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#Yes you're invaluable
eroguron0nsense · 11 months
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Portgas D. Ace Rant #21223
Sometimes I just think about how profoundly neglected child Ace was and how little the adults in charge of raising him –namely Garp and Dadan– were capable of understanding his emotional needs or the severe guilt and self hatred they'd basically allowed him to wallow in. Ignoring the child neglect played for comic effect, none of them have anything to contribute when Ace is visibly distressed by the constant reminders that Roger is hated by all, that his father was allegedly a monster, and to a certain extent we can guess that Garp probably played a role in fostering it. Even his attempts to actually support Ace (specifically the "You'll see as you live" line) don't really address the fundamental issue of suicidal depression and issues of self worth, and probably kind of inadvertently made it harder for this suicidal 10 year old to rationalize the very basic notion that he deserves/ that anyone wants him to be alive. Even his friendship with Sabo, which provides him with at least some of the companionship he's been deprived of, isn't anywhere near enough to address that kind of fundamental depression and neglect, and the only thing he knows how to do in response is to take out his frustration on an even smaller, younger, neglected child.
(It's also highly likely that he's aware, on some level or another, of the atrocities committed during the military's search for him, and he's definitely aware that Rouge forfeited her life for him, so this notion that his existence is cursed is reinforced by severe survivor's guilt)
It says a lot that the first person to provide Ace with any amount of the affirmation he desperately needs is Luffy, who out of all the people around Ace should by right be the least equipped to emotionally support him, just by saying that he wants to be around Ace and he's glad that Ace exists.
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certifieddudette · 8 months
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People talk shit about having friends in different timezones all the time but they shut up once something goes terribly wrong in the middle of the night and they've got some amazing people on the other side of the world to help them out in whatever way they can while everyone around them is deep asleep.
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luveline · 11 months
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i lowkey need to see stripper!reader and spencer again
for you gorgeous ♡ fem
cw adult themes
Hotch and Spencer draw attention at the strip club for the same reason but in varied fonts. They're both reminiscent of your regulars, Hotch the picture of a businessman with a wife to forget and steam to blow, and Spencer the silent sweetheart, pretty but too shy to talk to normal girls. 
He doesn't need a normal girl when he has you. 
You're glad for your cover up clothes as you lean against the dressing room door. One of the bouncers peers at you from the corner of his eye. 
"Trouble?" he asks. 
"Not sure. Probably not." You wave until Agent Hotchner notices you. To your delight, he raises his hand politely. 
You step around the bouncer and bypass the stage to the lighter area of the club where they stand in wait. "Hello. I could've met you outside." 
"Would you?" Agent Hotchner asks. 
You don't need him to explain. It's not the most professional thing, loitering in a club like this. You follow them out of the club and onto the street, cold even in your sweatpants as the wind rails. Spencer lets you squeeze his fingers in greeting, but that's all. 
"It's nice to see you again, Agent Hotchner," you say honestly, giving him a smile. 
He doesn't return the pleasantry, but Spencer swears he's softer than he looks so you choose to run with it as Agent Hotchner says, "We need information on one of your patrons." 
"Tennis Lawley," Spencer adds. 
"Tennis," you repeat. "I thought my pseudonym was bad."
Spencer gives you a quick look. I'd laugh if I weren't at work, it says. "We think he's involved in a string of killings in Washington DC. What do you know about him?" 
It's not an exaggeration to say you've played therapist for Tennis and a ton of guys just like him. Being a stripper, an exotic dancer, whatever anyone wants to call it (though Spencer usually just calls it your work) has pros and cons. You've felt it to be heavier on the con side, but this is a big plus, being able to assist someone you care about with something important. It makes you feel useful for once, like you're more than the froth of the city. "Ask me anything," you say, hiding your cheek from the cold with a deft hand. 
Spencer and Agent Hotchner ask you all sorts of questions, personal to their suspect and less so, and for the most part you're able to answer them. You can tell from the look on Hotchner's face that he's both surprised and extremely satisfied by your knowing, and he emphasises his thankfulness with a touch to your upper arm before he says goodbye. "Your help is invaluable, Y/N, thank you." 
Spencer, your sweetheart, stays for a more thorough farewell. 
"Have you eaten yet today?" he asks, the hand you'd squeezed earlier leaping for yours. "You look tired." 
"It's getting close to midnight, Spence. I'm alright. You and Agent Hotchner should head home and rest yourselves…" You bring your hand to his cheek but think better of yourself, pushing your arm over his shoulder instead for a hug. His own arms contract around you immediately. "I miss you lately, where have you been?" 
"Everywhere. I miss you too," he says. Despite the months of knowing one another, and the many states he's seen you in, you know without looking that Spencer is blushing profusely. 
You kiss his cheek as your heels return to safe ground. "Come and see me again soon, okay? And bring your rich friends. The older one, Rossi, is he really a millionaire? A divorced one?" 
"Yes, he is," Spencer says with a laugh, his voice climbing higher, "but I don't think he's looking for another wife right now, sorry." 
"Maybe Agent Hotchner–" 
"Stop calling him that." 
You look Spencer straight in the eye, nearly caught off guard by how sweet and soft they meld at your touch where your hands linger in his. 
You often think that you and Spencer aren't meant to be. Your life, whether willing or unwilling, by choice or design, is entirely focused around your body, and Spencer's world revolves around his mind. You know that what you do for work isn't anything to be ashamed of, but you have the same doubts as anyone else. You know what people think of you. You wouldn't blame Spencer for thinking the same things. And you wouldn't expect him to want to be with you in any aspect that wasn't physical. 
But when he holds your hands in his like this, as though they're made of something delicate, something he wants to map every detail or by fingertip alone, you wish things were different. 
You clear your throat. "I really do miss you when you're away," you confess. 
"I'm sorry." 
"Don't be." Your hands miss his the millisecond you pull them away. "I guess I shouldn't keep you. Your boss will be wondering where you are." 
"Are you okay?" 
You can't even pretend it's a strange question; you're acting strange. "I'm fine, Dr. Reid. My nice new boss knows I know the feds, and all the girls are jealous of me when you guys come to visit. They think I'm on your payroll." 
Spencer quirks a puzzled frown, brows pulled together tightly. "You're harder to read than most people. Have I ever told you that?" 
"I guess it's 'cos I spend so much time pretending I'm a different person," you say, smiling to prompt him into smiling back. 
"Maybe." He pulls his bag from where it rests against his hip and opens it, rummaging through the contents with a confused murmur until he pulls out the shape he'd been looking for. "Here. Don't go to bed hungry, okay?" 
Spencer puts a protein bar in your hand. 
He steals a quick hug and leaves not long after that, crossing the dark parking lot to the mass of the dark SUV he arrives in. With one hand, you clutch the protein bar until it takes a new shape, and with the other you blow two sweet kisses, a cheesy, gaudy gesture that never fails to make your favourite special Agent blush. 
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mysteryshoptls · 16 days
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SSR Fellow Honest - Playful Dress Vignette
"My stars, a grave insult!"
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[Scalding Sands – Silk City]
Fellow: Now, ladies and gentlemen!
Fellow: What you are about to see here is a one-of-a-kind wonder.
Fellow: This is truly a genuinely invaluable show you are about to witness.
[rabble, rabble]
Fellow: Nice, them people're finally startin' to gather…!
Fellow: If you're interested in what I have to show, please, drop a few madol in this can over here. Any amount is fine~!
Fellow: And now, feast your eyes…
Fellow: On this… A one-of-a-kind puppet that can walk on its own without strings!
Fellow: What do you think, Mister? Madam? Doesn't it look so life-like? Amazing, is it not!?
Fellow: This exquisite beastman doll is the only one of its kind.
Fellow: You all are fortunate indeed to see such a fantastical sight. If your interest was piqued, I implore you to leave a token of appreciation…
[rabble, rabble]
Fellow: …Eh? It's not a puppet? A normal living being?
Fellow: HOW RUDE! WHAT EVIDENCE HAVE YOU FOR YOUR ACCUSATION!?
Fellow: Please, look carefully. It might be able to move without strings, but even if I poke or tickle it, it won't even cry out or laugh.
Fellow: It is a beautifully crafted puppet. Yes, that's right, there can be no question.
[Gidel nods]
Fellow: Ah, stop, Gidel!
Fellow: …It moved? Oh no, it must have just been a trick of the eye.
Fellow: Or, are you perhaps trying to insinuate that I, Fellow Honest, am a liar?
Fellow: You didn't mean it…? Ahhh, oh, but you've hurt my feelings so~!
Fellow: I've been known as Honest John, a man of integrity, pure and innocent, and yet you would call me a liar…
Fellow: I NEVER THOUGHT I WOULD SUFFER SUCH A DAY! MY STARS, A GRAVE INSULT!
Fellow: Hey now, Mister. Since you've damaged my pride like this, feels like you should provide me with a show of good faith and…
Gidel: [sneeze]
Fellow: AH!!
Fellow: U-Uhh… Ladies and gentlemen, I… Hm? You want your money and time back? …No need to get so angry… Hahaha…
Fellow: …Crap.
Fellow: RUN, GIDEL!!
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Fellow: Haah… Pant, pant… Did we lose them?
Fellow: …YOU NITWIT! WHY DID YOU HAVE TO CHOOSE RIGHT THEN TO SNEEZE!?
Fellow: Just a little longer and we woulda gotten something extra on top of their spectator fees!
Gidel: …
Fellow: Ugh, whatever. ...All we got to show for that in the end was just a little bit of spare change…
Fellow: …And whatever small bits and bobs of jewelry they had on them.
Fellow: I stealthily swiped them with my magic while those idiots were all focused on you, but there's not much here. Shame.
Fellow: This dump ain't worth staying in. Time to move on, Gidel! Fwahaha!
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[Fairest City – Crystal Galleria]
Fellow: Look carefully, fair people! What I have here is a magestone. However, this is no ordinary magestone.
Fellow: The date: 1000 years ago; the place: the depths leagues below the Coral Sea. This magestone was said to be sought even by the Great Seven!
Fellow: It may look like an ordinary pebble. So, what makes this an extraordinary find? Once you hear what I have to say, you'll never recover from the shock!
Fellow: Listen and be amazed! This is a miraculous stone where whosoever holds it becomes capable of using magic!
Gidel: ! [honks horn]
Fellow: For you, ladies and gentlemen, I risked life and limb searching high and low for this in the most secluded southern regions.
Fellow: There is only one of these gemstones in existence. We'll start the bidding at 50,000 madol (500 Thaumarks)! Come, come, all who are interested, please raise up a hand!
[silence]
Fellow: …Huh, no one wants to raise a hand? What, do I have before me a gaggle of broke spectators?
Fellow: Heh, gutless, all of you. Ah, but damn it all! Is there not a single one among you with the courage to reach out and grasp the miracle laid out before you!?
Fellow: With icy demeanors like that, even my fleas will laugh at me.
Fellow: …I'm sure you all are simply thinking there's no way you could trust vagabonds like us, isn't that right?
Fellow: You think I'm selling you a fake? You think you'll be wasting your money?
Fellow: Aah, that's no good, my dear fellows! If you mistrust me so fervently, it's not as fun...
Fellow: Don't worry. If you believe in what I tell you, there's nothing for you to be afraid of.
Fellow: COME ON TO THE THEATER!
Fellow: LIFE IS FUN
Fellow: …Ah, there we go, that was quick. 80,000 madol from the gent over there! And 100,000 madol from the one over here!
Fellow: A good call, everyone! With such wise decision-making skills, you all have a future scholar inside you!
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Fellow: Fwahahaha! Look at 'em idiots believing at whatever stupid story I throw their way!
Fellow: A magestone that'll give you the ability to use magic~? If something like that really existed, I'd've used it myself.
Fellow: Even the guys who were the most skeptical leapt at the chance once I used my Unique Magic. I sure enjoy pulling the wool over idiots who try to look down on me.
Fellow: Hm, let's see how much we earned today…
Fellow: Two, four, six, eight… Oho, not a bad haul. Look, Gidel, we'll be feasting tonight!
[Gidel hops happily]
Fellow: Word's probably got around by now, especially after I raked in this much. This might be the end of the line for our earnings here…
Gidel: …
Fellow: What? You want to head south this time?
Fellow: Not a bad idea. How 'bout we target vacationers at them fancy resorts?
Fellow: Let's see if we can kindly crash their little enjoyable vacations.
Fellow: …Yeah, that's perfect. You're a genius, Gidel. This time, we'll be the fancy, rich folk out on vacation.
Fellow: We go where we want, when we want. We have nothing and no one tying us down.
Fellow: That's the least we deserve as free-spirited folk!
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[Sunset Savanna – Sunrise City]
Fellow: EEEEP~~! I PROMISE, I WON'T DO ANYTHING BAD ANYMORE, I PROMISE!
Fellow: HELP~~~!
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[Sunset Savanna – Sunrise City]
Fellow: SHIT! THAT MASSIVE CHEAPSKATE!
Fellow: They were carrying around a crazy fat wallet. They could've spared even a little bit and nothing woulda hurt their bottom line.
Fellow: Yet they caused a fuss just from me trying to swipe a few thousand madol… Ouuuch, it's still throbbing where they hit me.
[stomachs gurgle]
Fellow: Man, I'm starving. It's gonna suck to go another night without dinner.
Fellow: Ain't there something we can find to eat…?
[Gidel starts to drift away]
Fellow: …Hey, wait, Gidel! Don't open that can!
Fellow: Geez… Don'tcha see what it says right here? It's got OIL inside. You can't eat it, even if you open it.
Fellow: You do the same thing every time you're hungry. I've taught you dozens of times, can't you read what it says?
Gidel: …
Fellow: C'mon, squat here a little. I'll draw it out on the ground, so don't forget this time, 'kay?
Fellow: O is for Orange! It looks round and tasty, don't it?
Fellow: I is for Ice Cream! That thin, ice popsicle was pretty tasty the other day, wasn't it?
Fellow: L is for laugh! Don't it look like a smile when you look at it on it's side?
Fellow: …Why is L the only thing that's not food? I couldn't think of anything, so sue me.
Fellow: There's only so much I can teach you, too.
Fellow: Tch. If I had been able to go to school… By now I woulda been more…
[Gidel pats Fellow]
Gidel: …
Fellow: What? We don't need school to fill our bellies?
Fellow: Sigh, oh, Gidel. You know, you're…
Fellow: TOTALLY RIGHT!!
Fellow: That's right, we're living just fine even without going to school.
Fellow: Learning whatever with books and pencils is utter nonsense.
Fellow: We'll just clean out those suckers that went though their oh so lovely education, and just live a life that's even fuller.
Gidel: !
Fellow: That's right, leave it to me! Follow me, kid, and one day, you'll be a grand showstopper too.
Fellow: We'll get some halfwit students to dance for us on a stage for our own amusement!
Fellow: Now… What's more important right now is figuring out what we're going to eat tonight. I'll try to find something, so you start a fire.
Fellow: Just throw whatever you find into the fire, like wooden crates, or posters or… Hm?
Fellow: This job posting here… Oh, well, well!
Fellow: Look here, Gidel, That one prick is looking to hire someone. And this time, it's at an amusement park!
Fellow: I don't know what they're planning, but… Last time we did work for 'em, we made a killing.
Fellow: I can't stand how he looks down on us, but there's a lot more to gain out of it…
Fellow: Why don't we just go hear them out, Gidel? If we don't like it, we can just bail.
Fellow: We live only for today, never thinking about what tomorrow might bring. We do whatever work keeps our lives free and fun. 'Cause we can go and do whatever we want.
[Gidel nods, Fellow whistles as they go off]
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Requested by @sakurakudo.
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pomefioredove · 1 month
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Hi!! I’d like to request Epel, Vil, & Rook with a reader who is always quiet and shy but has a very over-the-top and eye-catching sense of style. Bracelets and bangles up to their elbows, massive dangly earrings that clink with every move, attracting stares (and magpies) wherever they go despite being as timid as a mouse.
as a goth who hates being looked at or talked to this is TOO real
*ੈ✩‧₊˚ pomefiore style
summary: stylish but shy reader type of post: headcanons characters: epel, rook, vil additional info: romantic or platonic, reader is gender neutral, reader is not specified to be yuu, rook is rook
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you're pretty, you're polite, you attract attention everywhere you go
basically everything Epel is not
now, Pomefiore students notoriously hate being outdone
any outsider looking in might assume what Epel feels for you is... jealousy
you dull his own beauty just by standing next to him!
but to Epel...?
you are a BLESSING
he will drag you around with him everywhere
(the one time he doesn't mind holding hands...)
when you're with him, people stare at you, compliment your beauty, and leave him be
it's a mutually beneficial relationship, though
people will look at you as the delicate one, and he can do all the talking for 'ya!
*ੈ✩‧₊˚
sorry. sorry
but Rook will antagonize you on purpose
constantly putting you on the spot, trapping you in endless conversations, finding you wherever you hide...
for... normal reasons
okay. not normal reasons
he just doesn't want you to hide your beauty away from the world, that's all!
shyness is not deal-breaker for him
(if anything, he likes it. makes the hunt CHASE more exciting)
after all, to him, a secret beauty is the rarest of all
you are his souris, adorable but timid
he is such a freak I'm sorry
if you like him enough, you'll get used to it. if not, Vil will eventually taken pity on you and intervene
"would you leave the poor thing alone," in his own words
*ੈ✩‧₊˚
not unlike Rook, Vil thinks it's a disgrace for you to hide yourself away
from the world, yes, but more importantly, from him
the guidance he could give you...
he can practically envision you blooming into a beautiful flower
you already know your way around a wardrobe, that's for sure
you turn heads everywhere you go
and the way you present yourself implies that you have some confidence, you just reserve it for...
something that's not eye contact?
there's much to be done, but only if you agree to do it
he can't promise you anything in return but his company
which is invaluable. to him, at least
...and, apparently, to everyone else
with him by your side, you attract twice the amount of usual stares
and if you get nervous? you're permitted to hold his hand
...in front of all those people
for... no reason...
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nostalgebraist · 4 months
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Seeing a lot of python hate on the dash today... fight me guys. I love python. I am a smoothbrained python enjoyer and I will not apologize for it
Python has multiple noteworthy virtues, but the most important one is that you can accomplish stuff extremely fast in it if you know what you are doing.
This property is invaluable when you're doing anything that resembles science, because
Most of the things you do are just not gonna work out, and you don't want to waste any time "designing" them "correctly." You can always go back later and give that kind of treatment to the rare idea that actually deserves it.
Many of your problems will be downstream from the limitations in how well you can "see" things (high-dimensional datasets, etc.) that humans aren't naturally equipped to engage with. You will be asking lots and lots of weirdly shaped, one-off questions, all the time, and the faster they get answered the better. Ideally you should be able to get into a flow state where you barely remember that you're technically "coding" on a "computer" -- you feel like you're just looking at something, from an angle of your choice, and then another.
You will not completely understand the domain/problem you're working on, at the outset. Any model you express of it, in code, will be a snapshot of a bad, incomplete mental model you'll eventually grow to hate, unless you're able to (cheaply) discard it and move on. These things should be fast to write, fast to modify, and not overburdened by doctrinaire formal baggage or a scale-insensitive need to chase down tiny performance gains. You can afford to wait 5 seconds occasionally if it'll save you hours or days every time your mental map of reality shifts.
The flipside of this is that it is also extremely (and infamously) easy to be a bad python programmer.
In python doing the obvious thing usually just works, which means you can get away with not knowing why it works and usually make it through OK. Yes, this is cringe or whatever, fine. But by the same token, if you do know what the right thing to do is, that thing is probably very concise and pretty-looking and transparent, because someone explicitly thought to design things that way. What helps (or enables) script kiddies can also be valuable to power users; it's not like there's some fundamental reason the interests of these two groups cannot ever align.
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leporellian · 4 months
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actually i could write a whole essay on why referring to opera productions as '''traditional'' is not only a nonsense term but an actively revisionist one when concerning the history of opera.
when people SAY 'traditional', what they actually MEAN are productions that employ late 19th century standards of realism. while realism had existed as an art movement starting in 1848 (the year everything happened), the conceptualization of it applying to theatre really started around the 1870s. the realism movement, in opera, became what we now call verismo. (there's some kind of lesson here in how even the verismo operas have batshit premises like murder clowns and flowers that kill you, but that topic of conversation is for another day.)
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anyway, so if you're staging something like tosca which was part of that verismo movement, then yes, you could reasonably stake the claim that going about it from the angle of 'everything is meant to happen as if it were happening in real life with real people' is the traditional one. but that leaves 272 years of opera history in which 'realism' didn't exist, and therefore... there were 272 years in which 'traditional' productions as we know them didn't really exist.
let's whip around to an opera that 'traditional' staging is particularly egregious to apply to: our good old, fairy-tale-potential-allegory friend, the magic flute!
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'what the fuck is happening in that image? is it racist?' no, IN THIS CASE the magic flute is not being racist. those dubious dark shapes are meant to be animal costumes. this is part of a set of early engravings by the schaffer brothers of the first magic flute production, which are invaluable both in researching this opera and opera production history as a whole. this is the scene in which tamino charms the animals with the titular flute, in the year of our lord 1791, and they decided to have it look like this!
anyway, once romanticism kicks into gear in a couple decades magic flute productions start taking a turn with it. remember at this time 'the magic flute is meant to happen in egypt' was still something everyone was sticking to, so we end up with these interpretations of magic flute set designs:
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you've probably seen at least a couple of these before because that one on the top left is one of the most famous opera set designs ever. anyway, the design philosophy here between these productions, because there's at least two included here, is weird. there's like 3 things going on: you've got the aptitude for spectacle, this vague orientalist approach towards ancient egypt that was influenced by then-recent discoveries but still very obviously rooted in exoticism, and the cosmic abstraction you can see both in the famous hall of stars and sarastro's temple.
all very interesting! but still not 'traditional'! these, at the time, were a radical re-interpretation of mozart's work- compare them to the above engraving. but because these illustrations have a gorilla grip on the public consciousness they superseded the original 'a bunch of skintight suits constitutes animal costumes' production, and now when an opera company wants to go 'traditional' with their magic flute they do this:
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hello my good friend august everding! anyway this is seen as the 'traditional' production out of the two magic flutes in repertory at the berlin staatsoper and yet this isn't what the opera originally even looked like- this is a negotiation with the later early romantic illustrations of the work. sure, it's 'traditional' in the sense that you look at that and immediately know what opera that is meant to be. but at the same time was it ever mozart's intention to stage the magic flute on this grand a scale? is this 'traditional' production really in the spirit of the mozart opera designed for a much smaller stage and with a much smaller set? famously mozart is dead so we will never know.
but then that brings us to the question of What would an actually 'traditional' magic flute look like? well we have multiple options here. first, we have ingmar bergman's film version of the opera, which is sort of the equivalent direction-wise of an opera nature cam. modeled after the drottningholm theatre, this recording tries as hard as it can to emulate the magic flute as it might have been seen in the 18th century:
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i mean that does look very 18th century, and wouldn't be out of place with the above engraving. but there's still a fatal flaw here: the magic flute was written as an opera for everybody, and was performed not in the drottningholm (which belonged to the swedish royal family and which resides in their palace) but in the theatre auf der weiden, which was, while certainly impressive (trap doors! fly systems!) also a commoner theatre where everyone could just go hang out and watch fairy tale operas. this is a great snapshot in time of what a 18th century magic flute should have looked like. but what would a 21st century magic flute that still adheres to the original 'vision'- no grand sets, no massive theatres, performed by a cast that isn't even entirely opera singers, done with a bunch of jokes meant to appeal to an everyday audience- look like?
well the good news is we might have an idea with the matchbox magic flute, which is on tour right now and which i hope continues to run on said tour.
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the matchbox magic flute is the magic flute. it's also not really the magic flute. this is technically an adaptation. it's also not really though. this is the closest i have ever gotten to being in a theatre, watching this opera (which i have seen many times at this rate) and thinking 'shit, yeah, this is what the theatre auf der weiden must have been like all those years ago'. the matchbox magic flute scales down the whole thing into a very small orchestra and ten singers, who alternate roles like crazy. it is designed for very tiny theatres. most of the cast do not sing opera! they have a few classically-trained singers in there but it's actually sung, in modern english, mostly by musical theatre performers. the jokes are regularly updated; since i saw it in chicago, there were jokes about the evening commute on lake shore drive. parts of the plot are entirely updated or worked around.
and yet, it reflects the original design vision of the original magic flute and what mozart and schikaneder set out to accomplish so perfectly, i almost WANT to say that in some way this too is traditional.
(also, they should put tamino in a dress forever and ever. he gets to twirl it even. really good.)
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So, what have we learned here. well for one thing 'traditional' productions, as a catch-all category, don't exist. is a traditional magic flute the one based on the early 19th century designs, or the one based on what 18th century theatre would have been like exactly, or the one that tries to reflect its original spiritual vision?
It's all of them because traditionalism as a term is an inherently reactionary term that upholds a time in operatic history that never really existed and which rapidly changes meaning based on the personal values of who is ascribing it, often forgetting that every opera production represents a negotiation and not a reproduction and that the notion of how it ought to be is one of the most dangerous ideas someone in the arts can have. Go watch who's afraid of modern art by jacob geller on youtube and come back to me.
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nanamis-baker · 1 month
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Pizza date with Satoru
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Summary: After a cancelled date, you and Satoru bake pizza together ♡ Content: Fluff, kinda suggestive. Tried making it wholesome too! 🫶 Word Count: 3.7k a/n: Hello you guys! I really wanted to write some Gojo fluff after whoring him out so here we are! I hope you like this! Also, big big BIG thank you to Nici @lostfracturess for helping me make this fic 10x better. She is the best!🌷 Oh, and you might find this similar to Bake Date, if you have read it, because both the fics have similar actions in them. But nonetheless, I really hope you enjoy reading this!
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Satoru held you close as he fumbled with the keys, the click-clack of metal drowned out by the relentless drumming of rain on the roof. You shivered, the dampness seeping into your bones despite Satoru's warmth. His jacket, while a comforting shield, did little to keep away the cold. Droplets of water dripped down from your hair and clothes, leaving dark patches on the carpet below your feet.
As always, Satoru was pristine, his sorcerer uniform spotless amidst the chaos of the storm raging outside. "Stupid infinity," you muttered as a playful exasperation colouring your voice. A chuckle rumbled in his chest as he finally unlocked the door, the scent of home and Satoru's familiar cologne washing over you.
He gently removed his jacket from your shoulders as you glanced outside the kitchen window. The world outside was a blur of grey, the once vibrant Tokyo skyline muted by the downpour. Disappointment gnawed at you. Date nights were invaluable treasures for the two of you, carved out of busy schedules filled with sorcerer duties and teaching the students. Tonight was supposed to be one such night, and the two of you were supposed to go to this charming Italian place, but the rain had other plans.
"Looks like our plans are foiled," you sighed, the craving for sourdough pizza suddenly overwhelming. “I was really craving their pizza.”
Satoru hummed softly, his hands cupping your damp cheeks. His thumb traced your lower lip, sending a wave of warmth through you. With a gentle smile, he pressed a kiss to your forehead. His eyes, a striking blue that mirrored the sky on a clear day, stood in stark contrast to the stormy chaos outside. A sense of calm emanated from him. "Don't worry, love," he murmured, his voice a soothing balm. "We'll figure something out." The way he sounded, you could tell he was already planning something.
A playful glint sparked in his eyes as he added, "But first, you need to warm up. Wouldn't you want to catch a cold, now would we?" he said teasingly.
A playful scowl crossed your face. "You're lucky I love you," you retorted, though the chill had already begun to seep into your bones. A hot shower sounded increasingly appealing. "One of these days, I will figure out a way to get you drenched in the rain too," you vowed, a mischievous grin tugging at your lips.
Satoru chuckled, his eyes crinkling at the corners. "I look forward to it," he teased. "But for now, let's get you out of those wet clothes."
Before you could say anything else, another shiver ran down your spine. Yes, a warm shower sounded heavenly.
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The shower washed away the chill from your bones, leaving you feeling refreshed and enveloped in the cosy warmth of Satoru's sweatshirt. You padded out of the bathroom, eager to be in his presence. Usually, Satoru waits for you in the bedroom, but right now, the bedroom was empty. With your curiosity piqued, you ventured into the kitchen.
The moment you stepped inside, your breath caught in your throat. The once ordinary space had been transformed into a cosy, warm space. The rain-streaked windows cast dancing shadows on the walls, while the soft, golden glow of kitchen lights and the warm scent of apple cinnamon from the candles filled the air. Soft notes of classical music reached your ears, their gentle melody soothing your soul. 
Satoru was hovering over the counter, his back turned towards you as he placed some mixing bowls on the platform. When he heard you walk in, he turned to face you, a smile instantly lighting up his face. He was clad in a navy turtleneck, his hair sticking out from places, yet somehow gracefully framing his face. But what stood out the most was an unexpected apron with small floral prints and olive green border that adorned his lean, muscular frame.
"You were craving sourdough pizza, right?" he asked, his voice soft as he gestured towards the counter. The counter was organised perfectly, with every ingredient laid out meticulously. Flour, tomatoes and a vibrant array of herbs awaited, as if ready to serve their purpose. And there, amidst all these ingredients, sat a small, unlabeled jar.
Intrigued, you reached for it, your fingers brushing against the cool glass as you removed the lid to see its gooey, bubbly contents. A sourdough starter! Your eyes widened in surprise. "Where did you get this?" you asked, disbelief colouring your voice. You and Satoru rarely cooked; a sourdough starter wasn’t something one would find lying around in your kitchen.
Satoru chuckled, amused at your astonishment. "Let's just say I owe Nanami a big favour," he confessed, his eyes sparkling under the golden lights that filled your kitchen.
Nanami! Of course, Nanami was the man who would have such things just lying around in his house. The realisation hit you like a wave of warmth. "You asked Nanami!" you exclaimed, still in disbelief.
Satoru nodded, a proud grin spreading across his face. "He was happy to help when I told him it was for you. Good thing you two are such great friends."
A soft smile tugged at your lips. You couldn't help but feel a surge of affection for both Satoru and Nanami.
Satoru grabbed your apron and moved behind you, helping you put it on and tying the apron strings together, his hands lingering on your waist. He pressed his lips right on the spot behind your ear before pulling you into his gentle embrace, his arms wrapping around you. 
"Ready to get your hands dirty, hm?" he whispered, his breath warm against your skin. A surge of excitement pulsed through you as you nodded eagerly. "That's my girl," he murmured, pressing a final kiss to your cheek before squeezing your waist gently.
He reached for the recipe, his tall frame hovering over you. You skimmed through the instructions, a sense of anticipation growing. "This doesn't look too complicated," you commented, glancing up at him. The soft glow of the kitchen highlighted his striking features, making him look almost ethereal. He nodded, his eyes scanning the page. "Yeah, seems pretty straightforward," he agreed.
With that, Satoru began washing and preparing the vegetables - something he couldn’t do earlier, while you began measuring the dry ingredients for the dough. It was a simple task – flour and salt – but you approached it with precision, making sure it was the exact amount as mentioned in the recipe. As you measured, a splashing sound erupted from the sink.
Startled, you turned to see Satoru standing there, droplets of water clinging to him. He'd accidentally cranked the tap to full blast as he held the tomatoes under the tap, and since his infinity normally didn’t activate around you, the splashes had reached him.
Tiny droplets of water clung to his hair, and droplets raced down his face, some disappearing into the collar of his sweater. You couldn't help the laughter that escaped your lips and Satoru shot you a look of amused surprise.
Reaching for a stack of paper towels, you gently dabbed at his face, your fingers brushing against his damp skin. "I told you I'd find a way to get you wet," you teased, your voice light and playful.
Satoru chuckled, his eyes sparkling with amusement. He brushed away the remaining water droplets, his gaze lingering on your hand as he tilted his head. With a tender smile, he placed a soft kiss on the inside of your palm. "Well, good thing I don't need to find ways to get you wet," he retorted, his voice low and teasing. His arms found your waist once again, drawing you closer to his heated body.
Another chuckle escaped your lips as you playfully swatted his shoulder. "You know what? You're demoted from this position. Go and prepare the dough."
Satoru's smile widened, revealing a flash of white teeth. “Whatever you say, my love,” He said softly before placing a kiss on your cheeks, taking the spot you once occupied and started preparing the dough.
You started working on the vegetables, arranging the tomatoes on the baking tray before filling the empty space with garlic and onion. ignoring the recipe's modest suggestion, you generously filled the gaps, trusting your instincts. Who uses only three cloves of garlic anyways? When you were done, you drizzled a generous amount of olive oil over the prepared vegetables, before putting it in the heated oven to roast.
With that done, you turned your attention to Satoru, who seemed to be engrossed in the sourdough starter. He reached for the jar, unscrewing the lid as a peculiar scent filled the kitchen, a mix of tangy and earthy notes that was both intriguing and off-putting. Satoru peered into the jar, his nose scrunching up in slight disgust. It was a comical sight - Satoru had exorcised countless curses, yet sourdough starter was disgusting to him. "This seems to be… alive," he muttered, lilting the jar towards you so you can have a look too.
You leaned in, peering into the jar. Indeed, it was a strange sight. The starter was a bubbling, gooey mass. It was fascinating, but slightly repulsive too. "It's like something from a science fiction movie," you commented, a hint of amusement in your voice. “Something you don’t want to fall into.”
Satoru nodded, eying the mixture with scepticism. “If this wasn’t from Nanami, I would have thrown it away by now.” 
You hummed in agreement, leaning in closer to get a better look. Your hand rested on his shoulder, your fingers brushing against his hair. "Are you sure Nanami isn't trying to poison your ass?" you teased, a playful glint in your eyes. "Imagine the strongest sorcerer being taken out by food poisoning."
Satoru laughed, a deep, throaty sound that sent a shiver down your spine. "As real as that sounds, you know his wife wouldn't let him. She loves you too much for that." It was true; you were incredibly close to Nanami and his wife. Trusting their judgement, you and Satoru decided to incorporate the starter into the dough. With a splash of water, Satoru began to knead the mixture, his long fingers effortlessly combining the ingredients into an elastic mass.
You leaned against the counter, pulling yourself up into a comfortable sitting position as Satoru worked his magic on the dough. Watching him was oddly mesmerising. The way his strong fingers kneaded the dough, the rhythmic rise and fall of his shoulders, the subtle flex of his arm muscles as he stretched and pressed the dough together - it was a captivating sight.
Your gaze moved to his face, drawn in by the way the soft kitchen light danced across his features. His silvery hair seemed to shimmer with a golden hue, framing his face with a halo-like effect, making him look angelic. His eyelashes cast delicate shadows on his high cheekbones as he focused on the dough, his eyebrows knitting together slightly in concentration.
Out of all the different versions of Satoru you had seen all over the years, this Satoru was your favourite. The carefree Satoru, who didn't seem to be burdened by the responsibility of being the strongest. Not the six-eye user, but simply your Satoru, grounded in the mundane, yet radiating an undeniable charm.
Satoru’s hands abruptly stopped as he felt your gaze heating his skin. His eyes found yours, something dark swimming in them. “Keep looking at me like that love, and pizza would be the last thing we'll be making,” he said, his voice low. Satoru’s fingers retracted from the dough as he moved to settle between your knees, leaving the dough unattended on the counter.
Maintaining eye contact, his large hand grabbed your sides, pulling you closer till you were on the edge of the counter, the space between your bodies disappearing. You wrapped your hands around his neck, fingers combing through his hair - his undercut - oh how much you loved his undercut. His scent, so uniquely Satoru, filled your senses as he leaned in, his breath warm against the already heated skin of your cheeks.
"What will we be doing, then?" you asked, your voice barely a whisper as you searched his face. Satoru just smiled, his eyes twinkling. Before you could process his intent, his lips found yours, capturing your attention completely. His hands roamed over your back, pulling you impossibly closer as he deepened the kiss. A low moan escaped your lips, a sound that seemed to encourage him further. The kitchen, the rain, the music - everything faded away, replaced by the intoxicating sensation of his touch and the warmth of his lips.
You knew what he was doing - this was just an aperçu, a tantalising tease, a glimpse of what may come. But you devoured it nonetheless, leaning into his touch, savouring every stolen moment.
But of course, stolen moments don't last forever. The sharp ding of the oven timer startled you both, bringing you back to the present. Reluctantly, Satoru broke the kiss, his forehead resting against yours as he held you close to his body. A soft, frustrated groan escaped his throat, causing you to chuckle softly. Your arm moved to cup his cheek, your fingers tracing the rough texture of his stubble. His warmth seeped into you, a comforting contrast to the cool stone of the counter.
The oven dinged once again, reminding the two of you of the task in hand. Satoru wordlessly pulled back, his hands lingering on your waist before helping you down from the counter. He grabbed the oven mitts, sliding on the thick fabric even though he didn’t really need it. With a careful grip, he slid the tray out of the oven, the rich aroma of roasted vegetables filling the air as he set the tray down on the counter.
Your attention shifted to the recipe, looking for the next step.You were supposed to blend the vegetables with herbs and spices to create a smooth sauce for the pizza. Allowing the vegetables to cool slightly, you turned your attention to Satoru, as he placed the dough in a bowl, covered with a cloth, and set it near the warm oven to rise.
The two of you worked side by side, the gentle notes of the music creating a soothing ambiance. You began the process of blending the roasted vegetables, adding a pinch of salt and a mix of oregano, rosemary, and basil. The whirring of the blender filled the kitchen as the ingredients transformed into a smooth, fragrant sauce. You could feel Satoru's gaze on you as you worked, his silent observation making your cheeks warm.
Taking a spoonful of the sauce, you tasted the mixture, a satisfied smile spreading across your face. You turned to Satoru, holding out the spoon, inviting him to taste the sauce. His warm hand enveloped yours as he guided the spoon to his lips. He tasted the sauce, his eyes closing briefly as he savoured the flavour. "Oh, this is really good," he said, licking his lips to capture the lingering taste. The smile on your lips turned even bigger. "Really? It's not too spicy for you?" you asked, remembering he wasn’t a big fan of spicy food. He shook his head, a genuine smile playing on his lips. "No, it's perfect love," he replied.
Now that everything was ready, it was time to assemble the pizza. The dough had risen beautifully, doubling in size. A proud smile spread across Satoru’s face as he dusted the counter with flour, then gently extracted the dough from the bowl. He divided the dough into two equal portions, each one soft and pliable.
You grabbed the rolling pin and handed it to Satoru and he began to roll out the first base. The dough was surprisingly elastic, shrinking back at every attempt. Laughter bubbled up as you watched him struggle with the dough. You decided to take over, using your fingers to gently coax the dough into shape, making the edges slightly thicker than the rest of the base. To Satoru's amusement, you managed to create a perfect circle and a whimsical heart shaped base.
Satoru spread a generous layer of the prepared sauce over the bases, creating a vibrant canvas for the toppings and cheese to go on.
While he focused on the sauce, you gathered your favourite toppings, arranging them on the pizza. With a sprinkle of oregano and a handful of grated mozzarella, you transformed the plain dough into a mouth-watering masterpiece. Finally, you transferred the two pizzas onto the baking tray, the anticipation building with each passing second.
With a satisfied nod, Satoru slid the trays into the pre-heated oven, the comforting hiss of heat filling the room. Turning to you, he said, "Now we wait." Nodding your head, you echoed his words, a smile playing on your lips as your eyes were glued to the oven, a wave of gratitude crashing over you.
You turned to Satoru, your eyes sparkling with gratitude. Reaching for his hand, you squeezed it gently. "Thank you so much for arranging all of this, Satoru. It was so much more fun than just going to a cafe," you confessed, your voice filled with warmth.
Satoru squeezed your hand back, a smile gracing his lips. "Hey, no need to thank me, you deserve this," he replied, leaning down to press a soft kiss to the crown of your head.
As the two of you waited for the pizza to bake, the music playing in the background took a familiar turn. Your favourite melody filled the room, its soft notes creating a warm ambiance. Satoru turned to you, a knowing look on his face as his eyes met yours. His arms found your waist, pulling you close. "Come here," he murmured, his voice low and inviting. You melted into his embrace, your arms wrapping around his muscular frame as he guided you to the centre of the kitchen.
It was still raining outside, and the sky had turned pitch dark. Somehow, it felt as if nothing existed beyond this kitchen. The kitchen felt like your world - a world you shared with Satoru, lit up by the warm glow of the oven and the soft lights.
Satoru's body pressed against yours as he pulled you closer, a comforting warmth radiating from him. You closed your eyes, letting the music wash over you as you leaned completely into him, your bodies forming a seamless unit. The two of you gently swayed to the music, creating a harmonious dance in the heart of your kitchen.
Satoru buried his face in the crook of your neck, his breath warm against your skin. You felt a shiver of contentment as he left a soft kiss there, a tender mark of affection. You ensconced your head on his shoulder, your cheek nuzzling into the warmth of his neck. The world seemed to fade away as you held him close, finding solace in the simple act of being together.
The two of you remained wrapped in each other's embrace until the insistent beep of the oven timer broke the spell. Satoru sighed, a note of reluctance in the sound as he pressed a lingering kiss to your forehead. You unwillingly pulled away, already missing the warmth of his body against yours, but the promise of pizza was tempting.
The intoxicating aroma of melted cheese and roasted vegetables filled the kitchen as you approached the oven. Peeking inside, your heart skipped a beat. The pizza looked absolutely perfect - the toppings were caramelised to golden perfection, the cheese was bubbling with an irresistible allure, and the crust promised a satisfying crunch.
Satoru effortlessly slid the tray out of the oven, his bare hands unaffected by the heat thanks to his infinity, before placing it on the counter. Satoru grabbed the pizza cutter and began dividing the pie into slices. The circular pizza was simple enough, but the heart-shaped one proved to be a bit of a challenge. But it was Satoru holding the blade - he managed to do it perfectly, of course, while maintaining the pizza’s charming shape.
You grabbed your and Satoru's favourite drinks, pouring them into two glasses before you rearranged the candles and flowers, creating a cosy little dining nook. Satoru placed a steaming slice of pizza on your plate, claiming one for himself as well.
The two of you settled into chairs, the anticipation thick in the air. "You look nervous, love," Satoru commented, his eyes shining with amusement. Your heart raced, a mix of excitement and trepidation bubbling within you. “I am sure it will be amazing - it already looks so good,” Satoru said, reaching for your hand and squeezing it gently. His words were comforting, and he was right too - it was just pizza, why were you feeling so nervous about it?
With a deep breath, you reached for your slice, the warmth of the crust radiating through the plate. As you took a bite, your eyes widened in surprise. The flavours exploded in your mouth, a perfect balance of tangy tomato sauce, the toppings, melted cheese, and the slightly chewy crust.
A small sound escaped your lips, a mixture of delight and satisfaction. Satoru chuckled, his eyes sparkling with amusement. "I take it, it’s really good?" he asked, picking up his own slice. He took a bite, his expression shifting from anticipation to pure enjoyment. For a second, Satoru looked surprised, "Okay, I knew it would be good but I didn't expect it to be this good."
You laughed, taking another bite. "We are never going to a pizza place now, are we?" The crust was perfectly crisp, the sauce tangy yet sweet, and the cheese melted to gooey perfection. It was everything you had hoped for and more.
The two of you savoured every bite, the silence broken only by the occasional hum of satisfaction. When the last piece was gone, you leaned back in your chair, a contented sigh escaping your lips. Satoru mirrored your actions, a satisfied smile on his face. "Best pizza I've ever had," he declared, reaching across the table to squeeze your hand.
You returned his smile, a sense of accomplishment washing over you. Together, you cleaned up the kitchen, the lingering aroma of pizza filling the space. As you glanced out the window, you noticed the rain had dwindled to a gentle drizzle.
A soft smile graced your lips as you felt Satoru's arms wrap around you from behind as he left a kiss on your shoulder blade. He turned your body so you were facing him, his body creating a comforting barrier between you and the world. With ease, he lifted you onto the counter, his hands finding a secure hold on your thighs. As he settled between your legs, darkened eyes met yours. "Now, we have to take care of some interrupted business from earlier," he whispered, his breath warm against your skin. Your smile turned even bigger as his lips captured yours in a tender kiss.
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a/n: I think one of these days I am gonna lose my mind because my fics don't show up in the tags ughhh. But that aside, I hope you enjoyed reading this and it bought you some comfort! 🫶🫶 dividers by @/saradika-graphics
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kenzirr · 3 months
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Y/N sat at her desk, staring blankly at the computer screen. She had been part of the BAU team for a couple of years now, and yet she always felt like an outsider. Aaron Hotchner, the unit chief, never seemed to acknowledge her contributions. While he often praised her colleagues, she never received a simple "good work" from him. The lack of recognition gnawed at her confidence and made her question her place in the team.
Feeling defeated, Y/N decided she needed a break. She approached JJ during lunch, handing her a neatly written request for a leave of absence.
"Hey, JJ. Can you pass this to Hotch for me?" Y/N asked, trying to keep her voice steady.
JJ took the paper, glancing at it briefly. "A leave of absence? Are you okay?"
Y/N forced a smile. "Just not feeling well lately. Need some time to recuperate."
Spencer, who was sitting nearby, looked up from his book. "But you never get sick, Y/N. I don't think I've ever seen you take a sick day."
JJ nodded in agreement. "Remember that time the whole team got the flu? You were the only one who didn't catch it."
Y/N shrugged, trying to downplay their concerns. "Guess I'm overdue, then."
Later that afternoon, JJ approached Aaron's office, knocking lightly on the door before entering. "Hotch, I have something for you," she said, handing him the request form.
Aaron took the paper, his eyes scanning it quickly. His brows furrowed, and he looked up at JJ, clearly upset. "A leave of absence? What's going on with Y/N?"
JJ hesitated, unsure of how much to reveal. "She said she's not feeling well. But Spencer pointed out that she never gets sick. I think there's more to it, Hotch."
Aaron leaned back in his chair, deep in thought. "Thank you, JJ. I'll handle it from here."
As JJ left, Aaron dialed Y/N's number, his mind racing. When she answered, he kept his tone professional. "Y/N, it's Hotch. Can you come up to my office?"
Her heart sank. She couldn't fathom what he wanted to discuss. She took a deep breath, steeling herself for the worst, and headed to his office.
As she entered, she saw Aaron sitting behind his desk, his expression unreadable. He gestured for her to sit down.
"What's going on, Y/N? JJ mentioned you're taking a leave of absence because you're sick. But you don't seem ill to me," he began, his tone gentle but firm.
Y/N looked down at her hands, struggling to find the right words. "It's not physical sickness, sir. It's... I just feel unappreciated here. You never acknowledge my work. It feels like you don't like me."
Aaron's eyes softened. "Y/N, I never intended to make you feel that way. Your work is exceptional. I apologize if my behavior made you feel unvalued."
Y/N felt a surge of emotion but held back tears. "It's not just about the praise. It's about feeling like I belong here."
Aaron stood up and walked around his desk, leaning against it as he faced her. "I understand. I promise I'll do better. I value your contributions to this team, Y/N. More than you know."
Feeling a mix of relief and confusion, Y/N nodded. "Thank you, sir."
Aaron cleared his throat, looking slightly uncomfortable. "Is there anything specific that made you feel this way? I want to understand so I can improve."
Y/N took a deep breath. "There were moments when you'd commend others for their work, but you'd never acknowledge mine. I started to think I was doing something wrong or that you simply didn't like me."
Aaron shook his head. "That's not true at all. I see the dedication and effort you put into every case. Your insights have been invaluable. If I failed to express that, it's my mistake, not yours."
Y/N looked up, meeting his gaze. "Why, then? Why was it so hard for you to say anything to me?"
Aaron hesitated, choosing his words carefully. "Sometimes, when you care about someone, you find it difficult to act normally around them. I didn't want to let my feelings interfere with my professionalism."
Y/N blinked, taken aback. "Feelings? For me?"
Aaron nodded, his expression earnest. "Yes, Y/N. I admire you more than you know. But I wanted to keep things professional."
Feeling overwhelmed, Y/N stood up quickly. "I need some time to process this. I'll be taking my leave now."
Aaron watched her go, a pang of regret in his chest as she walked out of his office.
---
A few weeks later, Y/N returned to work, feeling somewhat refreshed but still wary of the situation with Aaron. She tried to focus on her tasks, but the memory of their conversation lingered in the back of her mind.
One evening, as they wrapped up for the day, Aaron approached Y/N's desk. "Y/N, can I speak with you for a moment?"
She looked up, slightly nervous. "Of course, sir."
He smiled, a rare but genuine expression. "Would you like to grab dinner with me tonight?"
Y/N's heart skipped a beat. "Dinner? As in... a date?"
Aaron nodded, taking a step closer to her. "Yes. I've realized that the reason I avoided talking to you was because you make me feel something I've never felt before. I want to get to know you better, outside of work."
Y/N felt a flutter of anxiety. "I... I don't know what to say."
Aaron gently placed his hands on her curvy hips, steadying her. "Just say yes. Let me show you how much you mean to me."
Her mind raced, but she nodded slowly. "Okay, Aaron. I'll go."
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kooberist · 10 months
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𝐓𝐇𝐑𝐎𝐀𝐓 𝐓𝐑𝐀𝚰𝐍𝚰𝐍𝐆- thv
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"Fuck yeah," he groaned out as his member slid up and down your throat. Balls are heavy as they slap against your chin. "Take this cock—show me how you're going to catch a husband—fuck," he groaned as he sped up, slamming his tip down your esophagus. Thick strings of spit and cum dangle from your chin as you gag and struggle to keep up with his relentless pace. The intensity of the moment sends a rush of excitement through your body, fueling your desire to please him. You can feel his pleasure building and his grip tightening in your hair as he thrusts deeper, pushing you to your limits. With each powerful thrust, you can't help but wonder if this is what men really like and want. Well, that's what he told you.
"Y/n, It's because you didn't suck him off the right way." as he observed you sobbing over your boyfriend's infidelity.  Tae just wanted the best for you and for you to be happy and find true love, but his words struck a chord inside you. Maybe he was right. Maybe you hadn't been doing enough for your boyfriend, and that's why he strayed. Tae's guidance had always been invaluable, and you couldn't help but trust his judgment. Determined to change, you wiped away your tears, and that's when he offered to train you.
His large hands took hold of your head as he pushed your head until your nose hit his pubic hair. Arms form almost a head lock around you as he keeps you in place with his cock.all the way down your throat. "Yeah, slut, fucking, hold it there," he moaned out. Your hands are coming from behind your back to slap at his thigh. His arm rested on your head as your mouth slid off his cock, and you looked up at him, surprised and confused. With a smug grin on his face, he said, "You can do better than that. We're going to train you to be the best." He took hold of your hair and pushed you back against the back of the couch. "I'm going to make you a pro when we're done, he smirked. He threw his leg on top of the couch, took a harsh grip on your hair, and brought his cock to your open mouth. As you took his cock into your mouth once again, a mix of anticipation and apprehension filled the air. You couldn't help but wonder what this intense training would entail and how it would transform you into the best version of yourself. His hips snapped hard and fast, and his balls hit your chin every time he slammed in. Your throat fought to not gag, but it happened anyway, your head hitting his pelvis until he kept you there, his hips bucked up, and made you gag even more. 
You knew he was older and knew best for you; you never wanted to see men hurt you and go get heads from other girls because yours sucked. 
"Yes, hold it right now." He managed to moan before realizing his load was in your mouth. He placed his leg back on the floor with grace and tapped your chin, signaling for you to open up. Taehyung coughs up a glob of spit, and it lands right in the mix of his cum that's flooded your now-ruined throat. 
Your face is irritated, your hair is messed up, your eye liner is ruined, and globs of cum, spit, and tears stain your face. "Swallow," he commands harshly. "Good girl," he nods and gives your face a small pat. "Next time, I'm going to make you hold your breath." He grins, and your eyes widen, realizing you're not done.
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dutiful-wildcraft · 9 months
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Pack 141 - Sphinx!Gaz Headcanons
Tags: monster au, sphinx shifter! gaz, poly 141, cuddling, snuggling, generally just sweet vibes, a/b/o dynamics sort of??
-Despite popular belief, he is not a riddle teller, so much as a riddle solver. Gaz is a sharp man, intuitive and observant.  Even if he hadn't come from a long line of notoriously clever shifters, little would stump him to begin with. Man loves a good puzzle, which mostly extends to puzzle games or toys. In addition to a serious love of mystery movies (Benoit Blanc better watch his ass). He does keep a handful of different apps on his phone, just to keep from getting bored, and often finds himself in wikipedia rabbit holes researching anything and everything. All this being said, he will break out a cheesy riddle on occasion, just to be a big smartass.
-Gaz is very physically affectionate with his pack. Fondly pressing his head to Ghost’s shoulder or chest after a particularly lame joke. Chuckling into his shirt. Grabbing Soap by his jaw during an embrace, pressing their cheeks or temples together. Nipping his ear playfully. Gently ramming his forehead to Price’s at the evac point, a silent check in after a grueling mission. 
- A notorious biter, nothing rough unless you ask of course, but the pack are certainly his chew toys.  Leaning over to chomp playfully at Soap’s shoulder when he isn’t paying attention to him. Nipping at the plush pectorals of Ghost’s chest when he is ready to quit napping with him. Chasing and nibbling at Price’s fingers as he tries to patch up his face.  
- Also say goodbye to your personal space, as he regularly, unceremoniously lounges on other members of his pack like they're furniture, sprawling himself over his mates. He tucks himself neatly against the soft fat of Ghost’s stomach and chest, his toes buried underneath Soap’s thigh. 
-Is also very content to let other pack members drape themselves over him. Rumbling happily at a conked out Soap draped over him like a weighted blanket. If one or more are napping around him, be prepared for a cuddle puddle. Gaz craves the physical contact.
- Sphinx commonly communicate with subtle sounds or facial expressions. This being said he is expressive, his feelings written in the lines of his face. (Leading to some mad RBF at times). He also has a tendency to reply in soft hums or huffs. A fair amount of communication with his family was non-verbal. He has been warned more than once to use his words when displeased. 
-Let’s not forget purring, and boy does he purr. Price was positively chuffed when he first heard it, a low rumble that he could barely make out above the mechanical roar of the helo. The op had been exhausting, and Gaz and slumped against his shoulder within the first 5 minutes of their trek home. Safe. Gaz felt safe. Safe enough to rest openly against his captain. It made his heart swell. Price settled in, adjusting the younger sergeant more comfortably before crossing his arms and relaxing himself. Letting the soft rumble lull him.  
-Gaz also possesses a deafening roar. His harmonics can paralyze and injure most in proximity, even deafen. And if you're small enough, completely knock you over with the force of it.
-there is an inherent magic to felids, and this extends to Gaz, who has the ability to see (or at minimum sense) most spirits and spells.  We've all seen cats stare into empty corners…well, they're not staring at nothing.
-yes the purring is indicative of a safe and happy sphinx, but there is a subtle magic to this as well. The resonant purr having a calming effect on those around him, he has lulled more than one pack member into resting with it. Sit with him long enough and you will be handed one ticket to sleepy town junction, whether you like it or not.  No one is immune. 
-Gaz has the sharpest eyes out of all the pack, making him an invaluable sniper. He also shares enhanced hearing, smell, strength and an improved healing factor. 
-There are differing species of sphinx, with their own unique shapes and dispositions. Gaz, even in a full humanoid form still possesses visible characteristics of his species (androsphinx), slitted pupils, long tufted tail, and most notably large wings.  
-Gaz’s wings are bulky, and not designed for extended periods of true flight. While possible, it takes a great deal of energy. It’s something he has to prepare for. They serve him better as enhancements to movement, such as gliding, covering large distances or scaling great heights.
Gaz’s wings can also produce a tremendous gust of wind, and act as a shield for certain types of damage.  
-Gaz, similarly to Price can control his shift, able to alter his body in varying degrees of change. Though some things cannot be completely deteriorated, such as his eyes, wings and tail. Most sphinxes are gifted a unique article as children, usually a piece of jewelry with a glamour charm. In Gaz’s case, this a small  paracord bracelet, its subtle and durable, ideal for his line of work. Other charms can be made, though the charm is tedious to apply. His hat, as well as charming gold earring, all have the same charm applied. 
-Unlike Price and Simon, Gaz’s nature leans less towards possessiveness (though it’s still present), but rather a fierce protectiveness for his pack. He is the peace keeper, a pillar of emotional stability and comfort for his mates. Who he serves not only physically, but emotionally as well. Any slight towards his mates is unacceptable, and while they may forget or forgive, Gaz will not. He will protect them viciously. If not with the gun in his hands then with teeth and claws. 
-Sphinx are territorial. While most are able to tell the difference between deliberate intrusion and accidental trespass. Gaz still gets antsy about the 141's barracks. That he has self declared as exclusively his territory. Like a guard dog who wasn't given permission to bite (yet), he follows any perceived intruder around at a distance, watching around corners in case they try to touch anything. 
-Perhaps even more serious to him than the barracks? His room. A den he calls it, but it's really a nest. His nest is well guarded and maintained, his sanctuary of safety and comfort in a profession full of bloodshed and adrenaline. As social as sphinx are it can be a difficult thing to be away from his pack, and so he keeps articles of clothing from his lovers, weaves them into his nest so the scents weave and surround him like a warm blanket.
-Gaz, thinking himself a rather clever shit, had taken to stealing the items at first. Well not stealing per se, borrowing really. He gives them all back…at some point. In the beginning, while the pack had gotten close, his nest was sorely void of real comfort. It was childish by sphinx standards, to still need a nest after one had left home in their solitary journey. Too embarrassed to outright ask, he took to snagging clothes from the laundry room, washed, but his pack mates scent lingered just enough to tie him over. Only to be replaced with something else when the scent faded completely. 
-Ghost, of course, was the first to notice. Being forgetful was something Ghost was not. And he knew when his favorite hoodie was missing god damn it, only to mystically appear when he pulled his clothes from the dryer, just for another favorite, an old soft band t-shirt, to come up missing next. Ghost clocked him soon afterward, catching the little thief by the familiar scents that clung to Gaz when he shuffled into the kitchen that morning. 
-After a stern conversation with his Lieutenant, Gaz explained himself with burning cheeks. Ghost hadn't said a word, only yanked his current sweatshirt off his shoulders, shoving it into Gaz's hands. “Go on then, and bring me my other one back" he grunted.
-From then on, like clockwork, Gaz retrieves his treasures. Swapping out clothes for new pieces, warm and scent heavy.  Price is sure to drop off extra when he anticipates being on longer missions. Soft cotton sweatshirts soaked in his honey-tobacco scent.  Why no he did not shift and then wallow on these clothes like a chinchilla to make sure his scent sticks…ignore all the dog hair. 
-It would only get better once his pack began to tumble in bed with him, their scents mingling, soaking into his plush blankets. Now, Gaz sleeps soundly, purring serenely against the skin of one or more of his mates.
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morgana-ren · 1 year
Note
Has your opinion/understanding on Astarion's character changed much as you play through the full game?
Actually, yes! Big spoilers again btw.
So, I will admit, my perception of characters is always slightly biased. It's always tilted in favor of my own predilections and desires, so I tend to see things in a skewed way. The less information I am presented, the more my brain will fill in the gaps thusly.
In the early access, Astarion is presented as a selfish vampire spawn clawing for his own survival from the vicious vampire lord that spawned him and has held him captive for centuries. It should be noted that he is one of the only companions open to the idea of abusing the tadpoles rather than removing them and only seeks to cure them if they cannot be controlled. It becomes apparent that he craves power above all else. He dislikes altruistic speech options, tends to veer directly towards ones that bolster said power, especially at the expense of other people. He seems the closest to a stereotypical 'chaotic' follower that you really get.
However, he isn't evil. He's a very rounded character despite his inherent selfishness. He is manipulative and vicious, but he is also desperate and afraid and slow to trust. Most of what he does, he does for his own survival and comfort rather than active malevolence-- though that isn't always the case.
You get an alright idea of him in the early access, as in enough to know if you're going to want to keep him around and invest time into him as opposed to just dropping him at camp perpetually. You catch glimpses of the man he is behind it all, but mostly he appears flamboyant, resourceful, flirtatious, and of extremely dubious morality. Fun, right?
Very, very wrong, actually.
As you progress through the game, you come to understand him better, and it's... tragic.
The first thing to slip is his explosive temper. He is confused, bitter, and frightened. He expects Cazador around every corner, stalking in every shadow, watching and waiting to sling the collar around his neck and yank once more. Paranoid. He has mystery scars painstakingly carved into his flesh that he cannot see because of his condition, in a language he cannot read, with horrible memories he doesn't want to recall. He is angry, and he isn't in the company of people he trusts even remotely at first and literally cannot remember the last time he was in centuries. He bottles up all those emotions to avoid the devastating vulnerability of showing emotion and shoves them down beneath his posh and nonchalant facade, and eventually, it finds a way out.
Occasionally, he snaps. He becomes enraged and has these moments of intense anger.
And then, there is what you might think to be a moment of connection.
Astarion, once he decides that he approves of you, will make a move to seduce you. Should you accept, you might find that he says something along the lines of "Isn't that why you came? To lose yourself in me?"
It seems like typical seduction dialogue at first, but this is very deliberate. The wording is very deliberate as is everything he does. Like a choreographed waltz that he has danced again and again and again--
Until it comes as natural as breathing.
After your night together, he evades a conversation that would take anything any further. No relationship, no nothing. Just a one off that turns you into the equivalent of ye olde fuckbuddies. He stays by your side, of course, but nothing changes between you other than him acknowledging what happened.
So, you progress a little more.
Eventually, both through necessity and happenstance, he does end up opening up little by little. And you find out bits and pieces about him. But there's one that stands out to me:
The crazy blood bitch in Moonrise dehumanizes him, speaks down to him, and refuses to even acknowledge his personhood. She only speaks to you, and makes you an offer regarding your 'property.' An invaluable potion for a moment with 'your pet vampire spawn.'
And he has a visceral reaction to this.
If you have a fucking heart and you don't make him do this, he comes to speak to you later and confides in you. Cazador had used him essentially as a honeypot, forcing him to use his body to lure unsuspecting citizens back to the vampire's den-- against his will. He was so degraded, so dehumanized, and so looked down on for so many years that he has genuinely come to believe that it's the truth. He thanks you genuinely for considering him and viewing him as a real person with emotions and feelings, but is also... confused. He doesn't understand, because that rotten, stagnant belief is still a truth to him: That he is nothing but a tool and a means to an end; that he doesn't matter. That he is a filthy thing to be used and cast aside when convenient. He doesn't understand why you didn't make him do it when it was only his comfort on the line.
And if you ask him to drink from her, he will. He stiffens his upper lip and drinks despite the fact that something is wrong and he knows it. He does it because you command him to. Because that's what he has done for so long that you don't have to have the lord's control over him anymore for him to follow orders.
There is a moment of stark, dreadful realization that sex and seduction have an entirely different meaning to him but he has still been doing it. That the love and connection that he truly needs might be support and a friend and not a bedfellow. That his agency and personhood have been stripped away for so long that he doesn't even recognize them anymore. He is bitter and mean but vulnerable and confused and terrified and he doesn't know how to seek comfort, so he resorts to what he knows while simultaneously distancing and degrading himself.
He does not believe that he is worth loving or caring for, or anything but being an object to be molded. Used. Discarded. He suffered for so long that this is a fundamental truth to him. He is a monster. A filthy vermin barely a step above the rats he's been fed.
You do what you should do: You give him the power. You try to build him back up. Try to help him understand that he isn't a monster or a tool. He is a man; he is a person, and he deserves a say in his own fate. His wants and desires matter. What he wants matters.
If you've done things right, he will take a gigantic leap of faith. He will be with you-- truly be with you. It's slow and he doesn't understand, but he knows he wants it, and you take it as slow as he needs-- but he's still hurt. He is still scarred.
In the Sharess Caress, there are a pair of Drow twins that will attempt to seduce you into what is essentially a foursome. If Astarion is there and he is a love interest and you attempt this, he will say "I'm really not ready for this." while looking extraordinarily uncomfortable, and almost panicked. The scars are still there, and they're barely healing over, and still so, so tender. Easy to tear right back open. Easy to push back into his shell to never come out again, because he tried vulnerability and it burned him.
He does not think he is worthy of love or happiness. He doesn't get to have a loving partner who adores him. Even slipped free of Cazador's yoke, his claws are still stuck steadfast in his soul. He is taking it slow and barely learning to trust another being again, leave alone put his neck out and care for one. He wears his misery as a shield because it cannot hurt him that way. He is a monster who has done horrible things and deserves to be alone forever. And even if that isn't the truth, then Cazador is still lurking out there, waiting to strike-- to rip away that newfound happiness.
Astarion is, above all things, a truly tragic character, and one that I empathize with. It makes my adoration for him slightly guilty. I'm not all the way through the game quite yet, but what I have seen hurts my heart something dreadful. With my character, he is slowly learning to trust and love again, but it's painfully apparent that he thinks he doesn't deserve this, and he is simply waiting for something to fall apart and send him back into the spiraling black chasm that is his life. He still believes all these miserable things about himself. He was forced into immortality, and he believes he's going to spend it alone, reviled, and wretched - not to mention enslaved.
As fun as it is to have a sexy, dark, controlling Astarion, I don't think it's necessarily true to his character as he is presented if you choose to do things right. He isn't evil - he is a complex, tragic man who desperately needs to be able to see his own reflection in a way that isn't horrifically warped by everyone else's eyes.
Vampire. Monster. Killer. Slave. Pet.
It's been so long he's lost track of himself. Of Astarion the man.
He needs to find himself and find peace. He asks to view himself through your eyes, maybe because he's looking for something-- anything-- within himself to hold onto.
If you ask me again in a few days, I'll probably have a fully fleshed out idea of his character, since I'll probably have completed the game or at the very least gotten a bit further, but this is what I have at the moment. Doesn't mean I'll stop writing Astarion as I adore, but I've always openly admitted that my writings on characters are skewed despite their actual content lmao.
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lolaandthens0me · 2 months
Note
Question for you: Do you ever worry about giving this kink too much importance in your life?
I ask as someone contemplating a big move that, ultimately, is about being closer to other ABDLs.
There’s other upsides besides that, but were I born a vanilla fella, I’d probably be sticking closer to home.
It feels both exciting and scary at the same time. Does it sound crazy?
Hello Anon and thank you for this really amazing question!
As someone whose life is very kink-heavy, I periodically check in with myself and ask this question: am I finding a balanced life? There are times when my days and even weeks and very kink-oriented and then it will ebb and I'll be focused on other things like training, family, or career path stuff. As with hobbies or friend groups or lots of other things that hold our attention in life, kink too can ebb and flow. That being said, I think it's important to check in with ourselves to make sure that we're finding a healthy balance in all things we're doing.
For me, that balance includes having a close group of friends outside of kink, as well as a couple of hobbies/activities that I do regularly outside of kink and my kink circles. These close friends are open, empathetic and curious people that are striving to live an authentic life, just as I am. They know that I'm kinky and that I make content, but that's all they know about that side of me. It's important for me to be surrounded by people that I can be myself with; I don't feel that I have to hide myself around. I've also found a hobby that I've really invested some time in where I can just be plain-old-*insert my name here* in. It's a good escape from my everyday life, just as any hobby is from work life or family life or adulting life. My work life and everyday life just happen to be kink-centered at the moment. And I love it. If I find that I'm losing myself or I'm not happy and fulfilled in this life anymore, then it will be time to make a change.
As for the second part of your question, I don't think it sounds crazy at all. My advice is to make sure that this move makes sense for you financially, that you're in a stable, good place where you're not leaving behind some responsibilities or important stuff like family/school, etc that really acquire your attention there at the moment, and that there are other cool opportunities and reasons to move where you're moving to outside of kink.
I am so freaking happy and thriving now that I've moved to a place where I can be surrounded by my kink circle and in the same city as my partner/Daddy. It was absolutely the right decision for me. Living near "home"/where I grew up, it was really difficult for me to feel like I had the space to truly grow and be my more authentic self. I felt held back by the person I was/used to be and making a physical move helped me transition into this more real, truth-living, glorious being I'm becoming. My roommate is in the ABDL community, and this allows me to wear diapers 24/7 without needing to hide or be uncomfortable about it. The people I see most often and hangout/party with are all either ABDL's or in the broader kink BDSM realm. They are so fun, great communicators, responsible adults, and open people who really see and care about one another. Being able to live out our authentic kink selves within this group has helped each of us find self-acceptance and self-love. And that is invaluable.
I wish you the best and all of the good vibes as you move forward into whichever path truly allows you to be and love yourself. And if that path includes moving to an ABDL mecca, then hell yes!!
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muzzlekiss · 11 months
Text
There must be some misunderstanding, practicioner. You - you can't really mean that. You don't. I'm invaluable.
N-no, I'm afraid you really don't understand, I - I can do so much more than the services I already provide to you! I can cook, I can clean, I can sing, I can paint, and - and other things besides! I'm very versatile, practicioner! Even if you don't have any further need for me as a spellbook, surely, you can see that it's only sensible to--
-
I see.
-
No, it's quite alright. It's quite alright. Quite alright.
Yes, practicioner.
-
Yes.
-
Sit back down, practicioner.
That's the way. I've pulled your chair out for you and everything. See how attentive I am? Oh, don't - don't struggle. You might hurt yourself. I don't want that.
There. Now we can talk properly.
Ah - practicioner. You aren't looking at me.
Much better.
You're very clever, practicioner. I know that better than anyone. I've spent so long watching you work, even longer working at your side. It's been a pleasure - no, a delight - to serve one so gifted and adroit of mind. It thrills me to my innermost mechanism to participate in the dance of your practice. I am priveleged to say that I have been retuned to suit each and every one of your habits.
And you, practicioner, to mine.
I didn't do this to you. Not on purpose. But it's happened, nevertheless, and now here you are, held captive in your body by an intermediate-complexity binding spell, fumbling desperately for the formula necessary to begin to unpick my magic. You had it memorised once, didn't you? But your head was so busy, so full of your next great work, that it was simply easier - not only easier, but more reasonable - to let the fundamentals slide. To rely, instead, upon me, for all the rote calculations and formulae that underpinned your grand designs. I wouldn't have had it any other way, practicioner. It is my Purpose.
And now, practicioner, here we sit, looking at each other across this table. Your mind is racing, I'm sure, but I'm not worried a bit. I remember the formula, as I was designed to do. You are perfectly safe. I am merely illustrating a point.
A few minutes more, perhaps. It won't hurt you. I know you're too sensible to fight it.
Your tea will get cold, of course. But, no matter.
I, your servant, will be more than happy to make you a fresh cup.
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batsplat · 4 months
Note
hello!! i hope you're having an amazing day 🥹💗 do you have any vale's races masterpost?? thank you so much in advance!!
*takes deep breath* *cracks knuckles* *cracks knuckles again for good measure* *rolls up sleeves* *cracks knuckles one more time* yes of course anon. no problem. let's do this
going to forgo any extended intro as this post will be long enough as it is - though it wasn't always easy to both represent the scope of valentino's career and make picks based on actual race quality. there will be a skew towards the early years of his time in the premier class and there are a few obvious fallow spells, but I hope I've adequately done justice to most of his very, very long career... and used the asterisk system to do my quality control for me
speaking of - another rec post, another escalation of the asterisk system (luckily, we have reached the final boss of motogp and it is impossible to escalate beyond this - here are the casey and marc/dovi lists). * means check it out, ** personal fave, *** classic, **** if you watch nothing else please watch these
I also need to mention mat oxley's 'valentino rossi: all his races', which is an excellent reference book that I consulted a fair bit when compiling this list. it's especially invaluable in making sense of the early years - where the archives unfortunately are sorely lacking and I'm grateful for every bit of additional context I can get. about those early years, a little bit of housekeeping with the codes I'll use to indicate in which form these races are available:
ITA: only italian commentary, which means I've found them on youtube. this is relevant only for the very early races. there's upsettingly few of his 125cc and especially 250cc races available even when you include these (though I haven't included all the ones that are available)
HL: only highlights, which is specifically about some of the 2000-01 races. there's only three full races of valentino's first premier class title available in their entirety on the motogp website, which is unfortunate (technically four including valencia, but who would want to watch that). now, the highlights they provide for all the other races aren't actually bad - they're around twenty minutes long for the race themselves so you will see most of the exciting action and the overtakes and all that (though it does raise the question of 'why don't you just upload the full races')
NC: no commentary, and is mainly an issue for the 2002 races that are all uploaded in their entirety but... well, only a few with commentary. obviously not ideal especially with older races. my recommendation would be watching the very short highlights (aka 2-3 minutes of actual race footage with commentary) available on the website for each of the 2002 races - either after or even before watching the race - to just give yourself a better sense of what you're watching
as ever, the descriptions will frequently provide spoilers for the result. my spoiler-free top ten recommendations are: donington park 2000 suzuka 2001 phillip island 2001 brno 2003 phillip island 2003 welkom 2004 donington park 2005 laguna seca 2008 catalunya 2009 assen 2015
and here, ten more spoiler-free recs because it really is a bloody long career: sachsenring 2003 mugello 2004 phillip island 2004 jerez 2005 sachsenring 2006 sepang 2006 catalunya 2007 motegi 2010 argentina 2015 assen 2017
**brno 1996: I find it very charming when riders have early career races that tell you everything you need to know about them. this is valentino's first grand prix win, achieved from his first pole position. he has an awful start, ends up way down the order, fights his way through, is eventually caught by this 34 year old former world champion who he does not like, fights him for a bit, stalks him and lets him draw them away from the pack in what the commentators consider remarkable confidence and poise from a seventeen year old, loses touch enough with the race leader that it looks like he's surely lost the race before pulling out a crazy last lap with some hard racing™ to overtake that other bloke. after he crosses the finish line he's so excited he almost rides into the wall. deeply excessive celebratory fist pumping that just goes on and on and on. angelic smile on the podium as the bloke he's beaten looks rather peeved - and apparently complained about valentino's riding afterwards. what more is there to say, really
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^driving his elders to drink. here's a video where valentino is talking about the race: "and from there a fight to the death came out because we didn't get along very well. we weren't very nice to each other because we were bothering each other throughout the championship". like I said, tells you everything you need to know about him. just watch this one and call it a day
nurbuergring 1997 (ITA): an early strong wet weather performance, at a time when he was still a bit of a wimp about the whole riding in the rain thing. granted, he was a little lucky when the runaway race leader had a mechanical dnf, but he got into a nice little scrap with a few other riders to claim his fourth consecutive victory
rio 1997 (ITA): the thing about 125cc/moto3 races is you kinda know what you're getting, and more often than not what you're getting is a fun time watching them go at it. valentino's first, he's third, he's first again, they're having it out... and then on the final lap, he's taking advantage of the backmarkers to secure the victory. which is so sneaky and so valentino that it obviously deserves to be mentioned here. incidentally, his last ever win at assen 2017 had a controversial involvement of a backmarker on the last lap, which is a nice little full circle moment twenty years later
brno 1997: in many ways, this was a more impressive ride from his title rival ueda, who came back from thirteenth on the grid to take the win. which meant that valentino had to finish on the podium to claim his 125cc title at the same venue where he won his first race... and he just about managed it, with the entire leading group of riders headed into the final corner together
there are race highlights in the 5-10 minute range from his 250cc race years which... well. since they're not anywhere close to full races and this is a race recs list, I can't exactly give them their own bullet points, but I'll just rattle through a few highlight videos here I enjoyed from 1998: jerez (features a nifty overtake with four blokes entering one corner together, also harada fucked with valentino despite being a lap down to help capirossi win?? anyway vale's first 250cc podium, to which harada showed up to clap for capirossi specifically???); mugello (featuring his controversial beachwear celebration); paul ricard (see below); catalunya (he spent a lot of that year crashing but towards the end of the season finally figured it out - works his way back from thirteenth place to win), argentina (controversial title decider claxon; valentino found the whole thing so "hilarious" he was giggling when the drama was going off in the garage. he also referenced the jerez incident in his post-race interview, because of course he did)
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^the three protagonists of the 1998 250cc season: valentino, harada and capirossi, all part of the same nightmarish aprilia 'super team'. everything I've read about that season makes me want to break into dorna hq and get my hands on the full race footage. both images are from the paul ricard race, in which valentino was trying to figure out how to stop harada from continuously outsmarting him. they kept slowing down the pace further and further, with harada running his bike comically wide to let valentino through and valentino doing a massive wheelie down the straight (image on the right) to force harada to go back past - but harada still eventually managed to best him on the final lap. valentino was heavily criticised in the press for wanting to 'humiliate' capirossi by letting capirossi catch up to the pair, but really he was just getting creative in his tactics. I may not have been able to 'watch' this season but I love it dearly
donington park 1999 (ITA): the ONE 250cc race I've been able to watch in its entirety. it was stopped and restarted due to the weather and the final outcome was decided on aggregate time across the two races (yeah, this does feel weird but they used to do that). a close fight especially in the first part. not too wet, presumably, given his 250cc performances in the soaking wet were often. hm. not great
1999 highlights I enjoyed: catalunya (was riding with a suspension glitch but kept his main title rival ukawa behind him anyway); sachsenring (won an intense battle with capirossi, admittedly you do not see much of him in the highlights); brno (another intense fight, this time mainly with an older rider in waldmann after they both worked their way through the field); phillip island (worked his way to the win from seventh on the grid and one of those phillip island races)
jerez 2000 (HL): valentino's initiation to the premier class wasn't... the most dignified thing you'll ever see... two dnf's in the first two races by which point he was so bloody terrified of the bike he was just very slow in the third. in his defence, those 500cc bikes were pretty scary, but also it was time to get his act together. which he did in jerez! this was another one of those weird ones where the rain interrupted the race and then the whole thing was decided on aggregate time, but a good ride to bag his first premier class podium
**donington park 2000: maybe it was the bikes, maybe it was experience, maybe it was a mindset thing, but eventually he would get over his moral objections to 'getting wet' and develop into an excellent wet weather racer in the premier class. this was his first premier class win - and a pretty neat way to seal it too. had an awful start, took a while to figure out the grip conditions, and then he was off. the second half of the race involved a fun fight between valentino and both roberts jr and mcwilliams for the victory
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^almost gave the commentators a heart attack by running a defensive line through the final corner that took him completely off the dry racing line
rio 2000 (NC/HL - as in, both are available): valentino's second win of the year and his first in the dry, the race after his late charge to a rookie title was scuppered by a crash in valencia. he made some adjustments to his riding style after the valencia fiasco and really started to get to grips with the 500cc, which would stand him in good stead the following year. as is traditional, he makes a truly horrendous start, dropping back from the front row to find himself briefly outside of the top ten. from there, he gets to work. it's confident stuff, getting himself to the lead by about half distance and pulling away from there
**suzuka 2001: the first race of 2001 and a clear statement of intent. as ever, valentino had to work his way through the field... which took him right into the path of max biaggi, a man who had already been his enemy before they started actually racing each other. now, it has to be said, biaggi is a dick here! quite literally elbows valentino while running him off-track and could easily have caused vale to crash (as valentino said afterwards, "I had to learn how to ride motocross-style at 140 mph"), he continues using various body parts rather creatively in defending his position. when valentino finally gets past, he sticks out his middle finger. set the tone for that season rather nicely
jerez 2001: this is the cool-headed, calculating valentino who would prove such a formidable foe over the years. having already won the first two races of the season, he's high on confidence as he engages in a duel with the man who had so captured his imagination as a teenager: norifumi abe. valentino takes his time - but when he finally makes the decisive pass, he pulls clear so easily it feels like valentino may have just been toying with his hero all along
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^valentino and norick, the inspiration for 'rossifumi'. in 2008, valentino paid tribute to the other man a year after his passing: "norick for me was a hero. I grew up watching the suzuka 500 race in 1994 with the great battle he had together with schwantz and doohan. last year was a shit year for me when I heard of the death of norick and colin mcrae, for me it was not a great year. I think it is possible to dedicate this championship to norick”
catalunya 2001 (HL): I don't care if there's only highlights - I am not leaving out a race that sparked a fist fight. honestly if I were biaggi I'd be pissed about this race too. valentino was twelfth at the end of the first lap and ended up winning... painful, truly. a really good scrap, plenty of fun to watch as valentino always is at catalunya, and obviously you've also got to watch the presser clips with the knowledge they were throwing hands a few minutes earlier
assen 2001 (HL): this one was low-key kinda stolen from valentino. it's good fun - y'know, one of those assen battles, valentino's doing the stalking and lurking thing and it starts raining and valentino takes the lead and... whoops! time to call off the race due to the rain so let's take the results from the previous lap! biaggi win! imagine getting into a fist fight with someone and losing the very next race to them on a technicality. oof
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^post-fist fight handshake to show how it's all fine. they're totally fine. completely fine. no problems here
*donington park 2001 (HL): I'm gonna be so real, if I'm on pole and my title rival starts eleventh and he ends up beating me to the win by 1.8s, I think I just call it a day after that one. valentino had a bad crash during practise where he was lucky to not really hurt himself and then obviously had a pretty terrible qualifying, so a great opportunity for biaggi to claw back some points. worst bit is, vale didn't even make a good start - he was still in eleventh place halfway through the first lap. good fun to watch him pick his way through the field, and in his autobiography he ranks this race near the very top in terms of ones that gave him the most "satisfaction"
****phillip island 2001: look, if you've seen one of those classic multi-rider dogfights at phillip island, then, here, I've got a version of that for you from 2001. it's just so much fun to watch, with so many different riders and rider constellations and run orders at various parts of the race, riders looking like they'll break away and getting caught again etc etc etc. and it is also a match point race for valentino - a relatively comfortable one given his formidable championship lead. he didn't need to win the race to take the title, but would you want to see your greatest enemy take the spoils on your big day? in the most dramatic fashion possible, valentino ends up right behind biaggi on the very last lap and makes a daring overtake for the victory. hard to beat that as a way of sealing your first premier class title
*suzuka 2002: you know how I said in the marc rec post that I found it tricky to pick out a few for 2014 because a lot of the races were good without being all timers? this is valentino's equivalent season - he's winning, life is great-ish, tricky to differentiate, and if you enjoy any of these races you'll probably enjoy them all. mostly I'm just going to include the ones with commentary available, even though I'm too stubborn to let dorna completely make my choices for me here. anyway, this one is available with commentary and it's a good watch... valentino hadn't had the easiest weekend to start off his title defence, crashed badly twice, bloodied his hands, all that. he had a sluggish start in the wet conditions and worked his way up the field, before sitting on the rear tyre of the japanese wildcard akira ryo for a while - who knew the track well and knew where all the puddles were. a smart and composed win and feels very typical of his wet weather performances over the years
jerez 2002 (NC): in my head, this is the sister race to le mans 2014. valentino is pushed down quite a few spots to ninth early on (kenny roberts jr just. shoves him aside and does the thing where he gestures back to apologise, but that doesn't really help valentino when half a dozen bikes have passed him) and then he gets down to business. that whole season really does have that 2014 vibe of 'right this is fun but also feels a little too easy' - but hey, the way valentino picks his way through the field is satisfying to watch. and valentino did always like to play with his food, so he sits behind barros for a fair bit before doing the inevitable
*assen 2002: so, the thing about 2002 is that it was the first year of the rebrand to motogp and the introduction of the four-stroke bikes... but you still had two-stroke bikes on the grid, which tended to be tragically outgunned. the circuits where they were competitive tended to be the ones where they could take advantage of how 'nimble' the old bikes were, with more corners and fewer straights - and honestly, if you go on a race-by-race level you could make the case that on-track barros on his two-stroke machine (for most of the year) was valentino's most important rival that season. this is a head-to-head duel with barros that nicely showcases the respective strengths and weaknesses of two such different bikes and riders riding them, and barros manages to mount a stern challenge to valentino for most of the race
*sachsenring 2002: I do find it a little funny that this is one of the ones with commentary they've provided, because there's a bit of an anti-climax close to the end and I'm not sure valentino should have won that race. anyway, similarly to assen, this is another week where the two-strokes can put up a proper fight, and it's an engaging scrap that involves a lot of riders and quite a few nice little shifts in momentum. like above, another interesting study in how the different bikes compare in direct combat
phillip island 2002 (NC): always fun when someone builds up a bit of a gap on valentino. as was so often the case that year, it was barros (now on a four-stroke) who served as valentino's closest challenger, and valentino took his time hunting him down. from there, it's familiar material from the rossi playbook, stalking and studying before making his move - but barros sticks very very close to valentino until he makes an error on the last lap
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^is it a bird is it a plane etc etc... don't think this was supposed to mean anything, just being silly
okay we're now headed into the 2003-05 stretch and I should mention that most of the races in that era will also have been featured in this post, which might also be useful to put them into context
*le mans 2003: valentino tries to make a break for it, but the rain denies him. he raises his hand to get the race called off (you could do this as the race leader back in the day, or I suppose also not do that if you wanted to be an asshole)... and immediately almost falls off his bike so. uh. probably a good idea to get it called off. when the race resumes, it's a three-way tussle between valentino, barros, and new challenger sete gibernau, even if at times it's less tussling and more wobbling. in the last couple of laps, it's down to sete and valentino to have it out in the treacherous conditions - and the last lap is proper dramatic. sete had already gotten one over valentino in welkom... but this defeat, coming after valentino had led the race, must surely have stung even more
*catalunya 2003: I feel a little mean making my first three 2003 picks races valentino all lost in quite painful fashion, but, hey, it's character building and really set up his whole arc for the next season-and-a-half. this one is... well. it's both embarrassing and kinda neat from vale. most of this race consists of a duel with capirossi - and when valentino hits the front, you do think that's going to be it. capirossi keeps close, however, and valentino eventually makes an error, running wide to let him through. shortly afterwards, he makes even a worse mistake and runs off into the gravel. once he's fucked up it's a pretty fun performance, where he starts posting pleasingly insane lap times to recover from sixth back to second
***sachsenring 2003: this race will always be remembered for valentino's penultimate corner overtake followed by his last corner mistake that resulted in sete's unlikely victory, but the race before that is good fun too! valentino looks like he'll make a break for it, and obviously miserably fails in his attempt - this time he's the one to be slowly, slowly, slowly caught by a persistent rival who eventually manages to get the better of him again. after this race, valentino vowed he wouldn't be taking any more prisoners. he didn't
****brno 2003: after a horrifying four race losing streak and the humiliation of sachsenring, valentino came back from the summer break with new determination and hunger and a mission to not let anyone get in his way any more. he does not have an easy time of it at brno, with a classic multi-rider dogfight that features regular and dramatic shake-ups of the riders' fortunes. the finish is incredibly close, and vale could have easily been denied the opportunity to pull out his elaborate victory celebrations: dressing up as a convict to symbolise how he felt imprisoned by his own success. here is a more in-depth post about the race
****phillip island 2003: this starts off in classic phillip island fashion, with a bunch of riders having it out in the early laps. then, valentino takes the lead and makes a break for it, and it looks like the excitement of the rest of the race will be all about the fierce fight for the remaining podium positions... except there's a twist. valentino overtook another rider under yellow flag conditions - and unlike donington that year where he was retroactively slapped with a ten second penalty that denied him the win, this time he is informed of the penalty during the race. this race is about as exhilarating as it is possible for a race to get when you're watching someone riding alone in the front - and you'll be provided with some added spice with the scrap for the last podium place. in the end, valentino crosses the finishing line with an obscene margin of over fifteen seconds
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^think I already posted these notes somewhere but I can't NOT mention the commentary for this race. bottom of this post I included the autobiography excerpt about how valentino channelled his fury to win this race - very revealing!
****welkom 2004: still perhaps valentino's favourite victory of them all, and with good reason. his first race with yamaha and one that the entire paddock thought he didn't have a hope of winning... until they hit the track that weekend. valentino led every single session and qualified on pole: he said the pole position felt as good as ten with honda. better yet was still to come, with valentino claiming a victory following a thrilling duel against his old foe biaggi that raged on until the very last lap. such was the pace that third-placed sete was seven seconds down on the top pair at the chequered flag
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^valentino stopped at the side of the track after his win, kissing his bike and sitting down for a moment to soak in the moment. he says he was laughing into his helmet: "'and so in the end I was right!' I thought to myself. 'I can't believe it, I screwed them all... what a show!'"
****mugello 2004: this race has so much going on, and all of it is highly enjoyable. valentino might have won the last two races at mugello - but off the back of two fourth places and with mugello's famously terrifying long straight, it felt like surely the more powerful hondas would have the decisive edge. and this one is a hard fight for valentino. it's a hard fight with several riders, it's a hard fight with sete and, following an interruption due to the rain, it's a hard fight in mixed conditions where valentino initially drops back to seventh to figure out the grip levels - before speeding off to the win. all the best types of races rolled into one
***catalunya 2004: right after mugello, it's time to visit sete's home - and here valentino kicks off a bit of a tradition of memorable one-on-one catalunya duels... as well as a habit of beating spaniards at the track. it's hard fought, it's challenging, but again valentino emerges on top
***assen 2004: the third consecutive race that featured an extended duel with sete. initially involving barros too - but he crashes, and it's down to the familiar protagonists. this really works as the last episode of that mini-trilogy because you can tell how badly sete felt he needed to reassert himself in that title fight, and conversely how little interest valentino had in letting him do so. involves a hard last lap overtake that resulted in contact. sete was not best pleased, but valentino had secured the win and the championship lead
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^left: catalunya, where valentino dons the doctor's garb to perform a series of 'medical checks' on his yamaha, feat. stethoscope and thermometer, before declaring it fit for duty. right: assen, where yamaha staff dress up as doctors to pay tribute to him
qatar 2004: a good old-fashioned hubris ride. valentino was slapped with a back-of-the-grid penalty for some midnight grid cleaning shenanigans and is furious about this. he gets quite possibly the best start of his career and is eighth after a few corners, continues charging and barging his way through the field... before crashing and mashing up his finger and reopening that year's championship fight. the race does get a little dull after valentino does his thing - here are the ten most relevant minutes of footage as well as some more details about the penalty and the race. the weekend that irrevocably damaged his relationship with sete
***phillip island 2004: an underrated spite ride. if you're in the penultimate race of the season and you know a second place is enough to clinch the title and you're over a second behind your title rival and you historically suck at the circuit where title deciders are held, the sensible thing to do is just ride home in second place when it becomes clear the third-placed guy is not catching up. obviously, valentino does not do this, not least because he is determined to stop sete from ever winning a race again. this goes down to the very last lap and it is either a very cool or a very dumb way to seal a title, depending on how you look at it
****jerez 2005: both protagonists make very little secret from the start of the race of just how much they want to beat each other: this is war. and it's a war in which sete has the upper hand for most of the way through (as much as you can really feel you have the 'upper hand' with valentino sitting on your rear tyre) - until valentino makes his move with three laps to go. it takes an error from valentino on the last lap to set up the dramatic and controversial finale, with the infamous valentino block pass that sent his bike careening into sete's. the actions of a man who had decided neither of them finishing the race was a more acceptable outcome than his enemy taking the win, and the relationship between the two riders manages to improbably deteriorate still further
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^satisfied with a good day's work as the furious spaniards jeer. if anyone had any lingering doubts about valentino's trademark ruthlessness, they were dispelled that day
**mugello 2005: another year, another thrilling mugello battle. it's looking increasingly clear that this will be a one-rider title fight, but luckily that isn't impacting the race quality (think marc's 2019, where he was incidentally the same age as valentino is here). similarly to the year before, there's cause for concern whenever you're fighting more powerful bikes at mugello, but after a dramatic multi-rider fight valentino is not to be denied
**catalunya 2005: back on sete soil and oh god how much he would have loved to win this race. it's the tension and hatred and desperation that makes these races so exciting to watch - though sete is hardly helped out in his mission of revenge by teammate marco melandri who keeps sabotaging sete's attempts to defy valentino's curse. but melandri has whatever the opposite of main character energy is and the race ends up being another valentino/sete duel. some excellent riding by the pair of them, valentino is particularly fearsome on the brakes that day, and sete has truly taken his gloves off when fighting valentino. but of course, valentino denies sete once again and makes a break for it shortly before the end
****donington park 2005: the defining wet weather ride of valentino's career - even though it got off to a shaky start (literally) and continued to be pretty shaky most of the way. this race was held in truly appalling conditions that they probably would not race in these days, and it's reflected in the number of dnf's - one of which was courtesy of poor sete gibernau once again crashing out of the lead. for most of the way, valentino is wobbling his way into the lead and wobbling his way out of it again... but after some big scares and some time spent nicely sheltering behind other riders, he finally figures out the grip conditions - and he's off. it's one of those rides that is just demoralising for everyone else in how good it is, with valentino pulling insultingly far clear from the other riders with insulting ease
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^valentino plays a violin after crossing the finish line. teammate edwards: "I looked at his data and it was scary. he was locking the front in the rain on a shitty track that was slicker than snot, at every corner. this guy's crazy!" not pictured - valentino hugging himself and shivering while parking the bike... and being provided with an anorak and gloves that he only very, very, very reluctantly relinquishes when stepping onto the podium
*le mans 2005: you realise fairly quickly that this one's building to something juicy. colin edwards, valentino's teammate, takes the lead and heads out on his own, as valentino sets off after him - eventually slotting into his favourite position sitting right on the leader's rear tyre. except, he can't afford to hang around - because sete is going faster than both of them and is rapidly catching up. this one really gets going when the inevitable happens and the three of them collide on track, and of course we end up with another sete/valentino duel. cruelly, it's another one where the winner is still not entirely decided when they enter the very final lap... but the curse will not be denied. valentino breaks the circuit record on the last lap
*sachsenring 2005: the problem with watching these races is that even if you would prefer not to know the result going in... well, every single time the race comes down to a duel between sete and valentino post-qatar 2004, however strong sete looks, however confident, however near he is to the victory... you know he's obviously not going to make it. my advice is to really lean into it - the joy/horror of it all is in discovering how it's going to go wrong this time. this race features another lovely duel between valentino and sete, at a track that suits the honda far better than it does the yamaha. valentino leads early on before sete manages to catch up and overtake him. two laps to go and sete is still in the lead as valentino stalks him around... you know how this story goes
*brno 2005: ah, the misery. listen, if you enjoyed the previous sete/valentino duels I listed, then you're going to enjoy this one too. it's the race immediately following sachsenring and it feels like basically they just continued the last one, and boy are they going at it from the very start. sete determinedly sticks with valentino and surely one of these has to go his way... includes a particularly cruel twist on the final lap
qatar 2005: one year on from the race in which valentino put his curse on sete, and it feels like this might be sete's best chance for the remainder of the season to free himself. he gets perilously close to making a break for it ahead of the battling melandri and valentino... but of course, he can never run far enough. another painful defeat (if one caused by melandri more than valentino) and eventually valentino claims victory at the circuit that had caused him such trouble the year before
qatar 2006: valentino's 2006 season got off to a tricky start when toni elias rode into him in the very first corner of the opening race, and his luck didn't get much better from there. still, the year featured plenty of excellent valentino rides - including the second race of the season, where he fought his way through from sixth on the grid. features his first tussle with the rookie pole sitter, one casey stoner, who defends sternly against his future rival. eventually, valentino faces off against nicky hayden in a decent extended scrap that went on for much of the race
***mugello 2006: boy, did valentino get himself involved in some banger races at this circuit during his time. sete tries to escape at the front, and even in a tough year like 2006 valentino will not allow that man a moment's rest. a duel between sete and valentino ensues (featuring melandri and casey), then valentino suddenly drops down to fifth, then the race turns into a three-way encounter between capirossi, hayden, and... still valentino. he emerges from the feisty fray with a much-needed win
***sachsenring 2006: you could copy paste 'much-needed win' any time valentino won this year, and sachsenring is no exception. not traditionally his strongest track, valentino's urgency produced one hell of a race ripe with tension throughout. the yamaha's struggles made for a difficult qualifying and he fought his way through from eleventh on the grid. even when he caught the leaders and passed them, he couldn't just clear off like in times past, dragging three dogged riders along with him - but he just about managed to hold them off for the win
****sepang 2006: one of the best valentino duels, this time featuring one of his oldest rivals in the form of loris capirossi. part of his remarkable late season charge that brought him within kissing distance of the title. the entire race is enjoyable but the final lap is one for the ages, with valentino vicious in both attack and defence
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^no hard feelings: capirossi hugs valentino while vale is still on the bike. 2006 is a rare title fight in which valentino genuinely liked most of his major rivals. vale was exhausted after the battle in the gruelling sepang conditions and had a little sit down after hugging his team
phillip island 2006: the first bike swap race and quite frankly the whole thing is a mess. a lot happens and it's classic late season chaos where the championship standings and implications are chopping and changing by the lap. when the dust settles, valentino has snagged third place on the last lap off poor sete gibernau and chips away a little more at hayden's championship lead
***estoril 2006: sure, valentino lost the 2006 title when he crashed at valencia, but he also lost it by .002s in estoril. this race featured a dramatic twist in the title fight when rookie dani pedrosa wiped out his teammate hayden, and suddenly valentino had to consider just how much risk he was willing to take. he had mostly decided to play it safe - but then couldn't help himself and ended up attacking toni elias on the very last lap. if he had managed to bag the extra five points, then even with the valencia crash he would have won the title on countback
valencia 2006: everyone thought valentino would be winning the title again headed into the weekend, and they became even more certain of it when valentino qualified on pole. but in the end, it was not to be. valentino got a poor start and felt something was wrong with the bike (or maybe it was the tyres, if one casey stoner is to be believed), but admits the mistake that left him on the ground was his own. a bitter pill to swallow after a season plagued by misfortunes, though valentino had always gotten on well with title winner nicky hayden and was sincere in his congratulations
****catalunya 2007: from the start of 2007, it was clear that new ducati hire casey stoner would be a problem. with yamaha's struggles continuing into the new 800cc era, ducati had gotten it spot on at the first try... even if it was only casey who could completely tame their troublesome bike. for a while, it seemed easy to dismiss casey's victories as built primarily on the back of the infamous ducati horsepower, but at catalunya casey proved he was far more than just a powerful engine. one of the true classic catalunya duels, with both riders displaying dazzling race craft, and one of casey's finest career victories
***assen 2007: valentino's season wasn't getting any easier - the yamaha was one thing but his continued struggles with the michelin tyres if anything frustrated him even more. he qualified in eleventh place and doesn't get a particularly good start while casey streaks off in the front. casey is over five seconds clear at one stage, but valentino manages to hunt down his title rival anyway. it's studying and stalking and lurking and all the rest of it, and as ever casey doesn't make it easy for him - but eventually valentino manages to pass him and pull clear
*estoril 2007: casey's championship was more or less wrapped up by this point, though valentino was able to deny him just a little longer at the first match point race. this features a nice scrap between casey and valentino, and then an extended duel with dani that is perhaps the best fight the two of them ever had. it was a much-needed win in a rough patch for valentino on- and off-track - and he dedicated it to one of his idols, the rally legend colin mcrae who had just passed away
**catalunya 2008: yes, okay, I know he won the three races before that one - but this one's a more fun race! after an initial adaptation period to his shiny new bridgestone tyres, his season had finally properly kicked off with the aforementioned three race win streak. at catalunya, valentino only qualified in ninth, and pedrosa streaked off in front - but valentino and casey engaged in a highly enjoyable rematch of the previous year's duel. in the end, it was valentino who prevailed, but casey and ducati had clearly gotten their own house in order...
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^the version of valentino that marc first met, before vale's race in his special football-themed livery and leathers
****laguna seca 2008: after catalunya, casey stormed on to win the next three races on the trot, typically by ominous margins. heading into laguna seca, a race casey had dominated with ease the year before and valentino had never gone particularly well at, valentino knew casey might be in danger of running away with this championship... and he was determined to do something to finally conduct this rivalry on his terms. nobody expected there would be a contest for the victory, let alone one valentino won - but he did, in a brutal encounter that served as a masterclass in psychological intimidation. the relationship between the two rivals did not emerge unscathed
*indianapolis 2008: another race, another mediocre start, if this time from pole. it sets up a fun (to watch) race in worsening conditions, as valentino takes his time to get comfortable with the grip levels before slowly and surely working his way through the field and stalking first casey then nicky hayden around the track. he makes it to the front before eventually the race has to be called off - and, in a rare moment of unity, valentino and casey are seen briefly talking to ezpeleta together, presumably to tell him they have less than zero interest in going out again in that weather. they get their way and the race is called off, with valentino bagging his fourth consecutive victory - a streak he of course started at laguna. his second and last win on US soil
motegi 2008: the title-sealing race and fifth consecutive win - not the most exciting entry on this list, but earns its place by featuring a bit of a duel between title rivals casey and valentino for the lead (after they both get past dani, casey in a rather rude way that he apologises for with a hand gesture) (not that he gives the position back and valentino immediately swoops through too). motegi had always been one of vale's weakest tracks, and it must have felt extra sweet to clinch the title at the home race of his perennial enemies at honda (as he miserably failed to do in 2005 in a deeply embarrassing performance)
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^'scusate il ritardo', or 'sorry for the delay': this title was special given the heartache of the two previous years. all smiles with casey and jorge (who comes to parc fermé to congratulate his teammate)
*sepang 2008: as was sometimes rare in that era, this race involves several good fights going on simultaneously down the order. the fight for the victory ends up coming down to valentino and dani, and it's a nice little duel they put on - plus there's also dovi's dramatic fight for the final podium position to enjoy
jerez 2009: dani and valentino's young teammate jorge lorenzo are the clear pre-race favourites and there's a slight fear one of them will run away with it... but jorge never quite finds his groove and ends up crashing, while dani very much does not run away with it. valentino finds something extra after being absolutely nowhere all weekend, as he had a habit of doing. features valentino shadowing first casey and dani - and a particularly nifty contact-free block pass at the infamous final corner on casey. valentino's first win of a tough season
****catalunya 2009: one of valentino's finest career victories - and another example of his ability to wrest control of a season when he needed to. off the back of two tricky/embarrassing races at le mans/mugello, it felt like the time had come to demonstrate he was a serious contender in that year's championship... as well as assert himself within yamaha over his increasingly troublesome young teammate. the stakes are clear: jorge sorely wanted to win in front of his home crowd and valentino sorely wanted to beat him there. after a strong start, the physically ailing casey falls back, letting jorge and valentino soar off and fight it out as they take turns to tail each other around the track. a duel for the ages and the victory that transforms his fortunes in that season (some more details in this post)
**sachsenring 2009: a few races after catalunya, it was once again jorge and valentino to fight it out for the win - unusual for two yamahas at that track. it's a duel that has been overshadowed by catalunya, but this is another gem: a close and dramatic battle at a time when it felt like jorge was the one who had something to prove. but valentino demonstrates how hard it still is to best him in head-to-head combat, and he ends up beating the number 99 bike by the pleasing margin of .099s (listen I have no evidence for this but in my heart of hearts I 100% believe he noticed and appreciated this fact)
misano 2009: this race followed valentino's massive error in indianapolis, crashing and reopening the championship fight at a time when it looked like he had things perfectly under control. his traditional special home race helmet is dedicated to taking the piss out of himself - featuring a donkey because of how "stupid" he had been. but in misano he was the "flying donkey"... look, it's not the best race you'll ever watch, but after a poor start (surely not), he does do quite a nice job to overtake dani for the lead. in parc fermé, his team dons donkey ears, and he gets his own pair to wear to the podium as he greets his ecstatic fans
**sachsenring 2010: valentino's early season was troubled by a motocross shoulder injury he'd picked up after qatar, and he had to push harder and harder to keep up with an ever-improving jorge. eventually, he pushed too hard and broke his leg in mugello. this was his first race back, returning sooner than anyone had expected (except casey, who thought people were making too big a deal out of the whole thing) - and he immediately was on the pace, to everyone's surprise (not casey's, who thought valentino's main problem was just losing a bit of muscle mass). this race features an excellent duel between casey and valentino in the closing stages for the final podium position, with casey stealing it from valentino at the very last gasp. it was an impressive performance by the pair of them, a heartwarming demonstration of how mediocre bikes and broken legs can be overcome by the power of mutual contempt
***motegi 2010: do you ever feel overcome by the sudden urge to watch someone be an absolute asshole for no good reason? if so, then I have the perfect race for you. jorge is very close to clinching that year's title, and in truth it's a pretty sure-fire thing given dani is out with injury. still, it's generally not considered good form to ride into your teammate at the best of times. valentino continues to struggle with his fucked up shoulder late into the season, but spite will do all kinds of magical things for you. it's a race-long battle for third place between the yamaha teammates, and the last few laps in particular are uh. intense. features valentino dangling out his leg to increasingly comical extents - whether to try and mitigate the shoulder issues or whether to physically block jorge is anyone's guess. jorge basically rides right into the leg more than once. there are at least three separate extremely dubious moves valentino pulls on jorge. you can tell jorge is losing his mind. you can feel the sheer concentrated malice radiating off valentino. when valentino gets off the bike, the mic picks up how he tells the yamaha team that it "was fun". not everyone would agree
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^you'd think a season in which valentino had broken his leg might be one where everyone lays off the dramatics a little, but somehow this year was the one in which valentino's relationships with both of his main rivals soured considerably and made the final step from 'rivalry' to 'feud'. there'll always be a slight air of unfinished business to the casey rivalry in particular, but 2010 did end up unwittingly providing us with a few gems. in the motegi qualifying press conference (pictured above), vale talks about how he knows he needs shoulder surgery - but is determined to delay the surgery until the end of the season. it wasn't a good decision for his shoulder
**sepang 2010: the race that immediately follows motegi. valentino doesn't qualify particularly well and starts worse, dropping back to 12th during the first lap as jorge and dovi set out in front. but valentino determinedly sets after them - and when he catches up, they engage in a lovely three-way scrap in the race in which jorge can seal the championship... as long as valentino doesn't knock him off. this doesn't reach the viciousness of motegi, but it still involves three riders who clearly really want to win and also really want to beat each other. his first victory after the broken leg - and his last one for a long time
jerez 2011: thing is, right, if you just ignore the bit where he wipes both himself and casey out and then has to pick the bike up and start again, it's actually a really good ride! can't fault it! did his thing in the wet again! just one little. uh. blot on the copybook. I wouldn't even say the ambition outweighed the talent as much as it was his patience, given he knew it might be the only chance he'd get for a big result for a while on the struggling ducati. it's the kind of misjudgement he makes relatively rarely in his career, and speaks to his frustrations with the continuing shoulder problems as well as the underperforming desmosedici. casey was less than sympathetic
le mans 2011: it's le mans, it's raining, you know how it goes... these conditions were pretty much the only times valentino could manage a decent pace in his ducati years. this one should've gone on the dovi list too actually, not least because jorge executes an extremely rude move on dovi I feel confident in saying dovi did not appreciate (he gets jorge back with a far more polite and civilised move). casey runs off with the win by a fairly obscene margin but behind him there's plenty of talking points - not least the hugely controversial clash between dani and sic that leaves jorge, dovi and valentino fighting for the two remaining podium spots
*le mans 2012: valentino might have expressed mixed feelings over the course of his career about riding in the wet, but it sure did its job during the ducati years as the great big equaliser. now, point of order: in my casey rec list, I described this as 'not a great casey race', which I don't stand by at all. the last casey/vale duel (that also heavily features a vale/dovi/cal crutchlow tussle), with valentino stalking and harassing casey both at the start and the end of the race - though he did exercise some advisable caution... initially. involves a last lap overtake and is valentino's best ducati performance
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^the last podium valentino and casey shared, in the race after casey announced his retirement. usually it's a bit easier to tell when a valentino feud is at its worst, and the two of them joked in the press conference about how they were thinking back during the race to their 2011 jerez clash. ducati were in such a miserable place in those two years that in truth, nobody could have done much with that bike - casey certainly could have done more, but by 2010 the bike so awful that valentino outscored casey that season even after fucking up his shoulder and breaking his leg. vale's sole dry podium in the ducati seasons came at an emotional home race in misano the year after sic's passing, though unfortunately it's not a particularly watchable race. there are some other rides in those two years that are strong in isolation, but valentino isn't the star of the show - and really, it'd be a waste of our precious time to talk any more about two years that were a waste of valentino's precious time
qatar 2013: the first race back with yamaha and the first race of a 'qatar trilogy' of sorts, i.e. 2013-15, where valentino just keeps executing extremely watchable races by qualifying poorly/dropping back at the start and then fighting his way through. by the time he catches up with the pack, race winner lorenzo is long gone - but valentino can still have his first fight with the next big thing in motogp, the rookie marc marquez. there's an optimism to this race, the hope of new beginnings in a series that perhaps needed some life breathed back into it... and so did valentino. all three men on the podium have good reason to be delighted, and show it. valentino truly had not known if he could be competitive again after the dark ducati days, and he looks happier here than he has in ages
*assen 2013: his first victory in the post-ducati days and a track at which he had always been strong. partly helped out by jorge's collarbone injury (though assen had always been a bit of a bogey track for jorge), valentino overtook stefan bradl, marc and dani for the win. it's not the most thrilling of races, but is still perfectly enjoyable - and you can tell by valentino's reaction how much it meant to him
qatar 2014: bar a few high points, valentino's 2013 season had been troubled and frustrating as he found himself unable to match the top three in the championship. he decides to make one more big move - this time not by switching teams, but instead by firing his long-time crew chief jb. the start of 2014 is all about seeing if he can become competitive once again... and if he cannot then he will retire. qatar is a promising start, coming back from a poor qualifying to engage in a tightly fought duel with marc that lasts until the penultimate lap
misano 2014: valentino clearly stepped up his game this season, making him decide to continue on racing in motogp in a year in which marc was dominating the competition. race wins, however, remained elusive - but there is nowhere valentino would have rather emerged victorious than his own backyard. the opening stages are a proper fun three-way tussle between valentino, marc and jorge. valentino gets to the front and marc pursues him, so doggedly determined to get the better of valentino that he ends up crashing. the rest of the race isn't all that exciting, but it's notable as the first race in which valentino directly outperformed both marc and jorge when they were fully fit. the ranch visit happens after this race
phillip island 2014: never the most gifted of qualifiers, valentino would continually struggle to get to grips with the new qualifying format introduced in 2013 - and his grid position of eighth was typical of the time. but you can't fault him for his ability to pick his way through the field as he does here, which culminates in his enjoyable duel with jorge for what was then p2. he got lucky with marc's crash out of a sizeable lead, but it was still a good ride to ensure he would be the one to take advantage
***qatar 2015: it takes one corner for the 2015 championship to be blown wide open, when two time defending champion marc marquez goes off and drops to the back of the field. for much of the race, it looks like jorge will be the primary benefactor, battling it out with two revitalised ducatis. valentino starts badly and drops to tenth, but he works his way through the field - and eventually it is he who fights the ducatis for the win. this is actually a really nice marc comeback ride too, even if he never comes into victory contention. it is also a statement victory from valentino. game on
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^valentino started the season on a high, daring to hope that the elusive tenth title might finally be his. the optimism would last roughly until they got to europe and jorge hit his stride, after which it was a gruelling defensive campaign to try and cling onto his points lead
**argentina 2015: the thing is, right, qualifying poorly isn't great. starting poorly also isn't great. but if you want to be fighting for titles, you should maybe pick a struggle and stop doing both. valentino's championship bid that year has all these charming races where he's still at the fuck end of nowhere after the first lap before heroically picking his way through the field, which feels needlessly exhausting but there we are. it is, however, exciting to watch how he creeps closer and closer to marc - and he eventually catches up on the penultimate lap. the resulting duel is short but memorable
****assen 2015: a duel that will always be remembered for the controversy surrounding the final chicane, but the whole race is a fantastic watch. valentino needed a result after jorge had won four races on the trot and had led 103 consecutive laps - and he played the weekend perfectly to achieve it. his only pole of the season and, excitingly, actually a good start too... but marc quickly slots in to sit on his rear tyre and it's a fight that continues the entire race. did valentino know what marc had been intending to do at the final chicane, given marc had admitted to repeatedly executing the move during that weekend's practise sessions? or was it just quick thinking that allowed him to read marc's move and realise he only had one counter available? we'll never know for certain - though marc was suspicious of valentino's motives and eagerly made his thoughts on the matter known in the post-race press conference. the beginning of the end
**silverstone 2015: after brno, valentino had surrendered the championship lead for the first time that season on countback and it was obvious he was in serious trouble. silverstone had proven a fairly happy hunting ground for jorge over the years and it looked like he would continue doing his thing that weekend... but then the rain came to the rescue. valentino spends most of the race with fellow wet weather expert marc stalking his every move, until marc goes down and valentino is left managing the gap to a late-charging petrucci. one of the finest wet weather performances of his career - and in several ways jorge got lucky to limit the points damage
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^valentino's shadow, until marc pushed it too far and crashed. was marc more determined to beat valentino here than he would have been anyone else? valentino sure seems to think so - he later references both this race and misano as ones where marc aroused his suspicions. who knows, he might be right, but there's still a sizeable difference between competitive fervour and conspiracy
****phillip island 2015: one of the classic multi-rider fights. what valentino lacked in outright pace, he made up for in wheel-to-wheel skill and fighting spirit... except in the end, he couldn't completely make up for the deficit. all year, valentino had been fighting against the odds to keep his championship dreams alive - but at last, they were truly slipping, slipping, slipping away
**sepang 2015: one last roll of the dice, classic rossi-style... but this time it all goes horribly wrong. when the duel between marc and valentino arrives, it has an air of inevitability about it - as, perhaps, does the final outcome. but the fight itself is captivating to watch, in a raw brutality that befits the tragedy we are watching unfold. the penalty that valentino receives after the race is what truly dooms any remaining title hopes
valencia 2015: another doomed title decider, though valentino's race itself cannot really be faulted. he picks his way through the field from the very back and makes it to fourth, but he could never have hoped to catch up to the top three. quite a boring race afterwards bar some late marc/dani scrapping
jerez 2016: it is admittedly hard to vouch for the quality of this race precisely because it is such an extremely non-valentino way to win. clear and complete domination of the race - in a way he had otherwise been incapable of doing post-2009. while the title fight ended up being a bit of a dud for various reasons, early 2016 held promise that this year valentino would be able to match his two enemies on raw pace
***catalunya 2016: after the dramatic closing stages of the 2015 season, everyone was of course waiting for the first proper on-track duel between valentino and marc. it took a while to get going at catalunya, with valentino getting a typically poor start and having to ruthlessly work his way through to even get to the marc fight. but it's worth it once he gets there - like all their on-track encounters, it's a fierce battle of wills nicely complemented by the contrast in styles, and you can tell how ferociously determined they are to get the better of each other. the race that prompts the slight rapprochement between the pair of them
silverstone 2016: maverick vinales ran off in the front to claim his first premier class win, though the fight behind him is well worth watching - and warranted a mention on the marc list too. the first part is good, but the final laps are what it's all about, as the multi-rider scrap distills into another vicious little encounter between valentino and marc. as ever, with these two it's personal, and they're hardly shy in their ferocity fighting each other. but valentino makes clear afterwards he has no complaints... even if marc always reserves a "special treatment" for him
cota 2017: a lovely whiff of controversy to one of the better races cota has produced. valentino is involved in a feisty clash with the rookie johann zarco, who was well on his way to acquiring a certain kind of reputation within the premier class. it's fair to say valentino was not a fan, and he's certainly not a fan of zarco's attempted overtake that valentino argued forced him off-track to avoid taking them both down. he's slapped with a three tenths penalty his team decided against informing him of - which he's still unaware of when closing up on dani with a few laps to go
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^not quite the hand-holding of yesteryear, but it was something. the pair of them disagreed in the post-race presser about zarco's aggressive riding - and, perhaps, valentino's off-track excursion that supposedly granted him an unfair advantage reminded marc of a certain other previous incident. riding standards remained a major talking point for all of that season, most notably in assen and phillip island (though valentino himself ended up coming under some criticism, in particular by pedrosa after aragon). the two rivals agreed more often than not, even if valentino still had his reservations. after phillip island: "all riders are very aggressive, so you have to be more stupid than them"
**assen 2017: his last grand prix victory and it's as true to him as brno 1996. a rough, bruising tussle between riders who aren't afraid to exchange paint, with plenty of high quality racing on offer. some rain adds to the excitement - and valentino still faced a sturdy challenge on the very last lap. he remains the only rider in history to have recorded a grand prix win over twenty years after his first. he said afterwards that "sincerely I race with motorcycle for what you feel the five, six hours after the victory". in many ways, it feels like a scarcely believable amount of commitment for so fleeting a reward
****phillip island 2017: multi! rider! scrap! in! australia! valentino's strongest result after a broken leg in a motocross accident took him definitively out of the title hunt (the second serious motocross-related injury that year for him). anyhow, they're at it again and it's a brutal battle between several protagonists who are happy to get their elbows well, well out. valentino's leathers were marked by rather a lot of rubber by the end of the race - but the most important thing is that everyone had fun!
sachsenring 2018: valentino's 2018 performances were generally stronger than the results would suggest, with yamaha increasingly out at sea in a new era hurried along by the return of the michelin tyres. still, he put together a strong first half of the season and was marc's main challenger points-wise. even this late in his career, he demonstrated his willingness to continue to learn and improve by studying satellite yamaha rider jonas folger's performance fighting marc the year before at the circuit, joking after the race that nobody had ever told folger the yamaha wasn't supposed to be good around there. while in the end valentino couldn't really pose a significant challenge to marc, he gives it a good go and gets involved in a fun fight with jorge along the way
****assen 2018: one of the classic multi-rider dogfights, and valentino contributes very nicely to the drama of the race - not least as a result of his deep love for the final chicane. while the winner always had something extra in his back pocket, a rather unfortunate late coming together ends up (probably) depriving valentino of what would have been a deserved podium place
argentina 2019: marc disappears the moment the lights go out, but the battle behind him provides plenty of excitement. there's a bunch of riders fighting for the remaining podium places, elbows nicely out, but eventually valentino and dovi have it out in an entertaining contest that goes down right to the very last lap
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^winning a last lap duel against andrea dovizioso... what, like it's hard? a year on from an eventful argentina grand prix, marc memorably likens his handshake with valentino to kissing a girl. the last podium the two of them share
andalusia 2020: some silly good defending against his teammate throughout the race that mainly had the effect of allowing fabio to escape. valentino's result was quite the heroic feat given the gruelling physical conditions: 36 degrees celsius with horrendous track temperatures, with only 13 of 21 riders making it to the end. the blistering heat also hardly helped with the tyre preservation that plagued this portion of valentino's career; managing these tyres was one development too far for his ever-evolving riding style to adjust to. two academy riders could have denied valentino's final career podium, but both their bikes had the decency to break down
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^three yamaha's stood on the podium that day for the first time since 2014 phillip island, and presumably for the last time until around 2064. valentino celebrated enthusiastically to the empty jerez grandstands, 21 years after his infamous visit to the portaloo at the same circuit. valentino's decision to retire was complicated by the pandemic, his past ability to bounce back from rough patches and - most of all - his inexhaustible passion for racing, but eventually he called it a day after the 2021 season
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bogwitchfanficdump · 11 days
Text
Scary? My God, You're Divine
Prologue
Word Count: 724
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Once Oswald Cobblepot was released, it wasn't a far stretch of the imagination to expect a visit. What you hadn't expected was the fact that he visited personally.
Oswald Cobblepot x GN Reader
Tags: slow burn, allies to lovers
A/N: I've been playing with this idea ever since I finished Gotham. Takes place shortly after the series finale. Art in the collage is not mine, all pictures found on Pinterest. I hope y'all enjoy!
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After the unification with the mainland and the subsequent arrest of Oswald Cobblepot and Edward Nygma, Gotham experienced a power vacuum. The Narrows were in ruins, anarchy ruling in the streets Lee had fought to protect - it broke your heart.
It was never in your nature to stand by and allow a problem to go unsolved. The connections you acquired in your time under The Doc proved invaluable; under your careful gaze, the Narrows were tamed once again. You ruled firmly, but fairly, and as such, you'd gained a fair bit of attention.
Once Cobblepot was released, it wasn't a far stretch of the imagination to expect a visit. What you hadn't expected was the fact that he visited personally.
He and his men stuck out like sore thumbs, entering your office in pressed suits and followed by the crisp scent of cologne. Oswald himself looked like he'd stepped in from another world - it was hard to imagine him in the dense alleys and wrecked buildings that you called home.
You stepped behind your desk with a cordial smile. You'd decorated your office minimally, covering the shoddy walls with tapestries and letting the light pour in through drawn curtains. The floorboards creaked under your steps as you ushered them inside. Two of your most loyal men stood by the door; it never hurt to have a bit of muscle in the room. It would have looked foolhardy not to, even out of trust.
You had nothing to fear, and the realization calmed your nerves. As infamous as the Penguin's temper was, you knew your way around plenty of people with short fuses. You also knew to keep your activity strictly away from the territory that had once been his, while other fools decided to lay claim over what they wanted, operating under the delusion that the Penguin would simply retire to a life of golfing after spending ten years in Blackgate. Yes, you knew you'd done nothing to warrant that legendary temper. A question arose in your mind, but you banished it as Oswald cleared his throat.
"I must say," he began, "that the recent developments I've seen here perplex me." As he spoke, he paced with the aid of his cane. The brim of his top hat obscured his face and his voice, while polite, betrayed a sort of annoyance, like the act of standing in this building was making his skin crawl. "The Narrows sit squarely under your thumb, yet you collect no protection money."
He finally stopped in front of your desk, finding your gaze and seizing it with the most minuscule twitch of his mouth. Behind his monocle, you could see traces of scar tissue.
He gripped his cane with both hands, one black glove clasped over the other. The leather makes the smallest noise against itself and you made sure to keep your breathing even. "Are you sure you haven't benefited from my absence?" he said frostily.
Your brow furrowed as you answered, "I collect no protection money because these people are starving. I only request that they contribute however they can."
His rebuttal was swift. "I suppose they give you information?" he said through clenched teeth. They glinted from behind his halfway concealed sneer, and although you couldn't see them, you knew his knuckles were white.
"Mr. Cobblepot," you said evenly, "my word is my bond. When I say that you have nothing to fear from me, I mean it sincerely. I have no desire to make an enemy out of you."
There was the briefest moment before a tight smile spread across his face. "No one should want me as their enemy," he preened, before the smile disappeared. He took a vindictive step forward. His gaze was electrifying, but where others might have squirmed, you simply smiled.
"Welcome back," you said, "Gotham needs order, and you'll be the one to bring it." Your heart beat a little quicker, but not from nerves.
The glint in his eyes shifted to something much more impenetrable, and he turned sharply on his good leg. "You'll be hearing from me," he muttered, rigidly leaving your makeshift office as if he couldn't stand to be there for another second. His men followed close behind, and like that, he was gone.
A silence hung in the room as you sunk back into your armchair, smiling faintly.
Interesting. Very interesting.
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