Fandom Trumps Hate 2024: All BBC Sherlock Creators!
BROWSING PERIOD FOR FTH 2024 IS NOW OPEN!!!
In an effort to celebrate one of my favourite multi-fandom events, and to make everyone, new and veteran, feel encouraged about being in FTH, I decided I would do that thing I do and park myself on the FTH's "fandom:BBC Sherlock" tag for a few hours and list out ALL of our wonderful creatives who are participating in FTH 2024!
Please be gentle with me, as I manually spent a few hours ensuring all BBC Sherlock Creatives are on the post as of the time of scheduling! I am only human and I have most definitely erred!
And finally, many of these creators are MULTI-CANON, so not just BBC Sherlock! Check them ALL out for what they're offering!
**NOTE MARCH 2, 2PM EST: I should have everyone added to this post now! If you are missing or are tagged with the wrong ship or section, please let me know, I will fix as soon as possible!!**
FANFICS
72reasons [Johnlock, OCs, Viclock, Jolto, Johnlockstrade, Mystrade]
Anyawen [Mystrade or Johnlock Remix Fic]
Aquilea-of-the-Lonely-Mountain [Johnlock]
BakerTumblings [Johnlock]
Bee_He_They [Johnlock]
Bluebuell33 [Mystrade, Johnlock]
BlueMoon0nTheRise [Mystrade, Anthea/Donovan]
Bridge [Johnlock]
Calais_Reno [Johnlock]
Catlock-Holmes [Johnlock]
CorvidCordelia [Any]
CumberCurlyGirl [Johnlock]
discordantwords [Johnlock]
elwinglyre [Johnlock]
FuckOffWatson & Holmesian_Love [Johnlock, Mystrade]
her_ladyships_soap [Mystrade, Donovan/Anthea]
Holmesian_love [Johnlock, Mystrade]
JRow [Any]
Lock_John_Silver [Johnlock, BG Mystrade or Mollstrade]
LoloLolly [Johnlock]
meet_me_in_samarra [Johnlock]
mydogwatson [Johnlock]
MusicIsMagic [Mystrade]
NinaSnakie [Johnlock]
Peanitbear [Johnlock]
PipMer [Johnlock]
Reveling-in-Mayhem [Johnlock]
Raina_at [Johnlock]
sherlockian4evr [M/M Ships Only]
Snowfilly1 [Johnlock, Mystrade]
StellaCartography [Johnlock, Mystrade]
standbygo [Johnlock]
ThaliaLunacy [Johnlock]
topsyturvy-turtely [Johnlock, Harry/Any]
==
FANART
bluebellofbakerstreet [Johnlock, Mystrade, Jolto]
chainedtothemirror [Johnlock]
DemonicAngeling [Any]
khorazir [Johnlock]
Kitten-kin [Johnlock Comic]
PigeonTracks [Any]
safedistancefrombeingsmart [Johnlock]
Steph_I-J [Any] <-- It me!
==
FANART and FANFICS (one per auction)
emilycare [Johnlock, Polyships]
helloliriels [Johnlock, Mystrade]
Iwantthatcoat [Any]
==
FAN LABOUR
A-Victorian-Girl [Johnlock Photo Manips]
AvengersReader [Assorted Fan Labour]
englandwouldfalljohn [Betaing]
emilycare [Betaing]
fireandhoney [English < > French Translation, Betaing]
PipMer [Betaing]
Sarah [Assorted Johnlock Fan Labour]
====
BIDDING BEGINS MARCH 5 and CLOSES MARCH 9!
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Hi! I am an ardent fan of your writing, and I hope to be as sorted and planned as you some day in my own writing journey.
My question is: you have a keen eye when it comes to planning character personality, dynamics, and such. I've also been wading through your ask replies, and your insights into how you write people and how you make them play off of each other is so wonderful to read. If it's not too personal a q, how did you learn how to write like this? Did you go to school for writing, does it come from years of observing people, do you have reading list recs for "how to write real people and real interactions"?
Thanks! This is a really flattering question. I'll try to answer it honestly, because I wish someone had been brutally honest about this with me when I was a young writer.
I didn't go to school for writing. I started doing it when I was about nine years old. It sucked very badly. I kept writing throughout high school, and it still mostly sucked, but some of it was occasionally interesting. ("Interesting" here does not mean "good," by the way.) I took a break in college, and then came back. I've been writing ever since. Sometimes, I feel good about it. A lot of the time, I don't!
I hate giving this advice, because I remember how it feels to get it, and it's the most uninspiring, boring-ass, dog shit advice you can get, but it's also the only advice that is 100% unequivocally true: you have to write, and specifically, you have to write things that suck.
I do not mean that you should make things that suck on purpose. I mean that you have to sit down and try your absolute hardest to make something good. You have to put in the hours, the elbow grease, the blood, sweat, and tears, and then you have to read it over and accept that it just totally sucks. There is no way around this, and you should be wary of people who tell you there is. There is no trick, no rule, no book you can buy or article you can read, that will make your writing not suck. The best someone else can do is tell you what good writing looks like, and chances are, you knew that anyway — after all, you love to read. You wouldn't be trying to do this if you didn't. And anyone who says they can teach you to write so good it doesn't suck at first is either lying to you, or they have forgotten how they learned to write in the first place.
So the trick is to sit there in the miserable doldrums of Suck, write a ton, and learn to like it. Because this is the phase of your path as an artist when you find what it is you love about writing, and it cannot be the chance to make "good writing." This will be the thing that bears you through and compels you to keep going when your writing is shit, i.e., the very thing that makes you a writer in the first place. So find that, and you've got a good start.
Some people know this, but assume that perseverance as a writer is about trying to get to the point where you don't suck anymore. This is not true, and it is an actively dangerous lie to tell young writers. You are not aiming to feel like your writing doesn't suck. You are aiming to write. You are aiming to have written. Everything else is dust and rust. And of course, you'll find things you like about your pieces, you'll find things you're proud of, you'll learn to love the things you've made. But that little itch of self-criticism, in the back of your brain — the one that cringes when you read a clunky line, or thinks of a better character beat right after it's far too late to change — that's never going away. That's the Writer part of you. Read Kafka, read Dickens, read Tolstoy, you will find diary entries where they lament how absolutely fucking atrocious their writing was, and how angry they are that they can't do better. A good writer hates their sentences because they can always imagine better ones. And the ability to imagine a better sentence is what's going to make you pick up the pen again tomorrow. And the day after that. And the day after that.
Which is what I mean, and probably what all those other annoying, preachy advice-givers mean, when we say: a good writer is just someone who writes every day. It's that easy, and that hard.
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“Dance with me…SLOWLY”
5/11/2024
It took me two days to respond.
Two days, two to message in a friendship
application on my phone.
From the dreadful Friday evening
after working from home to up until today,
it never feels right by me. Never.
It is more than pain than pain itself.
Why must I introduce myself
and make myself known to socialize?
I never get it. I have tried and failed any online
or face to face interactions. All these motions I have
to go through to make friends and make relationships.
They say, “It’s a dance” so just “dance” but I’m no dancer.
Some people are made for the dance floor, to tango,
to dance waltz and I just needed someone to dance with me
all alone, while no one’s watching.
A fun, crazy dance that has no steps,
you know, the type of silly moves you do with friends.
These days life’s satisfying by me, I don’t have to pretend.
I do not do well in apps. Everyone feels fake
and they would dance to perform.
I wish to socialize organically.
I will “dance” if I want to, when I want to.
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