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#MY PERSPECTIVE OH MY GOD
llondonfog · 1 year
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MR GAIMAN, MR NEIL FUCKING GAIMAN!!!!!!
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hinamie · 13 days
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to moving forward
#my art#jujutsu kaisen#jjk#jjk fanart#jujutsu kaisen fanart#jjk art#yuji itadori#gojo satoru#fushiguro megumi#nobara kugisaki#itadori yuuji#megumi fushiguro#jjk spoilers#satoru gojo#jjk manga spoilers#hina.comic#before any1 says anything i KNOw his birthday is in december ik ik ik this is just 2 show some post-battle bonding after the trauma#its winter in canon n megumi's birthday has passed and he spent it being piloted like a mech so they need to celebrate Now!!#also this was technically a request lmao anon wanted megumi birthday angst hehehehhe i hope u like it <3 bc it KILLED ME DEAD#im going to collapse remember when i said this wasnt harder than the hydrangeas im having second thoughts#page 8 made me want to bash my head in#could have stuck with one flashback image could have left them monochrome could have done literally anything 2 ease the workload#but noooo the chronic overachiever in me would not allow it#rule of threes i had to include all of them and they Had to be in colour it wouldn't have hit the same if i had kept it monochrome#i needed it to look how childhood memories look i needed it to look oversaturated and hazy and fond but unmistakably Gone#it may have killed me but im so proud of this rn like from an art style perspective these megumis and yuujis r top tier by my standards#personal favourites r the first and last panel of crying megumi like not 2 pat myself on th back but expression?????? hello??????#enjoy your cake megumi you've earned it <333 sorry fr hurting ur feelings it will happen again#oh my god i can sleep tonight bless <333 and i met my 3 day deadline NICE im so good at what i do
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crimeronan · 1 year
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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rexwrendraws · 9 months
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jumping on the 'redrawing michael zulli's sandman stuff' bandwagon a year and half-ish later with some loose scribbles :]
references/original art by michael zulli under the cut:
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allmightyscroll-swag · 6 months
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Out of Earshot
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Hmm.... It's almost like something happened that we don't know about......
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Finally able to post this! Gonna say straight out the bat; don't look at the consistency of injuries before this point. Just straight up don't. They are NOT consistent at all (but then again this comic was never consistent art wise to begin with, so....)
The turtles have eye colors now! Cause I thought that was cool :)
Bonus:
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They did not, in fact, tell April or Cass about the whole "Leo may be turning into a kraang zombie" situation.
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mossy-paws · 1 month
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Mangograft! (PHIGHTING!)
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Would one care for a mango? (It’s a bomb /j)
ANYWAYS I forgot to post this so here it is! Live laugh Mangograft this was a suggestion from a friend since I was bored :3
Also here’s this gem too no im not giving context
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blueskittlesart · 1 year
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ok so. I found the whole master sword decaying and breaking thing ridiculously funny once the cutscene ended and i got over it. bc. i've played sksw. i forged the darn thing. i had to haul the goddess sword through quest after quest (smth about dragon bathwater?) so i could put fi through flame after flame and finally get the master sword. and. and then i broke it. i spent so long putting it together and THEN I WENT AND BROKE IT??? anyway i found it funny kind of. full circle ig.
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no you're so right this is hilarious
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vyeoh · 6 months
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What if death said its time and I said L and also + ratio
CLICK FOR BETTER RESOLUTION
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one-time-i-dreamt · 2 years
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Marvel added a new superhero to the MCU called Flightless Bird Man. His power was turning into any flightless bird.
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suntails · 11 months
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collab artwork i did for my beloved friend @llondonfog's fic in the horror zine!!! it was such an honor to work on a collab together and i couldn't have asked for a more fun experience!!! <3 go read her fic and leave comments/kudos, it's a treat!
LINK TO FIC
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azuzula · 1 year
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Have a body feel the groove!
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Remember: Ranboolive spent 45 minutes throwing a towel at a box during genloss filming that the team had to cut over it because he took so goddamn long..
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caeslxys · 6 months
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here's the thing. laudna would have stopped it. if she knew delilah was about to fracture the gnarlrock. if she could parse her own feelings from hers.
and here's the thing. imogen has been plagued by nightmares for a decade. and this rock is the first bit of solace outside of her trust in laudna that she has ever had.
and laudna was just involved in shattering it. this tiny bit of solace.
and. here's the thing: laudna would've stopped it.
and. here's the thing. imogen would've stopped it. the only reason imogen didn't go is because she was specifically afraid that she would attempt to intervene and ruin their relationship with the volition before it ever began.
and here's the thing. liliana set out 25+ years ago specifically to spare her daughter. and that seemingly has not ever wavered as her core motivation. but people keep being drawn to the moon. kids keep being drawn towards the moon. and liliana is a mother. she was a mother before she ever knew she was an exaltant.
for 25+ years she has worked to "cure" imogen. the only solace she probably ever received was in at least attempting to console the kids who found themselves lured in by her same pull.
liliana begs imogen not say that they may have to kill each other. she breaks at hearing imogen's resolve. but there's kids, imogen. there's kids here. imogen. she can't leave. she's a mom.
and, here's the thing: imogen's her daughter. the daughter liliana left. or tried to leave. the daughter she only had through dreams. and imogen is working with the volition. and imogen has been her sole drive for 25+ years.
and imogen might have just been involved in shattering the little solace she might have ever had.
and, here's the thing: imogen would've stopped them.
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stefisdoingthings · 5 months
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Oh hey there (vashwoods your shoes)
because of this iconic post by @bendycxmet :3
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alluralater · 7 months
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when butches do that thing where they look away after watching you but they're smiling and it's like this little smirk and then they look you up and down and clench their jaw before averting their eyes AGAIN???? why do they do that??? why is it so hot??? someone explain QUICKLY
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uncleardyn · 18 days
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man i love that character. you know, the deeply paranoid author who made a pact with a dark entity that ultimately ended with him stranded in another dimension separated from his loved ones for years at a time? takes place in the pacific northwest? has twin imagery associated with him and a reoccurring specific piece of symbology related to the unfortunate situation they're in? doesn't ever explain the reasoning behind his actions and instead just kinda goes "bro trust me"? yeah he also wears an outer layer of clothing with elbow pads on it, that one.
#my art#stanford pines#gravity falls#alan wake#remedyverse#i am. normal about the crossovers i make up.#what do you mean the esoteric weird horror game about stories and the disney cartoon about family dont have a shared audience. sounds fake.#anyways the comic on the right is in honor of a joke i had to scrap in my fic wip due to a perspective switch.#rip that joke i thought you were pretty funny. i like the idea of alan critiquing his own manuscript pages upon the events happening.#oh i should probably do a warning since theres that crunchy image of the aw2 alan death screen huh. uh#blood#aw2 alan death screen my beloved. literally made me go ''oh god'' out loud in shock and horror when i first saw it#anyways did you know theres an au to this objectively already an au crossover. i call it ''bill cipher gets sent to the shadow realm''#bill doesn't show up a lot in this au he gets one scene where he taunts ford abt alan being a danger#with the implication that the dark place/presence genuinely freaks him out. but in this self indulgence of a self indulgence#alan essentially manages to trick bill into swapping places with him and bill ends up trapped in the writers room/the dark place.#lmao get yötön yö'd idiot. YOU are aleksi kesä now.#also i like the idea of zane and bill meeting as well as door and bill meeting. i think they might scare bill a little bit.#just like how zane scares me <3 what a cool character what the fuck is his deal#also you may be wondering why alans in his aw2 look and not aw or awan look despite the fact that lines up closer#to when gravity falls happens-ish. well the answer to that is 1: the crossover uses a lot of the elements from aw2#and 2: i like alans long hair and suit and beard. i like the pathetic sopping look when his hair is in his face
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