#The Oracle Story Generator

[daniellethamasa]

Weekend Writer: April 2024 Prompts

Hey all, Sam here. It��s the start of a new month, and that means it’s time for more Weekend Writer prompts! As I mentioned in a previous post, I am making some changes to how this blog series works, mostly because I was spending so much time prepping and writing these weekly posts and it left me so drained. I absolutely loved writing all the writing posts and doing the writing craft book deep…

[phoenixcatch7]

Just finished oracle of ages!!! Good game, good game. I have Thoughts.

I actually really enjoyed the story and characters! I figured going into the oracle games that it'd be a simple, cliché story, not much nuance or depth, and with Seasons that's basically what I got: din gets fridged in a crystal at the start of the game -> go get her -> you need a set of maguffins to do so -> fight big monster.

Admittedly it was the first game, which meant less story, but even if I hadn't linked (heh) the games for extra end game content Ages just did so much more.

Unlike din, naryu has someone else willing to help her. Ralph (the twinkiest twink to ever twink) was a young man who was her devoted friend (there was a weird crush triangle thing going on with him, Link and naryu, I always felt like I was missing subtext) and, spoilers for a 20yo game?? I guess?

He was the dethroned descendant of the ancient queen Ami. His family definitely still have big money though. He was pretty clearly supposed to be a comic relief character with a twist, but I ended up really liking him! He was over enthusiastic and over confident, but not unintelligent, a decent swordsman (I think) who was incredibly loyal to his friends and held some deep rooted responsibility for the people his family used to rule. Kind, determined, good with kids and people in general, he was terrified but willing to sacrifice his very existence to save the people.

The world building was also great! I don't think I've ever played a zelda game without gorons, but hylians were in short supply. To be expected outside of hyrule, I guess? Anyway, there were also lizard people on an island (tokay!) whose entire deal was.. A bit outdated? Rude, brazen and aggressive to outsiders, they lived in crude huts, worshipped things they didn't quite understand and were generally the old Hollywood stereotype of an isolated jungle tribe.

There was also, like, zora racism? There's a zora village underwater, and one of them was like 'us sea zora are nothing like those river zora 😒' which handily solved both my question of if the river/ocean zora divide was canon or fanon and the relationships between the two. Are they even the same species?? It just makes the rito even weirder but hey lmao. In all honesty I was pretty sick of the river zora at that point too, I swear there were two of them popping up in every screen that had even a sliver of water deeper than the knees and they CONSTANTLY shot fireballs istg they were such a pain. They were literally everywhere and so hard to kill.

On the plus side mermaid suit ^u^!! A dungeon item (the mermaids cave), the item had a desc like 'the skin of the mythical beast' which raised SO many more questions than it answered. The zora were delighted to see a young mermaid! The use of 'maid' implied either a) the zora all thought link was a girl and he didn't correct them (eyo genderqueer androgeny) b) the zora don't subscribe to gender the way humans do (eyo genderqueer androgeny) or c) all fish people look like mermaids regardless of their specific gender (eyo genderqueer androgeny). It literally could have been all three who knows. Maybe one day we'll actually meet a mermaid in zelda.

Also, there's a mini game in Seasons, which I played first, the subrosian dance. It's a pretty popular part of their culture, it's got music, it's got professional dancers. In Ages, you find the gorons doing the exact same dance! Rosa, a subrosian performer you meet in Seasons, is also there, saying her people's dance is better (tbf it is), but if you go to the past you'll find the gorons actually invented the dance first, as part of their love of games and entertainment, and you can talk to two subrosians who are talking about bringing the dance home! It's so interesting to see little details like this, where the travelling subrosians visited their fellow cave dweller lava eating people centuries ago, brought it back home where it exploded in popularity and centuries later became refined as a whole folk dance with spinning and everything, with the people forgetting where it came from, where the gorons keep their dance exactly the same (having to do a rhythm game without rhythm is hard).

Actually, there was so much political fantasy drama going on in the past?? Like, you've got the childless queen taking care of her people, a budding village and a few more settlements across the kingdom. Early in her reign she tried to build a tower to act as a beacon to her fiancé lost at sea, which is a romance story all on its own, but it was cut short (maybe because of funding?). Centuries in the future, it's just ruins. You've got people living on an ACTIVE VOLCANO starting a symmetry cult around a artifact called 'tuni nut' which, presumably, stabilises the volcano? And it's entirely cut off from the outside world. The goron elder is crushed under rocks and their economy is failing. The zora king got poisoned and he's about to die without an heir because a witch turned the fairy queen into an octorock, but the man in charge of the only cure refuses to hand it over until someone passes his tests.

Most of it is solved relatively easily by link and a copious amount of time travel, but the thing with the ruling queen only gets worse. When the evil witch invades the kingdom, she possesses the oracle of ages, naryu (who's a little implied to be the Actual Creation Goddess Naryu reincarnated) and travels back to the past to bring about an age of despair in the present. She does this by slipping into the royal court and befriending the queen as a serving girl, rising up the ranks to become her closest advisor and corrupting her (pretty sure mind control magic is used a li'l). She convinces her to restart the black tower project, pouring all of her and the towns resources into it - forcibly conscripting every able bodied worker and working them to the bone, all while monsters start to circle the tower. With all the fear and resentment, it quickly becomes a beacon of dark energy, a perfect focal point to perform black magics.

Link (and Ralph) end up in the past and get hauled in front of the queen, with possessed naryu at her side, who basically jeers at them and ensures the queen won't listen to their untrustworthy lies. The townsfolk are getting increasingly stressed as their village fills with rubble and their men are worked to the point of collapse. Armed guards start to appear to keep the workers under control. Eventually, Ralph uncovers a hole in the guard rotation, and he and link sneak into the palace through a secret entrance Ralph oh so casually knows about. Link and naryu fight, but with stupendous timing the queen walks in to see naryu collapsed on the floor, Link standing over her with a sword. She calls for the guards, but before anyone can react, the witch, banished form her first vessel, leaps into the queen herself instead. Ralph shoves past the arriving guards and into naryus arms, while link moves in from of them. The queen orders the guards to attack, but naryu, reawakened, pulls them back to the present in the nick of time. In the present, the black tower is magically growing, reaching higher and higher into the sky, terrifying the people of the city.

Then! Ralph, who at this point is suspiciously invested now his actual goal is completed and naryu is safe, vows to go back into time again, away from naryu, to live under the now evil queen and bring protection and comfort to the villagers as a direct act of resistance, because the witch is feeding on their sorrow to power an unknown ritual (link knows. Link, canonically, has told nobody). So this teen in fancy robes and cape goes back to the oppressed, poverty stricken town under the thumb if someone who wants him dead and lives there for weeks if not months dedicating himself to supporting the village and bringing people's hopes and spirits back up, presumably while living out of someone else's wooden hut. In the middle of a literal depression inducing miasma that's sapping everyone's joy and will to live.

That just. Takes insane strength of character. That's a feat of pure, distilled, compassion as anarchy.

Link's off bouncing between past and present doing dungeons and solving easier issues through either sword or magic item, but Ralph is out here doing the long hard slog for little reward.

Link finally returns to the black tower completed, affecting even the people of the present, and, preparations complete, rushes to the past. Ralph is nowhere be seen. Talking to the villagers reveals several have a crush on him, but an old man saw him running for the tower, sword drawn. There's a man pacing by the entrance, who saw the kid run in, tried to stop him. He said Ralph said that he no longer cared what happened to him. That the man realised that Ralph had quietly succumbed to the same curse of despair they all were under. Link fights his way up to the top of the tower, where Ralph confronts the evil queen, sword at her heart, but every step she takes into it, he steps back. The witch laughs. She asks him if he's really willing to write himself out of existence - being the queens descendant, and all. Ralph leaps back, into links chest. He's shaking and stuttering, but he lunges, and is knocked out in one blow. The queen now asks link the same question: is he willing to erase Ralph? If he strikes her, kills her, the queen will die, childless, and he will never live. She leaves, and link rushes to Ralph. He's awake but unresponsive, defeated. With a heavy heart, Link leaves him to chase the queen. It's naryu who finds him, brings him out of the tower.

When the witch is defeated, the curse is lifted, and Ralph is once more energetic and kind. He's a little quieter now, though, sticking close to naryu. For all he was a loud and headstrong kid, I gotta say I was very impressed.

He would have made a good king.

[z-nightshade]

This is going in my drafts for now but I might post it eventually so here it is

Sunny D Cassandra and their relationship with their own humanity!

So, one of, if not the, most defining character trait Cass has is their constant dehumanization of themself.

It is not a conscious, self hating thing, but rather just an inbuilt part of them. They are deeply empathetic towards people, and in their mind, they are not really a person.

Beyond spoilers reasons (that I will come back to when we get there) this stems from their relationship with their dad.

When they were young, they came out. This caused problems and was very clearly leading to the divorce of their parents. Their dad blamed them for this, said it to their face even, and they internalized it.

Their wants and needs were leading to the destruction of their family. Their human needs were leading to the destruction of their family.

So they decide to throw them away. They stop correcting their father on their gender and tell their mother it's okay despite the fact that it's not okay in the slightest.

This is, of course, not long after their grandfather died which is around the time they also started staying with their grandmother after school as a caretaker of sorts.

It wasn't that their grandmother was physically incapable of taking care of herself, but rather that she just couldn't be alone in her house after the death of her husband.

So Cass started putting aside their own needs even more to make sure their grandmother was okay.

They spend the next five-ish years doing this.

By the time they get isekaid, they have pretty much fully stopped viewing themself as a person with wants and needs. Instead they see themself as a vessel in which the wants and needs of their loved ones can be met.

It's why when they can't be that, when their own wants and needs and emotions get it the way, they are so upset at themself. It's why they constantly forget to eat, forgoing it in favor of working on whatever project or plan they're working on at the moment. It's why we see them constantly struggling when asking for things that are purely for themself. It's why we see them continually push themself for prophecies despite it being harmful.

It's the reason why they love stories so much. Because stories are a way for them to regain that humanity they have given up without jeopardizing the role they have assigned themself. A way to live and experience things without filling in the space inside themself they hollowed out for others.

That is, of course, not to say that they did so completely successfully. They are still a teenager. We see them being spiteful in their theft of their father's lighter. We see them get emotional over possibly seeing someone get murdered in front of them. We see them ask for fabric from Kaya despite feeling guilty over it. We see them still desire and long for acceptance of their gender identity.

But, if given enough time, if they weren't removed from the situation, they likely would have ended up succeeding. They would have turned themself into the hollowed out vessel they thought they were supposed to be

Of course, they got isekai'd but also back in their own world things were starting to change. The reason they were fighting with their sister is because Aster realized what was happening, what Cass was doing to themself and was making moves to change things.

Not that they can't still end up that way without intervention but, with Luffy there? Something tells me it'll turn out fine

[gilfrespecter]

Listening to coinstar by the growlers and thinking about mel so hard I get nauseous

Ridiculous stream of conscious in the tags apologies but not really

[loregoddess]

if I had a quarter for every time there was a zombie army of any size in a trpg/srpg, I would have an ungodly number of quarters, why does this keep happening

[yinyuedijun]

When the Cult of Nikador conquers your city and sacks your temple, you are captured by the Crown Prince of Kremnos and taken as his war prize. (Or: The fall of Castrum Kremnos, as seen through the eyes of an oracle held captive by Prince Mydeimos.) masterlist | part two →

12.8k words of romance, enemies to lovers, and slow burn. canon-adjacent (multiple timelines theory) with ancient Greek historical and mythological influences. warnings for themes of war, slavery, and threats of sexual violence (none from Mydei). Mydei also seems quite terrible to you at first, but this is all unreliable narration; he is actually very kind to you for the entirety of the story. MDNI.

author's note including discussion of themes, ancient Greek influences, canon lore (including the multiple timelines), and a list of characters and terminology for my non-hsr readers lol. dividers by @/strangergraphics!

They find you at the altar.

The Sons of Gorgo are a cruel people. Their hands are smeared with the blood of your fallen temple, staining the ivory silk of your chiton as they drag you outside. Chaos roars around you: the streets are strewn with corpses, the olive trees are devoured by flames, the sky is filled with ash. The city is screaming in its death throes. The Kremnoans jeer at you, at your humiliation. High priestess of a weak god, they say. Prophetess turned slave. They’ve heard that the hiereia of your temple are required to be virgins. You won't be a holy maiden anymore, after they're done with you.

They argue over who gets to rape you.

You do not cower. You are sitting on the temple steps, surrounded by the corpses of acolytes and worshippers alike, but you remain impassive. You refuse to give the invaders the satisfaction of seeing your tears, and anyway, they are much too small to intimidate someone who speaks to the Titans. They bicker over who is more deserving of the valuable plunder of your body—who has killed more people, who has captured more slaves, who has burned down more homes—and you feel disgust, rather than fear. They're closer to animals than men.

The hoplites fall silent when their leader comes. His hair is fire and gold; his eyes gleam like the sun. He cuts a terrible figure—the shape of a man who feasts on strife and fear. Just like the rest of his army.

Just like Nikador himself.

“What’s happening here?” he says, harsh and oppressive. His gaze is sharp on you, but you do not tremble. “Who is this?”

A soldier speaks proudly: “She was the high priestess of this temple,” he says. “But now she’ll be a slave.”

The men laugh.

“We were fighting over who should get to keep her,” another says. “But I think it's clear as day who's most deserving, eh?”

“The fiercest among us should get the greatest prize,” someone else says. They cheer and bark like hyenas. Their general does not smile. He only looks at you, eyes burning. Outraged. How much the Kremnoans must hate your people, you think, for their leader to glare at you like this.

“Fine,” he says. “I'll take her, then.”

They grab you with their red hands. Push you toward an encampment, a tent. Laugh in delight and bloodthirst. About time our Crown Prince shows interest in a woman, they say. We were starting to think you were a eunuch, Your Highness! It wouldn't do if he were. In the wake of victory, Kremnoans are meant to take all the glories and treasures they can. That includes all the peoples they've conquered. Our mighty general needs to enjoy his spoils of war!

When they finally reach his tent, they throw you onto the ground, and the pain slams through your bones. You are left alone with the Kremnoan general, glaring up at him from your place on the floor. His eyes are less sharp now; rather than burning on you, they merely seem cold. He will kill me, you think, he will kill me like he has killed my city, but then he kneels down. A hand extends toward you, reaching, pilfering, violating—

You spit in his face.

“Don't fucking touch me,” you snarl, and the general jerks back, surprised. Your hand darts out as he falters, grabbing a dagger from his hip, swift and deadly.

The sharp metal of his gauntlet snaps around your wrist before you can slash open your throat.

“What are you doing?” he snaps. Your brow arches.

“Shouldn’t it be obvious?” you ask, scathing. “I'd rather die than let a Kremnoan touch me.”

His mouth twists. “I have no intention to do such a thing,” he says, and the bark of laughter you let out is so cruel that you hear in it the echo of the soldiers who dragged you to your doom.

“Do you take me for an idiot?” you hiss. “That’s what your people do when they win wars. What the Cult of Nikador does to the women they enslave.” The blade is pressed against your jugular, and you feel its edge when you swallow. “Or will you instead bleed me dry and drink my blood from your chalice? That's what your god demands of you, isn't it?”

His eyes narrow. “Foolish. I was going to help you up, but I suppose you prefer being on the ground.”

You watch him, wary, unconvinced, but he turns away. As if utterly disinterested in you, he crosses the threshold to rummage through his personal effects. You spot a golden winecup in his hands when he turns, and he snorts when he catches you looking at it suspiciously. “You have no need to worry,” he says dryly. “Kremnoans prefer pomegranate juice to blood.”

“If only they preferred to be humans rather than beasts,” you retort, and the general’s eyes harden as he pours himself a drink. You wonder, for a moment, if he will strike you, but he seems to temper himself as he takes his draught.

“I hope you prefer living to dying. If you should, then you won't leave this tent tonight. Doing so would mean throwing yourself to those beasts.”

“I'm already in the presence of one.”

His nostrils flare. You can sense his fury, but his voice is taut and restrained when he says, “Better to contend with one beast than twenty, don't you think?”

Your captor walks over, his boots heavy against the ground as he kneels before you. You expect to feel his hands on your neck, or the weight of his body crushing yours into the earth, but instead you are presented with his winecup, half empty.

“Take it,” he says. When you don't move, merely glaring at him, he frowns and sets the drink next to you before rising again. You're left staring at the nectar, and—unbidden—you see the rivers of blood on the temple steps, lacerations in your holy ground. Smell the copper stench of slain men, hear the sorrowful cries of your goddess through the Evernight Veil. Your captor misinterprets your grimace: “You just saw me drink from that yourself. It isn't poisoned.”

You glance at him, uncomprehending.

“...you mean for me to drink this?”

“Yes. Pour some on the sheets, then drink the rest.”

He turns away, as if to leave. You swallow, disbelieving.

“And then?”

“And then you may do whatever you wish, so long as you don't leave my tent. I have a war to wage, so you'll need to entertain yourself for the rest of the night.”

Entertain yourself. Your city is aflame, your temple is desecrated, and he wishes for you to drink pomegranate juice and amuse yourself until he has the time to rape you. As if you can't hear the screams and cries of your city. As if you can't smell the charcoal and death through the fabric of the tent. As if you will be content to lie back and wait for him to cleave you open once he returns.

How much the Kremnoans must hate your people, you think, for their prince to be so cruel to you.

You imagine rushing toward him. You envision grabbing his knife, lodging it into his back, in the soft space between his vertebrae, a path into his heart—but you hold yourself back, because you have no doubt he’ll easily overpower you now. No—if you wish to kill him, you will need to do it while he's unguarded. Likely when he's asleep, or perhaps even inside you, depending on how stupid or drunk he’ll be when he rapes you.

You will need to humour his whims until then.

“How much?” you ask when he is about to leave the tent. When he glances back at you, you add, uncomprehending, “How much do you want me to pour out?” And why?

He shrugs. “However much makes sense to you.” The general glances back, thoughtful, and says, “I’ll see to it that someone else cleans up in here tomorrow,” and then you understand.

You drink half of what remains in his cup, and then you pour out the rest.

Your goddess sends you visions that night, dreams of the past, present, future. You peer upon a child drowning in the sea, a poisoned woman with a golden dagger, a mad king cleaving a statue into fifths. You dream of burning villages, fallen idols, a father slain by his son. Aquila closes his eyes; Georios drowns in shadow; monsters roam the earth. A great fortress looms before you, dark and decrepit, and the young king seated upon its throne is covered in blood. He reeks of the corpses of a thousand temples, of your temple. You cannot see his face, but you recognise the shape of him, mighty and terrible—a man who feasts upon strife and fear. You are lying at his feet, wounded. Your chest is heavy, aching, and your heart bleeds in the hand of Nikador, scarlet dripping through his fingers.

You are crying when you wake up.

You do not need to look outside the tent to know that your city is gone. Aurelia is silent, bereft of life—its buildings gutted, its people slain, its treasures stolen. Death has settled over your home, and in its wake, the Kremnoan legion prepares to leave.

The soldiers sent to disassemble your captor’s tent all bear white caps. They must be helots, the children of slaves; you have met a few of them during your time as an acolyte, watching them trailing after the rare Kremnoan master who would sometimes seek supplication at your temple.

You used to pity them for their station; now, they pity you.

The helots give you sorrowful looks as they strip the bed of its red-stained sheets. They speak gently to you when they give you water to wash your face and thighs. They try to counsel you, tell you that Prince Mydeimos is the best person who could have stolen you. He is just for a Kremnoan warrior, they whisper, show the soldiers grace and you'll see, and then they put you in chains.

You do not show the Kremnoan army any grace. You glare at every hoplite who lays eyes on you, and you refuse to bow your head for any of them. On the long march back to Castrum Kremnos, they study you like you are an animal. Some of them look at you with wonder—for you are a divine oracle in the flesh—some with shameless curiosity—for it has spread like wildfire that you have been defiled by the Crown Prince Mydeimos, who has never taken a woman as his plunder—and some with unadulterated glee. They pester you and the other prisoners-of-war, and you recognize them as the animals who sacked your temple and burned your olive groves.

“Has Prince Mydeimos given you a Kremnoan welcome?” they ask in their dialect, mocking. Has he told you what your life will become? Do the men behind you know that their priestess has been ruined, or are they too stupid to understand the Kremnoan tongue?

“HKS,” you retort, and their faces fall. They look at one another, aghast.

“What did you say?” one grits out the Aurelian dialect, and you cast him a cool glance.

“HKS. I called you a hyena—or are you too stupid to understand the Kremnoan tongue?”

You do not expect to be struck. A hand cracks across your cheek; the pain is blinding. You are on the ground, knees in the dirt, reeling. The prisoners behind you are crying for their priestess; the memory-ghosts of the acolytes behind you are screaming for help; the olive trees behind you are turning to charcoal and dust; the city behind you is burning, burning, burning. Oronyx will never let you forget this, nor any other memory.

“What is this?” a voice snarls, and time freezes.

The procession has come to a halt. The hoplites are suddenly children, caught red-handed with a broken toy. The offending soldier swallows, and you feel some semblance of glee. The Cult of Nikador is famed for their obsession with order and with glory. It is taboo among their people to touch another’s spoils, and suicide to try it with one’s superiors. Killing the slave of the Crown Prince would be the same thing as stealing his belongings or breaking his sword—acts of impudence punishable by death.

He stutters: “She—the priestess… she was out of line, Your Highness, mocking us—”

“And you were not out of line for touching her?”

The offending soldier looks at the ground beneath him. Sweat beads his temple. “I… forgot myself. I apologize, Your Highness.”

Your captor is not placated. His gaze roams the bystanders, scalding. “Should any other man be foolish enough to strike the priestess,” he booms, “I will cut off his hand myself. I have claimed her as my war prize, and no one else shall touch her. Do you understand?”

The yessirs are immediate. Unanimous. The general is restless still. He turns to you, the edge of his voice now muted, but still present. “Can you stand?”

I will slit your throat someday, you think as you look up at him. “Yes, my lord,” you reply demurely. “He merely struck my face. The rest of my body is untouched.”

“Then you will ride upfront with me,” he declares. “I will not have my spoils within the reach of anyone else.”

You end up next to him in his chariot, which makes you want to claw off your skin—to be so far from your worshippers, and so close to your captor. You turn your cheek to him, throbbing and bruised, but he deigns to speak with you anyway.

“Tell me,” he asks brusquely, “do you have a death wish? Or are you just a fool? Though even fools usually know when to hold their tongue.”

“I know too many tongues to hold them all, I'm afraid,” you reply neatly in the Kremnoan dialect, and your captor gives you an incredulous stare. You pointedly look ahead, eyes unwavering on the winding road to the City of Strife. “I am the High Priestess of the Aurelian Cult of Oronyx. I will not be cowed by a gaggle of idiots.”

“You are very proud for someone currently wearing chains,” the general remarks.

“And you are very cruel for someone who will someday wear a crown.” You pause then, thinking of your dreams before gambling: “Though a man who plans to kill his father could only be cruel.”

Your captor falls silent. You glance at him, mouth curling in satisfaction as you catalogue his reaction. His features are stoic, and someone with a lesser eye for expressions—someone not practiced in the art of telling fortunes and giving counsel—might miss it, but it's clear as day to you: your captor is ungrounded.

Disturbed.

“I know not what you mean,” he says coolly, and you raise a brow.

“It’s no use lying to me, you know,” you bluff. “Have you somehow forgotten that your war prize is an oracle? That is why your men were so obsessed with staking their claim on me.”

The prince remains composed despite your goading. “...so the rumours of your visions are true.” He studies you. “There were almost children or elderly in your city when the walls fell. Nearly no women. And the Aurelian soldiers… it was as if they knew all our plans.” At your silence, he concludes, “It was you, wasn't it? You foretold our attack and warned them.”

“It seems that the future king of Kremnos is a clever one,” you say dryly.

“And the High Priestess in his hands is a fool.” His jaw clicks. “I am trying my best to keep the wolves away from you, but you seem determined to throw yourself at them.”

You bare your canines with a smile, and you try dangling your newfound leverage over his head. “If I were you,” you reply, “I would be more worried about the wolves who would hunt for you, Your Highness. I’ve heard that King Eurypon and his council threw you into the sea as a baby; I am quite sure they would do the same to you now—unless you kill them first, of course.”

A great deal of being an oracle is guesswork. Oronyx sends you dreams, visions, echoes; people give you hints, gossip, microexpressions. Together, you can get a fairly good grasp on a man’s circumstances. Your captor is no exception: from the way his brows knot, you know that you've guessed true.

His eyes narrow, and he glances back at the rest of the Kremnoan procession, who are too far behind to hear anything. “Keep quiet,” he commands. “Don't think I won't kill you if you are a liability. There are limits to my patience.”

You snort. “I won’t give you away”—not yet—“but it won't be out of fear of death. Kill me if you'd like; I will not cower.”

Your captor makes a noise of displeasure. “I have never met a person so eager to die.”

“Haven’t you?” You arch a brow at the perplexed look he gives you. “Valorous death before glorious return. That’s your way of life, isn't it? You’ve burned my city and destroyed my temple—I will never see a glorious return. By the laws of your own god, there is now only one path left for me.”

You turn your wrists, let the iron chains sing. It occurs to you that you had been dead in your visions—slain by King Mydeimos—but you had not been shackled.

Castrum Kremnos is a prison.

Never have you been anywhere so strange nor frightening. The walls of the fortress climb high enough to eclipse the sun; the streets are crawling with soldiers carrying spears and shields. Every man and woman carries a sword; every child play-fights with a wooden one. Each one of them cheers as their army returns from its campaign, and nearly all of them eye you curiously—the war prize chosen by their famed Crown Prince.

During your long procession into the inner city, all you can hear are the whispers and jeers of the crowd. It is the warriors who are the loudest—the ones who did not put Aurelia under siege and are disappointed to have missed out on the glory of its destruction. They speak about you, about what you must look like beneath your bloodied robes, about how they cannot blame General Mydeimos for capturing you. Any Kremnoan man would want to fuck the High Priestess of their long-time enemy, and that is only truer now that their leader has staked his claim on you. All of them want a turn with the war prize of the Crown Prince.

Your own face remains unmoving, but Prince Mydeimos’ eyes darken. “Hyenas,” he growls, and you have to stop yourself from snorting at the hypocrisy.

The king is said to be senile and half-mad, and his queen died some years back of illness, so the homecoming warriors are greeted by a high statesman, General Krateros. You have heard many tales of him: legendary strategos, shrewd politician, the right hand of King Eurypon. The Seaside States once launched an offensive on Castrum Kremnos and was met with Krateros’ Goldshield Brigade; every enemy soldier was either put to death or bound in chains.

Chains just like yours.

General Krateros gives you a thoughtful look when he meets you, eyes locked on your iron cuffs. “I had a great hand in raising you, Prince Mydeimos, so I know you well,” he says. You’ve heard tell that after Prince Mydeimos was thrown into the Sea of Souls, General Krateros spent years searching for him at the request of his mother, eventually finding him years later in some fishing village. Krateros has ever since served and counselled the Crown Prince—perhaps poorly, for he says, “I did not take you for the type of man to capture a woman as your bounty.”

“Nor did you raise me to be the type of man to throw an innocent to the wolves,” your captor replies evenly, and you stop yourself from rolling your eyes.

No, you think, you are only the type to put a holy maiden in chains.

Your face must give away your disdain, for General Krateros studies you carefully. “Innocent or not, you may do whatever you wish with her, Mydeimos,” the strategos says, his eyes keen on you. “A predator need not worry for his prey other than how to keep it for himself.”

The message is clearly for you—know your place—but your captor appears to take the words to heart. Keeping you for himself is exactly what he does: rather than sending you to the slave’s quarters or some courtesan house, Prince Mydeimos has you stay in his room and orders that no one—aside from his appointed servants—should be allowed an audience with you.

Thus begins your life as the war prize of the Crown Prince.

If you were a different sort of person, you might enjoy the position. The Aurelian soldiers who fought to protect you are likely chained in iron and performing hard labour; the older women who were accosted in your temple are likely being forced to do menial work; the younger ones may have been ushered into brothels. You are instead placed into a beautiful, private chamber, and you are given robes of silk. Your wrists are manacled like every other slave under Kremnoan law, but the chains are gold. You are told to bathe in fragrant water, and the scent of flowers is ever-present on your skin.

You don't mistake any of this as kindness toward you. It is clear that you are not meant to enjoy this opulence; you are part of the opulence. A thing for the Crown Prince to indulge in, a treasure stolen from Aurelia. The time will come when you are raped, and the time will come when he bores of you, and the time will come when you will be killed at the foot of his throne.

All you can do is face your fate with dignity.

An entire moon passes, and your fate does not befall you.

You are unsure why your captor does not hurt you. Perhaps he is busy with making war; the servants say that he stays at the barracks every night rather than coming home. He might be expected to fuck you anyway, but he visits you only once a day for half an hour, and he only ever stays long enough to ask you three questions: Are you eating? Are you sick? What did you do today, while you were alone?

For an entire month, your answers are single words: Yes. No. Nothing. You sit as far away as possible from him, though you do not give him the satisfaction of seeing your fear—you always meet his impassive gaze, your own hard-edged.

Sometimes he tries to speak with you: Are you comfortable? Are you bored? Do you want anything? But most days, he leaves as soon as he can, his jaw tight and his eyes filled with something that edges on discomfort. You start to wonder if he finds you too unattractive to touch, if he is debating whether he should kill you instead of fucking you. But regardless of his intentions toward you, it is clear that he does not care for you.

So it surprises you when your captor one day says, “You have not been eating.”

You give him a long look, wondering if you'd misheard.

“No,” you eventually reply. “I have not.”

“Why?”

Your brow arches. “Does it matter?”

“Of course it matters.”

“Why?” His expression becomes puzzled—and it aggravates you. You point out, “You are a Kremnoan prince. It should not matter to you if a slave is starving. Or are you worried that I'll waste away before you can fuck me?”

His eyes narrow, and you think you see that hint of discomfort again. “I am worried you will starve to death in my care.”

Your nostrils flare. “I am not in your care. I am your prisoner.”

“I see to it that you are fed and clothed and bathed. Is that not care?”

You snort. “A man who took my home away from me cannot care for me. He can only torture me.”

His jaw tightens. Your captor’s voice measured, but his frustration is palpable: “He can also keep you alive—even though you seem determined to die.”

“Death is a mercy. I would much prefer it to being raped.”

“I thought it would be clear by now that I do not wish to touch you,” your captor says, frowning, and the bark you let out is so loud that he startles.

“Do you think I'd be stupid enough to believe that lie?”

“I think you'd be smart enough to see reality for what it is.”

“Yes,” you reply, voice bitter, “I am smart enough to see the reality of what you have done to my city. And I am smart enough to know the reality of what happens to women after they are captured by the enemy.”

Prince Mydeimos inhales sharply. His eyes flicker with—with something. Something you don't care to identify. Something you quickly decide is disdain.

“Believe whatever you want. Either way, I want to keep you alive.” His eyes narrow in suspicion. “Is it that you want to die? Is that why you aren't eating?”

You give him that fanged smile again. “No, Your Highness, I do not wish to die. I wish to stay alive so that I may someday slit your throat.”

Prince Mydeimos disappoints you when he does not react in kind. “Fine,” he writes off. “You are free to kill me as many times as you want, so long as you eat.” You give him a strange look; he ignores it. “Now, why haven't you? Surely you must want to, if your goal is to live long enough to kill me. Is the food not to your liking?”

A frown. “I don't understand why you care.”

He nods. “So it isn't. Very well.”

You open your mouth, countless questions on your tongue. What do you mean? Why does this matter? Why aren't you using me? Why aren't you hurting me? But Prince Mydeimos leaves, and you are alone again in your prison—untouched, unnerved, unbalanced.

Your conversation with Prince Mydeimos leaves you feeling strange. Perplexed. Nervous. The longer you think of it, the more you wonder why he is taking so long to torture you. You'd been dragged into his tent, fully expecting to be either mauled or violated; over a month later, the worst that has happened is that you have been served unappetizing meals, and that you have spent your days so idly that you have grown bored.

But even if you are idle, you are not unharmed. You still dream of the night of your abduction. You dream of the cries of your worshippers, of the stench of burning flesh, of your olive groves turning to ash. You dream of being pushed to the floor of your captor’s tent, of golden gauntlets cleaving open your legs, of pomegranate-red stains on silk sheets. Sometimes the dreams are so vivid that you wonder if they are actually visions from Oronyx—echoes of a future yet to be played out, or a past that you’ve somehow forgotten.

Whenever you wake from these dreams, you crawl under the bed and spend the rest of the night there, and you spend your day afterward untouched, unnerved, unbalanced.

You are in one of these tense moods the next time you speak at length with Prince Mydeimos, after his usual questions: Are you eating? Are you sick? What did you do yesterday, while you were alone?

“I am trapped in your room, so I did nothing but read your books,” you reply bluntly, picking idly at the chicken on your dinner plate. “Don't you have anything other than war histories, by the way? I should like a romance novel or two. I'd even take a philosophical dialogue over this. Kremnos must surely have a few thinkers who do not write solely about war.”

Your captor stares—perhaps surprised at your sudden chatter, though not displeased by it. Though he does seem perplexed.

“You are not ‘trapped’ here,” he points out, frowning. “I gave you leave some time ago to wander the grounds, so long as you are accompanied by one of the guards I have assigned you.”

“So you say, but not a single one of your guards has thus far dared to let me out.”

Prince Mydeimos frowns. “Why?”

You give him a strange look. “Do you not know the rules of your own land, Prince Mydeimos? Helots are given free movement, and even trusted slaves have some autonomy, but prisoners-of-war are not allowed to wander anywhere except in service of their given task. And my given task is…”

You gesture to the bed, and the prince’s mouth tightens.

“I see.”

You note the displeasure on his face—genuine, a sign of true oversight. “Why would you expect that I'd ever be allowed to roam around as I please?” you ask. “You paraded me around on your chariot as you returned home from war, and you announced me as your plunder to the entire city. Everyone knows I am your prisoner, and everyone treats me accordingly.”

“I have never kept a personal slave, let alone taken one for my spoils,” he says evenly. “I did not think these laws would supersede the orders of a Crown Prince.”

You snort at the sheer absurdity of his answer.

“The Crown Prince of Kremnos has never kept a slave? Your esteemed father has at least half a hundred of them in his personal service, I'd wager.”

“And my late mother did not allow any of them to serve me. She disliked the practice.” His voice is terse, belying something that turns your stomach. You look away, not wishing to think of it.

“Does that matter?” you deflect. “Your Highness, if you wish to ascend the throne and follow in your father’s footsteps, then you'd better get used to keeping slaves. Castrum Kremnos is built on them.”

Prince Mydeimos gives you a hard look. “I will not be the kind of king that my father is,” he says bluntly.

His words carry weight. Suppressed anger. You watch him keenly, interested—suddenly wondering if there is more to Prince Mydeimos’ plans to commit patricide other than self-preservation.

“And why would that be?” you ask.

He raises a brow. “You are an oracle. You haven't seen what he's done for yourself?”

“If I could see whatever I wanted at will, do you think I would be sitting here right now?” you ask dryly, and his brow twitches. His expression is otherwise impassive, but his eyes give away his alarm, and you exploit it immediately: “Worry not, Prince Mydeimos. Whatever secrets you've let slip are safe with me, so long as you do not touch me.”

“I thought it would be obvious by now that I have no wish to touch you.”

“And I thought it would be obvious by now that I am not stupid enough to trust you.” You laugh when he frowns. “No need to pout, Your Highness. You don't need my trust to keep me under control.” You shake your chains. "These are all you need."

He glances at your manacles, his eyes narrowing. “Controlling you is not my aim.”

“Then you are a fool and will make for an idiot king.”

“Surely no more of an idiot than the prisoner calling their captor a fool.” He contemplates you, his eyes suspicious. “...have you truly seen my future as a monarch?”

“No,” you lie. I hope you suffer every moment you sit on that throne, you think, remembering how Nikador will reach into your chest and close his hand around your heart, how you will bleed to death at the feet of King Mydeimos. You have no intention of giving him foreknowledge of his victory over you: you remain quiet, unyielding under his shrewd gaze.

The prince eventually relents, though clearly unconvinced. “I'll see to it that the guards and servants allow you some movement,” he says as he turns to leave. “I will… convince them to overlook the laws.”

His hand is on the door when he hesitates, glancing at the full dinner plate on the table.

“Do you still not like the food here? I had it changed after our conversation some time ago.”

You default to your usual answer: “Does it matter?”

He makes a noise—one that almost sounds displeased. “So it still isn’t to your taste.”

“No. I find the Kremnoan palate disagreeable.”

“Well, then, what should change to make you agree with it?”

You come very, very close to laughing in his face. “You could serve me a dish cooked by the Goddess of the Hearth herself, and it would taste like ash in my mouth because I am a prisoner.”

He sighs, closes his eyes, and you suspect he is silently counting to ten. “...I cannot blame you for your misery,” he finally says, “but you haven’t been eating, and I would prefer it if you didn't starve to death under my care.”

“Why?” Why does this matter? Why aren't you using me?

Why aren't you hurting me?

His voice grows quiet: “Because I do not wish to see any harm befall you.”

The words are so simple. So honest. There is no hint of deception in them, nor in his eyes—which flicker with something that looks so much like pain that even you, with your practised skill of reading expression, find yourself thinking that he feels sorrowful for you. That he feels guilty over you. That he wants to see you safe.

You marvel at what a good liar he is.

Because he must be lying. This must be some kind of manipulation. Perhaps he is afraid of your prescience, or perhaps he plans to use it for his own gain, and this is his way of appealing to you. Or perhaps he wants you to be willing when he fucks you. Some men do prefer that to outright rape; their egos demand it.

There is no other reason for him to come to your room every night and ask if you have been eating, ask if you are well, ask what have you been doing while alone. No other reason for him to say, “You barely touched your food yesterday, nor the day before that. Surely there is something that could be done to make you eat.”

You decide to play along for now. If you will die eventually, you may as well eat better in the meantime.

“More spices,” you say neatly, “and better olive oil. At minimum.”

“Of course,” he mutters. “The oil. I knew it.”

He leaves before you can ask him what he means.

The next day, you are served honey cakes with safflower, grilled fish salted to perfection, and wheat-bread with an olive oil so fresh and thick that you know it can only be an import from the south. The servants deliver to you five texts: three romance novels and two Socratic dialogues. Kremnos has no great storytellers nor philosophers, an unsigned note reads, so you will need to make do with these works from the Grove of Epiphany.

Prince Mydeimos does not visit you, and you find yourself in bed the whole night, three questions echoing in your head.

For whatever reason, Prince Mydeimos continues treating you well. The food is better—you’d even call it mouthwatering, at times—and new books are frequently delivered. He makes fewer stops by your room, possibly because he is busy or perhaps because he is growing disinterested with you. You don't care to ask why.

But as it turns out, he has been trying to find some way around the laws about your movements. He has been failing, too—quite miserably—and his way of compromise is driving you mad.

On the first day you are allowed outside your room, Prince Mydeimos is leading you, taking you for a walk on the palace roofs and parapets. For the first time since being abducted, you feel sunlight and wind on your skin—and you are too annoyed to enjoy it.

“This is your way of allowing me some freedom? Taking me out so you can walk me like a dog? I won't bark for you, you know.”

Prince Mydeimos clears his throat, pointedly avoiding your stare. If you didn't know better, you'd call him embarrassed.

“Because you are a prisoner,” he explains tersely, “I have been strongly advised against letting you wander the grounds unless it is to fulfill your assigned job as my companion.”

“You mean, as your whore?”

Prince Mydeimos looks so offended that you nearly laugh. “As a concubine.”

“Use whatever word you want—a slave you fuck can't be anything other than a whore,” you point out evenly. Your captor gives you a look of mild pain, but it is gone before you can unravel it.

“Well, then, it is a good thing that I will not be touching you,” he retorts. “Regardless, I cannot let you wander without drawing undue attention to myself”—a poor idea right before a regicide, you infer—“but I may eventually be able to let you move freely without me if we are able to convince people that you are serving me willingly. Not as my prisoner, but as my lover.” His mouth slants. “This would require you to give the impression of enjoying my company, however.”

“Then I suppose I will be trapped forever in your quarters,” you reply instantly. When his expression sours, you add, “Worry not, Your Highness. I do not much like the sights of Castrum Kremnos anyway.” Your eyes flick over the strange innards of the city—the high walls hiding open skies, the stone paths barren of any flowers or shrubs, the constant thunder of marching hoplites and proud salutes. The sword of Nikador hanging over the fortress gates, sharpened by the souls of countless slain Kremnoans.

This city runs on war. Hungers for it. It makes your heart pound, has you hearing the screams of your worshippers as the Kremnoans flood through the gates of Aurelia. Gone forever are the musicians who strung on their lyres every morning and night; gone are the streets of laughing children who would always ask you to fix their toys; gone are the olive groves full of birdsong and gossiping women.

Gone is everything that you love.

“You might like it better within the city,” your captor tries to reason, “or if I can someday take you beyond the walls and into the settlements—”

“—then it will still never be home.”

Prince Mydeimos has the grace to stay quiet, for which you are glad.

“...your home,” he says eventually, “what was it like?”

What was it like, before I took it away from you?

You shrug, feeling a dull ache in your chest that you'd rather die than show him.

“Peaceful. Kind. The people were nicer. The music was lovelier. The food was better.”

You remember the flavour of the dishes that the women in the neighbourhood always made for you, the figs and apples and olives that the farmers always brought to the temple, the simple but sweet breakfasts that you would have with the other acolytes—eat up, my love, the older ones would always laugh, eat your fill!—and then all you taste is ash in the sky and copper between your teeth and the acrid, nauseating stench of human flesh burning, burning, burning.

You close your eyes to the looming walls of Castrum Kremnos—a prison from which there is no escape.

“None of it should matter to you, of course,” you add lightly.

Because no matter how much Prince Mydeimos denies it and no matter how gently he treats you, you are just a bed-slave—and Castrum Kremnos does not care about its slaves. The burning of your home will become naught but ink in their war histories—a paragraph if you are lucky, a footnote if you are not. You are merely one massacre in a thousand years of them. Your death will be one casualty in hundreds of millions.

But you return to your quarters later that night, and you see another book delivered—an Aurelian play, wildly popular a few years back—and you notice a lyre on the nightstand, and your meal tastes just like the ones the grandmother next door always brought over to share. You realise that your captor must have sought out an Aurelian helot or slave to make it, that he must have gone out of his way for it. You ask silently: Why does this matter? Why aren't you using me? Why aren't you hurting me? And you answer for him: He is lying to me, he is manipulating me, he wants me willing when he rapes me.

But you eat your entire meal anyway, and then you crawl into bed and cry.

A fortnight later, Prince Mydeimos discovers that you sleep with a knife under your pillow.

It is a harmless thing, sharp only enough to cut the steak that you'd been fed. It brings you comfort nevertheless. After seven days of your mantra—he is lying to me, he is manipulating me, he wants me willing when he rapes me—you couldn't help but take it. If he is stupid enough to touch you, you will use it to make it as painful for him as possible.

The Crown Prince is sitting on a chair when you return from the bath. He is playing with your little knife, spinning it a hand. His expression betrays neither anger nor displeasure—though there might be a hint of disappointment. Why, you would not know.

“You are afraid of me,” he remarks.

“No,” you lie. “I do not fear you. I abhor you. All the books and Aurelian dishes in the world cannot change that.”

It is slight, but Prince Mydeimos nods. His shoulders bear a heavy weight suddenly, and you avert your gaze. You don't want to see him looking weak, looking human. He is your captor and nothing but your captor: the man who laid waste to your home. He is the heir to a millennia of Strife.

Fortunately for you, he soon returns to his usual, stoic countenance. “You really expect to hurt me with this?” he asks.

“I would try my best,” you say tersely, “if it came to it. I would hurt anyone who tried to touch me.”

You nearly shift under the weight of his gaze, but you manage to contain your discomfort. You return his stare coolly—you don't scare me, Son of Gorgo—until his hand drifts to his waist. He reaches for a sheathe dangling from his belt, and you recoil immediately, expecting the sharp kiss of his blade. But there is no blow, no knife across your neck nor lodged within your heart. He merely holds the weapon out to you, presenting its golden hilt.

“Take this,” he offers. At your hesitation, he adds, “This is not some trap. I am gifting this to you.”

Even as you snatch it, you ask, “Why?”

“Because I think it's wise for you to have some kind of weapon—a real one, not an eating utensil.” He glances at the door. “The palace is full of guards and soldiers, and now that I have begun taking you outside, some of them have seen you and grown… overly curious about the High Priestess of Aurelia.”

Anyone would want a turn with the war prize of the Crown Prince himself, you remember them saying.

“But I am yours,” you point out, and when Prince Mydeimos looks at you, startled—or disconcerted?—you add, “your slave, I mean. By law, I belong to you. They cannot touch me without facing the wrath of the crown.”

He scowls. “If only the men here were so easy for me to control. Then I would not need to keep you here and worry about…” The prince's brow knots as his voice drifts off, and then he shakes his head. “Nevermind.”

You don't want to know what he had been about to say. You don't want to hear him pretend to feel concern over you. You do not want to think that he may be keeping you here for any reason than to fuck you. He is lying to me, he is manipulating me, he wants me willing when he rapes me: this is your mantra as you study the blade. It gleams in the candlelight, gold like his hair in the fire of the invasion, and its weight is familiar—the weight of the dagger you tried to slit your own throat with, you realise.

It is light, you notice now. The blade sits easy in your fingers, moves for you too gracefully. You should not be able to hold the weapon of a grown man so easily. “This was made for a woman,” you realise. “And not a very strong one.”

“Not strong in terms of brute strength, no. But she was swift. Deadly.”

You are neither strong nor swift, but you can imagine waiting for the right moment to strike—when he's drunk or sleeping or inside you. You'd run this across his neck. Bleed him dry before he can bleed you.

“You're not worried about me attacking you with this?” you ask, and he snorts.

“Would I be afraid of a kitten with sharp claws?” At your sour look, he either mocks or consoles you—you cannot tell which—“Don’t feel too poorly. Most people in this world could not touch me; I am invulnerable.”

“Invulnerable?”

“Immortal,” he clarifies. “Any wound I take heals without a scar; any death I die reverses without fail.”

“Ah… because of the Sea of Souls, I presume.” You remember the child in the waters of the Styx, the way he cried and cried and cried—and you push away the memory. How many babies have wailed as the Kremnoans marched on their homes? Countless. Countless in Aurelia alone. Your goddess has shown you enough memories for you to know, and sometimes the images blend with the massacre of your worshippers.

A massacre that your captor led.

“So there is no way to kill you,” you remark, voice now subdued.

“You sound disappointed.”

“Why wouldn't I be?”

Something in your captor’s eyes flickers, something that makes you look away again. He is lying to me, he is manipulating me, he wants me willing when he rapes me. You cling onto all the visions that your goddess sent you: King Mydeimos is seated on his throne of blood; the claws of Nikador are cutting into your heart. Aurelia is still burning, burning, burning. As long as Oronyx is alive, it will never stop.

No olive oil, spice, nor book will ever change that.

Prince Mydeimos leaves for a time. Okhema—the greatest enemy of the Kremnos—has launched an assault on the city, and it is his duty to defend it. You can hear the distant cries of war from your room, the thunder of marching troops and the roar of terrible men. You hide in the sheets and try not to think of dying Aurelia. You pray for every Kremnoan soldier who invaded your home to perish, to receive the valorous death for which they long.

You play no songs. You receive no books. The food tastes like shit.

For a single night, you think you have been granted your wish. There is a breach into the city, and the bells toll in emergency. The guards tell you to stay in your room no matter what—any Okheman soldiers would desire you, would defile you, and there will be no hope for you if they steal you away, the prized concubine of their greatest foe—and then they leave to join the fighting.

You hide under the bed. You clutch the golden dagger that Prince Mydeimos gave you and you hold it to your breast. You think of all the hands on you as you were dragged from your altar from the Kremnoans, the way they jeered at you and threatened to violate you. If the Okheman soldiers do the same, Prince Mydeimos will not be here to save you—

Save you?

No, he didn't save you. Your captor merely stole you for himself. He is slaughtering the enemy soldiers right now, massacring them the way he did your people. He is taking prisoners of war. He will feed them nicely and send them beautiful novels and texts. He will lie to them, manipulate them, and wait until they're willing.

Or he could be dead.

Of course he's not dead, you idiot, you tell yourself, as soon as you have the thought. He will live long enough to kill you like in the visions, and anyway, he is immortal.

There is no use hoping he is dead—for that is your hope. That he will someday be gone from this world, and that he can never again take away someone's home. That you will have the chance to slit to his throat at least once before he kills you. That you will have the satisfaction of seeing him die before Nikador takes your heart.

There is nothing else you are allowed to hope for.

The fighting ends a few nights later, and your captor returns soon after the bells of victory toll.

Prince Mydeimos is invulnerable, but he looks worse for wear. His armour is scuffed, shattered in a few places. His hair is a mess, sweat and dirt matting it, dulling the gold. The whole of his body—from his legs to the bare expanse of his chest—is covered in a thin layer of soot.

His shoulders relax when he sees you, and you try your best to ignore it.

“You won, then?” you ask. You are in bed, seated in the far corner. The sheets are pulled up to your neck, hiding away your chest and bare arms. The handle of your knife is warm in your palms, comforting.

Prince Mydeimos does not miss the way you clutch it.

“Yes,” he says, voice heavy. There's a tinge of fatigue marring his stoicism when he replies, “Are you disappointed?”

“No.” His eyes flick to yours, belying a surprise that you decide to kill: “I am an oracle. I knew you would not perish in this battle.”

“...of course.” He closes his eyes, counting to ten again. You study him as he tempers himself, wondering why he has returned to you when neither of you enjoy each other’s company.

“Why are you here?” you ask. “Shouldn't you be taking a bath? Enjoying libations with the other soldiers? Toasting the king?”

“I will join the others later,” he says. “I came here first for the same reasons as always.”

Are you eating? Are you sick? What did you do today, while you were alone? The prince stands at the threshold as he asks his three questions, watching you carefully. It occurs to you that he must have just come from battle, that his first desire afterwards was to check on you, and you drop the sheets but you also look away.

“I am not ill, and I reread some of the books you sent me,” you reply, because you would rather die than tell him that you hid under the bed. “And as for the food…”

Prince Mydeimos glances at the untouched slop on your plate, then frowns.

“My apologies,” he says. “Now that I've returned, I will be sure to make you proper meals. I know the servants here do not make food to your liking, so—”

“What do you mean, you'll make them?” you interrupt. At his blank stare, you say, “Isn’t it the helots who cook all the meals here?”

“They cook for most of the palace. But for your meals, it has nearly always been me—ever since I noticed you were not eating.”

You stare, wondering if you've somehow misheard him. “But…” You swallow, and it feels painful. You don't want to look at him. “That can't be true. There have been Aurelian dishes—it must have been an Aurelian who made them. A slave, or maybe a helot…”

“I learned the recipes myself,” he says simply, “though I did ask an Aurelian to sample it first, an old woman who sells spices in the city. She made sure the flavour was right.”

You want to laugh—or cry? The thought of the Crown Prince of Kremnos bent over a cookbook, sweating at a stove, is so absurd that you don't know what to make of it. “Why would a master cook for his slave?

He shrugs, though you don't miss the way he clears his throat. “I enjoy cooking, and I prefer to make my own meals. It is simple enough to cook for two instead of one.”

“You enjoy cooking,” you repeat flatly, staring.

“Is that so strange?”

“Yes.” He’s not meant to be human. He's an animal who feasts on strife and blood. He lies to you, manipulates you, waits until you're willing. But now you are imagining him going out of his way to find southern olive oil, or thinking on which cut of meat to buy from the butcher’s, or squinting at an Aurelian recipe and wondering where to get cassia, and he isn't supposed to be human but monsters don’t enjoy such quaint things.

“Why would you even know how to cook?” you ask—weakly. “You were raised to be a soldier, a king.”

“I learned as a child, before I returned from the sea,” he explains. “A fisherman’s wife taught me how after I saved her husband from the Sea of Souls. Though they banished me from their home after they learned I was Kremnoan.”

You can't look at him anymore, after that.

A few days later, you are served milopita after dinner.

It is well-made. Prince Mydeimos was generous with the cinnamon, and the apples are fresh. The yogurt is thick. The olive oil is that expensive, southern variety, the one that the old Aurelian woman in the city likely picked out for him. It comes with a cup of pomegranate juice and a bottle of goat’s milk, which you don't touch—paired with the cake, it is too sweet.

You catch yourself thinking that Prince Mydeimos must have a sweet tooth, and then you kill the thought.

The prince comes to visit, which he does not often do nowadays. The Chrysos War has entangled Kremnos into so many battlefronts that he is now always in demand as a general, and all the meals have gone back to being untouchable. But the books keep coming, and now there is sheet music as well. You are slow to read the music and your fingers are even slower on the lyre strings—you have not played much since you were a child, when you were taught as part of your training as a hiereia—but it is enough to occupy you.

You'd been wondering if you would be left alone forever when you received the cake.

He comes to you at night. Steps inside as always, closes the door to block out any listening ears. Leans against the wall, as if trying to take up as little space as possible. This is a constant habit of his; you briefly wonder if he does it so as not to make you feel threatened, and then you kill the thought.

You try not to look at him.

“You ate the cake,” he says, in a calm but distinctly satisfied way.

“Yes. It was quite good.” Sweet on your tongue, nothing like bitter copper between your teeth. You can't believe how sugary the apples are. You can't imagine this cold prison of a city, this home of warmongers, having anything like an orchard—yet they must exist here, for Prince Mydeimos to have gotten fruit so fresh and ripe.

Are the orchards here as peaceful as the olive groves back home? The cake was certainly as good as what you had in Aurelia—something close to what the grandmother next door would make for you. She would serve hers with tea, though, and you'd sit outside her quaint home and watch the children run by, playing. Be careful, my loves, she would say to them as they ran up and down the street. Take care not to fall.

Your heart aches as you think of her.

“I have not had any sweets in a very long time,” you say, trying not to let your voice sound tight.

“Nor have I. It has been too busy for me to bake, and I generally avoid desserts—they are unhealthy—but I made them today.”

“Why?”

“Well”—Prince Mydeimos looks away, clears his throat—“I have not been by in quite a while. I could hardly come empty-handed.”

He is mannered, you think. He wants to show you hospitality. He is treating you as if you are an esteemed guest, as if he enjoys your company, and perhaps that is why he didn’t make you into his personal attendant or a labourer; it is because guests aren’t meant to work in the palace, and—

—and now you're killing the thought.

You must kill these thoughts. You are not his guest; you are his slave. He is not a human; he is your captor. The only reason he hasn’t assigned you any menial tasks is because he wants to make it clear to others that you only have one purpose here: to be a hole for him to fuck, and no one else.

He conquered your city. Sacked your temple. Ruined your home. He will ruin your body too.

“I am a slave,” you murmur. “You do not need to come with anything for me.” You should not be giving me things. You should be taking everything from me. “There is no need to treat me so graciously.”

“What, would you prefer that I torment you?”

“I would prefer you to be honest about your intentions.”

He raises a brow. “And what are my intentions supposed to be?”

You finally take a sip of your pomegranate juice—red and tart and sweet, it tastes like the night you were stolen from your temple—and then you rise from your seat.

Prince Mydeimos is startled when you make your way to him, slow but sure. You have never gone to him willingly before, it occurs: you have always been taken to him by force, dragged by Kremnoan men or compelled by chains. Perhaps he is taken aback by it, or startled by the look you give him—the one you use on worshippers who have incurred the wrath of the Titans—for he presses himself even further against the wall.

There is little space between the two of you when you stop. His face is impassive as ever, but you can hear his breath hitch.

“You like your women willing, don't you?”

His face creases. “What?”

“You like your women willing. The freedmen and the slaves alike, I'm sure. You think that if you ply me with gifts and treats, you will also be able to ply open my legs.”

Your captor watches you in alarm, in discomfort. Probably startled at being found out. “...that's not—”

“It won't work, you know. No matter how kind you are to me, you will always be the man who burned my city and sacked my temple. You will always be the beast who dragged me from my altar and into your bed. If I ever spread my legs for you, it will only be because they are held open by chains.”

His jaw tightens. “You've misunderstood my intentions.”

You laugh, light but cruel. “What, are you waiting for a better time to kill me instead? I know you Kremnoans like to hunt people for sport. Are you toying with your prey right now?”

You see it in his eyes when he snaps.

“Is it so hard to believe that I simply wish to treat you well?” he grits out. “That there is at least one person in Kremnos who finds senseless violence disagreeable? That a Kremnoan man could see an innocent woman about to be torn apart by hyenas and wish to save her? Or do you see us all as mindless animals?”

“I am sure there are some of you who behave like humans, but I don't think they would include the Crown Prince of all people. You lead a nation of warmongering beasts—you ride into battle at their helm.”

His nostrils flare. “My people depend on me. It is my duty to protect them from all those who want Kremnos fall.”

“And protecting your city means massacring cities? Sacking temples? Dragging holy maidens out from their temples to be raped?” Your captor falters, but you are too angry to take any joy in it. Too angry at the hypocrisy, at the golden chains, at the city that is forever burning behind you. “If you were really so kind, why would you even have come back to Castrum Kremnos in the first place? Even if you were a child, surely you knew you were going to be joining an army of monsters.”

“Because I wanted a home,” he snaps, and his voice is so harsh that you flinch. He breathes sharply as you step back, and you watch as he struggles to control his—rage? It must be rage. It can't be hurt.

It can't be grief.

“...a home,” you repeat.

“Yes, even a monster like me would desire a home. I spent my first seven years drowning in the Sea of Souls and the next several being cast away by countless families simply because of my heritage—do you think that was an existence I enjoyed?”

You don't know how to reply. You wish to recall the memories of your burning city, your visions of being slain, but all you can remember now is the baby you saw in your dreams—the one who was tossed into the sea, drowning, drowning, drowning. Is Prince Mydeimos forever being dragged into the tides, just as how you are forever being dragged from your altar?

Does Oronyx force him to remember, too?

Prince Mydeimos does not wait for your response. He walks back to the door, terse. Cold.

“If you are so aggrieved by my presence,” he snaps, “then I won't torture you with it any longer.”

He slams the door on the way out.

You and Prince Mydeimos do not see each other for a fortnight after that.

The moons behave strangely while he is gone. Night is always odd in Castrum Kremnos—too long and too inconsistent, as if Oronyx is struggling against something volatile, a presence that is not Aquila. Still, you can usually see at least one of her two moons—one gold and one red, one always waxing while the other wanes. But for an hour, they blink out of existence entirely, and your blood chills at the sight. At the omen.

Prince Mydeimos, you think immediately, is he dead?

Of course he isn't dead. He will live long enough for you to slit his throat as many times as you wish. He will live long enough to kill you afterward, to give you your valorous death without chains. He will live long enough to offer your heart to Nikador, who will devour it and drink your blood.

But every time you imagine it, all you can hear is his voice in your head, irritating and persistent every night—

Are you eating?

Are you sick?

Your home, what was it like?

I wanted a home.

I worry for you.

You tell yourself to kill the thought. You must kill all these thoughts. You must not believe that he worries for you, even though you are practised in the art of reading faces and all you can ever see in his is plain honesty. You are not allowed to hope that you are right, let alone hope that he is alive.

The only thing you are allowed to hope for is to someday slit his throat before he kills you.

The morning after the moons disappear, Prince Mydeimos returns to you. You are surprised when he walks in—he has never visited you so early in the day—and immediately, you want to say something to him.

But you don’t know what.

The both of you stare at each other, and he seems to struggle equally with his words. All you can think about is your last encounter, and he is likely doing the same.

“Why are you here?” you finally ask—not unkindly. Prince Mydeimos startles at your voice.

“I…”

He hesitates. His eyes, gleaming in the morning sun, are underlined by darkness. They're bloodshot, too. He has not slept, you realise.

“Did something happen last night?” you guess, remembering the two moons and how they flickered out like dying flames.

“Perhaps.”

Prince Mydeimos’ expression falters. You want to look away, but you know now the movements of his face well enough to understand what you should not believe—

I worry for you.

You think of the bells of victory tolling, how soon he came to see you thereafter. “Did you come to check that I was alive?” you ask softly.

His voice is quiet, too: “Perhaps.”

You stare at the stack of books on the table, which has grown so high over the past two months that you always wonder if the whole thing will collapse. The war histories are at the bottom of the pile, read so long ago, but you remember them well—the facts alongside the propaganda. The Kremnoans like to perpetuate the myth that they are incapable of fear, but you think that Prince Mydeimos is failing to maintain this illusion.

“Was what you encountered as frightening as the Okhemans?” you ask.

Were you worried that it would harm me?

“...perhaps.”

Your brow arches. “Is that the only word you know now, Your Highness?”

His uncertainty disappears, replaced by a usual annoyance, and the tension finally breaks. “There is only so much information I can share with a prisoner of war.”

“You have already given away your plans to commit patricide—I do not think any information could be more sensitive than that,” you say flatly. He frowns.

“Oronyx told you what I will do, not me.”

“You could have lied or played dumb about it, at least.”

“Why would I try to lie to an oracle? You said yourself it would be meaningless.”

“Plausible deniability in case anyone overheard. You simply could have written me off as mad had I tried to reveal your plans, you know, it's happened before to oracles who foretell tragedies…” Your mouth slants. “You are not very skilled in the art of manipulation, Your Highness. You won't survive the court for very long after you ascend the throne, at this rate.”

“I can survive it well enough,” he says curtly. “I'm alive right now, aren't I? Though I'm sure that disappoints you constantly.”

“No, I'm glad for it.” He blinks. “If I am going to slit your throat, you will need to live long enough for it to happen.”

He snorts. “Of course. I look forward to the day.” Prince Mydeimos looks at you then—scrutinizing. “You will need to stay alive too. Have you been eating? Have you been healthy? What have you been up to while I was gone?”

“I have been eating, and I am not ill. Terribly bored, but not ill.”

He frowns. “Bored? What could you possibly want for, with all that I have given you?”

You give him a long look, sensing an opportunity. “Well…”

He scrutinizes you. “What is it? Better food? More books? Another instrument, or a sharper weapon? I have an entire library at my disposal, plus the royal armory. Name whatever it is you want.” His voice is impatient, but his shoulders are relaxed, weightless. You can't it in yourself to deny the truth: he is relieved that you wish to demand something from him.

It makes you want to crawl under the bed.

“No,” you say, subdued. “I don't want any of that.”

“Then?”

Why do I matter to you?

Why aren't you using me?

Why aren't you hurting me?

“I want answers.”

There are no temples dedicated to Oronyx within Castrum Kremnos.

It is unsurprising. All citizens in Castrum Kremnos worship Nikador, and they war with other gods as often as the Strife Titan himself does. Nevertheless, the main palace has a few shrines dedicated to Oronyx. As much as the Kremnoans like to wreak havoc in the cities of other gods, all deities have their uses, especially Oronyx. It makes you bitter; the Goddess of Time sends enough visions for you to know that the use of her powers is painful for her, and you are certain that Kremnoans do not recompense her with any blood sacrifices.

You do, though. The Aurelian Cult of Oronyx has always honoured its goddess well. If Prince Mydeimos had brought you to a temple, you'd have also asked for a goat and sacrificed it. But as it is instead only a shrine, the only thing you can offer is your own blood.

At night, while the torches are burning low and the windows let through the dim light of the red moon, Prince Mydeimos takes you to the largest shrine of Oronyx. Her altar there is waiting for you—an alcove of cobalt and gold holding within it an azure light, its glow otherworldly. The Crown Prince is startled when you pull out a dagger and steady the blade over your hand; he reaches out and grabs your wrist, stopping you before you can wound yourself.

“What are you doing?” he says tersely. At his alarmed stare, you give him a blank look.

“I am about to appeal to Oronyx for her wisdom,” you explain, “and I will offer my blood in return.”

He gives you a dubious look. “Oronyx demands blood sacrifices?”

“No, but my temple provided them to honour her.” Your brow arches. “Don't tell me that this disturbs you. Your god not only gains strength from every Kremnoan death, he also demands blood sacrifices from other people. Don't think that the world has forgotten your tradition of drinking the blood of your slain enemies."

“We no longer engage in that practice,” Prince Mydeimos retorts immediately. “And in any case, what the Cult of Nikador does is entirely different.”

You squint at him. “What, so blood sacrifices are only acceptable when you do them?”

He sighs. “I only mean… if the god you follow does not demand violence outright, then I would not wish to see you inflict it upon yourself needlessly.”

You look at him, flabbergasted. “You cannot expect me to believe that a Kremnoan would be so averse to a little blood.”

“It isn't the blood that's the problem.” He sounds irritated. “It’s that it's your blood.”

You stare, watching his eyes for some tell of a lie—but you can find none. “You’re being serious,” you realise.

“Yes.”

“You really don't want to see me hurt.”

“Truly.”

“Not even a little bit.”

“Not even by a single hair.”

Part of you is aggravated—this is shameless hypocrisy from a man who led an army into your city—but mostly you’re bewildered. You shake your head, turning away.

“I can't believe I ever thought you'd drink my blood,” you mutter, wresting yourself from his grip. “Your Royal Highness’ delicate sensibilities will need to tolerate this. Prophecy isn't cheap, you know.”

Prince Mydeimos finally relents; he crosses his arms as he watches your ritual. Your blade—his blade—presses into your palm, sinks into the flesh and glides along your heart line until scarlet is welling around it. You bear the pain silently; it is nothing compared to what Oronyx must feel whenever her powers are used by force.

Your blood drips onto the altar, and its cyan light flares violently. It is brighter than the golden moon, maybe even brighter than Aquila’s sun, when you begin your incantation. Titan language sounds strange, beautiful but unnerving to human ears; you are unsurprised when Prince Mydeimos shifts in the corner of your eye, uneasy as he listens to you.

O Titan of Time and Night, you say aloud, tell me what my path to freedom is, and show me the true nature of the man who has taken it away from me.

It takes a few moments for the visions to come, but they flash like lightning when they do. You are in the darkness of a decrepit shrine in Castrum Kremnos, standing next to your captor, then—

Daytime. You are somewhere beautiful, with a warm sun above your head and limpid pools everywhere, bathers laughing in the sun. There's a woman with golden hair and sea-glass eyes; she smiles at you, all-seeing even though she is blind, and then—

Nighttime. There are no moons in the sky, and the stars are faded. The city is dying, and you listen to the screams as you watch an unnatural darkness fall upon it. Something is encroaching the palace walls—a dark plague that corrupts all that it touches, a black tide that has been sweeping across the lands. You wish to stay, to lose yourself to it, but the Crown Prince grabs your hand. You can make out his words, just barely: ████ with me to ██████, he says. ███ ██ save you. And then—

Daytime. It is painfully bright where you are now, idyllic. You are watching Mydei. An amicable looking dromas has lowered its head to his palm to eat the feed in his hands. You made Mydei try this—giving the docile beast a treat. You're laughing as you watch him; he looks so startled, out of his depth for royalty. A group of children are spectating as well, giggling uncontrollably at their Crown Prince. You hear yourself: ██ ██ cute… then—

Nighttime. The golden moon is out tonight. You are tired, so tired; you have buried someone, you don’t know who. Mydeimos looks haunted. Your palm is pressed against his cheek, cradling his face in your hands. Your wrists are bare, you notice. His voice is quiet: █ ██ remember ██ ███ ███████ touched ██ ████ this… now, finally—

The end. You are bleeding out at the feet of King Mydeimos. You cannot see his face, but he is malevolent, terrible, and strife runs thick in his ichor veins. Your chest hurts even though your heart is no longer in it, and you are crying, crying, crying—I will ████ you soon, ██ ██, you weep, and now—

It is nighttime, and the torches are burning low in Castrum Kremnos. You are on the floor of a shrine, gasping, your cheeks wet with your grief. Your captor is crouched next to you, his hand on your back—touching you gently, too gently for the man who sacked your city, too gently for the king who will kill you and drink your blood. You pull away from him, terrified, and your captor backs off immediately.

“Forgive me,” he says. “You were—you collapsed, and I only wanted to check what was wrong.”

“I'm fine,” you gasp. “I'm fine. It's just—what I saw, through the Evernight Veil, it was—” Your eyes squeeze shut.

“What? What was it?”

“My future. Your future. I wanted”—you don’t know why you're telling him this, you don't know why you were standing next to him in a beautiful city with a group of joyous children, laughing as he fed a dromas—“I wanted to know if I could trust you.”

“And?”

Your captor stares intently. His eyes burn in the light of the palace torches, in the light of the blazing olive groves, in the light of the golden moon.

It is easy to lose sight of time after peering into the Evernight Veil, for the past, present, and future to blend together. Easy for you to reach out to your captor in Castrum Kremnos, easy to instead see Mydeimos grieving after a burial. He stares at you as you touch his cheek, cradling it. Something is flickering in his eyes, something so painfully human that you cannot bring yourself to ignore it. You can hear him talking to you in the future.

“You can't remember the last time someone touched you like this,” you repeat. At his startled look, you add, “That's what you're thinking, right?”

He jerks back, as if your fingers are scalding. “How did you—”

“That's what you'll say to me,” you say simply, “eventually.”

Prince Mydeimos swallows.

“Does that mean you'll come to trust me, then?”

Now you're at the foot of his throne again, bleeding dry for him���bleeding more than you ever have for your goddess or your city or your people. Your heart pulses in the hand of the Strife Titan, and you close your eyes forever.

“No.”

End Part I

notes: oh my god when I tell you all the suffering I went through trying to write this shitass chapter slfjslfksdfjalsk. between navigating the nightmare of canon lore and a trope that is absolutely out of my wheelhouse, I truly suffered for this story. and I don't think the end product was even that good. regardless, please let me know if you liked it. LOL

as an aside, I'm not sure how obvious it is to people who are reading this blind (as opposed to my followers who've been witnessing my shitposting lol), but mydei is absolutely not into the sexual slavery stuff. he sees you in those golden bdsm chains and feels so uncomfortable that he leaves the room asap. my man is taking immense psychic damage from this situation rip he just wants to make sure you're safe but his palace is forcing him into this wattpad fic situation (i am forcing him into this wattpad fic situation)

[z-nightshade]

kdhableiurfhweou;haliudfgh

THIS IS SO GOOD!!!!!

Luffy is Luffying all over the page and Cass looks so pretty!!!!!!

There is definitely something going on with Cass and Fate. Only time will tell what exactly that means, however

The fingerprints on the book is so cute! I love it actually

Cass does have a lot of piercings, an industrial being one of them. It's just not mentioned a lot because their headphones are always covering their ears

@z-nightshade

Pardon the quality and colors (I swear the eyes are blue-green! but when I downloaded it everything shifted in color), I don’t know how to fix that :-:

Love your story! This idea had me in a chokehold until I finished it and thought why not share it— yes, I made an account solely to post fanart, hope you like it.

I took some creative liberties with the narrator voice, I wanted to set the mood and mention fate in some way, we do know fate has some kind of hold on Cass and it did guide them at times so I imagine them to at least be on Cass’s side, hence the amused image. Maybe fate sees them as their child of sorts (them being an oracle and all) Just my theories and takes ¯\_(ツ)_/¯

My thoughts/creative process bts for anyone who is interested:

—The odyssey book: I though Cass would have wanted to include everyone in the process since it’s their adventures as a crew, so I added everyone’s fingerprints [Cass and Luffy are next to each, and Luffy of course, the lil straw hat is to make sure everyone knows whose thumb the captain’s is] the panel as a whole is of the far future but not the end. The book is hand bound since I think Cass is fancy like that.

—Franky’s is a screw because he wanted something that had FRRANKYYY ENERGY! Don’t ask me, I am just the messenger.

—Cass just got out of the sea, so their hair is dripping and slicked back, water running down their face (hope it was obvious, since I wanted the hair to be fluffy I had to indicate with draw water drops).

— reading order is like a classic manga (probably should have started with that).

—the desk has a built in shelf for easy access to reverence books while writing, maybe even for their completed works.

—I ALMOST FORGOT THE NOSE PIERCING! I didn’t in the end but it was close. And I looked at already existing art of Cass and thought I saw an industrial piercing…so I added that, if it is not…ignore it.

—The Ring should have probably been lighter but I didn’t notice that it got colored in with the shirt. The jacket is just laziness, it looked weird without it.

—I am info dumping because I am hoping to appease the creative gremlin in my brain, I would like to have my thoughts back.

excuse any writing errors, I have no energy to check.

[im-not-a-ghost]

Who is your future spouse?

I'll be trying to get significant details about your spouse using 3 different decks. I'm not asking any specific question about looks or personality but rather just letting spirit guide us towards any detail they deem worthy of our attention. As this is a general reading, you may not resonate with every single detail but the general picture or overall vibe may speak to you to some level. For once, I decided to do 4 groups instead of 3.

Group 1

"I see grace and possibility in all of life's challenges." "There's no such thing as mistakes. Everything happens in divine order. I am being guided to learn and grow." "I accept the gifts I've been given as a high service to the world."

White Numen tarot : Queen of cups, 5 of swords, The Fool, knight of pentacles, 6 of cups

I don't care oracle : Take care of yourself, Close your curtains close your eyes sleep, Got a drink? Cheers! , Box with the pillow

Starting with the image you picked, I'm getting a strong message of using music and art in general as a form of escapism but also a mean of harmless self expression. Your FS may be struggling with a sense of loneliness that they are fighting off through a strong interest in any form of artistic expression. The bunny makes me think of innocence and creativity. The fact that it's a plushy makes me think of childhood and frailty. This passion that they have is something that stems from childhood and that has allowed them to hold on through hard times. I can't help but to be reminded of Stray Kids Lee Know when I look at this image. So maybe your FS has a similar personality or background to Lee Know's. Your FS could be a Kpop enthusiast. They could be an artist or enjoy doing art as their hobby. They are a rather sensitive and soft individual. They have a very comforting presence. There's a sadness to them that feels a little bittersweet.

They've been through a lot, not only romantic wise but also just on a personal level. Despite everything they've been through, they still have a lot of faith in the Universe and in mankind. With time, they've chosen to see their struggles as opportunities for growth and to cherish every experience that they get to live, even though some of them are uncomfortable because they're aware that in everything lies a blessing in disguise. They are very spiritual and they have a strong mindset gained through years of pain and struggle. They're an old soul and chances are that they have a lot of interesting stories to tell about their past.

Speaking of the past, you may share several past lives with this person. If you don't believe in this concept, you just may feel like you've known this person before when you've just barely met because they are so genuine and empathetic that it feels like they know you at your very core. For some of you, they could be a childhood friend. This person could also work with children or just be very popular with babies and kids. Another thing I am picking up on is that though this person is very mature and has gone through a lot, they look very innocent and youthful. Many people underestimate this person's age because of how childlike they may appear physically. Like, their skin is very soft and supple, they have no grey hair nor do they have wrinkles, they may be quite petite compared to other people of their age.

They've struggled with their mental health quite a lot. They're constantly thinking and bickering with their own self. They may be neurodivergent or struggle with a form of mental disorder. Another thing is that they have a very striking effect on people because they're hard to grasp. Their personality and the way they show up is so unique that they can't be categorized, "put into a box". This person just takes pride in not fitting, not conforming to any standard or norm. They don't like to be trapped in outdated perceptions of life and society. They are very protective of their freedom of expression. So chances are they have a very particular sense of style, a very specific way of expressing themselves in public, a particular posture that makes them stand out from other people. Like for example, they're the only person in their family that doesn't conform to gender norms. Actually I feel like the notion of gender isn't relevent to this person. However, they appear as quite feminine in their energy.

One thing that is very striking about them is how detached about material life they are. They do not care about possessions, wealth. This person is very generous and humble. They could give away their own clothes on a whim just to help someone else, buy a random person a meal just for the sake of making a good deed. They do random acts of kindness, not just with people they know but with anyone they come across. They give to charities, they leave food on the street for the homeless or for stray animals,they share important information on their socials in case it may be useful to someone. They're just really selfless. The reason behind that is because this person comes from a rather "poor" background. They know what it's like to be lacking something and they believe that any good deed done will come back to them. They have this mentality of not doing to others what they wouldn't appreciate themselves. So they're definitely not the kind to look down on other people or to hate on others.

This generosity can also be shown in their emotions and how they express themselves. They do not shy away from telling people they love them. They are very demonstrative and openly communicate their feelings, even though it makes them vulnerable. They wear their heart on their sleeve. They're incapable of lying. In connections, this person pours their heart out and they give their all. They're incredibly loving, kind, compassionate and patient. They show a lot of empathy and understanding towards others but they tend to be extremely harsh on themselves.

They struggle with a lot of anger issues as well as overthinking. They tend to burn themselves out thinking and worrying about others, helping other people to the detriment of their own health. They're in desperate need of love and rest and they have a hard time slowing down to focus on themselves. This person is not used to receiving and giving themselves the love that they willingly and selflessly give to others.

They're a cat lover. They may or may not own a pet cat. They have a cat like personality. They're more of an introvert but they tend to put on an extrovert façade to please others, especially their family and friends.

This person can be quite easily sociable with people however there aren't many people that they feel close to. In social settings, they tend to stay aside and only interact with the crowd here and there, out of politeness. They may struggle with the feeling of not belonging. They may feel like they do not fit in because of their unique sense of self and their strong morals. Again, I get strong neurodivergent vibes from this person but I also get a theme of cultural differences. This person may have grown in an environment where only a specific demographic was represented and they were the only source of diversity. Now that could mean all kinds of things but to give you an example maybe they grew up in a city where most people had fair skin and they were the only child with a different skin color. Or like maybe when they were a kid they were the only boy/girl when all the other kids were of the opposite biological sex.

Speaking of cultural differences, at the beginning of your reading, I had the impression that they lived in a different country than yours and that feeling is further confirmed with the spread. They could possibly have a similar background to yours but the only difference is that they grew up in a different setting. Like for instance, imagine two people that are both of European descent but one of them grew up in Spain while the other spent on the other side of the globe for some reason. Another thing I was picking up on was two people being born from two different ethnicities. So I feel like you and your future spouse will have a lot in common in the sense that you may have been through similar hardships in your life though you come from completely different areas of the globe. You could bond over things like : being the "black sheep" of the family, being the "generational curse breaker", being the "weird child" or the "rebellious child", being bullied in school because of your looks/sexual preferences/culture/religion or any form of difference that made you stand out, feeling like you don't belong, wanting to be someone else or somewhere else, feeling like you're not from this planet, having a weird interest in astrology and space facts, believing in ghosts and/or UFOs.

Group 2

"I communicate with ease and grace. People are willing to embrace what I have to say." "I welcome healthy, loving relationships." "I celebrate my progress. Awareness, not perfection, is the goal."

White Numen tarot : The Magician, 8 of wands, Queen of cups, King of wands, Ace of cups

I don't care oracle : Sorry not sorry, Spread the love, Yes! , Smile smile more even more!, You are not your emotions

This person is very chatty and an excellent communicator. They have a very eloquent speech and a beautiful voice that may be envied by many. They enjoy singing and whistling. They can easily talk anyone through anything. They have a bit of a snake charmer vibe. They're a smooth talker and many times got out of trouble because of that. They have a fascination for birds and/or their nickname revolves around a bird. I'm thinking of Woody Woodpecker, Tweety, Daffy and Donald Duck, Zazu, Iago. Like either that or they are named after a bird or compared to a specific bird. Specifically, there are peacock feathers depicted on the relationships card from the Spirit Junkie oracle. So peacocks could be relevant to this connection somehow. Either they get compared to a peacock because they tend to show off around potential partners or because they have a really flamboyant nature and attidude. They also could be compared to parots or phoenix.

This person exudes a lot of masculine energy. They may be depicted by other people as a playboy/playgirl, as a macho if they're perceived as a man or if they're perceived as a woman their feminism may not be well perceived by their peers. I feel like they get a lot of backlash from others and get wrongly accused of being so many things because of how unapologetically themselves they are. This person has a lot of self confidence and they have strong values. They draw a lot of attention but also a lot of envy and jealousy. They may be in the public eye.

They are extremely harsh with themselves and have perfectionist tendencies. They're a workaholic. They're extremely prideful and take a lot of pride in their accomplishments, especially on a professional level. They are the type to never regret a choice they make, even though people do not share their opinion on the matter because once they've set their mind on something it is very hard for them to change their perspective. They are incredibly stubborn but also incredibly resilient.

They are very popular and sociable, however they just don't let anybody in their close circle. This person has strong boundaries and they do not hold their tongue. They've put themselves in trouble more times than they can count because of their blunt approach. People around them may say that they are haughty or that they have no respect for their elders, that they do not take criticism well or that they are full of themselves. But the truth is this person is just very protective of their own space and they were raised in a background that taught them to always speak their mind when something doesn't feel right. They cannot stand injustice and you can be sure that this person will always stand up for what is right, no matter their differences with the people involved.

They have climbed the ladders of society through their hard work. They "came from nothing" and "became somebody" because of how dedicated they were to their craft. This earned them a lot of respect but also a lot of advantages and money. This person is now wealthy and leaving very comfortably but this wasn't the case when they were a child. They became so succesful that they may now be their own boss. They earned enough money to be able to open their own business or work independantly. If this person is an artist for instance, they fund their own work with their own money. They may own their own label or they're just a solo artist because they've gained enough of an audience and enough resources to be able to do so. This is just one example among many. They could be working freelance on different projects or own a brand of some sort. It could be anything really. If not that, then they have a higher status within their work environment compared to when they started.

For most of you, I feel like your FS is older than you. There's a stark contrast between you not only because of your age but also because of your maturity and life experience. I feel like you would be very intimidated by this person at first but also, because of everything I mentioned before, you may start off with a bad impression of them because of how other people depict them or gossip you may have heard. You could start off as rivals or "ennemies" so to speak. Also, I get the feeling that when you first meet them, you will think that they are disinterested in you or that they don't like you.

Despite their intimidating façade, this person is actually incredibly kind and loving. They are very sweet and sensitive, but they don't show that aspect of themselves to a lot of people. They have huge trust issues and they struggle with intimacy. They are hyper independant and they tend to repress their emotions, especially their sadness, through humor. They're the type of person that will act like a clown and make jokes to distract themselves and others from the fact that they are not okay. If you talk with this person and start to get deep by bringing up intimate subjects, they are likely to swiftly change the subject or disguise the truth by joking around. They may exagerate certain traits to make themselves appear stronger or cooler and take away the vulnerable aspects of the story. Let's say this person got into a fight and was hurt in the process. Maybe the true reason why they got into this fight was because they were drunk after breaking up with their past lover and a person's attitude didn't sit right with them in that specific setting. When they tell you the story, they may omit the fact they were at their lowest and emphasize how brave they were to stand up and interfere because a person twice their size was bothering another customer. That kind of thing.

This person has a problem with expressing their feminine side and showing emotion. They do not talk about themselves much or if they do, they always make sure it isn't too personal. They tend to mask a lot of their pain, a lot of their fears. They hide behind a mask to cover up for the fact that they are in truth really sensitive and insecure about themselves. I get the message that this person struggles with their feminine side because of a masculine figure in their life. Growing up, they were taught that they shouldn't cry or let people see their "weakness". They were taught that showing affection wasn't safe. They were criticized for their soft nature and had to become tougher with time to be able to make it through. Again, I get a neurodivergent vibe from this person, which is similar to group 1. Maybe you felt drawn to that group as well.

They are very passionate and invested in whatever is going on around them. I feel like they are very active political wise and that ties down to their issues with injustice. This person either does a lot of community work or advocates for a lot of causes. They may use their influence and means of communication to raise awareness around certain subjects. I'm specifically picking up on mental health issues and struggles surrounding one's body image, speaking up against racism, bullying, sexual harassment at work. They have a lot of love to give and a sensitive side to them that they don't get to express very often but when they are in such setting that is when they can truly be themselves and wear their heart on their sleeve. You may see this person's gaze light up when they talk about subjects that interest them, things that are dear to their heart. I see this person doing a lot of random acts of kindness but on the lowkey. Things that would go unnoticed or that wouldn't seem that grand but that actually matters. Like putting flowers on someone's grave even though they didn't know them as a proof that someone cares about their passing. Leaving anonymous positive notes in books that they borrow from the library so that the next person is comforted and knows that they matter. Silently watching over children on the streets to ensure that they are safe and no one bothers them. Taking away an object that may be a source of danger for others. Giving away personal belongings by living them in random spots for other people to find them. Pretending like they're clumsy to get two people that like each other to be physically closer in the hopes that it will get things started.

I feel like this person's main love language is acts of services but sometimes they may also express their love in funny/quirky ways or unusual ways. Here are some specific things I am picking up on : making a list of all the things you like so that they know what to do when you feel down or how to surprise you on a specific event, using your go-to words or catch phrases on you to make you smile or laugh, taking interest in the things you like and trying them out to the point of being very specific about it and knowing every detail of it so you don't feel like you're alone and they can better understand you even if it makes them uncomfortable, including you in the things they do by leaving very specific tasks up to you even though they are perfectly capable of doing it on their own because they know it makes you happy, anticipating your needs in ways you wouldn't expect by keeping certain tools or products in close vicinity just in case, mimicking your stance/ your walking pace or any trait that you may be feeling insecure about so that you feel less insecure about it, making sure that you are not being left out during any social interaction and bringing the focus back to you in case you were interupted, countering your every self criticism with a reason why that exact thing is actually a good thing, expressing their opinion of you and how they feel for you in indirect ways by talking about things you remind them of (characters in movies, songs, things that are meaningful to them like a loved one for instance).

Looking at the picture you picked, I get the message that this person values beauty and the aesthetic of things and people. They give a lot of importance to appearances. They could be into home decor and interior design. They could also be into fashion. They may collect a lot of objects because of their aspect. Especially statues, paintings, traditional objects from different countries, floral ornaments. They like scented candles and incense. There is a specific flower that this person likes or they could have been named after a flower. Or they could be born on Flower Day (May 20), Rose Day (February 7), Valentine's Day (February 14), Yellow rose day (May 14 in Korea). Or overall as most flowers bloom during Spring, this season may be their favorite or may have some significance to your connection. I'm not sure what the flower on the picture is, but its shape and color reminded me of blue Hydrangeas.

Group 3

"I release my need to be right. I am defenseless and at peace." "When I lead from a place of love people respect me." " I bring peace wherever I go." White Numen Tarot : Magician, queen of wands, Judgement, Sun, 3 of swords

I don't care oracle : Close your curtains close your eyes sleep, Stop doing so much, Infinity x Infinity , I'm not okay, I am always a child

This person loves animals. They are very popular with animals. They may want to own a pet but they may be allergic to pet fur or they just don't have the opportunity to have one because of their lifestyle. They can both embody a cat like and a puppy like energy. They are very balanced and can both embody feminine and masculine energy very well because they've done a lot of shadow work.

They grew up in an abusive household and/or have dealt with a lot of abuse in their life. This lead them to becoming "mature" too soon for their age. They had to parent themselves and now as an adult they may be described as immature by others because they didn't have the opportunity to do what other children usually do growing up. They had to deal with many responsibilities very early on in their life, either because their parents didn't show up the way they should have or because they left home pretty early on for various reasons. Because of that, they have a hard time letting go of the need to control and asking for help.

One of the ways this person copes with whatever issues they have is by being active. They have a lot of various interests and they look like they never rest. This person's schedule is packed and timed perfectly. They always got something to do, someone to talk to, something to work on. They may struggle with insomnia. One of the reasons why they keep themselves so busy is to cover up for the fact that they feel lonely and scared on their own.

This person looks for meaningful and deep connections. When they feel comfortable with people, they can rant for days about the things that they like and be very quirky but if they do not have a good impression of you they'll remain as cold as an iceberg and you'll never get to see their depth. One of the ways you will be able to tell that your FS likes you is that they will act differently depending on whether they're with you or someone else. They'll do things with you that they wouldn't do with others. Show you sides of themselves that no one has seen. This person including you in their bubble will be a huge sign of their affection and trust. Especially, you meeting their family will be a huge thing because I feel like no one has gotten that opportunity before.

They are very confident in themselves, especially when it comes to their work and studies. They can ace anything you leave up to them as long as they know they've got your trust and things are explicit. However, if they feel like you're being shady or that you doubt them, this person's productivity will be affected dramatically. They struggle with impostor syndrom. They're also very quick to judge characters and they tend to have a strong intuition. So whenever this person tells you that they have a bad feeling about something, they are likely to be right.

They do not realize it bu they hold more power than they think and they are more popular than what they expect. This person is so humble that it would never cross their mind to put themselves forward and talk about their accomplishments. This is because of their upbringing. This person was lead to believe that they were not important and that no matter their achievements or efforts, they would never be enough to be taken seriously. Honestly this person has been through so much in their life that it's a miracle they still find the drive to carry on with a smile on their face. They are incredibly strong and admirable but they would never think that of themselves. They are their own worst enemy and critic. They don't like to be the center of attention but no matter what they do they just cannot escape it.

I feel like right away in your connection, you will intuitively feel very drawn to this person and very early on realize that they are your FS. Their will be something about their eyes that will immediately spark your interest. And everytime you will look into this person's eyes, you will not be able to hold their gaze because of the intensity of what you feel when looking at them. This may be something that they tease you about later on in your connection. I also pick up on a setting or an action that is unusual when you meet them. There will be something that will set you off about this person or maybe you will do something that they are not used to. And that will be the spark that ignites the whole thing. The reason I am saying that is because on the "I am always a child" card, the character depicted is walking barefoot on the street and one of their foot is in the mud. They are very neetly dressed and yet, without a care in the world, they are risking getting all dirty and being laughed at. It looks a bit out of place or out of the ordinary. Here are some things I am picking up on that maybe will speak to you : being the only person that didn't follow the dresscode at a party, walking up the stairs with a bunch of heavy grocery bags when you could have used the elevator, being the only person in the gym that sings to their workout playlist and gets hyped up while everyone else is just quietly sweating it out, being the only person that dares to talk back to the other or makes a comment about a specific touchy subject, being the only person to actually be educated about a specific topic that they're interested into while the others just have a surface level understanding of it, not showing them any sign of interest when other people are desperately trying to get their attention.

Looking at the picture you chose, this person could live by an important body of water. This could also be a sign that they are a very emotional individual. They may be into water sports like surfing, swimming, scuba diving. They could enjoy fishing. They may eat a lot of sea food. When travelling, they may prefer warm places such as islands over the country side or places like mountains. They may prefer Summer over other seasons.

Group 4

"My high vibe thoughts create health in my body, peace in my mind and love in my heart." "Let me be still today and listen to the truth in silence." "The more I honor my inner light the more I brighten the world. I choose to shine."

White Numen tarot : King of wands, 9 of wands, 7 of wands, knight of pentacles, 5 of pentacles

Sorry not sorry, Turn your tongue 7 times in your mouth before you speak, I've got super powers, Tomorrow is another day, Don't be fooled by my appearance my soul is resplendent

Based on your picture, the first thing I pick up on is that you may firstly interact with this person at a distance, either being penpals or through social media/dating apps. The picture also gives me a feeling of nostalgia. This may be someone that you reconnect with after a long time being a part. Daisies is the birth flower of people born in April. So it could be your or their birth month, or you could meet during this month. This person could be a childhood friend or your relationship could start of as friends and evolve into something more over time. I also can't help but to think of Disney's Daisy and Princess Daisy from the Mario lore. So your person gives off a very innocent vibe upon first glance but they turn out to be stronger and smarter than they appear. Though people may think of them as superficial, frail or shallow they are actually have a lot more depth and are very sensitive. This person may tend to be underestimated or overlooked, people may wrongly assume their character because of the way they look. Which feels a bit similar to group 2's person's energy so maybe you felt drawn to that group as well.

Your FS is a very spiritual person and they developped that spirituality through hardships and adversity. They possibly dealt with bullying as a child. This person was lead to believe that they didn't deserve affection, care, help. They spent most of their life being on their own and having to protect themselves because the adults around them where not creating a safe space for them. They have huge trust issues and are hyper independent. They do not know how to ask for help and do everything by themselves. They're the type of person that wants to be recognized solely for their skills and hard work. If someone were to help them or gift them something, they would think that they are not worthy of it because they haven't worked for it or earned it. Their notion of value is distorted because of the way they were raised as a child.

They are originally a very bright and cheerful person but life turned them into a bitter and cold person. Many times in their life, they were shown aspects of humanity that made them lose faith and hope. They were constantly lied to, disregarded, manipulated. People abused their kindness and generosity, treated them badly under the disguise of friendship or love. This person grew to believe that love wasn't meant for them. So when you meet them, they'll likely avoid you and run away from you at first. They'll have a hard time believing that your feelings for them are genuine and they may keep you at arms length for quite a while.

They fear intimacy. This will show in their distate for physical touch and public displays of affection. In their constant need for space and independance, for control within the relationship. Ironically, though they need a lot of space and free range of action, they will show a lot of possessiveness and jealousy especially if you are separated. This connection really gives me ennemies to lovers vibe. They will hate to love you and love to hate you. The beginning stages of your relationship may be quite rocky because of this person's fears and issues. However, because they will be very attached to you and protective over you they will understand the need for them to heal those aspects of their personality for you connection to be healthy and lasting. This is also because they have a strong sense of responsibility and want to be perceived in a good light by their loved ones.

This person is very charismatic and sensual. Chances are that a lot of eyes will be on them and a lot of people will want to pursue them, even while you are dating. They face a lot of envy and jealousy generally speaking but they will face even more adversity once they are with you. Which could interfere in your connection. There will be a lot of gossip about you, especially career wise. People in their work sphere specifically will not understand why your dynamic is working when you seem so different from one another. This will stem mostly from a lack mindset. Even their family could get involved in the drama. Since this person is very popular and likely succesful in their work, people may say things like you could be a threat to their reputation or question your motives for dating this person.

Even though their attraction for you will be very clear and obvious, this person will do everything in their power to ignore it and resist the pull to the point where it may look completely crazy to you and ridiculous. You may think "why is such a mature person acting in such a childish way, this is so unlike them". They'll make choices and actions that you will not understand and could attempt to sabotage the connection. But the more they will try to run away from you the closer they're gonna get because the Universe will not be having any of their BS and you won't either. Every time they will try to ignore or avoid you, they will be reminded of you or forced to face you in some type of way. This person could be trying to flirt with other people to forget about you, they may even straight up date another person thinking that you would disappear from their life. But the people they will interact with will be very similar to you or coincidentally they will be in your circle. If this person is working in a similar occupation, circumstances will have them working with you. They could choose to move out in a new location thinking they would avoid you but it turns out that you frequently go to that place because a family member lives nearby or your doctor's office is located in the same street. If you are a parent, maybe their kid goes to the same school as yours. And so on and so forth. Every time they turn on the radio, they'll hear songs that remind them of you. They'll see or hear your name quite often or will be confronted with something you like every day.

Specifically, I pick up that this person could be a coffee addict but maybe the way they like their coffee is very different to yours and this may be something you passionately debated on. They also have a thing for plants and flowers. They wear glasses or they have a bad eyesight. You could have "argued" about being too blunt and not knowing how to read the room. I don't know why I keep writing in past tense. Maybe for some of you that's a confirmation you already know this person. If that isn't your case, maybe this will be something that happens later on in your connection. I really get the feeling that something about this person will just get on your nerves when you first meet. Like the way they talk or how they dress. Maybe the setting in which you meet will give you a wrong impression of this person. Especially if a lot of people are badmouthing them and spreading false rumors about them.

This person is a loner. They spend most of their time alone, either at work or in their personal life. They are very guarded and introverted. They barely leave their home unless it's very important. They may have a fear of crowds and enclosed spaces. However, when they are able to trust someone they are very kind and giving, a total opposite of what people may depict them as. They have a very healing presence that stems from all the hardships they faced over time. This person uses their own experience to help people heal and expand. They could be a therapist, a reiki practitioner, someone that uses alternative medicine like herbology, crystal healing and such.

They have a lot on their plate. They struggle with mental health issues and it isn't something they openly talk about with anyone. However, if this person sees someone going through hardships, they will be the first one to reach out and provide help and support. This person believes in the law of attraction and also in fate. They know when to pay attention to the details which could also explain why they are so succesful in life but people may not see that side of them and just belive that your FS has it easy because of their wealth, their background, their looks. When in reality, this person is the most hardworking individual you'll ever know. And when you get to see that side of them, you will really admire and respect them.

[daniellethamasa]

Weekend Writer: March 2024 Prompt Share

Hey all, Sam here. On occasion, time really feels like it flies. Somehow we are already at the end of another month…which per my new schedule with these Weekend Writer posts means that we are at another prompt sharing post. Basically, in each month, on the first Friday I will use various creativity generators to come up with a number of options to hopefully spark our interest and get us…

[gaywineauntsstuff]

Random headcanon number 20207483927

-Dick doesn’t spy on his families teams

Because he doesn’t need too

They’ll either tell him what’s happening

Or their teammates will

He’s friends with 80% of them anyway

Jason Todd was honest to god on a team with Dicks Ex who still adores him and starfire /j

No but really Roy and Kori 100% have doxxed Jason’s entire life to Dick Grayson

A) bc I will ignore any canon where these 3 aren’t close

B) Kori has never had a filter ever

C) Dick absolutely has indoctrinated the fab 5 into mission reports and now they feel weird without a debrief

D) Roy would find giving Dick and ulcer over the stupid shit his brother does hilarious

E) Roy would find giving dick and ulcer over the stupid shit HE does so so so fulfilling (revenge)

Damian is on the Titans.

No matter what titans generation of titans it is they’re responding to Nightwings status report request, fully detailed in MLA format with a reference list following APA 7 guidelines

Dick does not have to worry about young justice despite the fact they are very much NOT snitches bc Tim absolutely calls Dick and Doxxes his entire life story to him once a week minimum

(See Tim telling Dick random shit in the comics causing him to lose his balance and fall a compilation Im sure exists)

Both Clark and Wally are on the justice league. Bruce’s every dangerous move is reported to Dick via Clark and all his stupid ones are reported to Dick via Wally.

No matter how weird Dick and Babs relationship (on again, besties, off again, not talking etc) is she’s absolutely telling him either via concise email or 7 hour long sip and bitch session every single thing that happens not for help but bc ughhh wtf is happening.

Now frustratingly the same is not reciprocated

Bc

“Donna or Garth would kill me” -Roy

“*graphic details of sexcapades to distract from question*”-Kori

“Nightwing is busy” -oracle (babs just leaves when asked as a civilian)

“I’m sorry it’s just so hard to not talk to him okay?? He’s so nice” -Jon during supersons

“He’s my friend too, I can tell him what I want” current jon

“Listen he barely talks to me as it is I’d rather he still come to me with issues and insecurities without worrying his father will hear it” -Clark

“If you think I’m saying shit to you, you’re in idiot, if anything was wrong and I told you you’d make it worse go fuck yourself” -Wally

(OG Bruce Wayne hater of titans. him and Roy do fight over this title at the titans new years. Wally thinks Roy lost his place bc he found a new bird to be mad at the bat over so his timeline should shrink. Roy thinks this is bullshit bc now he hates Bruce for reasons of bird^2)

[maybefae]

If you were written into a book, what would be the story? (Fictional tropes?)

Pile 1 - Pile 2- Pile 3

Remember, this is a general reading and it may not resonate for everyone or completely. Tarot is a tool to help guide but you are responsible for your actions and life, you choose your path.

Tips!

Pile 1

Tarot: King of Wands, The Tower, Three of Pentacles, Ten of Cups, Two of Swords, Five of Cups, Page of Swords, Three of Cups, Temperance, The Empress, Ten of Cups, Ace of Cups, Two of Wands, Judgement, The Sun

Oracle: The Cartographer, The Founder, The Scholar, The Captain

I am getting two versions but with the same “ending.” And I originally was gonna use the deck I picked for your pile a couple days ago but I kept shuffling and nothing was coming through so I had to use a different deck. But some of the previous cards did come through! I believe that the deck situation does actually play into the story I am getting too. 

The situation has to do with a switch in power. This story starts with a king and this king could either be your husband in this book or your father. (I’ll let you guys decide what version you like best.) 

If it was your husband, this was an arranged marriage and one you really didn’t get much of a say in. Your family could’ve needed financial help and you being married off to royalty probably helped them. You probably went through with it just so your family would be happy. But the king was selfish, wouldn’t see any other way but his. He didn’t care much about you, liked the look of you on his arm, but would bed any other woman or person he’d like because he’s king. You didn’t have room to grow during this part of the story.

However, there is a turning point where you had enough or your kingdom was in trouble with his ruling and you end up killing him. And you probably made this murder look like an accident. I do have the idea that you probably had a servant or night that helped. This knight could be a love interest that you end up with in the future. But this is your big tower moment where you then are put into power without much knowledge on how to rule. 

But the people of the kingdom as well as the workers that were for you and the King actually adored you. They knew how disgusting, selfish, and greedy the King was; they saw how the King treated you. That’s how he treated them as well! And so the workers helped you, taught you how to rule. And you did a lot of studying, independently but also getting word from around town. I’m not gonna say that it was easy being put in a position of power, but you did it as gracefully as you could. It has a lot of found family vibes. The other kingdoms may have had an issue that you actually helped your people and weren’t greedy and self-centered but there are also hints that you actually end up uniting a bunch of lands. But you did grow into a well-loved ruler.

It’s like the quote, “Is it better to be feared or to be loved?” And in your case, it’s better to be loved because the people would go to lengths to defend you and the land. They have something to be proud of. 

If you wanted a love interest, I believe you get one and I have a feeling it is the knight I picked up on earlier. Or there could be a character added later on for book two of your story.

Pile 2

Tarot: Knight of Pentacles (The Entertainer), Wheel of Fortune (Life Map), Eight of Cups, Three of Pentacles, Page of Wands (The Wanderer), Nine of Pentacles, The Tower (The Shore), King of Wands (The Protector), Five of Cups, Seven of Cups, The Hierophant (The Phoenix)

Oracle: The Pathless, The Fate, The Alchemist, The Walker, The Sentinel

So I wanna start with the fact that there are two cards about “fate” here. And there is a blatant story that is shown here. This story has to do with time travel and you, as a character, having a hard time accepting fate. 

In this story, you have a partner that you were madly in love with, as were they with you. But this could be a historical fiction where they are drafted or they sign up to go to war. And while they were deployed, they would send letters promising a future. However, you end up getting news that they died in war. And you are hysterical. You don’t want to believe it’s real and will go to whatever lengths to get them back. 

Thus, this is where the time travel part comes in. I don’t necessarily know how time travel would happen in this book but I keep getting the vision of you going through time line after time line trying to find the one where they survive and make it back from war. A time line where you both can live out the future you planned. But each one, they end up dying. And your character is supposed to accept this moment as a thing that was supposed to happen. No matter if you went back and changed something in the past, it was bound to happen anyway. It’s like you can’t change someone else’s life. Your love wasn’t wasted. And I see a being, personified death, try to tell you this and you’re just sobbing and begging death for help. But it’s like you just ask, “What am I supposed to do?” And you don’t ask how you can bring your lover back. You want to know how to live. And Death ends up telling you something, but in my vision it’s like it zoomed out and I can see the both of you. His mouth is moving while you look at him, listening to his advice. But I can’t hear it.

It reminds me of the letter a soldier wrote to his lover.

Pile 3

Tarot: Nine of Cups, Seven of Cups, Page of Wands, Nine of Pentacles, Nine of Swords, Two of Swords, The Star, Ace of Pentacles, King of Swords, The Hierophant. Page of Swords, Eight of Pentacles

Oracle: The Waker, The Sentinel, The Chiromancer, The Miser, The Guide

I’m getting a few books or pieces of media that can correlate: Pride and Prejudice, Little Women (Jo and Laurie in particular), and Anthony and Kate (Bridgerton).

I believe that your story revolves around the complexities of the “older sister” role. You are the character that needs to control and look after everything or else you think the world will fall apart. But there is also an energy here of high standards and “why do I need a lover if I already have everything I need?” or the anger of someone wanting to come in, love and take care of you but you get angry because you have had to do it all by yourself. The anger of wanting this person when you needed them but now you don’t anymore, so fuck off. 

This pile is definitely for the enemies-to-lovers fanatics. There is an energy here of one-sided feelings but it’s more that your character does like this person but the unchecked/unhealed anger overrides all good feelings. This story is a journey of letting go and letting yourself be loved despite how uncomfortable and scary it is. The female rage, the anger of the older sibling…figuring out how to deal with the anger, letting go of control now that you don’t need to live in survival mode anymore. It’s the older version of you protecting a younger version of you, protecting your heart…

The love interest is charming. They can come off cocky and a flirt but may say things the wrong way which makes you “hate” this person. You think they’re a town bicycle, everyone gets a ride with them. But they truly do have feelings for you. They like the chase and fall deeper in love with you the more they have to work to break down your walls so you can see how serious they are. There could be events in the book where they come around to help and they could be the only ones that do come around to help you when everyone else is blind to your struggles and pain. And over the course of the book, you see that and finally take down your wall, slowly, brick-by-brick. And even if they like the chase, they don’t lose feelings when they finally get to hold you in their arms. They are completely serious, completely in love with you. And you get to have the safe home you’ve always dreamt of in the end. They are your defenders, even though they know you can handle yourself. The slow burn was worth it, I promise. 

Decks Used:  Ophida Rosa Tarot by Leila and Olive, The Rider-Waite Tarot Deck, The Citadel: A Fantasy Oracle by Fez Inkwright, Ethereal Visions Illuminated Tarot Deck by Matt Hughes Dividers: @inklore

[aeristudios]

2099: A Seventeen Series

50 years ago, the milky way as we know it was destroyed, leaving the remaining human population to find find shelter in another galaxy—deemed The Shattered Nebula. Now it's 2099, and with civilization spawning across several planets, we will follow the lives of the thirteen souls of Seventeen as they carve their paths through love, danger, destiny, and the beyond...

Genres: fluff, angst, smut, sci-fi au, dystopian au

General warnings include heavy topics, depictions of violence and murder, talks of murder, uprisings/rebellions, morally grey characters, recreational drinking, use of guns, etc. Each story will be explicitly tagged and will be 18+ ONLY.

If you would like to sign up to be tagged for each story when it's released, you can sign up here.

✦ Thank you @hobeemin for the banner and dividers ✦

See You, Space Cowboy

✦ ⋆ ࣪. With a bounty on your head, you are determined to get your revenge at all costs… even if it means losing the man that you love.

pt. 1 pt. 2 visual concept 1 visual concept 2 playlist

Girl With The Spider Tattoo

✦ ⋆ ࣪. Jeonghan doesn’t do feelings. He runs his business, takes care of his sister, and lives his life attachment-free. He was okay with that until you showed up, too perfect and careful lies. But despite that, he wants you anyway.

coming soon

Like Wildfire

✦ ⋆ ࣪. She was someone soft from his past, a dreamer who longed to be with the stars—someone who had no business surviving in the bloodstained world Soonyoung lives in. She disappeared during an uprising, and he assumed she was dead. Now, years later, he finds her with the rebels, with eyes like wildfire, ready for revenge.

coming soon

 Lucid Dreams

✦ ⋆ ࣪. After a near-death experience, Investigator Jun starts seeing you in his dreams, someone he doesn’t know but feels deeply connected to. When he tracks you down in real life, you claim never to have met. But each night, the lucid dreams grow stronger… and your reactions start to change.

coming soon

The Fixer

✦ ⋆ ࣪. Chan is a fixer—always ready to please, trained to obey… except for when it comes to you.

Sleeping With The Enemy 

✦ ⋆ ࣪. You're the daughter of a rebel general, forced to marry the crowned prince Joshua to unite the warring factions. You hate each other and it's no secret. But an attempt on your life forces you to share chambers with him, and you aren't so sure you hate him anymore.

coming soon

What Lies Within

✦ ⋆ ࣪. You’re hired to investigate a string of murders tied to relics once held in the now-destroyed Oracle Vault. Minghao, a famous ancient artifact curator, agrees to help you, but only if he gets to keep the relics. The deeper you go, the more disturbing the truths become, and you find yourselves fighting for your lives— and running into each other’s arms.

coming soon

Save Me

✦ ⋆ ࣪. You're a prisoner from Mechara for a crime you did not commit, locked in a floating penitentiary. Injured during a riot, you’re taken to the infirmary, where Seokmin, the resident medic, treats you under strict surveillance. He’s gentle, careful, too kind for this place. And as much as you don’t want to, you start to trust him.

coming soon

T.K.O

✦ ⋆ ࣪. Seungkwan is a smooth-talking promoter who runs underground fights. Everything was going fine until you entered the ring and knocked him off his feet.

coming soon

Cordis

✦ ⋆ ࣪. You’re the sole survivor of an explosion from a chemical lab in Zoie City. Jihoon rescues you, bringing you to his station. He monitors your vitals daily as you recover, watching your heartbeat stabilize in sync with his own. He insists it’s clinical. But he’s lying

coming soon

Erased

✦ ⋆ ࣪. You sell memories on the black market—sliced, edited, and projected. Vernon is your most loyal client, always buying memories that don’t belong to him. One night, he brings you a memory chip he found—a forbidden one—and asks you to watch it with him. It’s a memory of the two of you: laughing, kissing, saying goodbye. You don’t remember it. But he does. And someone out there wants that memory erased—for good.

coming soon

Need You

✦ ⋆ ࣪. You overheard something you shouldn’t have, and you’ve been on the run ever since. Almost at the end of your rope, you turn to the one person you know would drop anything to save you—even though you still hate him for breaking your heart.

coming soon

Peaches

✦ ⋆ ࣪. Seungcheol is at the top of the world as the head of The Organization. He’s respected, feared, and if you are an enemy? Run. But once a month, he returns to his serene hometown to visit his mother… and buy peaches from the girl who doesn’t flinch when she looks him in the eye.

coming soon

[boymanmaletheshequel]

Symbolism of Dionysus

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The dual-sided god of pleasure, of wine making, festivity, homosexuality and madness, sometimes depicted as a wise and burdened elder, sometimes as a careless, effeminate youth, Dionysus is a god of many facets of human nature, both good and bad, perhaps the most human of all the gods of Olympus in his personality, and his unusually relatable legends. Let’s go over some of the divine symbolism that he is represented by shall we?:

• 🌈 Colors:

- Purple: A god who is defined by his duality, of both elder wisdom, and nonsensical youthful madness, as well as his notable libido, and penchant for wine and the festive habit of drunkenness, there is one color above all others that generally seems to fit with all of these themes: purple, or lavender. A color associated with grapes, wisdom, homosexuality, and innocence!

• 🐴 Animals:

- Leopard: leopards are fierce, wild, roaming, violent cats, a perfect reflection of lord Dionysus, and he is often depicted in Ancient Greek artworks either riding or wearing the wild cat. In a poem by Oppian of Amea, it is said that the leopards were the incarnations of his past lovers who, after Pentheus offended the god, asked to be turned into leopards so they could tear him apart! It is also believe that he would sometimes take the form of wild cats like leopards.

- Tiger: during his journey through Egypt, the king of gods Zeus is said to have gifted Dionysus a mighty tiger which helped him to cross the mighty Tigris river, they became widely associated with him as a result of this great feat. Like leopards as well, many claim he often took the form of the tiger as well.

- Bull: bulls are an animal widely associated with themes of raw sexuality, and sexual aggression, as well as aggression in general, all themes of which fit the god of madness and violence, and of lust and drunkeness quite fittingly. They are also the key plot device in the Greek story of Dionysus and the sacred bull.

- Serpent: in the feats of Dionysus, the gods last feat was the feast of Dionysus, a meal which took place on a pirate ship he had hired to carry him to Naxos. The men tricked him however, so he turned the oars of the ship into serpents.

• 🌸 Plants and Flowers:

- Ivy: one of Dionysus’s key sacred symbols, Ivy is a vining plant that has long been associated with poison, and yet also claimed to be able to cure intoxication, representative of the sometimes dangerous or stark duality of Dionysus’s character and personality. It is said that his cult would wear wreaths and crowns fashioned out of the plant, and the leaves were utilized in his rituals.

- Khalanchoe: also called the paddle plant, khalanchoe is a plant which harkens back to the most ancient roots of Dionysus cults, back when he was not yet known as Dionysus, but rather the much older Greco-Roman god of Bacchus, from which his character derives, who was a god of vegetation and prosperity, who was often associated with this plant.

- Pine: In ancient Greece, the pine was particularly sacred to Dionysus and his worshippers. In the ancient city of Corinth, the Corinthians were ordered by the Delphic Oracle to worship the pine along with Dionysus as a god. In the ancient Greek culture, pine was long associated with fertility, one of the key attributes of the libido and festival stricken Dionysus, he is often portrayed in Romanesque and Ancient Greek artworks holding a staff topped with a pinecone.

- Grape blossom: perhaps the most obvious choice here, grape are synonymous with Dionysus’s character, emblems of his drunkenness, of his celebration, wisdom, femininity, and also of his vigor and fertility. Grape blossoms, and leaves, as well as obviously the grape itself, are unmistakable symbols of the lord Dionysus.

• 🍗 Food:

- Grapes: perhaps the most sacred symbol of Dionysus and his influence, the grape is the perfect metaphor for the god, and all he represents. It can represent fertility, with its plump and plentiful fruit, yet also infertility, as it can be used to make alcohol capable of ending a pregnancy. It is a symbol of innocence, a delicate fleshed fruit that is sweet and simple, yet also of wisdom, a fruit that is said to be the source of many secrets and stories. Grapes are Dionysus personified.

- Figs: similarly to grapes, figs have long been associated with drunkeness and foolishness, a fruit that is known to ferment much faster and more potently than most others fruits, and in Ancient Greek times, would have likely been one of the most accessible ways to get drunken! It’s seedy nature is also representative of fertility.

- Wine: of course, you can’t have Dionysus without a glass of wine to accompany him. Long s sign of royalty, festivity, and sexual promiscuity, Dionysus was truly the original wine mom gay, a chaotic manwhore, lovable, but almost always at least a little bit drunk off of the coveted crimson liquid.

• 💎 Crystals and Gemstones:

- Garnet: long associated with the crimson color of a fine wine, as well of a stone said to be imbued with strength and sexuality, garnets, particularly of the almandine or rhodolite variety, are great symbolic stones of lord Dionysus and his strong sexual nature.

- Amethyst: in Ancient Greek apothecary, it was believed by many that amethyst had anti-intoxicant properties, and in fact, some of the highest of Greek royalty drank from wine glasses carved purely from amethyst! At the time, the vast quarries of amethyst of South America hadn’t yet been discovered, and it was still considered to be a truly precious gemstone, often reserved only for royalty, royalty like Dionysus.

- Grape agate: a recent discovery from Asia, one of the many lands that Dionysus was said to have roamed and adventured in during his many great feats, grape agate is a variety of botryoidal cryptocrystalline amethyst (excuse the geologist nerd talk) that almost perfectly resembles a cluster of juicy grapes! I don’t think I need explain further why this stone is PERFECT for modern Dionysus devotees!

• 🪐 Planets: although Dionysus Is not traditionally associated with any of the planets in the Milky Way galaxy, (though some modern hellenists associate him with Jupiter) there are a number of celestial objects and bodies that have since been named for him: most notably perhaps, is the binary asteroid Dionysus 3671, discovered in the aptly named Olympus system in 1984!

• ☄️ Astrology: Dionysus is almost definitely a Taurus, his dual personality which can manifest as either playful or predatory is a trait that is shared by many a Taurus (as someone who knows a Taurus who can be both very fun and very terrifying, I can confirm this is quite accurate!)

• 🍇 Other symbols:

- Mental health: perhaps unsurprisingly, the many different facets of Dionysus’s ancient personality, the drunkeness, the madness, the torrential mood swings, the struggle of chaos he is often depicted of dealing with, has led to him being celebrated by many modern hellenists as the patron god of mental illness, and the neurodiverse! His dual personalities are a clear allegory for personality disorders, his mood swings and “madness” line up closely with modern understandings of ADD, ADHD, as well as autism and even major psychological disorders like schizophrenia. He is undoubtedly a god who is very closely related to his human worshippers, perhaps more than any other god on Olympus!

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Like my posts? Consider giving me a follow if you wish to learn more about the gods of Hellen with me, and explore the many stories and Mythos of the Greek mythological universe! Blessed be your day 💙🏛️💙

[loregoddess]

so I've been watching the KH Union Cross stuff (in order, thank goodness, this would be so confusing to piece together otherwise), and like, I knew enough about UX that the appearance of the foretellers at the end of KH3 wasn't confusing bc I knew who they all were, but getting the expanded, explained lore and I'm like okay, actually these weirdos in animal masks are pretty cool, glad to know they'll show up (presumably) in future games

also I'm glad that memorizing the Latin names for the seven deadly sins is finally paying off

[ri-writes-if]

Intro

LINK | 6 chapters, ~360K words (last updated 30/05/25)

FOUND A TYPO/BUG? | PATREON | PUBLIC BONUS CONTENT | DISCORD | PLAYLIST | PINTEREST | PROGRESS UPDATES | SNEAK PEEKS | SNIPPETS

In the underworld kingdom, where demons fight for survival against the abyssal monsters, you are just an Oracle. In the distant past the Oracles were at the top of the demonic hierarchy, but those golden days are long gone. You did what you were most afraid to do and now sit under arrest in the royal palace.

When the Abyss sends you a vision of a terrible disaster that will happen in the future, you make an inevitable “deal” with the Sovereign to try to change the future and improve your abilities, not only to become stronger and learn more about the coming disaster, but also in an attempt to achieve mind stability. 

However, what has been happening to you since you received the vision makes you think that you are already slowly but surely losing your mind. 

Will you be able to maintain your sanity and help others protect the kingdom, or will you become just another name in the long list of Oracles gone mad?

This is a free to play interactive fantasy story with a heavy focus on friendship and romance (with strangers to lovers or enemies dynamic). The story is rated 18+. Content warnings: violence, death, loss of sanity, trauma, avoidable sexually suggestive/sexual content, and more (the full list is in the demo).

Customize your Oracle: pronouns, traits, and appearance. Choose your full ✨ demonic form. ✨

Build friendship or romance with five different characters. (Allo and ace routes available.)

Learn more about the Oracles’ past and what truly drove their royal clan into ruin. Uncover the secrets of your abilities. Chat with the Abyss?

Decide what you do for fun. Do you sing, dance, paint, play a musical instrument, or write? 

What you did cannot be undone. Your reputation forever ruined, how will you handle the public’s new attitude toward you? 

Maintain your sanity. Depending on your choices, you’ll either move closer to loss of control and madness or further away from it.

Decide what fate awaits you. You’ll have to make an important decision that will open two very different paths for you, influence the plot’s progression, and your relationships.

Will the victory be sweet?

✨ Vezriel, The Sovereign (m / f)

Vezriel seems a perfect ruler: they’re smart, calm, patient, know moderation, and always put demons’ well-being first. But you’re not so naive as to think this is their real face—many secrets lurk under the golden shell of the nobility. You never thought of meeting them in the past, but now spending some time with them is inevitable. Perhaps you will find out what lies beneath their mask?

They have dark brown skin, long curly black hair, and black eyes with pale white flecks. Tall and of strong build, Vezriel cuts a robust but elegant figure, usually dressed in beautiful robes.

✨ Osara / Osaron, The Heir (f / m)

Vezriel’s only child and heir, O is their Chief Counselor, and they have a consistently good reputation. Their character reminds of their parent, though O is much more cold and reticent. Nothing seems to touch or shake their emotions, despite the known long list of ex-lovers. You don’t need their attention, but the circumstances have put you right under it. What will you make of this opportunity?

They have warm brown skin, long wavy black hair, and silver, almost white eyes. O is tall and strong, their expression impassive most of the time, which makes them rather intimidating and unapproachable to some demons.

✨ Lazarus / Lazaris, the General (m / f)

L rose from the bottom of the ladder and made a name for themselves, though judging by old rumors, their clean background wasn’t always so clean. They’re charismatic and popular but keep others at a distance—everyone except their friends… and you. L treats you especially well, but you’re not foolish enough to blindly play their game. What do they want from you?

They have beige skin, short/medium-length wavy blond hair, and golden eyes. Many small and big scars can be seen on their hands. L is tall and has a strong build. Despite their high station, they seem friendly and laid-back.

✨ Ashmedai, the Royal Healer (f / m)

Ashmedai was sent to observe your condition after the incident and to help you with mind stability if needed. They performed their duties without showing any displeasure or impatience no matter how you behaved. Ash is secretive and reserved, and you guess their restrained temper is connected to the dark rumors surrounding them. Will they open up to you?

They have pale skin, long straight black hair, and bright red eyes. A large scar runs on the left side of their face, from their forehead along their eye and to their chin. Ash is tall and slender.

✨ Azarias / Azaria, the Royal Musician (m / f)

Ash’s younger sibling, Az somewhat resembles them in appearance, but their characters couldn’t be more different. Az is bold, humorous, and fickle. They know everyone—and everything about everyone—and enjoy a special favor from the Sovereign, which has allowed them to retain their place in the royal palace for many years. You’re concerned about their peculiar attention to you because there’s no reason for it—you two have never met before. Or… is there a reason after all?

They have pale skin, long white hair, and black eyes with narrow silver pupils. A tattoo of a snake with flowers curves around their neck. Az is tall and lean.

[toast-on-dandelioms]

Just Another Neglected Story

Part 3

You can find part 1 and part 2 here! Next part

(For this part I am using they/them to talk about reader/you, but if you know a way to talk about reader without using you or they/them please tell me!)

Months passed and Spider was now famous amongst Gotham, known for stopping small gangs that bothered the neighbourhood but also helped them go back to school or find a job.

Spider was mostly famous for not immediately sending people to jail like most vigilantes, they helped if they could and didn't immediately fight and hurt people.

And Batman liked it, he wanted to know who was the person behind the mask, and to finally meet the famous Spider so his kids will stop fangirl over them.

Plus, by the video footage found by Oracle, it seemed like Spider was very good at fighting and quickly capturing with a type of web shooter, with the webs that dissolved in an hour or two.

Bruce was more interested as days passed by but his information about Spider didn't increase, since Oracle could only find so much by asking and no one knew much about the vigilante except generic stuff that almost anyone knew.

His sons were also interested in Spider, as they saw the vigilante as someone similar to them by seeing them fight to their moves when swinging by with a web shooter.

It was like a mini version of them and it amazed them.

Dick was amazed at how good Spider was in gymnastics like him, giving him the need to go with them and just practice together since his brothers were flexible but not like him.

But Spider was, they were almost similar to Dick which fueled his interest even more. He wanted to practice tricks that he did in the circus with them.

He could finally bond with a shared interest with someone and not seem weird.

Jason was interested at how good they were at fighting and sometimes using a gun if the enemy had one.

He saw how quick they were at disarming someone with a gun and using it against them, even if they were slightly injured to which he would always pay a visit to the person who hurt them in prison.

After all, they don't deserve to live if they dare to hurt Spider, even if it was just a scratch.

Tim was interested to their gadgets and especially how they could walk on walls, wanting to know everything about them and see if they use gadgets like them and Batman or if they're a metahuman.

He saw how strong they were, especially when they held a bus full of children that was almost falling off a bridge, while Superman was fighting a supervillain and couldn't come to their aid immediately.

Even though he found out who was Batman as a kid, Spider was a cryptic for him. Even with the help of Oracle he couldn't find anything useful.

And it was starting to drive him insane from the need of knowing everything about them.

And last, but not least.

Damian saw them being an inexperienced fighter but a resourceful one, seeing how they used the walls and everything they could find as a weapon if it helped.

He wanted to spar with them once, having the strange need to help them improve and also show off how good he was at fighting, wanting to be praised by them.

He didn't even know why since he never needed any praise from any of his brothers or his father, but he desired to be praised by that person.

The funny thing is that not one of them knew the real voice of Spider, as the vigilante used a voice modulator to sound different and distorted in the recordings that Oracle sent them regularly.

But even without knowing their real voice, the obsession that all of the batfam had just kept growing.

All of them wanted two to three things when they're gonna finally meet Spider for the first time:

• wanting to hear their real voice

• seeing who is hiding behind the mask

• recruit them to work with them as a vigilante and maybe even live with them at the Mansion.

But alas, whenever they tried to get to them, when they were done dealing with anything, the vigilante was always gone or immediately walked away using the walls.

To which Batman and all his sons tried different methods but the vigilante was always ready, avoiding their attemps to talk and never even giving them a word.

Usually small vigilantes, in the eyes of Batman, were always so eager to be acknowledged by such famous vigilante like him, but Spider was different.

Spider hated the attention they were getting and it was obvious, even though the mask didn't really make it see but their movements clearly showed frustration.

Or at least, they hated the attention they got from the batfam. Especially Batman and Damian, they avoided them the most.

Plus the middle finger they always did whenever they knew a security camera was on them was the cherry on top. It's like they knew that Batman was watching them and wanted to told him to fuck off.

But spiders can't hide forever can they? After some time, everything gets found.

And that's what happened that fateful night for the Batfamily, as they finally managed to locate where Spider usually hang out.

It was a bit difficult since Spider always moves after a week or two, maybe less if found out but this time they made sure to be more ninja-like.

They also got the help from Duke with his ability, just to make sure it was the right spot from seeing what happened in the past hours of the day.

Batman, even though he didn't want to, also asked for Superman's help, just to make sure he could catch Spider if they tried to escape.

He preferred to have all bases covered, just to be safe than sorry. Even though it did hurt his pride to ask Superman for help.

They all waited in the dark, knowing Spider usually comes to relax after a few hours of patrolling and helping around the streets.

Batman made the signal to stay silent when he heard the noise of the webs sticking to something and slinging around, waiting in silence with everyone with anticipation.

He stared in silence when Spider landed on the roof of the building, making a small noise when he saw Spider starting to take off the mask.

(Now it's reader/your pov now)

You stopped when your spider senses tingled, making you look around suspiciously and letting go of the hem of your mask.

You noticed many figures on the dark parts of the rooftop thanks to your heightened sight (?) and sighed, activating the voice modulator in your mask, doing that just to not give them any leads to your civilian identity.

You didn't know if they were enemies that were mad that you sent them to prison or someone they knew, so your guard was already high.

You stared at the dark parts before using your webs to capture one, thinking it was gonna be a criminal wrapped around your webs but just imagine the surprise when you saw that it was Red Robin.

You immediately knew what was going on, especially when you saw Superman flying towards you so you raised your hands in defeat, knowing you couldn't possibly fight against trained vigilantes, plus Batman and Superman.

You got down and freed Red Robin from your webs, using a pair of scissors you had in your bag pack that you always carry around in case you accidentally hit someone innocent with your webs.

You got up after finally finishing freeing Red Robin from the webs you wrapped him into, patting him on the hair out of habit of doing that with small kids you accidentally wrap in your webs.

You never hurt any kids, it's just that they accidentally got trapped in the webs and you had to free them and calm them down.

You looked up to see Batman in front of you, a bit creeped out at how silent he was since even your heightened hearing couldn't hear him. It was like he floated like Superman, but you knew that didn't happen.

You glared at him, a bit glad that your mask couldn't show your expressions, so they couldn't read them and use your own emotions against you.

You refused to give him or any of his sons something to use as leverage to manipulate you or making you think they actually wanted to spend time with you.

You started to get annoyed at the silence, especially since you just wanted them to go away, so you just started the annoying conversation that you hoped to avoid.

You also knew what they wanted, it was obvious since not one of them even called out your name so you knew they didn't know who you were behind the mask.

They were interested in Spider, the formidable vigilante and not interested in (Y/N), the forgotten child of Bruce Wayne.

"What do you want Batman? I don't think I am a criminal, so why are you bothering me?" you ask annoyed, the voice modulator making your voice distorted, so that it didn't even sound close to your real voice.

It was a nice add that you had to make, knowing that people would try to find out your real identity and usually voices are a clue, so modifying your voice with a device was the best thing to do.

Even though you never talked much when you were in your civilian clothes, but it's better to be safe than sorry.

Batman stared at you with the usual scowl that Batman always has, also showing no emotions.

He then started talking in his gruff, you don't really know how to describe his voice, but you knew it sounded completely different from when he's Bruce Wayne.

But the hatred and annoyance that bubbled up when you heard his voice was immense, having to take all your control to not punch him in the face.

The only thing you were glad about is that he was someone that immediately gets to the point, not wanting to stay even five more minutes with him and his so called 'batfamily'.

"I want you to join me and the Robins, your strenght, fighting skills and your intelligence when you use the objects and space as an advantage would be extremely helpful when fighting villains like Joker" he started, stopping with a confused expression when he heard laughter.

He looked down and saw you laughing, even though it sounded wrong and distorted thanks to the modulator. You almost kneeled down from how much you were laughing at his proposal.

He didn't know what he said to make you laugh so he waited for you to calm down, looking at Nightwing and Red Hood to see if they knew why you were laughing.

You stopped after a bit and just looked at Batman with no emotion, not that the mask showed it.

Your voice also came out with no emotion, like you didn't even care about Batman and his proposal. "I shall refuse this proposal Batman, I am not strong enough to fight villains like the Joker. I am more interested in helping people with small problems and small thefts since the police will do nothing to help them."

You grabbed your backpack that you left on the ground and got ready to leave, stopping to look at Batman and the other robins/vigilantes with him.

"Please don't follow me, I do not want to be bothered by you trying to convince me to join a team. I work alone" and left, using the buildings to swing around the city to get to another rooftop to use as a place to relax.

(End of your pov)

What you didn't know was that when you left, the other vigilantes glared at Batman, since he didn't try to butter you up and manipulate you.

Plus, Damian was glaring at Tim for having the privilege of being patted on the head by Spider in person. He wanted to be petted too, he wanted to be acknowledged by Spider.

Dick was glaring at Bruce and actually started an argument with him, trying to understand why he didn't even try to use one of his many manipulation tactics to have Spider join them.

Superman just stayed on the sidelines, a bit surprised that someone hated Batman, since he always saw people admiring the man.

Except Hal, usually he says it without anyone asking that he hates Batman. But he doesn't count.

Well he left after a bit of watching Dick, Jason and Bruce arguing, following Spider and finding them on another rooftop.

He looked away when he saw that Spider didn't have their mask on, not wanting to see their real identity without their permission.

He also made a loud noise so Spider could notice him and put their mask back on. He looked after a bit and was glad that he didn't accidentally had a face reveal without permission.

He landed next to Spider and stayed silent for a bit, noticing how smaller and skinnier Spider was compared to Red Robin or even just Robin.

He hummed when he understood that Spider wouldn't start the conversation and looked at them with a smile.

"Sorry to bother you, I'm not here to ask you to join Batman or even the Justice League" he started, a bit surprised when he saw Spider relax a bit.

It was a strange sight, seeing that someone doesn't want to join the Justice League but he wouldn't judge. Everyone has their reasons and he can't change everyone's mind.

Spider looked at him, curious about what he wanted if not to scout them in the Justice League. They were also amazed at how Superman looked in real life, since Spider always saw him on TV or on the newspaper and never met him face to face.

Superman smiled at Spider, floating down and standing next to them on the rooftop of the building "want to grab something to eat and talk? I just want to know why you want to be a vigilante".

Spider just kept looking at him before nodding and walking on the side of the building nonchalantly, knowing Superman was following them.

They stopped at a hotdog stand, still walking on the side of another building and tapped the shoulder of the worker, scaring the poor man that was working there.

Superman immediately apologized about scaring the poor man when the man shrieked and let a hotdog fall from his hands, glaring at Spider who was obviously laughing silently by the way they trembled with their hands over their mouth.

He quickly paid for the food and apologised again for how he and Spider scared the poor man, wishing a good evening before following Spider to the rooftop while holding two hotdogs.

He stood on the rooftop and gave one to Spider, turning away to let them eat without worrying about their identity. He ate and waited until Spider gave him the ok, not wanting to lose their trust and make himself hated like Batman.

He turned around when he heard Spider tell him it was ok to do so, sitting down next to them and staying silent before starting the conversation.

(Red: Superman; Purple: Spider/You)

"Why don't you want to join the Justice League or Batman's team?"

"I work alone, having someone helping me is bothersome and a nuisance"

Superman just looked at the teen, a bit in shock by the way the voice modulator changed their voice so much but especially by how similar they were to Batman in his early days in the Justice League.

It was like seeing a teen clone of Batman, but wearing a more bright suit than the original one. But this time, the theme was spiders and not bats.

He didn't say anything about it tho, not wanting Spider to also hate him. He got up after a bit of them being in silence, knowing he had to go home.

"Well, it was nice to talk to you , hope we can do this again kid" he said, patting Spider on the head before flying away and going back to his family.

(Now it's going back to reader/you pov)

You stared at where Superman left, a bit confused as to why he was interested in you.

You did know that you started to get popular in Gotham, especially when you saw merch of you in small stores.

And yes, you bought something small. It was adorable and you couldn't resist it. No one would judge you, you saw Bruce wearing his own merch or having something with the signature bat symbol.

You shook your head and grabbed your backpack, making one last round to check that everyone was ok before leaving to go back to the manor.

You walked on the side of the villa, making sure to avoid any windows before sneaking inside your room.

You did have a close call when someone suddenly opened their window and smacked your arm, making you give out a small noise since it hurt a bit.

But you thanked whoever was out there that didn't hate you because the one who opened the window was a sleep deprived Tim Drake that just ignored the noise and went back to work.

You sighed in relief when you finally got in your room and took off the voice modulator since it covered most of your mouth and nose, making it a bit annoying to wear at times but you didn't complain.

You almost let out a scream when you finally noticed Alfred sitting on your bed but managed to contain yourself, not wanting to attract anyone to your room and see you wearing Spider's suit.

You took off your mask, knowing it was useless to try and hide your vigilante persona to him, a bit embarrassed that you followed the same path that your legal guardian currently walks on.

You looked down, thinking that Alfred was disappointed or angry that you were also a vigilante, waiting in silence for one of his lectures before flinching when you suddenly felt his hand on your head.

You looked up at him, confused as to why he wasn't angry but just his look of love and adoration he had for you, something you only saw in your mother eyes made you start to shake.

Years of neglect and loneliness just surfaced, making you start to slowly cry and cover your face, trying to hide the fact that you were crying.

But just by hearing Alfred whisper "it's ok, it's just me here, you can let it out" made you break down in tears, full on sobbing and bawling on his chest as you just couldn't hold it in anymore.

You didn't even know why you were crying, but after years of being ignored or hurt by the people you were supposed to call family, watching them enjoy a nice dinner all together without you and especially seeing them being a family while you were just left in the sidelines to never be acknowledged made you finally break.

You cried until you fell asleep in Alfred's arms, you didn't even move when he picked you up like it was nothing and put you in bed.

You also didn't know about the grim look in his face that he had while looking at you, and after he silently left the room you possibly couldn't know the next word he said.

What were those words?

"Maybe it's time I should get involved in this matter, I'm sorry (Y/N) but I can't stand by and watch you become your father. I shall help this family see your worth."

And this is the end for part 3! I managed to finish it in time for new year! If you have questions just ask and I will answer them!

Oh and please stop asking me to tag you, just comment it on the posts and I will tag you! (Oh and if I didn't tag you, it's not because I forgot but because sometimes it doesn't let me tag people)

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