#Terra x Beast Boy

[zea9love]

⚠️ FLICKER WARNING ⚠️

Idk what this is, I just wanted to edit BBTerra with my Tara fancast

•Sophie Thatcher as Terra

•ac: taeyeogi on IG

[themoonlitsojourner]

“What brings you here, anyway?” He tilts his head. “Who are you?”

“No one,” she says without thinking. Pulse spiking and palms going clammy, a moment later.

His eyebrows shoot up. “‘No one?’ Huh, your parents were certainly creative. I’m Gar.”

Flustered, she shakes her head. “Tara. My name is Tara. It’s just…” She folds her arms. “I’m not exactly supposed to be here.”

“But of course, the price of resources has skyrocketed. Our product, in turn, has been forced to…”

“How is your mother? Ever since I caught word of her illness…”

“I do relish the caviar. I believe our gracious hosts have opted for the Beluga sturgeon variety. It has a certain note of…”

It’s… It’s huge. Huge, and bathed in gold and silver, half-filled with whirling reds, and greens, and blues fanning out in full, elegant skirts. Spotted with crisply tailored tuxedos in shades of black and charcoal and white. Tables laden high and heavy with more kinds of food than she could imagine.

A shoulder hits her back.

Tara stumbles and flushes and catches her balance and turns around, but there’s no one there. Er– there’s lots of people there. People looking her way, wondering about the underdressed, unaccompanied, and awkward girl gaping like a waif off the street–

Tara forces one foot forward. The next. Step by step, and she’s ghosting across the edge of the echoing ballroom. Avoiding the tide. Struggling not to get pulled adrift into the sea of well-dressed, well-mannered bodies. But she can’t keep her eyes from wandering the room.

They’re all so tall, and confident, and dressed in silks and shades she’s never even heard of, talking about things strange enough to be another language, about owning companies, and kingdoms, and ships, and–

Tara freezes. Her heart lodges in her throat.

Gregor stands tall and proud, talking eloquently and energetically with a couple dripping with… diamonds. Those are diamonds. Gregor makes a point, tilting his head and lifting his eyebrows, and the red-handkerchiefed gentleman nods. An impressed smile graces his mustached lips. The lady next to him, color-coordinated with the handkerchief, looks ready to adopt Gregor. And Gregor, he… He isn’t looking this way.

Tara breathes out and shuffles a few steps back. She turns and ducks behind a pillar, careful to keep her movements casual and– and normal. This is normal. These things happen every day, she attends these things every day, she– she knows what she’s doing.

With long strides, she walks away from her brother. Ha, brother? Who? What brother? Don’t mind her, just keep talking, don’t look back…

Tara stops in the corner. A vantage point, where she can see– well, not everything, but most of it. But a lot of it. And…

She sags back against the cool, marble walls.

No sign of Brion. No sign of… of anyone else she knows.

Which is good, right? No one she knows, then no one who knows her. No one who can recognize and tell on her, no one who can get her into… trouble.

Seas, and seas drift by. Dress, after suit, after dress. Talking. Laughing. Back and forth, and all around, and no one– No one looks her way.

Why was she worried?

Tara curls her hand around the bruises on her wrist, squeezing her eyes shut as the pressure wells in her head. T–this was dumb. She’s risking Elodie’s wrath for this? Why did she even–

Rippling, care-free laughter rides the air. Above the clamor, above the static of nonsense. It rolls over her ears like a message, light and musical like a– like a river stream or something. Nothing like the false brass of forced belly laughs, or the broken glass chitter of a mouth-covered giggle…

It rings in her head. Bouncing off the walls of her skull long after it’s finished. Tara bites her lip and lifts her head. She pushes off the wall. She lifts onto her toes, peering over a hundred heads of perfectly coiffed hair…

There. A boy halfway across the room, dressed in a sea green tuxedo with his dark hair neatly slicked, his head tipped back.

Face still quirked in laughter to the amusement of the handful of adults stationed around him.

How old is he? About… could he be twelve? He… seems to be having fun. He seems to know how these things work.

He seems to belong here.

The boy opens his eyes. It’s too far to really see, but she thinks they might be green. And he… looks directly at her. And scrunches his nose in another smile.

Tara drops onto her flat feet. She checks over her shoulder.

No one in particular. No one looking his way. No one he could be… smiling at.

She looks back at the boy. He is looking at her, and he tips his head to the crowd around him, whose focuses have all shifted back to each other. And he rolls his eyes.

Tara’s heart thuds in her chest. A slow grin spreads over her face. She lets the tip of her tongue poke out, just for a second.

The boy crosses his eyes.

The sound of her own laugh under her breath startles her. Tara sets her finger on the skin beneath her eye and pulls it down, zombie style, and he…

Oh. He’s turning away. Nudging the shoulder of the man next to him, deep in conversation with a sharp-eyed, clean-shaven monolith. The boy says something. The man dismisses him with a gesture, never tearing his eyes or his attention from the conversation. The boy makes a face.

Tara glances around. She takes a step back, toward the balcony. It’s, um, it’s quieter out there, and less crowded, and there aren’t nearly as many people, or as much chance of getting spotted, and–

Surprise ties her in place as she takes one more glance. One more look over her shoulder that she shouldn’t. And sees the boy slip past the adults. And begin making his way across the floor to her.

Her drum of a heart takes up a pulsing rhythm again at the sight. At his hands in his pockets. At impossibly green, gold-flecked eyes gazing out beneath perfect dark hair, and perfect dark lashes. They are locked on… on her. And they sparkle.

He stops a few feet away. “Hey.” He rocks back on his heels. The smile never left his face. The best Tara’s ever seen, boyish and charming and shy, all wrapped up in a gap-toothed grin. “Where do cows go dancing?”

Something in Tara’s brain stutters. She blinks. “Excuse me?”

A sparkle. And a mischievous glint. “The meatball.”

There is the strangest, longest, briefest second, between his joke and her understanding, before the gold-inlaid floor fills her vision as she doubles over laughing.

When she straightens, it’s a new grin gracing his lips. Delighted. Relaxed.

“You came all the way over here to tell me that?” Tara shakes her head.

He shrugs, shoulders nearly touching his ears. “I–uh… Wanted to hear you laugh up close.”

Warmth floods her face and arms. Tucking her hair behind her ear, she lets out another laugh, this one nervous and not by choice.

She has never heard anyone say anything like that before.

“What brings you here, anyway?” He tilts his head. “Who are you?”

“No one,” she says without thinking. Pulse spiking and palms going clammy, a moment later.

His eyebrows shoot up. “‘No one?’ Huh, your parents were certainly creative. I’m Gar.”

Flustered, she shakes her head. “Tara. My name is Tara. It’s just…” She folds her arms. “I’m not exactly supposed to be here.”

Danger. Slipping from her lips. She checks over her shoulder, no one around, there’s no one around, right…?

Gar’s grin catches and pulls her attention back to him as it turns crooked, tugging on one side of his mouth. Revealing neat, white teeth. “A stowaway!” He holds out his hand, nodding to the doorway behind her shedding moonlight. “Let’s hide on the balcony.”

Tara stares at the offered palm. Her blood clamors in her veins, an uncertain marching band composed entirely of drums and cymbals.

“They’ve asked for my help upstairs. Just stay here.” Elodie had tied and untied the apron around her waist with a faraway look in her eyes. “Don’t go anywhere, and don’t talk to anyone. They’ll all be up there. Dukes, and earls, and countesses… And the last thing we need is you meeting the prime minister.” Her hand on the doorknob. Her mind on the dance floor. “Stay here.”

And she forgot to lock the door.

…But that doesn’t have anything to do with Gar. He won’t know unless she tells him, she won’t tell him, and everything will be fine. And the ‘don’t talk to anyone’… That wouldn’t even mean him, would it? Not Gar, with the beautiful eyes and the gentle smile. Not a boy her own age, just looking for some… Company? Fun? What is he looking for?

…It doesn’t matter. She’s knee deep as soon as they find out, anyway.

So Tara fits her fingers between Gar’s. And together, they escape into the crisp night.

The polite din of a party nearly two hundred strong fades into static. Tara hears her own breath, slow and shallow.

“Do you like constellations?”

She tears her gaze away from her hand, wrapped up in the secure, warm brown of his. He sees her looking and quickly lets go. Immediately, the North wind turns her hand cold.

Tara rubs it with her other hand and swallows. What was his question? “I– yeah. I love them.”

Gar looks at her like it’s a secret. Like the commonality is a shared shred of soul. “Me too. Show me your favorite.”

She folds her arms across the top of the banister, searching the skies for what she knows isn’t there any more. “Hydra. The sea serpent. But you can’t see it after May.”

“Funny.” Gar huffs a laugh. “We get that one in the southern hemisphere too.”

From the corner of her eye, Tara steals a glance. “The southern hemisphere?”

“I live in Africa. My parents are scientists.”

Her heart twinges painfully. “They’re here for the charity ball.”

He nods. “Why the sea serpent?”

Tara swallows. “I don’t know. I guess… Well, it’s the largest constellation in the sky.”

“Cool,” Gar says softly. Not good enough. He already knows that.

“It takes hours to rise at night,” Tara blurts out. “And…” She hesitates. His question ringing in her head. Why, why… “I like… how it does its own thing,” she finishes lamely.

“I like the Jewel Box cluster.” Gar hops up onto the railing. Like, actually sits on it, dangling his tuxedoed legs off the side and revealing rumpled black dress socks falling down his ankles. “It looks like four stars. Until you get a telescope and find out it’s hundreds.”

Tara bites into her lip. She steals a glance over her shoulder.

Half open doors, hesitantly admitting the night. It’s immediately drowned out by dozens of chandeliers and a ten piece instrumental band. There is no sign of her brothers.

Tara breathes out. And she turns back toward the stars, taking Gar’s hand and swinging herself up onto the bannister next to him. She pushes her hair out of her face. She asks, a little breathless, “What else do you like, Gar from Africa?”

His eyes shine stranger and deeper than the gaps in the galaxy. “Dude, so many things.”

“Tell me.”

Hours fall by, sand in an hourglass. The magnetism of his smile, his laugh, his casual attention draws her ever nearer. A black hole of infatuation. A night sky of potential.

It is worth every silent, locked-in hour that follows.

[emmakubert]

We need justice for Terra!!! 💛💛💛

[maria-from-ga]

I can't believe Teen Titans is officially 20 years old today. My favorite animated show and one of the best imo. It got me through a lot of shit & means the world to me

Starfire- the Heart

My favorite character on Teen Titans, and still my favorite hero.

A joyful person who loved the world around despite its cruelty. An immigrant who loved her culture yet always struggled w/ her sense of place and being an outsider like me. Her journey becoming more sure of herself & her place & an advocate for other outsiders like Red Star is beautiful one.

Cyborg- The Lynchpin

A extroverted, disabled black hero who had a deep internal struggle to accept that his disability doesn't contradict, but strengthens his humanity

His main arc on what it means to be a 'man' - that he doesn’t have to prove anything to anyone but instead be sure of himself. As a black hero, his defiance being rewarded, not shamed, resulting in victory in the end is still one of my favorites TT03 arcs

Raven- The Inspiration

When I was younger, I was embarrassed to admit how much I was like Raven bc I hated feeling like a closed-off outcast.

But now understanding Raven as a closed-off person who hid her emotions in spite of how she cared (which was the most out of anyone) to protect everyone. Who constantly fought for good despite being deemed a curse bc she hoped for better- Raven is an inspiration

Her journey to accept her emotions & forge her own destiny and not give into despair is one of the best arcs in all animation

Beast Boy, the Wild Card

To be honest, I despise his immaturity when I was younger.

Now I know he was just a kid trying to be happy despite his hardships (like terrible parentals & Terra).

His season of growing up, learning to let go, and building a team of underrated/inexperienced heroes like himself to defeat Brotherhood of Evil against all odds when all hope was lost was peak

Robin- the Leader

Finally, the Boy Wonder, what else is there to say?

A character so flawed, struggling w/ anger, darkness, and obsessiveness, but will go to war for his friends, & sacrifice all for those he loved.

Learning to let people in and that he can be more than hero. Best Robin adaptation we have seen.

Not just the core 5, but the entire Titans family was amazing. Characters who left an impact despite limited screentime. Más y Menos, Thunder and Lightning, Titans East, Speedy, Hotspot, Kole, and too many to name. With the best Bumblebee we have ever had in any media.

Thank you so much to Glen Murakami, David Slack, Amy Wolfram, Sam Register, Derrick Wyatt (RIP), Scott Menville, Hynden Walch, Khary Payton, Tara Strong, Greg Cipes, and so many countless others in the cast & crew for giving this to me and so many others.

Forever grateful for the Titans' stories & memories & for Robin, Cyborg, Starfire, Raven, and Beast Boy

[alexandriaellisart]

stupid cupid

[romancemedia]

Cartoon Romances + Arm and Arm Together

[linkspooky]

Hi! I saw your tags about Tara in Teen Titans comics--I'm only familiar with the cartoon series. How do your feelings about Tara compare in the show vs. the comics? I ask since I noticed you mentioned that Tara never really cared about BB, which I think is obviously changed in the show, and I wonder how you feel about that.

They're both good? They're both good! I think one thing people forget about comic book characters vs. adaptations of comic book characters, is that comic books were always intended to be a collaborative medium that builds on itself through the work of multiple authors and interpretations. Thus, you can have multiple versions of the same character who have the same core but don't really have to be exactly the same. This is why it is kind of silly when people get upset animated adaptations make changes from the original source material because that's kind of the point, in a collaborative medium, you're going to get another author's take on the same character.

Since you asked I can give you an analysis on the core ideas of Teen Cartoon Terra vs. Comics Terra, and also her relationship with Beast Boy in both versions.

1. GWEN STACY

So, I once talked about how Terra was always intended by her creators to die, but that's not necessarily offensive or fridging her character because Terra's still a character with a lot of narrative agency. Terra is the main character of her story, it's just her story happens to be a tragedy. That is true for both versions.

Before the start of the story her fate is sealed. This is what you call doomed by the narrative. George Wolfram and Glen Murakami have both given interviews explaining as such. Albeit, for different reasons.

Comics Terra was essentially made to deconstruct a lot of comic book tropes. I lovingly call her "Asshole Kitty Pryde." From conception she was going to be the spunky new kid with mutant powers who joined the titans at fifteen and immediately became friends with everyone... except she was evil all along.

George’s strength was he also understood the characters 100 percent as I did so there was never any question. He knew. We had talked enough about the characters to know we were exactly on the same page with them. So I said, “Everyone keeps complaining that we’re like the X-Men” and the X-Men had just gotten Kitty Pryde. I said, “Why don’t we really screw around with them completely?” — this is the fans — “…and make them think we’re stealing Kitty Pryde only she’s gonna be bad from Day One.”

Of course this is where authorial intent differs from like, what actually ended up happening in the story. Worlfram's intent was to always make Terra have no reason for her actions, the tragic backstory she feeds the teen titans is kind of embellished and made up, she decided to become a mercenary all on her own, she wants to work with Slade and is even trying to seduce him. However, Terra still comes off as horribly tragic despite their intentions and other authors have since then picked up on their subtext.

Like, I genuienly think the intention was to just write her as pure evil, but instead what they got was writing her as a bad victim. That is, the kind of victim that presents incredibly unsavory and unlikable reactions to their abuse instead of either being kinder than their abusers, remaining pure and chaste like Cinderella or just waiting to be saved. Terra's not a passive victim nor is she waiting for sympathy, she hurts people the way she has been hurt, she maipulates the way she has been manipulated. Terra's been beaten down and now her goal is to come out on top. I believe the reason why she came out this way has a lot to do with Perez and Wolfram sticking to their guns and never giving her a redemption arc.

The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case.

First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. The fans had to accept what we were doing and not do the same stories that they had read 14,000 times before. You know, at Marvel, Quicksilver and Scarlet Witch were villains who became good guys and I could go through a whole list of ’em.

Their commitment to the bit meant that Terra’s story became what was essentially Greek tragedy at that point. Terra was always fall and because of that, Wolfram and Perez dedicate a lot of time in the story showing the audience exactly what all of her flaws are and why those flaws are the reason for that fall. They committed to their creative decisions when writing this character, which is why Terra ends up being such a strong character, especially for the time. Of course there were female villains, but they weren’t really allowed to be complex victims to the degree that Terra is, have her entire range of negative traits, have her flaws fully on display and then still have it be a tragic ending when she does not get saved. 

Gwen Stacy was always going to die, and Terra was never going to be redeemed. I do not believe either of those cases are fridging because sometimes characters die in fiction, and sometimes they contribute more ot the story dead than they do alive. Terra’s the first real loss for the Teen Titans, it also came on the cusp of a time in DC where teenage superheroes and sidekicks started to die (Cough, Cough, Jason Todd). Under the Red Hood and Judas Contract are such effective and lasting comic book storylines because they are such tightly written tragedies  yes... both of them depict a bad victim who does not get saved (even though that is the whole point of both arcs). 

Terra is in fact, probably more comparable to Under the Red Hood Jason than she is Gwen Stacy because she is number one a teenager with problems who probably should not have been made a superhero in the first place, and two a trauma victim who copes by manipulation and violence to try to reclaim control of their lives. But, to bring the Gwen Stacy comparison back. Gwen Stacy was always going to die, Terra was always going to die, but unlike Gwen Stacy Terra is not anyone’s love interest she is the protagonist. Peter Parker fails to save Gwen because the Green Goblin attacked her, she was killed to hurt Peter Parker. Terra pulls the arena down on herself and buries herself alive in Samson and Delilah-esque fashion at the end of her own personal tragic arc. 

To get to the real differences between the two characters though, characterization wise, I think both versions start with the same central concept, this is a troubled teenager who should never have been made a hero. 

Terra is a deeply troubled teen, however the way she copes in both versions are wildly different, almost opposite. I like to say cartoon Terra has like, at any moment five different personalities, while comics Terra has no personality. 

2. Runaway Girl

To elaborate on this, cartoon Terra’s entire character revolves around how unstable her sense of self is, due to never having any stability in her life. The cartoon is actually very purposeful in showing in both imagery and metaphor Terra’s splintered sense of self. The first few lines of dialogue introducing her are this. 

“She’s not in trouble, she was leading it into a trap.”  “Question is, who is she?” Slade: “Don’t get too attached my young friend, I saw her first.” 

Said by the Titans and then Slade. Even in the first lines introducing her, not only is the question of who she is asked, but Slade immediately tries to claim her from the titans. Later on in the show, the way Terra acts around the Teen Titans as a group, the way Terra acts when she is with Slade, the way Terra acts when alone with Beast Boy, the way Terra acts when alone with Raven are all wildly different versions of herself, to the point where it’s hard to believe she’s the same girl sometimes. 

This is even apparent in the first episode before Slade even gets to her. Terra insists that she enjoys sleeping outside, she enjoys running from place to place, she doesn’t really want a place to stay for the night, she’s presenting herself as some sort of self-reliant and worldly traveler instead of what she really is, a homeless runaway kid. Terra is attempting to appear calm, cool, and responsible and she is absolutely none of these things, and she’s pretty transparent about it too. She cool girls herself so people will like her. The second she is alone in Beast Boy and loses control of her powers for 30 seconds, she immediately crashes, starts berating herself and her self esteem sinks to the bottom of the ocean. 

Trust, is something constantly brought up again and again with Terra’s character though I would say Terra despite literally being the main character of an arc called the Judas Contract, despite betrayal being the one thing she is known for... always sees herself as getting betrayed first. Which is why she overreacts to the perception that Beast Boy broke a promise to keep her powers safe in the first episode. Terra doesn’t trust people at all. Though, to trust people and form healthy relationships with them, you actually have to be a fully developed and well-rounded person which Terra is not. Terra is basically a foster kid who has been through several families before this, waiting for her current one to dump her. She has interanlized the idea that there is something wrong with her that makes this rejection happen, but she doesn’t know how to fix it, or how to be better the kind of person that can have those healthy friendships so she dedicates herself into hiding those flaws instead. 

Terra: You don’t belong with the Titans. Terra: You don’t know anything about you. Slade: On the contrary Terra, I know everything about you. I’ve been watching you for some time. I know why you’re always running away. I know your secret, little girl.

This is also why she runs from the Titans to Slade. It’s a question I see commonly asked about cartoon Terra, if she’s meant to be more sympathetic than comic books Terra why does she willingly go to Slade instead of staying with the Titans? Which is a silly question, because you might as well be asking why do grooming victims get groomed? Why don’t they just know that groomers are bad people?

Teenagers are not grownups. Especially not Terra, a bastard child rejected by her parents who has been on the run for however many years. Terra is a teenager and a severely underdeveloped teenager at that, and she has learned to survive on the streets yes, but that’s not really the same as learning to be a functional person, who can have healthy relationships with people, and control their emotions. Children actually require parents to nurture and teach them and raise them up to be more functional adults, and they also require the stability adults in their lives provide them. 

Terra goes to Slade because he is an adult who is promising to be there for her, and give her control and stability which are things adults in her life have failed to give her. She can’t trust the Titans to give her these things because they are children one as Slade needles her into believing they cannot understand or help her, and two the way Terra has lived her life up to this point a transactional relationship with Slade makes more sense to her head than the found family the Teen Titans have based on love and trust because Terra is a stranger to both of those concepts. 

Terra is also someone who has little control over her life in general, which is why cartoon Terra is so passive in comparison to comic book Terra. In the episode Betrayal itself, Terra keeps her foot in the door about the actual betrayal the whole way, and seems to change her mind on what she wants several time. Because Terra has five different personalities. Ginger Terra, Sporty Terra, Posh Terra, Scary Terra, and Baby Terra. Terra doesn't have a cohesive sense of self so she's entirely reactive, she just does what she thinks will keep her safe in the moment. Terra wants safety and control of her powers so she goes to Slade. Terra feels guilty about what she does for the Titans so she tries to run away from Slade for the moment. Beast Boy asks her out on a date, but because Terra's betraying the Titans that night Terra says no. Five minutes later, Terra says yes. She is constantly changing her mind and contradicting herself like this.

Which is where we get to the greatest contradiction this episode, Terra betrays the titans and clearly feels guilty about it,b ut instead of say telling the Titans what she did or coming clean she just runs away. Which is where we get to the extremely subtle imagery of Terra in a house of mirrors.

Terra can't face her reflection over and over again, because she can't face herself, because she has no sense of self. She doesn't know why she does these things, but she's done them now, and she's stuck with those choices.

Terra: Beast Boy, I'm so sorry. I never meant for any of this to happen. Beast Boy: Then why did you let it? Terra: I don't know okay, I don't know. Slade he helped me. He saved me from myself. He said I owed him. Beast Boy: So, it was all just a game. You were just pretending. Terra: No. You said you'd be my friend no matter what, remember?

This is also Terra's most honest display of remorse, and the exact moment Terra gets rejected, crying and begging for forgiveness for what she's done and after that is the point where she goes full villain. Terra goes from baby Terra, to Scary Terra. A lot of who cartoon Terra is born from fear of moments like this where she is rejected. Terra was the one who tricked Beast Boy and Beast Boy is rightfully upset of course, but in Terra's mind only able to see her own hurt feelings Beast Boy is the one who broke the promise to her. Terra internalizes the fact she cannot be forgiven at that point and seeing no other recourse goes full villain and insists she feels no guilt, she wanted to destroy the titans to begin with, it was all a lie. The complete inversion of how she acted in the betrayal episode. Terra is manipulative, spiteful, hungry for power and yes she's capable of being all of those things but one important thing is.

The second, the second Slade starts mistreating her and beating her Terra immediately wants out. It turns out it's not power or control Terra wanted at all with Slade, but the idea of safety he provided her. The moment it becomes unsafe for her she tries to leave again, because Terra is a child desperately seeking safety in a world that feels unsafe for her, and she'll find it by crushing people she perceives to be a threat if she has to.

That is Terra in a nutshell, she doesn't feel safe anywhere, or with anybody. She has no stable foundation. She is the human embodiment of the tower card in Tarot. No matter how hard she tries to trust others and trust in return, because those are basic human urges we all have, she ends up falling down. It's interesting for a character who is so famous for betrayal, how much of her arc shows she clearly wants to be accepted and trusted by others, and gets hurt at the idea of their rejection. Even the day she literally betrayed Beast Boy before taking him out on a date she asks him this.

Terra: Do you trust me? Beast Boy: More than anyone I've ever met.

I would say Terra's inability to trust doesn't come from the fact she's a bad person or a bad victim, but because she doesn't have the tools to form healthy relationships because of how seriously neglected a child she is. A part of the tragedy of Terra is because Terra cannot save herself, because she is a child. Just like how the Titans have such difficulty saving her, because they are children too and they're not really emotionally prepared to save a person as morally grey and as in need as Terra, and the only adult in the situation is Slade who is there to take advantage.

Transitioning too. Comics Terra, while cartoon Terra has too much personality, Comics Terra has too little. She was written to be a sociopath, and that's not really my term that's how the writers describe her though I can dig up evidence she shows clear signs of being capable of having attachment to people. I'd say rather than a sociopath she's more written as an enigma. Terra's motives are spurious, her actions are inconsistent, she seems to be driven by spite. She is an incredibly angry kid with a chip on her shoulder who seems to be capable of anything.

Cartoon Terra is trying to play along with other peopel's expectations to her, while comics Terra rejects everyone's expectations. She loathes cute teenage girl superheroes. She finds dressing up in costumes and fighting crime to be ridiculous in the first place. Though, I would say despite saying she clearly hates the titans, literally the next panel she displays some affection for Kid Flash.

Comics Terra isn't completely unfeeling, she's capable of forming connections to people, she has a fondness for Geo-Force her brother, Kid Flash, and sort of for Beast Boy she just never fully forms relationships with them.

Terra's not really even maintaining much of a cover with the Titans, because both with Slade and the Titans she is a rude, belligerent raunchy kid who is trying to constantly get into other people's faces. Terra is all of those things, she just when she is alone with Slade also pretends she is an adult, in an adult relationship with him. (Cough, cough, grooming victim. A victim of sexual grooming in this sense too).

Terra's written to be a sociopath yeah, or at least her writers tried too but I'd say she's more a character who the audience has little to no idea what is going on in her head. A lot of her is left ambiguous. Considering her backstory though, the rejected bastard of a king, someone who is working as a mercenary at fifteen, she clearly has not had a good life. Just like cartoon Terra she is lacking a sense of self.

However, instead of eschewing her agency, Terra takes her agency from other people. Cartoon Terra is good at manipulating when she wants to be, but Comics Terra sees the world in terms of every relatonship is transactional and based on manipulation, the world is winners and losers, the world is about who is on top and who is on the bottom. Terra lacks no real goal, or purpose, no friend, no home no loved ones she really only wants to crawl up on top of others if she has to.

Which is exactly why she gets into a relationship with Slade. Comics Terra seems to think her and Slade are equals, and that she is manipulating and using him as much as he is using her. The tragedy in this case arises from the fact that you know, Terra is a fifteen year old girl and Slade is three times her age.

There's an entire chapter where we follow around Terra montiofring people with contacts, and she's going about the titans daily lives just, telling Slade how much she hates them the whole time, but then she stops to ask Garfield why he's constantly being rude to other people and seems genuinely interested in listening to him talk about his feelings.

Terra's only out for herself, she is out to define herself and not let anyone else tell her who she is and who she should be. Terra's selfishness makes sense though considering the situation she is, she's either made to feel nothing like how she was with her family, or she is being sexually groomed by a guy three times her age. Her response to that, her extreme self interest and only caring about her own survival really is her way of fighting back against a world that she sees as trying to wear her down.

And that's a key part of her character Terra is a grooming victim who is also a bad victim. She's being groomed and her way of reclaiming her agency is to insist she wants sex, she wants to hurt people, that actually she's the one manipulating Slade. It's all Terra trying to assert control in a situation where she has none. I don't know if you know this, but a fifteen year old can't manipulate a guy in his fifties who has been doing this for years. Terra also, projects a lot of her hate for her situation and her lot at life at the Titans.

They did not do anything wrong to her, but at the same time she's pretty cosntantly unhappy with them, she complains none of them like her, she complains about their lack of trust, I believe that's less Terra trying to infiltrate them and more Terra herself either believing she cannot fit in anyhwere or as a person who only believes in transactional relationships and manipulation just not understanding how family works.

Terra also acts like dangerously unstable at all times, there's a point in the comics where Beast Boy gets way too aggressive with his flriting, that he full on triggers what resembles a PTSD response in her and she tries to bury him alive.

At times like this when Terra is made to feel she's either not the one with the power here, or being looked down upon she asserts herself with violence to desperately try to regain control. It is not healthy by any means, but it is still the behavior of someone who is coping incredibly poorly. Terra relies on fear and control to make herself feel safe at times like this, because she's not been shown love early on in her life and by this point she genuinely does not understand it. And also I cannot emphasize this enough as a victim of sexual grooming, Terra is pretty much not ever safe, or in a situation where she has bodily agency or control.

Terra in the cartoon dies in a heroic sacrifice, whereas Terra in the comics dies because she loses control of her power and essentially suicides. If anything the tragedy here is that Terra is someone who never learned to be a girl properly, nor was she appreciated as a human being and because of that she formed her entire sense of self around her powers. She is a child, and never having been allowed to be one, and not knowing how to live in this world, form relationships with people, trust and be trusted she dies as a child. Terra once again has nothing solid to build herself on, and because of that the tower falls down.

3. Terra and Beast Boy

In the cartoon Terra and Beast Boy are clearly meant to be in a relatoinship, in the comics Terra claims to have hated him all along, but arguably she could have been fond of him.

In both versions the relationship is entirely wrong headed from the start. A lot of it has to do with Beast Boy's flaws as a character. I wrote on and on how immature of an individual Terra is, and Beast Boy as the youngest on the team shares many of those immature and selfish traits. IN the comic itself that seems to be the reason why Beast Boy and Terra are paired together, they are the closest in age, she is the new girl and the trope Terra is made to deconstruct is the cute comic book love interest.

Comic book Garfield is almost more immature than cartoon Garfield, and on top of that is a full blown male chauvinist. A lot of people do not like Wolfram/Perez Beast Boy, I kind of love him because he doesn't understand woman's boundaries and thinks he desperately needs to get into a relationship and makes them uncomfortable because he sees his flriting as harmless to them... you know like a teenage boy. Unlike most characters like this that appear in media, this quality of Beast Boy's is something that gets called out on all the time.

Terra and Beast Boy do have something in common in that they are both outsiders to the group, they are the youngest so no one takes them seriously, they are almost always stuck together, there's a scene where they're both getting tutored by a tutor Garfield's rich father hired and they're both such ADD kids no one wants to be there. She does have at least one genuine moment of connection like this one.

Their immaturity is what makes them the most similiar, but they go about the inferiority they feel towards other people in opposite ways, Terra sets out to try to prove that she is better than other people by asserting herself, while Beast Boy tries to bend over backwards to win their love.

Terra sympathizes with Beast Boy because they share the same root cause of the issue, but they cope in opposite ways and because of that she looks down on him as just another kid. Which is something Terra is desperately trying to prove she is not. Terra genuinely does go out of her way to kiss him which shows this conversation at least affected her, she has moments of being genuine around Beast Boy, but I think this and every version of Beast Boy is too immature to ever reach her. Because to return to the male chauvinist aspect of Beast Boy's character, not long after this scene he full on triggers Terra by coming on way too hard to her.

Beast Boy wants a girlfriend, to validate his feelings, to make him feel special when he feels like he is the only kid, and the one most often left behind in a group of adults. He tries to make Terra into his love interest and Terra does not want to play that role at all. There are moments where Terra is genuine with Beast Boy, and he might have been able to reach her, but Beast Boy is so obssessed with the image of Terra he has built in his head and the idea of having her he's never able to even come close to her.

Beast Boy cannot understand Terra with any sort of nuance whatsoever, because she's a woman who doesn't really want to play along with any image of her in his mind.

Their cartoon relationship is much less destructive, but really suffers from the same fundamental problem. Both the episode "Terra" and the episode "Betrayal" feature Beast Boy trying to make Terra a promise that he cannot keep. The first time he promises to keep her powers a secret, he actually keeps that one but the perception that he's betrayed her is what makes Terra run. The second time Beast Boy promises to accept her no matter what she does, only to reject her when she is openly weeping and apologizing at his feet out of remorse.

Like, if you wanted to save Terra. To convince her to turn back to the side of good there was never a time more ideal than that but Beast Boy spits in her face. Because while he's a hero he's also a fifteen year old boy feeling hurt and betrayed. This is Beast Boy's Orpheus turning back to look at Eurydice moment.

Terra: Beast Boy, I'm so sorry. I never meant for any of this to happen. Beast Boy: Then why did you let it? Terra: I don't know okay, I don't know. Slade he helped me. He saved me from myself. He said I owed him. Beast Boy: So, it was all just a game. You were just pretending. Terra: No. You said you'd be my friend no matter what, remember? Beast Boy: Slade was right, you don't have any friends.

Beast Boy's attraction to Terra is sort of instant and a kiddie crush, but any relationship they might have had is broken by the time Terra runs away at the end of their first episode together. Afterwards Terra has already betrayed the Titans, and Beast Boy is clinging to the girl Terra appeared to be the first time they met.

Beast Boy doesn't really fully comprehend Terra, which is why the literal last episode of the series is Beast Boy stalking Terra all day long and insisting that he knows her best, and he knows certain things about her and acting confused when she tells him that she was never that way, she never liked sleeping outside, she wasn't the girl he thought she was.

I went to great length to show how Terra's emotional immaturity results in her constant flip-flopping and contradiction, but Beast Boy shows the exact same behavior. Beast Boy in the cartoon tries to play roles to Terra that he is not emotionally mature enough to play. While at the same time. The first is he tries to be the one protecting her, the one guaranteeing her stability. In the first episode he is the one who stays with Terra and calms her down after Slade triggers her into nearly causing an earthquake.

At the same time by the end of that episode he's unable to make Terra stay because she's so hurt at the idea he betrayed one secret. Beast Boy is also the same person who one episode ago told Terra that she didn't have any friends to her face when she was crying and apologizing and just left her there, and the very next episode gets angry when the titans say Terra is irredeemable. Beast Boy that was you. You said that, to her face.

Beast Boy: Terra, you're our friend. Terra: I don't have any friends, remember?

Beast Boy wants to act like a hero saving Terra, but he's not that great of a hero, nor is he emotionally mature enough to do that. Which is why we get this behavior of Beast Boy, first reaching out to save her, and then resorting to victim blaming when he feels like he can't save her. He jumps between I am Terra's best friend, I know she was there all along, to just Terra doesn't have any friends. Terra you wanted to do these things, it was your choice. There's no consistency in Beast Boy's actions, because Beast Boy doesn't really know what to do he is vulnerable and desperate, because a person who he cares about has hurt him, and is also hurting.

Beast Boy is once again trying to put Terra into a simple and easy to understand box. He is acting like the hero of the story, and she flips between his villain and his love interest when that's not the case. Terra's more focused on Terra herself, she cares about Beast Boy but she's also just trying to survive. Beast Boy is a little bit too focused on his relationship with Terra, and like the validation he wants to get from her that he can't look at Terra as a whole person, or realize from an outsider's perspective she's a kid in dire need of saving. Well he does at times, but like I said he flips between advocating for never giving up on her, and victim blaming her because Terra is not easy to understand and he cannot make up his mind.

Terra is the main character of her own story and Beast Boy doesn't know how to comprehend her that way, or set himself aside to look at things from Terra's perspective because he's fifteen and stuck inside his own head with all those adolescent feelings and hormones.

In both versions, I think Beast Boy mistakes what could have been a strong friendship for romance because he is obsessed with getting into a relationship without really understanding what that entails. Beast Boy not being a good boyfriend at fifteen is actually perfectly understandable, the whole tragedy of the Judas Contract in general is that just like Terra is too immature to save herself from her situation, the Titans also just being kids are too young to save her.

They also both try to jump into a relationship without building a solid friendship first, because they both need love and stability and have no idea how relationships are supposed to work. It's like they both fell in love with the people they were when they first met and the relationship never evolved. They are similar and there is a connection, but rather than the things they have in common bringing them together, it drives them apart.

[grotesquefl0wer]

Imagine Tara and Raven arguing over who has the better boyfriend.

Tara: Gar is the best boyfriend ever! He always takes pictures of me and knows where I am at all times. He even pays for my expensive contact lenses <3

Raven: Yeah? Damian and I have everything in common. He always tells me I have the most perfect genes and that's why I'm so beautiful and smart. And he's way more successful than your boyfriend.

Tara: You bitch *hits Raven with a rock*

[the-lighthouse-lit]

The Club of Unauthorized Heroes - Year 2

Fandom: Teen Titans

Pairings: BBxRae, BBxTer, RobxStar, CyxBee

Rating: T

Summary: The ambiguously-named Project Club of Murakami High has established themselves as not-so-secret superheroes for hire. But while the team navigates the pressure of being out in the open and worries that their stint of big missions was just a fluke, a new threat set out to dismantle everything they’ve worked for brews right underneath their noses. [High School AU]

───

Chapter 18: March. Friendly fire p.1

Preview:

“I think she’s made it pretty clear that she does prefer to be alone,” said Raven. “If not back when she first walked out on us, then at every single turn when you’ve asked her to hang out and she’s said no.” She punctuated her words by stabbing her fork into her salad.

“Look, I regret showing Terra the score,” said Dick. “I wish I hadn’t. But Raven’s right. She’s made her decision. We can’t force someone to be our friend.”

“I’m not trying to force her to anything,” Gar stated, looking at his friends with a seriousness he didn’t usually adopt. “But did all of us become friends immediately? No,” he answered himself. The others looked to each other, recognizing the truth in that. “So I’m not giving up,” Gar finished, and buckled down on eating his lunch in the last minutes he had left in his lunch hour.

Read:   On AO3 On FF.Net

[dc-and-damirae]

tara: you know damian gives raven flowers every day? I wish you'd do that too.

beast boy: um. . . ok?

-the next day-

beast boy: *gives raven flowers*

raven: ??????

beast boy: IDK man, I'm confused to.

damian, materializing from the shadows: LOGAN!! you have five seconds to explain why you are giving my GF flowers or I will end your miserable existence.

beast boy: [fear]

[sailorrose19]

It's Beast Boy and Terra 💚💛🖤🤍

[mallgothchloe97]

Unpopular opinion that might piss people off.

BBRae is my OTP, but Beast Boy x Terra is not a trash ship.

I think they are both cute and both have great moments and chemistry and I am a multishipper.

[themoonlitsojourner]

Hey.

Hi.

It was

It was my birthday, yesterday.

I know, I know.

Feels crazy.

Doesn’t it?

Another one.

Feels like they’re

Catching up to me.

Or…

Something.

Aw, forget it.

Sorry.

Don’t know what I was trying to say.

I’m…

I’m twenty-one, now.

By the way.

Feels like…

Feels like it was yesterday

That I was thirteen.

Does it…

Do you ever think about…?

Anyway.

Thirteen to twenty-one.

That’s eight years, you know.

And I can think of a lot,

Eight things, easy,

That have

Changed.

I mean

It wasn’t overnight.

I probably make it sound

Like it was.

But it’s just…

We haven’t talked

In a while

And I know

It’s my fault.

I’m…

I’m sorry.

But

Uh…

But what I’m saying, is

Maybe you don’t know…

That I’m a whole foot taller.

(Vic’s still the better baller.)

Start fewer spats.

(With Raven, that is, the bad guys couldn’t give a crap.)

Made it to Mega Mech level 203.

(Then the GameStation gave out and I had to stop.)

Starred in a commercial for Sunny D.

(Don’t laugh! You’ve gotta start somewhere to get to the top.)

…

Inhale.

…

Finally got the moped.

(Wonder what that button does?)

New haircut.

(High fade, lightning bolt buzz.)

Adopted a mutt.

(He’s a companion, Vic, not a pet.)

Another city.

(Hollywo-- Almost. Not yet.)

Tomorrow.

But today?

I’m here.

…I’m here.

With yesterday’s mud– squelching under my sneakers.

Rain aftertaste– lingering on my tongue.

Damp chill– wetting shivering skin.

Dim cave– blocking out the sun.

It doesn’t seem fair

Does it?

That I get to choose

Where I call my own

And you

Don’t.

Anyway.

Some things

Change.

Some things change

A lot.

Way before

You want them to.

And some things…

Never do.

Like…

Your laugh

Unguarded song

Rewarding every dumb joke

That comes along.

Your voice

In the car

As the radio blares,

Jamming like a rockstar.

Your arms

Around me

After I’ve made

A promise.

Our fingers

Intertwined

When I leaned in

For a kiss.

…

Exhale.

…

Your…

Your smile

Covering a lifetime

Of pain.

Your fear

Wondering if I’ll leave you

Just the same.

Hasty lies

Leading to a choice

You couldn’t make.

An outstretched hand

I

Didn’t take.

And I’m sorry

Don’t mean to be a downer

I thought I was ready

But now that I’m here…

Because there’s unforgiving rock– harsh beneath my knees.

And old tears– drying on my cheeks.

A lonesome statue– cold against my forehead.

A pulseless hand– I wish, I wish I would have said…

The choice

Is yours.

It always was.

You decide

Who you’ll be.

And no else, because

You are you.

Can’t change that

No matter what anyone does.

(And I

Would never want you to.

Not that it matters

Anymore.)

I should have told you

So much

When I could.

Before I left you

With cutting, stupid words.

Without a touch.

We were just kids, you know?

We were just children.

I understand, now.

I’m sorry that I didn’t

Then.

But now…

Now what’s the use?

Now it’s over.

Now I lost my chance.

And now, you will never–

Never…

You will never

Help me find

The perfect sunset spot

On the boulevard, where we can sit

Hand in hand and talk.

Never

Decorate our new place

With night-brite stars

Lie awake till dawn

And listen to the passing cars.

Not even

Hear me answer the phone

With shaking hands and whisper yes.

Spin around the room with me

After I hang up, until we’re breathless.

(And I

Don’t even know

If you would want to.

Is it selfish

That that’s

The worst part?)

…

you will never know

how much we loved you

or the scarred emptiness

carved out by your absence

You

Will never

Change.

I…

Already have.

I am twenty-one.

You are forever thirteen.

You were two months older, two inches taller.

I’m… Well, now you look so much smaller.

(Four hours

until I board the plane

and I am already

so far from you.)

But I will keep

Your name

My tongue remembers

The shape.

I think

–youthfully, foolishly–

That it once belonged

To my soulmate.

I will store your smile

In my pocket.

A blurry Polaroid

Corners worn round

Under lonely fingers

And frayed.

If I

Hide you

In the hollow

Of my regretful

Heart,

Maybe I

Will never

Have to leave you

Behind.

(Any more

Than I already have.

I am so sorry.

Just like my words

On that horrible night

I didn’t mean it.)

So this isn’t

Goodbye

Me standing here,

Suitcase in hand.

It’s just…

…

Just…

(I wish you would wake up.

I wish you would shake off the stone and time

To breathe and laugh and run with me through that door.

I wish this was a dream.

I wish you were fine.

I wish you wanted to live a little more.)

Terra.

I’m sorry.

I loved you.

…

Goodbye.

[gummygoatgalaxy]

Nature OT3

Thought it'd be cute to ship these 3

Terra x Harvest(my oc) x Beast Boy!

[cvbullshit]

I just got back into kinda rewatching Teen Titans

THIS Teen Titans, 2003

And I never realized how much the Titans should've just gone poly

I'm sure the idea has been made but with how my opinion goes, my version of the Teen Titan Poly is this:

Starfire and Robin are dating. Raven and Cyborg are dating. Raven and Robin start dating, followed by Starfire and Cyborg. However, Raven and Starfire aren't together and Robin and Cyborg are not together. Ofc they're all aware, that's the point of a poly- Beast Boy gives me trouble though. Because he has a thing for Terra and I don't see him getting with the other Titans apart from MAYBE Cyborg, that's a big maybe though. And no, I don't see BB x Raven for this show, kinda don't care for the ship anyway. And I know, sure as hell, Terra will NOT be able to enter the poly, she had a chance with Starfire but the rest of the poly doesn't trust Terra enough to be in the poly.

So currently my poly map is Raven x Cyborg, Starfire x Robin, Raven x Robin, Starfire x Cyborg, and BB x Terra doing their own thing on the side- At least until the poly trusts Terra to date Starfire.

*WHEEZE*

Man never would I have thought to make this in the past but like- C'Mon, they should've had a poly, I have a new found love of Cyborg x Raven- It just kinda worked out-

[captainshadowgirllostfan]

You know a while back I complained about Terra, but tbh I felt so betrayed along with the Titans...honestly, The Judas Contract was one of the best arcs if not THE BEST ARC of Teen Titans (I mean the show version, haven't yet gotten to the comics version).

Like the fact that I could be so attached to the character and then feel so hurt by what she did and also feel the hurt of the other characters too...

Ngl I clearly need to work a bit on my empathy. Generally I feel sympathy for characters like that but she's the first female character that is similar and yet... I wasn't automatically... I've never really encountered a female character like this...and she's just great with what she adds too all this

I just love the drama and the heartbreak. Like ugh. It really for a moment changed the children show Teen Titans was, and made it a bit more adult. Terra was very complicated and sympathetic and she made you feel so many things... and I've seen so much good metas about her... I feel like I need more!

I also love the drama she brought with shipping lmao, especially to the BBRae shippers' lmao I had no idea people were shipping BBRae even before Terra came in. LOL! Omg! Terra really must of rocked the boat for shippers! I love it!

It must have been terrible at the time what with how shipping wars can go but now it must be amusing to look back on. Because all these relationships are important, it's not really about who's endgame but what those relationships mean and what they brought.

And BBTerra was pretty wonderful but also heartbreaking.