#a one dimensional character really

[sandeewithtwoe]

Do we actually know anything about Nightmare’s canon personality? All I know is that he’s toxic, abusive and also reads books

[splankie]

is blowing up a volcano after ur first kiss couple goals

[sillyfairygarden]

90 minute leyendecker study b4 bed. heard cleo has a cat cafe this season :swoons:

[immortalthunderstorm]

Criston Cole and Fandom Perception

There seems to be this idea that Criston's character and motivation solely revolves around Rhaenyra, which seems to be a fandom-wide belief. I won't deny that she plays a part on his development, but even that is more about who he is than what she means to him.

I'll provide my personal interpretation.

The overarching theme for Criston, something that was deeply explored by Jaime as well (who in the books refers to Criston as a man of duality), is that the idea of knightly valour in theory is rarely applicable in practice. A knight in theory is meant to be honour-bound, fearless, principled and chivalrous, obey each of their vows. Their name and the Ser they have earned is a badge of prowess and honour.

Especially the Kingsguard, having sworn off all "earthly" pleasures in order to serve their monarch for life, have a deep sense of focus on this as their duty is a singular one, while also having sworn their knightly vows before their Kingsguard ones. The Kingsguard is seen as this incorruptible, elite force of the very best of knights, a high office to have and the dream of even many of the highborn knights. The societal regard for this office is also very high.

Criston is not highborn. He's the son of a steward, Dornish, and unlike many highborn sons who are trained and fostered to rise the ranks and bring glory to their already established name at tourneys, he had to get there the hard way. The show makes this explicitly clear in the scene where Otto suggests choosing a knight with a good name to the Kingsguard, and Rhaenyra chooses Criston for his real experience (points can be made that she's also attracted to him, or impressed by his tourney feats, but she is not in the wrong here. Most knights at this time have never seen real battle, as Rhaenys says to Corlys)

His vows represent everything he has accomplished for himself "all that [he] has to [his] name" - his entire self worth.

Criston's speech on the boat is not about him being in love with Rhaenyra. He explicitly says he thinks it's the only way to wash the stain off his honour and name. He's desperate and of course it's a bad plan, but it's the only way out he sees with the prospect of death and torture now looming over his head in ever waking hour (see Ser Lucamore the Lusty). That's why he's so jumpy the whole episode and the next. He's paranoid about being exposed, and that's why he's so angry that Rhaenyra simply wants him to be her "whore". She's not in love with him either, it's all just about sex for her while it's a life or death situation for him. That's why he breaks down to Alicent so quickly and almost unprovoked, and confesses and asks for a swift death.

"I took an oath. As a knight of your Kingsguard. An oath of chastity. I've broken it. I've soiled my white cloak. And it's the only thing I have to my fսcking name! I thought if we were married, I might be able to restore it."

His devotion for Alicent also isn't primarily motivated by his dislike for Rhaenyra. To him, she's his second chance to live up to his ideals. She's his "Lady of Honour", the person he sees as the perfect example of a dutiful woman (as fostered by the society they live in) . Her he can chain his own sense of honour to, safely devote himself to without conflicting feelings, and be his idealistic version of what a white knight should be.

I'm not saying his behaviour is logical, knightly hypocrisy is one of the central themes across GRRM's work, but it's a lot more complex than what a lot of people make it out to be (everything is about Rhaenyra)

I'm also tired of this situation being simplified to "he's just an angry Incel" by this fandom. It's much deeper than that and I don't get the absolute demonisation of Criston who's a very complex character.

People just love to look for some ulterior reasons to justify their hatred for a him. It's absolutely fine to dislike Criston if they want, but applying these pseudo-psychological frameworks to him is getting old very quickly.

He is not an incel, he pretty much tells Rhaenyra he's been with at least a couple women before joining the Kingsguard, and it's not like he's angry at her because she doesn't want to sleep with him, on the contrary she pretty much offers him to be his 'paramour' and he gets upset because he doesn't want to be used for sex at the risk of his life. The whole point is his extreme sense of honour and paranoia of breaking his vows.

Similarly the Madonna-Whore complex doesn't check out because this only applies to his dislike for Rhaenyra, not sexually active women in general. Criston hates one (1) woman and that's more for personal reasons than religious extremism - he's very respectful and polite to the prostitute in ep 9, does not treat her as someone lesser or sullied or sinful despite being religious. He pretty much says to Aemond that all women should be treated with respect.

This man insults one woman (who he has personal beef with) once, and immediately apologises for it, yet the fandom seems hellbent on him being some raging misogynistic incel.

(If we want to start throwing stones, Daemon calls people bitches, whores and cunts in almost every episode lol.)

[mostlyvoid-partiallyflowers]

The most recent episode of Interview with a Vampire let's us see Lestat's side of the story and see how it compares to Louis' accounting of their relationship. As a result, it reaffirms just how unreliable of a narrator Louis is, but it also further illuminates elements of his character that the director and writers have been playing with since the beginning of the show.

There's this part in the episode where Lestat turns to Louis and apologizes and it's framed with Lestat turned to Louis on one side and Claudia on his other side. They're the angel and devil on Louis' shoulders, but who is the angel and who is the devil? And as my friend said, Armand and Daniel are placed into that same dynamic with Louis later on. We are being asked to decide who to trust, who's telling the truth, who's the good guy, but the fact of unreliability robs us of that decision.

This whole story is about Louis, he's the protagonist, though not the narrator, and he is constantly being pulled in two directions, no matter when or where he is in his story. He's a mind split in two, divided by nature and circumstance. He's vampire and human, owner and owned, father and child, angel and devil. He's both telling the story and being told the story. His history is a story he tells himself, and as we've seen, sometimes that story is not whole.

Louis is the angel who saved Claudia from the fire but he's also the devil who sentenced her to an life of endless torment, the adult trapped in the body of a child. He's the angel who rescued Lestat from his grief and also the devil who abandoned him, who couldn't love him, could only kill and leave him.

He's pulled in two directions, internally and externally at all times and so it's no wonder that he feels the need to confess, first to the priest, then Daniel, and then Daniel again.

He's desperate to be heard, a Black man with power in Jim Crow America who's controlled by his position as someone with a seat at the table but one who will never be considered equal. He doesn't belong to the Black community or the white community, he can't. He acts as a go-between, a bridge, one who is pushed and pulled until he can't take it anymore. He's a fledgling child to an undead father, he's a young queer man discovering his sexual identity with an infinitely experienced partner. He's confessing because he wants to be absolved, that human part of him that was raised Catholic, that child who believed, he wants to be saved. He wants to be seen.

Louis wants to attain a forever life that is morally pure, but he can't. He's been soiled by sin, by "the devil," as he calls Lestat, and he can never be clean again. Deep down, I think he knows this, but he can't stop trying to repent. He tries to self-flagellate by staying with Lestat and then tries to repent by killing him, but can't actually follow through. He follows Claudia to Europe to try and assuage his guilt. He sets himself on fire, attempts to burn himself at the stake, to purify his body, rid himself of the dark gift.

Louis is a man endlessly trying to account for the pain he has caused and he ultimately fails, over and over again, because he can't get rid of what he is. A monster. He's an endlessly hungry monster. He's hungry for love, for respect, for power, for forgiveness, for death. He's a hole that can never be filled. He can never truly acquire any of those things because he will always be punishing himself for wanting and needing them in the first place. He will never truly believe he deserves them and as a result, can't accept them if they are ever offered. He can never be absolved for he has damned himself by accepting the dark gift and thus has tainted himself past the point of saving.

[starry-bi-sky]

i have... ✨Danyal Al Ghul Headcanons✨ but specifically for my yaelokre danyal oneshot

There's also the tumblr post here but I recommend the link in the title because its the ao3 version, and that one is edited and has some stuff in it that's not in the tumblr post, and will be the version I'm using.

So for summary: this Danyal is also from a Demon Siblings Au where Danny is five years older than Damian. However, things turned out a bit differently, and Danny and Damian had a fantastic relationship with one another. Danny loved music and regularly came up with songs to sing to Damian with. Specifically the folk band Yaelokre's EP "Hayfields" (seriously go fucking listen to it its sooo good. Harpy Hare is the second song but its my favorite. Special shoutout to @gascansposts for introducing the band to me)

He falls off a train when he's twelve and Damian is seven while the two of them and Talia are on mission. He ends up with magically induced amnesia and wakes up in Arkansas while the Fentons are on their yearly Divorce-iversary visit to Aunt Alica, and since he can only remember his name, he ends up being taken into their care.

---------------

Yaelokre Danny has the same facial scar as Things in Threes Danyal, since he was initially another version of him where things turned out better. I'm debating on whether or not I should take it away however, and give him a different scar (maybe from when he fell off the train?), just because the scar is a pretty key identifier for Ti3 Danyal.

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Danny frequently visits Aunt Alicia in Arkansas! Well, only after he gets settled in and stuff. He doesn't really like the city that much and prefers the countryside where Alicia lives. I know she lives in a cabin but I'm changing it to a farm, so she puts Danny to work and gets him to help her.

I don't want to confine his hobbies to only being star stuff, because people tend to have more than one hobby and I feel like it reduces him to one-dimensionality, so he likes to garden, and learns guitar. His room becomes filled with plants, and he turns their roof into a rooftop greenhouse right below to OPS Center.

He has a complex relationship with the weapons from his past, but he's not... like... appalled by it? When he finds his weapons in the Fenton attic all he thinks is that they're his weapons, and he starts carrying a knife on him afterwards. Essentially he becomes fascinated with weaponry because its one of the few physical ties he has to his past, and while he's not training like he is in the League, he allows his strong muscle memory to guide him through his katas.

Danny likes climbing things. This causes Problems For Everyone Else.

----------------

Danny was not the "kinder Al Ghul" in the League. His kindness extended to his brother and family, and that's it. To everyone else he had high expectations out of them, and the pride you'd expect from the grandson of Ra's Al Ghul and trained by its top members. While he wasn't like, unnecessarily cruel or anything, he wasn't merciful either.

This transfers post-train fall as him coming off as no-nonsense and unforgiving. He's not fond of the idea of giving people second chances, and is skeptical of the idea. He's disgusted by incompetency and views it as an unforgivable offense, especially if he thinks that the person should know better, although he's not sure why. Some egocentrism for the soul.

He doesn't like being touched by anyone who isn't family, and gets irritated when anyone grabs him or holds onto him for extended amounts of time. Dash has gotten hit so many times. With Jack Fenton's tendency for abrupt physical affection, it doesn't make it any better. I'd argue it'd make it worse because Danny doesn't want to be touched more often than not.

------------------

Danyal had a red scarf in the League that he wore on his last mission, it came off before he fell off and caught itself on the roof. Damian still has it and took it with him to Wayne Manor. He's got it locked in his room and takes it out when he's alone and missing Danny the most. One time he forgot to put it away before leaving his room, and Dick was visiting the manor for something and found it. Damian found him holding it and freaked out.

Dick could only say "I've never seen you wear this, Damian, this is really pretty--" before Damian shoved him to the floor and stole it out of his hands, before screaming at him; "Don't touch this! You don't ever touch this! This is mine! You hear me!?"

It caused such a commotion that the rest of the family present came to see what the fuss was about, and Damian kicked them all out of his room. Dick is the one brother Damian's the closest with, so the fact he reacted so strongly shocked them all.

This is likely what leads to the "Danyal" conversation.

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[suckishima]

okay this is so small but makes me really happy. taketora just got done talking about how much he admires tanaka and how cool and "manly" he is, which like makes sense right, both tanaka and taketora are always being shown as these like loud "boy's boys" archetypes who do everything with power, talk about girls, and emphasize "guts" and "manliness," so obviously taketora would respect tanaka

but then he immediately turns to also think about how much he admires fukunaga in the same way—fukunaga who doesn't display any of those same qualities that taketora was just admiring about tanaka. fukunaga is quiet, fairly low-key and doesn't flaunt anything ever. dude just goes around making weird puns that 1 people often barely even hear and 2 apparently seem to baffle everyone. but taketora sees all of that and sees how fukunaga still shows up and gets the job done more than successfully—he's one of the top point getters on the team—and taketora respects him for all of that, still calls him a "man's man" and tbh more than respects him, he admires him and sees him as a rival

and idk that just makes me happy, like 1 it's a nice small way of furudate saying that yeah "manly" is a thing that's important to taketora but it doesn't just mean one stereotypical thing—like it's showing that taketora isn't as one dimensional as we would have thought and that he sees things from multiple perspectives (we also saw this from him back during the whole "guts" thing with kenma and how he respects him too)—and it's also an example of seeing fukunaga from another perspective too. it's because he's so low-key that even we as readers have probably barely noticed how much of a rock he is for the team, but if you got back through their matches you can see how often he does score—he's quiet but he's always there. and i just like that furudate takes a moment to not only acknowledge fukunaga but to do it from taketora's pov in order to really hit it home to us how true it must be

[grenade-maid]

I've become such an extremely specific type of pervert after doing so much woodworking that I'm catching myself zooming in to see what type of hinges are on the cabinets in this Yuri manga

[batjokesbrainrot]

I can't get over the fact Rosenberg technically made Joker say: I need Batman. The way he dressed Bruce in KJ Joker's outfit and address Joker's dependency on Batman, the way Joker kept dead Batman in the closet in his home (metaphor for missing the Batman in his heart), and the fact that Joker roamed in Gotham delivering justice to fill the gap of Batman's role was?!?!? Besides all that, silly batjokes moments throughout the comics made the cherry on top.

Matthew Rosenberg's love for Joker was shown by his deep understanding of Joker's character and his core needs, which is very rare from the comic writers today. I recommend reading his other works if you liked his Joker's interpretation! Joker Presents: A Puzzlebox is just him goofing around and the story is hilarious and features cameos of under-appreciated villains. His other work called House of Gotham is told from the 3rd POV who believes is a victim of Joker/Batman's collaboration, and you can see Bruce's attempt to rationalize, uh saving the clown who is not planning on stop causing lots of agony and mayhem across Gotham. What I love about these both works is that they both hint that Joker and Batman are somewhat the same person! (you'll get it when you read it).

Anyway Knight Terrors: The Joker had a fantastic character study and I had to let that out somewhere (here).

[sciderman]

You have the astounding ability to make me consider liking things that I previously did not. Cable and Wade. Shiklah and Wade. Johnny and Peter. I’m a stubborn Spideypool obsessor, I’m sure I’ve mentioned, so pat yourself on the head for being SUCH a stan that you’ve broken through my OTP walls and gotten me to glance at other ways for Wade and Peter to he happy and loved.

i think if you truly love a character then you want them to get some no matter where it comes from

[thebraxiatelcollection]

We're halfway through the new series of Doctor Who, and I'm really unsure of how I feel about it all.

Do I think Ncuti Gatwa and Millie Gibson are brilliant? Absolutely.

But the actual stories?

I have so many mixed feelings. I just feel it tries too hard, and it doesn't reach it's full potential and I just have a lot of mixed feelings about the series and the 60th as a whole with the more I think about it.

[ttgrobincult]

Literally the only thing Robin ever wanted was Respect and no one ever gave it to him 😭

(I want to give him)

yeah no you’re real for that. like he’s a horrendous little man but also he’s such a wet cat and needs approval so desperately so i’m like. damn dawg i need you to brush your teeth first but like move out of the tower😭

[larissa-the-scribe]

OC Ask Game

Send me an ask with an emoji and a character name, and I'll give you a fun fact or a snippet of writing that relates to both.

[transmechanicus]

Not sure how i feel about Ishida Sui’s choice to treat ftm crossdressing/transition as neutral or honorable in the same body of work in which mtf crossdressing/transition is associated exclusively with an offensive and predatory stereotype of an older gay man and also a literal sadist child trafficker, and by ‘not sure’ i mean i kinda hate it a lot, come on man.

[threehuskiesinatrenchcoat]

thinking hard about graves being paralleled with an attack dog. even aside from the fact that shepherd literally calls him a dog. the betrayal scene is all him emphasizing that he's following orders. his scar that extends to his ear and well you know this very common design thing with dog/wolf characters having their ear ripped, it's kinda funny. the goddamn throat mic that is literally a collar. shepherd being the handler ordering him around

the guy had so much untapped potential and pieces were already in place for a good story they just had to play around with the metaphor a bit more but instead he got the most basic bitch villian arc smh