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stalkerofthegods · 10 months

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Lord Dionysus/Bacchus deep dive

Lord Dionysus is an eccentric god, He is an understanding god, I adore him as a researcher and as someone in the community with schizophrenia and mental illness, he is kind far beyond words, he is not only a wine god but also the god of freedom and ecstasy, may we all respect him and may his devotees and worshipers speak of his good deeds and yell in his honor of goodness.

Signs he's reaching out • smelling wine all of a sudden, craving wine, You feel a twinge of madness, dreams with his attributes with him, seeing references of him everywhere

Herbs •psalakanthos plant, Grapes and their vines, Figs, Bay laurel, Barley, Pine, Pomegranate, Fennel, apples, berries, weed, Silver Fir, Bindweed, poppy, wheat and hops leafs, wildflowers, pine cones, Apple seeds, Blazing star. I think he would like Cinnamon, mint, feverfew (happiness), Pepper, basil, chives, horseradish (courage), orange, lemongrass, marjoram (insight), vanilla, sorrel, cinnamon (love)

Animals• Oxen and wild animals, asses, Leopards, Panther, Cheetah, serpents, rams, dolphins, tigers, lynx, panthers, goats, bats, griffons, bulls , foxes, deers/fawns

Colors •purple, green, gold, Red, Black, White.

Patron of• fruit and intoxitation, Parties, Festivities, Banquets, Drinking, Bacchic Revelry, Madness, Bacchic Frenzy, Insanity, Hallucination, Homosexuality, Effeminacy, Cross-dressing, Forest Wilderness, Wild vegetation, Predatory big cats, Reincarnation, The path to Elysium, Comedy and Tragedy Plays, Playwrites, Actors, bartenders, the arts, non-binary people, divination, witchcraft, oracles

Curses• violence, and sickness, Destructive insanity, madness

Blessings• pleasure and fun, Religious frenzy (in the orgiastic cults), Ecstasy, Afterlife in Elysium (paradise), getting a bigger friend group, charismatic going up, getting a romantic partner.

Diety of• wine-making, orchards, fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, theatre, partying, Epiphany, weddings, death, sacrifice, sexuality, dancing, immortality, and reincarnation, uninhibited freedom, as well as the subversion of the powerful, ecstasy, and abandon, swamps and marshes.

Crystals• Amethyst, grape agate, Garnet, Ruby, deep red stones, tiger eye, serpentine, leopard jasper, amber, green opal or jade, carnelian, rose quartz (someone had it on their alter for him, so I added it here.), bloodstone, sugilite, purple fluorite, ametrine lepidolite

Mortal or immortal • immortal

Zodiac • Taruas

Vows/omans• none

Number• 7

Morals• he is morally ambiguous

Married to• Ariadne

Past lovers• Althaia, Ampelos, Aphrodite, Erigone, Kronois, Pallene, Physokoa, Polymnos.

What he favors in devotees• free-spirited, out-of-the-norm, wild lifestyle, gender fluid, transgender, nonbinary people. People are restricted wanting to become free.

Personality• He brings joy, ecstasy, and merriment, but also delivers "brutal and blinding rage”, he's a very chill guy, many say he is sassy. I met him once, and he respects people's boundaries.

Home• Mount Olympus

Equivalents/most resemblance • Osiris, Hades, Sabazios, Yahweh, Bacchus, Liber, Tammuz, Orotalt, Fufluns, Acan, Jesus.

Epithets• Acratophorus, Ἀκρατοφό.ρος “giver of unmixed wine at Phigaleia in arcadia, Acroreites at Sicyon Adoneus a Latinised form of Adonis and is also used as an epithet for Bacchus, AegobolusΑἰγοβόλος "goat-shooter" at Potniae in Boeoria, Aesymnetes Αἰσυμνήτης “ruler" or "lord" at Aroë and Patrae in Achaea, Agrios Ἄγριος "wild", in Macedonia, Androgynos Ἀνδρόγυνος ”Androgynous” specifically in intercourse referring to the god taking both an active male and a passive female role, Anthroporraistes, Ἀνθρωπορραίστης “man-destroyer" a title of Dionysus at Tenedos, Bassareus, Βασσαρεύς "fox-skin", which item was worn by his cultists in their mysteries. Bougenes, Βουγενής or Βοηγενής “borne by a cow", in the Mysteries of Lerna,

Braetes, Βραίτης "related to beer" at Thrace, Briseus Βρῑσεύς "he who prevails" in Smyrna, Bromios Βρόμιος "roaring” and "roar of thunder" refering to the wind amd primarily relating to the central death/resurrection element of his myths and also the god's transformations into lion and bull and of those who drink alcohol and refers to Dionysus' father, Zeus "the thunderer", Choiropsalasχοιροψάλας “pig-plucker" Greek χοῖρος = "pig"(which was used as a slang term for the female genitalia as A reference to Dionysus's role as a fertility deity), Chthonios Χθόνιος “the subterranean”, Cistophorus Κιστοφόρος "basket-bearer and ivy-bearer" because baskets are sacred to the Dionysus,Dimetor Διμήτωρ "twice-born" which Refers to Dionysus's two births, Dendrites Δενδρίτης "he of the trees" as a fertility god, Dithyrambos Διθύραμβος used at his festivals referring to his premature birth, Eleutherios Ἐλευθέριος “the liberator" also a epithet shared with Eros, Endendros ("he in the tree"), Enorches "with balls" with reference to his fertility, or "in the testicles" in reference to Zeus' sewing the baby Dionysus "into his thigh" which means his testicles used in Samos and Lesbos, Eridromos"good-running" in Nonnus' Dionysiaca, Erikryptos Ἐρίκρυπτος "completely hidden" in Macedonia, Euaster Εὐαστήρ from the cry "euae", Euius (Euios), from the cry "euae" in lyric passages, and in Euripides’ play “the bacche, Lacchus Lακχος a possible epithet which is associated with the Elusinian Mysteries, The name "Iacchus" may come from the Ιακχος (Iakchos) whicj is a hymn sung in honor of Dionysus.

Indoletes, Ἰνδολέτης, meaning slayer/killer of Indians Due to his campaign against the Indians, Isodaetes, Ισοδαίτης, meaning "he who distributes equal portions", cult epithet which is also shared with Helios, Kemilius, Κεμήλιος and kemas: "young deer, pricket",

Liknites "he of the winnowing fan", as a fertility god connected with mystery religions ( a winnowing fan was used to separate the chaff from the grain.)

Palazzo Massimo, Rome, Lenaius, Ληναῖος "god of the wine-press", Lyaeus, or Lyaios Λυαῖος, "deliverer” and "loosener") which refers to him as who releases from care and anxiety,

Lysius, Λύσιος "delivering, releasing" At Thebes there was a temple of Dionysus Lysius, MelanaigisΜελάναιγις "of the black goatskin" at the Apaturia festival,

Morychus Μόρυχος “smeared" in Sicily, because his icon was smeared with wine less at the vintage, Mystes Μύστης "of the mysteries" at Tegea in Arcadia, Nysian Nύσιος according to Philostatus he was called like this by the Ancient indians Most probably, because according to legend he founded the city of Nysa, Oeneus, Οἰνεύς "wine-dark" as god of the wine press, Omadios “flesh-eater", Eusebius writes in Preparation for the gospel that Euelpis of Carystus states that in Chios and Tendos they did a human sacrifice to Dionysus Omadios,

Phallen , (Φαλλήν) (probably "related to the phallus” at Lesbos, Phleus "related to the bloοm of a plant", Peudanor Ψευδάνωρ "false man" referring to his feminine qualities in Macedonia,

Pericionius, Περικιόνιος "climbing the column (ivy)" a name of Dionysus at Thebes, Semeleios or Semeleius or Semeleus an obscure epithet meaning 'He of the Earth' and 'son of Semele' Also “Son of Semele, Iakchus, wealth-giver”,

Skyllitas, Σκυλλίτας “related to the vine-branch" at Kos, Sykites, Συκίτης "related to figs" at Laconia,Taurophagus, Ταυροφάγος “bull eating", Tauros Ταῦρος “a bull", Theoinus, Θέοινος wine-god of a festival in Attica, Τhyiοn, Θυίων "from the festival of Dionysus 'Thyia' (Θυῐα) at Elis", Thyllophorus, Θυλλοφόρος "bearing leaves" at Kos, Dionysus and Zeus absorbs the role of Sabazios (a Thracian/Phrygian deity)

Facts• Dionysus was the last god to enter Olympus, When Dionysus had grown up lady Hera made him into a state of madness so he wandered through many countries of the earth, He was a student of the famous centaur Chiron who taught him how to dance, The common names Dennis and Denise are said to be derived from Dionysus. he hated the sight of an owl

Roots• Ancient Greece, Greek mythology, Mount Pramnos on Ikaria

Offerings • Honey, Meat, Alcohol (especially wine), Fruit, Cakes, Poetry, Songs, Spices (ex- cinnamon), Blood or liquids resembling blood, He thinks those "wine mom" signs that you get in cheap gift shops are hilarious, Grape juice, Intoxicants, Grapes, Olive oil, Apples, Figs, Eggs, Goblets, Curved daggers, Bull horns, Snake skin, Leopard or tiger print objects, Purple candles, Theatre masks, Sexual toys, Percussion instruments, Wine bottles, Fake/toy grapes, Leaves or curls from grapevines, Pine needles, Pinecones, Apple seeds, Bindweed, Wildflowers, Toys photos or art of any big cats, snakes, Hymns, Songs you’ve written, Any art that you create, Any stories that you create, Art, pictures of the comedy, Wine corks, Wine labels, Toy or miniature drums, milk, water from the sea (he has a strong connection with the sea), Decorative beads, party beads, flashy jewelry, Wine glasses, Shot glasses, Corkscrews, Sparkling cider, Grape flavored things, Cheese, hallucinogens, Nips (small alcohol bottles), Bottle opener, Beer/soda tabs, Alcohol bottles with cool labels, Costumes, NatureFig/fig newtonsBull imagery, Donkey imagery, Bones, Antlers, Dead/preserved animals, Hiking gear, Seeds, Concert/festival tickets, Locks of hair, Shaven beard hair, Pride swag, ravagant clothes/clothes that make you feel good, soup (you know , you know.)

Devotional • learn about sacred sex, shamanic journeying, responsible entheogen use, and alcohol as a sacrament, read “The Secret History” book, Make a playlist for Him, Dance and sing to your favorite songs or songs you’d think He would like, Throw a feast in His honor, Remembering to take your medication and taking care of your mental health, Support/donate to your local theatre in His name, Be a part of the theatre, Stand up for those that are marginalized, Write stories/plays for Him, Invite Him to watch plays or movies with you (especially comedies or tragedies), Throw parties or attend them, Attend festivals, Attend a wine tasting, Go on wine tours, Attend parades, Masturbate or partake in sexual acts for Him (if you’re comfortable doing so And over 18), Drink alcohol or grape juice, Smoke po, Learn about winemaking, Support local vineyards, Wear wreaths made from ivy, Wear faux leopard or tiger print, Wear the color purple, Pray to Him for things while intoxicated/high, Visit your local winery and participate in a grape-stomp, do some Homebrewing in his honor, Grow a garden in his honor, Make your own ritual tools in his honor, Collect art, do Glamourbombs in his honor, Pretend to be somebody else in his honor, go out to a club in his honor, listen to music in his honor, read in his his mythos, write things for a ritual and write a prayer for him, eat some grapes or have some grape juice or sparkling grape juice (or wine if able and of age), listen to party music, read plays, watch musicals or plays (ex- high school musical, Hamilton), listen to musical soundtracks, learn about the history of theatre, learn about viticulture and vineyards, do things that bring you pleasure, listen to party soundscapes, watch documentaries about any of his sacred animals, Trip intentionally/spiritually, Learn about substance abuse/recovery, Destigamtize drug users, Learn about harm reduction, Make home videos, Write poetry, Act, Dress up, Go to the woods, Dance/sing in the woods, Meditate in the woods, Learn wilderness safety and first aid, Learn what to do when encountering a wild animal, Go off the beaten path, Explore new areas, Pick up litter, Forage, Recycle bottles, Grow fruit, Try new fruits, Have sex (let the partner know beforehand it's in Diyonisus honor, 18+), Masturbate (18+), Have threesomes/swing (ask him before and make sure the other participants know it's in Dionysus's honor, 18+.), Finally, give into that one kink you’ve been ignoring (you know the one, 18+), Learn about consent with partners, Learn how to preserve dead animals, Learn about different life cycles (ex-plants, animals), Learn about immigration in your area, Learn about different cultures, Try foreign foods, Learn a new language, Learn about your ancestry, Help immigrants in your area, Grow your hair out, Keep a Manifest/Keep a manifestation journal, Use Sexual/creative energy to manifest, Shed your old self, Do Self-reflection/self-exploration, Identify areas where you overindulge (ex- food, substances, spending).

Symbols• Grapevine, ivy, phallus, Thyrsus, theatrical masks, Leopard Skin, Panther, Cheetah, the animal called asses, cymbals, swords, or serpents, rams, laurel, asphodel, dolphins, tiger, lynx, panther, horns, goats, his chariot pulled by 2 leopards, masks in general.

Siblings• Ares, Athena, Apollo, Artemis, Aphrodite, Hebe, Hermes, Heracles, Helen of Troy, Hephaestus, Perseus, Minos, the Muses, the Graces.

His friends/gets along with• Maenads and Bacchantes and Satyrs and Sileni and Pan and Priapus

Attendees• Seilenos (God of Drunkenness), Pan (God of Shepherds & Pastures) the Satyroi and Seilenoi (spirits of Fertility & the Wild) The Bakkhantes and Mainades (Nymphe and Women revellers) Komos Satyriskos (cup-bearer)

Appearance in astral or gen• Dionysus often took on a bestial shape and was associated with various animals, often wearing an Ivy wreath, the thyrsus, and the kantharos (a large two-handled goblet) In early Greek art he has represented as a mature male, bearded and robed holding a fennel staff tipped with a pine-cone, but later on he was portrayed as youthful sensuous, naked or semi-naked androgynous youth and effeminate with brown hair and pale features, often holding grapes and drinking wine.

Parentage• Zeus and Semele, some sources also say Zeus and Demeter, some say Zeus and Persephone, but he always sends up with Persephone as a foster mother or as a biological mother, but before his reincarnation, his parents were Ammon and Amalthea.

Pet• leopards

Children • Priapus, Hymen, Thaos, Staphylus, Ononpion, Cumus, Phthonus, the Graces and Deianira, Seilenos, Pan, Satyroi & Seilenoi, Bakkhantes & Mainades, Komodo’s

season and festivles• Diyonosus festivals were bacchanalia, Dionysia, Anthesteria, Dionysian, Lenaia, Panathenaia, his season was spring and March and April

Day• 11th to the 13th of the month of Anthesterion, around the time of the January or February full moon.

Sacred places• Boitia in Greece, naxos Greek, island Edina in western Thrake, his holiest shrine was Mt kithairon (Nysa) in Boiotia Greece, he also declared war on India. A sacred place is the theatre.

Status• Greek god in the major theoi, and an agriculture Demi God.

Pet peeves• Uderestemating him, he probably won't like it if you ignore him

Music• Disco, show tunes, psychedelic rock, acid folk, Greek folk music, EDM, classical, new wave, art pop, vaporwave, just anything you can dance and sing to.

Tarot• Temperance, fool card, three of cups, the tower, 9 of cups (based off of how people see him through their tarot cards)

Scents/Inscene • Pine incense, frankensince, patchouli and vanilla, nutmeg, mulled wine, storax, and Benzoin.

Prayers•

Regular prayer

Dionysos, god whose arrival is swift and certain, enduring friend of women and men whose welcome is warm, bringer of light, we see you in shadows. Dionysos, granter of great blessings, your presence is a heady wine. Kind-hearted god, to each you give as is fitting, each vessel you fill only as we can bear, and yet with even a sip, we are drunk upon you, and our faith is affirmed. Awesome god, by our own will we drink deeply, with you we become lost, we wander, we are found.

Litany to Dionysos

Dionysos of the vine, rich-tressed god of wine, potent and lusty, unmixed, undiluted, with full force you come to us, vital and robust, rich and strong and surprisingly sweet. Dionysos, I praise and honor you, I thank you for your blessings. Ivy-bearing Dionysos, god of the green, of the power of root on stone, the force of life that will make its own way in spite of all who labor to hold it back, no will or work can bind your might. I praise and honor you, I thank you for your blessings. Dionysos of the deep earth, of the dark world, of the unknown expanse beneath the black soil, beneath solid stone, of mysteries you know much, of death and of what lies beyond. God of secrets, I praise and honor you, I thank you for your blessings. Dionysos the inspiring, granter of words of prose or poesy, words heard best by the drunken and the mad, words forgotten with the passing of night and delight. Bacchus, granter of rare transport, I praise and honor you, I thank you for your blessings. Dionysos Soter, holder of the hearts of men, you free us from the cares of the world, each brilliant frenzied moment a shining jewel, each glimpse of the sacred more precious than gold. I praise and honor you, I thank you for your blessings. Kindly Dionysos, granter of good to men and women, giver of gifts to all who seek your blessing. Gracious Dionysos, accepter of offerings great and small, friend of mankind, I praise and honor you, I thank you for your blessings.

Regular Prayer to Dionysos

Dionysos, deep-hearted one who knows the souls of men and women, whose hand is ever open, ever within reach. Dionysos, god who runs in the dark, who sees with eyes shut tight, who dances to the heart’s strong beat, ever are you yourself, ever constant, ever changing god of those who are trapped, those who seek your truth and their own, those who seek vision beyond seeing, those who seek wisdom beyond knowledge, those who seek the self, pure and sweet, those who seek clarity beyond definition, who seek to embrace the uncertain, to hold, but loosely, to what is true beyond trust.

Regular prayer to Dionysos

I praise Dionysos, lord of the vine, lord of the far reaches of the mind; in the thick of the woods, along darkened paths, in the shadows of dusk and of dawn, you roam the world, the satyrs and the pretty nymphs dancing in your wake. Son of Zeus and fair-haired Semele, bold-hearted Semele, who dared to look into the face of glory, beautiful Semele who you carried into life again, Semele reborn who men called Thyone; beloved of clever Ariadne, quick-witted one, so dear to your heart, your bright-eyed bride and consort; Dionysos, friend of women, friend of the blissful, wild-eyed maenads, pilgrims and pioneers, those who seek, your cheer and inspiration, those who seek your release, from sorrow and despair, those who are lost in joy, and those who have found themselves in you. Dionysos, god of the darkest dark and the deepest deep, boundless one, endless one, fathomless one, in you we see the edges of ourselves, in you, we find our life’s journey, in you we find our home.

To Dionysos

I call to Dionysos, great god of the vine, son of thundering Zeus and headstrong Semele, loving husband of warm-hearted Ariadne. From the east you came, old before the ancients, throughout the elder world were you beloved; in Naxos and Boitia were you celebrated, in temples and in the savage wilderness, the fleet-footed maenads running in your wake. The sweetest, strongest wine is ever your drink; the mind’s release, the body’s loosening, your gift. O Dionysos; thyrsus-shaker, ivy-crowned god, we see you in the shadows, we see you on the edges, we see you in the haze of ecstasy, where we know the truth of passion, where we find the essence of our being. Bacchus, I call to you!

| Sources & websites in comments. |

I use resources, I do not own the info, and most deep dives have UPG (that I use in my work.) And I only take some information from sources. I am 14, this is my hobby, I am learning but I spent many hours and days on this, and I am always open to criticism. I have been doing worship for 5 years. Please know you can use the info, I do not sue, but I will take action if this work is used without permission and not put as a resource if used in any work. without permisson and not put as a resource if used in any work, for the public.

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niteshade925 · 19 days

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April 13, Xi'an, China, Shaanxi Archaeology Museum/陕西考古博物馆 (Part 4 - Sui and Tang dynasties):

This is another star of the museum, a Tang dynasty (618 - 907 AD) bronze mirror, the back of which is decorated with carved luodian/螺钿 (mother of pearl). Near the edge are various birds, while the inner ring is arranged in a "sunflower" shape. Kinda wish I can see a modern replica of this one without all these marks and discolorations from the passage of time:

A Tang dynasty yupei/玉佩 (jade pendant). Unlike the Western Zhou dynasty yupei in part 2, this type is most definitely supposed to be hung from the waist. This one in particular was one of a set of two (both worn on waist, one on each side), and these were part of the formal wear of first to fifth rank officials during Tang dynasty:

Luo Wanshun's Epitaph/罗婉顺墓志. As mentioned in the first Beilin museum post, ancient Chinese epitaphs have a two-piece structure, consisting of a tablet and the protective covering on top. This is the protective covering on top, with the large inscription identifying this as the epitaph stone of Luo Wanshun, engraved in seal script/zhuanshu/篆书:

And here's the actual body of the epitaph. This particular epitaph was drafted by one of the "Eight Immortals of the Wine Cup"/饮中八仙, Li Jin/李琎 (he was also the nephew of Emperor Xuanzong of Tang/唐玄宗), and the calligraphy was provided by the famous calligrapher Yan Zhenqing/颜真卿:

Tang-era pottery figurines of the Chinese zodiac animals. This set is sadly incomplete, but the way these zodiac animals are partially anthropomorphized is pretty interesting. From left to right, these are tiger, rabbit, dragon, snake, sheep, and dog (yep that is a dog head, apparently). Not sure why rabbit and dog figurines are missing their ears though, maybe the ears broke off and are lost?

Sui dynasty (581 - 618 AD) green-glazed boshanlu/博山炉 incense burner. Note the panlong/蟠龙 dragon curled around the base:

Left: Sui dynasty white-glazed ewer with a chicken head-shaped handle. Right: Sui dynasty white-glazed vase. The curves on this one is *chef kiss*

More Sui dynasty white glazed pottery, but the most incredible thing is the white porcelain cup in the middle. The lip of that cup is 1mm (~1/32 in) thick, and the sides are so thin, it's almost see through:

Tang-era sancai/三彩 glazed conjoined flasks that is shaped like a pair of fish. Similar twin-fish motif can be found in numerous traditional Chinese holiday decor, and symbolize auspiciousness, wealth, and surplus--especially surplus, since fish in Chinese (鱼) is pronounced yú, and "surplus" in Chinese (余) is also pronounced yú. This is why the phrase 年年有余 ("may there be a surplus every year") is often paired up with imagery of carps, children holding giant carps, or a twin-fish motif.

Absolutely beautiful Tang-era wall mural of a tiger, which was very sadly damaged over time. But from the pieces left, you can still appreciate the raw power of the tiger captured by these lines:

Another beautiful Tang-era wall mural depicting men on horseback playing "polo", called maqiu/马球 (lit. "horse ball") in Chinese. It's unclear whether the maqiu depicted here originated in China in late Eastern Han dynasty (25 - 220 AD) or was brought to China via the Silk Road at the beginning of Tang dynasty, but anyway this sport was very popular during Tang dynasty, and there were many female players at the time too.

The women of Tang dynasty as depicted by pottery figurines:

A small model of Tang-era triple que/阙 gate towers. Que gate towers first appeared in Western Zhou dynasty (1046 - 771 BC) and have been a part of Chinese architecture ever since. Que gate towers usually come in pairs, one on each side of the gate, and they were used to display status.

A map of Tang dynasty Chang'an city laid on top of the current map of Xi'an city, showing the imperial palace (top center), the East Market/东市 and West Market/西市, and the 108 districts (called fang/坊):

A Tang-era chiwen/鸱吻 (螭吻 is the original name, 鸱吻 is the alternative name, another alternative name is 蚩吻, but the pronunciation remains the same for all three) roof ornament. These are the pairs of horn-shaped pieces on the top of the roof of traditional Chinese architecture. These ornaments are made to represent the Ninth Son of the Dragon, called Chiwen/螭吻, which looks like a dragon-headed fish and has the power to control water, thus it's used in traditional Chinese architecture to ward off fires:

Sui-era gold gilded handle of a stone sarcophagus:

A pottery jar found buried in the tomb of Crown Prince Jiemin/节愍太子 (Li Chongjun/李重俊, son of Emperor Zhongzong of Tang/唐中宗 Li Xian/李显), partially shaped like a pagoda and decorated with various Buddhist motifs such as lotus petals and elephant heads. This is speculated to be a representation of a granary, which would hold grains for the crown prince in the afterlife:

And last but not least, a Sui-era pottery camel bearing sacks that have the imagery of the Greek god of wine Dionysus upon them, which shows the great amount of cultural exchange that took place back then:

#2024 china #xi'an #china #shaanxi archaeology museum #chinese history #chinese culture #sui dynasty #tang dynasty #chinese calligraphy #calligraphy #archaeology #history #culture

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howtofightwrite · 11 months

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I'm writing a scene where a cultivater (chinese martial artists who fights ghosts) falls in a forest and I'm trying to figure out how someone who fights on rough terrain would train to fall. I tried looking at martial art/parkour/stunt man tutorials, but I feel like a lot of the basic techniques (rolling, and slapping the ground to distribute weight) wouldn't work well on uneven ground. I also tried looking at hiking advice but they just say to fall on your pack. Any insight?

Chinese cultivators don’t fall, they choose to reacquaint themselves with the ground.

That sounds like a joke, but the best way to understand Chinese cultivators and Chinese fantasy media is to realize that martial arts are the gateway drug to magic. And that will get you into a lot of trouble if you follow that all the way into Martial Arts Give You Superpowers, which is both the outgrowth of the western understanding of Chinese culture and a trope rife with orientalism. Cultivation seems simple on the surface when you’re watching Chinese media, but it’s more than martial arts, it’s more than religion, it’s more than mythology, (though it is all of those too) it’s a genuine transition into metaphysics that reorients how we understand and interact with the world around us. The concepts we see in cultivation come from real martial arts philosophy that you find in Tai Chi, Shaolin, and most other Chinese martial arts. They come from real religions including Daoism, Buddhism, a healthy dose of Confucianism, general mythology and mysticism from a wide range of subcultures, and, to an extent, Animism. If you aren’t doing your reading with the Eight Immortals, Journey to the West, The Legend of the White Snake, and others then you should dig in. I also really suggest watching the live action C-Dramas whether they’re true Wuxia or more Xianxia idol dramas (and in this case the idol dramas are better because the action is slower) so you can acquaint yourself with the stylized martial arts portrayals, a wide variety of choreography, character archetypes essential to motif based storytelling, and the most important aspect of all—wire work.

Understanding and conceptualizing stunt action done on wires is essential when you’re trying to visualize and create action scenes in any East Asian genre. Your first instinct might be to dismiss the stylized movement as unrealistic (it is) but remember that it’s also genre essential. Hong Kong action cinema has a very specific feel to it that’s very different from the way Western cinema structures and films their fight scenes. Even when you’re writing, you’ll want to find ways to imitate it through your visual imagery on the page.

Probably the best way to contextualize cultivators is that they’re wizards who do martial arts. They’ve learned to transcend the limitations in our understanding of reality through knowledge and study to perform superhuman feats. How superhuman? Well, it gets wild. They can be anywhere from Crouching Tiger, Hidden Dragon/Who Rules the World fly through the trees levels to Shang Tsung’s “I’m going to slam my hell reality into your normal reality because commuting to work is too much of an inconvenience.”

Which is to say, they don’t always fight ghosts. Sometimes they fight other martial artists, sometimes they fight other cultivators, sometimes they fight demons, sometimes they fight gods, and sometimes they fight incredibly overpowered monkeys. They’re often monks living in seclusion on a mountaintop, but not always. Cultivation is more of a state of mind. Anyone can do it if they learn how to absorb spiritual energy from the world around them through meditation and breathing exercises. Gods cultivate. Humans cultivate. Animals cultivate. Remember, the demons and the ghosts cultivate too. Sometimes, your master gets reincarnated as a demon. Sometimes, you do. The amount of wacky spellcasting you can do is dependent on how much energy you’ve cultivated, which is dependent on how old you are and how good at cultivation you are. Using the power means you need to cultivate more energy, the greater the spell or difficult the battle then the more energy is lost.

This is important to the question of: how does a cultivator fall?

Metaphorically? Existentially? Physically?

When we’re talking physically, wire work becomes very important. Think of your cultivator as being on wires. If they have the knowledge and understanding to do it, they can slow their own fall through the air to land harmlessly on the ground or twist over like a cat and launch themselves back off the ground to fly at their opponent in a counter attack. If they have the knowledge and understanding, they can teleport. If they lack the knowledge and understanding or want to trick their opponent, they can hit the ground like a sack of potatoes. If they’re relying on basics, they can also smack the ground to counter and spread out the impact then use the momentum from that fall to roll back onto their feet. They’ll do it no matter what terrain they’re on because it’s a basic technique that’s trained into their foundation to the point it’s a reflexive action. Any force distributed away from, and reducing impact on, important body parts like your spine is better than nothing. It’s better to sacrifice your arm than be paralyzed. At its heart, that’s the point of the technique. If you’re able to walk away with a functioning spine, it’s done its job. Your shoulder hurts? That’s normal. Your arm is sprained or broken? Sucks, but that’s better than the alternative that is paralysis and death. For reference, learning to fall was the first lesson my Wushu instructor ever taught me. It is that basic.

A lot of the time when portraying cultivators in media, the goal is to show them as being beyond the limitations of standard martial artists. How vast the gap is between the cultivator and the average human is dependent on both the setting and the cultivator. So, the average martial artist who possesses superhuman talents but hasn’t dedicated themselves to a life of cultivation and cultivators who are new to the path are going to be on the rung below and more likely to be knocked on their ass. Cultivators in the mid-range are more likely to have crafted or trained in solutions to being knocked on their ass which put them in a less vulnerable position while recovering and empowered/enhanced their martial arts. Cultivators in the top tier are usually straight up masters at spellcasting, if they deign to fight at all. Gravity need not apply. Rember, the time it takes you to hit the ground and roll to your feet is time your opponent has to launch a counter attack or move to a better position. Also, it means you’ve taken your eyes off your opponent. This is bad enough against a normal human opponent. Against another mostly immortal or ancient magic user this risks a terrible outcome.

Cunning and strategy are both as important as skill. Wisdom, knowledge, and hard work outweigh talent and raw potential. You’ll have to decide how esoteric you want to be and what limits you want to set. I really urge you to do this because the danger of power creep is real and especially prominent here. A character’s growth in power is often linked to their growth in character or their arc, as they gain a greater understanding of themselves and the world around them their skill increases. The self-discovery/self-reflection/self-interrogation/intense suffering to reach enlightenment portion is just as important and intrinsic to the martial arts portion of Martial Arts Give You Superpowers. It’s easy to focus on the Superpowers or the Martial Arts parts of the equation and miss the genre necessity of character growth. This growth often happens through heaps of steadily increasing trauma. Or, failing to undergo that by being too powerful and thus unable to progress is the joke like it is in Qi Refining for 3000 Years. (Go to hell, Bai Qiuran, you hilariously overpowered monstrosity.)

The irony is that the trajectory in character growth is the same trajectory the average student experiences when practicing martial arts. The only difference is that the power arc is inflated. This includes overcoming ingrained truths that you believe about yourself, about your own abilities, what you believe yourself to be capable of (both good and bad,) about your biases toward yourself and other people, your biases about reality in general, your understanding of good and evil, the potential upending of right and wrong, and facing the greater complexity found in the world at large. The stripping away of these illusions, coming to terms with uncomfortable realizations in a more complicated world, and the gaining of new understanding and confidence are vital to that growth.

Skill isn’t just represented in the power creep, it’s also found in a character’s sophistication and complexity in their approach to combat and life in general. Their awareness both of themselves and of other people, their ability to read intentions, their predictive abilities, their complexity in initiating their own strategy and tactics while also recognizing and countering the plans of others. It’s their insight into human nature and their cunning. It’s not enough to be powerful. The world is full of powerful people and not so powerful people who have the capacity to be just as dangerous. This isn’t Goku and Freeza slamming into each other while the planet explodes in nine minutes. You also need to be smart. It’s also not about being a better person. It’s about being a self-aware person. A person who is self-actualized. Monkey’s growth is in his awareness of the world around him through his experiences and in approaching problems differently rather than becoming less of a little shit. If you grow up in the West, one of the issues you’re going to face is thinking of these hurdles as materialistic rather than emotional or intellectual.

A lot of Western media misinterprets the concepts of “giving up” as physical sacrifice. One of the popular examples is physically sacrificing the person we love. In order to have enlightenment, we must be separated from them. We can’t physically be with them anymore. Whereas under a Buddhist structure, what we are actually sacrificing is our own ignorance, our own preconceptions, and beliefs that keep the world comfortable. Under this structure, we’re sacrificing our preconceived notions of who our loved one is. The person that we invented when we first met and we must force ourselves to come to terms with who they really are. The outcome of this isn’t necessarily going to be bad, but it’s still painful. The person we think we love could be perfectly wonderful. However, they’re not who we imagined. If we choose to hold onto the illusion we created, to ignore the realization that the illusion is the person that we love, we’ll only end up causing ourselves and our loved one more pain. We must fall in love with them all over again. Coming to terms with that is painful. All pain comes from ignorance. In sacrificing, letting go of, or overcoming our ignorance, we grow.

These are the emotional, intellectual, and spiritual challenges necessary for a cultivator because they allow the cultivator to level up. Yes, level up. Whether this is coming from the influx of gaming culture into media at large or because the concept synergizes with the Buddhist goal of progressing through the Six Realms toward nirvana, leveling up is how a cultivator’s increasing power is often depicted. Of course, once we reach the next level we can’t go back except by falling or failing and are no longer the person we once were. This then gets mixed in with Daoist principles of finding divine understanding by living in harmony with the universe. The more understanding we gain of the world, the more energy we can absorb as a result, but our original goals may be lost or changed in the process. If a character begins their journey on the path of revenge, their newfound contextualization of the situation that caused them immense pain may force them to give that revenge up or find they don’t want revenge anymore.

Failure is also an option and often a common part of the story. These stories usually follow characters through multiple lives and rebirths over hundreds and even thousands of years, especially if they’re also gods. This is the existential fall. The fall to the Dark Side. All our heroes are going to go through it at least once. This is also why a lot of Chinese media ends in tragedy with hope for the next round.

-Michi

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#writing reference #writing advice #writing tips #michi answers #how to fight write #martial arts

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149panda149 · 11 months

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TGCF: My theory on the inspiration behind the 4 calamities

In some of the oldest Chinese myths and legends, there are 4 guardian gods of the four cardinal directions - the green dragon, white tiger, crimson bird, and black tortoise, and each have a colour, season and element associated with them. I'm not sure if anyone has made this connection before, but I'm writing it down if anyone is interested. There are spoilers about the calamities' identity.

First, the 青龙（qing long, green dragon) --> Qi Rong, Night-touring Green lantern.

The qinglong's territory is the East, and its colour is qing, which means green, or turqoise. Its element is wood, and its season is spring. Closely associated with royalty and the imperial family.

Now, for the similarities with our favourite green goblin. "qing" is literally the colour in Qi Rong's title, and his colour scheme. Qi Rong has a habit of hanging corpses from trees, which may be his relation to the element "wood". He does not have any obvious coleration with the season "spring"- perhaps he was born in spring. He is royalty, part of the imperial family as cousin to the crown prince.

Second, the 白虎（bai hu, white tiger)--> Bai Wuxiang, White Clothed Disaster upon the Earth.

The baihu's territory is the West, its colour is white, element is gold/metal, and its season is summer. It is the king of all beasts, associated with disease and war, often used as a guardian symbol by soldiers.

On the other hand, Jun Wu's title, alias and colour scheme are all white, and has plenty of weapons that may be his link to the element of "gold/metal". I don't think he has anything to do with summer, but feel free to correct me if I'm wrong. He is king of the gods, a god of war, and the one to spread the human face disease.

As east and west are considered a pair, the guardian spirits are meant to reflect each other. In Chinese poems and such, symmetry is important, and both Qi Rong and Jun Wu were princes, one becoming revered by the highest of gods, covered with masks and false identities, one becoming the object of disgust by the lowest of ghosts, using his real name and face. There is a certain poetic symmetry to it, don't you think?

To the second pair. The 朱雀 (zhu que, crimson bird)----> Hua Cheng, Crimson Rain Sought Flower

The zhuque rules over the south, its colour is red, element is fire, and its season is summer. It is the king of all birds, more powerful than even the phoenix, immortal and undying. As such, in many places it is also considered a symbol of life.

Now, to the most popular ghost king: Hua Cheng. The english translation of his title is "crimson", and his colour scheme is indubitably red and autumn-y shades. He also re-re-met Xie Lian in autumn ( I think - I mean, the leaves were all red in the donghua??), and has died again and again to return like the zhuque. He is the king of all ghosts, with a great determination to live(sorta? are ghosts alive??) for his love.

Lastly, my personal favourite, the 玄武 (xuan wu, black tortoise)---->He Xuan, Black Water Sinking Ships

The xuanwu, also called a tortoise, is actually the only spirit to be a combination of 2 animals, a snake and a tortoise. It rules over the north. Its colour is black( sometimes depicted as dark blue), element is water, and its season is winter. In earlier legends, he is considered a guide and guardian to the netherworld, of death and of long life.

Thus, to our poor indebted water ghost. He Xuan's name is "xuan", the same! goddamn! character! as the spirit! His title and colour scheme are all to do with the colour black, and he is a water ghost because he died because of the Water Master. He has been marked by death, yet survived and vowed revenge. This, and the fact that his house is called the Nether Water Manor, is probably his relation to the netherworld of the xuanwu.

To the pair of south and north. Both Hua Cheng and He Xuan have suffered and suffered again, yet Hua Cheng chooses to linger on due to hope and love, and He Xuan due to revenge and hatred. But hatred and love are two sides of the same coin. If Hua Cheng hadn't experienced the hatred from his childhood, he wouldn't have thrown himself from the city wall and met Xie Lian. If He Xuan hadn't loved his family, so much, he wouldn't have broken that hard after their deaths to lose himself to hatred and empty vengence.

Aaaaaand that concludes this essay. Keep in mind that this is a theory, and probably even isn't true, but if anybody wants a more detailed description of the guardian spirits, or to know more about the similarities between the mythical creatures of ancient china and tgcf, I will be more than happy to make a part 2.

Thanks for reading!!

#he xuan #tgcf #bai wuxiang #hua cheng #qi rong #four great calamities #heaven official's blessing #tian guan ci fu #black water submerging boats #black water sinking ships #night-touring green lantern #crimson rain sought flower #white-clothed calamity #shan hai jing #meta #tgcf meta

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szynkaaa · 6 days

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Zhu Bajie and the Violet Spider (and i guess all the other tragic love stories)

Alright, finished Chapter 4 in my NG+ and here are some of my thoughts, ramblings and musings about Zhu Bajie and the Violet Spider. Also will be going with Black Myth Wukong's version of JTTW

Everything is under cut because long text

What we know:

ZBJ was an Admiral in the Celestial Court, there was a maid working there who was crushing on him and took care of him at some point. ZBJ gets cast out from the court into the mortal realm and turns into a pig. Maid tries to follow him, but gets turned into a spider because the word pig (猪zhū) and spider (蜘蛛Zhīzhū) sound similar and she thought he turned into a spider.

The pilgrims run into White Bone Demon, who turns into 3 mortals and each time SWK beat them down. It is not explained how they fell in love or why, just that he was in love with her. The subtitles from the scene:

ZBJ: "It was her tricks that made Master drive Wukong away" Old Monkey: "On White Tiger Ridge, he forsook his lover. Three times he broke her into pieces, convincing himself his heart would ache no more. Yet, as you must know, he had never let go of her. Otherwise, he wouldn't have been so eager to get away from the Buddahood he attained."

Side note, in CN the old moneky says "他倒是狠心绝情", which translates to "he was very cruel and heartless".

Like all the other demon in the book they wanted to eat Tripitaka because they were convinced that would grant them immortality. In JTTW, White Bone Demon transforms herself into a young lady, then elder woman and then old man, pretending to ask for help. Each time SWK was able to see through her disguise and he struck them down. Tripitaka thought he was killing innocent mortals so he sent SWK away, said he wasn't one of his disciple anymore. iirc ZBJ was not helping lol.

I hope the DLC will shed some more information on the romance, but I also understand if they don't elaborate further. According to some redditors the White Bone Demon romance is a nod towards another game Game Science worked on where SWK and White Bone Demon where a thing.

Later on in their journey, ZBJ sees a bunch of pretty women bathing. He turns himself into a fish. The Violet Spider recognizes him and I guess they reconcile?? or not really because the spiders also try to kidnap and eat Tripitaka and SWK leaves ZBJ to take care of the spiders, he killed everyone except the Violet Spider, who had to eat the remains of her sisters in order to survive.

Speculation from my side is if SWK knew about ZBJ history with the Violet Spider. I think it would be interesting for them to have a conversation about it at some point, since both of them had demon lovers who tried to eat their master so they were forced to kill them (except ZBJ spared the Violet Spider). Maybe SWK wishes he had that option too instead of living with the pain later on. A lot of wiggle rooms for interpretations and headcanons.

lot of shit happens. they finish their travel, SWK attains buddahood. Realizes he hates the court life, also cannot let go that he had to kills his past lover. just wants to chill with his homies and be back on his mountain. and the circlet is still there. hatches his masterplan to die so he can be reborn and be truly free

Throughout the game and dialogues in the game, we know that there were several monkeys/Destined One attempting to retrieve all 5 artifacts and become SWK. The way I understood is, if you reach the bad ending, the cycle starts a new. a new monkey will arise and try again until said monkey reaches the True Ending.

It is very heavily implied that the 4th spider was in love with one of the reincarnation, and they were supposed to get married or have gotten married. but alas monke has to continue his main quest, and he never returned back to her.

My question is, do each Destine One reincarnation retain memories from previous Destined One? Does "our" Destined One know who she is and what he means to her? fun things to also think about.

Oh yeah also pretty sure ZBJ and the Violet Spider got married in chapter 4 LOL. Very questionable marriage since ZBJ was not in a place to consent to it and was pretty much forced into it. But she came out wearing a red wedding dress and then sisters were telling him what to do and not to do, and they were also saying he is the one mother wants all those years even though they disagree with the choice. And then later on before the Violet Spider boss battle, iirc ZBJ says she should have just eaten him before the vows and stuff. Either she mates and then eats her husbands LOL. and her daughters also feast on the newly wed husband.

Heavily implied that the youngest spider kid is ZBJ and Violet Spiders kid. At least that's how I interprested the scene, why else would she show him the youngest daughter? Also all the daughters were born after ZBJ killed Violet Spider's sisters and left her to die, as they say it all happened before they were born so they cannot understand mother's obsession

My 2 cents: None of the spider sisters share the same father. I believe that the Violet Spider would find a new mate, get married, consumate the marriage and then eat the husband. Probably got pregnant from each marriage. It seems like the spider sisters are also very familiar with the ritual ( also LOL would the 4th spider sister have eaten the Destined One??). I also thought at first that Chapter 4 is the first time since JTTW Zhu Bajie bumped into the spider sisters and Violet Spider, but after my NG+ playthrough I realize that would not make much sense. If the youngest daughter really is their kid, then that means they must have met before the current event and JTTW.

We know that this is also not the first Destined One ZBJ met: when we rescue him in chapter 3, he says something along the line "great another mute" - implying he has helped other DO before. Which also means he has visited the spider lair with the DO before, so my guess it is very likely that he may have done the deed with the Violet Spider, and this is how the youngest daughter was conceived? And then he and the Destined One left once again, leaving the 4th Sister and Violet Spider behind again. I think that this would also "make sense" why the Violet Spider was so obsessed and hung up on ZBJ in chapter 4. It couldn't have been "just" what happened in JTTW, some more things must have happened in-between. ZBJ constantly picking bros before hoes I guess.

Fan speculation is also that the reason why ZBJ cannot be with the Violet Spider is to protect them from the Celestial Court.

We have 4 different love stories in this game: SWK and White Bone Demon, Zhu Bajie and the Violet Spider, Destined One and 4th Sister and then the Bull Demon King and Princess Iron-Fan.

I don't haven't started my chapter 5 playthrough yet but the gist I got is that their story isn't a happy one either and controlled by the Celestial Court. It sounds like none of the love stories have a happy ending and in one way or another, the Celestial Court is the cause for it. SWK and White Bone Demon doesn't fully fall into that category, but in JTTW it is said that all the demons they encounter were all orchestrated by Buddha, where they have to face 81 trials. Putting that into BMW's version of JTTW, technically a higher being still interfered with their love story and "forced" SWK to kill his lover, if they put White Bone Demon into their way. Again, this is just my musing and headcanon, and nothing of this is confirmed.

This is my opinion, but I personally love that Game Science gave both SWK and DO and ZBJ a love story, some more obvious than the others. It just adds a more human touch to the overall story of the game that I personally love.

Now excuse me while I go try to smooch a stone monkey.

#the ham talks #not really trying to make a point or anything here #mostly trying to get my scattered thoughts written down somewhere before I forget them #I love hate chapter 4. hate the giant ass bugs and dark caves but I love the overall story and main theme #DO and 4th sister being possibly married lives rent free in my head #black myth wukong #sun wukong #zhu bajie #jttw #journey to the west

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lauralot89 · 7 days

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"Now, sir, you can go on and arsk me what you want. You'll excoose me refoosin' to talk of perfeshunal subjects afore meals. I gives the wolves and the jackals and the hyenas in all our section their tea afore I begins to arsk them questions."

Did journalists actually used to write out accents phonetically or is Bram Stoker just doing this for fun

That 'ere wolf what we called Bersicker was one of three grey ones that came from Norway to Jamrach's, which we bought off him four years ago.

Charles Jamrach was a real wildlife dealer, most (in)famous for the time when a tiger escaped and grabbed a small child, who survived. This incident is now immortalized with a statue:

You could just do anything back in the day

He 'ad white kid gloves on 'is 'ands, and he pointed out the animiles to me and says: 'Keeper, these wolves seem upset at something.'

Thanks, Dracula, very helpful.

That there man kem over, and blessed but if he didn't put in his hand and stroke the old wolf's ears too!

Dracula is a Disney princess (countess) confirmed

anceterer

it took me like five tries to understand this

"Well then, sir, I accounts for it this way; it seems to me that 'ere wolf escaped—simply because he wanted to get out."

youtube

This one ain't been used to fightin' or even to providin' for hisself

Hence why Dracula had to lob him at the window like a basketball

well, then I shouldn't be surprised if the census is one babby the less

How is babby formed? how is babby formed how girl get pragnent

I shall take this cylinder with me, and then I can complete my entry on Lucy's phonograph.

Can't you only record like two minutes of audio on those?

Did you not get my telegram?

GREAT WORK, VAN HELSING

I flew downstairs and returned with it, taking care to smell and taste it, lest it, too, were drugged like the decanter of sherry which I found on the table.

For as much shit as I have deservedly given Jack "Medical Malpractice" Seward, I have to hand it to him, I would never have thought of that

I noticed that Van Helsing tied a soft silk handkerchief round her throat.

Professor, I hate to tell you this, but I think that vampires can bite through silk

I fear to trust those women, even if they would have courage to submit.

why though

"What's the matter with me, anyhow?"

QUINCEY MORRIS MY BELOVED

A brave man's blood is the best thing on this earth when a woman is in trouble. You're a man and no mistake.

Everyone who meets Quincey is immediately in awe, as well they should be

I found Van Helsing with a sheet or two of note-paper in his hand

She wrote all that in two pages? How small is her writing

Do not trouble about it now. Forget it for the present. You shall know and understand it all in good time; but it will be later.

He can't keep getting away with this

What is it that's wrong with her? The Dutchman—and a fine old fellow he is; I can see that—said, that time you two came into the room, that you must have another transfusion of blood, and that both you and he were exhausted. Now I know well that you medical men speak in camera, and that a man must not expect to know what they consult about in private. But this is no common matter, and, whatever it is, I have done my part...I take it that both you and Van Helsing had done already what I did to-day. Is not that so?...if you may tell me without betraying confidence, Arthur was the first, is not that so?...

Quincey is the smartest character in this whole damn book

His very heart was bleeding, and it took all the manhood of him—and there was a royal lot of it, too—to keep him from breaking down.

Everyone's gay for Quincey

Whilst still asleep she took the paper from her breast and tore it in two. Van Helsing stepped over and took the pieces from her. All the same, however, she went on with the action of tearing, as though the material were still in her hands; finally she lifted her hands and opened them as though scattering the fragments.

This is fine.

Van Helsing seemed surprised, and his brows gathered as if in thought, but he said nothing.

The Van Helsing Standard

Letter, Mina Harker to Lucy Westenra (Unopened by her.)

WHY MUST YOU HURT ME IN THIS WAY

Mr. Hawkins has died very suddenly.

Oh for fuck's sake, Dracula (yes I know it wasn't him)

Forgive me, dear, if I worry you with my troubles in the midst of your own happiness; but, Lucy dear, I must tell some one, for the strain of keeping up a brave and cheerful appearance to Jonathan tries me, and I have no one here that I can confide in.

I'm dying (Just like Lucy! Heyo!)

#Dracula Daily #Laura reads Dracula Daily #Youtube

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jedineedlove · 1 month

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The Four Symbols

"According to the archaeological evidence, the concept of the Four Symbols may have existed as early as China’s Neolithic period (some 6,000 years ago). This is based on some clam shells and bones forming the images of the Azure Dragon and the White Tiger that were found in a tomb in Henan." "I Ching (易經), a Chinese divination text also known as the Book of Changes, traces the roots of the Four Symbols back to the beginnings of the world. It alleges that they were bred from the famous ring of yin-yang (陰陽), which instils order upon the chaotic spirit of Taiji (太極)."

Four Guardians, Four Gods, Four Auspicious Beast

Each corresponds to a quadrant in the sky, with each quadrant containing seven seishuku, or star constellations (also called the 28 lunar mansions or lodges; for charts, see this outside site). Each of the four groups of seven is associated with one of the four celestial creatures. There was a fifth direction -- the center, representing China itself -- which carried its own seishuku.

The four Symbols hold significant symbolic meaning in cosmology and culture. They represent harmony and balance od the universe. The represent the harmony and balance of the universe. Each symbol governing a specific direct , season and set of elements. The symbols are associated with the five elements theory, which is crucial in traditional medicine , Feng Shui, and astrology. The also represent the cyclical nature of time, as they are closely tied to the Chines zodiac and the twelve Earthy branches.

The Four symbols paly a significant role in Shines astrology particularly in the Chinese zodiac, each symbol is associated with the specific year within the 12-year zodiac cycle, along with the five elements (wood, fire, earth, metal, and water) The combination of the symbol and the element determines the characteristics and destiny of individuals born in the particular year. The four symbol also influence their astrological systems, such as the Eight Characters (BaZi) and the Four Pillars of Destiny.

I thought I compare the LMK versions of them to the real mythology.

Vermilion Bird: Symbol of the South

Vermilion Bird aka Phoenix or Zhuniao, is the symbol of the southern direction. It is associated with the season of summer and represents the element of fire. It is the symbol of rebirth, immortality, and prosperity. It is also often associated with love, beauty, and passion.

Color- Red

Time of Day - Midady

Appearance: said to have chicken’s head, swallow’s chin, snake’s neck, fish’s tail, and five-color feather. ;or A mythical bird with colorful plumage and radiant feathers.

Its seven mansions are the Well, Ghosts, Willow, Star, Extended Net, Wings and Chario

Black Tortoise: The Symbol of the North

The Black Tortoise aka Black Warrior, Xuanwu is the symbol of the northern direction. Associated with the season of winter and element of water. Believed to bring protection and longevity. It is also associated with knowledge and wisdom and the control of water.

Color- Black

Time of Day- Midnight

Appearance: A giant tortoise with a snake wrapped around its back

Its seven mansions are the Dipper, Ox, Girl, Emptiness, Rooftop, Encampment and Wall.

Azure Dragon: Symbol of the East

Azure Dragon aka Blue Dragon or Qinglong, representing the easter direction. The ruler of the sky and is associated with the season of spring, the element of wood and is believed to being harmony and good fortune to those who embrace its energy.

Color: Blue- green

Time of Day - Dawn

Looks – serpent like body, deer-like antlers, fish-like scales and eagle-like claws.

The Azure Dragon as it is said that when the seven mansions in that area (Horn, Neck, Root, Room, Heart, Tail, and Winnowing Basket) are joined up, they form the shape of a dragon

White Tiger: The Symbol of the West

White tiger aka Baihu, is the guardian of the western direction. Associated with the season of autumn and the element of metal. Believed to represent strength, courage, and protection. Its is also associated with the celestial guardian of the west a powerful deity known as Xuanwu

Color- White

Time of Day- Dusk

Appearance: a creature with a tiger's body and lions' mane.

the White Tiger, and its seven mansions are the Legs, Bond, Stomach, Hairy Head, Net, Turtle Beak and Three Stars.

it was held to be the God of War. In this capacity, the White Tiger was seen as a protector and defender, not just from mortal enemies, but also from evil spirits.

A symbol of force and army, and so many things entitled White Tiger in ancient China are related to military affairs. For instance, the white tiger banner in the ancient army and the white tiger image on the Commander’s Tally. In the Han Dynasty, the White Tiger was usually carved on the stone relief of a tomb door, or on the lintel of a tomb passage with the Azure Dragon, to ward off evil spirits.

This puts a lot together and I'm impressed with the details that the show animators and designers put into their character designs.

Also..

Yellow Dragon: Symbol of Central

Yellow Dragon aka Qilin the symbol if the Central direction, and is associated with the season Midsummer and the element earth.

Color: Yellow

Comparing them they share the colors with the stones and the yellow dragon (central) seems to correspond with the jade emperor's yellow stone. Once again love the show details.

Nearly forgot about this and left it in the drafts wanted to post this then completely forget them.

#sun wukong #lmk #jttw #chinese mythology #mythology research

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comicaurora · 1 year

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As a writer for this comic, scripts for videos, or what have you, have you found writing ever gets easier? Like with visual art you can study references or practice and eventually see results but just throwing more words on a page doesn't feel like it has the same tangible improvements. There are clearly authors out there who can certainly fill pages and either could not or chose not to improve things my favorite examples being from "men writing women". So yeah part of it is knowing what not to write I guess, but is there a way of seeing writing improvement you know of?

I think it's certainly harder to see, but writing absolutely does get easier with practice. Like most art forms, it's a matter of figuring out how to translate what's in your head into a tangible thing on the page. That can be very difficult and counter-intuitive. For instance, because I think of storytelling in a very visual way, my first instinct on prose writing is to describe everything in terms of visual detail, but the problem is, this does not actually work in writing.

The greatest strength of prose writing is thoughts and feelings - to communicate exactly what is going on in a person's head, and to inspire the audience to internally craft an image that matches the feeling the story is communicating. This is something no other art form can communicate so readily, because every visual art form is on a certain level on the outside looking in at the characters. And frankly prose writing is not very well-equipped for detail-oriented visual description. If you try, you often end up with something that doesn't really paint the sort of word picture you might be looking for.

"I’m a goth (in case you couldn’t tell) and I wear mostly black. I love Hot Topic and I buy all my clothes from there. For example today I was wearing a black corset with matching lace around it and a black leather miniskirt, pink fishnets and black combat boots. I was wearing black lipstick, white foundation, black eyeliner and red eye shadow."

(from My Immortal, natch)

This, detail by detail, is very clear about what the character is wearing, except if you read it you have to mentally arrange all the pieces yourself. Black corset, okay. Black leather miniskirt - really? Okay. Pink fishnets - cool. Black combat boots, all right, great, that's the clothes done. Oh god there's more-

But the exact specifics of what this character is wearing really don't matter, do they? It matters more the feeling they're inspiring by their appearance - what their appearance communicates to the audience, what their character is. Compare to how Terry Pratchett characterizes a different goth-trending young woman in his Discworld novel Thief of Time:

"Miss Susan wore black, which the headmistress disapproved of but could do nothing about because black was, well, a respectable colour. She was young, but with an indefinable air of age about her. She wore her hair, which was blond-white with one black streak, in a tight bun. The headmistress disapproved of that, too — it suggested an Archaic Image of Teaching, she said, with the assurance of someone who could pronounce a capital letter. But she didn’t ever dare disapprove of the way Miss Susan moved, because Miss Susan moved like a tiger."

What exactly is Susan wearing? What is her makeup situation? What's her bone structure, her hair texture, her build? We don't know, and yet we can clearly visualize in our mind's eye exactly what she looks like. Except that visualization will be different for everyone, because it draws from the reader's internal knowledge of what these various things might mean. She wears black, she's young, she's a teacher, and she moves like a tiger. We don't need to picture it the exact way Terry Pratchett visualized it to know exactly what that means. And because she's being framed in the context of being disapproved of by a character in authority who nevertheless clearly can't do a damn thing about it, we learn a lot about this character just by the way the story narrates around her.

This is the kind of thing that a writer figures out with practice - what actually needs to be communicated to the audience for the story to have the impact it needs. And what doesn't need to be communicated, because the audience can be trusted to fill it in on their own. A writer doesn't need to spend three pages describing the luxurious embroidery on a beautiful ball gown if "she was wearing a gorgeous confection of satin and lace" or "she had been carefully zipped into a very impressive bodice" or "she was looking beautifully miserable in her ball gown" or "she sat with the grace and poise of an empress enthroned in her satin skirts" would do the trick in terms of helping an audience get the point.

And once a writer has gotten a feel for how to communicate what they want to communicate cleanly and simply, they can start figuring out how they might want to get weird with it.

"Arthur Dent was grappling with his consciousness the way one grapples with a lost bar of soap in the bath."

(From Hitchhiker's Guide to the Galaxy)

There are so many ways to describe a character on the verge of unconsciousness, and this is a buckwild variation, because it doesn't feel like it should work except that it totally does. We don't need to know what that looks like because we know exactly what that feels like, and we're readily invited to extend that metaphor into Arthur Dent's slippery grasp on reality.

"Lady Ramkin’s bosom rose and fell like an empire."

(From Terry Pratchett's Guards! Guards!)

What does that mean? What does that look like? It doesn't matter, we somehow absolutely get the point. This is a woman who moves with the power and gravitas of a battalion of soldiers and is often described in terms like "a galleon." We know how we're supposed to feel in this moment.

Words and language are incredibly precise and powerful tools, and what you need to use them for depends entirely on the kind of story you're telling, so the more you write, the better you'll get at using words for your specific purposes. This is why legalese is functionally its own dialect of English - lawyers try to use words to create completely precise, ironclad statements that cannot be misconstrued or manipulated, and it's pretty much incomprehensible to anyone who hasn't been trained in it because that is not what English is usually for.

The progress might not be as easily visible as art improvement, but it'll be there when you look for it, or when you revisit your older writing. You'll wonder with hindsight why you made certain decisions, or be frustrated with how inefficiently or blandly you communicated the point you wanted to make, or how much you undercut your own intentions because you weren't confident in your style. The more you write, the more easily you'll move through the medium of language and the better your work will become.

#asks #writing stuff

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ryin-silverfish · 4 months

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Lotus Lantern: The Summaries, Part 1

I grew up watching the Lotus Lantern TV shows, both of which have a special place in my heart. However, this particular tale is kinda one that thrives in operas and modern media adaptations, while the written texts of the story remain mostly out of reach for average audiences, being compiled in an 1957 book named 董永沉香合集.

As such, I've decided to make an informal summary of all versions of Chenxiang's stories from this particular book and maybe some more, for anyone wanting to learn about Lotus Lantern beyond the TV show.

This series is a WIP; each post features the summary of a single version of the legend. For Part 1, it will be——

Chenxiang Baojuan("The Precious Scroll of Chenxiang",1847/1907)

-This story took place in the Han dynasty. Son of a rich landlord, the scholar Liu Xiang(刘向) was on his way to the imperial examination (which didn't exist in the Han dynasty, but okay), and decided to stop at the temple of the Lady of Mt. Hua(华岳娘娘) for prayers.

-However, she was attending a party in the Celestial Realm, and her attendants——ghostly judges and pawns——didn't know how to answer when Liu asked if he'd succeed in the imperial examination, so they just threw him a blank wooden slip (used in divinations).

-Feeling cheated, the scholar angrily swept open the curtain covering the goddess's idol, and was instantly charmed by her beauty, so much so that he wrote a poem on the walls asking for her hands in marriage.

-As King Zhou's story in FSYY has told us, this was a very bad idea. The Lady of Mt. Hua was not amused upon her return, and went after the scholar with a sword in hand, but was also instantly charmed by his good looks.

-After a quick confirmation from the Old Man Under the Moon(月下老人) that their relationship was, in fact, Fated to Be, she used her magic to create a beautiful mansion, then, a huge storm, to force Liu to seek shelter there.

-She proposed to him inside the mansion, and Liu Xiang was like “I'd love to, but I gotta go to my exams and take care of my parents back home, so…later?”

-The Lady took it with characteristic grace, by which I mean she kicked him out of the mansion, then sicc demonic tigers and snakes on him and forced him to come back.

-Anyways, they married each other, and the Lady gave him three treasures as tribute to the ruling emperor: a luminous pearl, a pearl belt, and a crystal bowl, before sending him on his way to the imperial examination.

-Unfortunately for Liu, a corrupt minister saw those treasures and wanted to take them for himself, so he falsely accused Liu of stealing and threw him into prison.

-Just when Liu was about to be executed, his divine wife saved him again by whipping up a storm; Liu cleared his name in front of the emperor, and all was well…but not for long.

-The brother of the Lady of Mt. Hua is a guy called True Sage Xuanmiao(玄妙真君), but later, the text also referred to him as Erlang Shen.

-While at the Peach Festival, he teased He Xian'gu(何仙姑), one of the Eight Immortals, about her (nonexistent) husband, and she mocked back: "Well I don't have a husband, but your sister sure does! That's why she isn't at the party."

-Xuanmiao got really mad, rushed home to fight his pregnant sister, and sealed her under Mt. Hua. She gave birth while imprisoned, and sent Chenxiang to his father via a ghostly official/Yaksha.

-After learning about his mother's imprisonment, 12 years old Chenxiang left to pursue studies of the Taoist arts. He met the Gold Star of Venus, who led him to some divine pills and peaches that granted him superpowers. That wasn't quite enough, however, and when he went to fight Erlang, he was soon losing and being chased around.

-Luckily for Chenxiang, the White Crane Boy(白鹤童子), a divine messenger, was passing by and helped him get reinforcements; the "Eight Cave of Immortals, the Great Immortal of Penglai, the Mystic Lady of the Nine Heavens, Fourth Sister of the Hundred-Flowers"（八洞仙人、蓬莱大仙、九天玄女、百花四姐）. In return, the True Sage summoned legions of celestial soldiers, Sir Thunder and Lady Lightning(雷公电母), and the Four Heavenly Generals (Ma, Wen, Zhao, Guan, not to be confused with the 4 devarajas).

-The battle became so heated that it alerted Guanyin, who went and informed the Jade Emperor, causing him to send the Gold Star of Venus down there and order both sides to quit fighting. With that taken care of, Chenxiang cleaved open the mountain and saved his mom, but the imprisonment had done a number on her: her form was skeletal, her hair was a mess, her gaze was unfocused, and she was more or less catatonic.

-It would be really depressing if the story ended here, so the Mystic Lady of the Nine Heavens gave her a magical pill that returned her to full health, and the family went on to enjoy their happy ending.

#Lotus Lantern #erlang shen #liu chenxiang #sansheng mu #chinese folklore #summary #chinese folk religion #reference

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the-monkey-ruler · 5 days

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Oriental Legend 2 (2007) 西遊釋厄傳2

Date: March 2007 Platform: Arcade Developer: International Games System Co., Ltd. Publisher: International Games System Co., Ltd. Genre: Brawler Theme: Fantasy Franchises: Oriental Legend Type: Retelling

Summary:

Oriental Legend 2 follows up the original game with another romp through Journey to the West. The original game's five characters are joined by three newcomers: Er-Lang, Drakan, and Princess Iron Fan. Two more characters can be unlocked after completing the game once.

Like the original game, this is a scrolling beat-em-up for up to four players. This time around, character growth is a major gameplay feature. Players earn experience for defeating enemies and level up, with underleveled characters much more likely to have trouble beating late-game bosses. There are three game modes. "Plot" features seven stages with a regular difficulty level designed for regular players. "Online Ranking" is a more challenging eight-stage mode which, when completed, provides the player with a code to input at the official website in order to share their codes on the online leaderboard. "Challenge Boss" is a boss rush that goes through all of the bosses in the game, with players challenged to get through in as little time as possible.

This is the first game for the PGM2 to feature support for the hardware's card reader accessory. By buying an IC card at their local arcade, players gain the ability to save and load their character's progress, allowing them to keep their level growth and items between runs.

Source: https://www.giantbomb.com/oriental-legend-2/3030-63454/

Link: https://www.youtube.com/watch?v=3IzAw1KoqXI

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lesbianboyfriend · 7 months

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can i ask for lesbian book recommendations 🥹🕺

yeassss ofc my love <3

erm and obligatory disclaimer for any who might read that i don’t think “queer” or “lesbian” is a necessarily coherent category of books or adequate descriptor for a novel which is why i’ve also provided the actual genres here (sorted into which ever one i felt best fit) and descriptions. and these books have much more going on than just being about lesbians. however all books are undeniably awesomer with lesbians so yayyyyy

FANTASY:

-the salt grows heavy by cassandra khaw: fantasy horror; murderous mermaid and plague doctor come across a cult of children (could be read as not lesbians bc one character is nonbinary but i choose to read as. lesbians)

-the empress of salt and fortune by nghi vo: political fantasy; monk unravels the tale of exiled empress’ rise to power

-when the the tigers came down the mountain by nghi vo: political fantasy; monk unwinds the tale of a tiger and her scholar lover to prevent other tigers from eating them (stand alone sequel to empress of salt and fortune)

-ship of smoke and steel by django wexler: ya fantasy; girl has to steal a ghost ship to save her sister’s life

-the mermaid, the witch, and the sea by maggie tokuda-hall: ya fantasy; pirate falls in love with one of the ship’s hostages, a girl being sent to an arranged marriage against her will

-tremontaine created by ellen kushner: political fantasy; there’s a lot going on in this one okay just trust me that it’s really good esp if you love political intrigue (this was released serially and is easiest to acquire an electronic version)

-the deep by rivers solomon: fantasy/spec fic; African slave women thrown overboard gave birth to mermaid-esque descendants. one holds these traumatic memories for her whole people and must grapple with that pressure

-wild beauty by anna-marie mclemore: ya magical realism/fantasy; a family of women who can create flowers and whose lovers always tragically vanish fight to keep their land and to unravel the mystery of a strange boy who appeared

-siren queen by nghi vo: historical magical realism/fantasy; girl’s rise to stardom amidst the monsters of hollywood back in the days of the studio system

-gideon the ninth by tamsyn muir: sff; um. how to explain briefly. gideon wants nothing more than to leave the ninth house, but her nemesis harrowhark needs her sword skills to pass the emperors trial and become immortal. sure. (caleb i know you’ve read this just adding for any other viewers yayyy)

HORROR:

-white is for witching by helen oyeyemi: horror fantasy/magical realism; a house with women in its walls calls to miranda silver while the people she leaves behind struggle to make sense of what happened to her

-plain bad heroines by emily a. danforth: historical horror; when filming a movie about the macabre history of a boarding school, its past starts to become the reality for the stars and author of the novel it’s based on

LITFIC:

-girl woman other: contemporary litfic; the intersecting stories of Black british women told in verse

-nightwood: classic literary; i feel like i can’t describe this one well but nora and jenny are obsessed with robin, whose penchant for wandering and inability to commit drives them crazy. toxic dyke drama at its best

-the thirty names of night: lit fic; transmasc syrian american unravels the history of artist laila z who encountered the same rare bird his mother saw right before her death and realizes their pasts are intertwined

-under the udala trees: historical lit fic; coming of age set against the backdrop of civil war in Nigeria, two girls from different ethnic communities fall in love

-everyone in this room will someday be dead: contemporary lit fic; that moment when your ocd lands you a job at the catholic church even though you’re an atheist and also your relationship is falling apart

-stone butch blues: historical lit fic; butch lesbian realizing and grappling with her identity throughout the 40s-70s

-the color purple: classic lit fic; story of two sisters separated in their youth—one is forced into an abusive marriage and falls in love with her husbands mistress, wondering what became of her sister

-oranges are not the only fruit: semi-autobiography with slight fantasy elements; exploring growing up lesbian in a deeply religious pentecostal sect

SCI-FI:

-the weight of the stars: ya sf romance; aspiring astronaut is forced into friendship with a girl who waits on the roof every night for radio signals from her mother in space

-the seep: sci-fi/spec fic; what if aliens invaded and formed a hive mind of everyone and also your girlfriend turned into a baby again. wouldn’t that be fucked up

-the stars are legion: political science fiction; an awakes with no memory amid a group of people calling themself her family who claim she is the only one who can save their world

-not your sidekick: ya sci-fi; superheroes are real and they fucking suck

SHORT STORIES:

-sarahland: contemporary/spec fic short story collection; various stories about people named sarah

#jules.txt #asks #bookshelf

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tesla-runner · 6 months

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I saw a theory that Po and the four villains of the saga represented the 5 celestial beasts of Chinese culture, being distributed as:

Po as the Golden Dragon

Tai Lung as the White Tiger

Shen as the Vermillion Bird

Kai as the Black Tortoise

The Chameleon as an Azure Dragon

There is a video on tiktok that explains Tai Lung, Shen and Kai in depth, but I want to focus on The Chameleon.

According to what I could find, this would be the description of the Dragon Azure in Chinese culture: head like camel, horn like deer, eyes like rabbit, ears like ox, back like snake, belly like clam, scale like carp, claw like eagle, palm like tiger. It is described as an intelligent, powerful creature associated with the east and spring, and it also is described as a colorfull creature.

One of the most famous legends involving the Azure Dragon is the story of the Dragon Gate. According to the legend, carp that were able to swim upstream and leap up the Dragon Gate waterfall would be transformed into dragons symbolizing the idea of perseverance and the possibility of achieving greatness.

And also

But there is more. The Blue Dragon (also called Qinlong) is also associated with the Chinese concept of Qi (pronounced "chee"), which is the life force that flows through all living things. It is said to be able to harness and manipulate Qi to heal the sick, protect the innocent and even attract good fortune and prosperity. And let's not forget about its magical abilities. It is said that the Blue Dragon is able to take human form, a very useful trick to go unnoticed among the locals. It is also associated with the concept of immortality and is said to have the power to grant long life and prosperity to those who deserve it.

In case this theory is true, it would make The Chameleon just more interesting that she actually is

#kfp chameleon #kung fu panda #kung fu panda 4 #the chameleon #the chameleon kung fu panda 4 #chinese culture #chinese mythology

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hel-the-growl · 2 years

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Cultural Annotations on New Gods: Yang Jian -Part 1-

This is the companion piece to my long-ass thread about the same topic on twitter.

Light Chaser really outdid themselves with the visuals and research this time, and with Yang Jian out in NA theaters, it's totally worth seeing on the big screen.

There were so many historical references packed into this movie, I thought I'd do a deep dive into the characters, motifs and lore associated with Investiture of the Gods scene by scene.

Background

Yang Jian is the second instalment of the New Gods series of animated films (after Nezha Reborn), that are loosely based on the 16th-century Chinese novel Investiture of the Gods (IOTG). IOTG shares some canon with other Chinese classics like Journey to the West, Classic of Mountains and Seas, Lotus Lantern etc. so there may be crossovers.

The character Yang Jian, better known as the god Erlang, is a figure widely regarded as heaven's greatest warrior deity. He is recognized for having a third truth-seeing eye, and in IOTG, helped bring about the fall of the Shang Dynasty in 1046 BC.

The movie however, takes place during the Wei, Jin and Northern and Southern dynasties circa 5th century AD, some 1500 years after events of IOTG. We first meet Yang Jian as a rather lethargic but free-spirited individual, 12 years after losing his powers during a great disaster involving the three realms, scraping by as a bounty hunter.

A rough timeline

c. 1075-1066 BC: Yang Jian is born

c. 1060-1050 BC: Yang Jian cleaves Peach Mountain

1046 BC: Battle of Muye (Conclusion of Investiture of the Gods)

c. 9 BC-23 AD: Erlang defeats Sun Wukong (Journey to the West, Chapter 7 - Havoc in Heaven)

c. 405 AD: Disaster of the Three Realms; Yang Chan is trapped under Mount Hua

c. 417 AD: New Gods: Yang Jian

c. 1920s - c. 1930s: Nezha Reborn

Breakdown

Yang Jian’s crew all have backstories. In Journey to the West, Kang Anyu (康安裕) and Yao Gonglin (姚公麟) are two of Erlang’s six brothers of Plum Mountain, both supreme government officials in charge of military affairs. Maybe we’ll get to find out about the other four’s whereabouts in later instalments?

Xiaotian is Erlang’s dog sidekick who helps him subdue evil spirits and never leaves his side. The movie’s version of Xiaotian seems to be inspired by ancient paintings depicting her as a white hound.

The wanted bulletin printer seems to be inspired by a Hu Shi Ren You (虎噬人卣), a tiger-shaped Ancient Chinese wine vessel.

In Chinese mythology, Penglai is a legendary island for immortals. It has been reimagined to be the equivalent of the CBD of the divine realm.

The dice used in the casino are 18-sided Xing Jiu Ling (行酒令) from the Han Dynasty. It has the numbers 1 to 16, along with the characters for "wine" and "arrogance" engraved in gold and silver. The rat is the first animal of the Chinese Zodiac.

Shunfeng’er (顺风耳), who now goes by Old Gao and works at the casino, was usually accompanied by Qianliyan (千里眼). They are two temple guards whose names translate to “all-hearing” and “all-seeing” that could hear and see things from thousands of miles away.

Light Chaser is serious about its monkey business. The way casino monkey grabbed Yang Jian’s tally with his foot, the big ape miming and even in Nezha Reborn where the little monkey imitated Yunxiang.

Fun fact: The monkey is voiced by Yang Tianxiang, the same actor who voiced Li Yunxiang (Nezha) in Nezha Reborn.

Refresher - Primordial Spirit, known in Chinese as yuanshen (元神), is is a concept in Daoism defined to be a level of existence surpassing that of physical existence. In the New Gods universe, they manifest as giant glowing avatars.

New Gods also has a recurring theme of lost Astras - In Nezha Reborn, Wukong’s staff is nowhere to be found and Yunxiang has only recovered Nezha’s Sky Ribbon so far. Among Erlang’s many Astras, three are mentioned in the movie.

Yang Jian’s headdress is designed to resemble his signature trident, the "three-pointed, double-edged lance". Hence when casino monkey asked him where his weapon was, he clinked the headdress.

This weapon was later shown in a flashback:

Another one of his Astras is a golden bow with silver bullets. According to the director, it was melted into his harmonica (although this was probably retconned as in the teaser for the sequel, it was his mother who gave it to him as a child). The harmonica not only has the powers of his bow, but is also the ignition key for his ship.

The third weapon featured is his mountain-cleaving axe (开山斧). It is the axe he used to split Peach Mountain in half to save Yaoji. He is shown wielding the same axe in the opening montage 1500 years earlier and it is currently wedged inside the Lotus Peak of Mount Hua from the events of 12 years ago. Needless to say it is a powerful Astra with earth-shattering capabilities.

The Four Diablo Brothers - Mo Lihong, Mo Liqing, Mo Lihai, and Mo Lishou - were initially antagonists in IOTG, having launched an attack on the Western Foothills. This led to the introduction of Yang Jian, who helped defeat the brothers.

By the conclusion of the novel, they were enshrined as the Four Heavenly Kings - Vaiśravaṇa, king of yakṣas (多闻天王; Duowen Tianwang), Virūḍhaka, king of kumbhāṇḍas (增长天王; Zengzhang Tianwang), Dhṛtarāṣṭra, king of gandharvas (持国天王; Chiguo Tianwang) and Virūpākṣa, king of nāgas (广目天王; Guangmu Tianwang). In the movie, only Mo Liqing was addressed by his title when Shen Gongbao met him inside the lighthouse.

There's a PSA on the noticeboard with a picture of Nezha pissing. It reads "no urinating or defecating here." This might be a piss (pun intended) at the 2019 animation Ne Zha from a rival studio, and its hilarious promo. The shade 💀

Further supporting my theory that White Snake and New Gods are from the same universe, Precious Jade from White Snake is recruiting!!! And medicine boy plugging his illegal business lol.

Jinxia Cave (金霞洞), lit. Gold Sunset Cave is Yuding’s HQ. It is located on Jade Spring Mountain in the Divine realm.

The little disciple playing the flute is a tribute to the 1963 ink animation “The Bamboo Flute” (牧笛) produced by Shanghai Animation Film Studio.

Yuding is one of the many disciples of Yuanshi Tianzun, one of the highest deities of Daoism known as the Primeval Lord of Heaven. Yuding is ranked 10th among the “12 golden disciples”, and among his peers are Jiang Ziya (the main character of IOTG who led the battle against Shang), Taiyi Zhenren (Nezha’s master) and Shen Gongbao etc. They are all practitioners of Chan Daoism, also known as Kunlun Sect, founded by Laozi and Yuanshi Tianzun.

In the tale of the Magic Lotus Lantern, Chenxiang was the son of Yang Chan AKA Goddess San Shengmu AKA the holy mother of Mount Hua AKA Erlang’s sister, and a mortal scholar named Liu Yanchang. This parallels the Yang siblings’ own origin story as the children of a goddess and a mortal.

Chenxiang literally means Agarwood. It is a revered wood valued for its use in incense and traditionally burned during meditation.

The place on Jade Spring Mountain where Yuding sealed the sect brother’s Dharmakaya (the embodiment of the truth itself, a transcendence of the physical and spiritual bodies) is based on the travertine pools in and around Jiuzhaigou, Sichuan. Notably, a scene from Journey to the West, a story associated with Erlang, was once filmed at one of the waterfalls here. I’ve been here and yes, it looks exactly like this irl.

Part 2｜Part 3｜Part 4

#erlang shen #new gods #yang jian #wukong #new gods: yang jian #新神榜 #二郎神 #杨戬 #新神榜：杨戬 #xin shen bang #jttw #investiture of the gods #lotus lantern #light chaser #xsb #still laughing at the nezha shade

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felinelord-bowbeforemepeasant · 1 year

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Something that been on my mind

Warning: there maybe some grammar mistake in this cause english isn't my first language and also iam not an analyst or theorists or anything is just that I just want to get this out of my mind

The new bsd manga cover is out and I just realized something

The upside down pose of atsushi and if I remember correctly what happened in volume 21 is equivalent to "sh*t is going down" and if iam right then volume 24 is a manga cover for chap 105 to 109 (unless there another chapter coming out but it will be in September so i just gonna put it like that) also equivalent to "things are turning to the worse" kinda like volume 21.

I'm not an analyst or anything but it will be great for someone to do an analysis on this

It just atsushi is being upside down in the volume manga cover lately and there have to some hint for it cause harukawa art always have meaning or some parallel for something

Also if I remember correctly there are a tarot mayoi card for atsushi and his cards is the fool

(Credit the art to the game bungou lost tales)

I remember someone already did an analysis on this card so I'm just gonna link it later

So here is the meaning of the fool

- UPRIGHT: (new) beginnings, freedom/free-spirited, adventure, travel, originality, innocence, foolishness, carelessness, idealism, youth, spontaneity, lack of commitment.

- REVERSED: recklessness/risk-taking, carelessness, negligence, stupidity, distraction, apathy, irrationality, lack of fun/hope/faith, holding back.

With what is going on in the manga and atsushi upside down pose in the new manga volume I gonna go with the reversed one

The lack of fun/hope/faith are what is currently happen in right now in the manga and the holding back thing is kinda related to how atsushi have to hold back so he can't hurt akutagawa (it in chapter 108) i guess but the other I'm not so sure

Like I say I'm not an analyst it just when I see the new manga cover my thought just spiraled to this

And here is the link to the analysis about the tarot mayoi card

We also need someone to talk about this too

(Credit the art to harukawa sango)

This is the new illustration art of harukawa and the first thing that I notice is why fukuchi scar is yellow the same color of atsushi eyes and fukuchi scar here is like a claw mark however maybe it was just a scar when he was fighting with the ability experiment "werewolves" or the semi-immortal ability user "wasp" (it in chapter 82) but why the claw scar is yellow and atsushi eyes is also yellow here so that gonna mean something

I also see a post talking about this too

And here

Also I hope that you guys still remember that the DOA still have the page right

And they gonna write on the back of the page at the next full moon

(I don't know what time it is in the current chapter but I guess it not the day of the full moon yet)

The real question is why DID they chose the next full moon they could have chose any day but why (I did see some questions about this too)

Now what are the thing about full moon that we are all know about

Yep that's right atsushi ability

I also want to add this: "he was actually transforming into a white tiger under the moonlight due to his ability" (Credit to wiki)

And who is holding the page right now- yes is fukuchi

But is he really the one holding the page, I see some post point it out that the page is blank or quite clear like it didn't even have any word on it so we have another question it is really the page

We also see another person shroud by darkness and writing on the page

We don't know yet if this person is affiliated with doa or fyodor or they are someones that haven't been revealed yet or the creator of the book itself

So is the page that fukuchi holding is just a decoy(a fake page?) And the real one is being keep at somewhere else because it is something that are super valuable, and you can't just keep it on yourself all the time cause what if something unexpected happen

Does that mean that there are gonna be some connection revealed or an answer to some questions that have been unanswered or just a foreshadowing for something that gonna happen later in the manga

I guess we just have to wait though cause I remember a translate of a interview with asagiri and he say that doa arc is not the end and there are going to be a "order of the clock tower" arc but I'm not sure.

(And also resolve some mystery about atsushi cause he have so many hole in his backstory and there so many question about him that haven't been answer)

P.S: I want to write more about it but my mind just got overload-like I was having a very bad headache and my eyes feel kind of sleepy

Also did I do this analysis (theory) post as the same time as the the other one- yes (you know what maybe that the reason why i was having a headache i mean doing both analysis(theory) at the same time can leave you quite tired), do I really need a break- yes...maybe it just I have so many to do right now and I really want to but my mind just blank so yeah I might take a break

#bungou stray dogs #bsd #when i see the new manga cover i was like this seem familiar and found the cover for volume 21 #and don't know if there are more though #bsd atsushi #atsushi nakajima #nakajima atsushi #bsd analysis #well i guess it kinda count #bsd manga #bsd manga cover #bsd official art #im not analyst or anything it just in my mind and i have to get this out #it will be nice for someone to do an analysis of the official art of harukawa and the new manga volume cover #or maybe someone already did it and i didn’t just see it #bsd fukuchi #bsd mayoi #im not an analyst #atsushi is quite sus #there are so many question unanswered about him #i hope some of it will be revealed in this arc #or it is gonna be in the next “the order of the clock tower” arc #bsd theory #something that been on my mind #i did not forget this in my draft

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