#I'm a cinnamon roll?

[chrisbangz]

looks like he could kill you…is a cinnamon roll 🥰

[collophora]

Sleep time.

[reunitedinterlude]

flicks (1, 2)

[willfulabyss]

[goldenpinof]

he didn't think

[fanfic-writer-and-rambler]

Inspired by this post because I learned is mostly canon that the reason all of that is called that stuff is because Dick named them when he was 8 and that is fudging precious.

Bruce: Okay, so what do you want to name the car?

Dick (8 at the time): Hm... You are a bat and you drive the car in your batsuit. Batmobile!

Bruce (blinking but not sure how to respond): We'll circle back, what should you call this new weapon I made?

Bruce holds up a bat shaped boomarang.

Bruce: It's a boomerang which means it will come back to me-

Dick (throwing his arms up eagerly): Batarang!

Bruce: Tsk... Okay.

Dick: You like them?

Bruce: I'm... Let's go back to that too. What would you call my hideout. It's in a cave, but calling it a cave feels boring to say. What would you, the 8 year old with an expanded imagination call this?

Dick: Hm ... Hm...

Dick walks around looking around the cave while tapping his chin.

Dick: I got it! The Batcave!

Bruce: ...Are you only naming them bat and then what it is?!

Dick (swaying on his feet with a smile): No.

Bruce: I can tell when you're lying.

Dick: Maybe.

Bruce: I feel like that will ruin the entire intimidation aspect of my hero persona. I- Why are you making that face?

Dick sniffles holding his down and about (pretending) to cry.

Dick: But you're... Batman... I wanted it to work with that, because I love you so much. I'm sorry.

Dick sobs, covering his eyes.

Bruce (straighting and feeling guilty): No wait, wait, don't cry. Do not cry, I'll use the names okay? All of them.

Dick: Including Batarang?

Bruce: If you could just-

Dick goes back to sobbing, keeping his eyes covered.

Bruce (sighing in defeat): Batarang it is.

Dick ends his act and cheers.

Dick: Yes! Batcave! Wooo! Woo- hoo!

Dick runs around the newly named Batcave as Bruce rubs his forehead exhausted. Alfred enters the cave with a tray that had a coffee cup on it.

Alfred: You caved didn't you?

Bruce: Don't- Don't say cave right now.

Dick: Bruce! If we get a plane we can call it the Batwing!

Bruce (resolute): Okay that one isn't that bad.

....

Years later when Damian is around.

Damian: Why is everything just Bat and then the item?

Bruce: Dick named everything and it grew on me. He's pretty creative with names isn't he?

Damian shakes his head with his arms crossed.

Damian: I want to change the names again!

Bruce: First child got naming rights. You can start a contingency plan on someone though.

Damian: You're lucky I like doing that.

Damian leaves the cave. Bruce turns to his computer, but notice Dick staring at him teary eyed.

Bruce: What?

Dick: You still like my names?

Bruce (sighing): Yes.

Dick: I love you dad!

He hugs his father. Bruce pats him on the back with a small smile.

Bruce: Oh good Lord. I love you too.

[charles-leclerc-official]

Charles text posts - he's had a year

[crowlion]

Nia is so hot + my wife

[shima-draws]

SO I just finished binging all of Romantic Killer bc it came up in my recommended. And oh my god I loved it so much;;

There’s definitely mixed reviews about it WHICH IS FAIR bc the premise is about a girl named Anzu who isn’t interested in romantic relationships but she then gets pushed into typical dating sim situations with Really Cute Boys in an effort to like. Force her into a relationship. And obv this kinda comes off as arophobic. But the fact that she so stubbornly refuses to partake and tries so hard to veer away from those situations makes it so fucking funny, especially when she rejects the boys with faces like this

And it turns out it’s really just a show about found family and overcoming trauma and developing healthy friendships with people and UGH. UGHHH it’s so good.

I actually adore Riri lmao they’re SUCH a little shit and I very much enjoy insanely chaotic characters like that. And we start off thinking okay wow this person’s kind of an asshole for forcing a girl to get a boyfriend by taking away her cat, her favorite hobby and her favorite snack, but then we find out OH, they’re just a cog in a corporate machine and they don’t really have much of a choice about it. And we slowly see Riri actually gain true affection for Anzu, and see how much they come to care about her as a person rather than just as a test subject, to the point of them actually breaking the rules of their contract just to make sure she’s safe. AND NOT JUST HER. They make sure the people she’s associated with are safe too, even if it risks them getting in Big Trouble with their boss. AND the fact that they canonically go by they/them pronouns but can ALSO transform into a boy or a girl depending on their preference, and they playfully flirt with Anzu in both forms?? It’s so good. Also thinking about the effort that Anzu goes through to make sure Riri gets to stick around;; like even tho she’d never admit it. She’s come to care for them too in some very strange way lol

And Junta;; the fact that Anzu is actually so concerned about him possibly being brainwashed into the position of childhood friend? Like she doesn’t immediately push him away or shut him down, she actually cares about him as a person and wants him to find happiness and wants to get him out of the situation she thinks he’s in. But then she finds out oh wait he actually IS a childhood friend. And he’s such a good boy. I love love LOVE how they handle the love triangle aspect in this, because obviously yes there’s a bit of jealousy, but not enough for things to get petty between him and Kazuki. They actually treat each other with respect and regard each other as friends and are kinda rooting for the other in their own way. Kind of “may the best man win” sort of thing. There’s no toxicity, there’s no classic “fighting over the female love interest” trope, they actually genuinely like each other after a bit of awkwardness enough to feel comfortable with living together and living with Anzu. They’re SO fucking sweet god dammit //shakes fists

(Honestly tho I really wish we got more episodes focused on Junta. Bc he really seemed like more of a background character and made the whole “love triangle” aspect not feel as prominent. Which is fine I guess?? But I felt so bad for him lmao)

And Kazuki 😭 My beloved. My poor sweet boy who deserves the world and everything in it. Just the build up. The subtle hints of his trauma that pop up every now and then. And when it all comes together you’re like oh!! Ohhh. THAT’S why he acts so aloof and cold all the time. THAT’S why he doesn’t like being the center of female attention. THAT’S why he gets distressed at things that, at first, seem so insignificant. THAT’S why he got attached to Anzu so quickly. And I love the way they handle his trauma, how they don’t make it seem any less important or alarming just because he’s a guy. And how Anzu’s there for him through everything 🤧 How she’s the person to pull him out of the darkness, how she stands up for him time and time again, how she just KNOWS when he’s uncomfortable and steps in to protect him. She ends up caring about him so much despite how they were set up to encounter initially. And he cares about her so much too. And I just 🥺 I care them

Also the fact how everyone came to help Kazuki when they found out what was going on. No judgement, no “you’re making this up”, no “isn’t this your fault to begin with?” They all just step in without even hesitating and support him through his trauma and immediately go “Okay we’ve got a problem so here’s our gameplan.” SEE. IT’S REALLY ABOUT THE FOUND FAMILY,

And one of my favorite things. Riri 🤝 Hijiri using their influence and power to protect both Anzu and Kazuki despite the risks to their reputation and social standing

OH AND I wanted to mention. I love that all of the classic romantic tropes i.e. something happening to your cute neighbor’s apartment so that they’re forced to live with you while it gets sorted out--those are generally really cheesy and make huge plot holes and don’t make ANY sense in the narrative. But that’s the thing about RK, they make it funny, yeah your cute boy neighbor’s apartment flooded bc we need him to come live with you. We did it with magic. Yes your childhood friend is living with you now bc we had a weirdo break into your apartment--with magic. So now he feels like he needs to stay with you and protect you. Yes you got hit by a car with a really rich boy inside and now he’s interested in you. We also did this with magic. Everything that would be regarded as a “coincidence” and is a badly written plot point just to push two characters together is actually explained through the hilarious concept of magic and I LOVE that it’s so fucking funny

Honestly this show is really up to interpretation too which I like a lot? Some people think hey yeah, maybe Anzu will end up with someone. Others say you know what the message here is that friendship is the most important thing and sometimes platonic relationships are better than romantic ones. The ending is pretty ambiguous so it could really go in any direction.

Anyway I have so much more to say but. Just watch Romantic Killer it’s really good thanks bye

(Trigger warnings include sexual harassment/assault, stalking, panic attacks/PTSD, and attempted murder, so please take care while watching <3)

[akiwitch]

Offical Announcement

I'm proud to say I have an agent! They are representing me as an author, so hopefully we have many projects together!

First up is my creature feature horror book, Strange Paths! It's about vloggers trying to find cryptids...and succeeding.

Next up I'm really hoping for Summoning Trouble!

Putting some nitty gritty stuff under the cut if you want to know more about my current stuff

Ghost Punch is under contract with Cloaked Press for the first four books. I sent the third book to my publisher months ago (Rushing to get it out because he insisted) but I'm still waiting on him so no news.

Supposedly the paperback for Last Light will be available soon, but once again, totally out of my hands.

I will only be continuing to work on Ghost Punch for Cloaked Press. Any projects that do not go into submission will be self published.

I took down the forest books yesterday and I already have plans for revising! I need to get my word subscription up and running so I can work on things across devices and I think that will help a lot. (also if anyone wants to help with naming stuff that's been my main roadblock)

Anyway, that's the news!

[myimaginationplain]

I've come to the conclusion that being assigned the fandom-mandated "sunshine character" is the worst possible fate a character could face

[some-pers0n]

Okay fuck it Sunny disability metaphor time.

Sunny's arc is about her infantilization and being perceived as weak and incapable of greater feats due to her disabilities. Throughout the books, she's seen by others as being a nonthreat and unable to do so much as even lay a talon on another. Even by her closest friends and family, she's seen as somebody to protect. Somebody who cannot fend for themselves and is just a soft, optimistic soul in a cruel world.

Sunny was hatched without a barb and is significantly smaller than other dragons. Despite her still being capable of fire and able to go toe-to-toe with the other DoD members like Clay, she is often perceived as weaker and the "little sister" of the group that everyone needs to protect. They talk over her when planning and oftentimes. They don't consciously do this, they definitely don't mean any harm, but they are convinced that Sunny is powerless and inable to fully contribute to the group in the same way Starflight can with his intelligence or Tsunami with her strength.

Sunny doesn't like this. She's kind and gentle about it, but she is sick of being treated as a little kid. She's almost an adult by the time her book happens. For all of her life, she's been seen as a tiny little ankle-biter. Because of her disabilities, she's often held back and seen as less valuable of an asset to the group. By others outside of the DoD, she's seen as completely harmless (and in Scarlet and Burn's case, a perfect little subject to kill and put on display)

Her book is about her, for the first time, being alone without the DoD by her side. She's able to open her wings and fly freely. It comes after the heartbreak of the prophecy reveal, but she persists. She has hope for a future where she can still end the war.

I think it's why it's important that the first friendly face she saw in TBN was Six-Claws, a character who also has physical abnormalities. Somebody who was just like her in that sense. She's met somebody like her. A dragon hatched with things they had no control over. Despite all of the challenges and hardships he faced, Six-Claws is a well-respected dragon. Somebody who she herself looks up to.

Sunny spends the book struggling with how others perceive her. They think she's weak. Even Thorn, her mother, sees her as helpless and incapable of fending for herself. Though, over the course of the book, she eventually builds herself up in the eyes of those around her as a dragon more than competent enough to handle the situation presented to her.

By the end of the book, she's made her peace. She's told the DoD how she feels and, in turn, they respect her more. She doesn't hold anger towards them– she's not the type of soul to have grudges or be angry– but she is happy that they've changed for the better. She is capable. She should be taken as seriously as any other. She's, well, Sunny. Not some tiny baby to pity.

[super-lovely-collection]

I had to get these as soon as I heard they were combining two of my favorite things - Yugioh and Sanrio! Though I just heard they may be coming to America McDonalds...I couldn't wait and bought them off Ebay. But I am missing PomPomPurin x Exodia the Forbidden One, I am happy to add them to my collection! ^^

[makorragal-312]

I think I've forgotten how intense I can get whenever I get a crush on a fictional character because tell me why I spent the better half of the day going through Pinterest and looking for pictures of Smoke from MK1 to put as my desktop wallpaper...

[red-moon-at-night]

An Analysis of Haruka’s MVs: Distance and Disability

Hello! I’ve recently fallen down the rabbit hole that is Milgram and I have been itching to make some completely normal and sane analysis posts. My silly alternate title for this was gonna be “Things About Haruka’s MVs That Just Make Sense: A Hyperfixation-fuelled Analysis”, because honestly my autistic brain has been having a field day over here.

I am in awe with just about every single music video in this project; the animation is incredible and each one packs so much carefully laid out information. But I have been rotating Haruka’s in my head constantly since I first watched them, and I have a lot of Thoughts. Not about whether he’s guilty or innocent/forgiven or unforgiven. Not about whether or not I can justify his murders. Just some straight up imagery and symbolism analysis, through the lens of disability.

Haruka’s disability has not been specified, but I am confident we can at least say he is neurodivergent. I feel like the cultural differences in names for several things e.g. ‘learning disability’ vs ‘learning difficulty’ will just invite unnecessary drama, and is a little pedantic. What does matter here is that Haruka's experience as a disabled person is heavily intertwined within his story and his motives. 

So, without further ado... let’s get into this!

Trigger warnings/TW: I will be discussing ableism, eugenics and harm towards disabled people. Everything else will be related to the music videos ‘Weakness’ and ‘All Knowing and All Agony’, so any triggering content within them may also be mentioned. Read at your own discretion and stay safe!

Disability: some brief (important) historical context

It is only within the last few decades that those who are disabled have been ‘seen’ for the first time. A modern society is (ideally) expected to be built to include and accommodate for disability, and to acknowledge disabled people’s existence. But for many countries (even the ones making steps outlined above) this is still not the case. For a very, very long time, globally, that has not been the case.

For most disabled people, society makes it very clear that they are a burden to it and are better off not existing. 

I’m going to make this section as succinct as possible because...it’s heavy stuff. But it’s important, and I want you all to get the gist of what I’m saying. The weight of it.

Let’s highlight a piece of history regarding IQ and eugenics, surrounding the publication and subsequent worldwide reception of ‘The Kallikak Family: A Study in the Heredity of Feeble-mindedness’ by Henry Herbert Goddard in 1913:

“In 1927, it was used as evidence in the case of Buck v. Bell, which culminated in a Supreme Court ruling that the involuntary sterilization of ‘mentally defective’ persons was not unconstitutional in the United States. By 1938, thirty-three US states had passed laws allowing for the forced sterilization of women with learning disabilities and twenty-nine had made sterilization  compulsory for people who were thought to have genetic conditions. Many European countries followed suit: Denmark in 1929, then Norway in 1934, and after that Sweden, Finland, Estonia, Iceland, Czechoslovakia, Yugoslavia, Latvia, Hungary and Turkey.”

— Limburg, J. (2021) Letters To My Weird Sisters: On Autism and Feminism, p. 126

This history of a ‘sterilization law’ includes Japan, who between 1948 and 1996 enacted the Eugenics Protection Law which “authorised the sterilization of people with intellectual disabilities, mental illnesses or hereditary disorders.” According to the government, about 25,000 were sterilized.

SO. It’s important to bring this up. To establish how much disabled people are not wanted, just from their governments. Let alone society. To this day, disabled people are hidden away from the public by families that are ashamed of their existence.

Japanese culture values collectivism, and maintaining the harmony of a group...to the extent of excluding those that don’t fit into the mould. That are different.

The question is: where do they go? The ones that are publicly rejected?

Haruka and The Curious Case of Distant Waters

Okay that’s enough of the heavy real-world stuff! Time to delve into some...*checks notes*...heavy fictional stuff. Fun!

Haruka’s MVs prominently display themes of distance and separation through the motif of water, specifically being submerged underwater. 

The name Haruka reinforces this concept as the specific kanji used (遥) translates to ‘distant’, ‘remote’ or ‘far away’. As there are many, many kanji choices for the name (including but not limited to: ocean/sea, eternity/permeance, clear/distinct/obvious, and spring/growth/cherry blossom) it feels like a particularly cruel and intentional choice to go with that one.

Through the exploration of this motif, we can see the extent in which Otherness/the state of being ‘Other’ drives Haruka to great lengths to close the distance and escape it.

What I noticed throughout both MVs (particularly AK&AA but note the beginning scene of Weakness), is that whenever Haruka looks at himself in a reflective surface (e.g. the vanity mirror, the fish tank), water either begins to rise and overwhelms him, or is already there and he appears submerged:

I think this is the “All-Knowing” part of AK&AA. He knows he’s different, and he knows there’s a huge ocean between him and his peers, his family, everyone. A disconnect when trying to listen and understand, but also when trying to be understood by others and listened to himself.

You know when you submerge your head in water, and your hearing gets all muffled and incomprehensible? And have you ever tried speaking underwater? You can’t, because if you open your mouth you’ll drown. It’ll just come out as bubbles rising to the surface.

I also think the bubbles symbolise rising tension, between what he wants and what he currently has. Bubbles are everywhere in these MVs, even in places where they shouldn’t logically be? Such as this scene, following the line “don’t wipe me out, don’t wipe me out”:

Immediately pans up to Haruka gasping for breath, droplets of water rising from...somewhere. For about a split second, and they’re gone. 

This boy is really going through it. I’m getting an ‘emerging from the ocean before I drown’ vibe from this one folks. When the line that follows this scene is “I can’t stop, I can’t stop”, what I’m REALLY hearing is “I can’t stop (killing) or I’ll drown”. This is his lifeboat, pulling him out from the depths of being neglected and hidden away, into the spotlight.

Some interesting images from Weakness in relation to that (of spotlights):

Anyways, onto the next point:

Blue to Orange: Water to...Nectar?

So, the orange liquid. It’s clearly representing blood, but I don’t think this is just a “danganronpa pink blood” situation of censoring/getting this video onto youtube without restrictions.

I think it’s most likely honey, specifically nectar.

The etymology of the word nectar shows its compounds translate to “death” and “overcoming”. Nectar is also called the drink of the gods, so it would make sense for it to be a ‘death-defeating’, immortalizing liquid.

For Haruka’s victims to contain nectar is very interesting. It reinforces that necessity to kill, to take the life of another, to sustain himself. To overcome the ‘living death’ he is experiencing by being hidden away from society. 

This is his means of escape from drowning.

However, as we all know, things don’t turn out great for him. By the end of AK&AA Haruka is rejected once again by his mother, after which the door is shut (the light with it is gone too) and we’re met with this imagery:

The nectar floods the room, engulfing him much like the water from earlier. 

There are many things we could take from this. One being that the nectar-gathering/killing-spree has clouded his vision; it’s so sweet, so sickly sweet and he’s addicted to the taste of attention, even if it’s very bad attention. 

Who else has honey imagery in their MV again?

Oh, right. 

Anyway, the nectar/honey situation could also be representing submerging into an even further level of distance. All that murder is gonna push people away, despite his motive being to close the gap between him and normal people. The 'ocean’ has lost clarity and become a maddening, delusional substance. After all, there is a type of honey literally called ‘mad honey’ known for its medicinal and hallucinogenic properties.

That’s enough about honey, though. Let’s move onto less unfortunate... oh, sorry, what was that? *checks notes*...Ah, yes. I meant to say, let’s move onto even more unfortunate symbolism:

The Necklace

So, this necklace. Haruka steals it from his mother’s belongings, and is his only material, physical connection to her. It is taken on the declaration of “making (her) love me again” and getting her attention once more, now he is no longer a child but a teenager closer to adulthood (at least, that’s what I consider the ‘shirt with a vest sweater and tie’ to represent. child him = the blue polo, teenager him = this one, adult him = an amalgamation of his teenager clothes).

I wasn’t sure if this was an opal or pearl/mother of pearl, but I’m leaning towards opal from the other depiction of it in Weakness:

Opals are fun because they can symbolise both good luck and bad luck, usually to do with whether it’s your birthstone. There’s something to be said of Haruka’s belief in his ‘misfortune’ and the superstition surrounding these gemstones.

But they are even more interesting for the powers they supposedly have; in medieval times the opal was considered the ‘patron of thieves’ for their ability to grant the wearer invisibility.

There is a deliciously sad irony to Haruka’s theft with that titbit of information.

Now, if this isn’t an opal, and it’s a pearl/mother of pearl there’s still some fun interpretation to be had! A little less sad, even. Pearls invoke strong imagery of the sea, of purity, and of a connection to the maternal. If this is the last thing he has relating to his mother, I can see this necklace representing a lifeline when he’s deep in the ocean. A reminder of why he’s doing all of this killing, and who it’s for.

His mother’s attention (or the idea of having a mother at all, any mother) is his driving force in life.

Speaking of that...

So We Really Need To Talk About That Fish Tank: AKA, Why Haruka’s Mom Wins ‘The Worst Parent of The Year’ Award

This fucking fish tank.

Okay, I’m gonna start by saying: I don’t think this is reading too far into things. When it takes an animation team months, sometimes years to create a 3-5 minute music video, and one as detailed as this...you don’t just wing it. There are storyboards, there are key frames and there are choices made down to the smallest of details.

From the sheer volume of animal/insect/fish décor that resides in the Sakurai household, you bet I’m gonna pay attention to what type of fish are in that fish tank.

For one thing, they live in saltwater. This is a marine tank, aka the harder choice of aquarium to have. I mean, way, WAY harder. For the experienced only.

These fish right here? One is a clownfish, and the other is a yellow boxfish.

Boxfish are a nightmare to keep alive. This article goes into more detail than I will, but all you need to know is: if there was ever a fish out of all the fish you could possibly want in your tank, this is the one to avoid like the plague.

They release deadly toxins when stressed, as a survival instinct. Boom. All your fish are dead. They need to eat a shit ton of food, but are notoriously clumsy swimmers and slow eaters. Boom. Starving, stressed out boxfish. Boxfish either dies from starvation or dies from stress and toxins.

For Haruka’s mom to have not just one of these fuckers, but a tank consisting ONLY OF MULTIPLE BOXFISH AND CLOWNFISH...

This is a high-maintenance tank. And it shows how much time and effort, how much care she puts into the things she loves.

How neglectful she is as a parent of a disabled child in contrast.

There’s something about the last scene between Haruka and his mother that reinforces this for me:

Haruka’s relationship with animals and himself: AKA, “why don’t I just become the damn fish tank?”

Let me backpedal a little bit. This subheading will make sense in a minute.

So, like I said earlier we have a lot of décor in this house relating to insects and fish. We also have a lot of pets. Both living and dead, taxidermized creatures in one household, proudly on display.

I think this may have created some confusion for Haruka regarding the value of animals being alive or dead, as in his perspective his mother values both equally. The fish in a tank may be full of alive creatures, but they’re still on display as if it’s artwork. Isn’t breaking the glass of a framed picture of a fish equal to breaking the glass of a tank with a ‘picture of living fish’?

(This isn’t to say Haruka is clueless to the impact of his actions, nor to justify any harm to animals. I just find the train of thought to be intriguing.)

So when considering these ‘objects’ are proud trophies of his work:

This is a carefully arranged display, which by the way, doesn’t contain a single fish. In fact the only piece of that moment visible here is the...large piece of driftwood? Okay. Keep that in mind.

We proceed into Haruka’s mother opening the door and seeing her son, for the first time in any of the MVs. Note the way they composed this shot:

I’m obsessed with this scene. The blue eye framing Haruka, with a literal fishbowl effect on him...

He is the goddamn fish in the aquarium now. His mother’s full attention is on him and him alone, with only the dead animals, the books, the lamp and the driftwood as window dressing to this wonderful display.

Doesn’t it just scream “Look at me! Look at what I did, mom!” to you?

That blue spotlight is on him once more. He is not just drifting deeper into an endless ocean, but contained in a vessel to be stared at.

One Last Observation

I didn’t know where to fit this in but I think the end feels appropriate.

His clothing here:

Is a frankenstein-esque mash up of clothes from his younger years. He wears this throughout AK&AA, and as I mentioned before it signifies him as an adult. However, I should clarify what I mean here as Haruka says “he thinks he’s 17″ and “doesn’t care about his age”. So... not an adult, but on the cusp of adulthood.

But I think he actually does care about his age, and quite a lot too.

This outfit feels symbolic of refusing to let go of the past, and of himself as a child. He’s literally grown out of his clothing, but he still clings onto it. He’s attached to the past because it not only contains his happiest moments, but the change from being loved to becoming neglected.

As a disabled person, you’re often treated with a lot more forgiveness when you’re younger. That is to say, some people don’t realise that children with disabilities grow up into adults with disabilities. There is a point where even support from medical and social services drops off like a cliff edge once you turn 18.

The ill-fitting clothing in this context becomes more than a reflection on Haruka’s feelings, and extends to reflecting society’s feelings on disabled adults ‘refusing to grow up’.

I don’t blame Haruka for holding onto his childhood like this. He’ll be even less publicly visible and seen once he is no longer a pitiful child, but a ‘weird’ adult in ill-fitting, children’s clothes.

[goldenpinof]

because you're worth it for @freckliedan