try something like that again in Muppets media aimed for small kids. And in the family targeted content Gonzo has only become a less and less prominent character. 

That being said, this is all just my opinion based on what I have seen and studied.  I will always be holding out a small sense of hope though, and I will still continue to see Gonzo as a queer icon in my eyes regardless of what he does in future projects! 

UPDATE: If you made it to the end of this essay YAYY!! TYSM<33 In case anyone was wondering, my next piece is gonna be about Kaz Brekker from Six of Crows and morally grey characters in general. It will not be a critique of the character or his fan base though! I don’t always hate on everything lol. However I will probably be talking about online book communities, like Booktok, so prepare yourselves for that if you plan on sticking around :3

[usernamesuggestionsarefunny]

My avatar tla hot take ACTUALLY UNPOPULAR and not just minority opinion is that Azula is a terrible addition to the series. On her own? Oh, her character was great, complex, etc. She is a queen, a great diva, wonderful villain, interesting, deserved a great redemption too (She is 14! A baby!) etc. She just would have suited a magic girl show, a horror movie (in the typical scary, powerful little girl fashion), or a darker, more mature show with more characters like her, meaning child prodigies, better.

Combined with the rest of the atlab story? Kinda makes me laugh. She is such a ridiculous addition that makes it obvious this is a kids’ show. When I first watched the show, Zuko's father and the fact he had branded him was such a serious “oh shit” moment. Like, that is a father whose expectations are truly ridiculously high. It was scary. I mean who could meet them?

Zuko, whether a villain or an anti-hero, was a special, unique character the first few episodes because he was intimately acquainted with the scary main villain in a way no one was.

Then comes Azula. Come at me to debunk me (I may not even try to argue because this is such a weird opinion in the fandom, for real I haven't heard it) but she feels like a writer self-insert. Not a little kid’s writer self-insert, mind you, she feels like a well-written, dark, and complex self-insert or oc written by a talented fic writer in her 30s with years of experience that may become an original writer someday, but an oc nonetheless.

Azula feels like “oh, Zuko could never live up to his evil father’s ideals? Oh here comes my oc Azula, despite being 2 years younger she is soo much better at firebending and does everything better, even being evil, she is the main villain’s golden child and sidekick! And the sister of the main antagonist who interacts with him constantly!” (oh isn't that so cool?) “oh shit wait she needs flaws otherwise she is a villain Sue, let's see.… perfectionism! Perfect flaw! and at the very end after needing a 2 against 1 setting to be defeated she has a mental breakdown, perfect!”

“But gifted children and prodigies exist!!” you may say. Yesss I knowww. She is both too dark of a concept and too corny for atla. I see the flaws and contradictions in the ~vibes~ Azula gives me, thank you anyway. But regardless of rationally being aware of this, the reveal that this powerful character that comes to replace Zuko in causing the gaang trouble (Because let's face it, the beginning of Zuko's redemption arc and needing an even bigger bad to replace him and shock the viewers by how much more dangerous/powerful they are is the whole reason for Azula’s existence) is his 14-year-old LITTLE sister is so… dorky and laughable for me personally. And not only because of her gender in case you come to attack me from that angle. Zuko's prodigy little brother would perhaps have been an even worse and more ridiculous big bad replacement (Girls being shorter is understandable, but with a little brother we would visually see how much Zuko would be able to beat him if this weren't a kids’ show with magic, it would be even harder to suspend my disbelief to). Like, I am sure the reasons I hate the concept are the very same reasons some others love it, but you are telling me that the one capable of fulfilling the evil child burner father's expectations is… simply some rando younger child? It is not that Ozai was a freak who wanted the impossible, it is just that Zuko wasn't it. It is corny, it is dumb. It is so obviously meant for kids. Thanks, I hate it.

Azula also combines in a very weird and bizarre way with Zuko's tragic origin story (Also it is just another source of angst that is completely unnecessary, that distracts from what his father did to him and never living up to his expectations or being too compassionate for his own good, now there is a little sibling in the way being better than him at everything). Call me crazy, but Zuko as an only child, or at least a child without crazy op YOUNGER siblings would have had a MUCH more interesting relationship with his father. Perhaps an even ANGSTIER and more complex relationship where his approval is just within reach but also not quite there. Where it seems conceivable and yet out of reach. Where Ozai is the type of abuser who gives him praise when he does something right just to tear him down mercilessly when he doesn't.

What Zuko has in canon with Ozai and Azula is also interesting, painful, and angsty, but it is “never be able to be this other random younger child who happens to be a prodigy so what is even the point of trying when dad always reminds me of how meh I am compared to her” instead of “never be able to be like my father who is putting all his hopes and that of his empire on me, who at times seems to care so much”. That last one is much more compelling for me personally for a character that ends up being the opposite of his father and learns being like him is not a good thing, it also gives Zuko a good, believable reason to keep trying to please his father: there is actually a chance, there is no one there who has already won the race. Oh my, his search for the Avatar would have made so much more sense without Azula why does Azuka exist in this universe whyy 😭

Don't get me wrong, the sibling rivalry and abusers putting children against each other, having a golden child and a scapegoat, is realistic in many families, but from a storytelling perspective I find it VERY whatever, MEH. Like, the moment Ozai burns Zuko would have been a much greater instance of utter betrayal and shock if Ozai actually acted at times like he had some hope in his son instead of being constantly comparing him to his sister. Now everytime I am made aware of what Ozai did to Zuko I am like “duh” what were you expecting, Zuko, baby? It is still evil as fuck, but no longer shocking or a wtf moment, it is just the boring, edgy and predictable culmination of Ozai already having a “better” child he prefers to succeed him, a total overkill, and in fact, knowing Ozai, he should have done so earlier or straight up had Zuko killed, it makes no sense he is still alive when Azula is a much better successor from his perspective. It means nothing and Zuko should of fing course be traumatized and emotionally and physically distraught by the damage done to him by his own father, but he should not longer logically be that shocked or struck dumb. From a fictional, storytelling perspective, for me personally, the moment loses a tiny bit of its power, at least from the betrayal-someone-who-should-care-for-you—hurting-you—instead aspect.

If I had been there to write the ~big worse bad before Ozai~ meant to replace Zuko as he begins his journey of redemption, I would have chosen something much more serious (I get “abused child soldier” is serious, duh, I just mean serious in a way that makes me fear for the gaang being faced not with a peer but with someone bigger and much more experienced, and not just distract myself with how horrible it is that a “father” makes a 14-year-old girl into a soldier for an invading army). I would have chosen an equally or even more powerful, ADULT, right-hand man (or woman) of Ozai. If it really had to be a sibling of Zuko, it would have been a brother or sister 5 years OLDER, and that is AT THE VERY LEAST, perhaps the son or daughter of a minor wife or concubine (To fix the issue of why they are not the heir and why Zuko could be jealous of their much better skills while at the same time still having a good reason to keep trying to earn their father's approval, which is that there is still time to learn and improve as the younger party, this could have also made Ursa more sympathetic since the “evil” sibling is no longer a child of hers that she emotionally neglected). This could also give the character depth in the sense that they hate the fact they have no claim to the throne despite being older and “better”. They could still care for Zuko while having a love hate relationship with them, a sibling rivalry, Ozai turning them against each other, same as Azula, without taking away from Zuko's interesting relationship with Ozai (I just want his urge to overpower his better sibling to come from a place of his father actually expecting him to do it and be mad he doesn't instead of just Ozai putting all his hopes on the other sibling and Zuko for some plot related reasons still wanting his father's impossible approval despite never being able to earn it because Azula is there, better at a younger age, is that too much to ask? Like at this point Zuko should be smart enough to see that firebending skills are inborn and related to ~fantasy-version-of-genetics~, he should logically have seen it is not his fault and stopped trying to be Ozai or Azula MUCH earlier).

So in summary, believe it or not, I like Azula. I like the whole child prodigy golden child psychologically groomed and abused by evil father angle and I would love a redemption arc for her. I just don't like her AS an atla character. I feel like she does a disservice to Zuko by even existing due to how complex and interesting yet overpowered she is, actually. She ruins his motivations imo. Ironically enough, Zuko does not do a disservice to her, he makes her more interesting because he is a warning of what could happen to her if she is not perfect, he makes her vulnerable. But here is the deal, this would work better if she was the protagonist.

Edit: I just realized it is not just Azula who does a disservice to Zuko's story, it is the whole “Ozai straight up hated the little fucker since birth and tried to kill him before as a child therefore what he did to him was not a consequence of Zuko being compassionate as fuck, Ozai might as well have been looking for an excuse”. It just cheapens it immensely.

Zuko caring for those soldiers still counts just as much (of fucking course), but it would have been more poignant story-wise for his suffering to have also be a direct consequence of his first signs of goodness + his father being an abuser pshyco and not just the latter + Ozai always hated him because Zuko is the good guy and his father’s empire is evil so we need a way to make the children see Zuko is good and not like the rest from the beginning in a painfully simple way by making Ozai inherently hate him or smt because abusers “loving” their children in fucked up ways is too complicated

[kradogsrats]

Can humans connect to all primal sources while elves can connect to only one?

Well, let's look at the combined evidence:

Callum has connected to two primal sources, and they've been kind of arbitrary. Like presumably if he'd started with a Sun primal stone, he would have first connected to the Sun, since him having that primal stone experience is a not really insignificant part of him connecting to the Sky primal. When he connects to the Ocean primal, it's explicit that he has been focusing on it for a while, but I don't remember him expressing why he chose Ocean over others. Basically, I don't think there's anything preventing a human from connecting to any individual primal source.

We have never been told that elves cannot connect to multiple primal sources, only that they are naturally connected to one, and humans are naturally connected to zero. We were told that humans cannot connect to even a single primal source, but that was factually incorrect both past and present.

However, we have seen exactly one character in any canon material who is connected to multiple primal sources, and that's Aaravos. Startouch elves are pretty clearly something... else, so he's not really a representative sample of "elves."

Actually, in canon material, there are also very few magical artifacts that combine magic from multiple primal sources, and no known multi-source spells.

After Callum connects to a second primal, Rayla's reaction is lighthearted joking. Granted, there's a lot going on at the time, and she's the last person who would doubt Callum's ability to do the impossible, but I would expect her to acknowledge if that was something that no elf primal mage has ever done before.

Pyrda, one of the suggested player characters from Tales of Xadia (who are heavily implied to all be "canon" characters), is a Skywing elf mage "eager to experience a wider variety of primal sources" and who "believes her destiny lies in preserving the balance of magic." This could mean that her goal is to connect to other primal sources and learn their magic, or it could just be to study them and see other mages use them (or maybe someday try them herself with a primal stone). On her starting character sheet, she only has access to Sky magic.

The Tales of Xadia rules explicitly state that only human characters can be dark mages and only elves can be primal/rune mages, when discussing the character vocation—which is part of the character's background, describing essentially their career focus (i.e. are they a cook, a guard, a sailor, a mage, etc.). However, it doesn't say anywhere that vocations can't be changed as part of the character growth process, since character growth can include adding new distinctions and vocations are a type of distinction. Additionally, the actual mechanics of magic are based on a combination of a magical specialty and spell assets—for example, Pyrda has a Sky magic specialty and a Sky magic spells asset with two spells specified. Specialties and assets are also things that can be added via character growth, and there's nothing anywhere that says you can't add a Sky magic specialty to your human or other elf character.

And the Tales of Xadia rules have to accommodate Callum, because he literally has his own character sheet in there as an NPC catalyst. His vocation is "aspiring rune mage" and he has a Sky magic specialty and a Sky magic spells asset. The Tales of Xadia rulebook is pinned between s3 and s4, timeline-wise, so that's Callum at the end of s3 (his spells asset includes Manus Pluma Volantus). If a game started at the beginning of s1 with Callum as a player character, I would expect that his character sheet would undergo a few key shifts at moments of magic-related character growth: gaining the Sky primal stone as an asset, losing the primal stone as an asset but gaining the "aspiring rune mage" vocation, gaining the Sky magic specialty and initial Sky magic spells asset (with Aspiro and Fulminis), and finally improving the Sky magic spells asset with the addition of Manus Pluma Volantus.

Personally, I take the ToX rules as more suggestions about canon than necessarily 100% accurate reflections of it, because designing balanced game mechanics is very different from general worldbuilding. Also, ToX is very much written in a "do whatever the hell you want" way, strongly encouraging storytellers and players to expand or ignore things at their discretion.

Anyway, my belief is that elves can connect to multiple primal sources, just as humans can, but it's extremely rare. Elves are born with a connection to a primal source that they innately understand, and it's much easier and more worthwhile to focus on strengthening that connection than trying to establish another. (I also think it's harder for elves to connect to a second primal source than it is for humans to connect to a first one.)

Like, ignoring the whole discussion of talent versus practice, say you're a natural athlete—you're just good at any sport you try. You could pick one and with a reasonable amount of effort be Olympic-level good. At the same time, you're a really bad artist. It's not something you ever focused on, and maybe you're not a very visual person to begin with. There's absolutely nothing stopping you from working incredibly hard on being an artist, and you'd probably be able to get as good or better than someone who naturally has the qualities that make them good at art—but you still may never catch up to someone who has those qualities and has put in the same amount of effort as you have. Same thing in reverse—a naturally gifted artist who's uncoordinated and not very physical can train to become an athlete, and can conceivably become a good athlete (maybe not Olympic-level, but good). It's just... not a lot of people do that, because we generally like doing things we're good at and that are easy more than doing things we're not good at and that are hard.

There also don't really seem to be a lot of scenarios where an elf would be pressured by their community to focus on another primal source (the way that a child here in real life might be pressured by their family to be good at sports or math rather than art, or vice versa depending on their family makeup). We know... basically nothing about elf interbreeding, but it seems safe to assume that at least one parent would have a matching primal source connection with the child. Furthermore, most of the elf communities we've seen so far are very segregated, so you're just very unlikely to be part of one where you'd feel isolated because of your primal connection and pressured to pursue another. If you're a Moonshadow elf surrounded by other Moonshadow elves, and all the Moonshadow elf mages you know are Moon mages, and you're good at Moon magic because you have a Moon primal connection yourself... it just takes a pretty rare person to decide they want to be something completely different and put in the effort to actually make it happen.

I mean, heck, part of the reason Callum pursued his Sky primal connection so much was that he had experienced Sky magic and was good at it in a way that he didn't feel good about other activities. He could have stuck with his sword training and probably eventually gotten good at it (if he genuinely put in the effort rather than half-assing it because he's bad at it and hates it), but he didn't.

So basically I would say that yes, elves can connect to multiple primal sources, but it's a) hard, b) has few role models or societal pressures that encourage doing it, and c) most people just don't put that kind of effort into shit without quitting, whether because they're discouraged or because they have to do other things to survive.

[gaywizardzone]

deliriously in love with your dgm fanart. i stumbled into a full course buffet. exquisite, splendid, 10/10 no notes. do you have any DGM fic recs, bc i have suitcases full of DGM recs,

ok first of all thank you so much!! dgm is i think the thing i've drawn the most fanart for in my life cumulatively? in many bursts of insanity over the years. lol. so i have a lot of fun drawing it and i'm very honored that you like what i've made so much. also re: your other ask my worstie and collaborator ozwuv and i are working on it together since you sent it to both of us (we made a joint google doc to combine our perspectives lol) so the answer might not come from me but you'll get one!

second of all i am kind of an old livejournal era hag in terms of my taste in fanfiction in general and my history with this series in particular, so there are exactly three things in here that are less than a decade old and two of them are from 2016. naturally this means that a lot of it is now divergent with some details of how the plot and characterization and etc has actually gone (sorry to everyone back in the day who thought kanda was looking for some missing sister or something. one truly could not have possibly seen all of that coming). that said they still hold up to me in terms of general character dynamics and being fun and well written and such. recommendations also depend on what you like! i will generally not put that much shipping in here because there aren't that many of those i've read and would recommend in the first place (no hate to our strong and beautiful yaoi warriors, i used to read nearly anything back in the day, it's just that not too much of it has stuck with me) but there are some things that are so iconic to me that i could not in good conscience not include them. lots of this is kanda-centric because i like him :) putting it all below the cut

Hard Living by metisket - the aforementioned ship fic that's too iconic not to include. changed my brain chemistry when i first read it many many years ago. i seriously considered making it the only thing i put on here for a second just for the bit. To Me this is actually such a classic that it transcends shipping. the humor is very sharp and funny and i'm so in love with the concept of dying young for them meaning getting old early first and having to deal with it all together. they're so damn hilarious. it should happen to them. it does in my dreams. it never will but in my head there will always be a world where it does <3 i love to draw fanart of them as old decrepit men at 35 and maybe i'll post some of it someday. obviously it was written pre-alma so you just have to accept that it's wildly inaccurate in that regard. anyway pretty much anything this author has written for dgm is really good, i will put a few more metisket favorites on this list but check it all out even if i didn't include it. also this particular one is the inspiration for my most favoritest kanda fic <3 below

Blooming From the Mud by zarinthel - this is not just me shilling fic by someone i know. i am an absolute kanda diehard and this is really THE fic for me in terms of like hitting all the things i love about him. zar number one kanda understander. incredibly funny and compelling i don't care if you don't know anything about bleach (i don't either i haven't read it since middle school) or that you haven't read the fic it's inspired by (though you should) or that it's unfinished. you all should and in fact must read it. kanda's life is both so sad and so hilarious because of how sad it is and his pov here is just so excellently funny because he really is such a funny individual. also not a slash fic though it does really highlight how close and kind of insane his and allen's relationship is in a way that i find extremely delightful and accurate and just wonderful. they make me sick (positive). really good. so if you're a non shipper but you care about them you should read it and if you're a shipper you will also certainly enjoy it anyway so you should read it. truly for everyone!

Chimera Obscurant by moonsheen - i tend to struggle with most kanda/alma fix-it fanwork i've encountered despite loving them dearly because i rarely feel like anyone evokes the way their relationship is both strong and a bit unsettling (at least to me) without swinging around into being too edgy (i fully admit i have not explored super deeply because i get frustrated easily so i'm sure there are things that would appeal to me that i'm missing). this is one of the very few things i've read for them that i've been like yes i think this is beginning to get at the kind of atmosphere i want to see. if i remember correctly this was written before kanda came back to drag allen into accepting support and friendship so i'm just like "oh whatever" about its incompatibility with that. fanwork for ongoing stuff truly creates divergent timelines in my head. anyway this is the most nsfw thing that will end up in here and it's not particularly explicit, but heads up that it is there in case you're averse to that

In his Heart by harukami - another kanda/alma but just kanda technically. i read this and was so delighted that i made a :D face in real life. i've assimilated this into my worldview like i think this is something he would do. he's crazy like that.

Economies of Scale by liketolaugh - last kanda and alma one but this one's here less for the romantic aspect and more because i'm so endeared by the idea of fresh out of the lab kanda being so angry and miserable but also completely blindsided by all the stuff there is in the world. ten year old who is learning about so many new animals. really funny and cute and sad.

siblings, probably by scarlet666 - this one's for the kanda and lenalee enthusiasts. the best friends lovers. i love them so dearly i put the level of energy people usually put into shipping into their bestie-isms so naturally this was for me. huge shoutout to this person for writing 20k words about them if nobody else in the world has my back i know they do. i have the memory of a goldfish and this is long enough that i can't really scan quickly to refresh my memory and make more detailed comments but i know it deserves a spot on here. my note from when i bookmarked it just reads AUGHHHHHHHHHHHHHHH but i never leave a comment in that field at all usually so that speaks volumes i think. life is so beautiful sometimes. peace and love on planet earth <3

Welcome Home by metisket - for the rest of this list i am about to hit you with the metisket beam. the author whose work i most fondly remember from my youth by far, which means that's what's stuck with me and what half of my recs will be. i love this one dearly because i love a normal person perspective in insane anime settings type of fic and reever is so delightfully normal and longsuffering and also funny as hell. love how his relationship with komui is in this. not a ship fic and am not recommending it as such but it did make me in the back of my head go "komui/reever is almost like roy/riza without the war crimes for people who are cringefail mad scientist enthusiasts." sane responsible second in command type slash babysitter who is devotedly loyal to crazy irresponsible boss but also wants to kill him a little bit. they're so great to me

Growing Up by Accident by metisket - just so kanda and allen and the way their relationship is. having the exact same feelings about something but approaching it so differently that they want to attack each other. love them 4ever. the way metisket writes allen's internal voice is also delightful to me (like not JUST here but in general). he's so jaded and funny. probably my favorite allen to read out of anyone who writes him ever. and kanda is always just so...kanda.......<3

Sand Castle by metisket - (smiles and blood leaks from the side of my mouth) i love you allen walker. i love this look at allen's growth pre-series from cross' perspective and how he managed to become the hilarious twisted convoluted wonderful little freak that he is. allen is so.....everything to me truly i would never have it any other way. really kind of darkly funny but also like agonizingly emotional. delightful

Mask and Mirror by metisket - love this take on what the inside of lavi's head is like, and also the way all the character dynamics shine through even in such a short thing, they're all so wonderfully cute and funny. the sense of humor is really great. lenalee didn't even make a real appearance but even the brief mention of how she and kanda are had me giggling.

in the circus series by metisket - certified classic. i love timcanpy pov and this whole thing is just so emblematic of my fond memories of old dgm fanworks. i love anything that highlights the way they're all just so immensely fucked up to the point that it's actually incredibly absurd and funny. i'm pretty sure metisket's LJ has more mini outtakes from this series but i'm too lazy to dig through the dgm tag right now so i'll just link it so you can do it yourself if you're interested.

lastly if you're looking for someone to share your recs with you're free to! i am on a personal level picky as hell and my taste in styles and approaches to fanwork was forged in the livejournal mines and has not evolved with the times LOL but i also don't judge <3

[thotsforvillainrights]

May I request the all villain dads (and moms if there are any) when their s/o was pregnant?

(I've had to go back and dig through the masterlist because I was assuming you mean all the parent AU and I couldn't remember who all was written about. There are a few that already exist when looking on either the new or ESPECIALLY the old masterlist pinned. Also the Au's help too. I'm going to just do some off the top of my head because it would take me a while to hunt these characters down. Also I'm sorry if everyone can't fit themselves into this one. It's a specific one so you'll have to forgive me!)

~Pregnancy Reactions~

headcanon|scenario|imagine|match-up|drabble

Kai I'd imagine would be shocked at first but a small bit of relief would wash over him. Symptoms hit you hard at first so it had him rather worried about you. He was wondering if you'd been overtaken by some awful sickness. It didn't get any better when the morning nausea had kicked in. Now that he has a reason behind your suffering he at least doesn't have to worry as much about you as before. Now he can focus all his energy on the child at this point because how in the Hell could he possibly pull off being a father??? Stain or Dabi probably disappear for a very long time. I mean so long that you think you're going to be a single parent. I imagine Stain will come back to his senses long before Dabi. Luckily Dabi doesn't stay gone so long that you end up breaking things off with him. They both have reasoning of needing to clear their heads. Fatherhood has never been on the To-Do list for either of them. Nagant is surprised the transfer treatments worked. She's extremely relived when the doctor told you the transfer would be successful and the two of you were going to be parents. You both knew what you were taking on having going into this head first. Now you have the rest of forever together to figure things out. Nemoto would be the type to immediately accept things as they are. You're pregnant? Very well, then let's begin our new life as parents. He might even start to finally reconsider his blind support of Chisaki and the yakuza. That devotion was long since shaken when he'd first fallen for you. His duties have shifted. There's a small one growing that he needs to worry about now. Twice is panicking and half happy about the news. Maybe a tiny bit more panic kicks in when he starts realize just what exactly he's in for. No walk in the park but he'd be so fulfilled when he gets to meet the little one someday. They say things seem to connect when you hold them for that very first time. He's certainly no exception to this. ReDestro is prideful and over the moon at the news of course. Not just an heir to the cause but also a small piece of both you and him combined? Well that's just like magic to him. He opens his mouth and I swear he doesn't shut up about the news to anyone willing to listen to him. On and on all day long about the things he'll teach them and all the love he's got to give. There couldn't be a better husband nor father than ReDestro. Skeptic is...well...skeptical of the situation. Do you know just how much of a burden this could be? Well, when he brings it up like that then it might hurt your feelings. He's looking at things logically. Children are a massive responsibility to him. This isn't just a dog or cat...this is a living human being. He changes his tune near the end of the pregnancy. He loves you, he spends most time researching so much. He's got a digital book in his head with parenting info. He finds out soon enough that it's still not enough. Parenthood isn't easy but he's very thankful to be a dad and thankful for going through the experience with you. He's not so sure when his mind changed so much about things. But as he lulls his baby to sleep and places them gently in the crib at night, he realized he couldn't have a better life than the one you've given him.

[deusexmachinawitch]

★. Welcome to my Universe

Satella ✦ 25+ ✦ Cancer ☼ ✦ Europe ✦ She/They ✦ Bisexual ✦ INTJ ✦ Asian European ✦ Neurodivergent ✦ Spoonie

Likes: Anime & Anime ✦ Videogames ✦ Self-care ✦ Anything purple or pink ✦ Animals ✦ Books ✦ Chocolate ✦ Spirituality content ✦ Esoterism ✦ Digital Art ✦ Aromatherapy ✦ Gardening ✦ Anything that smells like lavender, vanilla or both combined

Dislikes: Coffee ✦ Tobacco ✦ Cockroaches ✦ Mess/Germs ✦ Rude people who claim they sarcastic ✦ Closed minded people ✦ Limiting beliefs or people who push their limiting beliefs on others ✦ Victim mentality ✦ Abusers ✦ Pranksters (Not everyone has your "humor") ✦ Entitlement ✦ People who undermine others

This is my personal blog to share my journey with manifestation, law of assumption and witchcraft.

I mostly reblog to not lose good resources but I'll be sharing my LoAss path with you all.

I really hope I can give back to this wonderful community someday.

Asks ☆ Open

DMs ☆ Open

• Please tag your trigger warnings.

• Do NOT trauma dump.

• I don't mind giving advice about LoAss but I'm not a therapist.

• Do not harass.

• Everyone's LoA journey and techniques are different, please respect everyone's views as long they are not hateful or harmful.

Main Techniques:

Scripting, Revision, Affirmations, SATS, Lullaby Method, Alter Ego effect, Subliminals, Breathwork with Visualization, Mental Diet.

Currently trying to manifest:

• SP (Reconciliation, Living Together, Commitment to Marriage)

• Successful career (Artist, Youtuber, Streamer, Expanding my current career to be highly respected and getting my way with things)

• Rich Mother and her getting remarried to the man of her dreams

• Home of my dreams

• Healthy pets

• Desired appearance (Weight loss, thin legs, v-shaped face, glass skin, firm bust and non-noticeable eye bags)

• Being spoiled (skin and beauty products, new clothes, any electronic device I want, merchandise, etc)

• Privileged Life (Princess treatment, Nepobaby, etc...)

• Better Health.

• Desired skills (Speak the languages I want like a native, ballet dancing, telepathy, etc).

• Magical Notebook that Manifests everything that is written in it

My Rules/Affirmations:

WIP

Friends/Blogs I enjoy:

@starbursts777 ✦ @midnightbish ✦ @blushydior ✦ @fleurlx ✦ @lotusmi ✦ @nonbinarydeity ✦ @qinraijin ✦ @charmedreincarnation ✦ @miracledarling ✦ @pearlygrace ✦ @iamthat-iam ✦ @magic-irl ✦ @angeltearsxoxo

My Law of Assumption Posts:

☆ You are a Deus Ex Machina

☆ The Monarch Butterfly

☆ 【何となく, なんくるないさ • nantonaku, nankurunaisa】 - Somehow, You Will Become It

☆ Manifestation and Mental Health

My success stories:

☆ How I revised my abusive mother into becoming a caring mother

☆ Angry roommate calming down and behaving nicely + Manifesting all of my close friends in one place even though they didn't know each other

☆ Desired appearance + Free Trip + Sudden Gifts + Making my SP jealous because I got everyone's attention on me instead of him/me having an extreme glow up during my time off while he looked rough + Invitation to an exclusive gaming party

☆ Manifesting McDonalds chicken nuggets as a manifesting exercise and ending up with 25 McDonalds chicken nuggets out of the blue lol

☆ Ridiculous cheap/free beauty products + perfect notebook for Law of Assumption + Mom buying me a pink tarot deck

☆ Roommates cleaning the whole house because I affirmed I was going to have a chill day while waiting for a game release + Having a full active Splatoon 3 team

☆ Insane luck in an anime gacha game, getting all playable characters' SR cards in just 3 days from the game opening service

☆ My Mom buying me a fancy pink tarot deck and 3 oracle decks our of the blue + My Mom suddenly buying me two other oracle decks randomly while the package with the other card decks are still on the way

☆ A Trip to Paris (Note: Trip currently postponed due to the Paris riots)

☆ Reconciling with my younger brother after 3 years of NC because he disrespected me (he apologized)

☆ A mole on one of my breasts

Results from Challenges:

☆ 3DOLC + ROE + 12 hr Movement Challenge (Birthday Edition 2023) 

Witchcraft skills:

Cartomancy, Spell Work, Kitchen Magic, Crystals, Dream Interpretation, Pendulum.

Tarot Decks:

Dark Forest Pink Vintage Tarot (Soon)

Currently NOT doing readings or other type of spell work.

[aphmeow2300]

Imagine being a devoted Theater kid by heart and decide; “Hey, I have a new hyperfixation, and I love musicals. Why not combine them both?”

INTRODUCING

WDO: A Mysteriful Musical!

Brought to you by: Aphmeow2300 and a person I would have to keep anonymous because I’m not quite sure if they’re comfortable.

This project has been in the works for I think 2 weeks now. Might as well show everyone! This is a project for fun, I hope this idea will spring into a reality someday.

DISCLAIMER: THIS PROJECT IS STILL IN THE WORKS! IF ANYONE WOULD LIKE TO PITCH IN WITH IDEAS PLEASE COME BY IN THE COMMENTS AND SUGGEST! THIS PROJECT IS GONNA TAKE A HELL OF A WHILE. SINCE I HAVE SCHOOL ALL THE HELP WILL BE APPRECIATED AND CREDITED!

- WDO: A Mysteriful Musical will have a Discord server! But for now I’m starting at the blueprint section of this project.

- If you would like to pitch in and help, DM me on Discord! aphmeow2300 (You can help with songs, instrumentals, events, scripts, etc!)

——

# REDO INFO

- This musical will be built like Heathers, it will have dialogue in between songs.

- Most songs are gonna be shortened to 2 Minutes while the most Plot Driven ones can has to 3-4 depending on which songs work.

Total Song count: 63

Reprise song count: 1

Duet Count: 23

Multicharacter songs count: 13

Solos count: 27

- DLCS will end off as a special edition but is apart of the lore still!

- Some ships will be canon here!

- Instead of removing the gunshot gabs entirely, in the prologue will be solos of all the characters and their personality summed up.

—

SONG LIST (Lyrics and All!)

# EMOJI KEY:

☑️ = Full Lyrics of song is Done

🎶 = Multi-character Duet Song (Trio songs count, Songs with Duets but with another person as the background vocals doesn't count)

🎵 = Duet Song

🎼 = Solo

CHARACTER KEY:

Yuma = YK

Shinigami = S

Yakou = YF

Desuhiko = D

Vivia = V

Halara = H

Fubuki = F

Makoto = M

Yomi = YH

Kurumi = K

SONGS IN ORDER:

# Chapter 0

**Opening song: A Death God by your side:** ☑️ 🎼

**Who are you?:** ☑️ 🎵 S,YK

*MYSTERY LABYRINTH*

**Let me show you the way!:** 🎼S, YK

**Deep Fried Puzzle** 🎵 S, YK

--

**Taking a step into Kanai Ward:** 🎼 YF

# PROLOGUE

**Ways of a Detective:** 🎶 ALL NDA

**Money Runs the World:**🎼 H

**Matchboy:**🎼 D

**1 Heart, 2 Heart, 3 hearts, 4:**🎼 F

**A Story to Tell:**🎼 V

# CHAPTER 1:

**An Expensive Task:** 🎵 H, YK

**Devils Authority:** 🎶 H, YK, S, OTHERS.

*MYSTERY LABYRINTH*

**A Lucky Gamble:**🎼 H

**A nail in the Coffin:** 🎶 H, YK, S

# CHAPTER 2

**The Informants always right!:** 🎵 K,YK (S in the background vocals)

**Recruiting the Flirt:** 🎵 D, YK

**Let's get Girly!:** 🎵 D, YK

**A Shameful Disguise:**🎼 YK

**Undercover:** 🎶 D, YK, S, K, OTHERS

*MYSTERY LABYRINTH*

**A star upon the Spotlight:**🎼 D

**Theatrical Suicide:** 🎶 D,YK, S

# CHAPTER 3

**Masked:**🎼 M

**Resistance:** 🎶 YK, S, OTHERS

**Accidental Troublemaker:**🎼 YK

**Focus:** 🎵 YK, F

*MYSTERY LABYRINTH*

**An Adventurers Rare Encounter!:**🎼 F

**Drowning Yourselves in Insults:** 🎵 S, F, YK AS SUPPORT

**Ticking Time Bomb:** 🎶 S, F, YK

# INTERMISSION

**Tugging at my Heart Strings:** 🎵 YK, D

**Amnesiac’s Love Crisis:**🎼 YK

**Hidden Key to my Heart:** 🎵 D, YK

**Strike of Jealousy:** 🎼 D

**Eclipse Interlude** 🎵 YK, D

**The Flame You Lit Inside Me:** 🎵 YF, V

# CHAPTER 4:

**Illegally Steering:** 🎵 M, YK

**Red Head’s Revenge:** 🎶 YH, M, YK

**Worthless Trainee:** 🎼YK

**Saved by the Bell:** 🎶 YK, D, YF

**Companion-Bot:**🎶 YK, D, F

**A Detective's Lie:** 🎼 YF

**A tearful Farewell:** 🎶 ALL NDA

**Threatening Projection:** 🎵 V, YK

*MYSTERY LABYRINTH*

**In Defense:**🎼 V

**Breaking Point:**🎼 YK

**A Chief’s Duty:** 🎶 Y, V, YK, S (VIVIA DOESNT SING, HE FIGHTS YUMA WITH A VIOLIN SOLO WHILE YAKOU ACTUALLY SINGS TO YUMA)

**Dear Vivia:** 🎵 YF, V

**Fountain Full of Guilt:**🎼 YK

**Leniency:** 🎵 S, YF

# Chapter 5

**Is This All a Joke?:** 🎼 YK

**Breaking Point Reprise:**🎼 YK

**Thank You:** 🎵 YK, YF

**Our Final Dance:** 🎵 YK, S

*MYSTERY LABYRINTH*

**Homunculi's Lullaby:**🎼 YK (MAKOTO AS BACKGROUND VOCALS)

**Let's play Charades:** 🎵 M, YK

**Identity Thief:**🎼YK

**Take a chance:**🎼 S (Yuma as background duet)

**Lets play charades Reprise:** 🎵 M, YK

**Dewdrop Downfall** 🎵 M, YK

**It’s been fun:** 🎵 M, YK, S

**Seal the Deal:** 🎵 S, YK

# Epilogue

**Forgotten solution:**🎼 YK

**It's Time to say Goodbye:** 🎶 ALL NDA + KURUMI

**A Peaceful Death:**🎼 S

—

INSTRUMENTALS AND NEW THEMES

# Main themes

A Merciful God - Shinigami’s Theme

Amnesiac’s Burned Memory - Yuma’s theme

A Detective’s Spotlight - Desuhiko’s theme

A Detective's Call - Yakou’s Theme

Dissociation - Vivia’s Theme

Timeless Melody - Fubuki’s Theme (Sounds like a music box and intro and outro can include reversing and replaying the music box)

Cats got my tongue - Halara’s theme

A mysterious Masquarade - Makoto’s theme

Despising Detectives - Yomi’s theme

Secrets Unveiled - Kurumi’s theme

Reminisce - Number One’s theme

~~

Duets and general Instrumentals

A Nightowl’s soft Lullaby - Played when Vivia and Yakou are together

Shinigami Solo Theme: A farewell to your Mentor (Specifically played in chapter 5)

Twimare’s Tango - Vivia and Halara’s duet theme (Harp and Violin)

Intro game Music Reprise & Remix

A mysterious masquarade - Chapter 3 BEGINNING

Feeling rather blue - Chapter 4

A mysterious masquarade reprise - Chapter 5

Amnesiac’s Final Decision - Chapter 5 (played while Yumas dialogue to choose)

Windy Nostalgia - Kuruma's Theme

A Haunting recall - instrumental when N1 has deja vu about Shinigami

Rain rain goodbye, may we meet again someday - Ending Kokobolt theme

_____

Honestly everything’s all over the place, and I want this to be a really well made project. Though schools in the way. Thank you for your time for me to introduce this very underworked project!~

[thestobingirlie]

i think one reason i personally see a decrease in quality in stranger things is the fact that in the first couple seasons, though all the characters have their own storylines going on, they were all connected by one overarching plot. and as the seasons go by, that overarching plot just makes less and less sense, and doesn’t really connect the plots in any meaningful way.

so, take season one, though the adults are generally focusing on the government, the teens on the demogorgon and the kids on el, all of those plots are ultimately connected to finding will. they’re all moving towards the same goal.

we first start to see the disconnect in season two. the first two plots, will’s possession and the demodogs, are still both connected to the mind flayer. he’s the big bad they have to defeat this season. but el’s plot, and nancy and jonathan’s have nothing to do with the mind flayer. el’s plot is about finding herself/her history, and jancy’s is about justice for barb. i can excuse el’s plot not being connected because ultimately she uses what she’s learnt to defeat the mind flayer. but nancy and jonathan have nothing to really do come the end of the season except join someone else’s storyline. and i think that’s why i find the ‘justice for barb’ storyline kinda… clunky? they talk about “we only hang out when the worlds about to end” but they don’t know that. they have no idea anything to do with the upside down is happening until they’re told.

then season three, we’ve suddenly got an entire russian invasion that scoops troop gets themselves sucked into, and the griswold family are running around after flayed monsters. besides the fact that the russians opened the gate, they’re two entirely different storylines, especially considering that the russians don’t know about the mind flayer. they’re not running around trying to cover up what they’re doing like the american government in season one. then you’ve got the adults running around trying to figure out why people are being pushed off their land and getting chased by the terminator.

in season one, when everyone came together, they all knew will was alive, all they had to do was combine their information to figure out how to save him. but when everyone comes together in season three, they all have entirely different stories that have little to nothing to do with the other. scoops troop got tortured to figure out the russians opened a gate, but the adults were just told. what was the point lmao. (this also just… doesn’t make sense when you think about the fact that this is the third year they’ve all been through something life threatening, and no one tries to reunite or share information before the forth of july. jopper fully leave their kids behind with no care, steve and dustin don’t try to tell the others about the russians, and the others don’t seem to a gaf that two of their friends have dropped off the face of the earth while the mind flayer is going around flaying and killing.)

season four is the worst offender yet. not only are the storylines connected by a thread at best, they’re not even all in america. hawkins gang is trying to defeat the latest ud monster, el is taking a trip down memory lane and relearning exactly what she did in season two, because apparently brenner just magically knew henry would pop back up someday. the cali crew is just trying to find el, and going all the way to utah to do it. and joyce is abandoning her children to get some dick all the way in fucking russia. and the russians somehow have the mind flayer in a box. despite the fact their gate never opened more than a crack, so how did that even happen? i think the duffers knew their plots were so mismatched and tried to connect them but just failed. despite the fact venca’s the big bad of the season, two of the storylines have nothing to do with him. the duffers make up contrived reasons for why no one is contacting each other once again, but i think this style just does not make sense anymore.

in season one, of course they’re not sharing anything, but by this point, with the scale of the monsters they’re up against, why would the cali crew not just stop at a pay phone?

anyway, yeah <3 i think all the disconnected plots make it harder to engage in and enjoy the show, especially because most people spent season four just waiting for their favourite characters to pop up again. and this isn’t even getting into how many useless side characters the duffers keep pushing in. making longer seasons won’t help the show unless they actually use that time for their characters, and not just more and more plotlines.

i honestly think the show would’ve been far better off if they never introduced russia as an actual enemy and just left them a looming threat. a reminder that people are looking out of the country to find enemies, when the government killing citizens and covering it up and hurting children is their own. but that’s a different conversation lmao

tl;dr - season one is about finding will. season two is about defeating the mind flayer and closing the gate, and justice for barb. season three is about stopping the russians and defeating the mind flayer and closing the gate… again but in an even bigger way this time!! season four is about el getting her powers back, and defeating the russians and killing their ud monsters, and two divisions of the american government (one we’re supposed to side with, but both abuse kids), and a man stuck in the ud who is also a serial killer killing kids. it’s also about finding el, and a satanic panic. somehow. the seasons have just gotten too busy! too many characters, and not enough time.

[lucyav13]

Characters

This chapter will be dedicated to all those characters who accompanied us on our adventure for the pure hearts, so I hope you like it :) 

Queen Jaydes, Grambi y Luvbi

(Image credits to its author)

Queen Jaydes is the kind-hearted (but strict) queen of Underwhere. As ruler of The Underwhere, she possesses power over life and death. Queen Jaydes is named hence the god of the underworld in Greek mythology, Hades, as well as "upset," meaning "unenthusiastic" or "bored" (both qualities she possesses). Fun fact: she bears a certain resemblance to the Queen of Shadows.

Following Dimentio's defeat, Jaydes travels to The Overthere upon learning that Luvbi has returned to life. There, she promises to give Luvbi all the love she can and encourages the heroes to visit her to judge her when they finish her games, as thanks for her hard work.

Gambi

His name is a portmanteau of "grandfather" and "Nimbi."

Just as Jaydes is based on Hades, the ancient Greek lord of the underworld, Gambi may be based on Zeus, the sky god and ruler of Mount Olympus in Greek mythology. Additionally, as The Overthere also borrows from Christian theism, certain aspects of Gambi are shared with God, such as his position as head of the angelic Nimbis and his conflict with Bonechill (whose story closely resembles that of Lucifer). However, Grambi is not credited with creating the world or life and is neither omniscient nor omnipotent.

Luvbi

Her name is a combination of the words "love" and "Nimbi." After Bonechill's defeat, Luvbi assumes his true form to save all the worlds. After saving all the worlds, Luvbi recreates herself as a true Nimbi girl independent of the white Pure Heart. (A/N: I have a theory that explains how, so check out the Pure Hearts chapter ;))

Fun Fact: Luvbi plays a similar role to TEC-XX from the previous game, in that they both make a sacrifice to help Mario and his friends at the end of Chapter 7, only to be inexplicably revived upon Mario's defeat the final boss.

Kalamarx

After the heroes defeat Mr. L in the heart of the Whoa Zone, Squirps reveals to them that he is the prince of a forgotten kingdom, Squirpia, and that his mother, Squirpina XIV, was entrusted with the Pure Heart by the Ancients. She then placed Squirps in a hibernation capsule for 1,500 years, so that he could lead the heroes to the Whoa Zone when they arrived in Outer Space. After relaying his mother's message to them asking them to save all worlds, the prince hands over the Blue Pure Heart. The post-chapter narration reads that, his quest finally done, Squirps lay down near the statue of his mother and closed his eyes to rest. He was presumed dead by the heroes; however, returning to Outer Space at any time afterward reveals that he had only fallen asleep, and the player can replay the chapter as normal.

After beating the game, the heroes can find Squirps in the Whoa Zone near his mother's statue, assuring her of the world's safety and that he would restore Squirpia someday.

Tipptron, with her tattle says: His full name is Squirp Korogaline Squirpina. It seems he is actually the prince of a space kingdom... He dreams of ascending the throne someday. I'm sure he has what it takes...

Some fun facts: Squirps' reaction to being fed a chocolate bar can be seen as a callback to Gourmet Guy from the original Paper Mario, who acted similarly when fed Cake and also impeded Mario's progress in Chapter 4 of that game.

He is also somewhat similar to Flavio, as both claim themselves to be gourmets and are initially hesitant to accept the edibles Mario brings them.

Excluding enemies, Squirps is the only character in the game who flips into 3D as the player does; this is the case even when they visit him in the Whoa Zone.

Squirps is the second character in the Paper Mario series to fall asleep and be mistaken for dead by Mario and co., with Admiral Bobbery being the first.

[meluiloth]

Unwritten Fic Ideas Game

I was tagged by @from-the-coffee-shop-in-edoras to participate in this game (thanks a lot!!) and I had to sort through my work-in-progress ideas (which I listed in this post) and my unwritten ideas, a few of which are included in the aforementioned post. Fortunately, I do have a few others that I haven't even started writing. I will say that these ideas are very rough, don't seem to go anywhere so far, and probably will never be completed!

Basically, my ideas come first from characters that I dream up, and as I develop their backstories and personalities, I think of compelling plots for them! Unfortunately, it takes a very special combination of elements to result in a well-formed, plausible story for these characters, and a lot of them just end as concepts, which is what you'll mostly see here. I also feel like because a lot of my fics center around original characters, I have to work a little harder to earn people's interest in my stories (especially since the characters in question aren't the traditionally moral, attractive, and skilled characters that a lot of the readers on my preferred platform naturally gravitate to, Esandryya especially).

Another reason these stories haven't really taken off the ground is because I always write from my heart, and if I'm going to write a story, it has to have a deep and real meaning that compels me (like Healing Hands, Traitor, and Misfit). If a story idea doesn't have that, I probably won't end up writing it. ¯\_(ツ)_/¯

Anyways, enough about me, here are the ideas!

Tooth and Claw - Basically a comprehensive research novel written by Sauron about his development of the werewolves, which will then follow the story of a young, later-generation werewolf who escapes from him and does her own thing in Harad (likely to join a band of Haradrim renegades seeking to overthrow Sauron). I do actually have a bit of lore for this story, particularly about the main character, her friends/family, and Sauron's development of the werewolves.

Finglain - Finglain is just a character floating around in my head who I really love (I actually created him during an rp!). He is a prince of Sirion, albino and deaf (but he's incredibly good at Osanwe to make up for his lack of hearing). His father is an exiled Noldo Lord and whose mother is a Sinda Lady. Basically, his family's goal is to find a way back to Valinor (because both of his parents deeply yearn to go to Valinor, his father because he regrets leaving and his mother because she regrets not following Orome in the first place), and because Finglain doesn't technically have the Curse on him, a lot of hope rides on him to find a way, and his story would be about his search for Valinor. He befriends Osse and Uinen and gets captured by Sauron at some point. Because I feel like he doesn't have a substantial story, I haven't really given much thought to writing one about him, but maybe someday...

Cuithil - I feel like this guy has a lot of potential, I just don't really know a story for him. Cúroen is a Maia of Irmo and Vaire, whose powers are of dreams, illusions, and prophecies. His purpose was to deliver Irmo's dreams and Vaire's visions to the peoples of Middle-Earth, but he desired to make his own dreams, rather than just delivering ones created by Irmo and Vaire - but Irmo said it was not his station to create. Infuriated and resentful, Cúroen fled their service and lived in Helcaraxe for many years, trying and failing to perfect the art of dream-weaving. Melkor learned of his existence while he was in Valinor and saw an opportunity to corrupt Cúroen, so he sent Mairon to try and persuade him to join them. Cúroen listened to his words and decided to join them, becoming Fuithil, Master of Nightmares. He dwelt in Angband mainly for the purpose of honing his experiments (always wanting to find the secret to making dreams), and was perfectly content to follow Melkor's orders of using his nightmares on captives to interrogate or torture them, usually driving them to insanity. In the Second Age, he and Mairon worked together to try and overcome Numenor; Fuithil fabricated a 'prophecy' for Ar-Pharazon, in which he conquered the world with the help of Annatar. However, when Numenor fell, he was overcome with grief, shame, and terror, and he realized how terrible all he had done was; he returned to Valinor in shame, begging forgiveness from the Valar, and was sentenced to prison in Mandos for an Age. In the Third Age, he was released - but too ashamed to return to the service of Irmo, he pledged himself to Nienna.

Anyways that was super long, but I like to overexplain and I love talking about my characters, so if any of you are interested to know more, send asks!

Tagging @frodothefair, @dreambigdreamz, @sotwk, and anyone else who wants to participate!!

[declawedwildcat]

ooh! curious about touch starved Haru v2.

You both asked the same one within seconds of each other haha, combining them here!

My previous stories and the current state of my blog will make it look like I'm lying lol, but this fic has nothing to do with Touchstarved the visual novel and is actually the oldest doc in the bunch. According to the file history I started it back in October.

It's a fic that I've wanted to write ever since getting back into Free, but I just can't get it to form correctly - as the v2 implies I had a draft of it that I started, and for the first time ever the vibes were so wrong that I scrapped it and went back to square one. That helped some and I got about twice as far, but now I'm back to being dissatisfied with the tone/direction on the page not conveying the story I actually wanted to write and haven't even poked at it in months. Despite being the WIP I was the most passionate about, it's also the one I'm the least confident of ever finishing enough to warrant posting.

Content-wise it's a canon compliant rinharu fic told from Haru's POV and meant to be a character-study-esque look at the intersection of touch aversion and touch starvation, the confusing and frustrating sensation of craving physical contact from one emotionally significant person yet being unable to accept it from almost anyone else. It's hopelessly self-indulgent, projection central, and it would be nice to complete it someday when the block lifts and I'm able to get back in a writing routine. I've shared a few lines of it in Word Game Wednesdays and the like, but I'll tack on a snippet that may or may not make it into future versions:

Before now Haru had never really considered himself as living alone. He did, obviously, on an objective level, but it didn’t feel alone in that way. It had been years since he lived with his parents, and his friends visited semi-regularly, so it wasn’t a conscious way of life so much as the default state that both he and the house existed in. He just lived, period. It didn’t feel like that anymore.

{WIP Ask Game}

[public-trans-it]

Figured I would make a post of all my various FFXIV OC's.

Warning: There are more than just these 4, those are just the big ones. Also, this is like 5 years' worth of weekly RP with my FC, and we very much leaned into the absurd over-the-top fantasy of the FF series. So, like... boy HOWDY is this gonna be a lot. Edit after finishing writing this draft: it was far more than I thought oh my god I forgot how bullshit all of this was. However I added a clear indicator of where you can skip the most bullshit parts.

(All infoblocks are how the character would describe themselves. Summaries are (mostly) my own words, unless I think its really funny to not do so.)

Read More

I also have redacted a lot of info about other people's characters cause I'm not entirely comfortable sharing all of them here. So the names of other characters, and also my FC's name, are entirely removed. I've also tweaked some of the details slightly, mostly just the timing of certain events, and combining/removing a couple of the T'alia's (yes there used to be more). Also spoilers for a few bits of MSQ, but does include things up to the end of Endwalker.

If you don't want what is basically a summary of a four year long RP campaign, you can get the short version by just reading the entries for the four characters listed above.

Name: T'sraetn Slein Race: Miqo'te/Garlean (Mixed race) Clan: Seeker of the Sun Gender: Cis(ish) Woman (She/Her)

T'sraetn was born in the capital city of Garlemald, child of a garlean scientist, Varrick lux Slein, and a miqo'te conscript-engineer, T'alia Raio. Her father was researching the Echo, trying to find ways to replicate its effects with a garlean soul. When the Garlond Ironworks rebelled and fled for Eorzea, T'sraetn's family fled with them, though Varrick was killed in the process, his research stolen by his former boss, Aulus mal Asina.

T'sraetn became fascinated by all forms of magic in Eorzea, following the paths of the Arcanist before branching out to other fields. She continued to find stronger and stronger opponents to test her magical prowess against, eventually awakening to the Echo and being recruited to the Scions.

The events of 1.0 through Stormblood happen relatively the same as they do in the game, though T'sraetn went missing after the battle with Shinryu. She reappeared once again after the events of Shadowbringers 5.3 (sort of, see below), now sporting several cybernetic augments throughout her body, with all of her limbs being fully cybernetic.

She initially had no issues with her augments, barring a few exceptions. However, after the events of Endwalker, she grew to hate them. She believed these augments were the only thing that allowed her to survive her fight against Zenos and that he should have been the one to walk away from their final confrontation. She eventually underwent a dangerous procedure to remove her augments and replace her limbs with vat-grown cloned organic transplants.

T'sraetns version of the Echo manifests it in a bizarre temporal distortion. Time feels as if it passes differently for her, with her experiencing weeks or months in the span of time that others claim to only experience days. In combat, she experiences her own death over and over again until, eventually, she survives the fight. The way that Zenos and Fordola experience their Resonance makes her feel a kinship with them in this regard, and has lead to her developing an unhealthy obsession with both of them.

T'sraetn has grown disillusioned with the life of adventure, and now spend much of her time drinking and reliving her fight with Zenos, hoping at some point she will discover her life since that point was just a very long vision, and if she just did something different in the fight, they would both have survived.

The rare times she is sober, she spends studying the primal Alexander, as well as the remains of the Tycoon in the depths of the Crystal Tower on the First, hoping to someday unlock the secret of how G'raha managed to change the past, while she continues to fail.

She funds these expeditions by selling her services to the goblins of the Wolves Den, helping them refine and test their designs for human pilots.

(Here she is, Ms. Warrior of Light herself. I do find it hilarious that 'Mech Pilot' is a lore friendly profession to have, so I had to go for it. I technically have two versions of T'sraetn! (Well... 3) One is the version I used in my Free Company's weekly roleplay for about 4 years, who is not actually the Warrior of Light, and the other is, in fact, the Warrior of Light herself. However, everything canon to the FC version is more or less canon to the WoL version. We won't be getting into the third version on a SFW blog. The bit about her dad was written back in Heavensward. Needless to say, I was absolutely DELIGHTED once Stormblood was released, and a large chunk of the plot focused on exactly that.)

Name: Killer Kweh Race: Unknown Clan: Unknown Gender: Unknown (They/Them)

Killer Kweh is a vigilante who began to harass T'sraetn's FC around the events of late Shadowbringers, keeping tabs on the various villains and scoundrels that the FC let slip away, thinking the power of friendship would be enough to save the day. Together with their chocobo, Wark Warrior, the two would track down and kill those the FC had spared. They eventually began to confront the FC, trying to pressure them into no longer forgiving those who wronged them.

Their identity remains a mystery to this day, and will likely never be discovered, no matter how often the other FC members says things like "T'sraetn the mask doesn't even cover all your hair, and we can clearly still see your tail." or "Can you hide your chocobo's costume somewhere else? We need to clean the stables."

(I kept this glam and now use it for PLD/RDM. Originally I was actually planning to have Killer Kweh be an entirely different character, but the FC kept making jokes about the tail showing, and I decided to roll with it cause having it just be T'sraetn the whole time was FAR funnier tbh, and we needed something light hearted at the time.)

If you don't want to read a whole boatload of FC lore, you should skip all of this. (Scroll down until you see the quest complete)

Name: T'alia Raio Race: Miqo'te Clan: Seeker of the Sun Gender: Cis Woman (She/Her)

The first of the many, many, MANY faces of T'alia, who served as one of the central antagonists for much of the FC's life.

As mentioned above, T'alia was an engineer working in Garlemald before her family attempted to flee alongside the Garlond Ironworks, her husband being killed in the process. Wrought with guilt over his death, T'alia vowed to attempt to continue his research once they arrived in Eorzea, studying the soul and how various things could affect it.

Where her husband turned to the Echo, T'alia instead turned to the void, and to the tempering effect of primals. She made a pact with a voidsent, offering it not her own soul, but the soul of her research subjects, in return for studying its effects on them.

She eventually joined a Free Company, finding them to be perfect test subjects and developing an obsession with helping them grow stronger. She carefully examined and documented the effects on them and their aether after various fights with primals and voidsent, all under the guise of helping them grow stronger.

The idea of the FC needing to grow stronger became more and more compulsive, culminating in her trying to graft the soul of her voidsent into the aether of an injured FC member, an act which was the last straw and resulted in the FC turning on her.

She harbored no ill will against the adventurers, and continued her experiments from a distance, using facilities within abandoned garlean bases to construct various monsters for the free company to "train" against, frequently against their will.

(The FC I was with from 1.0 up to Stormblood Launch had a lot of drama. I originally made T'alia as a way to shop around and play with other FC's. When I joined my current FC, they mentioned not having any real dedicated antagonist for their RPs, and so I decided before the first RP I joined that T'alia was eventually going to make a heel turn, and played her as friendly but also very clearly having an ulterior motive. Also T'alia is still my MCH glam!)

Name: T'alia Raio Kime Race: Disembodied Soul Chimera Clan: Specter Yeah :) Gender: Monster (It/She/He)

T'alia's research into metempsychosis culminated in the preservation of her soul, at the cost of the willing destruction of her own body, obtaining a state not unlike those of the Ascians. She began growing multitudes of clones of herself, experimenting on them, merging them with beast men, and creating terrifying new chimerical bodies with which she continued to 'test the potential' of the FC.

However, these bodies and her soul mixed like water and oil, and she was never able to fully utilize them. While each one was quite powerful on its own, under her control they were exceedingly frail, and she would find her soul being ejected from them long before the point the body itself failed. This eventually forced her to turn back to her original field of engineering, augmenting these bodies with cybernetic enhancements.

Eventually, she invited the FC to one of her most ambitions plans to date, which she referred to as "The Merger", a combination wedding ceremony and business merger between both herself, and another rival of the FC's who also was heavily proficient in the field of engineering. This event was, in truth, an experiment where she splintered the timeline and merged it together again. During one timeline, an FC member was killed and replaced with a cybernetic replica crafted by T'alia and her new wife, while in the other timeline the FC member lived on as normal.

T'alia's plans for all of this were seemingly lost when her corpse was discovered in some ruins, impaled by a chunk of white auracite that kept her from escaping the vessel she was inhabiting. This drove her wife deeper into despair, and the widow blamed the FC for allowing this to happen, becoming a far bigger threat to them in the process.

(It was a running joke in our RPs that T'alia would keep getting called an Ascian, only to respond, "I still don't know what that is..." While she did achieve a similar form, it was elusively through her own research, and she never had any affiliation with the Ascians/Ancients)

Name: Tali Race: Various Clan: Various Gender: Nonbinary (She/Her)

Shortly after T'alia's death, one of her augmented clones began interacting with the FC. She revealed she was the one who killed the 'real' T'alia, an action she had no choice in taking. Several of this clones augments allowed T'alia to control her remotely, and she had taken control of her body to kill herself. These augments still remained in place, and even with no one controlling them now, they still prevented certain actions, such as revealing what T'alia was planning.

This T'alia clone continued to work alongside the FC, eventually being welcomed with open arms as a full fledged member, with the FC renaming her 'Tali' to differentiate her from her creator.

While Tali already differed significantly from her creator, she felt a deep unease about being compared to her. She took up the gunblade and began to dabble in various shape changing magics in order to further differentiate herself from T'alia, resulting in frequent damage to her body and need for replacements of her various artificial limbs. All the while, unfamiliar memories began to surface in her mind, revealing that the memories of T'alia's own past that she had planted in Tali weren't sticking.

While she was unable to reveal T'alia's plans to the FC, she was more than able to be reckless about leaving around too many maps about where T'alia's various facilities were located, leading the FC on missions to shut them down and uncover more details about T'alia's plans, with Tali quickly piecing the details together and becoming both more distressed and more frantic to get the FC to uncover the rest.

Over the course of these expeditions the FC found T'alia's main base: a facility located in a rift in spacetime filled with a massive number of clones. Thousands of clones of T'alia, as well as hundreds of clones of every single FC member.

This facility housed enough clues for the FC to realize two things: first, that T'alia was being coerced into her actions by some other entity that she had been plotting against, and second, Tali's differences to T'alia came not from her augmentations, but from the the fact that she was never a clone of T'alia at all, but her own daughter T'sraetn, augmented and brainwashed into becoming a pawn for T'alia to use.

(Yes the DPS symbol on the blue background is intentional. It's a joke about me always off-tanking at the time, and being a 'Blue DPS'. The name Tali was actually a typo from an FC member addressing her, but everyone immediately realized it would be a great way to differentiate this other version of T'alia, and so we kept it. Also, we had a running joke in our RP's that Tali's arms just fell right off about once per RP night.)

Name: T'alia Allengray Race: Miqo'te Clan: Seeker of the Sun Gender: Cis Woman (She/Her)

Pouring over T'alia's research notes, T'sraetn and the FC eventually found the source of what T'alia had been pushing them all towards, the entity that had plagued her for her entire life: T'alia.

This other T'alia eventually made her presence known by possessing a shape changing quicksilver construct that the FC had defeated, forming a new body for herself. Taking the old T'alia's role as antagonist (though never posing anywhere near as much a direct threat), she was happy to monologue to the FC, and even gave them a linkpearl to answer any questions they might have.

This other T'alia (who the FC simply refered to by her surname, Allengray) was a copy of herself from a different timeline, who had trapped herself in a perpetual timeloop that lasted from the moment of her birth, to the moment of her death. Her original self became nothing more than a disembodied specter within the loop, forced to observe the same events play out over and over again. Over the course of the more than 5 million years she spent trapped in the loop, she slowly gained the ability to subtly influence the members of her FC, with a far bigger influence on each loops iteration of herself.

In her original timeline, Allengray and the FC had fought a devastatingly powerful primal, Lich. As they began to realize their conventional methods of killing primals would not affect it, they eventually chose to build a temporal cage, crafted from the remains of Alexander. The device would contain one aetheric being, and one mortal being, binding the two together. Lich would be trapped within it, and bound to the lifespan of whoever activated the device. While Allengray was not the one selected to bear that burden, she stole the device in the dead of night and sacrificed herself to it, rather than watch any of her friends suffer. Instead, she was left to be tortured for millions of years, watching Lich kill her friends over and over again while she could do little more than watch, and whisper to each version of herself to beg them to find a way to stop it.

(Another kept glam! Allengray is my BLU glam. I actually introduced her as a palette swapped version of another FC members 'Monster of the Week', which was the quicksilver construct that Allengray possessed. She was a bit of an amnesiac trickster for a bit, as her soul adjusted to her new body.)

Name: T'alia Allengray Lich Race: Primal Clan: Aetheric Parasite Gender: Primal (It/Its)

Eventually, Allengray revealed Lich's true nature. Unlike other primals, Lich did not exist as a body. It was more of a parasite that existed in the lifestream, devouring the souls of those who died, which is why it had been so difficult to find a way to stop. And over the course of hundreds of loops, it had grown and adapted to exist within a person's aether, feeding off of them.

Specifically, that of Allengray, where it had latched itself into and fully consumed her. While the timeloop was still connected to the lifespan of each timeline's T'alia, Lich was free to wreck whatever havoc it wanted on the FC, manipulating the timeline to ensure they would suffer over and over again to amuse itself. Even if they found a way to kill it, which the FC occasionally managed to do, the timeline would still be reset on its death, meaning the most the FC would ever be able to do to it is doom another timeline to be the victim of its wrath.

Moreover, with this timelines T'alia now trapped in white auracite, she could never truly die, allowing Lich to remain in this timeline indefinitely.

This timelines T'alia (which is T'alia Raio, in case you lost track. Very understandble if you did.) still managed to get the last laugh. Through their various interactions, the FC of this timeline had become a force of abominations. Fractured primals, artificial constructs, temporal anomalies, and voidtouched avatars, all untouchable by Lich. A fierce battle ensued, Lich toying with FC with the knowledge that killing it wouldn't stop it, even as it clearly grew frustrated.

In the final moment of the battle, the FC revealed their ace in the hole, one of their enemies who had a far bigger grudge against Lich than anyone in the FC. The wife of this timelines T'alia, holding a recreation of the device that trapped Lich and Allengray in the timeloop in one hand, and the white auracite that held her wifes soul in the other. Binding the device to herself and her wife, the two became banished from this timeline to spend eternity with one another, replacing Lich and Allengray in the loop.

Lich did not have time to make its feelings on this development known, as the FC shredded it apart and destroyed it for good.

(I've always fucking loved the concept behind Lich, because in case it wasn't clear by now, I am ABSOLUTELY FASCINATED by death and how we relate to it, and wish Lich had a bigger role in Final Fantasy (I love you Stranger of Paradise). In XIV in particular I felt it had so much potential as a primal. Plus "Killing the embodiment of death itself" is such a final fantasy ass final boss. We did later get something like that in Endwalker, but I'm still very happy with my take on it.)

(Additional fun fact: this timeline is the 72,323nd loop that Lich and Allengray were trapped in. Since I'm going with a dumb quest formatting for this, I'll say first person to correctly guess why I chose that number gets... idk... a trust banner of their character and/or a wallpaper made of them? This post contains all the information an FFXIV player would need to guess why I chose that number.)

Name: Noraliene Haillenarte Race: Elezen Clan: Wildwood Gender: Cis Woman (She/Her)

Despite all appearances, Noraliene is an elezen born to House Haillenarte in Ishgard. A member of House Dzemael dosed her drink with a fantasia during a banquet, and when she awoke the next morning as an Au Ra, she found herself the target of a horrible campaign to undermine House Haillenarte by claiming they are heretics, as well as an attempt to use her as "proof" that Au Ra are companions to dragons and must be purged from the city.

She was exiled by her family and escaped the city the next day, being pursued by several members of the Ishgardian Church seeking to kill her for her supposed heresy. Cold and exhausted, she eventually collapsed in the snow, where she claims she froze to death before being resurrected. In truth, she was rescued before that point by Ysayle, and her blue skin is a result of being tempered by Shiva.

After Ysayle's death, Noraliene took her place and helped lead her followers in reintegrating into Ishgard. She had no desire to return to the place of so many bad memories, however, and decided to join up with T'alia's FC shortly after T'alia revealed her true colors, granting them her aid as the new avatar of Shiva.

Despite her tragic past and icy aesthetic, she actually has a very warm and bubbly personality, eager to share her love of Doman Romance novels with anyone who will listen, and excitedly prying into the love life of anyone who was willing to share. She eventually grew tired of the constant stress and drama of being an adventurer and married another Ishgardian exile, choosing to move far away from Eorzea with her new wife.

(Did I make this character just as an excuse to spam the Diamond Dust emote during RP nights? You can't prove that. She was actually made so that I could join the RP easier when other people wanted to host an RP, instead of trying to bullshit together another reason why the FC was just willing to team up with T'alia again. The Diamond Dust spam was just a bonus. I also have a 26 page screenshot comic about her origin story that I've written out, and just need to actually take the screenshots for, but EFFORT...)

Name: Muddied Glory Race: Au Ra Clan: Raen/Xaela (Mixed race) Gender: Cis Woman (She/Her)

Muddied Glory is the orphan daughter of a Raen and a Xaela who were both killed touring Eorzea while she was just an infant. She was placed into the foster care of a Hellsguard woman, who gave her the name she has now.

At a very young age, Glory was adopted by the Church of Halone, where she became a devoted follower of their doctrine. As she grew, she would eventually find herself blessed by Halone with visions into the lives of those she would grant absolution (Its just the Echo), and very rarely, she will wake up in the morning with no memory of the previous night, the events of her own life falling away so her memory could instead be filled with the knowledge of a killer who must be brought to justice, delivered to her through the eyes of their victim.

Her conviction of faith is never stronger than when she faces on these killers, and from the moment they lock eyes with her, before even a single word is said, they are filled with the terrifying knowledge that she is there to bring them to justice. (This is the usual reaction people have when the woman they killed last night shows up in front of them.)

(Glory is me going "Hey remember that one Sahagin Priest in MSQ? Where we learned what a fully realized Echo was capable of? Yeah we need more of that", with the additional silliness of the character in question having no idea it's happening to her. Once again, I was very excited when Zenos exhibited the same ability, and then again with the In From The Cold solo duty in Endwalker.)

Name: Ifrit's Bride Race: Tempered Clan: Thrall Gender: Seemingly Trans Woman (It/She)

While there has not been a cure until very recently, being tempered has never been a 'one and done' affair. A primal is fully capable of tempering a single person multiple times, corrupting them far beyond the point of recognizability, as seen most commonly in Leviathan's drowned.

Ifrit's Bride is an example of that. It is unknown what rank or purpose she served among the followers of Ifrit, only that it was far more aetherially corrupted than was the norm for the followers of Ifrit.

After plaguing them for years, she was eventually captured by the Brotherhood of Ash where they worked with the immortal flames and the new anti-tempering magics lent to them to attempt to see if the process could be combined with the Brotherhood's Sacred Ash.

(Technically, she wasn't given the name Tempered Lass until after she was cured, so I should have used a different name for the trust banner. But also fuck making another one, I'm almost done with this post. Also I can't do tribal dailies on this character anymore, because I refuse to complete 'Losing One's Tempered' so that I can always keep some Sacred Ash on hand.)

Name: Tempered Lass Race: "Prefer not to disclose" Clan: "Prefer not to disclose" Gender: So Fucking Much (She/It)

The result was... mixed. While they managed to cure the Bride of Ifrit of her tempering, she had no memory of anything prior to the point of being cured, and her body remained warped.

She was given into the care of a Hellsguard woman who gave her a very... on the nose name, and there it was discovered that without regular treatments of the Brotherhood's Sacred Ash, she would once again begin hearing the whispers of Ifrit compelling her. She is also particularly gullible, but it is unclear if that is a result of the process that cured her, or simply a natural character trait for her.

While the Brotherhood of Ash welcomes her with open arms and is happy to provide her with Sacred Ash at no cost, Temmie prefers to try to live in Ul'dah. She is frequently found among the refugees, helping them for far too little coin for what she needs to sustain herself.

(The reason she can't remember anything is cause there is nothing to remember. Despite appearances, Temmie is not an Au Ra, she is a Miqo'te. Specifically, Temmie is a clone of T'sraetn created by T'alia to test the effects of tempering. Also, if it wasn't clear, her and Muddied Glory are foster sisters.)

Name: Gyococo Gyoco Race: Namazu Lalafell Clan: Namazu Dunesfolk Gender: "Depends on how much you are paying." (She/Him)

Gyococo is a lalafell adopted and raised by namazu. Once the Far East started becoming a more popular tourist destination for Eorzeans, she began seeing more and more lalafells, eventually growing curious enough to wish to visit and explore the land her real parents hailed from. At least, that's what he told people.

In truth, Gyococo cared little for pursuing his ancestral culture and just saw what she assumed would be an ignorant and unassuming market she could swindle as a merchant. What she found when she arrived in Ul'dah, however, was a society of cut throats and swindlers worse than any namazu could ever hope to achieve.

After months of barely scraping by, he eventually turned over a new leaf. She befriended an illiterate playwright and now acts as her scribe and editor. While he is far from the rich woman he was hoping to become, she lives comfortably and is happy with where her life is at.

(I don't touch Gyococo much, mostly because the playerbase is really fucking weird about lalafells and really fucking weird about trans women, and the overlap is... not fun, honestly.)

Name: Gaeli Cat Race: Gaelicat Clan: Gaelicat Gender: Gaelicat

Gaelicat.

(Gaelicat.)