#SIMULTANEITY

[thirdity]

Postmodernity is the simultaneity of the destruction of earlier values and their reconstruction. It is renovation within ruination.

Jean Baudrillard, Cool Memories

[noosphe-re]

The Manifold is a state of enter-leaving, leave-entering.

Ahmed Salman

[redleafhaiku]

Illusory is

the simultaneity

of a sight and sound.

🍁 Red Leaf Haiku by © John Clark Helzer

[beatsforbrothels]

ARI TSUGI - Aki (秋)

[ibenology]

the average twitter vs tumblr community experience

[good-to-drive]

My mom kept complaining that all of a sudden the Beatles are back and they're fucking everywhere and they're so obnoxious and were practically having an orgy in her garden under a cucumber leaf and that's when I realized she meant spotted cucumber beetles and not Paul McCartney

[xcziel]

link: https://bsky.app/profile/brainvsbook.bsky.social/post/3llc72lyhu22j

google translate defaulting to chinese at first

okay but for those of us with interests in both the murderbot and the daomu biji fandoms this is kinda hilarious

(english-side-only really, i get that the kanji and hanzi are completely different)

our good (air)ship murderbot! thanks google

[aidenwaites]

I think in the same way there's a 90/10 rule with horror and comedy (horror works best when it's 90% horror and 10% comedy and vice versa) there's a 90/10 rule for some relationships in fiction that's like. Wholesome and fucked up. A good friendship is at its most compelling when it's also 10% a bit fucked up. Fucked up relationship is at its most compelling when there's at least 10% of something actually sweet and substantive within. Do you get me

[andstuffsketches]

they're a fun trio

[realmyth]

[sarahthecoat]

yes! i really think a major idea good omens is trying to get across, is that simplistic, either-or thinking, just won't do. the world, and people, and everything, Is Complicated. people, even ideas, resist being sorted once and for all into two separate piles of "good" or "evil". over and over, it's both-and, or both-neither.

it evidently didn't even work back before the beginning, tossing half the angels out of heaven to become demons. scene after scene, prods at the audience's preconceived notions. i seriously think neil and terry should get a nobel peace prize, good omens is so timely for the world right now.

Middle of the night GO thoughts after reflecting on a couple of comments that the 'you're being silly' scene is actually not just the adorable soft exchange I have been caught up in. I mean it is, but it also isn't.

And it got me thinking that the whole of season 2 is like this, almost the entire time we have two truths in play. The whole season is one of duality.

A few examples (there are many more woven throughout but just to illustrate the point):

Right off the bat, the opening scene, it's both ominous and hopeful. Aziraphale is restrained while angel Crowley full of abandon; one angel is aware of the danger of questioning, the other is naïve. Both are experiencing the same moment in rather different ways. It sets the tone of the season immediately and puts in motion this layered truth within the story.

The minisode with wee Morag and Elspeth, the entire graverobbing premise presents us with the dual truth that digging up the dead is bad but the selling of the bodies to the surgeon, thus contributing to saving lives, is good.

Aziraphale grapples with the duality here, justifying the actions of Elspeth by convincing himself that one truth is greater than the other. We also see that Crowley is far more able to recognise the complexity of multiple truths being valid depending on circumstance. This whole minisode feels like Neil showing his hand a little bit, the duality is so explicitly addressed, meanwhile we, the audience, are engaged in a larger unfolding story in which we are observing similar layered truths playing out in different ways.

Now the scene that made this whole thought process unravel, still one of my favourite scenes and will remain so, is the "smitten, I believe...you're being silly" exchange. It is both tender and awful.

Here we have Crowley, expressing his very real fear of JimGabriel, opening up to Aziraphale that he doesn't feel safe in the bookshop because of the constant fear he will wake up, and Aziraphale just looks at him with heart eyes and tells him he's being silly. This flags so loudly that we're watching two characters who are experiencing very different versions of their current reality, due to past experience, yes, but also, Aziraphale and Crowley each have their own idea about the right way to react to the current situation.

It's been pointed out by many before me, but the ball is another example of incredible juxtaposition and an extraordinary display of two truths existing at once. It is both incredibly romantic and an actual nightmare.

It is reflected, once again, in the way Aziraphale and Crowley are experiencing it, we know one character is caught up in the romance, the other in the horror show, but as a viewer, we are being tasked with holding both truths in our mind simultaneously. And both are true.

Aziraphale the entire season is both giddy in love and completely dismissive of Crowley. It is adorable and infuriating at the same time.

And yes, it is a reflection of the very duality the entire premise of Good Omens presents us with - that something can be good and bad at the same time, pure and corrupt, that the entire binary of Heaven and Hell/good and evil is flawed because those concepts can and do co-exist.

But the way it is seen in the interactions on a personal level this season is what has leapt out at me. It's why I think we see people falling into different interpretations of a lot of the scenes and moments, because they are more than that, they are observations. We are often observing two sides of the same coin, and both are true. The sheer genius of it and the way it is a mirror to the characters and the entire concept of the show we are observing is, quite frankly, mind boggling.

And it all comes to a head in the final fifteen™. There is so much duality in play here that it is no wonder there are hundreds of posts untangling bits of it and trying to extract the meaning from within the many layers. It's because we are given two truths in this final scene that are both heartbreaking.

Crowley loves Aziraphale and wants them to be together, free at last. Aziraphale loves Crowley and wants them to be together, free at last.

BUT

Aziraphale wants to use the system to keep them both safe. Crowley wants to escape the system to keep them both safe.

And then all the moments of duality between them throughout the season reach a critical juncture: Aziraphale in love but dismissive, Crowley understanding that Heaven = good is too simplistic and trying to compel Aziraphale to remember the lesson from Edinburgh ("when Heaven ends life here on Earth, it'll be just as dead as if Hell ended it"), Crowley trying to use the notion of romance to counter the nightmare with a desperate kiss.

It's a complete inversion of those two truths in the opening scene of the season, the entire scene is at the same time ominous and hopeful, but it is Aziraphale who largely being naïve and Crowley who is aware of the danger.

I mean, it was all spelled out for us really, this duality and the fact that those multiple truths in play were always going to come to a head. It was all there, wrapped up in this quote:

"What does your exactly mean, exactly? I feel like your exactly and my exactly are different exactlies".

[aerequets]

something something taking on the mannerisms of your loved ones

[aropride]

they should make words that can properly communicate The Feeling of when youre thinking about The Character and its.

^these dont even fully express it. its insaner. they need to make a word for it

[aphel1on]

AuDHD is so funny sometimes like what do you mean my hyperfixations/special interests will last for years on end or possibly forever but they will cycle out every month or two with absolutely no transitional period or warning. like i will think about the same topic every day obsessively for 46 days in a row and on the 47th day with no visible cause adhd brain goes "ok! bored of that now" and autism brain goes "dw i got something queued up for ya" and i blast into full blown obsession on some other topic whose mental file folders haven't opened in 9 months. brain's out here treating hyperfixations like a crop rotation. once the dopamine runs out it cycles in another one but once something's in the rotation it never ever leaves. last summer we brought in one from when i was 11. it's so funny to me but frustrating too bc like. i cannot stress enough my inability to predict or control this. or how completely abrupt and random it can be

EDIT: seems this is more common among ND people than i thought, and probably not limited to AuDHD specifically :] i was just describing my own experiences and didn't expect this post to blow up, so don't take me for an authority, but i'm glad it resonated with so many of y'all!

[tooquirkytolose]

Exactly the scene I envisioned when I created the playlist uwu

[superpte]

Is It True That Simultaneity Doesn't And Can't Exist, Or Is It That We Can’t (Yet) Determine It?

It is often said that simultaneity can’t exist in Relativity Theory. In the context of Relativity as defined by Poincare, that’s entirely correct, and a major consequence of LOCAL TIME theory. Actually Local Time is not just a theory, but a fact… a fact of classical (non-Quantum) physics However, as far as I know, the problem of simultaneity in Relativity as it is now, is somewhat similar to…