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#THE FACT HE DOESNT DIE?
rukafais · 7 months
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I think one of the wildest and most frustrating things I kept getting told about Drizzt is that he's god's special boy and an amazing mary sue and then I read the crystal shard and he almost gets bodied by trolls, gets kicked around in the aftermath of a battlefield, and almost gets buried in an avalanche in the first book. he's poked and prodded like a freak of nature, people are hostile to him for existing and he tries to be extremely polite about it and stay out of everyone's way
in his prequels he is the most powerless person in his own narrative. the most courageous thing he can do and often does is run the fuck away and/or question something even when people tell him to shut the fuck up and stop doing it. he's not exceptional in how he was abused, because the abuse is explicitly institutional and happens to everyone in his age bracket. he's good at swords and it doesn't help him resolve any of his conflicts except the ones that are him literally fighting for his life. the few boons of grace he is given come from the decisions of other people who cared enough not to beat all his hopes and dreams and curiosity out of him before he went to indoctrination murder school
people keep insisting he's a mary sue and he can do no wrong and he's made no errors and i'm just looking at the actual text going "i don't know how this is some kind of mary sue special boy pastiche unless i'm missing some key thing that everyone else has brought with them to this reading"
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thewhizzyhead · 11 months
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WAIT I WANNA BRING UP ANOTHER THING ABOUT HOW BULLYING IS ADDRESSED IN NERDY PRUDES MUST DIE. one thing I really liked about how Max is shown as a bully is his talk with Pete at the Pasqualli's parking lot. When Pete tries to stand up to Max, Max pushes him down and emphasizes that Pete isn't a loser because of his own qualities - rather, Pete is a loser because Max simply said so.
Of course we can attribute this to Max's god complex but I think that this point in particular is less than often really brought up in teen-centered media featuring bullying: that bullying exists not because of nerdy behavior or whatever the fuck, but because bullies will it into being. And to have a BULLY of all people say that out loud - to have the main villain point out the root of their behavior without showing any kind of shame whatsoever - showcases just how much of a menace Max is.
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im-smart-i-swear · 4 months
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coming back home.
@barrenclan
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starry-bi-sky · 9 months
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sO i got to part two of the daniel jason todd fenton au :)
>:) word count 8k+
So, first, taglist for folks who asked for it: @blep-23 @mikyapixie @isnt-that-grape @randomenglishmajor @illryiannightmare @the-navistar-carol
SECOND: this part needs a trigger/content warning list: - CW Mild Swearing - CW Slight Psychological Horror - ^ CW mild depictions of being haunted by your own ghost/death flag and not realizing it (other people do though) - CW Brief Emetophobia (Danny throws up during a second nightmare) - CW Danny has nightmares of dying - except its of Jason Todd's warehouse death. It's not explicit but it's implied - TW Mild mentions of perceived Blood - TW Depictions of Corpses (first is non-descript, and then second one is slightly more descript but its not anything uh, super descriptive) - TW Mild description of burns (the descriptive part above) - TW Depictions of Panic Attacks (Danny's nightmares)
I mentioned that this au was inspired by a song lyric from Jann's 'Gladiator' here is that line:
I know your addiction's attention, Let's start a show Is it everything and more than you were hoping for? Show us something we ain't never seen before
The day after Danny meets himself, he's downstairs having breakfast in the dining room with the rest of the family, listening idly in on their conversations. Tim Drake is talking about something about Wayne Industries with Mr. Wayne - and wasn't that a startling surprise to learn the first time? - and Damian was slyly trying to feed Ace under the table. Duke Thomas was mid conversation with Cass, much of it audibly one-sided as Cass swaps between ASL and verbal speech.
(Danny comes across her a fair few amount of times in Wayne Manor. The first time was in the library. She hands him a book about planets, smiles, and walks away.)
(He hasn't talked much to Duke Thomas yet, but he plans to - he seems cool. They just haven't had the time to run into each other yet. Danny might just have to corner him, he thinks.)
And finally Dick Grayson on his left, his Dick Grayson, was talking away with the other Dick Grayson - who had stopped by from Bludhaven for the morning for his day off. He was a cop, ew. They were comparing lives, specifically college lives. There wasn’t much to talk about in their childhood, it seems. Danny was quietly listening in. 
(They both gave their Bruces headaches as children, apparently. Climbing the chandeliers and sliding down the staircase banisters. Flips and tricks only a child raised by the circus could do.) 
All-in-all, a very quiet morning, Danny thinks. That is, until the other Dick Grayson turns to him and goes; "I'm sure you've been asked already, but what do your parents do, Mini Jay?"
Danny squints at him, and releases his grip on his spoon to raise a pointed finger. "First off: only my Dick Grayson can call me Jay, you have your own." He says, slightly playful and nodding to Dick - oh that was going to get confusing, fast. He should come up with a nickname for one of them, probably - "And second: you're the second person to ask me that, actually. Jason - er, myself? - asked me yesterday. My parents are ectologists."
Apparently, mentioning that he met himself is a set of magic words, because the whole table stops what they're doing, and Danny's half-sinking back into his chair when all eyes turn to him in varying degrees of surprise. Dick - Richard, he’s going to call him Richard - looks at him with wide eyes and furrowed, confused brows. "You saw Jason?"
(Danny sends Bruce a confused look, but he's not paying attention - looking at everyone else with threaded eyebrows and a faint frown. Well, at least Danny isn't the only one confused by the reaction.)
(What a comfort.) 
"I guess that nickname is a dimensional constant." He mutters under his breath, and straightens up, eyeing the room warily. It... doesn't bode well to him that the Waynes were surprised by his other self's appearance -- was hisself estranged from the family?
...He hopes that doesn't happen in his world. Dick and Bruce may not be his adoptive family, but he likes them quite a lot. He wants to stay in contact with them when they get home.
"Yeah, he was in the library." He says, frowning at Richard Grayson. "He was sitting in my armchair." He supposes it was Jason's armchair first -- god, that was so weird to refer to himself in third person. "We talked for a little bit, and he asked me what my parents did. They're ectologists, by the way."
He turns to Mister Wayne and tilts his head, "Did you really not know that he was here?" He asks, narrowing his eyes. He wouldn't expect Richard to know, he doesn't live here. But Mister Wayne looks just as surprised, perhaps even a little remorseful.
(There’s a pit in his stomach that’s growing bigger.)
(His neck burns with a new pair of eyes, ones that he can’t see.) 
Mr. Wayne looks thoughtful for a moment, and then carefully, he goes; "Jason is rather... independent. He comes and goes from the manor when he feels like it." And the way he speaks sounds like he was choosing his words carefully. Danny suppresses the shiver of unease.
Something was not well in this house. Something unspoken was haunting the air. 
(Jason would know about hauntings, wouldn’t he?) 
He hopes history won't repeat itself, he likes Bruce quite a lot.
"...Alright," he says after a moment of silence, not hiding his wariness as he slowly turns back to Richard. His eyes flick towards Bruce, and then to Ricard. "Anyway, my parents are ectologists, as I've said for the third time now."
Richard, for his effort, takes the topic change easily, and his surprise shifts into one of curiosity - as does everyone else. (Did Danny really not mention what his parents did? Even Dick and Bruce look intrigued.) "That's... new." Richard says lightly, Danny commends him for the way he sounds non-judgmental. "What are ectologists?"
Danny quirks a dry half-smile, and deadpans; "Studiers of all things dead and afterlife."
...And there is that reaction again. A ripple of surprise and intrigue that spreads throughout the room as everyone looks at him, like a bunch of cats perking up their ears. 
On the other side of the table, Damian scoffs quietly, a sound much like the one Jason - the other one - did when Danny told him. Danny's eyes snap over to him in an instant, he stares at him, trying to study him. Why that reaction - again? 
He lets himself frown, briefly, before addressing Richard again. "Everyone just calls them ghost hunters, but the 'official' term is ectologists." He drawls, air-quoting the word 'official' with his fingers as he rolls his eyes. "They've been obsessed with ghosts since college. We even have a lab in the basement, and they keep liquid ectoplasm samples in the fridge."
Danny's been in the lab a handful of times, he and Jazz both have, either to clean it as part of their chores, or to listen to a lecture from their parents for their newest invention. The lab is cool, kinda, but Danny thinks it wouldn't look out of place in any evil lair of a Rogue with a doctorate. 
…He’s glad that the Fentons weren’t stationed in Gotham. They would have blown up a street. He’s surprised they haven’t already. 
"Ectoplasm?" Dick asks, leaning over to catch Danny's eye. Almost by instinct now Danny smiles at him, and then nods.
"Mom and dad say it's the stuff that makes ghosts." He explains, leaning back against his seat, his arms crossing. "It's invisible in its natural state, and it makes up everything. Kinda like the Force from Star Wars, or just, matter in general."
That cracks a few quiet, laugh-like sounds through the dining room. Danny halves a smile again, a swelling of pride in his chest that lingers for a moment. "My parents say that when ectoplasm condenses enough in one area, it can start taking on visible properties," he continues, "they say that ghosts are just the memories and emotions of a dying person or animal being imprinted on a concentration of ectoplasm, and that the ghost itself isn't actually the person or animal, just matter trying to mimic it."
Which Danny guesses makes sense, even if the way they talk about ghosts made him really uncomfortable. His parents insisted that ghosts weren't actually people, but he just couldn't shake the idea that they were. How close to ‘human’ does something get before they actually are? 
Well, no, that wasn’t fair. Superman wasn’t human, and yet everyone treated him like he was. Let him rephrase himself:
How human-like must something get before they are considered as such? Before they’re considered sapient and sentient, and real?  
"That's... quite interesting." Someone says, and Danny turns to see Bruce leaning his elbows against the table and putting his chin on threaded fingers. He looks genuinely engrossed in what Danny's said, and pride once again leaks into his heart. "You mentioned they kept ectoplasm in a liquified state in their... fridge?"
"Oh yeah," Danny says, putting his full attention to Bruce, "it's crazy. They keep little test tube racks in the freezer full of liquid ectoplasm, and it's this - uh - glowing, bright green stuff. It used to be the weirdest thing in the house."
(From his peripherals, Danny notices the room tense up again at his description — and he bites back the urge to slow his talking down and narrow his eyes. Suspicious. Suspicious. The Waynes weren’t scientists - why do they react to something like they are?)
(Nobody knows what ectoplasm is. To the scientific world, it's an unconfirmed theory of a state of matter. Why do the Waynes act like they know what it is?)
(Danny is not stupid. Even if his scientific family makes him feel like it, sometimes.) 
Bruce gives him this half-tilted, confused smile, the corners of his eyes crinkling up. "Used to be?"
Danny opens his mouth, the answer already on the tip of his tongue -- and then he freezes. His jaw clicks shut as he frowns. Should he say what his parents' latest pet project was? Surely, surely, it would be fine? Their inventions never work - and a life-sized portal is just another thing on his parents' crazy ideas list.
His teeth sink into his bottom lip, chewing on the skin as he rolls the answer over in his head. ...Surely, it would be fine. His face turns in hesitance, and his shoulders scrunch and twist to his ears, like he's about to admit something that could get him grounded by his parents.
"They... may, or may not, be building an inter-dimensional portal in the basement?" His voice steadily pitches upward nervously the longer he speaks. By the time he finishes, his voice is close to a squeaky pitch.
There is a horrified silence that follows him, sitting in the air so still-like that Danny could hear the whoosh of a pin drop. He should have expected that, nervously surveying the ranging horrified expressions on the Wayne family's faces. "...I promise they're harmless... to the living." He hesitates, "Mostly."
Bruce stares at him for a long moment. "Mostly?" He repeats, his brows arched high and pinched together. Danny cringes back a little.
"Dad's a little clumsy, that's all." He says, shrugging with a helpless smile. It doesn't help, he thinks, and the silence is strangling. Sitting up, he's a little frantic to add; "I really, really, doubt it's going to work, Bruce. Their inventions never do. Mom and dad built a mini portal in college and it didn't work either!" There's a moment of silence following him, before he quietly adds, wincing, "It- it did hospitalize the guy who was helping them, though."
He only heard about that when he asked his parents about the portal - it was still in production when they picked him up. Jack Fenton claimed it was safe as safe could be - they’d make sure that the ‘college’ instance never happened again.
Bruce - both Bruces actually - looked vaguely ill at the thought. Mister Wayne’s face was blank, his face sunk into his folded hands, and Bruce’s stare burned into Danny, intense like concentrated fire. 
Danny for some reason - either through his panicked urge to make things better, or through temporary insanity - laughs forcibly. "The worst thing that could happen is that the portal could explode, but that never happens."
Next to him, Dick makes a stressed sound. "That's not better, Jay." He forces out. He looks even more horrified.
Danny sucks on his bottom lip for a long beat. Then lets out a breath.
"Yeah, I know." Danny sighs, deep and long while his shoulders slump. He watches the room for a moment, with their various stony-like expressions, and looks back at the very concerned-looking Bruce. "But Bruce, I swear it's fine. Nothing's gonna happen, please don't call the Justice League on my parents. They really are harmless."
Bruce looks conflicted.
"I was being dramatic when I said the portal could explode, it won't." He continues, giving Bruce what Jazz has called his 'cheating puppy eyes'. "My parents are eccentric about their line of work, but they understand lab safety. They'd never do anything to put me and Jazz in danger."
...Actively or on purpose, that is.
He and Bruce stare each other down. One second, two seconds; what feels like thirty seconds pass in silence before Bruce relents, sighing deeply and uncannily dad-like. He drags a hand down his face, and rubs his eyes with his thumb and forefinger. "When we get back to our universe, you are giving me your phone number so you can contact me if anything happens."
Danny beams, nodding hurriedly. "Thank you, Buzz."
Bruce isn't able to hide his smile - small as it was - quickly enough. "You're welcome, Danny."
—-----
Danny has a nightmare that night. He doesn't remember most of it. There's a ticking sound, and high laughter, and there is a thumping heartbeat in his ears. Everything is dark and he is in agonizing pain.
He wakes up in paralyzing terror, a scream lodged in the back of his throat. His head pounds like a concussion and there is a shallowing ache in his ribs, like someone's kicked him, and kicked him, and kicked him until all air has been knocked from his lungs. He can't breathe.
Danny's hands scrabble for his throat, and even though he can hear himself gasping for air, it doesn't feel like he's taking any of it in. There is no relief in the action, no reassurance, and everything is so hot. He kicks at his blankets, his panic growing higher as they tangle around his legs.
He needs-
He needs--
He needs to move. He needs to get up. He needs to free himself. He needs to prove that he's not dying. He feels like he's dying. He feels like he's burning. There are tears swelling in his eyes as he finally gets the blankets off his feet, and he rolls - quite literally - out of bed.
He tries to catch himself, he does. But he doesn't. He hits the floor with a heavy thud and can hardly bring himself to care -- he catches himself on his elbows, and the sting it causes makes him feel worse. The air is knocked out of his chest again. 
The ground is cold though, blessedly cold. And before Danny can realize this, he lifts his head and, disoriented, looks for the door. It's too dark, it's too dark. His head swivels blindly in search of it. He needs to get out, he needs to escape. 
"Bruce." He croaks, still trying to force air down into his lungs. His call comes out raspy, weak, and hot tears blur his vision.
"Dick." He tries instead when a minute passes and no one comes, and he thinks he can finally start breathing. No one comes to find him - his voice is too quiet to wake anyone up. The tears in his eyes bubble and pop, and stream down his face.
He makes a distressed noise. "Jazz?" He whispers, his voice shaky and uneven with an encompassing want for his sister. It's nearly been a month since they got here. He wants Jazz.
No one hears him. He's alone.
God, he doesn't want to be alone. Please don't make him be alone.
Danny eventually gets himself calmed down. But he is curled up on the floor, trembling with the lingering traces of fear from whatever dream had woken up. His fingers dig painfully into his arms, leaving crescent-moon indents by his nails. The contents of the nightmare are already fading further into his mind, slipping out of his hands like water. Like ash.
He feels no need to chase after it.
The back of his shirt is damp with sweat, and in between the trembling he is also shivering, goosebumps lacing up his arms. His eyes have adjusted to the dark, and he stares with wide, crying eyes at the side of his bed. His breath comes out in short, shaky pants.
He doesn't know how long he lays there, trying to comprehend what happened as his mind still hangs onto the edge of the dreamworld. It feels like there is something in the room with him, crawling along the walls.
Danny forces himself to get up, and the sudden standing makes his vision blacken and swim as blood rushes to his head. He stumbles, slightly, and lurches halfway across the room for the light switch.
He squints as the room is drenched in light, chasing away the lingering paranoia in the back of his brain. He is still shaking. His head still hurts. He still looks, wide eyed, around the room for anything out of place.
There is none.
But he still feels unsafe. He needs- he needs to find someone, or go somewhere else. He grabs a firm pillow off the bed, and leaves.
(He ends up in the library alone. He turns on the lights and grabs a book Dick recommended to him, and he curls up tight in his armchair. He ends up falling asleep just as the sun is rising.)
(He doesn't tell anyone about the nightmare.)
-
Progress in getting the three of them back to their home dimension is slow. Dimension Hopping is a rare experience, and what update Bruce gets he relays back to Danny and Dick: they're trying to figure out a way to send them back safely, from the exact time they disappeared, and to find what dimension they're from. It's complicated magic.
It's been three weeks. 
Danny, for one, is getting homesick. He misses Jazz, Sam, and Tucker terribly, and his parents. Bruce and Dick are great, really, and Danny kinda wants to keep in touch with them after they return to their own world, but they aren't replacements of his sister and friends.
His nightmare from a few days ago still haunt his steps. He closes eyes, and that high-pitched laughter and blood-rushed pounding burns itself his ears and fills a level of unseen terror into his heart. Danny thinks that if he was hit with Scarecrow's fear gas, this is what it would feel like.
He tries to avoid falling asleep by reading in his room, by stargazing, but the place sets him on edge; an unsettling reminder of that nightmare. So he goes to the library when it gets too much, he's run into Bruce twice now doing it, and they both do reading.
Danny thinks Bruce can suspect something is up with him, but he doesn't want to tell him about that nightmare. Dick either, for that matter. He just wants to forget it.
They spend afternoons in the gym, they have it mostly to themselves - Tim Drake is at Wayne Industries, Damian Wayne is at school, so is Duke Thompson, and Cassandra Cain is... doing whatever she does during the day. Danny's not totally sure.
Dick in that time, tries showing Danny how to be more flexible. He says he's a fast learner, but Danny knows he's been slacking lately with his lack of sleep.
There isn't much they can do outside of the manor - Bruce and Dick can't go outside because they'll catch the attention of the paparazzi, and they are both significantly younger than their counterparts, and Danny isn't allowed out without a chaperone.
Which has its own unique set of problems because rumors could rapidly start if he's seen with any of the Waynes multiple times. The paparazzi aren’t dumb enough… okay, most — some — of them aren’t dumb enough to make a tabloid claiming there’s a new Wayne kid just because they see the Waynes interacting with one kid, one time. Multiple times however? That’s another story. And, he has the same issue as Bruce and Dick - he's a baby-faced Jason Todd. Who is Bruce Wayne's adoptive son in this world. He could be recognized. 
And how do you explain a tiny Jason Todd to a world where Jason Todd is a full grown man?
So all three of them are... stuck inside, so to speak. And making do with what they can. Danny spends most of his morning and early noon with Dick, and then they both separate after to have time to themselves before dinner.
Bruce is in one of the studies, doing... something. Danny's not sure and he keeps forgetting to ask.
--
Dick likes Danny - Jason? - Jay. Danny said that he can call him Jason, and he doesn't protest to being called Jay. 
Point is: he likes Jay. He's a delightful kid to be around; he's funny, and clever, even if he doesn't realize it himself. And Dick's a little upset that Jay isn't his brother in his world, he would've loved to have him around the manor. He probably would have visited more if he was around.
Something that he and Bruce were still slowly trying to fix...
He likes spending time with him - getting to teach him his acrobatic tricks was not something he expected, but he loves showing Jay how to do them. He thinks this is probably how Bruce felt when he was training Dick how to be Robin, all those years ago.
Speaking of which, Dick was still not over the Robin jacket that Jay wore. The origins of it weren't the best - Jay started wearing it to take back the insult the other kids at his school were throwing at him - but isn't that what part of what being Robin was about? 
Cheesy, he knows. But his point still stands.
He thinks that if he had to pass the Robin title down to anyone, it would be Daniel Jason Todd-Fenton. Or perhaps just Jason Fenton-Todd? Jay doesn’t seem all that attached to the name Danny. 
(“Mom and dad just started calling me it when they picked me up.” Danny — Jay shrugged when Dick asked him about it, the two of them swinging from bar to bar. “I wasn’t tellin’ ‘em my name at the time, so they gave me a new one.”) 
If he had met Jason before the Fentons had, Dick thinks maybe he would have adopted him instead. And what would that future look like? Would he have been able to, when he had to go to college and classes? Would he have been able to keep going out at night, and keep that secret to himself? 
He’ll never know, he supposes. 
“I think that’s it for today.” Dick says, swinging off the jungle gym and landing on the mats with a cat-like thump. Behind him, Jay groans, and drops with a less graceful thud as Dick stretches out his spine. There’s a satisfying pop-pop-pop of his back as he leans back. 
He turns, and sees Jay going for his water bottle. He looks tired — from what, Dick doesn’t know. But there are dark bags under his eyes and a sleep-distracted look on his face. He’s been distracted, and their lessons have been suffering from it. 
Dick wants to know what’s bothering him, but Jay hasn’t said anything, and Dick doesn’t know what he could say to make it better. 
“I can still keep going.” Jason insists, but he tiredly slumps over to grab his water, and straightens up sluggishly. It’s probably not a lie, but anything Dick shows him he doubts that Jay will retain it. “You don’t have to stop.”
“Oh but I want to.” Dick says, walking over to grab his own water. “I’m human too you know—” and Jay snorts at him with a grumbled ‘doubt it’. “—so I also need my breaks.” 
“With the way you can bend I really don’t think so.” Jason mutters, eyeing him up and down. Dick laughs quietly and takes a long sip of his water. “Seriously, circus boy, what do they feed you? Actually - what did they feed myself?”
Dick’s laughter doubles as Jay’s eyes grow wide and wild, his head shaking with spasming arms. “No, seriously! I don’t know if you’ve seen the other me yet, Dick, but he- he’s fucking huge!” He exclaims, and jumps as high as he can as his arms try to make a silhouette above his head. “I- I’m almost as big as Jack Fenton, and we’re not even biologically related! I don’t know where he got that much height to him, ‘cause- ‘cause Willis, that drunk bastard, was never that big!” 
Dick hasn’t seen the elusive other Jason Todd, and he’s been so curious about him. Both he and Bruce have — especially considering that everyone else doesn’t seem to want to tell them about him. He tried stopping his other self to ask about Jason Todd of his world, and his other self just said that he was his little brother and the second robin, and that he did a lot of his own stuff. 
It was a whole bunch of fucking nothing. And he and Bruce were growing suspicious about it. They hadn’t thought of it before because, well, they were busy adjusting to being in a new world and trying to figure out a way back. And then Jason was never really brought up, but neither was Dick Grayson unless Dick asked about it, and he didn’t think to ask about Jason Todd before.
It was all just strange.
But Jay’s exclamation over the size of himself distracts Dick long enough that he forces himself to put the mystery of Jason Todd on the backburner for now. “I’ll- I’ll have to see him for myself, Jaybird.” He says when his laughter subsides, and he straightens up. 
“Seriously,” Jay stresses, and he starts to make his way towards the gym door. “He’s fucking massive, Dick. Built like a brick shithouse.” 
Dick almost starts laughing again, “Where did you even learn that phrase?” 
Jay rolls his shoulders back and grins at him slyly, “I read.” He says, and it’s so clearly not how he learned that word that Dick barks out a laugh. 
They reach the door, and Jay holds the door open as Dick reaches for the light switch. He looks behind him, surveying the room quickly to make sure that there’s nothing they could have left on the floor, before turning off the lights.
Bright green eyes stare at him from the mirror. Right where Jay is standing. 
In an instant, the lights are back on. Dick’s heart has been kickstarted into fifth gear, suddenly and loudly racing in his chest as he darts his head around the room. It was only two seconds, perhaps only even one, but fear has been shot like an adrenaline needle into Dick’s veins. An inhuman, skyrocketing fear alike to Scarecrow’s fear gas. 
What was that?
What was that?
WHAT WAS THAT?  
But there’s nothing there. There’s nothing there. There’s nothing there. There is only Jason where the eyes were. 
From the mirror’s reflection, Jason turns his head — he hadn’t been looking at Dick, he hadn’t been looking at Dick — and stares up at him. There is confusion written on his face as he glances up at Dick, and then at the mirror. He meets his eyes - Jason’s blue, blue, not green, eyes — and Dick forces himself to look away from the mirror and down at Jay.
“What was that for?” Jay asks him, perfectly normal and perfectly confused. 
Dick feels like he just ran a marathon. He’s panting, he doesn’t know why, and he forces himself to sound like he wasn’t as he wets his lips and furrows his brows. “I thought I saw something.” He says, frowning. 
He didn’t think. He did. He did. 
What did he see? 
It was standing where Jay was. Those eyes. Those green-green eyes. It was where Jay was. He forces himself to shake his head, his frown deepening, unsettled. Jason peers around him as if to see what he had, and Dick puts a hand on his chest, stopping him. “It was nothing, let's go.” 
He turns Jay around, and ignores his bewildered look. That lighthearted mood he had earlier has plummeted, replaced with an eerie paranoia as he takes the door from Jason’s hand and flicks the lights back off. 
When he looks over his shoulder at the mirror, there’s nothing there. 
—------------
Danny has another nightmare. It’s the same one. It’s dark again. That high pitched laughter fills his ears. The ticking is louder, louder, louder. It’s counting down, but to what - he can’t see — he can’t see what it’s counting down to. 
There is still so much pain. His head hurts, his body hurts. He has a body now, he can remember he has a body. He’s in so much pain. He looks down at his hands and pooling around his knees is a bloody yellow cape, it’s torn and bloody and his hands are bloody and torn and he’s wearing green gloves. 
He wakes up just before the ticking stops. He doesn’t know how he knows that the ticking stops. 
Danny rolls over and hangs himself sideways off the bed, gasping for air that doesn’t come. He wants to scream again, to shriek with such terror that it sends everyone in the manor running into his room. He doesn’t, he can’t, he has no mouth and he must scream. 
Danny gasps for air instead, and then dry heaves until he throws up onto the floor. His head is spinning with the fadings of a dream-made concussion, again. His chest hurts deeper, more, it’s no longer shallow and as if someone was sitting on his chest, like someone had beat him in the stomach and chest and head.  
He feels like he’s choking. He is, he’s choking on what bile he can’t get out of his throat, and he forces himself to swallow it back down. He’s crying, he realizes, and dragging in air down into his lungs to the point it hurts. 
What is going on? He thinks through the haze in his mind. With what lucidity he has he brings a hand to his head to make sure he’s not bleeding. His palm swipes against sticky skin, and all that comes back is sweat. He’s not bleeding. He feels like he is. 
Make it stop. His inner mind wails as he finally, finally, starts to calm down again. He’s still crying. The tears burn down his cheeks, and he absently sticks out his tongue and licks the ones that gather at his lips away. He wipes at his face again, and when he looks at his hands, all he sees is skin.
He’s not wearing gloves. 
His hands reach for his back, and grasp his sweat-soaked shirt instead. He’s not wearing a cape. It soothes him, just a little bit. But not enough to keep him feeling safe. 
Danny peers over the side of the bed, and through his dark-adjusted eyes he sees the sitting puddle of throw-up on the floor. He cringes, sniffling. He can’t keep that there. He needs to — he needs to clean that up. 
Alfred must be sleeping by now — what time is it? He doesn’t know. He can’t wake him up. Where does Alfred keep the cleaning supplies? 
Danny throws his legs over the side — they’re not broken, he thinks dazedly — why would he think they’re broken? — and he stumbles to the door. He avoids, somehow, the sick.
(He passes by a mirrored vanity on his way to the door. He doesn’t see his reflection staring at him with green-green eyes. He doesn’t see those eyes following him.) 
He runs into Bruce in the hallway. He should have guessed it so. Danny freezes in his tracks, fear shooting up into his throat as Bruce turns towards him, already a smile pulling on the older man’s face. 
It drops immediately when he sees him. It twists down, and his face burrows into concern. “What’s wrong?” He asks, and Bruce is kneeling before him before Danny can blink. He looks worried. Danny must look awful then.
(He does. He looks pale as a ghost, and his face is splotchy red and shiny with tears.) 
Danny blinks at him numbly, trying to get his thoughts in order. Bruce’s hands are on his shoulders, Danny throws his hands over them, squeezing the knuckles and blinking widely. “I had-” he licks his lips, “a- uh, nightmare. And then I threw up.”
Fuck, he feels like a toddler. His eyes burn with embarrassed tears. He’s fucking thirteen. He’s not a baby. But he feels like a little kid going to their parent’s room. Bruce isn’t even his dad. He shouldn’t feel this way. 
But Bruce doesn’t make fun of him, or scold him, and Danny didn’t really expect him to, but the concern that melts over his face as his eyes soften makes him feel all warm and fuzzy anyways. “Okay,” Bruce says, expression softened but no less worried, and stands up. “Okay, we can go find Alfred then.” 
Danny’s lips press together, uneven and wobbling. “Please don’t.” He says before he can stop himself, and his voice cracks. He feels like such a baby. “I can clean it myself. We don’t have to wake him up.” 
“Do you even know where the cleaning supplies are, chum?” Bruce asks, and in the dark hallway he can see him raise an eyebrow. Danny’s lips press tighter together. He doesn’t. But he can find it. 
They wake up Alfred. Dany feels like shit the entire time. 
“I’m sorry.” He croaks as he follows Alfred and Bruce down the hallway with a mop and a bucket. He’s so embarrassed. He’s going to cry again, and he hates it. “I can do it, Mister Pennyworth. Please.” 
“You sound,” Mister Pennyworth starts, his voice soft, “just like young Master Jason when he started living here.” He turns to throw Danny an endeared smile, and Danny thinks it’s supposed to make him feel better. It does, a little bit, and it also makes him feel worse. 
“I am Jason.” He says, and tears spill down his face again. He is Jason. That’s his name. It’s not Danny, it never has been. The time he’s been here has slowly been pointing that out to him. He may be Fenton, but he’s not Danny. 
Alfred gets it all cleaned up, and Bruce sticks with him after he leaves. Danny’s grateful and resentful of it — hasn’t he embarrassed himself enough tonight? 
Bruce leads him to the library, a funny parallel to the first time. “We can ask Mister Wayne —” Bruce’s face scrunches up slightly, and Danny laughs under his breath. At least he’s not the only one still weirded out by it. “— about getting you a new room tomorrow.” 
Danny sniffs dryly, “How’d you know?” He didn’t think it was obvious that he didn’t want to go to sleep in his room. Bruce smiles knowingly at him, sadly, and they both sit down in the lounge chair next to the fireplace. It sits across from Danny’s armchair.
“I know a thing or two about nightmares.” He says softly.
Oh. 
Yeah.
That’s right. His parents. 
He probably had nightmares about that. 
Danny looks away from him, his eyes drop to his hands. His bare, non-bloody hands. He leans into Bruce’s side. “I don’t wanna talk about it.” He mumbles. He doesn’t want to talk about dying. Or what he thought was dying.  
“And you don’t have to.” Bruce says, slinging one arm around him and slumping against the curve of the chair. Danny reluctantly follows his falling, and finds himself trapped between the back of the chair and Bruce’s side. His ear is pressed to Bruce’s heartbeat. “We can just sit here, and talk about something else.” 
Danny blinks at the empty fireplace. “Okay. Tell me about films again.” 
Bruce’s fingers dig gently into his hair, and scratch slowly against his scalp. “Okay, Danny.” 
Danny frowns. “And don’t call me Danny. It’s Jason.” 
He doesn’t look up to see Bruce’s smile, but he can hear it as the man thumbs over the shell of his ear. “Okay, Jason.” 
(Danny falls asleep halfway through Bruce’s telling of the history of the Grey Ghost. Bruce knows by the way his breathing slows into a steady rhythm and his eyes don’t open.) 
(He smiles for mite a moment, before it drops and his eyes turn to the bookshelf in the corner. Standing there is a small black figure, with two burning green eyes.) 
(They stare at each other for a long, long minute, Bruce’s heart rising slowly. The figure tilts its head, and disappears. Bruce doesn’t sleep for the rest of the night.) 
—-------
Danny stares down Bruce. Bruce stares him down back. It’s morning. It’s breakfast. Everyone is at the table eating, and he and Bruce are having a silent staring contest. Danny has to ask Mister Wayne about moving to a new room, he thought he would be able to do so after breakfast. 
(Who was he kidding? He wasn’t going to ask at all - why bother Mister Wayne about something he can get over?) 
(Bruce, apparently, wasn’t having it. With that stupid knowing look on his face.) 
But Bruce wants it to be now. Danny narrows his eyes at him, and Bruce raises an eyebrow back. Dick Grayson, his world, was going to notice soon. He was sitting next to Bruce this morning. That traitor. 
If you don’t do it, I will. Bruce’s face says. Bastard. Danny was going to take away his Jason rights.
Danny’s the first to relent, pressing his lips together into an annoyed, thin line, before he lets out a silent sigh and turns to Mister Wayne. “Mister Wayne?” He says, cringing slightly when Mister Wayne looks up at him - as with most of the room. 
“Yes, Danny?” 
He spares one last look at Bruce, who nods curtly at him, and Danny throws him one last annoyed look before turning back to Mister Wayne. “Would it, uh, be fine if I changed rooms?” He asks. 
Mister Wayne tilts his head, slightly, to the side with a look of interest. “You can, but what brought this up? Is everything okay?”
Fuck. Shit. Fuck. Danny was expecting that question. He glares at Bruce from the corner of his eye. And then smiles shakily at Mister Wayne. “Um, uh, yeah. Everything’s fine— it’s just, it’s stupid. Some, some stupid nightmares keeping me up.” 
Mister Wayne’s brows furrow, and Dick looks concerned from Danny’s peripherals. “It’s not stupid, you can change your room. I’m sorry you’ve been having nightmares.”
He doesn’t even ask what they’re about. Bruce didn’t either — he thinks he would’ve, maybe — but fuck, jeez. Danny laughs uncomfortably, scratching his jaw. “Yeah- um, thanks. It sucks.” He just barely stops himself from blurting out that he was dreaming that he was dying.
That was not a can he wanted to open. They would have questions, he knows they would, and he doesn’t want to think about it. The image of his bloody, torn hands are already seared into his mind. 
Everyone goes back to eating.
(Dick keeps looking up at him with a shadow of a frown on his face, like he’s keeping an eye on him. Quick enough that Danny doesn’t notice it. Bruce does, and watches his son from the corner of his eye.)
(Danny doesn’t see it, but his reflection turns its head. And peers around the back of its chair. Its eye burns green and it stares at Dick. The next time Dick looks up, it catches his eye.)
(He doesn’t straighten up, he forces himself not to react. He just keeps staring at it, his breath locked in his lungs, his limbs filling with a low, buzzing static. He doesn’t know what it is. It’s terrifying him.)
(The reflection doesn’t react to him, but its eyes seem to… glitch. And an eye appears next to it, and another one appears in a line. The pupils slowly turn to look… at Danny.)
(The window begins to crack.)
“JaSON!” Dick suddenly yells, standing up so abruptly that his chair falls back and slams against the ground with an echoing bang. Danny jerks back in surprise, and stares at Dick, who looks at him with equally wide eyes. 
Dick looks like he’s seen a ghost, his face pale as a sheet. He looks ill. He’s panting, there’s a sheen going over his forehead, like he’s just run a mile. But he’s gripping the table like he may just vault over it.
And everyone is looking at them both once again. Bruce looks incredibly concerned. 
“I— what?” Danny says, pushing his back into the chair as far as he could go. 
Dick blinks, and heaves a breath. Like whatever trance he was in was just… snapped out of. His brows furrow, and he moves, suddenly, peering over Danny like he’s trying to look around him. Left, right, and over, and then back again. 
“You—” he pauses, breathing in, “you looked like you were about to disappear.” 
Danny stares at him in disbelief. And he looks behind him, laughing nervously. There’s nothing there but his own reflection in the smooth glass window. “What- what kind of fucking—” he turns back around to look at Dick. “Why would you say that?” 
“There was something in the window.” Dick says immediately, and Danny is immediately rising to his feet and rushing around the table. Nope - nope, nope, fuck that. He’s by him and Bruce in an instant, as the other Waynes stand up and turn to the window as well.
Dick’s arms are around him the moment he’s within reach, tugging him into his side as one hand presses down against his chest, keeping him close. Dick hasn’t taken his eyes off the window, brows furrowed and serious. 
Everyone looks so serious. It’s freaking him out a little bit. 
“What was your nightmare about, Jay?” Dick asks when he finally tears his eyes away from the window and looks down at him. He’s got a protective hold on him, something so similar to Jazz whenever their parents set something on fire upstairs. 
Danny swallows dryly — does he have to say it? Saying it might bring him back to it, and he doesn’t want to go back to it. Twice was enough for him. “I was dying.” He admits anyways, and regrets it immediately when half a dozen heads all snap to look at him. 
In a panic, his mouth runs. “I was- I don’t remember anything- I just, it was dark and I was in pain and-” He presses his lips together, “I— I was in so much pain. There was this laughter—” Laughter. Familiar laughter now that he thinks about it. From the news. Danny’s lips curl downwards, and he whispers to himself, “Joker?”
“Joker?” Dick repeats, his voice hard. When Danny looks up, his face is unrecognizably stern. “You had a dream that the Joker was killing you?” 
“I— no— yes?” Frustration bleeds into his chest, fear pooling up his throat as the nightmare pulls on the edge of his memory. “I don’t fucking know. I didn’t see anything, all I heard was ticking and that stupid laughter. And I was bleeding, and I was wearing this yellow fucking cape, and- and I was dying.” 
He pulls himself away from Dick, his breathing picking up. “I just- I was— there was this ticking sound and I woke up before it stopped, and I- I don’t know why I knew it was about to stop — but I know that when the ticking stops something bad was going to happen— and it was just a nightmare.” 
Danny grits his teeth, and looks back up at Dick, forcing himself to calm down before he works himself into a panic. “It was just a fucking nightmare, Dick.” He says forcibly, and then he marches out of the room to the library. 
His appetite’s been ruined. 
—---------
Danny’s — Jason’s — asleep next to him. Bruce would think it was sweet if it weren’t for the fact that Jason’s been having nightmares about dying of all things. Nightmares that weren’t, he suspects, completely unfounded. 
His other self looked ill in the face as Jason marched out of the room that morning after Dick’s outburst. Outburst. That’s all he can think to call it even if it sounds juvenile. Like it was unfounded as Jason’s nightmare. 
His other self has been hiding something from him. Something about Jason Todd of this world, who he hasn’t seen at all since they arrived, but Danny — Jason — has. He would’ve thought the other Todd was a ghost if his other world’s… children… hadn’t confirmed seeing and knowing him recently. 
(That was something he still hasn’t fully comprehended. Children, plural? He adopts more after Dick? He has a biological son?) 
He’d be interrogating his other self on this if Jason wasn’t asleep next to him. It would be remarkably easy, as they were all sitting in the living room for the afternoon. All his other children were vigilantes, he wouldn’t need to keep pretenses.
But Jason is asleep next to him, and he doesn’t know. So he resolves to staring holes into his other self’s head, who was going through documents. A case, he bets. His other self doesn’t pay him any mind, but Bruce knows he knows that he’s staring at him. 
(“What have you been keeping from me?” He growls the moment Jason is out of the dining room, rising to his feet. The look on his other self meant that he knew something about those nightmares that Bruce didn’t. 
His other self looks at him, “Nothing that concerns your world.” He says, all of the kids looked tense as well, but now they were staring between the both of them like a fight would break out. 
“Bullshit.” Dick snaps before Bruce can speak, he walks around him and points an accusing finger at his other self. “You looked like you saw a ghost when Jaybird said he was dreaming of the Joker killing him. You know something.”
He did not tell them anything.) 
Whatever it was that his other self was hiding, Bruce would find out before they went back to their world. This concerned him, and it concerned Jason’s safety. If he wasn’t safe and his other self knew something about it, Bruce would be furious. 
Jason’s ragged gasp cut through the air like a knife, and Bruce’s gaze snapped down to his face as the boy’s eyes flew open and he jerked sharply. Jason’s hands were latched onto his shirt before Bruce could react, his nails dragging into his skin like he was trying to claw himself up.
It was another nightmare. Jason was clawing at him, trying to sit himself up while jagged, awful sounding gasps filled the air. He wasn’t looking at Bruce, he wasn’t looking at anything, his eyes glazed over like he was still trapped in the nightmare. 
Bruce wrapped his arms around the small boy and pulled them both down onto the ground, ignoring his other children standing up and looking at them until he had Jay in a cradle. 
The boy was still gasping for air, hyperventilating. His hands drop from Bruce’s shirt and scratch at his throat, his arms forming an ‘x’ while he tilts his head back and desperately tries to draw in oxygen. Bruce tilts his head back up with his hand, and leans him against his shoulder. 
“Breathe.” He murmurs, pushing damp black curls out of Jay’s face. It was a poor command - Jason’s eyes were squeezed shut and his face scrunched in pain, Bruce doesn’t think he can even hear him. “You’re safe.” 
“Bruce.” Dick hisses into his ear, and Bruce doesn’t look at him. He grunts to let his son know he heard him. “The mirror.” 
Bruce’s eyes fly up.
There was a floor length mirror sitting in front of the couch. A mirror that Bruce was conveniently, coincidentally, sitting in front of. A mirror that should have been working as all mirrors do. 
A mirror that, instead of showing Bruce his reflection back as he was, showed him in his Batman suit. Jason was in his arms, but in a torn, bloody uniform. A uniform that looked like a Robin suit. Jason - his Jason - wasn’t a Robin. But here he was, dressed as one, his black-yellow cape pooling beneath him and covered in blood. 
The Jason in the mirror, the Robin, wasn’t breathing. His head lolled over Bruce’s arm lifelessly. 
Bruce’s heart skids to a stop, and he looks back down. Jason was still breathing, his hyperventilating was beginning to slow, but he was breathing. The pained crease of his face was softening, even as his brows were still furrowed. 
When Bruce looks back up at the mirror, the reflection has changed. It wasn’t back to normal, Jason was just in a different suit. He was wearing a white hazmat suit now, and he was burned, horribly. The suit was melted to his skin in patches around his body in black, charred splotches, what wasn’t burned was torn, and the skin he could see was cauterized. The only part of him that was bleeding was his head, and it soaked his black hair red. What of his face he could see, there were bright green lightning figures going up his neck, burning the skin around where it glows. 
The mirror cracks down the middle, severing Jason from Bruce. 
He forces himself to look down, terrified to see the reflection a reality right in front of him. But Jason was alive, uninjured, and breathing quietly. Bruce presses two fingers to his throat, and feels a steady pulsepoint thumping against the pads of his fingers.
Jason’s eyes open and blue stares up at him.  
When Bruce looks up at the mirror, the reflection is back to normal.  
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goodmode · 2 years
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no one comes to hallownest because they belonged anywhere else
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tarantula-hawk-wasp · 6 months
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moments in jcs 2000 superstar that live rent free in my head another screenshot redraw bc I need to express my obsession with this movie somehow tumblr loves a man covered in blood but when the man in question is jesus-
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kaurwreck · 15 days
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I wonder if Fyodor has kept his distance from Atsushi until now because Byakko's claws can cut through skills. I wonder if this is the moment Atsushi could use his claws. Would they slice right through Fyodor's borrowed body to tear him into the same ribbons as Shibusawa?
Is Fyodor afraid of the absolution Atsushi could give him? Or is he starving for it? Is this what he wanted all along? To find Atsushi at the end, to break him until Byakko tears through Atsushi's flesh and into his?
Nothing is hollow; Fyodor is just so hungry for scraps he can't bear to eat that he calls the viscera contracting around his aching gut nothingness, and garnishes his desires with incorrigible sin because then death might taste like salvation. He craves blood but hates when it touches him, because blood and viscera are too warm, too human; and he isn't that, even though he loves humanity so desperately that he's resolved to leave only when he can take the entire world with him.
#bsd#bungou stray dogs#bsd fyodor#bsd atsushi#everyone's like “what if fyodor wants to die!”#and like no! if he did he could! he doesnt! he doesnt want to die but he cant live with himself either.#and he so desperately wants the world to reflect an inkling of him#having become so isolated and dehumanized in his own mind#ranpo thought people might be monsters but fyodor thinks he's the monster#and it hurts to be rejected by the world and to see it from the underground but never feel worthy of walking underneath its sun#so he's nurtured his hurt into hate and killed himself over and over again trying to know without admitting he wants to be known#briefly glimpses of people like him excite him but he has to believe they arent any different either#because he cant stay. and he cant leave by himself. if the world wouldnt have him alive#then he'll have the world dead#like two skeletons entangled in a lovers embrace he will take the humanity he thinks he was denied and girdle it like wisteria#until they suffocate together#and if he calls that salvation. maybe it will feel that way#even if only for a moment#he will be killed by the gift most embodying life because although he perceives life as an act of violence against him#he wants its embrace so badly#that he'll take the facsimile of it#so long as he and his lover die together before the bitter reality of what he's done can settle on his tongue#fun fact btw. that is suicidality. it's not wanting to die. it's not knowing how to live as you are. and it's impulse.#anyway! life and death and life and death and silly fyodor#jinko is mikan and his hungry hungry boyfriend is coming to bask in the euphoria of being alive
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justaz · 25 days
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thinking about all those times uther's life hung in the balance and it was up to merlin to chose whether or not to save him and he chose to save him every time until the end when his healing spell backfired and killed uther instead.
thinking about how merlin is tied to every member of the pendragon family by destiny and is the reason for each of their deaths, in one way or another (magic taking ygraine's life, merlin killing uther, merlin stabbing morgana, merlin's actions setting the stage for mordred to kill arthur).
thinking about merlin and uther's bond through destiny and how merlin was uther's prey yet also his undoing. a game of cat and mouse where the mouse wins.
merlin was always destined to kill uther. it didn't matter when or how, but uther was always to die by merlin's hand. uther waged war on magic and the old religion and the gods of the old religion sent merlin as their reckoning. merlin was the righteous hand of god who struck down a genocidal tyrant.
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unsurebazookacore · 2 months
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hot take, mike and el arent in love, because they are fourteen
well i guess mike is fifteen but still like as someone who has been fourteen/fifteen
GUESS WHO I WAS NOT DATING:
A. THE LOVE OF MY LIFE
B. MY FUTURE SIGNIFICANT OTHER
C. ANYONE WHO I WOULD BE ABLE TO SAY "I LOVE YOU" TO AND ACTUALLY FUCKING MEAN IT
D. ALL OF THE ABOVE (the answer is D by the way)
LIKE Y'ALL THEY ARE FOURTEEN
THEY MET WHEN THEY WERE TWELVE
"I knew right then and there in that moment that I loved you" MY ASS
#byler#mike wheeler#like i truly need to stress this so much this is NOT mileven hate like this is putting any like feature or fact about their dynamic aside#they are children#and yes i know there are people who meet their partners when they're young kids childhood friends to lovers is a trope for a reason#but no one NO ONE (or at least statistically very few people cuz i know my ass was not)#is making for real love declarations at Fourteen (or Fifteen humor me)#and “oh rey then how can you ship lumax-” LUMAX HASNT SAID I LOVE YOU YET#LUMAX IS THE MOST ACCURATE DEPICTION OF AN EARLY TEENAGE ROMANCE IN THE ENTIRE GODDAMNED SHOW BECAUSE THOSE MOTHERFUCKERS ARE SO AWKWARD#AND ITS ADORABLE#AND THATS IT#THEY HAVENT EVEN KISSED SINCE SEASON 2#YOU WANNA KNOW WHY??#BECAUSE THAT'S REALISTIC#BECAUSE THEY ARE KIDS AND KISSING IS GROSS#listen im not saying this with the intention that ohh kids are immature they dont know what true feelings are blah blah blah#kids have feelings no shit#but esPECIALLY when it comes to mileven it seems so goddamned performative#like it FEELS like they both just watched a bunch of romance movies and are now mimicking whatever they've seen the adults in those movies#(who are supposedly in love) do#like watch lucas's talk with max in the back of the like trailer thing where he tells her he wants her to stop pushing him away watch that#and then tell me mike's aMaZinG AnD drAmaTiC LOvE cONfESioN doesnt sound formulaic as fuck#like you wanna know how a teenager makes a love confession#they say smth emotionally vulnerable; want to die after saying the emotionally vulnerable thing; and then tell a shitty joke to salvage it#not “I don't know how to live without you. I feel like my life started that day we found you in the woods” no fucking teenager says that#and that is why lumax is as mr mclaughlin said himself: “real love”#damn i kinda cooked with the tags on this one#(also fun fact i learned that tumblr has a tag limit by making this post which is why half of the tags are at the 140 character limit)
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nyxi-pixie · 5 months
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me when im supposed to be studying but instead im thinking abt mori and dazai again
let me go absolutely insane for a second (not a second. this is so long. i just checked mfer its over 2000 words. i need to be sedated. imprisoned. restrained. examined. smthn)
'a young man with a death wish once came to me and i wanted to rescue him but i couldnt' and like yeah. beast mori couldnt rescue him. but to a certain extent, canon mori sort of has (touch wood for long term but as it is, dazai is so much less intent on dying than he was in dark era).
and it just. i always wonder about the actual intentions of the mimic situation. because on the surface, it looks like what dazai calls it, then deeper than that, it looks like a very calculated long term strategy, and deeper than that, its just. kinda sad.
i just think its interesting that he plans the mimic thing the way he does knowing dazai will leave despite the fact that he doesnt want him to. and dazai himself reasons this as mori being afraid of him, that mori doesnt want dazai to kill him the way mori killed the old boss. but thats? not true? mori seems unbothered at worst and downright proud at best when he tells oda that dazai will probably kill him one day.
so. Why. did he do it knowing dazai would leave? it wasnt his only option; he could have set skk on mimic. like 5 second future vision isnt gonna do much when the danger is alr there (as oda says). and in the face of a massive black hole coming right at u or a building being dropped on you, five seconds really isnt gonna do much. so mimic cld have been removed without a casualty and the mafia could still have got the permit, and not lost dazai. (who is Objectively an asset to the organisation.) But thats not how it happens. Mori plans it exactly as he does knowing oda will die and dazai will leave. he also then makes it continually obvious that dazai would be welcomed back.
and ive been trying to think of other reasons for it, but across canon and insight from beast mori the only thing i can think of comes back to the fact that mori wants dazai alive. alive and aware that the pm is the best place for him, but alive more than anything else.
i think he wants dazai as his heir bc he knows dazai is enough like him to manage it, but i wonder if it also comes back to the fact that mori is trying to rescue him, and i imagine his own reason to live (and lord knows he suggests he needs a strong one in fifteen) is probably tied down to legacy and responsibility for the city. mori devotes his life to the mafia because he wants peace and appreciates that control (rather than eradication) of the worst of yokohama is the way to keep that peace. and thats enough of a reason to live for him. but it isnt for dazai.
dazai doesnt give a fuck about the mafia as a concept bc his motivations dont rest on ideals the way moris do. dazai only ever does anything because of the people he cares about. everything we see him do, EVEN in pm era where people claim he was some emotionless rockman, come back to his friends.
its why hes never at the centre of the plot. he cant be, because he never does anything for himself. fifteen, in which he is a titular character, is a plot that rests vastly on chuuyas back story. dazais original motivation prior to meeting him is just to khs, and only upon meeting chuuya and them having their whole weird Thing and dazai deciding to be an obsessive freak, does he actually have personal stakes in the job. then in stormbringer, its all abt chuuya again, and dazai is only involved bc he cares about him (whatever he actually says aside). tdipud is driven by odas storyline, and so is dark era. dazai is only active in them bc he cares abt oda.
even when he has more idealistic motivations come canon era, they come back to the fact that hes doing it for oda. anything Above And Beyond that promise is bc hes acting to save the agency, who are his Friends. his motivations are deeply personal in complete contrast to moris, and it is perhaps the only place they really differ.
now ironically, it seems to be that the only decisions mori makes influenced by personal feelings are because of dazai. which takes me to the fact that i think he let dazai leave because he recognises thats whats best for him (at least in the short term - and we'll get to That in a second). and its not really a loss for the organisation because dazais too practical to ever dismiss the mafia, and he still gut responds with their methods. so its an easy sacrifice, a justifiable one.
then theres the contrast with the kouyou&kyouka thing. kouyou doesnt want kyouka to taste the light only to have it sour on her tongue when she realises she cant actually have it because of what she is. because kouyou believes anyone tainted by darkness the way they are can never be free of it. (because she couldnt get out herself).
i wouldnt be surprised if mori thinks the same way, certainly in regards to someone like dazai who Is naturally built for the mafia in a way kyouka really isnt. mori at least believes dazais blood is mafia black and whether or not this is true is irrelevant. he Does have to actively fight his impulses in order to do the Right Thing even now. And even doing that, he still falls into their methods when its practical, or when he's paranoid or unsettled enough to need the comfort of habit, hence the way he treats aku even four years removed from the mafia. hence the way he treats atsushi immediately after Q appears (the way he so instantly latches onto his older self literally slapping the self pity he detests in himself and in his former kouhai out of his current one). hence the way the parallels to mori spring up most when dazai has just been shaken by something.
so i wonder if mori let dazai walk into the light knowing (or believing) he wouldnt fit there, and would come back with a stronger commitment to the mafia as a whole because it may be a concept of sorts, but its one that embraces him in a way the light doesnt, and while dazai does things for the people He cares about, its a mutual thing - he feels responsibility for the people that care about Him too (which probably ties in to the desire for a quiet suicide without bothering anyone, and also to the disgust he has w the sheep - because it Isnt a mutual exchange there).
i think it was always intended as a temporary thing (five years away from the mafia maybe. the 'five years' right before dazai comes to take moris place). give him a taste of the light and let him come to his own conclusion that he doesnt belong there, and eventually turn back to the mafia where he does belong.
(despite suggestions that dazai Doesnt really belong there - smthn smthn cat/dog symbolism - though people suggest this implies he belongs w the ada and i dont think thats true either esp given the way hes omitted from the group so often. i think the cat symbolism w dazai likens him more to natsume than atsushi&fukuzawa esp given the way theyre shown tgthr so often. dazai doesnt belong to any organisation or rigid group, he just fits in line w whoever he cares abt and wherever he decides hes content to stay. v much like a cat actually.).
anyway, moris idea seems to be that dazai wld realise the mafia is somewhere he is cared for, and he cares for the people within it in return. though it doesnt seem to have really turned out that way (maybe mori j underestimated the power of the ada's one specialty: forced integration into its found family. lmao)
so you could see it from a practical perspective: mori sending dazai out to show him he really belongs w the mafia and shld come back to them when the time is right, thus mori secures his legacy by leaving the pm to dazai and the mafia is led forward by someone who could handle it the way mori has.
but. hes never pushy abt dazai coming back. hes downright polite abt it (contrasting to the way he treats yosano), and he puts an awful lot of effort into saving dazais life. (kinda funny that he sends chuuya to pick dazais ass up every five seconds with no reward for either of them - chuuya post dead apple literally asks and moris just like ? uh the safety of the city?? bragging rights😁👍? - but when he sends chuuya to save the agency as a whole the price is Heavy like. exchange of a member is crazyyy.)
dazai is always very much considered One Of Their Own. his seat is still empty waiting for him to come back, he and mori post guild are Always cooperating (despite the kinda petty way dazai talks to him during the reunion - the whole 'i burnt the coat' thing - its almost childish, spiteful in a way that speaks to personal hurt that undermines any control he might have had of their kind of distant passive aggressive exchange. but. im too insane abt that interaction that my interpretation cld be entirely bs.)
they communicate through this ridiculous game of chess, and rely on each other to keep both their organisations afloat. when anyone else from the ada tries to pull the same thing, mori pulls out contracts for their damn souls but when its dazai hes just like ? oh ur bf needs to save you again? of course i can spare him to go pick you up from european prison yeah not a problem! ill even glue his vampire cosplay teeth in!!
in connection with that, even with dazais commitment to Doing The Right Thing, he does not do it in the right way. hes perfectly content to use mori-typical underhanded methods to get the ada to the right place. he sends aku To His Death Knowingly for the sake of saving atsushi and by extension the rest of the agency (and he may have known that the vampirism wld sorta bring him back?? but he still sends him to die), and its sorta similar to mori sending aku out to deal with hawthorne and mitchell while hes in rlly bad shape.
anyway dazais methods always make me think of that cunty exchange sskk have in dead apple 'thats not the way we do things in the detective agency' 'was that a bad joke😘 ur too much weretiger🌈✨💖'. but like. dazai Doesnt work the way the ada does. at least not when things get tense enough to drive him back to habit.
i think people like to interpret dazai as being a better person now, and i think in some ways he is. because hes always influenced by the people hes around most. but also, his motivations havent really changed from pm era. he still does what he does for his friends, they just happen to be on the right side now.
anyway. mori puts more work into keeping dazai alive than any other character (bar perhaps chuuya - but thats because mori saving dazai runs hand in hand with chuuya doing it given hes the one sending him) which is. aurgh.
mori and the wish to save people is just interesting in general. the fact that he became a doctor in the first place is telling on its own plus the unhinged way he deals with yosano - of course someone obsessed with saving people would want a cheat card for sending Death packing - but maybe i could believe it was just a power thing, more to his sense of control. playing with life and death so that he can play god. and i think that probably is just a little bit part of it, esp during the war.
but theres also the way he treats doctors within the pm (sb calls it respect for his former position but it may also be knowledge that the better treated they are the more people they will save). And the only reason he works w the tripartite agreement is bc he loves yokohama, wants its people, including its underground, alive and all that (honestly it probably links back to war stuff - hes really intent on peace).
so hes already someone that is intent on saving people (and beast mori makes this obvious w the way he treats atsushi) but theres a personal edge to it w dazai, possibly bc dazai is so much like him, and asgr is kind of obsessed w the saving your mirrors bc you cldnt save yourself thing (sskk. atsushi&lucy. chuuya with his clone. beast akutagawa siblings. beast atsushi&kyouka. i could continue).
im frothing at the mouth but basically, mori does everything for practical reasons in line with his ideals, his grand vision for the PM, but that doesnt mean he isnt making any emotionally charged decisions. its just that theyre always justified by their practical outcomes. (Especially where dazai is concerned). so he can pretend that theyre not driven by personal feelings but IM WATCHING U MORI U CANT HIDE FROM ME.
yk i sometimes wonder if i see him too sympathetically for a guy thats as so sucks as he is but someone has to counterbalance the 75% of the fandom that thinks hes pure evil for no reason and has no thoughts outside of Being Terrible so. here you go have this from the depths of my brain.
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hajihiko · 1 year
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I rewatched 2.5 recently and I kinda love the idea of Fuyuhiko finding out that Nagito's psyche apparently treats him as the symbolic representation of confidence and machismo.
Thats a GREAT thought I never thought of it like that ....
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This is silly but y9ure on to something
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eepyracc · 6 months
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Lnds fandom.. how are we feeling 🧍‍♀️
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Because I for one, am absolutely losing it
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thedrotter · 4 months
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as a little treat i am sharing with you little Aya doodles I've done over the last few days to unwind ww just little expressions based on lines in-game because those are always fun to draw. nothing too special just biscuit
it's Aya because upon doing bizarrely throughout playthroughs of the game for still unspecified project purposes I've gained a soft spot for her she's my daughter now my mental tier list on my favorite characters is so confusing right now
#re:kinder#fanart#aya re:kinder#aya hibino#i state shes my daughter NOW because before i didnt pay too big of a mind to her#but honestly in each different playthrough of this game i gain new appreciation for each character#because fun fact ryou was my favorite character at first just because he seemed nice and was a healer and was nice#second playthrough brought in rei and shunsuke in my mind because they ate it up wirh their roles in the story#meanwhile as time passed yuuichi started to grow on me as i realized he was a little too relatable BASICALLY THINGS LIKE THAT#and spoilers for the unspecified project mentioned in the text just because i feel like it#i also did this because having a transcript of every line just spurred me on becquse of how easy it made things#its much more fun to start doing these kind of line based doodles when you dont have to manually go througj hours of gameplay to find stuff#so just being ablr to ctrl f through a document made me very glad HEUEHEHEBEHR#im still working on it it needs proofreading and polishing on some sides but overall it should be here soon i hope#if anyones interested in it do let me know HUEHEHEBRB i will post it regardless but it would be nice to know if anyone is interested#ANYWAY#as to why Aya seems to have a purse when her sprite doesnt its because her equipment mentions her carrying a yellow pouch#its meant to be that!!!#she looks very goofy with it on made me giggle ngl#(as in. amusement)#it adds more interest to her visual design so its nice to have it there im glad its there#OH YEAH SOME COMMENTARY ON ONE OF HER LINES HERE THAT REALLY PIQUED MY INTEREST#if sayaka dies and shes there to see it (thus. you chose to bring her with you) she has this line#where it implies that shes afraid of dying which makes things sad when she's suicidal#she already states i think her desire is more to disappear than to die exactly but even then it's quite sad#like even if she wants to disappear with how gloomy she's feeling and all the things going around with her parents#shes just a little girl who doesn't want to die😭😭#it really adds a sense of realism to how depression is tackled in game at least for me#that when one is depressed and suicidal a lot of the time it's the wish for this state of suffering to end rather than to actually die#SUCH A GOOD CHARACTER ITS ONE OF THE THINGS THAT UPPED MY APPRECIATION FOR HER
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moeblob · 6 months
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Windy at my house + power flickering = no comm work = quick laptop doodle
#my characters#i genuinely hoped the wind would die down but like ??? nah?#and the last time we lost power without an actual storm it WAS bc of wind#and so i just get so panicked over please dont fry my tablet with a power surge#if it calms down by tonight i really wanna work on art since i spent almost all day yesterday struggling with a pose and i finally#think i thought of something that could work and then (gestures to the wind) fuck me#also in regards to these two you have seen me drawing deacon a lot recently and i only drew armya once so far#she is a devoted follower to fulj which is really rare since fulj no longer has a large following nor a temple#so when fulj finds her its comforting and reassuring and she adores armya a lot#however the fact that fulj relentlessly teases deacon and calls him names is like..... ok wait would you really be mean to me if it wasnt#for her ? like would you still pick on me? :c and shes like lol yeah dude absolutely#deacon is just constantly dunked on by the lightning group and hes so sad because he wanted to be friends :c#but also the guy wouldnt really recognize the followers if it wasnt for the traces of lady fulj#so if they would wander into the city without having been possessed recently he probably wouldnt even cast a glance their way#nothing personal he just straight up doesnt decipher looks fast at all#he could think they look familiar but then not know why ESPECIALLY if they wear something he's not used to them in#like if armya showed up in something other than her loose white jacket he would not be able to go AH YES ARMYA immediately#he identifies people by hair or clothing details so it kinda messes him up if people remove whatever identifying trait they have#long hair getting a hair cut? suddenly a whole new person#and armya knows this very well since he never looked her way unless fulj was possessing her or trailing her#so she does like to tease him as just. we are both in servitude to a deity and same rank but like. bro youre too easy to mock#(fulj agrees)
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starry-bi-sky · 9 months
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idle clone^2 food for thought (cw gun tw murder) and. thinking about how danny in canon is very protective of his people. and as a collective fanon we like to make him go Batshit when his people are severely injured.
and im just mmmmm,,,,, danny would kill if damian (or anyone in his family) got extremely hurt. but only under very specific circumstances. like they've been backed up into a corner and can't get out and it's either kill or be killed. like his go-to is non-lethal force but then someone takes out his little brother, whose breathing but not getting up and hurt badly, and there's nowhere for them to escape and these guys are gonna do much worse soon.
but there's a gun nearby and within danny's reach, and the guys who have them trapped are gloating and only half-paying attention because what are they going to do now? they have him trapped.
and they hurt his little brother.
and danny doesn't see red. everything just goes into cold, static focus instead. and he puts a bullet through the stomach of the first guy he sees.
And i'm just picturing Danny with this stone cold fury on his face, his hands shaking, as he looks the main guy (who know he's a clone) in the eye and says "your first mistake was thinking i'm batman"
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gravitywhatgravity · 5 months
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I decided to listen to the torchwood audio episodes at the gym as like motivation but like. how am I meant to hear "but you never will just be a blip in time to me ianto jones. not for me" and just. keep breathing.
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