#RANT ABOUT IT PLEASE

[magnusbae]

To illustrate this post by @mayahawkse I would like to visualize to you the difference:

A post in 2023:

A post in 2014:

A zoom out of the same post:

This is what a community looks like.

See how in 2023 almost all of the reblogs come from the OP, from their few hours/days in the tag search. Meanwhile in 2014 the % of reblogs from OP is insignificant, because most of the reblogs come from the reblogs within the fandom, within the micro-communities formed there. You didn't need to rely on tags, or search, or being featured. Because the community took care of you, made sure to pass the work between themselves and onto their blog and exposed their followers to it. It kept works alive for years.

It's not JUST the reblog/like ratio that causing this issue, it's the type of interaction people have. They're content with scrolling and liking the search engine, instead of actually having a reblogging relationship with other blogs in their community.

Anyways, if you want to see more content you like, the only true way to make it happen is to reblog it. Likes do not forward content in no way but making OP feel nice. Reblogs on the other hand make content eternal. They make it relevant, they make it exist outside of a fickle tumblr search that hardly works on the best of days.

If you want more of something, reblog it.

[pastabaguette]

look guys i don’t like to argue but i hate it when people portray equius and nepeta like this:

i mean, they’re both just thirteen, come on.

equius is not her parental figure, and nepeta isn’t a fussy baby that can’t eat her fruits and veggies! equius isn’t some malicious evil guy, he’s just a stupid little teenager. that goes for eridan too (and i guess like, all of the trolls, but especially those two). nepeta’s not some innocent little baby. she’s the same age as all her friends. she kills huge wild beasts on the regular for consumption.

a lot of dubs i’ve seen, too, make nepeta sound like a toddler, and equius like a whole grown adult man, and i don’t really like it because neither of them are those things. (granted, i don’t watch too many dubs, so maybe i am wrong on this)

[alectology-archive]

most annoying breed of author is actually someone who doesn’t respect a genre and sets out to subvert it.

[dotcircledot]

[hollis-art]

i saw someone spread hate to Keiko bc they were a Bashir/O'brien shipper, and i do NOT agree with that.

why would you ever say such things when this was always an option?

this is obviously what's happening in the show anyways

[lygma-nygma]

Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.

[k-is-for-potassium]

i feel like many people use "straight"...wrong

it's used a lot to mean cis, het, allo, perisex, etc.

basically just not lgbtq+ at all

but that's not true

trans people can be straight and lgbtq+

intersex people can be straight and lgbtq+

neopronoun users can be straight and lgbtq+

arospec people can be straight and lgbtq+

acespec people can be straight and lgbtq+

polyamorous people can be straight and lgbtq+

genderfluid, bigender, and other gender non-conforming people can be straight and lgbtq+

i know a few people who are biromantic and heterosexual or vice versa, and they are still lgbtq+

and there are so many more identities that can absolutely be both

straight does not mean not lgbtq+

[ebisul]

I have a huge problem with any time someone starts treating the Jedi like space Christianity because it fundamentally misrepresents the Jedi and the Force

The Jedi are not Christianity. The Jedi are religion as a whole. Thats why it pulls from so many different real life religions, yeah that includes methodism and buddhism.

The force is not God and the Jedi don’t treat it as such. The force is love and compassion.

They do not force their beliefs onto anyone either. There are so many religions and understandings of the Force that coexist with the Jedi. You can not say the same for the Sith.

[nonbinary-vents]

This has been an absolutely horrible couple weeks for the Jewish and Israeli community, so I want to throw in at least a tiny bit of hope in here. Amina Hassouna, the Bedouin girl who was severely hurt in Iran’s missile attacks, has been recovering well and seems to be in good condition! She is described as being ‘fully conscious’ and ‘communicating and smiling’. Two bomb shelters have been placed in Al-Fura, the town that she and her family are from, as well.

[penumbralwoods]

while we're talking about it this is your friendly PSA that uncharacteristic friendliness and lack of fear of humans is just as much of a sign of a rabies infection as overt aggression. and if you're bitten by a wild animal (or have any reason to believe you were unknowingly bitten ex. bats found in your home) DO NOT TAKE THE FUCKING RISK.

[hauntingsofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[thottybrucewayne]

People get so pissy when they're told to be mindful not to overstep when discussing the oppression of a community they aren't a part of and it's sooooo obvious too like, how are you being supportive if you can't take criticism from the group of people you're "supporting"

[wild-karrde]

Y'all... I cannot stress enough how you need to interact with things in order to maintain a fandom community.

I have seen absolutely abysmal interaction with everything I've posted lately, and it is IMMENSELY disheartening. Of course, I create it for me, but I choose to share it with everyone and want to get excited about it WITH YOU. And it seems that every other artist/writer/creator I know is experiencing the same thing.

If you're one of the people that regularly interact or just have hit a bit of a speedbump lately, then please know I'm not talking to you. I'm also not talking to other creators that have to choose between engaging or creating (and sometimes just don't have the bandwidth). I'm talking to the blogs that ask for more and then never comment or share. I'm talking to the people that sign up for tag lists and then are never heard from again. I'm talking to blogs that spam like but haven't reblogged anything since 2022. Y'all, this site thrives off of interaction. That is how it works. You have to help things circulate, and it is so frustrating to see the entire place in a collective slump. I have been blocking blogs left, right, and center that do not share things, and I will continue to do so. But it is such a freakin' bummer to see the state of things at the moment.

Hell, I started a sideblog for Fandom Friday (@fandom-friday), and have only received a handful of submissions after getting asked numerous times when it would be coming back. IT'S BACK. IT'S HERE. WHERE IS EVERYONE????? I figured after a few months' break, that people would have plenty of submissions stacked up, but that has not been the case AT ALL.

Fandom communities are such incredible places, but it's felt like a ghost town around here lately with the writers and artists just screaming into the void to PLEASE INTERACT WITH OUR STUFF. Please show up for one another because it is so very soul-crushing to watch everyone I know just feel completely disheartened. I cannot tell you how depressing it is to spend hours and hours carefully crafting something, being genuinely excited about it, and get almost no interaction or response other than a few likes and comments.

PLEASE INTERACT WITH THINGS YOU LIKE OR ELSE THERE WON'T BE ANY MORE THINGS TO INTERACT WITH.

[tulliok]

Rare little MLP rant from me incoming. (I don't like talking about my opinions on the show too much.)

I'm getting really fed up with a "debate" that keeps popping up every month in MLP's online fandom regarding the character, Cozy Glow, and how the show ended her storyline. The discourse is specifically about if her actions and motivations warranted her being sentenced to what is the equivalent of capital punishment in a children's show. 

This shouldn't even be a conversation.? Why are fans so eager to subscribe to the show's logic that a child character is irredeemable and evil and deserves to be punished that way? Like, are these fans not seeing the issue with a children's show about friendship and redemption having a storyline like this in the first place? Especially in the season that is literally about a friendship school.

The entire concept is the problem. It's ok to admit that as a fan. Watching the show's protagonists gleefully punish a young child is distasteful. Reading threads and think pieces on why it's actually ok is gross.

I have so so so many issues with season 8-9 but I'm really only willing to talk about it if I am asked about it.

[fist-of-vengeance]

just saw someone on tiktok discussing whether or not a character "deserved a redemption arc" and i am losing my mind. we as a society have lost sight of what a redemption arc IS. it doesn't mean a character is rewarded by the narrative. it doesn't mean the other characters forgive them. it only refers to a character acknowledging their mistakes and choosing to better themselves, which any person can do, no matter how terrible. of course there's no shortage of badly executed redemption arcs, and a character who willfully committed countless atrocities having a change of heart after a single conversation about the power of friendship is simply poor writing and unrealistic. not every character who CAN change WILL. but there is zero value in debating whether a character "deserved" to be redeemed. no one in fiction or reality needs to be "worthy" of making better choices. there is no fixed point where a person is "too evil" and therefore forbidden from doing anything differently. it's always worth it to change, and implying otherwise is both a genuinely harmful ideology and bad literary analysis

[slippy-socks]

i like to think the LA ghoulettes are sister imperator’s girls :’)