#additional rambles

[random-kido]

Genuinely hate when anyone approaches my car when i get to work early, makes me quesy

[omorinintendoswitchedition]

“harry is irredeemable because he has the capacity to be a fascist” EVERYONE HAS THE CAPACITY TO BE A FASCIST DICKHEAD IT CAME FREE WITH YOUR FUCKING BRAIN

[tariah23]

Right

@a-captions-blog

[Image description: Tweet by Marcelo [unicorn emoi] [rainbow flag emoji] [verified] @ CzardoFogo from 18 April 2024 that says, ‘Yeap.’ Attached is an edited political cartoon with two panels showing an anime girl lying on a mat with the covers drawn up to her chin. She has a contented look on her face. Thought bubbles coming out of her head in the panels show the US and Israeli flags on fire. This is a response to a Tweet by Arsen Ostrovsky [yellow ribbon emoji] [verified] @ Ostrov_A that says, ‘If you are anti-Israel, you are anti-American.’ \End description]

[arcade-confetti]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[frownyalfred]

There could be a fascinating, darker body horror fic where Bruce realizes how much the Fortress has changed him, and any other human visitor it deems important to Kal-El. Including Lois, Jimmy, even Clark’s parents and Bruce’s kids; anyone who has ever stepped foot in the Fortress for any reason. The AI catalogues you at the door, registers your species and relevance to Kal-El, and decides for Clark.

This is all in pursuit of rebuilding Krypton, coded into the AI as its key imperative. What is important to Kal-El must be evaluated and maintained; lifespans are lengthened, aging is halted, reproductive organs are moved and changed…and Clark knows nothing about it because he trusts the Fortress and the Fortress is simply doing what it deems best for Kal-El’s loved ones.

The first one to realize is Bruce. Bruce, who is painfully used to body modification and all the horrors that come with it. But for a moment, he doesn’t know for certain if this is deliberate, if Clark knows what his Fortress has done. Fury builds not on behalf of himself, but of the tiny young boy — Dick Grayson, newly Robin — who he allowed to visit the Fortress last week and what did you do to him Clark—

[hattiestgal]

If you don't mind my asking, how do you go about drawing fat? :3

JUST THE EXCUSE I WAS LOOKING FOR

So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-

For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:

But also a fat one too!

And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)

THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.

THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!

THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot

THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!

A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!

Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this

Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.

This is demonstrated really well on the arms especially-

Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not

These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!

Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!

And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.

This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!

[bruhstation]

*Breaks into your house to stare wistfully out the window* Do you ever think that CTHenry is, at least by some perceptions, a corpse being kept alive by gold dust and the whimsy of a goddess whose motives are unknown? I do. *Puffs on bubble pipe* Anyway. I'm still holding out hope for a happy ending for our Miserable Train Gays. Iram gentlemen. Have a good day 💗

out of sight, out of mind

[aphel1on]

laios has very quickly become dear to me not just because he's an autistic protagonist but because his autism is itself one of the reasons his party has an edge over others. though we see him struggle in social situations, his special interest makes him hypercompetent in the context of dungeon survival. i'm aware that's not a NEW observation on him but i was impressed that he even used his special interest to successfully solve a crisis that relied on noticing social cues- he was able to pick out the impostors bc he honed in on the small discrepancies in their attitudes toward monsters. if that isn't weaponizing your autism, i don't know what is

[drboo-mcstuff]

Some of the siblings of animal crossing! Labelle got banish because I didn’t want her to get covered up, so she got isolated In the square void lol.

Also Celleste is trying really hard to not spook her brother, but it’s probably not gonna work out

Edit: I forgot to add Celeste’s eye glare thing lol

[kaleidoscope-ize]

David Dastmalchian is killing it!!

Photoshoot by Mike Ruiz

[tagetto]

I AM HAVING SO MUCH FUN WITH THIS !!!!!!

Got a super rough blockout started, this is a super different style to what I'm used to, i've been meaning to get into more toony modelling and animation methods and am loving the expressions I can get out of this thing. hes so cool omg turbo 🥺

bonus mixamo test animation because funny:

[fidgetspringer-art]

"Got no time for spreadin' roots."

[the-last-butter]

HC they first met a year or two after Yelan got her vision; post fighting the in abyss but when Kaeya was still navigating his identity from Kaeya, Brother and Right hand of Diluc Ragnvindr to Kaeya Alberich, Cavalry Captain and Quarter master of the Knights of Favonius.

[melmedardaapologist]

ambessa costume design analysis: war and family

*rubs hands together* Alright let’s do this

I think we forget that, before season 1 episode 8 “Oil and Water,” we didn’t have a reference for the Medarda standards that Mel supposedly failed—this is why Ambessa’s first appearance is so striking. While Mel has completely scrubbed red from her wardrobe, red is the first thing that jumps out with the cape and the accents—a bold color that is associated with passion and violence and decisiveness, all traits that Ambessa proudly boasts

The grey and black then point to functionality and metals like iron, which are used more for warfare, in contrast to gold, which is a softer metal

The immediate next observation is the functionality of the outfit—the shoulder and hip guards, the belt and abdomen armor, the pants, the boots. While in good condition, the immediate conclusion that we get is that, like Sevika and Vi, this is a character who likes a free range of movement to dish out violence, and the casual way with which she wears this outfit shows how at ease she is with this violence, how she values her physical strength

(hilariously, in the art book screenshot below, the top right draft for Ambessa’s outfit shows her in a symmetrical white waistcoat with gold and black accents like Mel’s Piltover outfit, which I’m glad that they didn’t use in the end, but I think Ambessa would’ve worn it at least once to freak Mel out)

Her hair is free and wild, almost careless, again in contrast to Mel’s carefully groomed braids (keep this in mind for later)—where Mel lets her put together appearance speak of her character, Ambessa’s not carelessness, but her confidence

The picture with Mel and Ambessa in front of the former’s painting is also interesting, because we can see how the red from the sails matches Ambessa’s red—unity with nation, as for the purposes of the story, Ambessa is Noxus, but then we see that the ambient coloring of the painting is gold—Mel’s color. The painting—Mel’s vision—is the closest we see mother and daughter aligned, with Ambessa just having invited Mel to come back, and the beautiful and almost dream-like scene behind them unites them briefly

Of course, this is Arcane so that never happens, which brings us to one of my favorite images of Ambessa:

Firstly, this is just mwah so sexy there’s the ambient red of the scene from the ashes and fire, adding to the association of red as violence, but more significantly:

It’s the first time she wears gold—and it’s in a war mask, already smeared with blood and green chems

So this outfit just—props to the design department. Just. Gorgeous. Beautiful. Outstanding. 100/10 villain outfit

So there’s a lot going down here, so I’ll start with real world inspirations: from this post by @hyperfixationcritter (it has so much more info, i would def recommend the whole thing!), we can see that the headdress could be inspired by Zulu isicholos and the red threading is similar to the Dahomey warriors, which I love, as they could’ve just gone with the Roman and/or medieval aesthetic natural to Noxus, but instead they went with African influences, so when we see the pinnacle of Medarda splendor, it’s distinct and unique

Also here’s some art book insights (my eternal thanks to @stealingpotatoes for the photo!)

So from the regal outfit drafts, we can see them cycling out different ideas of war-like aesthetic, from the more modern military aesthetic with the side cloak and clean lines which would be more like a cleaned up version of Ambessa’s first outfit, to the symmetrical wing-like gold breastplate that, interestingly, mimicks Mel’s back tattoo. I still like the version that they settled on the most, but I love how we can see what aspects they wanted to evoke through the process

The blood mask is definitely more Viking-like in aesthetic, but I feel this is something a younger Blood Sweat & Tears Ambessa would do

And going to the actual mask, it’s interesting to note that it looks more Noxian gray and iron than the final color, which brings me to my favorite point:

Firstly, I love how you can see the similarities in features in mother and daughter, but more than that, what jumps out?

Gold—Ambessa’s decadent earrings and lip ring, the breastplate, the accents on the outfit, except in contrast to Mel, Ambessa’s gold speaks of war—the earrings are triangular and pointed, the breastplate is a functional piece of armor

Narratively speaking, when Mel disappears, Ambessa is not only politically but also visually primed to take her place as the power in Piltover

Also I want to share insights from this post by the fabulous @melmedarda

And it leaves you to wonder, is it a Medarda custom to braid their hair when at war? To wear gold to war where all of Noxus wears red and black and silver?

Mel choses her battleground to be politics and subtlety and diplomacy. Ambessa choses the wolf and the blade

Furthermore, the coloring is primarily white, black and gold—Mel’s colors—showing how even if she did return, these signifiers of the identity she built for herself have been overtaken and their meaning inverted—in a way, her mother has stolen that from her, and that’s so twisted and incredibly interesting at the same time (also interesting to note that Mel seems to be primed to be Caitlyn’s support after Cassandra Kiramman’s death, but then Ambessa takes up that role, and then it returns to Mel during the final battle)

After this change, we really only see Ambessa in her workout martial arts outfit with Caitlyn, otherwise it’s variations on accessories on a basic theme, much like Mel’s season 1 outfit really only changes with the ratios of black and white, and while yes, I’ve said before that it would be cool to see some variation, story-wise giving a character a recognizable outfit works towards creating them as a recognizable and steady figure—Mel as the stable reference for wealth, Ambessa as the glory of war

I love this photo so much—firstly, the only change is the hair, which has been reworked from it’s complicated headdress into functional twin braids, and there’s a beautiful balance between the blade and the Medarda ring on her hand. This is probably the most gold we see her wearing, at the height of her military power, before the power of a butch with beautiful eyes compels Caitlyn to betray her

Here we can clearly see that the regal outfit is very easily turned into a functional outfit—even at her most decadent, it takes two seconds to lose the coat and have free range to wield weapons

Returning to the mask, in the final battle, we can see its iconic claw marks from Warwick—wear and tear from the war that we saw happen onscreen from a clash of two Wolf-coded figures (I have thoughts about the wolf metaphor in relation to social dynamics and the lone wolf idea as portrayed by Vander and Ambessa, but that’s a whole other discussion)

Design-wise, it’s also very smart to have the anti-magic runes be green—it makes them easy to spot against Ambessa’s usual design

But of course they can’t save her, and Ambessa dies, and in the final shot, she looks like this:

The lack of focus on gold or armor makes us focus on her face, and for a moment, there is such softness and tenderness there as she gazes at Mel. Because yes, she was the armor and the blade and the iron and gold, but in the end, she was just a mother who loved her daughter. She was a horrible parent and a violent warlord, but the love was there, and at the end of her life this is what we focus on, because everything else were just the expressions of the power she sought to protect them.

[kalied0skull]

“ front and center, girly! ”

— “ yeah, I'm hearin'! ”

now playing: Hey Cowgirl — Mac Demarco ♪

★ ramble & extras under the cut !

it was only a matter of time until i got my grubby hands on cowgirl curtis, i have been running around grabbing EVERRYYY SINGLEEE trans headcanon and absolutely eating that shit UP!!!

shout out to @trevination & @broareweabouttoviberightnow because when scrambling around for ideas to draw her I've discovered that she is your guys' collective daughter and it feels only right to show her to you (so sorry for the @'s I'm not prone to tagging people but i take it you both wouldn't mind much 💀)

this is my little take on cowgirl! and AAAUGHHHH I LOVE HERRRRR I DOOOOO!!!! i am holding her so gently in my hands and brushing her hair with a tiny little comb ,, she's my gal. ..

soemthing about transfem curtis brothers makes my heart go wah, i love them really i do they're so lovely to me

I don't have many headcanons of cowgirl at the moment, but i am obsessed with the idea of calling her "girly" (thankyou to my memaw, who uses girly and inspired the idea) — like... pony / girly? the parallels... okay whatever I'm shutting up i promise /j+silly

anyways, whilst trying to make up a little design for her, i got a bit sidetracked and made this drawing of ponyboy and cowgirl sharing a cigarette and having a real short talk

the specific ponyboy i have there IS post-story, his bleached and overgrown hair making a weird appearance in the drawing. i dunno, i like to imagine post-canon pb would have a way more enamored response to cowgirl compared to pre or during.

he's really in love with the girl he becomes in another universe, even if it might not be him. he still loves her no matter what, and i think that's really neat :D

my favorite little detail of cowgirl has to be the little designs i put on her clothes, something tells me she is a girl who is in LOVE with embroidery. i think it might be one of the things she picked up when transitioning, because you always have to be a little punk in terms of being transgender in my opinion — and i take cowgirl to be quite crafty :3c

i just think she'd fawn over tiny flowers and spirals all over her stuff, because "they are so cute n' simple, right?! but they're so complex and cool!" and awawawahhh... she just likes her details in my eyes

anyways i really really REALLY enjoyed making this drawing, mostly digital though – the traditional sketch was a hit of a process, i accidentally made her too tall at some point and was like "??? nuh uh" 💀 but she's beautiful and she's such a doll and wahhh my babyy...

i hope all the transfem pb fans out there can appreciate another addition to the gallery, I'd also like to shout out GLORBIEZ' ART !!! who also inspired me very heavily to make my own version!

please please please go look at it glorbiez is an amazing artist and i really love their take on cowgirl /BEGGING, DESPERATE (/silly)

who am i if not to jump on a trend with a very niche headcanon amirite ;3

[armenelols]

In deference to my recent bout of shitposting, have a daily reminder that Tolkien's half-elves have no happy ending and no matter what they choose, they'll still lose part of their family forever. They'll always be split between two people, neither fully one or the other, yet forced to pick one and lose the other