neo0079

[allylikethecat]

Chapters: 5/6 Fandom: The 1975 (Band) Rating: Not Rated Warnings: Creator Chose Not To Use Archive Warnings Relationships: George Daniel/Matthew Healy Characters: George Daniel, Matthew Healy, Original Female Character(s), Original Male Character(s), Original Child Character(s) Additional Tags: Christmas, Meeting the Parents, Angst and Hurt/Comfort Series: Part 4 of The Infection 'Verse Summary:

“Yeah,” said Matty, pulling his hand away from George’s to run it through his hair. If there was one thing he was good at, it was doubling down, even if usually that just made it worse.

“Christmas, what are your plans for Christmas?” Matty swallowed hard, feeling very small all of a sudden and like he was baring a piece of his soul, “because I would very much like to spend it together.”

“Oh,” said George and Matty wanted to die right then and there.

.

AKA The Christmas Fic™️

[flowerflamestars]

Hotter Take: If you think Rhysand and the IC are the good guys, you probably also think Dumbledore is cool and do not and will not acknowledge just how manipulative and shitty they are.

P.S: Azriel, hidden depths or just a slightly more insightful lapdog? Got into an argument when i said he probably doesn't have a personality

Correct and PERFECT TAKE. If you think they're fabulous you are also, 85% more likely to find Severus Snape noble and tragic.

AZRIEL!! Oh god, okay. I have three distinct thoughts on this:

1) He is...laughably without a personality. Like, I'm sorry, but S/JM has not effectively written a group dynamic that feels feasible/realistic/semi-allows everyone to be people since Queen of Shadows. Her books thrive on having a whole band of people together, but there is zero main character/side character balance.

Is part of that because he's The Scary Quiet One? yes, sure. No reason to be chatting up Feyre (who is a child!! god. B A B Y. I reread acomaf and I AM SEETHING but that is neither here nor there)? yeah probably.

which brings me to 2) Everything. Pretty much everything we (myself included, because writing him in Starlight was very fun) like about Az...isn't strictly canon.

It's canon-adjacent. We're filling the gaps because there is almost nothing but a sketched outline. And it works SO WELL- because Azriel, almost more than Rhysie himself, is a big sexy trope trap.

He's the Quiet One with the dry humor! the (we pretend) heart of gold! Longing! Service! Loyalty from the Shadows! He is a LITERAL CINDERELLA STORY. Darkly handsome but BLUSHING. Scarred gentle hands! Daddy issues!

It is right there for the taking.

3) it is right there for the taking and canon takes NONE OF IT.

Like. Azriel is almost better as a menacing background shadow because the second you interrogate...really, any part of his character, nothing makes sense. Nothing.

His story is predicated on pain, right? Horrible suffering until he could talk to darkness. Its almost like he can read minds. his gift is secrets. It is a journey of improbable survival.

But to get secrets out of people. He brutally tortures them??

Which, is made further redundant not just by his gifts...but the fact...that he serves not one, but two mind-readers???

Azriel is transparently traumatized by having been the one to find Morrigan dumped in Autumn, stripped and halfway to death. It fucked him up SO BAD- which makes complete and total sense considering that like...he comes from this brutal suffering, and this culture that not only wanted him dead, but his mother dead, one that we're given to understand (which we are NOT EVEN TOUCHING THE RACISM YET) seeks to harm women, and anyone different.

And then, instead of being someone safe for her, bonded by the fact that Az came for her, Az found her....Azriel spends five hundred years scaring her?

Azriel disobeys orders and sense to save Elain. We, without his POV, scrabble to dots to connect: Az, who will always come. Az, who cannot stand not to try. Who cannot handle the idea of her tortured, harmed-

And then canon give us his POV- and's like. She was mine. I'm going to duel her soul-bonded man and MURDER HIM?? Because i can do it better! I GET TO HURT HER.

What, and I cannot say this enough, the fuck.

Ignore all the potential, all the fanon, all the fun to be had: Azriel is a professional torturer with anger issues whose love interests are exclusively traumatized, vulnerable women.

(He is also. Incidentally. The most Illyrian-looking of the three Illyrian bros, and yes, this is so fucked up)

It's...not anything new. It's not even bad in an interesting way.

The peeks of possible personality get squashed, almost immediately, by the actual narrative! One jokey night drinking with Feyre because he is, you know, a person, does not cancel out that in THOUSANDS of pages he was so vague fans essentially...made up a whole man is shape.

And. I'm sorry, but even internally there's some hmm who is this character??? dissonance.

Mr. Trauma make me Weird About Women, sees emaciated, visibly hella bruised Nesta, and is like immediately: who hit you???

but then. When his 'brother' thinks its like...the funniest thing in the world that Nesta fell a height that left her IMMORTAL FAERY BODY still fucked up the next day...he doesn't care?

He's like hahaha Cas I'm here to make sure you keep it in your pants about the prisoner WINK WINK

but. One of the only clear character beats we HAVE about him is that Az is the renegade who will Free Every Woman in bondage. Morrigan, who probably has the most reason to have an unstinting opinion of Az, tells Feyre he was going to save her from SPRING

yall. I am not going to read the Az book, I'm sorry.

[the-dragongirl]

Hello tumblr. I have returned from a long period of inactivity, because I must bring the good word to the corner of the Star Wars fandom that used to be my main fannish home: there is a new era of Star Wars canon that was made just for our taste. It is called the High Republic.

WHAT IS THE HIGH REPUBLIC?

The High Republic is an giant multi-media project being carried out by the Lucasfilm story group to create a brand new era of Star Wars canon. It is set a few hundred years before the prequel era (so, a long time after the Old Republic era), in a period of peace and stability within the Republic. It currently includes several English language adult novels, a YA novel, two serialized comics, a manga, some short stories, and some short video blurbs published on facebook and youtube. A TV show for Disney+ has also been announced, but is a few years off. This project is unique in Star Wars, in that all of the different parts are being written together by one writing team, and are coordinated to tell a cohesive story. Also, what has been announced is just the beginning – they have stated that there will be three different sections of the High Republic, and everything we have had announced so far is just part one. As a note: this is an era for which there was NO pre-existing canon in Legends, so it is totally new territory.

OKAY, THAT’S NICE, BUT WHY SHOULD I BOTHER TO CHECK IT OUT?

There are SO many reasons why the High Republic is worth your time to explore. I will try to outline some of them here below the cut (without any significant spoilers).

IT IS A LOVE LETTER TO THE JEDI

This is the era for everyone who loves the Jedi and wants to understand how they got to the point they did in the prequel era. It shows Jedi at their best: saving people, working together, being completely in tune with the Force (in so many beautiful and original ways), demonstrating creativity and flexibility and being rewarded for it, actually thinking through the ethics of things like the mind trick, and DEALING with their emotions rather than repressing them. It shows us how the rigid Jedi culture was saw in the prequels was a corruption of something that was originally healthy and uplifting. Jedi in this era are allowed to be flawed, and to grow, and have a community that supports them in doing so. This is the Jedi culture so many of us created as fix it fic for the prequel era, but made canon.

IT IS AN ERA OF HOPE

There are some serious problems in the High Republic Era. Without spoilers, the era opens with a terrible humanitarian crisis, laid over the Republic equivalent of the New Deal from US history.  We see a lot of examples of people doing their best to be good to each other, and working for a more just and kind galaxy. They acknowledge that things are not perfect, but people from many different backgrounds (Jedi, politicians, farmers, pilots, business people) work together to try and make things better. I don’t know about you all, but with the darkness we see in the world today, I NEED some of that optimism in my escapist media. The High Republic provides that.

IT WILL GIVE YOU FEELINGS

The existing material so far is structured to really let you emotionally invest in the characters and their struggles. Unlike with many eras of Star Wars canon, characterization is not sacrificed for the sake of plot (though never fear, there is PLENTY of plot). That means there is huge scope for empathy. I’m not going to lie; I cried within the first three chapters of Light of the Jedi, as did several other people I know. It is POIGNANT in a way that feels truly genuine.

IT IS FUN

The writing team understands that, in the end, Star Wars is space fantasy. If your space fantasy is nothing but serious, gritty grimdark, it becomes pretentious and unbearable. So, for all that there is some heavy content in the High Republic (VERY heavy content – the Nihil should really have their own content warning), it has many moments of levity that keep it from taking itself too seriously. For example, the High Republic made Jedi bodice rippers canon. Also, characters like Geode exist (yes, that rock there is a CHARACTER). The result is something which honors the spirit of Star Wars, and keeps you engaged without being tedious or ridiculously depressing.

THE WRITING TEAM HAS DIVERSE PERSPECTIVES

The main writing team consists of five people: Justina Ireland, Claudia Gray, Charles Soule, Daniel José Older, and Cavan Scott. You will note that includes two people of color, two women, and one out Queer person (in fact, one of the writers is all three of those things). This is a far cry from the white-cis-straight-man-dominated writing teams we have seen in the past. And when they bring in other people to the project, they make a point of looking for perspectives that aren’t represented on their team – for example, the manga is being co-written between Justina Ireland and Japanese writer Shima Shinya, and Ireland has stated in interviews that Shinya is taking the lead on the writing.

IT VALUES MEANINGFUL REPRESENTATION

That diverse writing team means a cast that looks WAY more like the real world than any other era of Star Wars we’ve seen, in terms of representation. There are multiple characters of color, who are both heroes and central to the story. There are at least five canonical queer characters to date (a MLM couple, an Ace character, and two NB character).  [EDIT: Thank you @legok9​ for letting me know about the NB characters]. Among binary gendered characters, there is a very even balance of men and women. The writing team has also stated that they will be incorporating more representation of disability in the works to come. And the story is so much better for it – representation is included here BECAUSE it makes for more creative, believable, and original storytelling.

IT IS ACCESSIBLE

Because of the multiple formats, and the fact that it doesn’t rely on you knowing any prior lore, the High Republic offers many avenues to engage for people with all kinds of needs. Know nothing about Star Wars canon and feel intimidated about catching up? The canon is all new in this era anyway, so you’re fine. Can’t handle flashing lights? No problem – the little bit of video content that exists is totally free from the strobing effects that caused seizure and sensory issues. Need purely audio content? You can still have a full experience of the High Republic with the gorgeously sound-scaped audiobooks. Don’t have the attention span for books or long movies? Then the comics are your friend.

THERE IS SOMETHING FOR ALL

Between the books aimed towards adults and teens (and their respective audiobooks), the kids books, the comics, the manga, the short stories, AND the eventual TV show on Disney+, there is going to be content in the High Republic that suits most audiences. And that is just what has been announced so far – there is still more to come for phases II and III. This isn’t Star Wars written towards one group or demographic – it is Star Wars for everyone.

DID I MENTION THE FANCY JEDI UNIFORMS?

Because cosplayers and fanartists? This is the era for you. We are getting Jedi in silks with elaborate gold embroidery. Jedi with jewelry other decorative elements. Even the practical field uniforms have tooled and embossed leather. If you want to draw or make Jedi that have some of that that sweet LoTR-esque high fantasy aesthetic, the High Republic has your back. (Not going to lie – I am ALREADY imagining the time travel AUs. Put Obi-Wan in fancy clothes!)

OKAY, YOU’VE SOLD ME. WHERE SHOULD I START?

I strongly recommend everyone looking to get into the High Republic (who is old enough to be on Tumblr) start with Light of the Jedi by Charles Soule. I alternated between the physical book and the audio book, and found it delightful in both formats. After that, you have a lot of options. You can read or listen to the audio book of the YA novel A Test of Courage by Justina Ireland. You can check out the currently running Star Wars: The High Republic comic from Marvel, or the Star Wars: The High Republic Adventures comic from IDW. Or you can skip straight to Into the Dark by Claudia Gray. Honestly, there is no wrong order to try out most of the High Republic.

IN CONLUSION

The High Republic is Star Wars written for people who DON’T want Star Wars to be a good ‘ol boys club for salty white dudes who don’t want to see anything but more of Luke Skywalker. It offers broad representation, and optimistic narrative, and whole bunch of awesome Jedi content. If you are someone who fell in love with Jedi in the prequel era, the High Republic will give you more of what you loved. And if you are totally new to Star Wars? The High Republic is here for you too.

So, go check it. And then go write fic for it (please, there are only, like, 14 fics on AO3, I am dying).

[botwstoriesandsuch]

hey Kip! I’m sending asks into different writer’s askboxes, inquiring about cool themes/development facts/stuff the author wants to share about their personal favorite work of their own. What’s yours? :)

Ok so this ask is old and when I first got it I was like “dang I don’t really have a lot to talk about, what should I talk about I could those revalink headcanons the Kip Cut that turned into a working fic uhh hmm maybe I’ll just make something new to talk about real quick” and then I did and now there is a 12+ chapter Revalink fic in my drafts and I’m gonna talk about that now, whoopsie doopsie [click "j" to skip]

aHEM, OK so allow me to break out the primary school white board because yeah, I have a lot of thoughts and the oxford comma has not yet made it’s home into my brain. oh and spoilers for paraphrase. for both all of Chapter one and future events in later chapters, but it’s really nothing you couldn’t surmise from the AO3 tags

so I really wanted to tell the story of Revali and Link learning and struggling to love again after the less-than-fortunate events of Botw, but I wanted a...how you say...fresher, approach on the subject? Like I know we always say that fanfic writers writing the same tropes and stories time and time again is good because we eat that shit up--but at the same time I had asian parenting as was told never to half ass anything ever, no matter what. So now I'm gay and extra and have depression maybe and oh would you look at that @motherhyrule has dropped a beautiful revalink prompt right into my lap

Great so now that we have, that, I shall take you on the step by step process on how to make a :sparkles: story. So step one is to spend at least five to eleven business days for your white board to dismantle your genre and themes and work them around your character arcs. Luckily I have prepared one ahead of time

s*breaks out those laser pointers that uni professors use* So let's start with defining genre. As define because I HATE you, fuck you. I want you to suffer and writhe on the ground, motherfucker. How dare you think that I would give you nothing but pure predictable fluff, fuck you and yours

is the set of expectations that your audience has when consuming a piece of media

And the great thing about fanfiction is that unlike movies or book where the genres are more vague like, "oh it's a noir mystery genre. so there's a crime, maybe a murder, and a detective and a criminal." or "oh it's a teen romance. so there's some white people and a morally questionable six-pack 18 year old love interest that will be painted as desirable for some reason" BUT with fanfiction HALF of the work out the window, because as soon as you see those #revalink #aro sidon #zelpha #revali is an idiot and #found family tags you already know what's up.

Now what's so great about genre and expectation? Well the fun thing about it is that

I will use it to fucking break you.

... ... ...

<3 For example! <3

In Chapter 1: Holes, you already expect there to be revalink, you already expect them to be soulmates with the soulmarks and there's angst and yadayada ya. Revali and Link have to match because thatttss what this is all about, this is about them! This is about cute, little soulmarks and romantic words!

But whoooopsie doopsie [disney channel laugh track plays] they DON'T match anymore! Link's got a different mark! The number one rule of this entire genre has been broken whoooooooooooooooops. *ba dum tiss*

You might notice with a lot of my writing that I do this a lot, this whole..."oop but there's one little thing that's different." TebaSaki sick fic? Ok cool, but what if Teba burns an irreplaceable relic of the Rito champion to fight a wizzrobe first to characterize why his dumbass clicks with Saki. Mipha deciding to persue Link? Ok what if she chases after a dragon to externalize this conflict as she pierces it's flesh for a scale. Link fighting a Lynel? Ok but what if it's actually a sidlink angst fic in disguise and it's also world building on how Link deals with the bloodmoon that erases all of his efforts which is sort of similar to how his existence was erased from Hyrule 100 years ago mwaahahaha! Ok now that I say this outloud I think I just have a pattern of using fight scenes to externalize character growth. I like fight scenes...anyways.

I think another great thing about the realm of fanfiction is that with the tagging system, I can basically use a chekhov's gun sort of deal, without doing any writing. You know I'm gonna use that gun marked "soulmates" but you don't know when I'm gonna shoot it, and you SURE as hell don't know how.

And huzzah! One of the main points of conflict both drives the tension between Revali and Link, solidifies the unique genre and setting of this world, while also creating a new mystery that will carry over for the next few chapters.

Is Revali right in that Link's rebirth makes him destined for someone new now? What will Link do with the information that his soulmark has changed? Why did it change? Did Revali's change as well? How does anything fucking work right now?

And sure, you might be able to tell where things will end with them, but you sure as fuck will not know how because I HATE you. Fuck you. I want you to suffer and writhe on the ground, motherfucker. How dare you think that I would give you nothing but pure predictable fluff. I am not your goddamn fairy godmother, I will do as I fucking please. You will suffer as you fucking deserve, fuck you and your little tiny--

/j

Oh! But you might have noticed on my little planning whiteboard thing that there was a little T-Chart! For Revali and Link! That's because the next important thing besides plot (and in a lot of cases, including this one, it's argued to be even MORE important than plot) is

~CHARACTER DEVELOPMENT~

[to the tune of that history of the world video on youtube]

So yes, it's a little T-Chart outlining their character views in relation to the themes. And the great thing about themes is that they're not something you can necessarily predict in the same way you can with the genre and plot.

But now see, I'm very lazy so I'm just gonna plagiarize @hyrule-kingdom-updates thingy [that you should read btw] because they said my point quite clear enough

Now I don't really need to care about those points about bond and relationships and being understood, because I'm dealing with already established canon characters. I'm not some NERD who dabbles with entire casts of ocs who even cares about ocs not me that's for sure ahaahahaahahahahahaahahahahahAHAHAAHAHAHAHAHAHAHAHAH *cries in my orphaned WTTU fic* AHAHAHA*sobs*DONT FUCKING LOOK AT ME THAT WAY I SWEAR--

/j I love ocs

But the points I do wanna focus on is the idea that characters provide new perspectives on the theme, and that characters growth can be tracked based on their wants, lies, and needs.

So see, themes can be predicted the same as genre/plot because while you can have the same fanfic plots and tropes, theme will always vary!

Sometimes it's a journey of selfworth with Revali! Sometimes it's an exploration of trauma with Link. Sometimes it's about how you deal with the vulnerabilities of love with Mipha. Sometimes there's straight up NOOOO theme, and people just be fucking, and kissing, and baking, and having a good time. And that is totally fine too!

But I'm not a fucking coward.

I'm gonna weave in themes with my plot, because I fucking can.

I'm not a weakling like you.

Do you hear me, 2019 Kip? Do you hear me Demmers? Do you hear me Quill? I'm coming for your ass. You think you're so great, but I'm coming for you. Rest assured that your graves will be as deep as your sculptured pride--

Heeeere is that T-Chart again, plus more!

yyyyyYou might notice that Revali and Link are quite parallel, to paraphrase. Ayoooo, see what I did there? *dabs* I'm a genius. Anywho

They both start off the same way: 100 years ago they were in love and happy. Basically the equivalent of childish naivety. For the first time in their lives, life is whimsical and charming, and they make each other happy. In fact, it's almost a flaw with how they perceive this happiness. But don't worry! It doesn't last long!

You know what happens.

I think the chart is pretty self explanatory. Revali builds walls fast enough to give a republican a wet dream. Meanwhile Link makes every aromantic in the chat groan with his doubled down sentiments in the idea that his chances of being truly happy again are gone.

Now, I can't exactly describe the full on process of the inbetweens, and where Revali and Link are gonna go from here, because...you have to read it for yourself! Heehee...but something I did think was fun was how these character views on the themes are revealed. Because you'll notice that, I never give exposition. Ever.

Ok well, let me rephrase that. I never give exposition scenes. I will never give you a big LOTR fancy wizard scene explaining the ins and outs of a character's question or the world's magic or whatever. I'm a very impatient Kip, and I value efficiency. Nonono, it's all about multi tasking, baby!

Chapter 1: Holes is divided into three parts.

Post 100 Years - Medoh (Establishes Ghost Rev/Bonk Head Link's view)

100 Years Ago - Flight Range (Establishes old Revalink views)

Post 100 years - Mark (Develops Ghost Rev/Bonk Head Link's view in contrast to who they once were)

I think the way that you structure flashbacks is incredible vital, as it's a very quick way to characterize people without having them say stuff like "I used to be like you, until I took an arrow to the knee" or whatever.

And with the main structure of the chapters and the fic as a whole is focus on their characters, that means I can hide whatever other stuff I want in those scenes, becuase you're too busy absorbing the fun character stuff to realizing I'm giving you boring exposition. Like for example:

Post 100 Years - Medoh and Mark

Foreshadowing for the end of the fic

Set up connection to Medoh with Revali

Link has defeated Windblight

Link has been visiting Revali every night for the past few days

Link has already met Kass and presumably Teba

Link doesn't have the Mastersword

Revali's Gale is still an ability that needs master and practice on Link's end

And that's just some of the stuff.

And see, the only reason I can efficiently give all of this information regarding character, and even exposition, is because of the theme. The themes make everything relevant, and everything circles and encompasses one another, so there's absolutely no wasted space. I mean don't even get me started on how it's gonna be to characterize the other characters around this

I don't wanna talk about the other characters too much either because that's spoilers, but you can probably take a gandar based on my notes.

And oh my god this is just on the theme of the faults that come with "soulmates" and "true love" and all that, and how even magical destined relationships still require work and effort, and that no one thing or person solves all your problems. And that's not even TOUCHING the shit on trauma and scars. I didn't think it was even possible for me to talk about botw without touching on that, ha. Ah well, I've been talking for too long.

Revalink has a lot o' writing potential so das pretty cool yeah, I am excite

[luxekook]

chapter one.

⇥ pairing: jungkook x reader; eventual bts/ot7 x reader

⇥ genre: college au with fluff, smut & angst

⇥ summary: a series in which the reader meets (and falls for) seven members of the Beta Tau Sigma (BTS) fraternity

⇥ word count: 2.3k

⇥ warnings: 18+, cursing, dirty talk, kissing, hickies, drinking, tatted jungkook, nipple piercings

© luxekook. please do not repost, modify, edit or translate.

characters | prologue | one | two | three | four | five | six | seven | eight | nine

Chapter One

Fall of Junior Year – 8:57am

I curse every single decision that has brought me to this very moment as I power-walk across campus, sweating under the already blistering sun. Campus in August could easily be compared to a swamp given the amount of unearthly humidity, and I'm pretty sure I currently qualified as the local swamp thing.

The only positive feature in my morning has been the table of free coffee and doughnuts staffed by Student Government. The first day of the fall semester always seems to be accompanied by frantically wide-eyed freshmen and celebratory freebies. However, air conditioning is the only thing I would be celebrating today as I finally reach Tyson Hall – the destination of my 9:00am class.

As I rush to my classroom with one minute to spare, I slump into a seat in the far corner – my preferred location for people-watching out of the large windows and for getting away with doing homework for other classes.

Familiar faces surround me, an unsurprising observation given that this is our mandatory research seminar as psychology majors. I notice my friend Jenni sitting in the opposite corner, eyes glued to her phone screen.

Opening my laptop, I shoot her a text to come sit with me. Her head whips up, black braids moving every which way as she immediately piles up her things and hustles over, “(y/n), I forgot you were in this seminar! I just switched over from quantitative research because I couldn’t take any more statistics – or Dr. Harding.”

Dr. Harding is the dean of the psychology department and has been teaching here for ages. Feared by most psychology students for his tough grading and intimidating persona, he’s actually a huge softie – something I discovered by going to his office hours and seeing all 85 pictures of his grandchildren hanging throughout the room.

“He’s not that bad, Jen.”

She scoffs, “You would say that because you got an A in statistics like some sort of wizard. Besides, Dr. Newman is so much nicer.”

Jenni has an excellent point. Dr. Newman is the main reason I chose this seminar. As one of the most respected researchers at our university, she’s known for her qualitative studies on gender across cultures. I consider Dr. Newman to be a real badass woman and I lowkey stan her.

I turn to reply, but Dr. Newman begins taking attendance and class begins.

Fifty minutes later, Jenni practically drags me out of the classroom, “I cannot believe she kept us the whole 50 minutes. Is she aware that it’s syllabus week? It’s practically law to just read over the syllabus and then dismiss class. This is outrageous– (y/n), are you even listening?”

“Hmm?” I totally had tuned her out, focusing on the number of students flooding the quad. I had missed this – the rush of students heading to class, the yells of people greeting each other from entirely too far away, the buzz of excitement over potential parties…

“Unbelievable. How did I forget you have this whole weird-ass feminist crush on her?” Jenni forges forth, “It doesn’t matter. What are you doing tonight? You’re going out with us, right? Luna and I want to go to Hannigan’s.”

Since the three of us had all turned 21 over the summer, we finally could legally go to the bars in town. Hannigan’s currently holds the top spot on the list of bars that most of the upperclassman frequent. It’s a popular Irish pub downtown known for its cheap beer and mixed drinks.

It’s also BTS’s unofficial hangout – a fact that makes me slightly uneasy. After learning who the higher-ups are in BTS, I have taken to avoiding them like the plague. It was a relatively easy thing to do since the spring semester tended to be less focused on rushing and recruiting for fraternities and sororities.

But now it’s rush season, and I’m pretty much fucked. There will be no avoiding seeing BTS’s president Kim Namjoon out recruiting with his vice president Min Yoongi and his social chair Jung Hoseok. There will also be no avoiding pledge master Taehyung leading around new BTS pledges like a mother duckling. And don’t even get me started on how Kim Seokjin, Park Jimin and Jeon Jungkook will be popping up everywhere to advertise the latest BTS bash.

Sighing, I figure that the chances of actually bumping into them at the bar will be slim, given that it will most likely be super crowded and I can easily blend in.

I turn to Jenni as we keep walking towards our next classes, “Yeah, I’ll go to Hannigan’s. Are you going to come over to get ready at our place?”

Luna and I had moved into a cute little off-campus apartment over the summer. As it turned out, it’s cheaper to live off-campus than on-campus if you look hard enough. We also had it pretty good location-wise being just a few short blocks from both campus and downtown.

“Yes!” Jenni replies, slowing to a stop out front of the science building, “I’ll be over around 8 with tequila. I’ll text you later. I’ve got to go to neuro-psych lab now,” she rolls her eyes, “Hopefully we won’t be kept the whole time.”

Waving, we part ways, and I shake my head.

Tequila never leads to anything good.

Hannigan’s – 10:54pm

Fate seems to be on my side for once in my life. As soon as Luna, Jenni and I walk into Hannigan’s, my eyes are drawn to the back table where the BTS usually sits. It’s empty.

It’s practically an unspoken rule that no one else can sit there, and even though the bar is packed with all other tables accounted for, that one remains vacant – and for good reason.

Greek life essentially has a cult following around here. The Greeks provide status for those who are into that whole exclusivity thing. They also provide the best parties because of the size of their houses and because the university will never complain about one of their best sources of revenue.

I didn’t to rush a sorority way back in freshman year because I couldn’t feasibly afford it. The dues were way out of my price range, considering I was already paying for my education on my own. Luna, on the other hand, is in Epsilon Xi Delta (EXID) and consistently makes me and Jenni tag along to different Greek parties with her.

"Come on, bitches! Let's get some drinks," Jenni drags me and Luna through the packed room towards the bar that is already encircled by a crowd of thirsty students.

Tonight’s plan is simple – stick together, have fun, scope out cute seniors. Having already taken some shots before we left (saving that coin), we’re definitely feeling ourselves, flaunting our outfits like we didn’t spend a good hour picking them out earlier.

I had settled on a black t-shirt dress with a checkered flannel tied around the waist and some black Doc Martens. Luna and Jenni had tried to convince me to wear heels with them, but I knew syllabus week was a marathon – not a sprint. My feet would thank me later, and theirs would be crying.

As the bartender slides us our beers, the opening beats of Cocky AF by our badass queen Megan Thee Stallion blast through the speakers dispersed throughout the bar. Turning immediately to each other, we clink our beers together, take a sip, and head to the makeshift dance floor.

We squeeze and push our way through the masses until we reach a spot towards the back where the crowd has thinned out a little more. Within seconds, we’re in motion, hips swaying in time to Megan saying ‘bitch, I look good and you know that’.

Shaking out my hair, I get in the zone and lose count of how many songs we dance to. Eventually, our beers empty and Luna turns to me, “Another?" She accompanies her shouted question with an unnecessary charade of shot-gunning a beer in case I couldn’t hear her. I roll my eyes, laughing while I nod in response.

“Save our spot!” Jenni yells and disappears into the crowd of dancers with Luna towards the bar.

I continue dancing on my own. Swaying my hips, I decide to put my hair up to try to cool off a little in the sweltering bar. The music shifts into a new song, this one slower, more seductive, a favorite of mine – Lost in the Fire featuring The Weeknd.

As Abel’s angelic voice flows over me, a pair of hands slide over my hips from behind me. I start to pull away, but then I notice – the hands are tattooed. And for some reason, that hot little fact makes me relax into the large body behind me.

Those tattooed hands tug me back even more, bringing me flush against him as he falls into time with my movements. God, this guy can dance – a rarity these days.

His body is all hard muscle and heated skin. His mouth is hot against my neck, alternating between kissing, sucking, and biting. My skin buzzes. Fuck, I haven’t felt this way since–

Turning my head slightly, I can make out the vague outline him and it confirms my sinking suspicion... He’s a BTS boy.

"Hey, noona," he murmurs in my ear, his lips brushing over it as he speaks.

Fuck my life, I think as I shiver involuntarily in response. Spinning to face one of Satan’s henchmen, I toss my ponytail over my shoulder and jut a hip out in both defiance and defense. But really nothing could have prepared me for the sight of Jeon fucking Jungkook, the golden boy of BTS.

He somehow looks like he’s gotten even bigger since the last I saw him playing pong against Taehyung at that party – information that I cannot even comprehend. His left arm is completely tattooed, along with a few smaller ones dotting his hands. I glare at them, blaming those hands for throwing me off.

“Like them?” Jungkook waves his fingers in front of my narrowed eyes, “I got them this summer.” Smirking lazily, Jungkook makes his own perusal of me – taking extra time along the way.

His jaw flexes as his eyes turn molten, “You’re killing me, noona. Tae didn’t mention…” He trails off, swallowing hard.

I follow his gaze. Oh fuck. I had forgotten I decided to forego a regular bra tonight because I wanted to show off my piercings. Just having a thin bralette under my dress, my pierced nipples are definitely noticeable under Jungkook’s heavy stare.

Refusing to give into him, I square my shoulders, “Yeah, I got them this summer, too. But, I don’t see how that’s either your or Taehyung’s business.”

At my words, Jungkook rips his eyes away from my tits to finally meet my own eyes again, “Oh, but it really is our business. Tae said we’d like you and I agree.”

His voice is low and rough, and I swear I can feel it washing over my body, making all of my synapses fire in response.

“We?” I choked out. In full panic mode, I spin and try to leave, but I barely make it a foot away before getting stopped by a now-familiar tattooed hand wrapped around my wrist.

Luckily, a crashing sound echoes from the back table where the other BTS boys must be, and Jungkook lets out a string of curses, “Fucking hell, listen I have to go make sure no one’s hurt, or Joon will kill me. Stay here, okay? I’m not done with you, (y/n).”

His hand rushes up to the nape of my neck, pulling me into him. Our lips fuse together in a brutally hot kiss, his tongue slipping against my bottom lip for a fraction of a second.

And then he’s gone – disappearing rapidly through the fray to manage whatever trouble his frat has gotten into.

I stand there, shaking fingers on my lips wondering what the actual fuck just happened.

“Hey, sorry we took so long! This bitch cut in front of us and I swear she ordered for the entire fucking population of North America—”

Luna smacks Jenni’s arm, cutting her off, “You okay, (y/n)?” Luna peers closer at me, “Holy shit, is that a hickey?  We were only gone for 10 minutes!”

My hand flies to my neck as both Jenni and Luna grab me, dragging me to the slightly quieter back alley of the bar. As they conduct the second Spanish Inquisition, I spill the details on what happened.

After a moment of silence following my explanation, they both start talking at once:

→ Jenni: “Hell yes, girl, go off! Jeon Jungkook is fine as fuck…” → Luna: “(y/f/n) (y/m/n) (y/l/n), have you lost your damn mind…”

→ Jenni: “…I’d hit that in a heartbeat. I’m so proud!” → Luna: “…Do you not remember last semester? Are you high? Oh my GOD, did he drug you?!”

“Stop!” I slap a hand over each of their mouths, “Jesus, Mary and Joseph, you guys are impossible. I am not ‘hitting’ anything, and, no, he did not fucking drug me.”

Sighing, I continue, “It was a lapse in judgement, okay? I remember last semester more than anyone, but he’s just so powerful and I don’t seem to have any common sense around BTS.”

I take my hands away from their mouths and immediately Jenni asks, “Wait, what happened last semester?”

Luna slings an arm around my shoulder, “Come on, let’s go get pizza and a six-pack from Ralph’s. We can go out another night this week.”

“Take-out from Ralph’s?” Jenni’s eyes widen comically, “This must be major tea. Let’s go.”

Instinctively, we clink our beers together for the second time that night and chug the remainder of our bottles in true broke bitch fashion (never leave paid-for beer behind).

With that, we trek back through the door and out of the bar. We finish our night filling in Jenni with our less than savory experience with the infamous BTS fraternity last semester.

But, as I lay in bed for the night, I can’t help but wonder if Jungkook had looked for me that night after I left… Or if he told Taehyung...

taglist (message me to be added):

@catsandstrawberries​ @h5naaa​

[isahorcrux]

20 questions Writer’s Edition

Thank you @blitheringmcgonagall for the tag ! <3 <3

1. How many works do you have on AO3?

5

2. What’s your total AO3 word count?

44,637

3. How many fandoms have you written for and what are they?

Just Harry Potter (Golden Trio Era & Marauders Era)

4. What are your top 5 fics by kudos? (I guess I’m just ranking all my fics since I only have five currently lol)

love it if we made it (78)

And it all came crashing back. Harry, Ron, and Hermione returning to Hogwarts. The Order coming to fight. Spells being shot back and forth. Hogwarts crumbling from within, but also fighting back. Voldemort and his army of death swarming the castle. Fred. Remus. Tonks. Harry, dead. Harry, not dead. Bellatrix. And then Voldemort and Harry, facing each other in the Great Hall, where Ginny had eaten every meal during the school year with her friends. Voldemort falling. They’d won. The war was over.

glad he’s gone (71)

Of all the things Lavender could have been crying over, Ginny had not expected this. Granted, she knew Ron wanted to end things with Lavender just as much as she’d wanted to end things with Dean. But, she supposed she was a bit preoccupied with her own public break-up to notice Ron’s first romance imploding a mere few feet away. She briefly wondered if Lavender was just as oblivious to her relationship ending as Ginny was to her’s.

hope is a dangerous thing (for a woman like me to have) (63)

As soon as they found Dumbledore’s body, some unconscious part of Ginny knew that their relationship would have to end. She knew Harry, who’d lost so many people, couldn’t bear to put her in danger. She understood his reasoning, in fact, if she were in the same position, she might even do the same. But, it wasn’t fair. Why couldn’t she go with them and help take down Voldemort. She after all, was the closest link to Tom after Harry, having spent a year entwined with his teenage self.

The story of Ginny Weasley's 6th Year at Hogwarts.

spontaneous & romantic (38)

“Well, when I hear things at my window, my first thought isn’t often, ‘oh, how sweet my boyfriend is throwing pebbles at my window,’” I said giggling.

Rose/Scorpius

champagne problems (21)

Summoning the courage of thousands of Gryffindors before him, James sank to his right knee and pulled the unassuming black velvet box from his pocket. The room around them faded into warm shapes and colours. James didn’t know if Sirius had paused the music or if he’d gone temporarily deaf. It was only the two of them, James thrusting his mum’s ring out towards Lily and Lily looking at James with a bemused sort of grin.

After several long moments, or maybe a half an hour, or possibly several days, Lily spoke.

“James, let’s - we should talk.”

It was supposed to be perfect.

5. Do you respond to comments, why or why not?

I do sometimes ! Truly it depends on if you’ve caught me in a responsive mood or not.  I’m usually more likely to respond if there’s a question or the comment is particularly long, versus a one or two word comment.

6. What’s the fic you’ve written with the angstiest ending?

Oh without a doubt champagne problems .

This fic came about because I listed to evermore on repeat in my car for months and months and then a story that first started as a james potter II story morphed into a jily story and here we are. I’ve outlined most of it, so excited to update this one fairly regularly (I think).

7. What’s the fic you’ve written with the happiest ending?

I think probably love it if we made it just because the war is over ginny and harry get together, all that fun stuff. but, if you’re a scorose person, spontaneous & romantic is also very happy. I also wrote that one back in high school, so tread lightly lol.

8. Do you write crossovers? If so what is the craziest one you’ve written?

I’ve never written a crossover, I don’t think...I’ve got a few fics that have been lost to the internet from high school, but I don’t think any of them were crossovers either.  I’m firmly in the HP fanfiction camp.  I guess you could argue I also do Shakespeare fanfiction...but I feel like since that’s in the public domain it doesn’t count lol.

9. Have you ever received hate on a fic?

I don’t think so ? I don’t think I’m a popular enough writer to get enough eyeballs to get hate.  I noticed on champagne problems, that one person really thought Lily was unlikable, but I think at this point we are supposed to hate her a bit and she does need to grow as a person.  But, I think that’s the closest ?

10. Do you write smut? If so what kind?

Currently, no. Do I need to for the folklorevermore project? Yes. So it’s coming, and I’m terrified to write it.

11. Have you ever had a fic stolen?

No thankfully !

12. Have you ever had a fic translated?

No, but very open to it if anyone so chooses to translate :)

13. Have you ever co-written a fic before?

No, but again, very open to it.  I studied screenwriting and fiction in college and one of my favorite things about screenwriting is the collaborative writing process, so my inbox is open :)

14. What’s your all time favorite ship?

Oof, making me choose children - currently, probably Jily.

15. What’s a WIP that you want to finish but don’t think you ever will?

I will finish hope is a dangerous thing if it kills me, I swear!

16. What are your writing strengths?

Err... dialogue maybe?  I also feel like I have a really good grasp of who my versions of James and Lily are.  And also a good cannon sense of Harry and Ginny because growing up literally all I did was read Harry Potter.

17. What are your writing weaknesses?

The ability to finish things / update in a timely manner lol.  I’m sorry!  Know I hate myself more than you hate me for my slow updates !

18. What are your thoughts on writing dialogue in other languages in a fic?

I think i’d be comfortable writing French or Italian in a fic (haven’t had the moment to yet, but maybe!) but any other language I haven’t studied I probably would be a bit timid to try, just because I wouldn’t want to mistranslate anything.

19. What was the first fandom you wrote for?

Harry Potter (Next Gen) - I know wild right?  There’s a bunch of Next Gen fics of mine out there under a different name.

20. What’s your favourite fic you’ve written?

I’m actually really proud of champagne problems and where it’s going (this is my plug for people to go read it lol)

Oh god, I hate tagging people it’s so nerve wracking, because I never want to bother people, but tagging those whose fics I literally just read/who hasn’t been tagged (at least I don’t think?) and also anyone else who wants to do this! @dizzy--bird @sunshine-marauders @thequibblah

[ariwritessometimes]

hii, my apologies if this is a bit weird as this is my first time sending in an ask (im a bit shy & awkward so i tried anonymously lol) 😅 but i love your stories so much and i would genuinely love to get to know you better! please feel free to choose which ever question you'd like to answer!

4) favorite character you've written

19) when it comes to more complicated narratives, how do you keep track of outlines, characters, development, timeline, etc.?

24) have you ever become an expert on something you previously knew nothing about, in order to better a scene or story?

It's not weird at all! I appreciate it so much that you took the time to send these 🥰🥰

4) favorite character you've written

So, as far as OCs/Reader Characters go, I think my favorite to write was definitely Red of TFPoaBE! Both the RC and OC version just had something about them that made her a fun character to write. Narnia is one of my favorite worlds, so I guess if I'm being honest, Red is special because she lets me live in that world too! I am my own target audience, in a way haha.

Now for canon characters, Caspian is another favorite (keeping with the Narnia theme lol) with how loving and gentle, yet strong and protective he is. I also really liked writing Boromir for the short time that he lived in APF. I really love his hidden depth, and I want to make sure that who he is underneath the Ring's influence really shines through to do him justice. (Bonus fun fact: Boromir Lives AUs are some of my favorites)

19) when it comes to more complicated narratives, how do you keep track of outlines, characters, development, timeline, etc.?

Uhhh hahaha to be quite honest, I'm very disorganized about this. I have written a total of 1 (one) complete outline according to the Save the Cat method, for LNW, but other than that I don't really make outlines haha... Sometimes if I have an idea for what to include later, I'll jot a note at the end of the doc, something like "conversation w boromir".

Other times, if a line of dialogue or a conversation pops into my head, I'll write it out in a note on my phone. Of course, sometimes these things get lost and I write the part differently than originally planned, so that's why I prefer to put it at the end of the doc so it's right underneath what I'm typing and I can see it. But when I'm out and about, all I have is my notes app. I just need to get better about immediately transferring those notes to the doc 😅

24) have you ever become an expert on something you previously knew nothing about, in order to better a scene or story?

Not on any particular subject in the traditional sense, per se, as in I haven't made a compendium of deadly plants to make an accurate poisoning, but I do typically do a lot of research on the thing that I'm writing for.

So for instance, I know a lot about Elvish courting rituals because I want to keep things as canon-accurate as possible in APF (hint hint 👀). I kept a giant map of Narnia and a Narnian timeline open in my chrome tabs because it was important to my brain to be geographically and chronologically accurate for TFPoaBE, adapting where the movies sort of took liberties with it. I currently have a map from the Witcher open for reference in LNW as well. I know Jack's background pretty well because I wanted to integrate Aria as seamlessly as possible for SotS:SaBS, not to mention I had to fix the compass plothole that movie five created lol.

So all in all, for me, most research is done about the details of the property that I'm writing for, more than about the availability of silk in the 18th century, if that makes sense. I want to ensure that everything makes sense in-universe. Then, I can better make exceptions within my story. It's the age old saying of how you first must know the rules in order to break them 😁

Thank you so much for sending these in, I really enjoy answering them!

[artificialqueens]

Stupid For You, Chapter 7 (Crygi, Jankie, Jaida x Nicky) - Metaluna

Fic summary: A cliche lesbian AU. It’s the summer before Gigi goes to college, and she decides it’s time to take a job at a local amusement park. There, she meets Crystal, a beautiful girl that she with bonds over the anxiety of the service industry. Almost immediately, Gigi gets it BAD for Crystal. Meanwhile, Jackie definitely ISN’T gay. She likes men. Only. Men. What happens when a beautiful girl named Jan comes into the picture? And lastly, Nicky flirts with anything with a pulse. Jaida falls for anyone who gives her attention. This is going to be one interesting summer

Chapter summary: If anyone knows how to party, it’s the staff of Paradise Isle. When Brita turns 21, she’s determined to have the biggest party Paradise Isle has ever seen.

A/N: Hi everyone! I officially outlined the rest of the fic so it’s going to be 10 chapters total, three more to go!!

By the time Gigi made it down the exit ramp, all she wanted to do was leave. She heard Jan behind her, but kept moving forward. Her heart beat was pounding in her ears and she began to feel warm tears form in her eyes.

“Gigi, wait!” Jan called.

Gigi didn’t listen and instead kept walking. Jan managed to chase her all the way into The Landing until Gigi stopped dead in her tracks, rested her face in her hands and started crying. Wordlessly, Jan went up to her and wrapped her in a gentle embrace. Once Gigi broke away, Jan led them to a bench, and stayed quiet. She knew Gigi was about to explode at any second.

And she was right.

“How could she do that? What the hell? If she didn’t want to see me, she could have just fucking said something! I have no idea what the hell I did to her and why she’s acting the way she is, but I guess fuck my feelings! Right? Just fuck them!” Gigi threw her hands up in frustration before crying into Jan’s shoulder.

“Shh, it’s okay,” Jan cooed rubbing Gigi’s hair. She knew Gigi’s mascara was staining her shirt, but it was something she could worry about later.

“How could she?” Gigi’s voice was barely above a whisper.

“I don’t know, baby. There’s no way to know what’s running through her bizarre little head.”

Gigi wiped her eyes, trying to salvage what was left of her makeup. “I’m overreacting.”

“No, you aren’t. You need to feel whatever it is that you’re feeling. Your feelings are valid and you’re entitled to them,” Jan said firmly.

“I want to hate her.”

“Why?”

Gigi sighed. “I want to hate her, because that means I wouldn’t be in love with her anymore.”

“Wow,” Jan began. “I didn’t realize you were in that deep.”

“Jan, it’s bad.”

“Sounds like it.”

“If I could just hate her, I could be done and move on. I hate that when I see her pictures on Instagram with her shitty boyfriend, all I can do is think about how I wish it was me. I hate that she’s the first thing I think about when I wake up, and the last thing I think about when I go to bed. I just want to hate her.”

“Do you honestly believe do any good?” Jan questioned.

Gigi mulled it over and sighed. “No. What am I going to do?”

“I wish I knew what to tell you, Gigi, but I don’t. But, we can figure out what we’re doing tonight. Do you want to leave, or do you want to keep hanging out with everyone? After the look I gave her and what I said to her, I don’t think she’ll come anywhere near you anytime.”

Gigi looked stunned. “Jan what the hell did you tell her?”

“Don’t worry about it.” Jan winked.

“I’m not going to let her ruin my night.” Gigi’s tone was determined. “Let’s go.”

–

Nicky and Jaida were awkwardly left behind in the queue. Since they were next, they ended up going on the roller coaster. Jaida had to admit, a roller coaster was a lot less fun when one of your friends was experiencing emotional trauma, even if you were in the front.

“Should we go find them?” Nicky asked as she grabbed her purse.

Jaida thought for a moment and said, “Honestly? I don’t want to make it worse. Gigi trusts Jan and I want Gigi to talk through all the emotional shit she’s feeling.”

“Good point.”

Jaida and Nicky made their way through The Backlands. Jaida knew that she had feelings for Nicky that Nicky didn’t share. Jaida also knew that every time they slept together, she felt herself falling a little harder. As much as Jaida didn’t want to break her own heart for her final summer at the park, she swore something felt different about Nicky.

As they walked, Jaida swung her hand forward making contact with Nicky’s to test her response.

“Sorry,” Nicky mumbled putting her hand closer to her side.

The response is not the one Jaida was looking for, which caused her to sigh.

Nicky slowed her pace. “What’s wrong?”

“Nothing.” Jaida forced a smile. “Just tired.”

“Gotcha.”

Jaida wondered how dense Nicky could be. Even though Jaida couldn’t be mad that Nicky didn’t return her feelings, it still frustrated her. While Jaida knew it was a horrible idea to keep going with their fling, she liked Nicky so much that she’d rather have her physically than not at all.

 Or did she?

This wasn’t healthy for her mental state. Jaida had enough on her plate already. Between writing essay after essay for law schools throughout the country as well as working six days a week, Jaida was nearing her limit. As much as she tried to tell herself that her fling with Nicky helped her decompress, she knew that wasn’t the case. It made everything much, much worse. Before she could think on it further, she was interrupted by her phone vibrating with a text from Jan.

so I honestly cant tell if gigi’s more hurt or pissed at crystal and honestly it really doesnt matter but she did say she wants to keep the night to keep going so I say let’s do it! we’re at the landing rn, where are you??

Quickly, Jaida reiterated to Nicky the situation, and texted back, Okay, good! We’ll meet you there.

The rest of the night was filled with memorable selfies, laughs that were mostly at the extent of Jan’s inability to ride roller coasters, and by the end of the night, Gigi felt great, and was determined to not let one person ruin what was already an incredible summer.  

Following National Roller Coaster Day, Jaida, Nicky, Jan, and Gigi bonded even further, and became inseparable. Through hanging out with Jan, Gigi also developed a very close bond with Jackie. Gigi never had a group of friends before, and was thankful she had such an amazing group of friends.

Gigi formed such a close bond with her friends that she all but forgot about Crystal. At times, they ran into each other in the break room, and every time, they didn’t so much as look at each other. While the environment was tense, there was never any negativity. No one was outwardly mean to each other. In fact, everyone but Gigi maintained being friendly with Crystal. Gigi couldn’t allow this to upset her, since they were all adults and could choose their friends. At times though, it did feel like a punch in the gut when Gigi was on her breaks and saw Jan stop to talk to Crystal.

One day, Gigi sat in the breakroom. As she at her lunch, Brita sat across from her.

“Hey, Brita,” Gigi greeted.

“As you know, my birthday is drawing near.”

All Brita talked about was how she was going to turn twenty one in a couple of weeks. Everyone knew it was Brita’s birthday, including people who didn’t even know Brita.

“So I’ve heard!”

“My parents are actually going to be out of town. So, I’m going to have a party. Not just any party. No, this party is going to be so big and so memorable that they’ll be talking about this like five summers from now.”

Gigi raised an eyebrow. “Yeah?”

Brita nodded. “I’m inviting literally everyone I know who works here…”

Gigi caught on to what Brita was saying. Even the people who weren’t well versed in what happened between Gigi and Crystal knew something was wrong. “That’s fine, Brita. I’m not going to let my relationship, or lack thereof, with someone ruin your birthday.”

“Good. It’s this Wednesday, starting at 10. That way everyone has time to get ready after work. Thank god for shortened park hours.”

The scheduling gods smiled upon Jaida, Nicky, Gigi, and Jackie. Somehow they all ended up with the same days off, one of which being Friday. It helped that Jaida always sweet talked the scheduler, and the scheduler knew who her friends were. Jaida wasn’t about using her feminine charm to get what she wanted.

The girls all agreed to get ready at Gigi’s, because she had the largest space. Getting ready with others was much more fun for Gigi than getting ready alone. Although, she had to admit it was a different feeling when she and Crystal got ready together for Heidi’s party. She forced that thought out of her head as she put on an 80’s playlist. Deciding what to wear to a party was Gigi’s favorite part of getting ready. Even if she didn’t want to admit it, she wanted this party to be the exact opposite as the previous party. Because of this, Gigi opted to wear a tight orange halter top with an blue high-waisted shorts, which was the exact opposite of her black and white outfit.

“You look like your room,” Jan teased eyeing Gigi’s room decor. 

Gigi rolled her eyes. “It’s not my fault that my two favorite colors look amazing on me.”

“Fair,” Jaida mused as she rummaged through her bag. “Shit. I forgot my eyelash glue.”

Nicky, who was sitting cross-legged on the ground blending out a smoky eye tossed hers to Jaida. “Here.”

“Thank you,” Jaida smiled sweetly expertly applying an eyelash.

Jackie looked on incredulously. “I have no idea how you do it.”

“Lots and lots of practice,” Jaida said as she batted her eyelashes in Jackie’s direction.

“Do you ever wear more than mascara and eyeliner in your waterline?” Nicky questioned, admiring her appearance in a hand mirror.

Jackie shook her head. “I just… don’t know how to do anything else. One time I tried to do wings and it looked like a drunk toddler did them. No wait, a drunk toddler would have done better.“

Jan’s face brightened. “Can I please do your makeup? Please?”

After hesitating, Jackie said, “What the hell. Why not?”

Jan squealed as she made her way over to Jackie, who was sitting in the chair at Gigi’s desk. Watching Jan do Jackie’s makeup made Gigi feel a pang of jealousy. All through high school, she’d never had the desire to date. Of course, she definitely didn’t want a boyfriend. But, she never thought about having a girlfriend either, and only knew that she liked girls. She also never had a friend group like the one she had now. She also never thought she’d have a group of friends she could trust as much as she trusted the friends she made. For once in her life, Gigi felt safe enough to come out. Other than her family, Jan was the only person who knew, and the only reason she’d told Jan in the first place was because she was about to have a mental breakdown. But, it was time. Gigi paused the playlist.

“Everything okay, Gigi?” Nicky questioned.

Gigi took a breath. “Yes, but there’s something I have to tell all of you.”

Jan locked eyes with Gigi, already knowing what she was going to say.

“What is it?” Jaida asked setting down her brush.

“I like girls.”

Jaida ran to Gigi to give her a hug. “We love you.”

Jan laughed. “Welcome to the club.”

As Gigi unpaused the music, she breathed a sigh of relief as she topped her nude lip with gloss.

“All done!” Jan announced as she brushed powder off of Jackie’s face.

Once Gigi saw Jackie, she exclaimed, “Oh, wow.”

Jackie was already an extremely beautiful girl, but Jan’s handiwork enhanced her features. Because she knew that Jackie wasn’t one for the extravagant, Jan stuck with neutrals that gave Jackie the most effortless no-makeup-makeup look. Gigi knew that Jan was a talented makeup artist, but the makeup she did on Jackie proved it, because it was the exact opposite of Jan’s colorful halo eye she did on herself.

“Holy shit! I look good.”

Jan rolled her eyes. “You always look good, baby.”

“Thank you,” Jackie said as she kissed Jan on the cheek.

“We must commemorate this momentous occasion,” Jaida said dramatically as she signaled everyone to come in for a group photo.

“You have to take it,” Nicky said. “You have the longest arms.”

Jaida rolled her eyes. “Always.”

Once there were a few photos they were all satisfied with Gigi looked at her phone. “If we need to make a liquor run, we should probably leave now.”

Everyone piled in to Gigi’s Jeep, the group was enthusiastically discussing the night ahead. On the way to the liquor store, Jaida, who was already twenty one, made a list of what she had to purchase.

“Y’all are gonna make me look like I have a drinking problem. You best be Venmo-ing me interest,” she teased.

“We don’t have interest in France, I don’t know what that is,” Nicky joked.

Jaida playfully hit her. “You’ve lived here for over ten years.”

 Nicky shushed her. “I have no idea what you’re talking about.”

“Jesus Christ, just kiss already,” Gigi teased as she pulled into the liquor store’s parking lot.

Once Jaida was inside the store, Jan spoke up. “What’s actually going on between you two?”

Nicky shrugged. “Just something for us to blow off some steam.”

Jackie hesitated. “Nicky, you realize that Jaida’s never had a girlfriend before.”

“Yeah, and?”

“She also falls really hard really quickly.”

Nicky exhaled. “She never told me that. She told me that she was good keeping it casual. She tried to bring it up a while ago, but I just thought… I feel terrible.”

“It’s not your fault, honey,” Jan said.

Before Nicky could respond, Jaida returned to the car.

“That was fast,” Gigi said.

“I’ve been to that store so many times, I know where everything is.”

Gigi had heard from other people that Brita had a large house, but she didn’t expect it to be quite so big. The driveway which was lined with cars spanned the length of most people’s front yards. The house looked to be three stories and was a modern build, which was a contrast to the other ranch-style houses in the area. The music could be heard from outside of the house, and Gigi mused about how Brita was lucky that she had no neighbors.

“Damn,” Gigi said as she shut her car door.

“Yeah,” Jaida began. “Brita’s parents are fucking loaded.”

“Clearly,” Jan said.

The inside of the house was just as grandiose as the outside. Gigi thought that it looked like the sample rooms inside of furniture stores. She didn’t realize that people’s houses actually could look like that. The living room was decorated with fairy lights and streamers, and in the corner were two gold balloons that said 21. The party was already abuzz, the entirety of the first floor was full of people, most of which Gigi didn’t recognize, and was almost certain Brita probably didn’t either.

Brita greeted them at the door, pulling them into a hug. Gigi could already smell the alcohol. “Hi, babes!”

“Happy birthday, bitch!” Jaida exclaimed handing Brita a fifth of Everclear.

Brita’s laugh was loud enough that it could be heard over the music. “You rotted bitch.”

“On our first season together, Brita drank way too much Everclear and got super hungover, and had to call out the next day,” Jaida explained. “You best be getting that drunk again tonight. If I see you at work tomorrow, I’m going to be pissed.“

“I have tomorrow off,” Brita said smugly.

“You’re going to need it,” Jan teased.

“Thanks! So over there we have a photobooth, beer pong in the dining room, the pool’s available if you want, too. Oh, and if you need a place to get down and dirty,” she looked at Nicky and Jaida. “Just don’t use my bedroom.”

“I have no idea what you’re talking about,” Jaida said, rolling her eyes.

As everyone was about to explore, Brita screeched, “Wait!”

“What?” Gigi asked.

“Let’s do a shot of this.” Brita raised the bottle of Everclear.

“Oh dear, God,” Jackie said making gagging noises.

“It’s my birthday, bitches!”

Since nobody could argue with that, they went in to the kitchen. In the attached dining room, an intense game of beer pong was going down with Widow and Heidi against Crystal and some boy Gigi vaguely recognized as being one of the team leads in games. Trying to stay casual, Gigi waved to Heidi and Widow who smiled in return. Thankfully, Crystal’s back was turned to Gigi, and by the time she turned, Gigi had her back turned to take the shot.

“I’m already too drunk to pour the shots,” Brita slurred.

Jaida rolled her eyes as she took the bottle and expertly poured shots.

“To Brita!” Gigi said raising her glass.

“To Brita!” Everyone repeated as they toasted, set the shot on the table, and took the shot.

Gigi thought she was good at taking shots. But, Gigi had also never had Everclear. Convinced that its reputation preceded it, she didn’t properly prepare herself. She thought she was just taking a shot of cheap vodka, not a shot of rubbing alcohol.

“Merde!” Nicky exclaimed.

Jackie set her glass down as she winced. “That was so bad, Nicky forgot how to speak English!”

Because she couldn’t get the taste of shitty vodka out of her mouth, the only thing Gigi could do was to drink something else. The Whiteclaw Jaida bought for her tasted like juice in comparison, so much so that Gigi drank it a lot faster than she should have.

As Gigi felt the alcohol hit, Jan said, “Let’s go take pictures.”

Most of the time, Gigi found photobooths to be tacky. They were a staple of boring weddings and basic-ass graduation parties. But, because she already had a nice buzz going, she gladly posed with oversized sunglasses. 

Everyone sat on a red leather couch as they began drinking. Jan and Jackie shared a bottle of rum that they chased with Diet Coke. Jaida was chasing her Jack with ginger ale. Nicky, on the other hand, was shooting whiskey like there was no tomorrow. Gigi felt lame that everyone else wad drinking liquor but her, but she didn’t care. She wanted to enjoy what she was drinking.

When a Madonna song began playing, the girls screeched and made their way to the dancefloor. Gigi had decent rhythm, but tonight, as far as she was concerned, she was killing it. As she dropped low, she almost fell, but kept her balance as she made her way back up. While she watched Jackie and Jan dancing closely and watched Nicky grind against Jaida, Gigi couldn’t help but feel like a fifth wheel. She remedied the situation by cracking open another Whiteclaw. 

“I need a break,” Nicky announced when the song ended.

Jan whispered something in Jackie’s ear before saying, “We’ll be back!”

“May I have this dance, Ms. Hall?” Gigi asked holding her hand out.

“Oh, bitch, you know it.”

After a few songs, Gigi announced, “I’ll be back!”

It was the time of the night that Gigi needed to break her seal. Unfortunately for her, there was a line for the bathroom. She dramatically jumped up and down until she made it to the bathroom. Once she finished, she was greeted by a sobbing Jaida.

“Jaida, what the fuck is wrong?” Gigi asked leading her into a bedroom upstairs.

“Nicky,” Jaida managed.

“What about Nicky?”

“I went to go find her to see if she wanted to dance or something, but then… I saw her… and I saw Brita. On the couch… making out.”

It was very clear that Jaida had too much to drink. For a while, Gigi was convinced that this year would break the streak of Jaida getting her heart broken. Even though Gigi wanted to give Jaida some tough love and tell her she and Nicky weren’t exclusive, she knew it wasn’t the time for that. Instead, she wrapped her in a hug.

“Hey,” Gigi said stroking Jaida’s hair. “It’s okay.”

“I knew that she didn’t want a relationship. Why does this hurt so much?”

“Because you like her, clearly a lot.”

“Why does this always happen?” Jaida wailed.

Gigi knew she wasn’t good at comforting people, but decided to try her best. “I don’t know. But Jaida, your makeup is far too pretty to cry it all off.”

Hoping that Jaida would find her comment funny, Gigi tried to laugh. This only made Jaida cry harder. Fuck. Gigi knew she wasn’t any good at any of this, but she knew who was. She needed to find Jan before Jaida lost her mind.

“I’ll be back,” Gigi said leaving a sobbing Jaida in the bedroom.

Gigi searched the entire first floor for Jan with no luck. Eventually, she ran into Jackie. 

“Gigi, what the hell is happening? Jaida’s apparently crying, Nicky left… What’s going on?” Jackie demanded.

“I guess Jaida found Brita and Nicky making out.”

Jackie groaned. “Of course Because why would she be able to make it a summer without getting her pretty little heart broken?”

When Jackie and Jan made their way back in the bedroom, Jaida was right where Gigi left her.

“Do you know where Jan is?” Gigi questioned as Jackie was hugging a very distraught Jaida.

“I think she’s outside.”

“If anyone knows how to handle this, it’s her,” Gigi said as she walked downstairs.  

Gigi realized just how drunk she was as she stumbled around trying to find Jan. Eventually, she found her comforting some random drunk girl. To Gigi’s horror, the random drunk girl ended up being Crystal. 

“Uh, I need you,” Gigi said awkwardly walking to Jan. 

Jan looked at Gigi and mouthed, “Help me,” as she broke away from Crystal. “What’s up, gorg?”

Crystal awkwardly stood next to Jan, swaying back and forth. Gigi couldn’t help but wonder how much Crystal had to drink.

“It’s Jaida.”

“Oh my God, I haven’t seen Jaida in ages,” Crystal slurred.

Jan shushed Crystal. “What’s wrong with her?”

“She found Nicky making out with Brita,” Gigi explained.

Jan groaned. “This is bad.”

“That’s really not good. Are they fighting?” Crystal tried as hard as possible to not slur her speech. “Fighting is bad.”

Rolling her eyes, Jan said, “Yes, honey. Fighting is bad. Really bad.“

Crystal stumbled toward Gigi. “Gigi, I’m really sorry we’re fighting.”

Gigi ignored her. “Jan, can you do that thing where you comfort people when they’re crying?”

“I can try,” Jan said.

“Gigi! Stop ignoring me. We’re fighting! And I don’t want us to!” Crystal pouted.

“Crystal, we can discuss this when you’re sober,” Gigi said firmly.

“I’m sober enough!” Crystal said jumping up and down. She then stopped and put one hand over her mouth and one on her stomach.

“Crystal. No!” Gigi screeched.

It was too late. Crystal lost all the alcohol she’d consumed. Jan reacted quickly enough to take a step back, but Gigi wasn’t that lucky. Gigi screamed as her favorite boots became covered in vomit.

"What the fuck?!” Gigi screamed. 

[luluwquidprocrow]

love was made for me and you (and you)

originally posted: february 15th, 2019

word count: 22,821 words

rated: teen

beatrice baudelaire/bertrand baudelaire/lemony snicket, beatrice baudelaire/lemony snicket, beatrice baudelaire/bertrand baudelaire

violet baudelaire, klaus baudelaire, beatrice baudelaire, lemony snicket, bertrand baudelaire, kit snicket, the duchess of winnipeg, dewey denouement, olivia caliban, beatrice snicket

alternate universe – modern setting, alternate universe – everybody lives/nobody dies, alternate universe – parent trap fusion, family, romantic comedy, humor, with occasional required sad undertones, screenplay/script format, less of a fic and more of an outline but one hell of an outline, with enthusiastic swearing by yours truly, referenced but very background kit/dewey and duchess/olivia

Summary:

[so beatrice is nicholas, lemony is elizabeth, violet is annie, klaus is hallie, bertrand is the absolute worst at being meredith because he is a Genuinely Nice Person so honestly he’s really not meredith at all, and those parallels are all a little loose anyway because i moved places and conversations and character roles and basically everything around, everyone is just a mess. where is vfd????? i sure don't know.]

Notes:

back in march 2018, the good the iconic the legendary the CLASSIC ace attorney parent trap au came back on my dash and I decided to rewatch the parent trap a few days later, and as I was watching it, I thought, ‘i wonder how that would work with asoue, and lemony and beatrice, and of course with them getting together with bertrand,’ because I will of course ship the three of them together in any fic I can, but I told myself ‘girl, you cannot write this fic. you have too many other fics to write, you canNOT write this fic.’

I then told myself, ‘well, yeah, okay, but that doesn’t mean I can’t outline it.’

and then the outline spun wildly out of control, to the point where i was never going to write it as a full actual fic because it wasn't going to work like that anymore, but also to the point where it had a life of its own and was in my opinion somehow still worth reading like an actual fic. this is over 20k of a lemonberry ice parent trap au half-fic/half-outline/half-weird-script/wonderful mess of conversations and headcanons, and I genuinely hope my weirdly detailed ramblings (and unapologetic swearing) bring people as much unbridled joy as they bring me. I wrote this with the intention to have fun, and I hope!! you have fun too!!!

I think you can get through this with a working knowledge of the parent trap movie (1998 version) but a thorough knowledge is also very good

title obviously corrupted from love by nat king cole

.

lemony and beatrice, young and definitely foolish and definitely in love but totally not thinking this through, marry (fairly soon after college) and beatrice has twins, violet and klaus (violet is two minutes older, their birthday in this splits the difference between (what I personally image to be) their canon birthdays, so that’s, what, january 8th or something???? first I had it as the 3rd but nick and liz marry in the movie on january 8th and I was like ‘well that’s not too big a change to make in the name of a good reference’).

not long after, their marriage dissolves (for, well, pretty much canon reasons???? I mean like with less accusations of arson and criminal activity. lemony has Radical Commitment Issues and beatrice is Impulsive and Angry and Not Taking Anyone’s Shit and honestly how they made it through marriage and having kids with all those problems completely in tact and never doing anything about them is anyone’s guess, love is Occasionally Not Cool), they divorce, and lemony takes violet and beatrice takes klaus.

they both leave The City which I have always imagined as new york even though i’ve never spent a second there in my life, but anyway, beatrice does go to california (she likes the weather, but she does not end up in sanfran (danhan’s hometown) – the part of me simultaneously obsessed with a different fandom is screaming santa barbara!!!! but no i’m going to stick with the movie and say although she’s not in a vineyard she is in napa), the idea of lemony just being in england as like, a concept, and especially with a broken heart, is hilarious to me

kit: do I have to confiscate your copy of keats?

kit: do I?

kit: do I, lemony??????

beatrice raises klaus with the help of the duchess of winnipeg (and ramona’s delightfully sentimental and frankly adorable wife, olivia caliban, I will sail this ship single-handedly I guess) (what is ramona doing in california????? OH MAN DO I FINALLY GET TO BUST OUT THIS LINE I TOOK OUT OF THE BAYBEA FIC

ramona: have you seen winnipeg lately???

ramona: there’s not much for me to duchess over.

actually it’s probably that ramona’s mother is still alive in this (otherwise what would be the POINT of everybody lives/nobody dies modern au???? fucking fight me) and she takes care of winnipeg and ramona was like ‘…...canada’s not doing it for me’ and her mother was like ‘canada doesn’t do it much for anyone, dear.’ and ramona skedaddled to california with olivia, which worked out because they have banging careers as artists out in california.) (ramona paints (she likes watercolors and pastels), olivia actually writes historical fiction lesbian romance novels (where everyone also lives!!! she writes an on point jazz age novel only everyone lives and it’s great) (why historical fiction??? olivia is a sucker for romance and loves big sweeping romance epics….and ramona) (are her books just. period piece self-inserts with her and ramona??? well why the FUCK not), they are both………..really too good for this world.) (anyway bea has zero (0) family with which to raise klaus so ramona and olivia offer to help her out. out of the goodness of their hearts and long-standing friendship, not because they have any experience raising a child. they do not. have any experience.)

and lemony raises violet with the help of his sister. kit and dewey get together earlier, and have their daughter earlier (violet’s….five or six when she’s born?), and name her (obvs not beatrice) bernadette (I have Specific Reasons for naming her bernadette, however that is in my giant list of bernadette headcanons, which is a whole other Thing). beatrice is an actress (klaus can’t act for shit, sorry), lemony is a writer (violet doesn’t have a poetic bone in her body, sorry). (but violet can act and klaus is pretty good at putting words together.)

ELEVEN YEARS AGO BY, or, well, eleven and a half, I guess, eleven and a half delightful years filled with the following –

-lemony and beatrice fervently denying they ever married each other and trying to forget the other even exists, what do you mean you have photographic evidence, we were definitely not married

-ramona’s mother briefly going to california to tell three grown women how to change a diaper

-klaus, age one and a half, crawling up the staircase in their house all by himself to get to the library, beatrice promptly dies out of sheer terror

(true event. I did that.)

-violet getting ahold of a wrench at the same age and fixing one of the loose bars in her crib

(not a true event. I did not do that.)

-dewey and jacques, trying to fix the curtains in violet’s room, immediately and silently agreeing to never tell lemony they were The Worst Uncles In Existence for five seconds for accidentally dropping the wrench in violet’s crib

-beatrice training herself not to do a double-take every time she sees klaus with a book because he looks fleetingly like lemony, just for that second

-lemony lulling violet to sleep with a variety of accordion songs, violet’s favorite is his rendition of what he says is ‘a song about spending a day on the beach’ but is actually why I cry by the magnetic fields (particularly danhan’s rendition of it with ben gibbard.)

-hey I never said they were successful at forgetting each other, especially when the kids were kids

-a truly harrowing number of children’s birthday parties

-kit snicket, who firmly kept her maiden name, going through what she called ‘The Chillest Pregnancy In Existence, Look At Me, I’m Completely Fucking Calm’ in the middle of labor

-klaus going through a period where he only read poetry, which caused bea and ramona and olivia to speak in rhyme for a week

-violet insisting she could fix the toaster and promptly not fixing the toaster because nothing was wrong with the toaster (it just wasn’t plugged in.)

-beatrice appearing in a number of plays, klaus being enchanted when she’s in les mis and reading the book but, in fact, only finding the outrageously long sewer chapter interesting

-violet trying to write a poem for lemony for father’s day and rhyming ‘orange’ with ‘mortgage’

that summer, they both wind up sending violet and klaus to the same summer camp excursion, because what sort of comedy would this be without the wildest coincidence ever, honestly

kit drops violet off at the camp a la martin – will lemony get on a plane?? that is a resounding No (also he would have just cried the whole time. the whole time. the. whole. time.)

however lemony is the one who does the ‘fruits, vegetables’ thing, only before violet leaves, and he gives her a million hugs and honestly doesn’t want her to go to camp oh my god, it’s only because violet tells him he’s sort of squishing her that he stops hugging her, lemony is???? like the most concerned parent of all time

kit, meanwhile….

kit: I was going to give you a new dart set but I was informed that they would not let you through customs.

violet: uncle dewey told you, didn’t he.

kit: I married a real killjoy, violet.

I honestly cannot think of a scene for klaus to parallel hallie meeting glasses and tie dye girl while getting her duffel bag. I thought of putting the quagmires in this but I think that’s…...pushing the identical envelope a little here (would’ve been worth it though for the brief note I used to have here that was just isadora shouting ‘HOW DID THEY TAKE SO LONG TO REALIZE THEY WERE RELATED THEY LOOK EXACTLY ALIKE’)

i’m sure they hang out with like-minded people before running into each other, it’s a good camp and they literally never talk to those other characters again anyway, which is, a real shame

we can all at least rest assured that klaus gets to camp in once piece regardless and doesn’t have a conversation about darts and airport customs, anyway beatrice, ramona, and olivia each smuggle a deck of cards into his suitcase as a surprise and he has three card decks and impresses all the other kids in his cabin with a giant architecturally sound house of cards made to resemble thoreau’s cabin at walden pond

hey annie and hallie are both allergic to strawberries and KLAUS AND VIOLET ARE ALLERGIC TO PEPPERMINTS

before they meet there’s probably a moment like with marva sr and the strawberries (I just had a horrifying thought that JEROME is the camp counselor (esme is nowhere in this. olaf is nowhere in this.) and that’s…………..awful, but, as I was writing the following scene, you know who I wrote him more like?????? arthur fucking poe, what did I just fucking do, honestly poe is a WORSE choice but…...well

mr. poe: we have peppermint brownies today!

[I just saw someone on the food network make peppermint cheesecake brownies and I want them so bad]

klaus: oh, i’m allergic

mr. poe: oh, well, please live

mr. poe: I cannot perform cpr

klaus: …………………………………………………………….shouldn’t you maybe –

mr. poe: for your own personal safety and especially my own i’m going to have to ask you to step away from the brownies

[violet shows up on mr poe’s other side]

violet: oh! peppermint, i’m allergic

mr. poe: another – didn’t I just see you? how did your hair get longer that fast? that’s not an allergic reaction, is it?

violet: ……………………………………………………………...i don’t think that’s –

mr. poe: i’m going to eat this entire brownie pan to save lives, but also because I want these brownies

he came out more like show!poe instead of book!poe but, I do not care, no one cares about mr. poe.

SO, violet and klaus eventually do meet and have practically zero immediate animosity, also through fencing!!! lemony and bea are both canonically badass fencers but I stand by what I said in fight me, that lemony is the better fencer, and violet wins. klaus concedes his loss to a talented fencer. they take off their masks and are like WHOA WE LOOK REASONABLY SIMILAR

violet: I don’t know, I think your eyes might be little farther apart than mine.

klaus: oh, don’t worry, i’ll probably grow into them. it can take some time before people really grow into their faces.

however this does get them talking and they find out they have so much in common! they’re like, ‘you like books and only have one super weird parent??? what a coincidence!’

then they find out they both play cards. (this stays, cause poker games are gold and I am reasonably sure watching the parent trap so much as a kid was what instilled this love of ‘hilarious poker games’ in me because I used to jam them into my fanfics all the time.) (also explains why I only know two poker hands….)

they hold an (amicable!) poker game that night with all the campers, and they do like a round robin tournament sort of thing and swap tips all night until it’s just the two of them facing each other, and klaus wins. (lemony is Pretty Good at cards and definitely taught violet BUT you’re damn right bea taught her kid how to count cards. not that klaus wins through cheating, he also has a natural talent and bea’s impeccable poker face. klaus also hangs out with ramona, who has repeatedly kicked lemony’s ass at cards as well.)

since they still have to wind up in the isolation cabin (because how else are they going to secretly plan swapping identities with NO GODDAMN COUNSELOR noticing???), CARMELITA is at camp and busts them for the poker game. she got eliminated pretty early in the game and camped out outside the cabin the rest of the kids were in waiting until someone won and then got mr. poe.

mr poe: gambling is not for children! unless of course you have a verified accountant or, perhaps, an established banker who wanted to embark on a personal journey and decided to run a camp for small children but has always wanted to go back and manage money again because, you know, even after the two scandals, I was good at – but we don’t have time for this, violet, klaus, it’s very irresponsible to try and get adults going on a tangent to avoid your responsibilities.

violet and klaus: but we didn’t –

mr poe: i’m afraid that I have no other choice but to send you to the isolation cabin.

carmelita: cakesniffers in the isolation cabin!!! CAKESNIFFERS IN THE ISOLATION CABIN!!!!

oh……..that was painful.

AT LEAST THE CABIN IS LIKE A NICE GOOD CABIN AND NOT the orphan shack, also like how far into the woods is the isolation cabin???? do the marvas really just leave kids out there?????? come on, marvas…..

and so our heroes get stuck in a windy lil cabin out in the woods.

what do they do when they hang out there, since they have Zero Animosity???? talk about books. read books. klaus does sketches of various local leaves. violet rewires the lamps so they don’t flicker and rigs up the windows so they don’t bang open in the middle of the night. the only thing they argue about is how to make toast, which isn’t even IN the cabin (unless violet makes something into a toaster), whatever

does klaus have a stuffed animal like cuppy???? damn straight he does. because why the hell not. (some boys play with dolls? SOME BOYS HAVE STUFFED ANIMALS)

i’m being really basic here but it’s a teddy bear BUT bea made lil wire glasses for it because klaus got glasses when he was real little so she thought he’d feel better if his favorite stuffed animal also had glasses (bea wears glasses but she HATES wearing them although I think after klaus gets glasses she tries to wear them more because bea is supportive as hell) (she needs new glasses though like they’re still these big thick black frames from her goth phase and she hates them but she hates the idea of an eye doctor appointment more) (bold of me to assume bea has ever honestly stopped having a goth phase, though…)

oh gosh what is the bear’s name

what’s something like super nerdy but cute for a small book-loving child to have named a bear

oh no, he names it kenneth. bea reads baby klaus the wind in the willows and he names his bear kenneth and this is so cute. I can’t fucking handle this, oh my god

honestly I am one of those people who thinks oreos w/ peanut butter would be pretty disgusting. (I mean, without the cream in the middle, sure, that probably tastes good, but like, with the cream and the peanut butter???? no) their snack of choice is………….hey isn’t there a snack in penultimate peril at the picnic it’s mentioned they like

or is just because I have that particular book within three feet of me, i’m gonna check

okay, it does mention that klaus likes custard eclairs, violet makes a smoked fish sandwich and wants to try the chocolate spread. maybe they just like oreos, sans peanut butter. I like oreos. (also, you can’t stash eclairs in a suitcase.

olivia, staring at a series of freshly-baked custard eclairs and a collection of tupperware containers: ….do you think I made too much??

ramona: olivia, he’s – he’s just going to summer camp.)

ANYWAY, how do they realize they’re siblings???? like???? how do

do they have half pictures in this??????? I think that’s honestly going to be the easiest way

like, of course lemony and beatrice would have a wedding picture, and they are both absolutely extra and dramatic enough to have each other’s half

it probably is still a ‘sitting at a table, staring lovingly at each other’ sort of thing, lemony in a white suit and beatrice in a suitably extravagant but actually still somehow very low-key for her wedding dress (there’s a lot of tulle though, like………..layers of tulle………………………..), their color scheme flower-wise was red and white roses because like, what fucking else would they pick at that time (they are only JUST convinced by like, jacques, probably, to do red/white instead of red/black, beatrice personally wanted purple/black)

kit gave violet the picture of beatrice, because while she hasn’t spoken to beatrice since her brother’s divorce, she does think lemony and bea could stand to talk to each other

(although I headcanon kit as the kind of person to firmly forget about past romances and put them behind her THROUGH ANY MEANS NECESSARY this is not strict asoue canon, and she always liked beatrice, anyway. lemony and bea breaking up isn’t like kit and olaf breaking up, which, i’m not even gonna try and touch in this)

klaus found the picture of lemony when he was reading through anna karenina (beatrice forgot she put it in there when she let klaus read it) and figured immediately that it had to be his father, and he kept it (maybe he showed it to ramona, who was like, ‘yep, that was your father. goodness, I forgot how awful his hair looked back then.’)

they’re probably reading some book about geography (klaus is into geography at the time)

klaus: my mother says that for my birthday next year, she’ll take me on a trip to see the famous hinterlands sunset.

violet: my father’s shown me pictures, but he agrees that it’s a lot prettier in person, but he’s also not one for planes.

klaus: well, I don’t believe hinterlands are technically confined to one geographical area, i’m sure there’s more than just in california – here, i’m sure there must be more information in the index.

violet: when’s your birthday, klaus?

klaus: january 8th.

violet: !!!! that’s my birthday!

klaus: !!! that is an extraordinary coincidence.

I never said these kids were smart.

klaus: violet, what’s your father like?

violet: he’s kind of quiet, but he’s very kind. oh, I have a picture of him – well, sort of –

she pulls out from one of her own books a picture of lemony, from behind, sitting at his desk at his typewriter, absolutely no recognizable features present whatsoever

violet: he didn’t know aunt kit was taking the picture, otherwise he would’ve turned around.

violet: actually, even then he probably wouldn’t have? he insists he’s not very photogenic.

violet: what about your father?

klaus: i’ve never met him. he’s – my mother doesn’t talk about him much, but I got the impression that they divorced shortly after I was born.

violet: oh, gosh. i’m sorry, klaus.

violet: ….sometimes I think I get that impression too, about my parents.

klaus: i’m sorry too, violet.

and if this were a snicket novel, insert soft, gentle explanation about divorce and commiseration and finding kindred spirits in your friends and how sometimes love does not work out and the affects we don’t realize it has on the children who watch it happen or see the aftermath and are left with the gnawing wonder of what went wrong and how violet and klaus each wonder, a little, what the cause was, and it can be very lonely, at the end of the day, to know that even if you have one parent who loves you very much, there is someone out there who may not love you at all, and never got the chance to know you to love you, and an even deeper part of you that wonders – no matter how young you were – were you the cause of it?

violet: oh, but I – I have a picture of my mother, my aunt kit gave it to me – I have it in my suitcase

violet: /gets up to get the picture

klaus: I, I have a picture of my father, too, in fact I think it’s stuck in this book somewhere in the back, I didn’t want to forget it

and

as violet goes to sit back down with the picture of her mother, the half-picture of beatrice from her wedding day, klaus pulls out from the index the half-picture of lemony from his wedding day

and they are

STUNNED

to realize

this is, of course, the exact same picture.

there’s a lot of hugging and crying.

so they realize they’re siblings!!! and then decide try to figure out what the hell even happened with their parents, because now that they know they’re fucking related and still somehow wound up meeting each other they realize that there has to be some incredibly detailed story behind the reasoning for their parents splitting up and now they have not just proof but an actual opportunity to find out and maybe, just maybe, get their parents back together in the process!!! it worked once!!! it could work again, why not!!!!!

AND SO THEY DECIDE TO SWAP PLACES. (contrary to hallie having the idea, it occurs to them at the same time.)

meanwhile

for the past, say, YEAR, or so, bea has been seeing bertrand, a friend from her childhood (just narrowly managing to keep it from klaus BECAUSE it will involve A Conversation About Lemony and Commitment and Marriage and Things Not Working Out and Falling In Love With Someone Else and look bea is good at a lot of things but it’s a really heavy subject for her that even after eleven years she hasn’t quite figured out how to parse, so she’s really been putting off trying to explain all of that to klaus, in a case of her vastly underestimating her son [bea you see all the books he reads…….talk to your son]), and things are going well between them and they love each other a lot and!!! they decide to get married.

how do they meet up again??? bertrand winds up going to one of her plays completely on accident. he’s been on the other side of the country for years and years and he happens to go to napa and hears about this play happening and he’s like ‘well that sounds really neat!’ because bertrand had a short-lived theater career in high school and doesn’t act all that much anymore but appreciates a good play! who doesn’t appreciate a good play??

(bertrand played lieutenant frank cioffi in his senior year production of curtains to rave local newspaper reviews. bea, meanwhile, gave a stunning performance as carmen bernstein [esme wanted to be carmen so fucking bad and she’s never forgotten that bea got the role instead, and that would not even factor into this au even if esme WAS in this au] [esme was, instead, jessica cranshaw (if it was a small school she maybe doubled as bambi), ramona was niki harris, olivia played johnny harmon, olaf was…...daryl grady……..which pains me to write cause the guy I had a crush on in high school played daryl, josephine and ike played georgia hendricks and aaron fox, jacquelyn and gustav were head of stage crew, lemony supported them all from the audience – unless lemony was sasha????!!!!!!!! okay lemony was totally sasha.]) (wow I got unnecessarily invested in their high school drama club.) (IS THEODORA THE DRAMA ADVISOR?????? oh my god. oh my god she’d be so bad at it but so good. i’m dying.

theodora: snicket you need to FLOURISH your baton with MUCH MORE GUSTO

lemony: I am going to flourish this baton right up your –

bertrand: HE’S DECIDED AGAINST IT THANK YOU MISS MARKSON)

(hey you ever write a parallel that’s so good you hate it????? olivia is johnny. olaf is daryl.)

(I usually headcanon bertrand as two years older than bea and lemony but for the purposes of this au they’re all the same age – however bertrand joined drama club first, and I picture lemony as more of a band kid than a drama kid, they probably just pull him in for curtains.

was lemony drum major???? I want to say ‘hell no’ but I also want to say ‘most cryptic drum major ever, lead the most bizarre championship performance in the school’s history, somehow still won’) (I wonder what song it was to???? that right there is where my secondhand band knowledge conks out.) (but if I HAD to supply ‘bizarre, cryptic song for championships’ I would probably pick like, david lynch’s dark night of the soul or something, idk.) (but like, listen to it and just imagine it with marching band instruments……….i kind of like it. i’m kind of digging it.)

ANYWAY BERTRAND LOVES SEEING PLAYS and he goes to see it and he has NO IDEA bea is even in it and he’s like SUPER THROWN to see her but also???? really excited! it’s been eleven years!!! he can talk to her!!!! he finds her after the play and bea immediately drops whatever she was holding and is just like???? absolutely breathless to see him again (it’s been ELEVEN YEARS, cats. oh god no it’s been more like FIFTEEN YEARS since bertrand has seen bea cause they haven’t spoken since high school oh no that hurts even MORE). a giantass hug is involved. bea spins bertrand around. they make plans to see each other later. then they start hanging out, and they like, reconcile from their weird high school fallout and have a really neat relationship)

(so

the high school fallout

lemony and bea and bertrand were all delightful friends since they were kids (well, lemony and bea were, bertrand moved to town and joined their class when they were freshman in high school). they all had stupid crushes on each other, uggg. there was. an incident. at the end of their school escapades that resulted in a falling out with bertrand (maybe they had an idea of how they all felt and just couldn’t or weren’t ready to figure it out and it sort of. drove a wedge between them. not on purpose, it was just the way it happened to work out, with teenage emotions and refusing to talk about things and uncertainty. lemony+bea and bertrand went their separate ways after graduation, lemony and bea married right out of college, bertrand does his own thing, life goes on.) (maybe there was like some prom drama about who was gonna take who and who asked who first or something (at my junior prom, I was ready to kill the guy I asked who turned me down for that very reason). I mean that’s legit???? prom drama is incredibly legit. why is there so much drama at prom??????)

(honestly after going back and writing the production of curtains and remembering the (specifically romance-related) drama I witnessed happening among the drama club at my high school (I wasn’t in drama but I had a startling number of friends who were) i’m surprised they had the drama at prom and not in the middle of drama club, but i’m still going to stand by ‘prom drama.’)

(and I feel like it was prom drama of the type that’s like, low-key there and A Thing people think about but no one talks about or addresses so the whole night is real awkward and you worry something is gonna break out at any second but nothing does but you’re still obsessively on your toes about it. like, that simultaneously high-strung just-there high school romance drama angst that’s just this ever-present layer coloring everything that people say and do, hyped up specifically because it’s PROM. they probably all danced with each other and the dances were all cut short because of Feelings and Awkwardness and no one knew what to do, the whole damn night.)

and like, bertrand, going off to college and a little heartbroken but unwilling to try and do anything about it, is upset, but bertrand is also bertrand ‘sweetest man alive’ baudelaire, and honestly he wants them to be happy (bertrand is……..very non-confrontational……….and it is honestly his downfall, he likes to have fun and be nice and kind, and to acknowledge scary things is to actually deal with them and that scares bertrand so much, he buries a lot of things – so do bea and lemony, and in fact all of vfd, but in very different ways. bertrand has achieved a sort of Chill™ that bea and lemony just do not have) so he just goes on with his life, he does date other people but nothing ends in marriage, he becomes a librarian in maine and is actually only in california originally for a few months to help manage some of the collections at local libraries. then he runs into bea and he doesn’t like INTEND for a romance to happen (and neither does bea, which I also firmly stand behind for their canon romance too), he still planned to leave at the end of the few months, but it happens and bertrand feels a lot more secure in himself and his feelings about people than he did in high school and they really do love each other, a lot

oh he went to college for library science!!!! obviously lemony majored in lit and bea majored in theater and music)

(OH NO WAS BERTRAND AT THE WEDDING?????? oh no bertrand was not at the wedding. I mean he’s certainly invited but bertrand ‘sweetest man alive’ baudelaire is also bertrand ‘vaguely heartbroken, does not want to interfere, can actually honestly only take so much’ baudelaire and he says that he’ll be unable to make it. sigh. I want to say he sends a sweet wedding gift or even just flowers but man that makes me so sad to think about lemony and bea getting that on/around their wedding day and THEM being sad and i’m too sad now, bertrand does not send a gift. (he’s torn up about not sending a gift for some time. years later, walking through an antique shop, he is struck with the ‘Years Later But Still Feels Like It Just Happened And Oh Shit Why Did I Do That’ brand of Lingering Awful Anxiety™ about all that.)

HE DOES NOT KNOW ABOUT THE DIVORCE until he meets up with bea and she tells him.

bertrand: so how’s lemony????

beatrice: ahahhahahhahahhahhahahhahhahhahhahhahahaaaa!!!!!!

beatrice: ahahaha

beatrice: ahaha.

beatrice: …….oh you genuinely do not know oh shit i’m sorry

(I wanted so badly to put in my ‘bertrand and olivia were good cute friends and actually are penpals and like lemony and ramona’s ongoing card game they have an ongoing checkers game’ headcanon but it just. won’t. fit. in. here. cause why wouldn’t olivia have told him about the divorce???? I mean it’s bea’s thing to tell, NOT olivia’s, but to occasionally write to bertrand for YEARS and never mention she and ramona live with bea?????? I think that’s a little much.)

(does bertrand ever try and convince bea to reconcile with lemony???? I feel like at this point in his life he WOULD but bea would have very early on and very firmly vetoed that. and bertrand wouldn’t necessarily be happy about it but respects her wishes. not because he wants bea all to himself. but because bertrand is also quite frankly still. a little nervous re: navigating relationships. like he’s for sure A LOT BETTER at it now but like!!!! especially with lemony like bertrand is TERRIFIED of seeing lemony again. he really is. I think he thinks lemony blames him for stuff even though lemony does not. and I don’t want it to seem like bertrand’s……….just sort of swooping in and taking bea and not letting her talk to lemony????? cause it’s not that, it’s not that at all

they do really love each other

and just because bertrand’s grown as a person doesn’t mean he’s PERFECT

and bea certainly Does Not want to talk to lemony

it’s just, nick never mentions to meredith that hallie’s a twin and meredith HATES hallie and annie anyway, but bertrand does not hate kids and I just wonder, has bea told him about violet???????? like why wouldn’t she????????

so I mean yeah they probably have talked about it, and probably still came to the same conclusion, bea Does Not want to talk to lemony either, just, not right now, and yeah bertrand isn’t delighted about it but he’s like ‘alright, okay.’ because he still understands her reasoning and for all his talk he really doesn’t want to talk to lemony either

but it’s, I think it’s a thing, in the back of their minds, a worry that hits them sometimes, have they done something wrong, trying to forget)

(and this is why planning takes so much time because I always have so many stupid questions about characters)

(when bea and lemony were young and in college and extraordinarily drunk they would come up with new titles for bertrand, because they forgot they were trying not to talk about him

beatrice: bertrand ‘best hair this side of the mississippi’ baudelaire

lemony: bertrand ‘smooth hands’ baudelaire

beatrice: bertrand –

beatrice: wait do you mean like, his legit hands or like what he DOES with his hands

lemony, trying very hard not to think about Doing Things with Hands: ……..both

lemony: I definitely mean both

beatrice: good, I agree

beatrice: bertrand ‘i WILL dance the charleston and no one will stop me and I do not care’ baudelaire

lemony: bertrand ‘softest reading voice’ baudelaire

lemony: no no, wait, bertrand ‘BEST reading voice’ baudelaire, remember when he read ee cummings

beatrice: bertrand ‘i read lord of the flies and cried at the end’ baudelaire

lemony: oh bea are you complimenting him or being mean

beatrice: lemony I read lord of the flies and threw it out the fucking window when that kid killed piggy

beatrice: that was a compliment)

(ee cummings is because I have a scene in another fic where bertrand reads ‘maggie and milly and molly and may’ to beatrice and lemony and gosh…..i hope I get to use it at some point, it was a beautiful scene)

(they probably stop talking about bertrand like, sophomore year of college, idk, it just gets too hard and they become really miserable drunk nineteen-year-olds about it, and that’s not cool) (AT LEAST THEY HAVE THE WHEREWITHAL TO DO THAT)

ANYWAY, back to violet and klaus, who are still at camp and have decided to switch places!

ultimately, violet (like hallie) is supposed to find out how bea and lemony got together, and klaus (like annie) is supposed to find out why they broke up

violet cuts her hair (she’s a little bummed because she likes her hair but at least it won’t get in her way when inventing) and pierces klaus’s ears (klaus is so UP FOR THIS he’s very excited, also he keeps himself calm during it by telling violet the history of ear piercing) (these kids are either canonically very good at rationalizing or it’s just me radically projecting again…..or both), klaus practices wandering around without glasses (he bumps into EVERYTHING), violet practices how to fucking wear glasses and not die (she falls over EVERYTHING), of course violet already has an appreciation for books but she has to get the definition thing down (and growing up with lemony ‘a phrase which here means’ snicket left her with a pretty unorthodox idea of word meanings sometimes

klaus: so an optimist is someone who sees a positive side in any situation, like –

violet: say, if their arm was bit off by an alligator, a pessimist would say, “ahh! my arm!” and an optimist would say, “well, this isn’t too bad, no one will wonder if i’m right or left handed now.”

klaus: ……….what sort of person is our father

violet: he’s very specific about words.)

klaus has to figure out?????? how to invent on the fly????? (he’s seen beatrice macgyver a million things together but he’s still not sure how she does it) and the two of them teach each other about their lives, beatrice and lemony, ramona and olivia and kit and dewey and bernadette

violet: bernadette is really delightful, but you need to watch out for her

klaus: well, she is six years old –

violet: no, I mean, she can appear at a moment’s notice, and I don’t know who taught her how to pick locks, because I certainly didn’t and father can’t pick locks, but she can do it in under seven seconds.

(jacques taught her how to pick locks (he also taught violet). I don’t know where vfd fits into all this or if it even does in this fanfic but like, just try and tell me these guys don’t still act like absurd spies in any universe anyway.) (also I think lockpicking is, in general, a handy life skill, even if you aren’t living the absurd spy life.)

klaus: mother is, um

klaus: a little embarrassing

violet: how so?

klaus: she once scaled a ten foot wall because I forgot my lunch.

(ramona: hey so why did becoming a parent rob you of your top-notch secrecy skills?

[not necessarily, though, I mean, she does a great job scaling the ten-foot wall in complete secrecy. bea just, has a lot of love for her son, and is VERY OBVIOUS ABOUT IT, is the thing]

beatrice: ramona have you SEEN my son

beatrice: I will take a BULLET for him

beatrice: preferably in a non-critical area so we can hang out afterwards.

beatrice: but if I have to embarrass the shit out of him to make sure he eats, I WILL)

violet: father is the same way, a little. he keeps crying on the first day of school and I don’t have the heart to break it to him that I might be too old for that.

klaus: mother calls encouraging phrases from the car, which I think she does to prevent me from walking into school too fast.

violet: you know, they really sound like they were made for each other.

(lemony and bea, like, separately, are such legit disaster parents and I love them, they love their kids so damn much.)

the last day of camp comes, and it is time for them to officially swap places – violet goes to beatrice, klaus goes to lemony!

klaus recites book themes to himself the whole plane ride to england to keep himself calm because he’s trying not to think about how worried and excited he is!!! he’s going to meet his father for the first time!! truth be told, he knows pretty much nothing about lemony, even after talking to violet!!! IT’S A LOT FOR ANY KID TO TAKE IN, to suddenly think ‘yeah this was a good plan – oh fuck’

anyway, he meets kit at the airport, because kit is there to pick up violet. (kit and violet do not have a secret handshake. they have, of course, dart-throwing contests. of course that doesn’t make sense in an airport, but whatever. that’s their thing.)

why does kit pick klaus up at the airport instead of lemony??? I mean kit is in martin’s role but she’s NOT martin, you know, she’s lemony’s sister and definitely does not wait on him, but she does drop violet off at camp anyway, although in the movie that’s to prevent elizabeth (and nick) from showing up until the kids switch for Maximum Emotional Impact, but like lemony is obviously not THAT fucking busy he can’t pick up his own daughter

I had the thought that like kit is maybe his manager (on the side, otherwise she has….god some other job)??? does that work for a writer???? i’m a writer and I don’t even know. whatever. and kit maybe scheduled a reading that day by accident months in advance and couldn’t change it, or it runs long, so she has to get violet (klaus) from the airport

(moxie is still his editor, only she lives way out of town and they send angry emails to each other all the time about his work)

also ties in with hallie’s scene where she looks at elizabeth’s vanity and says she’s super cool about the wedding dresses cause I love that scene a LOT and I want klaus to think his stupid dad’s cool!!!

kit: violet, I am all for the beginning of your teenage rebellion with this new hairstyle but I should inform you that your father may just die.

klaus: you think he won’t like it??

[read: YOU THINK HE WON’T LIKE ME]

kit: he’ll probably come around to it. he’s still at his reading, do you want to surprise him?

klaus: !!!!!!

klaus: yes!

the reading is huge. I have no damn idea what lemony writes in this au, definitely not danhan’s stuff cause it’s not his vibe, but he still writes the picture books (although there are YEARS between them irl he wrote the composer is dead and the dark for bernadette before she became, in her words, Too Old For That Sort of Thing although she still secretly really likes them and reads the dark every night before she goes to bed. bernadette, in contrast to babybea, is fucking terrified of the dark but tries to like rationalize it out by thinking through the science of light or something, and then by just rereading the dark), oh he probably like, okay so he can’t just write asoue but he probably writes some other great children’s book series with the same sort of writing style and moral discussion, and the picture books

and violet told klaus he wrote stuff and bea like…..knows he does and refuses to talk about it but reads ramona’s copies in the middle of the night (and then has to stop doing that cause it bums her out too much), but klaus has no idea about it or how good it is and he’s so impressed, sitting at the back of this giant giant theater, and klaus loves books, he loves them with all his heart, and to sit there and see his father, for the first time in his whole life, doing something that klaus thinks is so incredibly cool

klaus: wow.

okay, so, the damn relief and happiness on lemony’s face when he sees kit and klaus

has he been imagining terrible airplane accidents for the past week? weeks? MONTHS??? yes he has.

he sees them once he gets offstage and immediately runs at this child (or, at least, definitely fastwalks.) and sweeps klaus up into this giant giant hug

klaus is!!! overwhelmed by the amount of sheer unadulterated love in this hug oh no i’m crying

putting aside that he’s pretending to be violet, this is the first time he gets a hug from his father and even if lemony thinks he’s violet klaus is still the one getting the hug and it’s just, a lot, man, it’s a lot, that scene in the movie where elizabeth hugs hallie is exactly the vibe right here god it’s so fucking sweet

lemony: oh, goodness – what happened to your hair?

klaus: I – I cut it. do you –

lemony is in the process of remembering that scissors and haircuts exist, he’s a little blindsided here

lemony: no, no – haircuts are things that happen, at one time or another, to all of us.

lemony: i’m just so happy that you’re back.

he just. hugs klaus again. god I can’t handle how much lemony loves his kids. klaus is really emotional and I’M really emotional I have to move on

on the ride home (kit is still driving)

lemony: so how was it at camp?

klaus: /frantically thinking of how he’s going to pull off something violet would say now that he’s HERE and has to act like her and decides to just be honest and hope it comes out okay

klaus: I had a lot of fun; the outdoors are incredibly pulchritudinous.

lemony: /thoroughly convinced that the outdoors has finally instilled violet with a greater poetic sense

I NEVER SAID THEIR PARENTS WERE SMART EITHER

do you know how wild the plot of this movie really is, when you get down to it, parents not recognizing their kids wtf have I done

violet can act pretty passably as klaus, but klaus, even employing beatrice’s acting techniques, just can’t act. but the one who finds him out is bernadette, like half an hour after he gets home.

[you can tell what scenes originally started this outline because they’re actually written like scenes, this was one of them]

[bernadette stares at klaus with wide, curious eyes over the top of her book. “you’re not violet,” she says.

the bottom of klaus’s stomach drops clear out. “what?”

“violet doesn’t squint when she’s confused,” bernadette says. “she frowns and puts her hair up. and it’s something she’s used to doing, so even if her hair was cut, she’d still reach for a ribbon, out of habit. you’re klaus. shouldn’t you have glasses? mother says aunt beatrice wore glasses.”

“how – how did you know about me?”

bernadette rolls her eyes. “i know everything,” she says loftily, for a six year old. “i can read, after all.”]

bernadette is the best kid. so I love babybea so much but babybea in canon is like…..still very on point but very quiet about it, because she’s grown up with really so little interaction with people????? she’s like a really subdued kid because she’s had to be so independent and do so many things herself. and she’s got her firm, almost unshakable optimism. so bernadette is still very quick and clever but a LOT more precocious about it and pretty boisterous for six years old and just. even more like kit than babybea is. her optimism is a little more…..sharp in this. I don’t think she understands embarrassment, as a thing that people experience, because she sure doesn’t. she’s just like, ‘well why don’t you just try again??????’ and it’s so great to see that inherent commitment to existence in a six year old

(an important sidenote from my bernadette headcanon list, though, is that she really does just read everything. she reads cereal boxes and magazines and reports and all the papers on lemony’s desk and really just absolutely anything she can get her hands on, and she’s easily bored so she goes looking for stuff sometimes and she’s good at putting things together, so that’s how she knows about klaus.)

[“i’m not gonna tell anybody,” she says. “i wanna see what happens. uncle lemony’s kind of lonely, you know? and aunt beatrice – when they talk about her – always sounded really nice.”]

bernadette makes it her MISSION to help klaus act more like violet and cover for him as much as she can

bernadette: you need to walk different

bernadette: and hold yourself a little taller

bernadette: here, keep this wrench in your pocket, violet likes wrenches

bernadette: and this ribbon!!! she didn’t give you any????

bernadette: oh, make sure you stare off into the distance while eating and think about machines or something

klaus: how do you notice all these things???

bernadette: ?????? doesn’t everybody?????? she’s your sister, you two didn’t follow each other around to try and pin down how you act????

klaus: …..do you do that, bernadette

bernadette: regularly. I can impersonate anyone’s footsteps. except my mother’s, because I think she keeps wearing different shoes on purpose. i’ll show you sometime.

so, armed with This Random Wrench and a lot of acting details that he can’t process very well, klaus HANGS OUT WITH LEMONY

so klaus spends a lot of time in the library in lemony’s house (which also doubles as lemony’s office, it’s big enough that he and violet can take separate corners and know each other’s there but not run into each other if they don’t want to (especially good for klaus pretending to be violet because no one has to see him TOTALLY FAIL AT INVENTING)), and it has so many books and klaus is so thrilled

klaus has to try and bring up bea and find out how they met, only, DISCREETLY

[gosh this one is a lot harder without “so doesn’t designing all those wedding dresses make you think about getting married again?”, especially because the truly spectacular “f word” line doesn’t make sense with lemony but what can you do]

he probably goes up to lemony while lemony’s at his desk because klaus figures, the easiest way could be to relate to something on the desk

AS purposeful narrative coincidence LUCK WOULD HAVE IT lemony is looking for something in his desk and you know lemony keeps the most inconsequential things and has accidentally dug out his plaque for ‘one semester of cheerleader participation’

klaus, immediately thrown by this news: you were a cheerleader?

lemony: mm? oh, my, I forgot about that.

he smiles at the plaque and dusts it off and my heart is m e l t i n g

lemony: yes, in high school. I wasn’t the only boy on the team, as a matter of fact. a – a friend of mine did it with me.

klaus: why were you on the cheerleading squad?

lemony, trapped in this conversation now: well – your mother was on the soccer team. I was not what you would call athletically inclined at the time, so I joined to support her.

klaus: !!!!!!!

klaus: my – my mother?

this was a fact he did not know about beatrice, as a matter of fact

lemony, realizing that children are going to be curious about their parents and, well, okay, it’s been eleven years, I probably won’t see beatrice again (ahahahahaha.), and my child deserves to know: yes. she was very good at soccer, among other talents, although she didn’t last very long in her soccer career.

klaus: why not?

[if this man was PAYING ATTENTION he would have noticed for sure that klaus is much more straightforward than violet.]

lemony, remembering that time beatrice launched herself across the soccer field and accidentally tackled the assistant coach and dragged him through the mud: she and the coach disagreed on some of the physical aspects of the game.

klaus, dying to hear what lemony’s going to say: what was she like?

lemony, immediately remembering the details of their divorce but also a series of Shenanigans from their school days that he should never repeat to anyone, then resolving to be kind about it: very charming and resourceful.

lemony: she had a great deal of verve.

lemony: I see a lot of it in you.

klaus is touched, I’M touched, god fucking dammit

klaus resolves to leave it there and decides to dig around lemony’s desk later for other things about bea and lemony when lemony isn’t looking

which he promptly does, that night.

klaus sees his typewriter and pictures of kit and jacques and there’s probably one of ramona (in a drawer) (sorry, ramona.) and in a secret compartment in the desk is a pic of bea (maybe one of bertrand too?) (definitely one of bertrand too) and some letters from bea (klaus recognizes her handwriting)

(watch it be something like, some stupid candygram she sent him for valentine’s day that says dear lemony, [the content of this candygram has been censored by the school administration] love bea!!!!!) (bea gets detention for a week for the content of the candygram.) (the second candygram gets through but it’s only because bea writes it so thoroughly in code that the school administration, at a passing glance, cannot see how raunchy it is. but also very heartfelt. it is genuinely heartfelt.) (so of course he has some from bertrand too. because bertrand sent everyone a candygram. they’re all so friendly but so sweet and so cute and bertrand’s just breaking my heart in this whole fic I love him so much) (they’re stuff like, i’m so happy we’re friends! happy valentine’s day! i made sure this candygram doesn’t have anything that will conflict with your peanut allergy! like some fucking NERD and i’m SOBBING) (because you know bertrand was on student council and helped with the candygrams, bea and lemony were definitely not on student council)

(bea: what gets me is that they still sent it!! they censored my loving sonnet about your ass but they still sent it!!!!!!

bertrand: I guess nothing stops true love?

lemony: or, nothing stops beatrice mariner. [you’d have to kill me before I conceded to ‘beatrice kornbluth.’ anyway one of kornbluth’s pen names was mariner so that’s my compromise.])

klaus thinks the candygrams are so fucking embarrassing and also had no idea his mother was capable of such language but then again, no, she is, but he also thinks they’re charming and evidence that lemony still has feelings for beatrice, if he kept them!!

he’s, intrigued, a little concerned, but not very worried about this mysterious picture of a strange man and his own candygrams, although klaus concedes they too are very sweet.

MEANWHILE, back in california

bea is so so so so so excited to pick up klaus (not knowing it’s violet) from the airport, like she manages to sit still for most of the wait but in the last half hour she just sort of bounces around the airport and buys a series of irritating, tasteless teas (“fuck this tea is so bland yes i’m ordering another one, ramona, don’t judge me”) and reads the same newspaper over and over again and when the flight comes in she’s ECSTATIC, MY GIRL IS BOUNCING ALL OVER THE PLACE

she’s the kind of like……...vaguely silly but a little (a lot) overprotective (?) parent

like beatrice is the one SHOUTING AT THE TOP OF HER LUNGS WHEN SHE SEES HER KID CAUSE SHE’S SO THRILLED, she’s just very vocal about how much she loves….

[I actually rewrote some of bea in this (or, changed the amount of capitals I had her using) because, like, bea is delightful and charming and very smooth but she’s also got such passion for life, she loves to be delighted and she loves to laugh, and she’s so smooth and sarcastic but like!!!! I love beatrice when she’s having a good time, but I got worried that she was leaning too silly in this which. irritated me.

like, in canon I feel like she is incredibly mischievous but once she gets married and has kids, she’s still very on point and loves her kids very openly but she becomes a lot more straight-laced because she’s so intent to protect them, so much so that I think she loses a little of that mischievousness. but considering the fluctuating capacity of vfd vibes in this au, I think she is a little more…….loose in this. the other thing about bea is that her veneer of perfection is her best acting job of all time, and divorcing lemony and being a single mother and raising klaus puts a big dent in that and makes her even more determined to try and wring as much joy out of life as she can without letting people know how much she has to deal with]

violet, upon getting off the plane and seeing beatrice: oh.

beatrice: look at youuuuuuuuuu LOOK AT YOU!!! you’ve got everything??? all your limbs???? nothing broken????

she says all this while like running straight at violet and patting her down and then giving her the biggest hug of all time. violet is engulfed in this hug and!!! she thought her father gave tight hugs but this is something else

I think lemony puts a lot of warmth in his hugs but beatrice puts this endless amount of joy, along with love, into her hugs, and violet’s life up until this point has been very low-key and surrounded by adults who excel at deadpanning their dialogue so this is!!! very strange but very exciting!!! because violet herself also has this very bright enthusiasm that other people in her family don’t have the same way she does so as much as it’s so different to meet beatrice it’s really cool!!!!!

[for the record, bertrand’s hugs exude safety]

re: pierced ears

beatrice: oh, ramona and olivia are gonna be real upset.

beatrice: they definitely wanted to be involved in your first rebellious teenager act.

beatrice: then again, so did I??

violet: doesn’t that defeat the purpose of a rebellious act?

beatrice, going in for a side-hug: …...i missed that snark so much

does beatrice have a dog???? she’s really not a dog person. neither are ramona and olivia (dogs scare olivia. in fact, most things scare olivia. the toaster scares olivia. she’s so nervous and I love her.) (it’s less of a josephine fear and more of a ‘please leave me alone!!!’ sort of startled fear, is how I see it)

if there is a pet, ramona and olivia have a cat that olivia named annabelle, and she’s a sweet, all-white cat who loves cuddles. she does not even care that violet isn’t klaus. she’s just like, ‘this person has arms!! this person can cuddle.’ annabelle is the best, most chill cat. (although I headcanon that bea is allergic to cats – but that was just cause I was allergic to cats, and now that i’m not allergic to cats????? GUESS IT’S FREE REIN NOW) (anyway the cat is still ramona and olivia’s.)

so bea has to introduce klaus (violet!) to bertrand, and, oh, bea

she really has been putting this conversation off for quite some time, and she decides to just, go for it, as she’s driving violet home

beatrice: klaus, there’s, there’s someone i’d like you to meet

violet: who?

beatrice: an old friend of mine. we’ve been talking recently, and he means a great deal to me, and if you don’t like him, then that’ll be it, but – I really want him to be a part of our lives, klaus. I know it’s a big change, but I’d like you to give him a chance.

violet is REALLY, REALLY THROWN HERE because she and klaus are supposed to get their parents back together!!! this isn’t supposed to happen!!! this is supposed to be a happy ending without this NEW CHALLENGER (UNACCEPTED!!!!), how is she supposed to ask about lemony now???????

violet: oh, um

violet: well, I would like to meet him

she resolves to be HARD AND UNCOMPROMISING when she meets bertrand, but, well, then she meets bertrand fucking baudelaire. bertrand ‘sweetest man alive’ baudelaire. bertrand ‘just desperately wants to make a good impression on his fiance’s son’ baudelaire. god I love him. what a guy.

especially because bertrand really does just want to make a good impression, and he knows klaus is into geography right now so he brings this absolutely impressive atlas as a gift

not as an attempt to bribe klaus into liking him, but to show that he’s supportive of his interests!!!!

bertrand, sweetest man alive, shaking violet’s hand: i’m so excited to finally meet you!!

violet, blindsided by the sweetest man alive: oh, thank – thank you. it’s very nice to meet you too.

bertrand: I heard you were into geography, so I brought this atlas for you! I hope it’s alright.

violet, holding the biggest, heaviest atlas she’s ever seen in her life: oh. that’s very kind of you.

they spend some time looking through it because it has so many cool details

he stays for a while and then bows out gracefully because he cares so much, hello i’m dying, and then beatrice asks violet what she thought

violet: I –

violet: I liked him a lot.

beatrice: are you sure? because I swear, it’s fine, klaus, if you’re uncomfortable, it’s absolutely okay, it’s –

violet: no no! it’s fine!

[read: IT’S NOT FINE]

violet: I have this….atlas, now.

beatrice: you could kill a man with that.

violet: probably! I probably could.

beatrice: ….so it’s okay?

violet: ….it’s okay, mother.

[read: IT’S NOT OKAY BUT WHAT ELSE CAN SHE SAY HERE] [hey you know when you take out how much of an awful person meredith is you are left with a lot less humor in this situation.]

beatrice: I don’t know what I did to deserve a child like you, klaus.

cue good, squishy hug.

[personally I cannot fathom marrying someone else and having twins and raising one of them and not trying to have a relationship with your other child because you didn’t want to work things out with first spouse, but I never said I myself was smart either, in what I chose to write (I NEVER SAID I TOOK THE EASY WAY OUT)

anyway, I do think when bea says that, she thinks about it for a second

that (as far as she knows) this is klaus, she’s known him his whole life, and she had so little time with violet and maybe she would be sweet and clever too and she doesn’t know

she doesn’t know!!!!!!!

and it tears her apart for a split second that she doesn’t have everything and before she can let it eat her alive she shoves it down and forgets about it like she does with everything else and just, moves on] [time is a scary thing – if this much time has passed, what can you do? do they care? is it easier to do nothing or does that hurt more? does it even matter when both parents know their kids don’t know about their sibling or their other parent (or as far as they know at this moment)??? does that possibly make it even a little easier????] [anyway.]

because of bertrand – or, not necessarily bertrand, but more, ‘wedding shenanigans,’ but also, yeah, bertrand – violet also spends comparatively little time with beatrice

she wants to dislike him on principle, but can’t because he’s just???? so nice!!!! he talks seriously to her about her parents and about her (well, klaus) and really wants to get to know her (well, klaus) violet is begrudgingly impressed. violet thinks klaus would be really impressed too. but she’s real worried about what means for lemony and beatrice

especially since they did this not only to get their parents back together but to spend time with the opposite parent, like!!! violet has spent practically zero (0) time with bea to get to know her!!!!

so she holds off for a little bit and just genuinely hopes bertrand will somehow be less nice

this is hard, when bertrand helps bea make dinner ever night (klaus was VERY EXPLICIT that beatrice allows NO ONE in the kitchen when she’s cooking so there’s that) and he talks so damn OPENLY to violet about being a presence in her life

bertrand: klaus, I hope you don’t think i’m intruding in your life.

violet: I understand where you’re coming from when you say that but remarriage is in fact a part of life that occurs with some frequency.

[not only death and taxes, but haircuts and remarriage….]

violet: mother said you were an old friend, though?

bertrand: yes, we went to school together.

violet: if you don’t think it’s too rude of a question

violet: you strike me as the type of person who would have had a high school sweetheart and I am perhaps a little concerned that you didn’t marry my mother earlier.

inside, violet is cringing but it’s a very klaus line.

bertrand: !

bertrand: oh, well, we didn’t date each other in high school.

violet: ! you didn’t?

bertrand: no, there was –

bertrand has been. avoiding these feelings for some time. but he’s so struck by them that he has NO poker face in this situation

bertrand: – it just didn’t work out at the time, that’s all.

but fuck violet is absolutely stunned by that look on his face

she’s never seen someone look so heartbroken before and she is, concerned, but that’s mostly ignored in favor of the sheer stress of the situation

and violet does actually get kind of angry!! about bertrand being such a good person!! she starts to get really frustrated!!! like I picture this happening over, maybe a week

she hates that she can’t tie her hair back and her thoughts are all jumbled and that she has to wear glasses and she misses her dad and she loves beatrice a lot but NOTHING IS WORKING OUT LIKE SHE WANTED IT TO

and she has to wear klaus’s glasses and keeps taking them off when she’s sure no one’s looking to rub her eyes man I want to give this kid a hug

but she also wants to make her mom happy!!! fuck this is a mess

violet: he’s been – a lot kinder than I thought he would be.

beatrice: yeah, he has that effect on people.

beatrice: when we were in high school, we called him “bertrand ‘sweetest man alive’ baudelaire.”

beatrice is viscerally reminded of Being Drunk In College and tries to shrug it off

however, violet, growing up with two detail-oriented snickets, does not miss a single thing

violet: we?

beatrice: oh, you know – nicknames, nicknames stick, klaus, everybody calls everybody things!!

violet: it just sounded as if you were….

violet: /casts around for the correct grammatical term, she’s committed, but comes up with nothing because hell even I don’t know, apologies to my grammar professor from college

violet: ….using ‘we’ to mean just you and someone else and not necessarily lots of people.

beatrice is actually vaguely suspicious to hear Less Technical Grammar but chalks it up to the situation

beatrice: well, I mean, we had friends, of course – ramona and olivia!! that’s!! that’s who i’m talking about!! that’s all!!

violet remembers that ramona gave klaus his half of the wedding picture, and klaus told her what ramona said, that ramona didn’t like lemony’s hair at the time, and violet’s done the math, she knows how old lemony and bea are and that she and klaus were born not long after they left college, and with this sudden but persistent reluctance to talk about An Additional Person from high school from both bea and bertrand, violet is terribly suspicious that there could, in fact, be much more to this than she initially thought

beatrice: don’t forget, we start looking at hotels for wedding reception venues this week, okay?

violet: okay.

so, that night, violet, now alerted to the possibility that there could be a connection between bertrand and her father, and also DESPERATELY HOPING THERE IS ANYWAY BECAUSE THAT WOULD CAUSE HER SO MUCH LESS STRESS, goes digging

she grew up with bernadette for the past six years (and has also seen lemony create giant information webs to map out books), VIOLET KNOWS HOW TO GET INFORMATION AND PUT IT TOGETHER

she starts looking for yearbooks – they all went to the same school, for years, they have to be somewhere, but violet can’t find anything in the library, or ramona’s studio, or olivia’s office, or beatrice’s hiding place (the kitchen), and then looks through their desks for papers or plaques or photographs or anything that could give her a hint (nope)

if there is one thing she’s learned from bernadette, but also her father, it’s that the best place to hide something is usually in plain sight, which leads violet back to the library, pulling out boring-looking books to see if anything is stored behind them or in them (still nope)

this leads to violet CLIMBING THE BOOKCASES to reach the top shelf because adults are taller than her and put things on high shelves

and lo and behold, there it is, the senior year yearbook.

violet has a HEART-STOPPING MOMENT in the downward climb (which she’s doing one-handed anyway) where she almost steps on annabelle who she hadn’t realized was sleeping on a shelf and violet is TERRIFIED but annabelle, chillest cat in the world™, just yawns at her and picks a different shelf

annabelle is no sammy.

so, curled up in a library chair, violet finds not only pictures of beatrice and bertrand and lemony in the yearbook, but also a giant section of papers that fold out from the back cover where apparently lemony had more than the average length of a yearbook comment to say to her

violet, vaguely skimming this hardcore romantic comment, incredibly used to her father’s verbosity: yes that sounds about right.

and she finds a (significantly smaller but still lengthy and painfully heartfelt) signature from bertrand nearby, that definitely reads as a guy in love

but she’s still not sure how they feel about each other now, like a few yearbook signatures are no indication of how a person feels over eleven years later, so she’s still nervous about this and decides to sleep on it

this takes the whole night, violet is exhausted in the morning

now re: chessy unpacking hallie’s (annie’s) suitcase in the movie, it’s not that ramona did the same, but when doing the laundry earlier she did notice this weird amount of ribbons stuck in the lint filter/in pockets/pant legs/sleeves

and she barely even thinks anything of it at first and asks olivia and olivia has no clue and she’s not asking beatrice because beatrice has so much on her mind and ramona’s like ‘….hmmm,’ and goes to talk to klaus (violet)

ramona: hey klaus, I keep finding ribbons everywhere and I just wondered –

violet, in the process of running her hand through her hair cause she’s tired and processing a lot and misses being able to tie it: /JUMPS

violet: oh

violet: bookmarks, i’ve been using them as bookmarks

[actually violet has a million ribbons because lemony never wanted her to be without one, and it was so natural for violet to bring them with her she just legit forgot she wasn’t supposed to have them, like hallie with cuppy]

ramona, vaguely concerned: ….yeah, your mother used to do that

ramona: anything wrong with your hair?

violet: oh, no, not at all!

ramona: everything….going okay?

violet: yes, absolutely!

[the thing about violet acting as klaus though is that she can get like his speech patterns down but her own natural cheeriness still shows through in the places where klaus is in general quieter]

this is gonna get discussed right after this but ramona knows violet ties her hair up to focus because lemony told her in a letter, years ago

so ramona frowns and walks over to her and ties her bangs back with one of the ribbons, and violet just so visibly relaxes

ramona, incredibly emotional: oh

ramona: violet?

violet: ….yes.

ramona: so I can’t necessarily abide by breaking up a marriage but HECK YEAH i’m down for helping you reunite them. beatrice got me in the divorce and it’s very irritating just writing to lemony, which he actually hasn’t done for a while, now that I think about it.

violet: why don’t you just visit him? i’m sure he’d love to see you.

ramona: he makes me send the letters to a post office box. I do not know that man’s address.

violet: ……...that sounds about right.

(bea still does not find out until the hotel shenanigans, though.)

(I love ‘beatrice got me in the divorce’ like that’s fucking hilarious, cause I picture ramona as lemony and bea’s best friend so when they aren’t together it’s like…...well, what happens to ramona???? WHO DOES RAMONA HANG OUT WITH?? WHO GETS CUSTODY OF RAMONA)

(but also like, wtf lemony and ramona write to each other and bea never finds out???? I mean ramona was their best friend so like yes I think they do keep in contact but then does ramona never tell lemony about klaus????? and for them to write to each other and ramona to get these letters and BEA IS IN THE SAME HOUSE??????? I can’t tell if this is just angsty or poor thinking through on my part

but like ramona has to know for the reveal scene here to work out right, otherwise she’d never guess specifically violet

unless I rewrite the scene, but? nope. i’m committed to this ribbon reveal. I like it a lot. fuck it.

THIS WAS WHY I TOOK OUT BERTRAND AND OLIVIA AS CUTE PEN PALS auuuuuggggggg

I don’t know I mean. it is weird and stretching this (already shenanigans-filled) fic a little but. I don’t think it’s the WORST illogical thing I can stick in here. and they are friends, they can write to each other, just, yeah, probably not a lot and they actually probably don’t talk about the kids a lot, cause then lemony would know about both kids and since r wouldn’t tell bea she was writing to lemony bea wouldn’t know anything at all about violet and THAT’S what’s not good (although r telling lemony about klaus is cute i’m gonna have to nix it here. no can do.), so yeah r probs never brings up klaus and lemony rarely brings up violet, he probably only mentions the ribbon thing back when she was really really young because of how much it reminded him of bea and lemony was One Sad Man in his twenties trying to cope with the emotional reality of raising a child that reminded him of his wife and needed to tell someone

that is a lot of weight on ramona though and she doesn’t say anything but lemony apologizes for bringing it up in the next letter anyway and actually after that they probably talk a lot less cause it’s hard on both of them)

(writing is hard! writing is hard.)

ramona: so what’s your plan now?

violet: first, I have to make a phone call.

VIOLET CALLS KLAUS, keeping in mind the concept of time zones a little bit better than hallie and annie

violet: so, it turns out that mother is engaged????

klaus: engaged????? to who?????

violet: this man named bertrand, and, honestly, klaus, he’s such a nice person, he brought me, well he brought you, an atlas –

klaus: oh. that is very nice.

violet: it’s the sort of atlas you could probably use to incapacitate a reasonably-sized adult.

klaus: wow.

violet: and mother said that apparently she knew him when she was younger, and they get along so well, but –

klaus, remembering the picture he found with the extra candygrams: wait

klaus: is he sort of tall, and thin, and blonde

klaus: and sort of, idly optimistic

violet: yes! although I would say more….calmly steadfast

klaus: hmmm

klaus, trying to describe bertrand’s facial expression in this picture: disarmingly kind?

violet: humorously honest?

klaus: I think father has a picture of him in his desk!

violet: !!!!

[myth: confirmed!]

klaus: and some notes from high school from mother and him!

violet: !!! klaus, based on some other things i’ve found, I think all of them might have had feelings for each other.

klaus: !! that makes a considerable amount of sense here. if they all still do, that could make this much easier.

violet: but we won’t know for sure unless –

bernadette: who are you two talking about???

klaus: BERNADETTE

violet: bernadette, are you on the extension again

bernadette: well why wouldn’t I be?

bernadette: it sounds like you guys are talking about bertrand.

violet: how do you know who bertrand is?

bernadette: dad talks about him all the time???

bernadette: well, not when uncle lemony’s around

bernadette: he sent dad that book of poetry that mom immediately burned

bernadette: the elephant guy?

violet: …….oh, now that you mention it! that’s right!

klaus: wait why did your mother burn the book

violet: aunt kit has very little patience for certain poetry.

klaus: she doesn’t like john godfrey saxe??

violet: it’s a big deal, it’s best not to get into it.

violet: look, I think what we need to do is get everyone together and sort this all out.

violet: we’re scouting hotels this week for the reception, you can come here and meet up with us at one of them!

MEANWHILE, kit finds bernadette on the extension, for an honestly longer than usual length of time (bernadette does eavesdrop regularly), and also klaus on the phone in general (and violet rarely uses the phone, like, as a phone. usually she’s taking the phone apart), and really, nothing gets past kit fucking snicket. (you know kit denouement does have a great fucking ring to it, but as I said before, just try and tell me she didn’t insist on keeping her maiden name when she got married.)

so she goes and finds klaus and hears the end of the above conversation and is like ‘oh shit, they totally switched on lemony and bea, what badass kids’

[what if she tries to corner bernadette first

kit: bernadette, I didn’t know you knew anyone to call on the phone.

bernadette, without missing a fucking beat: I called the international operator to ask about time zones, but she caught me up in a conversation about soap operas and whether or not their use of sudden death is considered theatrically cathartic or not.

bernadette: I told her it happens way too often for it to be cathartic.

kit is too impressed to counter her. kit loves her daughter so fucking much.]

so then she sort of shows up in klaus’s doorway when he goes to leave the room after the phone call, arms crossed over her chest

kit: is there something you’d like to talk about?

kit can be outrageously intimidating but kit is also, actually, a pretty good parent

kit, significantly more gently: just between you and me, klaus.

klaus: …..maybe.

kit: come on, let’s go for a walk. you can tell me all about it.

klaus: it’s a long story.

kit: well, good, I like long stories.

klaus: are you going to tell father?

kit: don’t you think you should tell him?

klaus: do you think he’ll be upset?

kit: oh, not at all. more with himself than you, anyway. once, violet was responsible for wiping out the electricity of the whole city, and he gave her two slices of cake for dessert and said he should’ve bought more books on electrical wiring.

lemony is appropriately concerned and horrified and thrilled to see his son, like, oh my god, but the moment is taken over by the urgency of the situation because klaus says he has something to tell all of them that cannot wait

[forgive me for not writing that one out.]

klaus: so it seems like mother is getting married

lemony: oh

lemony: well

lemony: like haircuts, marriage – marriage comes to all of us, at some point –

klaus: to bertrand?

kit, lemony, and dewey: /STUNNED, DEAD SILENCE

kit: oh my.

dewey: what are the odds?

lemony: I think I can die now. I believe i’m ready.

bernadette: why don’t you just go see them and work this all out???

lemony: bernadette, I don’t know if life works like that.

bernadette: uncle lemony, you’re going to ruin all my bright-eyed optimism.

dewey: sometimes I think I didn’t have anything to do with you at all, bernadette. I think you just sprang, fully-formed, from your mother’s head.

kit: don’t be vulgar, dewey. ….thank you, though.

kit: but really I don’t see any other way to sort this out than by going to see beatrice and bertrand.

[this was one of the very first conversations I wrote for this and I am still very attached to it, even though I find dewey so hard to write, I haven’t yet figured out how I think he functions with these guys, especially kit, which I should maybe have done sooner but, what can you do.]

[also I feel like it just makes more sense in this for them to KNOW bea is engaged]

[I’m putting this in here because honestly……….in the movie once elizabeth realizes the switch she does not spend nearly enough time hugging hallie constantly or getting to know her, I get that seeing your ex-husband for the first time in eleven years is A Lot but YOUR DAUGHTER WHO YOU HAVEN’T SEEN IN ELEVEN YEARS AS WELL IS RIGHT FUCKING THERE] [also makes up for not writing klaus revealing himself as klaus, i’m so sorry.]

lemony: klaus?

klaus: ?

lemony: I – please don’t think that I didn’t love you. because I do, and I have thought about you every second of every day, I promise you. and there are many things that I should have done as your father, and many things that I cannot make up to you, but I want you to know that whatever happens with this, I have always loved you. and I am sorry.

so i’ve always pictured that klaus (besides looking reasonably like bea anyway, in any universe) gets angry like she does, and bea gets that sort of like, quiet cool hatred that turns into full-blown shouting really quickly and she will pull no punches and just fucking give it to you!!!!! and klaus has some sort of version of that and like look I put a lot of thought into ‘adult problems fucking over small children as those adults fervently avoid those problems’ when I wrote babybea so like

man, of course klaus can be angry at his parents for like???? never trying to work things out???? this is the first time in almost ten years he’s seen his father and his sister and he has an aunt and an uncle (and another uncle he hasn’t even seen!) and a cousin he never knew about because of lemony and bea being stubborn and stupid and recklessly young!!!!! I think violet is honestly less mad about it (well, she gets a little mad about it later on, but like, being raised by lemony, she has this weird way of trying to rationalize things while feeling really guilty about it, but that’s scenes away from right here – or she just? maybe internalizes it more.) but klaus is like, he’s not totally angry but like, as himself, face to face with lemony, lemony talking to him like a parent and about klaus and not about bea or violet or shenanigans or anything, like, yeah, he’s a little angry that it’s just….taken this long and that lemony and bea are so stupid

klaus is an angry crier. and an angry hugger. so that’s what he does.

like it’s hard to suddenly have a relationship with a family member whose never….been that to you before or made themselves available like that or just generally been there at all, and as much as I want them all having a good time, bea and lemony have some shit to work out with their kids

THEY HAVE A GOOD HUG, IS THE POINT

and I want to say that like they spend some time together after this and…….yeah they probs do it’s just gonna be weird re: the previous paragraph so…….maybe they just sit around and read and occasionally point things out to each other, that sounds chill and legit, doesn’t ask a lot of either of them

SO, that brings us to, later that night, when lemony can Officially Panic

kit: so

kit: you seem a little tense, brother mine.

lemony: I am NOT going to break up a marriage between two loving people who care about each other and happen to have incredibly pleasant facial features and are two people I myself still care about a great deal despite not having seen either of them for a lengthy amount of time

lemony: we’re only going to switch the children back, and I will talk to beatrice, about something, and I don’t have to say anything at all to bertrand, and that’s going to be it. that’s all. nothing beyond that.

kit: that would be a more powerful statement if you weren’t packing every single fancy tie you own.

lemony: really.

lemony: we’re not going to think any more into this.

lemony: that’s all we’re going to do.

lemony: which tie should I wear?

kit: well, definitely don’t pick one of the ones you’re strangling in a death grip.

(hey, where is jacques in this??????????? wish I knew)

(he’s probably regularly out of town, maybe he happens to call home and bernadette is the one to pick up the phone and she’s like “we’re going to see aunt beatrice, I think we’ll be back in a week or something?” and then immediately hangs up because dewey calls her for something, and jacques is left, miles and miles away, standing in a phone booth and wondering if, perhaps, he should maybe visit his siblings more often so they don’t go tearing off to california

jacques: kit what the hell is going on

kit: what, didn’t bernadette tell you?

lemony: ask him what tie I should wear

kit: we’re embarking on the adventure of a lifetime, jacques, it’s your own fault that you decided to go out of town this weekend, I really don’t know what to tell you

lemony: ask him what tie I should wear

kit: /sighs

kit: what tie should your brother wear

jacques: the one with the single blue stripe, it brings out his eyes, what are you two doing

kit: really, jacques, you need to pay more attention

kit: lemony, he says the one with the blue stripe

lemony: oh, good. tell him he’s a lifesaver.

kit: lemony says you’re a lifesaver, although I have yet to see real proof of this, however I will consider changing my mind if you happen to bring me a souvenir. please remember that I could use a new set of nice, engraved fountain pens. also our plane is leaving soon and we need to pack, so bye, loser

jacques: ………………….

jacques: what did I do to deserve this)

(jacques, in any universe, is eternally pained by his siblings)

this being a rehearsal dinner brings it very close to, you know, an actual wedding date, and the thing is, I have planned a completely different wedding-related fic, weddings are EXPENSIVE AND, YOU KNOW, TIME-CONSUMING, PLANNED IN ADVANCE, ALL THAT SHIT

but the whole reason there’s a wedding in the parent trap in general is because, if meredith and nick are just dating, there’s no commitment, marriage means COMMITMENT and A TIME CONSTRAINT and meredith wants his fucking money

so yeah bea and bertrand ARE engaged and planning to get married and plans have happened but the idea of this being so close to the rehearsal dinner makes me sad about all those ‘yeah i’m gonna have to cancel’ phone calls someone is gonna have to make, which is, well, pretty silly, but still, I Hate feeling uncomfortable esp when reading things like that (or even just, thinking of them in advance)

and that is why they are scouting hotels for the reception. (don’t ask me where the denouement is. I do not know.)

so bea + co get to the hotel first, and the only people who know lemony + co will be there are violet and ramona

ramona, hanging back to talk to violet while bea and bertrand and olivia (she has a good eye for decorating.) go ahead: do you know what you’re going to do?

violet: well, I thought maybe we would just

violet: all bump into each other?

violet: and go from there??

ramona thinks that’s an exceptionally courageous take on this and that, yep that girl sure is bea’s daughter

[yeah bea still has NO IDEA ANY OF THIS IS HAPPENING ramona is A+ at keeping secrets

meanwhile, sometime later-

olivia: you didn’t tell me?????

ramona: olivia, I love you dearly but you can’t keep a secret to save your life

[oh, yikes, re: legit asoue canon]

olivia: ……..okay, you have a point.]

it is at this moment that lemony + co arrive, and bertrand, who had backtracked for a moment because he realized he dropped a pen, immediately runs into dewey, who had stopped near the door to examine the hotel brochures and ambiance in more detail (you can take the boy out of the hotel but you can’t take the hotel out of the boy)

[based on penultimate peril, I always thought bertrand and dewey were very good friends and had bonded over absurd poetry, and, of course, based on kit burning the poetry book, are still in contact – there’s much less of a sense of forced distance between bertrand and dewey, because dewey’s just lemony’s brother-in-law and bertrand was friends with dewey first so they’re still good friends but like most adults they have a hard time committing to keeping in contact regularly especially with the distance and haven’t physically seen each other for some time]

so they bump into each other –

bertrand: dewey!!

bertrand: it’s been ages, what are you doing here, how are you!!!

[dewey denouement, much in the way that olivia caliban can’t keep a fucking secret, cannot fucking lie.]

dewey: oh, um

dewey: you know

dewey: hotel conference!!

dewey: kit wanted to travel!!!!

dewey: we’re traveling FOR a hotel conference!!!

dewey: WHAT DO YOU THINK OF THESE CURTAINS, BERTRAND

bertrand: ……..dewey, you’ve never been very good at lying.

dewey: no, no I really haven’t.

dewey: forgive me for everything, bertrand.

bertrand: you might have to be a little more specific.

beatrice: bertrand, have you – dewey??

dewey: oh no

beatrice, remembering dewey and kit are married, suddenly battling sheer terror the likes of which she has never experienced: how….how are you

dewey: I could be better. I could definitely be better.

beatrice: is kit here?

bertrand: I believe they’re here to look at the curtains.

dewey: we’re definitely here to look at curtains.

beatrice: ….they don’t have curtains in england

dewey, grasping at straws: not….like these….?

MEANWHILE back at the ranch, lemony backtracks outside because he dropped a pen, narrowly missing three adults awkwardly talking about curtains

olivia: beatrice, we’ll be late for the wine tasting if we don’t go soon.

beatrice: oh – well, dewey, it was….nice to see you

dewey: please, go enjoy your wine.

bertrand: /waves good-bye!!!!

klaus and bernadette, hiding behind a nearby ficus, because bernadette thinks fast and has her own specific idea about how this should go and it doesn’t involve her relatives meeting again because of her father talking about curtains: wow.

violet: /narrowly avoids getting swept up into the wine tasting, darts for the elevator to try and locate klaus + co

MEANWHILE back at the ranch, upstairs, in their hotel room

lemony: why did I think I could do this

lemony: how do I approach a couple here to scout locations for a wedding reception?

kit: ….you approach them

dewey: don’t talk about curtains, maybe.

lemony: i’m not – dewey, what do curtains have to do with this?

dewey: trust me, just don’t talk about them.

there is a knock at the door. lemony has seen death. this is it, for him.

anyway, it’s violet.

klaus: violet!

violet: klaus!

awkward sibling hug sincere sibling hug!!

violet: klaus, please take your glasses back.

klaus: oh, thank you. my spare pair just doesn’t feel the same as these.

lemony: violet!

now, seeing the two of them together, he can absolutely tell the difference between them. ain’t that just the way.

lemony hugs his daughter like she’s going to disappear right out of his arms and then hugs klaus for good measure and he has to try and ignore the true roller coaster of emotions that puts him through and then tries to look very stern.

lemony: i’m not disappointed in the two of you but I cannot believe you switched on your mother and me. that was very….

lemony is not good at being angry at his children, he has no real concept of it.

lemony: ….clever. it was very clever.

violet and klaus are very proud but find it in themselves to try and look a little chagrined. they don’t do it very well.

violet: father, you really need to talk to mother.

klaus: and bertrand.

lemony: both of you know about bertrand??

klaus: you and mother are very transparent about him.

MEANWHILE back at the ranch, at the wine tasting

ramona: what do you think?

beatrice and bertrand, equally lost in thought about the presence of dewey, the implied presence of kit, and the possibility of the presence of lemony: hm??

bertrand: oh, yes

beatrice: wine

beatrice: /downs entire glass

beatrice: /sets down glass

beatrice: not that one.

bertrand, who has been holding the same glass for the past twenty minutes and has no idea which wine that even was: definitely not.

MEANWHILE back. at. the. ranch.

lemony’s children have such boundless courage (I have hurt myself so many times while writing this fanfic with the occasional too-on-point line and this in particular wounds me these kids are so strong and so important and won’t take no for an answer compared to their parents and get the chance to get their parents to FIX THINGS and oh no i’m gonna cry) and have dragged him downstairs to the lobby, with the INTENTION of having him run into bea and bertrand

lemony: this is not going to work out –

violet: nonsense!

klaus: it’s going to work perfectly.

meanwhile, bea and bertrand leave the wine tasting

bertrand: ….did we come to a conclusion, about the wine?

beatrice: no, I don’t think so.

bertrand stops by the bathroom to wash his hands for something to do as he’s consumed with thoughts (not about wine), beatrice is in a daze as she goes through the lobby, violet notices her but sees she’s not with bertrand and decides she has to stall

violet, rushing over, purposely trying to block beatrice’s view with varying success: mother, how was the wine tasting?

beatrice: oh, it was –

did you remember violet gave klaus his glasses back?

beatrice: klaus, what happened to your –

and, well.

beatrice looks at her so hard and processes kit and dewey being here and then it fucking hits her like (forgive me. forgive me so hard.) a harpoon to the chest

beatrice: ….violet?

violet: yes.

beatrice: but – how –

klaus, appearing next to her: it’s a truly fascinating chain of events we’d like to tell you, but –

hey! beatrice is stunned and horrified! and grabs her daughter into a hug, knowing now that it’s her daughter and has been this whole time and!!!! she feels so awful with herself for not noticing but is also trying to not make a big deal out of it and startle violet by sobbing uncontrollably on her shoulder but beatrice is simultaneously devastated and filled with so much love and she’s for sure going to break apart now

beatrice: and klaus –

she’s hugging them both now, it’s very good.

beatrice, in tears: you two are lucky you’re so cute

violet: mother, there’s someone we’d very much like you to talk to.

beatrice knows somewhere in the back of her mind that it’s lemony but is also not even thinking of lemony because, her children

klaus: /tries to wave lemony over

lemony: /trying and failing to hide behind a ficus, have you seen a ficus, have you seen lemony

violet: /ALSO WAVING

beatrice can’t miss that for the world.

beatrice, while turning around: what are you two –

imagine, if you will, lemony snicket trying to hide behind a potted ficus that hits about mid-chest.

also imagine, if you will, two people who divorced over eleven years ago, still have too many feelings about each other, split up their children for their stupidity, have been trying to avoid the knowledge that both of them are there for the past hour, and are now confronted with the reality of their lives right in front of them

…….besides the ficus.

lemony, stepping out from behind the ficus: hello, bea.

this is a headcanon i’ve long held, since I first started writing asoue fanfic, but, bertrand and lemony say ‘bea’ differently, especially in canon, like particularly in canon, so it’s like less so here but lemony still says her name with so much love, and bertrand says it with love too but lemony has known beatrice for so so long and here they are after years apart and here he is saying her name again, and he never ever ever expected to say it like that again, he never even DREAMED of saying it to her again, but it’s real

beatrice: lemony snicket.

violet: as nice as this is for us –

klaus: – we’re going to allow you three the time you need to discuss assorted events.

at this moment (of course), bertrand reemerges.

bertrand: bea, I –

he sees violet and klaus rushing off, looking delighted, and bea and lemony standing there still trying to process words, and then there’s bertrand, frantically thinking ‘abort mission, ABORT MISSION’

because. the way they turn and look at him, in tandem, like they did all the time in high school, immediately makes bertrand feel like they’re there, back in high school, back at prom, here’s the two absolute loves of his life standing in front of him and bertrand is filled with delight but also fear because, here it is, they all have to deal with it now

(all of them are thinking that, the three of them, standing there, there is not a single trace of jealously but instead there is so much love and regret and it’s, heart-wrenching)

and here is where he loses all his Chill™.

bertrand: you know what, i’m gonna – go –

bertrand: /trips over a chair

lemony: oh –

beatrice: bertrand!

bertrand: totally fine, still alive, i’m – they have such a nice gift shop, you know, i’m – i’ll be there

bertrand: /high-tails it practically out of existence

beatrice and lemony: ….

lemony: he – he still has a very nice running form.

beatrice: yeah, I think so.

lemony: well, bea

lemony: or does everyone call you beatrice now?

beatrice: no, no, bea – bea is fine. bertrand still calls me bea.

[beatrice starts to laugh. “it’s – man, it’s funny, isn’t it?”

lemony smiles at her. “what is?”

“i’m going to marry your high school crush,” beatrice giggles, “who’s still – still in love with you.” she stops. “you know, that’s actually really not as funny as it sounded in my head,” she says, frowning.]

they have dinner!!! and talk. about. stuff. do violet and klaus recreate the night lemony and bea met or the wedding or something????? idk honestly. like at least they didn’t get married UPON MEETING I MEAN LIKE COME ON (although somehow that is very them, but, come on, this backstory is good and solid and I love characters that grow)

maybe they just pool their allowances and give their parents a banging night out (which is pretty much just. dinner.)

beatrice: I see that cut on your forehead healed up nice

lemony: yes, anna karenina left very little lasting damage –

both: – except to anna karenina.

they pause, and then just, fucking burst out laughing, this is a horrible old joke for them that they made up when they were in school because anna karenina was the biggest book either of them owned (neither of them were particularly interested in war and peace) but was somehow sort of light and if you dropped it it really didn’t do much damage, which they thought was funny re: the size of the book and the subject matter

beatrice throws it at lemony during the fight that ends with their divorce and it’s the first time it actually hurts something

lemony: so, how is bertrand

lemony: I don’t think i’ve seen him since – well, since before the twins were born.

beatrice: oh, he’s – he’s doing really, really well. he’s a librarian, and – we keep joking about how many more books klaus and I will be able to read. lemony, he’s got the magazine editions of hammett –

lemony: w h a t

lemony: does he even have the –

beatrice: yep. he has the unfinished story. i’ve seen it.

lemony: I knew I liked that man for a reason

THERE IS SUCH A WEIGHTY PAUSE.

lemony: that is, hammett, obviously. I mean, the continental op is one of the quintessential fictional detectives, and hammett’s novels –

beatrice: you did like him, didn’t you

beatrice: when we were in school, you looked at him the same way you looked at me.

lemony: oh, no

lemony: I looked at you with a rapt adoration and I looked at bertrand like he was a puzzle I couldn’t solve. I have that on good authority from my sister.

beatrice: oh, right, right.

lemony: ….but I did, didn’t I. I did like him very much.

lemony: I don’t think anyone disliked him.

beatrice: that wasn’t quite what I asked, lemony.

lemony: ….what do you want me to say, bea? that I saw him there, with you, and couldn’t even find it in me to be jealous because the sight of you two together made me so unbelievably happy that I forgot how to breathe? that I – that I wondered, for a moment, if, twelve years later, we could – if I –

lemony: ….i don’t believe this conversation is supposed to be about bertrand.

beatrice: …….no, I – I suppose not.

lemony: that day, when you asked me to leave –

beatrice: you mean when I shouted at you to leave.

lemony: I was trying to be kind.

beatrice: lemony, I for sure shouted at you.

lemony: no, bea, I – I thought things would be better if I left. if you didn’t have to put up with me, because you clearly didn’t want to. and I didn’t make it easy for you, back then. there were many things I overlooked about both of us, things I hid from both of us, things I should have talked about with you. and I didn’t.

beatrice: ….oh.

lemony: I thought that loving the person that I wanted you to be was enough for the person that I wanted to be. obviously, it wasn’t, because you asked me to leave and I left. I never even looked back.

beatrice: ….lemony, I don’t think anything would’ve been enough for either of us. I asked a lot of you, too. I didn’t want you to see anything bad about me, and you didn’t, but the longer we were like that, the more I just – the more I really hated you for it. you just saw what you wanted to. and, well, what I wanted you to. I think I kind of hated me, too.

beatrice: sometimes, I think, what would’ve happened if we’d stayed together and I don’t know if I like that either. not that it was – okay, what we did. because it wasn’t. and we might’ve changed or we might’ve fucked up even worse, I don’t know, and i’ll never know.

beatrice: but lemony, seeing her now, I regret every single second I haven’t spent with her because of it.

lemony: I know.

beatrice, who’s a little angry cause she hates when lemony says that to her and her temper gets away from her: do you?

lemony, who’s just regretting all his life choices and knows he fully deserves beatrice’s ire: ….i’ve missed so much of his life.

beatrice, voice breaking: ….yeah.

man, these are some really miserable parents.

beatrice: we should – I don’t know, you know, what we’re gonna do, with – us – but we should – they, they should see each other. we can’t do that to them again.

lemony: I agree.

beatrice: you know, we have some pretty clever kids. I would never – okay, maybe, but I don’t know – have had the balls to switch places with someone on the other side of the world.

lemony: we do, don’t we?

lemony: I know we didn’t do a great deal right, but, maybe we did, with them.

beatrice: ….yeah, maybe we did.

beatrice: not every day two people have kids like ours.

lemony: …….can I be honest with you, bea?

beatrice: …okay.

lemony: i’m glad they switched places. i’m – i’m glad I got to see you. and bertrand. and you.

beatrice: i’m glad you came, lemony.

[all these conversations starring two people steadfastly trying to avoid that they are still in love with each other but also trying to really acknowledging they have Real Problems, brought to you by one (1) woman struggling to get two characters to talk about their problems but also the idea of introducing a third person into their already rocky relationship, don’t mind me just casually dying over here, this was harder than I thought]

beatrice, feeling the weight of this conversation and knowing they done fucked up in the past but also desperately wishing she and lemony could go back to where they were before only better and just trying to figure out where they’re gonna go from here, girl’s doing her best here, and you know what, so am i: so, um

beatrice: fuck, marry, kill

beatrice: continental op, nick charles, sam spade.

lemony, going through incredibly similar emotions: ….

lemony: do you want me to give my virtue to one man and then marry another

beatrice: why do you always take this game so literally

beatrie: I am banging nick charles, but I am marrying the continental op for job stability, and I am killing sam spade where he stands

lemony: bea, no, you can’t just kill sam spade like that

lemony: how about, I take the continental op to dinner, I have a pleasant night with nick charles –

beatrice: I like that we’d both fuck william powell.

lemony: we’ve both seen william powell. no one wouldn’t.

lemony: but sam spade, though, I don’t think it’s so clear cut as all that –

they’ve really!! grown a lot!! they’re really trying to talk this out!!! a little, at least!!! be adults!!!! talk like they didn’t eleven years ago!!!!!! they’re so stupid and they’re trying so hard!!!! my kids………….

this is definitely not the only conversation they’re gonna have about this, like it’s Good that they’ve said this but there’s. a lot more they need to talk about and will probably talk about, just not right now

anyway, LATER –

the continuing saga of two people Not Talking and then Talking About Certain Things and then Inadvertently Talking About The Things They Didn’t Want To And Not Quite Realizing It

lemony: at the hotel

lemony: you, ah, said something about bertrand

beatrice: !!!!

beatrice: ooo, we are talking about him, hmm?

lemony: bea.

beatrice: fine, fine. yes, that he’s still in love with you.

lemony: is he really?

beatrice: I think he is.

beatrice: you still didn’t really answer me before, when I asked if you still felt the same about him.

lemony: ….does it matter, if you’re going to marry him?

beatrice: of course it matters! i’m not – i’m not marrying bertrand to, prove a point or anything, or – say I like him better than you, I – i’m marrying him because I, I love him, but I don’t – that’s not all there is to this.

beatrice: I mean, we didn’t get divorced because of bertrand, that was all on us, but – seeing both of you, sometimes I feel like – maybe – we – maybe we could’ve made it work. not if we had bertrand, but with him. now.

beatrice: and, and that’s a lot, to ask you – I know – it’s a lot to ask both of us, especially after everything, but – do you?

lemony: ….bea.

beatrice: lemony.

lemony: ….i feel that, in the interest of the past eleven years, we should perhaps talk to him before I make a concrete decision about that personal feeling.

beatrice: well, that’s – that’s a wise choice.

they are, quiet, for a while

it’s a lot to think about, you know?? there’s a lot to this

lemony: …….but I think I do.

beatrice: you think you do?

lemony: I think I do.

beatrice: I think I do, too.

there is a little more silence because they’re like ‘!!!!! well that’s SOMETHING REALLY BIG TO THINK ABOUT’ especially because they haven’t like totally committed back to a relationship with each other and there is!! still!!! so!! much!!!! but, they’re thinking about it now, and they’re, sort of floaty-happy because it’s like, wow, wow, this is a possibility, they can

maybe

push it, a little, and see what happens, maybe maybe

lemony: well, you should, you are marrying him.

beatrice: shhh, you are ruining the rhythm.

lemony: I think –

beatrice: you think?

lemony: it’s been known to happen.

beatrice: mmm, I don’t think so

[it’s hard to tell because there’s generally very little concept of outside action/feelings when getting down scenes this way but these few lines are supposed to be v cute and soft and just the tiniest bit flirty]

lemony: trust me, I have had many a thought.

beatrice: well, I think –

lemony: you think, now, do you

beatrice: I do indeed, lemony snicket.

[god. lemony wants to kiss her so fucking bad. beatrice wants to keep teasing him until he does kiss her. they’re very close. he just. smooths her hair behind her ear and takes a step back.]

lemony: I think we should talk to bertrand.

beatrice: yeah. we should. we should probably do that.

MEANWHILE.

I want bertrand to bond with these kids with all my heart so that’s what fucking happens while bea and lemony are dealing with their problems

they play a rousing game of scrabble. it’s usually a game I give the snicket siblings because of their vicious playing styles (which is just based on me and my brother playing scrabble) BUT I love scrabble a lot and I think it’s super cute if bertrand hangs out with violet and klaus and they play board games, it’s distressingly endearing to me, violet trying to sneak in names of inventors on the board and klaus being insistent on following the rules of the game and bertrand trying to come up with a sufficient compromise

bertrand: okay, so, last names are allowed, but only if you can also include the first initial, initialisms by themselves are not allowed, and foreign words and phrases are on a case-by-case basis, providing I can translate it and you’re not trying to put down something inappropriate.

klaus: what about scientific names?? can I put down binomial nomenclature

violet: hey how do you spell binomial

klaus: b-i-n-o-m-i-a-l

violet: oh, how neat.

violet: /puts it down on the scrabble board

klaus: ….

violet: :)

bertrand: it looks like you can put down binomial nomenclature.

bertrand: but yes, I will allow actual nomenclature, klaus.

klaus is deathly quiet for the next few turns until he manages to put down nomenclature. (which I think is achievable, with enough luck.)

klaus: actual. nomenclature.

violet: so that’s how it’s gonna be, huh

bertrand: okay, references to previous conversations are no longer allowed, let’s try this again

eventually they stop playing the damn game and come up with their own wildly specific set of rules for playing scrabble, and bea and lemony come back to a lot of paper and a lot of scrabble tiles and violet and klaus sitting on either side of bertrand on the couch, helping him write this rule list

and bea and lemony want to comment about how they’re not even playing scrabble, but watching bertrand interact with their kids and be so soft and patient with them is the most distressingly heartwarming thing they’ve seen in a long time

they both have the immediate thought of ‘holy fuck I wanna kiss that man,’ which is followed by ‘holy f u c k maybe a relationship between all of us could work’

lemony: bertrand.

bertrand: ?

lemony: could we talk?

there is no camping trip! instead we got NEARBY HOTEL SHENANIGANS and THREE PEOPLE ON A DATE AT A LOCAL FAIR, TRYING TO FEEL THINGS OUT

imagine your average carnival-fair sort of thing with Rides and Games and Absurd Amounts of Cotton Candy and That Super Salty But Still Real Good Popcorn

bertrand and lemony arrive first and bea specifically gets there late so bertrand and lemony can actually talk, because honestly this is the only time I can see in all this that these two would be able to talk to each other uninterrupted

and they all know they’re there for the weirdest date ever but bertrand still feels the need to clear the air

bertrand: lemony, I don’t want you to think that I was waiting your marriage out or anything, I didn’t even know you two weren’t together until last year, and I didn’t even intend to see bea, it just happened on accident –

lemony: bertrand, it’s fine.

lemony: beatrice and I aren’t married anymore, you don’t have to explain anything.

bertrand: ….sometimes I feel like i’ve wanted to explain everything to you, for the past fifteen years.

[bertrand ‘breaking my fucking heart again’ baudelaire…….]

bertrand: that’s – silly, isn’t it.

lemony: no. I don’t think so.

bertrand: I never got the chance to say it. well, actually I don’t think I ever let myself say it, because I had plenty of chances! especially at prom, I could’ve changed everything! but you and bea were so – I wanted you two more than anything else in the whole entire world, but I didn’t want to hurt you two or what we had. I think I did, though.

bertrand: and, and I really shouldn’t blame myself or anyone for these stupid mistakes that happened when we were just kids, because we were just kids!

bertrand: I mean, we’re right here, right now, and i’m – i’m really looking forward to this, lemony.

[lemony, much like me, is momentarily dazzled by how fucking genuine bertrand is]

lemony: so am I.

lemony: ….i kept those candygrams you sent me when we were all in high school because they were remarkably sweet and I treasure them dearly

bertrand: !!

lemony is so nervous and I love him and you know when you get nervous and you just sort of spill weird secrets to people, especially when it’s the person you like???? that’s that

they look at each other for a moment and then start laughing and it’s the kind that starts kind of soft and then they’re just rampantly giggling and being dorks and I love them both so damn much okay

and because they haven’t regularly seen each other in you know fifteen years they spend some time. talking about their lives. there’s a lot of things they don’t know about each other!

lemony and bertrand like make a vague show of trying to win bea some prize and they suck and they stand to the side and talk while bea wins herself a prize and she runs back over to them and just looks so proud of herself, winning this…….thing (it’s very much “i don’t know if it’s a duck or a panda, but I want one.”)

lemony: is it a…….hmmm

bertrand: ….those are cat ears, right

beatrice: what, no, they’re wolf ears

lemony: it has webbed feet, though

bertrand: it’s a platypus! oh, no, not with all those feathers.

lemony: it could easily be a duck, I suppose

beatrice: BUT THE EARS

bertrand: a penguin!

lemony: a grackle

bertrand: a goose!

beatrice: THE E A R S

lemony and bertrand share an obnoxious amount of cotton candy, and honestly it’s the date they all should’ve had in high school, a date that would’ve changed everything, and man, they’re having so much fun and maybe they could do this, lemony has never been so happy and bertrand is just this ball of delight and, it’s really beautiful, and beatrice is for sure thinking that and she’s having such a good time and she’s so happy

but then

she thinks, what if it DIDN’T change everything, what if they all got together in high school and tried to make it work and really fucked each other over, would they have been able to do it?? what really would’ve happened??? and they’re adults now, they’re better people but they have so much more to think about, there is so much more at stake now and beatrice is fucking terrified about what could happen, all of a sudden

and she’s been terrified for years about all the terrible things that could happen to klaus or her or ramona and olivia and even their stupid cat and she’s still trying to hide it so well and she does, she’s happy and creates such a good life for her son but she is so scared and she can’t keep running from it anymore by being impulsive or silly or shouting all the time, she has to face the reality of the situation that she really has to think this one through, what all three of them are going to do about this

she and lemony still have so many problems, and they both know that, they all know that!!! they aren’t going to solve them right away!!! and with bertrand there, maybe it’ll be harder!! maybe it won’t be easier!!! not that bertrand immediately makes things easier, in any universe!!! but especially here!!! you know!!! what if they don’t talk about anything because he’s there??? what if they avoid talking about everything so much in trying to be happy that they irreparably fuck them all over??? it’s been so long since all three of them were together, what if they can’t do this!! what if their kids don’t like them together, what if none of them can get along??? suddenly there are a lot more variables to this, and seeing it happen, bea is struck by everything they’re going to have to fix and all the ways it could go wrong and it’s not good

beatrice: …..what are we doing?

beatrice: and – and what if it doesn’t work out, this time?? what if we all try this and we can’t do it??

bertrand: do you think that little of yourself?

beatrice: no.

beatrice: i’m thinking about, what if I break my kid’s hearts, even worse than I already have? I can’t do that, not to them.

and, they get it. they love each other so much but this story isn’t about just the three of them anymore.

bertrand and bea decide not to get married. and even though they all know they still love each other, lemony and bea have violet and klaus to think of, so they all decide it would be for the best to go their separate ways.

violet and klaus are not happy, by any means. they are not happy to pack up all their stuff and know that nothing is going to work out, and it hurts, a lot, man

klaus, picking up his books: I really respect our parents and their chosen additional life partner but don’t you think they can be a little…..

violet, jamming her toolkit into a suitcase: stupid?

klaus: I was going to say stubborn

klaus: but stupid works too.

so they all say good-bye :( lemony, violet, kit and dewey and bernadette go home. (bernadette’s real upset no one got back together. she hides it well but she just sort of crams herself into her seat on the plane on the trip home and is just super bummed. I love this lil kid.) (I fondly remember when this outline was nowhere near over 20k and was just a short little thing and bernadette’s scenes just monopolized it….)

the thing I love about bea raising klaus is that, and I also feel this for canon too, klaus gets so so much of bea’s anger and short temper

like violet is a lot more calmer in the take no shit category but klaus will, like his mother, flip a table

klaus: mother, that was the most foolish thing you’ve ever done and you know it

beatrice: !

beatrice: don’t you – don’t you use that tone with me, klaus

beatrice: I am your mother

klaus: and you’re just going to let my father and my sister walk away from us???

beatrice: I – it’s more complicated than that!

klaus: how??

beatrice: klaus, would you want me to risk this, everything we have, on the off chance that your father and I could maybe sort out our differences?

klaus: you didn’t seem to have that many differences!

beatrice: there’s a lot of things you don’t know, klaus!

klaus: then tell me! you’re the one who’s always telling me I can do anything, and I just think it seems pretty rich of you to decide that that doesn’t apply to you, or that I don’t get to know everything about the people who are supposed to be my family!

klaus has a point, here, and beatrice realizes that, so she decides IN THAT INSTANT that, okay. fine. it’s time to do something about this and she can do something about this.

SO SHE GOES TO BERTRAND

bertrand: bea, what –

beatrice: I can’t – look, I can’t do this to my kids either, okay, I can’t keep them apart anymore, what – why did I think that was such a good idea in the first place??? so I wouldn’t see lemony?? so I wouldn’t work things out between us, because we were fucking kids when we were together and, and I sacrificed my relationship with my daughter because I was so petty and selfish, and i’m doing it again, bertrand!! i’m letting myself do it again after everything we all talked about because i’m so fucking scared but I – I can’t do this to myself, you know? I want – I want things to work out this time. with all of us. I want to make it work and i’m going to make it work and i’m going to go get my daughter and lemony, and I want you to come with us, if you want to come with us.

klaus, leaning out of the car window and shouting at beatrice and bertrand, who are standing on the steps of bertrand’s place: if I may interject, the plane we intend to catch does leave in half an hour, so you two should maybe hurry up a little

klaus: not to ruin your moment or anything!

bertrand, desperately: I want things to work out, bea, I do. but what if you were right and we can’t –

beatrice: i’m right about a lot of things, bertrand baudelaire, and i’m right about this.

bertrand, nodding and trying not to smile too much: ….okay. okay.

MEANWHILE

violet: ….are you mad at me?

lemony: what – violet, I could never be mad at you.

violet: but I – I went behind your back, and I tricked both of you, and I wasn’t even thinking about what you wanted, it – it was just what I wanted, and that wasn’t okay, I shouldn’t have interfered with you and mother at all, I feel so awful –

lemony: none of what happened was your fault, violet. not at all. it was mine. i’m sorry that I kept so much from you. it was incredibly unfair to you, and to klaus. I should have told you a long time ago.

violet: I never got to ask before, but why did you and mother get divorced?

lemony: ….we were very young, and very impulsive. and, also, incredibly scared. that’s not a good combination when you’re trying to make a life with someone.

violet: you two seemed to get along a little better, now.

lemony: well, eleven years is a lot of time. you get older, and you realize the mistakes you made in your youth could’ve been dealt with a lot more easily than you previously thought. you realize you were….

violet: stubborn?

lemony: stupid.

violet: what made it not work out, this time?

lemony: you also realize there are more important things to think about than yourself and what you want.

violet: !

violet: father, I didn’t want you to –

lemony: it wasn’t your call to make, violet.

violet: but it was yours about whether or not I get to see my brother? you were only thinking about what you wanted, too!

lemony: ….

violet: ….that was rude of me, i’m sorry.

lemony: no – don’t apologize, violet. please.

violet, still very angry but also just sad and concerned about how lemony has, in the intervening time between these two conversations, said very little: I thought bertrand was nice.

lemony: bertrand – bertrand is very nice.

so they get back home.

lemony: what would you like for dinner?

violet: I don’t think i’m all that hungry, father.

lemony: no, neither am I.

and lemony just sort of, wanders into the library with his hands in his pockets, because he’s somehow more miserable than he’s been in quite some time, and he’s expecting to just sit around and stare at his typewriter and not get anything done for the rest of the night or really for the foreseeable future, and the library is filled with so many books and so much stuff but it feels so empty to him now, and lemony himself feels empty and horrible about everything and he just stares at the floor without really seeing anything at all

AND THEN

klaus, sitting in one of the library chairs: father, did you know that the concorde gets you here in half the time?

[I just kept the line. I thought long and hard and could not for the life of me think of any other jazzy lil line.] [although yes sadly the concorde no longer exists]

[hey, if lemony and violet are here, and kit and dewey and bernadette were with them on the plane, who’s driving the bus who let bea and bertrand in the house???? cause in the movie it’s gotta be the grandfather

jacques, who had stopped at lemony’s house hoping that he could catch them before the flight but obviously not catching them, who stayed to water the plants: /exiting the house

beatrice, careening out of a taxi: JACQUES HOLD THE DOOR

jacques: !!!! beatrice?? what are you –

bertrand: we’ll have to tell you later, there’s no time!

jacques: bertrand????

klaus really only has time to wave.

all three of them: /BOLT PAST JACQUES INTO THE HOUSE AND SLAM THE DOOR SHUT, leaving jacques out there in the street

jacques: ……….]

anyway

lemony, STUNNED: klaus?

violet, dashing into the room because she heard her brother: klaus!

klaus: ideally we would’ve figured this out before you left, but when you did, we were not completely happy about it.

lemony, still trying to collect himself: you –

and there’s bea and bertrand, standing there, real as anything! really there!! in his library!!

and lemony walks towards them, because this isn’t a matter of, chasing anyone, it’s all of them coming together like this

beatrice: this is gonna work. the three of us, this is gonna work.

beatrice: what do you think?

and the thing. about lemony. is that what he wants more than anything else in this whole fucking world. is a family. particularly in canon, being separated from (reasonably dead) parents and growing apart from his siblings and losing those connections to people, he so desperately wants something that’s his and his own and that he can keep stable by himself

and I think he still feels that way even in whatever fucking world of an au this is, and of course he wants to be with bea and bertrand and to have klaus and violet because he loves them but he is also massively craving that stability of having his own family and like really having it this time, not fucking it up because he’s young and stupid and just as impulsive as bea

THE POINT IS THIS IS A LOT FOR HIM, OKAY, THIS MEANS SO MUCH, to get this!! second chance at all the things he totally fucked up before, PLUS the loves of his life!!!!

and like!!! there’s bertrand. there’s bertrand!!! standing there and reaching out to take lemony’s hand and lemony takes bea’s and bea takes bertrand’s other one and. the road they had to take to get here wasn’t. the best. all the time. they all made mistakes. some. worse than others. and this isn’t the end, right here, there’s still gonna be things they have to work out. and it’s gonna be okay because there’s beatrice and bertrand and lemony. they’re in the same room and no one’s scared.

lemony: yes.

beatrice: yes???

bertrand: yes?

lemony: yes.

there’s a lot of good hugging, people are kissed, comments are made about chapstick flavors, lots of laughter, violet and klaus are tearing up and thrilled beyond belief, everything is beautiful!!!!!

klaus: I can’t believe –

violet: – we actually did it!

and, of course, beatrice was right. about everything.

the following amount of time is filled with –

-lots of arguments.

-mostly between bea and lemony.

-although bertrand has his fair share of arguments with both of them.

-violet and klaus don’t speak to each other for two weeks under the pretense of disagreeing about a book’s theme but really because they’re not sure how to act around each other now that they’re both there, they’ve lived their whole lives as only children and this is what they wanted but it’s also something they didn’t think about having to adjust to

-there’s also this immediate reluctance to listen to anything bea and lemony tell them because they have to get used to parents now, too

-parents who aren’t currently super functioning as parents

-there’s a lot of second-guessing people’s intentions

-why did you say that?? the hell does that eyebrow mean???? you picked that song for a REASON and fuck you for that!!!! you don’t trust me to drive, do you???? I KNOW HOW TO MAKE A SANDWICH FOR MY CHILD THANK YOU VERY MUCH

-that sort of thing.

-in varying shades of seriousness.

-i know it sounds mostly like just bea screaming there but trust me the sentiment is shared by all of them in various ways and actions

-they don’t do it in front of violet and klaus though

-NO ONE KNOWS WHERE THEY’RE SUPPOSED TO LIVE NOW, do they stay in england or all go to california??? do they go somewhere else???????? what even (I don’t even know)

-(they probably do stay in england though. that’s what I was picturing while writing this.)

-violet and klaus do adjust to no longer being only children and realizing they have someone their age to rely on now who understands them

-they make blanket forts where violet designs these stands that will hold books up and periodically turn the page so they can lay on their backs and read and not worry about moving

-klaus reads up on inventors so he and violet can talk about them

-they argue with bea and lemony a little about weird things because violet and klaus are trying to figure out where they are with their parents now and how they’re supposed to act and bea and lemony are trying to figure out how to coordinate parenting while wanting to kill each other

-they institute family game night and try to best each other in cards or scrabble because they can handle that

-bertrand, of course, is in a very awkward position at this time

-like he’s around but he can’t take sides because that’s Weird and he’s not that kind of person anyway, and he wants to be there but he doesn’t quite know as what

-like, he was gonna marry bea!! and now he’s not. and he loves lemony!!! but he can’t do anything about it because bea and lemony have problems to work out!!! and bertrand loves both of them!! and they love him!!! they know they do!! he knows they do!!!!! but everything is very uncomfortable!!!

-like, bertrand needs to be on equal footing in this relationship too!

-he hangs out with dewey a lot and they become Poetry Buds again

-he participates in family game night

-bea and lemony are worried that bertrand is only going to see himself as like a peacemaker between them when he isn’t because he never has been and realizing that bertrand is a huge official permanent part of their lives now is a big thing for them

-hi, my name’s lulu and writing the navigation of relationships is hard!!!! it’s so fucking hard

-the three of them watch movies wednesday nights – bertrand picks the movies and he picks these really sweet romantic ones (cause that’s just the kind of movies he likes!!!) and it’s unbearably great

-they mean to watch the thin man movies (the ones with nick charles aka william powell aka the guy lemony and bea would both fuck if they had had the opportunity) over a series of weeks but wind up marathoning all six of them one night (and it takes all night)

-none of them can function the next day

-bertrand: I get it. i’d do it with nick charles, too.

-beatrice sings herself hoarse during a play rehearsal and can’t talk for a week

-she can’t sleep one night and lemony finds her in the kitchen and makes them both tea and they salute each other with the mugs

-bertrand takes up writing limericks and leaves them around the house and lemony finds one in the shower and slips from laughing so hard

-bertrand, in the hospital: I could’ve killed you with poetry

lemony: I mean, all things considered, it’s not the worst way to go. it’s better than next to a pile of books I was meaning to read, which I always thought to be much more likely. slipping in the shower because of a charming limerick about shoes? it’s not all that bad.

bertrand: I don’t know whether to take the compliment or be worried about how you’ve considered how you’re likely to die. please don’t die.

-beatrice shows up at the hospital and throws the stuffed animal from carnival night at lemony

lemony: oh, you didn’t have to give me your….ah….

bertrand: ….moose? have we guessed moose?

beatrice: the ears……….

-things get, better

-they take turns picking up the kids from school

-some kid: gee violet how come your mom lets you have two dads

violet: just lucky, I guess

-lemony helps beatrice rehearse her lines and they straight-up make out for an hour instead

-lemony and bertrand make dessert once a week and routinely end up covered in flour

-there is a household debate on ‘what species is the stuffed animal’ and ‘what are we going to name it,’ moderated by kit

-violet puts on a one-woman play that she and klaus wrote about hedy lamarr for her school’s talent show and receives a standing ovation

-lemony and bea and bertrand are in the front row and beatrice is full-on sobbing during the standing ovation

-they get bertrand a new record player for his birthday and all three of them dance to his records the whole night

-yes they ARE all falling in love with each other all over again it is very important to me that they’re all on the same page when they do that

-violet and klaus make bertrand a ‘best additional parent’ mug because they don’t quite know what to call him (they haven’t figured it out yet), like violet makes him a fucking mug in her glassblowing class (you ever seen someone glassblow a mug??? it’s great.) and klaus does this beautiful calligraphy label for it

-bertrand cries immediately, for the next hour of his life, and just carries it around because he doesn’t know where to put it

-beatrice: aww, that was so sweet of you two, to make – does that say ‘additional parent’

lemony: I believe it says ‘additional parent.’

violet: we did also consider ‘greatest poet’ but that had less of the feeling we wanted.

klaus: we do realize that ‘best’ is truly an unquantifiable concept, because there’s no one out there ranking parents, but we thought it was the most fitting.

it’s after that that they all decide to get married.

later on, sunny is born!! and she’s very upset she missed out on all these shenanigans.

[jacques comes back to find so many people in his brother’s house.

kit: well jacques, you really should be home more

lemony: yes, find a nice person

lemony: …...or two

kit: settle down, stop looking so surprised.

lemony: kit your daughter just leapt off the bookshelf and tackled my husband

kit: and am I surprised? no.]

[also jacques does not buy his sister a nice new set of engraved fountain pens.

kit: so did you get me a souvenir or not, jacques

jacques: souvenir? I thought you said

kit: JACQUES WE ARE ADULTS DON’T YOU DARE BEETHOVEN ME

jacques: edward lear

jacques: here’s this book of delightful nonsense poetry.

kit: how could you]

[while bea is pregnant with sunny –

bertrand: what about sunny?

lemony: bertrand baudelaire.

lemony: you come into my house.

lemony: you marry my wife.

beatrice, across the room: I married both of you???

lemony: and you have the audacity.

lemony: to suggest we name our daughter after our high school drama teacher.

bertrand: okay but your reaction isn’t necessarily a no]

[theastrophilearchitect]

A new project.

Because the first one wasn’t working. Writing journey #3.

Tue 30/03/2021 - ‘Bay Tree’ Word Count: 42,150 07.27 Hello! So I established in my last writing update that I was taking a break from my WIP ‘Bay Tree’, to return May 10th, and even though I’m not writing today, I just wanted to say that taking a break feels amazing. I’m focusing on reading (granted, I’ve been reading House of Earth and Blood for like two weeks) and it’s really helping ideas for edits develop. 

In my draft, I got to chapter 13 (I think) of twenty-something (because I didn’t fully outline the climax, so I’m unclear as to how many chapters there will ultimately be) but I just don’t think I can get all the way through a draft without first doing some developmental edits. So, for the next few weeks, I’m going to note the changes I think I could make, then figure out which ones I won’t implement, then how I will implement the others on May 10th.

In the meantime, this Thursday, I’m going to start working on a new WIP, which I have quite a clear idea for, but obviously need to develop the plot. So that’s it for today, and I’ll update again for my new project on Thursday April 1st.

Thu 01/04/2021 09.54 It is Thursday! I’m free for a couple weeks! Which means it’s time to start working on a new project. My goal for the day is just to compile some of the various ideas I have into something vaguely cohesive, then I’ll develop it tomorrow, and hopefully make a skeletal outline on Saturday, scene block on Sunday... I’m going to shut up before I set myself a thousand insane deadlines, but I’d like to have started a draft by the end of my free time. So, let’s go.

Wow. Blank documents really are intimidating, aren’t they?

13.04 I already had my core concept, but now I have almost a justification for it--why it happens, and I think I want to build up my world first, then characters, because knowing the world and its various peoples will allow me to figure out how exactly they fit in and develop their motivations, then finally do the plot. I’ll only work out the three characters I’m currently certain will be integral for the plot, because I don’t want to waste time on developing characters who are ultimately unnecessary, like I did in the earliest days of Bay Tree. 

Basically, with a world, I can work out motivations; with motivations, I can work out characters, and with characters, I can create a character-driven plot. I want to focus on creating both lovable characters and a memorable plot--I know all my favourite books have memorable characters, but the ones I enjoy the absolute most are the ones where it doesn’t feel like the plot only exists to drive the characters into relationships (I’m looking at you, Cassandra Clare. Seriously, I love Shadowhunters books, but the technically ‘main’ plots always feel second to the subplots).

Fri 02/04/2021 08.16 Honestly, didn’t get too much done yesterday. Mostly because I ended up down a rabbit hole of researching (though I do think what I learned will help me to form my world), and I was busier than I expected to be. Regardless, I think I want to make this a series. I have a feeling Bay Tree is also going to become at least two books when I revisit it, but I’m going to go into this one with that intention.

Obviously I don’t know how long it will be right now, but I think I’m going to aim for three books, then let it shape itself.

12.25 I just spent an hour writing out a history of the world and how it got to where it is. This is really fun, but really intense.

16.36 So, I have a rough plot in mind. I have an ending, a catalyst, a backstory for the world, and a few characters. And a lot of things that need names. I waited a really long time to name my characters in Bay Tree, thinking they’d be easier to name when I had then conceptualised, which makes sense, but I’d given them numbers with which to refer to them until that point, so it was a long time before my protagonist became her actual name instead of just ‘3′, despite the fact she technically became 2 because I had to cut 1.

Anyway, going to pick names, then let nominative determinism do its thing.

Jesus, I have no good male names. I keep a list of names, first and last, I like for use, but I have so many more female ones than I do male.

In Bay Tree, I used MBTIs as a starting point for personalities, which I’m planning to do here, especially since I know the types so much better now, but I want names first.

Maybe I just ought to choose this specific character’s surname first. Maybe he goes by his surname, or some variation thereupon (like how Daniel Arlington from Ninth House goes by Darlington).

Maybe he doesn’t need a name. Maybe we literally just call him Hero Guy.

God, screw this. He’s Hero Guy until either it comes to me, or I have no choice but to name him.

Sat 03/04/2021 11.15 I feel like crap today. I’ve been doing nothing for three hours, and I, quite frankly, need to get something done. So I’m going to write.

12.41 Wow, initial development really is the hardest bit of the process, huh?

Sun 04/04/2021 08.04 I’d really like to do more worldbuilding first, and character development, but it’s difficult when I don’t know the different parts’ roles. So, today, I’m going to attempt to outline the primary plot points of the three books. Attempt being the operative word here.

13.41 Honestly, yeah, I’m struggling with the plot. I think I managed to get Bay Tree’s plot so fast when I sat down to actually write it because it had been on my brain for a couple weeks, whereas I literally started this project three days ago.

Maybe that’s how I’ll handle this--when I hit a wall with one project, I work on the other to give myself some distance. Working on Bay Tree requires less thought anyway, because that plot’s already mostly figured out. Yeah. I think I’m going to revisit Bay Tree, but for reference’s sake, I’m going to dub the new project... eh... the first thing that came to mind was ‘Feather President’ which is more related to the actual content than ‘Bay Tree’, but it sounds so much crazier. I want to dub it something that actually could be a title, even if it definitely won’t be the final title, because I don’t want people to look at my blog, see ‘Feather President’ in the pinned post and immediately assume I’m insane.

Could always just use an acronym. Let’s go with FSB; those are one of the character’s (also the only character who so far has a name) initials, which may ultimately change, but it works for now. Bay Tree and FSB.

I’m going to end this particular writing stint here and come back in a couple hours, at which point I’m going to switch back to Bay Tree.

I should really stop planning so far ahead when my plans will inevitably change.

15.40 So here’s the plan I currently have that I definitely won’t stick to: at the start of each week, I’ll determine which project I work on (operating Monday-Sunday; if you think the week starts any day but Monday, you’re wrong, and I’m not sorry), and only work on that project throughout the week. So I’ll work on Bay Tree this week, and FSB next week.

I’m going to let myself work on a project for more than one week at a time, but I think I’m going to say I can only work on one for three consecutive weeks before I have to switch to the other. This seems like a good way to stay excited. Yes.

This second? Not completely sure. Might just go read and deal with it tomorrow.

Mon 05/04/2021 - ‘Bay Tree’ 11.37 Actually really glad I just sat down and read--I read about 200 pages yesterday in total, which meant I could easily finish the last 100 pages this morning. So I finished Starsight (the recent reads post will probably be up by the time this one is)--was anyone aware the A Court of Silver Flames paperback is £24 on Amazon? Anyone?

Anyway, we’re returning to Bay Tree today, after nearly two weeks (I know that’s not even long), and I’m going to attempt to implement my edits, by which I mean I’m going to put scene changes at the bottom in brackets, then technically implement them when I redraft.

Tue 06/04/2021 - ‘Bay Tree’ 09.11 I didn’t exactly accomplish much yesterday. I spent a good few hours just watching YouTube, because I didn’t have any motivation to do work, which screwed up my schedule, and I did no writing aside from transferring my list of edits from my phone to my document. I started reading Call Down the Hawk by Maggie Stiefvater, but didn’t get very far in--I’m obsessed with Stiefvater’s writing style; it’s the perfect mix between typical prose and fairytale-style storytelling. Anyway.

I’m going to switch to a new Scrivener project for the sake of cleaning it up--Bay Tree is a hot mess right now--and hopefully begin to implement my edits--maybe not today, but certainly this week.

Thu 08/04/2021 - ‘Bay Tree’ 16.53 So I haven’t yet had a day where I’ve done nothing (since my break finished), but the last couple days I’ve just been doing tiny amounts of what I’m calling ‘reference pruning’, where I’m just editing and clarifying character, worldbuilding and location documents. I’ve ‘pruned’ five character references, and I hate it. It needs to be done, but it doesn’t need to be done now. I’ve decided I’m just going to completely clear out the new Scrivener project I started for Bay Tree, and add stuff to it as it becomes necessary. I’m going to make notes of overarching edits (stuff I can’t just note at the bottom of a scene), and just get started with draft 1.7, adding and editing references as it becomes necessary. I’m also going to say I just need to spend an hour writing a day, rather than a word minimum.

Okay. Edits established. Things to bear in mind established. I need to go through the character profile for the POV character in chapter one, then we can get started. Or rather, I’ll get started tomorrow, because I need to go cook soon, and even if I do have time after dinner, I’m not going to, because I’m going to read then. Okay. Character.

I’m getting excited again!

Oh, and the setting. I need to do the setting document.

I’d like to draw attention tot he fact one of my character documents describes her as having ‘black upturned gold eyes.’ 

Clearly I couldn’t pick a colour, but now I’m inspired to give her heterochromia.

Character done, and setting undone, but I need to go cook now, so I’ll pick this back up tomorrow, when I may also do some actual work.

I just hope these posts give someone security in that writing is a messy process, and you don’t have to be perfect all the time to be a) competent, and b) a writer. I’m a competent writer, and I’ve only ever written about 60% of a draft. But I’m still going, still trying, and that’s the point.

Fri 09/04/2021 - ‘Bay Tree’: 484 words 09.15 Okay. So we’re redrafting, and this is like my fourth draft of the first chapter, so let’s just go.

Sun 11/04/2021 - ‘Bay Tree’: 576 words 09.01 Yeah, I missed yesterday. Ironically, having time off seems to be making productivity more difficult, despite the fact I actually have time for it. 

09.19 I feel like this project is making me stagnate. I think what I have is almost subconsciously tying me down, preventing me from improving, but I don’t want to just restart, because I want my bases, and it’s so ingrained in my head, I can’t physically start from scratch. Crap.

I think it needs to sit for longer. Crap.

It’s alright. I mean, it sucks, but it’s alright. It’s not like there’s any ideal age to become an author anyway, and I’m a long way off the average. I have time, and if it takes shelving projects now to complete better ones later, so be it. Maybe I’ll return to Bay Tree in a few weeks, or a few months, or a few years, or never, but I’ve learnt a lot from it.

So we move on.

Mon 12/04/2021 - FSB 08.05 This post is such a mess. I’m a mess at the moment. Today, we’re just continuing to work on FSB’s plot, and I think I’m already going to change the name of the character whose initials are FSB, so its nickname will probably change, too.

I had a trilogy in mind, but looking at it now, I think a duology will be best to convey the arc I have in mind.

21.51 I’ve actually accomplished quite a lot today--I’ve mostly been doing character profiles, but that helps me form tidbits to add to the story, which I can eventually string together. We’re progressing.

Tue 13/04/2021 - FSB 08.37 Hello! I think I can safely come to the conclusion I prefer development to actual drafting. Anyway, today I’m going to focus on completing the character profile for my other protagonist and do a little more work on another important figure. Then, I hope to be able to figure out the drive of the main plot in book one.

On another note, I am debating whether to plan out two books or three. Mulling it over, I think three books would give a more fulfilling arc, but it depends if I can work out enough content for the main plot. We’ll see.

Yeah, it’s going to be three. Two just can’t carry the impact I want.

20.00 I made pretty good progress today, but I just wanted to make the point I’m a lot more confident this project will hold my interest for longer than Bay Tree. This was something ruminating in the back of my mind for weeks, that I was desperate to write, where Bay Tree was very much a ‘sit down, make something up’ process at the beginning. Anyway, I think I’m done writing for the day, and I’ll get back to this tomorrow. (Because unlike most writers, I have a functional sleep schedule)

Wed 14/04/2021 09.19 Honestly, my head is empty right now, so I really need to open my project before determining what I want to do today.

Okay, so we’re basically just going to continue filling in holes.

14.50 Working out the plot, I’m pretty confident I’ve got the A plot covered, which the B plot will fit into, but I need more subplots.

Thu 15/04/2021 10.12 I want to work this one out mostly on the fly. I have nearly the whole of book one plotted out, but I want to work out the fine details as I write it; as I go, I’ll add more detail to my outlines of two and three. But for now, book one.

15.28 I’ve got basically the whole of book one covered; there’s just a gaping hole in act one, that I’m not sure I can fill. I mean, I can fill it, and I will, but I don’t feel like it’ll be that intentional of a thing. I think it’ll be more of an accidental idea that happens to flourish, but I’m going to keep working nonetheless.

Fri 16/04/2021 14.08 Good afternoon! I would’ve started writing earlier, but I wanted to catch up on the reading I didn’t do yesterday to make sure I finish A Court of Silver Flames within a week, so I can return the ebook and get a refund, because, despite being £6 cheaper than the paperback, it still cost me £8, and I want my money back. (Seriously, the paperback is fourteen pounds on amazon. Which is nearly twenty dollars. Which is pretty standard for a hardback, but it’s the paperback.) I’m about ten pages off meeting my minimum for the day (though I need to surpass that if I do want to finish it within a week), but it’s writing time.

14.37 I’m still establishing how, exactly, it applies, but I think I’ve solved it!

Definitely happy that as I’m planning, all I want is to make the characters happy, because I already love them so much. But they don’t get to be.

I have a section on a Pinterest board that’s just called ‘Simping’, and is just pictures of couples doing cute as shit things, and I literally just want my characters to dance together. Always. In Bay Tree, in FSB. Just dancing.

15.04 I have book one covered. It still needs development, scene development, but I can now move on to outlining book two, during which I’ll continue to develop one, integrate themes and such. 

Honestly, the plot falling into place is absolutely the most exciting part of writing. I get an adrenaline rush (yes, while sitting in a chair, typing), I start to love the characters, the world, the story... ahhhh.

I’m actually really satisfied with how the plot seems to be going.

16.44 The word ambiguous has too many Us in it. Three vowels in a row??? And the vowel sequence is a palindrome?? Don’t want it. 

I’m just sat here discovering new music. And it’s all so good and so dramatic and so perfect.

Okay, why do I have to come up with ideas so easily when I don’t need them? Then when I do I have nothing?

17.51 And just to clarify now, this post will actually end with Sunday the 18th, because after that I’m going to take three weeks completely off writing (aside from noting ideas), because I have a lot going on, then I’ll return on May 10th.

Note to self: develop a character who isn’t one of your two protagonists.

Sat 17/04/2021 10.23 I’m thinking I ought to do a more in-depth outline of book one before doing the basis of book two. Help me set up subplots and so on. Yanno, because other characters need some kind of agency, and I currently basically have two characters.

Sun 18/04/2021  08.52 I managed to plot out Bay Tree so fast because I’d already done so much development--plot was the only thing I was still missing. Anyway, I’m having a minor crisis. I think I’m a plotter, but I’m not entirely certain. It clearly didn’t work for Bay Tree. I think I may just start a draft of FSB now, and hope that lets me work out the other two books as I go.

In one of my excessive plans I will probably fail to stick to: I think I’d like to write a draft of the whole trilogy, all the way through, before even editing book one. I’ll obviously make notes of edits as I go, write as if I’ve already made them, eg. if, while writing book two, I have an idea for a book one edit, I’ll write book two as if I’ve already implemented it, which means I’ll have a little less editing to do of book two.

I have this all planned out in my head, but I’m probably being overambitious. We’re staying optimistic, though. I don’t believe in manifesting, but we’re manifesting.

14.23 I want to say I tried. I got a few details for the first couple chapters, but when I opened a doc to actually write it... nope. I need an outline to have a starting point. I just need detail.

Scene blocking sucks. But then I can’t write without it, so what can you do?

And I guess that wraps up this update. Writing this section, I’m about halfway through the writing break, and I have so many more ideas for this project. I was excited for Bay Tree because it was the first time I really made progress, but I’m excited for this one because I genuinely love this story. This post is going up May 14th, at which point I’ll be back to writing, and the next update should come mid to early June. 

And that’s a wrap.

[fivour]

1/2/3/4/5/11/12/13/15/16/24/25 i don't think i will ever stop asking you things about your writing hehe (=^･ｪ･^=)

youre keeping this blog alive bro keep askin’

answered 4 in a previous ask.

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1. was being a writer a dream of yours when you were little? or did it spring up when you were older? or is it just a hobby?

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I never thought about being a writer as a kid, it was always something like an artist/teacher/musician aka rock star. I think it’s just a hobby for now although I would like to begin freelancing/commission work at some point. With my career plans, I’ll more than likely have to publish a research book at some point, though, but that’s many years off.

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2. overall, would you say you are more driven by plot or characters in writing? (what makes you more excited about an idea?)

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Characters 100%. If they are little toy soldiers, then I am the nine year old boy’s shithead cat that knocks them into the register vents. I wanna play with them and mess ‘em up.

Plots do not interest me in the slightest and I do not like making them. It’s part of why I don’t usually write longfic, only oneshots and short multi-chapter work.

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3. give an overview/description of some of your past stories. (only if you are willing, of course!)

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Here’s a... fun story: One of my first fanfictions was a story about Percy Jackson family feud. I was sick at home a lot, so I had daytime television brainrot. Anyways, I got multiple reviews telling me I spelled "feud" wrong, some constructive some not. However, I was a spoiled brat and I couldn’t handle not being the smartest person in the room, so I doubled down on "Family Fued.”

I am now an honors English kid and still cannot spell feud, field, or chief without autocorrect. It is my punishment for being an asshole on the internet in 2014.

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5. do you have an idea for a story you don’t feel you can write at this current time? (whether it be because life is busy right now, you need to do more research, etc.)

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Yes. I have a concept and outline for a long DioNilla fic inspired primarily by The Guilty by David Baldacci and this one podcast episode about partners in crime. At this point, there’s two different versions of it and I don’t know which I like more (one hit wonder for revenge or a totally romantic murder spree?). Both would have drastically different legal outcomes, but I’m not law-fluent enough to write either and the courtroom is an unavoidable scene I can’t just gloss over.

I also have an AU inspired by a movie that I’m not sure if I will ever write.

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11. share a passage from one of your works and tell us why you liked it so much.

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This is difficult because I have no recollection of anything I have ever written before yesterday. So I’ll just pick a recent one.

“His shoes are not thick enough to stop his leg from feeling jarred and his toes from feeling smashed, but the pain is enough to distract from the anger bubbling in the pit of his stomach. His heart races, pounding furiously against his rib cage, as if it were a prisoner beating at cell bars. It feels as if it’ll explode right from his chest, and his stomach quickly follows suit, churning with the pure agony that his newfound fury is putting his nerves through.

Fugo is miserable.

Fugo is miserable of mind and body and he wants to hurt something.”

Mabye I cheated a little. But I really like how this fic turned out in general (props to you for requesting it). This passage especially, because I used my own issues with and response to anger as a basis for Fugo’s reaction.

I think this is the most accurately I have ever described how it feels to be enraged and full of adrenaline. Not necessarily wanting to harm something or even yourself; you just need to get rid of the excess of energy that’s exploded inside of you all of a sudden. It’s an itch for action in a situation where it isn’t appropriate.

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12. what is the worst writing advice in your opinion?

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I’ve seen people totally against pantsing/not plotting a work (like, you-aren’t-a-real-writer against it), but I think the only thing I have to do to describe how foolish it is to discredit that method is point towards Stephen King.

An especially bad piece of advice that I’ve seen is to not write things that are not your lived experience. EX: if you are not a cis woman, don’t write a character that is. It defeats the entire purpose of writing and is ass backwards if you want any diversity within a work. Also... research is a thing that most authors do? And it teaches you to be more understanding of that lived experience???

There’s a lot I could say about it, but that sums up my biggest issues with it.

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13. what is the best writing advice?

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Again with Stephen King but... In a Q&A, he says something along the lines of not writing a character, by letting them write themselves. This comment was in reference to a question about Pet Sematary, I believe, which I would call the best and most alarming descent into madness I have ever read, so you bet your sweet cheeks that advice is always on my mind.

As for more general advice, creating/filling out a character sheet (x) is a really good way to figure out who your character is. I used them while writing Art & Pain and it made me realize a few holes I had to patch.

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15. do you tell friends/family about your writing, or do you keep it a secret?

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IRLs: they know I write. All but one or two of them do not know my handles nor that I write fanfiction.

I write original pieces which I don’t exactly hide, but no one knows those handles either.

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16. what are some of your favorite words to use in writing?

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enigma

superstitious

flabbergasted

superfluous

wonder

coursing

ecstatic

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24. best compliment someone has given you about your writing.

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One of the best ones I’ve ever gotten was on a fic under a separate handle, so I won’t share it lol. But it was about how I write emotion and that means a lot to me because emotion is very difficult for me to articulate.

It kind of blows my mind that people actually binge read my work, too... even if it’s just a longfic that would take maximum two hours to read, it’s really flattering that they like my writing that much. Repeat commenters/readers are also one of the best things ever and I love them.

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25. five years from now, where do you see yourself as a writer?

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God, I don’t know. I’ll hopefully be in college by then, so I have no idea what my life will look five years from now (other than the fact I will definitely be worked to the bone). I’d like to think I’ll keep doing it as a hobby, at least.

[imdoingthismspaintadventure]

Worm 1.4 - In which a Worm fights a Wyrm

I felt a chill.  A part of me really wished that I had thought to get my hands on a disposable cell phone.  I didn’t have a utility belt, but the spade shaped section of armor that hung over my spine hid a set of EpiPens, a pen and notepad, a tube of pepper spray meant to hang off a key chain and a zippered pouch of chalk dust.  I could have fit a cell phone back there.  With a cell phone, I could have alerted the real heroes about the fact that Lung was planning to take a score of his flunkies to go and shoot kids.

Damn, she really went unprepared didn’t she? All of the objects mentioned there would probably be useless in a real fight, and with a phone she could alert authorities and not have to worry about biting off more than she can chew.

But as she doesn’t have it now she faces a moral dilemma: do I just ignore it and go back from where I came from and leave the kids to die, or do I jump in and try to disrupt the plans of a dangerous and famous crime boss.

That is less of a trolley problem and more like if there was only one track and you could throw yourself in front of it to derail its course. Cause damn. I guess she could blitz them and then run away?

At least, that’s what I had heard.  I was in a state of disbelief, turning the words around in my head to think of a different context that would make sense of it.  It wasn’t so much the fact that he would do something like that.  I just had a hard time wrapping my head around the idea that anyone would.

Oh. Taylor if something is true in the world, is that people are fucked up. Well some of them. There are also shining examples out there. Humanity as a whole is grand, but there are a lot of individuals that defy imagination with their bad deeds

Lung answered a question for one of his gang members, lapsing briefly into another language.  He grabbed one of his minion’s arms and twisted it to an angle where he could get a look at the guy’s watch, so I guessed it had something to do with their timing or when they were leaving.  The gang member who’d had his arm twisted winced as Lung let it go, but didn’t complain.

Look at this perfect way to see the time! Twist the arm of the person nearest you to see the clock. It’s so petty, I love it. Guess it is also a way to assert his influence and power, if he values those.

What was I supposed to do?  I doubted I could find any place in the Docks that would be willing to let me inside to use their phone.  If I headed to the Boardwalk, I wasn’t sure I would find any places that were still open, and I didn’t have change for a payphone. That was another oversight I would have to correct for the next time I went out.  Cell phone, spare change.

Yeah, I was thinking about that. Her house phone is obviously out of the question, and any other method would probably take too much time, not too mention they would change places and would maybe be impossible to find when security arrives

A car pulled up, and another three guys dressed in gang colors got out and and joined the crowd.  Shortly after, the group – twenty or twenty five in total – started walking north, passing below me as they walked down the street.

Oh great, as if things weren’t loopsided enough, reinforcements

I was out of time to consider my options.  As much as I didn’t want to face it, there was really only one option that I could have no regrets about.  I shut my eyes and focused on every bug on the neighborhood, including the sizable swarm I had gathered on the way into the Docks.  I took control of each of them.

Attack.

Oh damn, we are actually going to do it! Best strategy is probably:

1)Take down as much of the goons as possible while also attacking Lung

2)When he starts counterattacking run the fuck away.

I mean, you still would be in danger but his raid would probably be ruined.

It was dark enough that I could only tell where the swarm was with my power.  That meant I couldn’t even tune out the swarm if I wanted to have any idea about what was going on.  My brain was filled with horrendous amounts of information, as I sensed each bite, each sting. As the thousands of insects and arachnids swarmed over and around the group, I could almost see the outlines of each person, just by sensing the shapes of the surfaces the bugs were crawling on, or the areas the vermin wasn’t occupying.  I focused on keeping the more venomous types at bay for the time being – I didn’t need any allergic thugs going into anaphylactic shock from a bee sting or getting serious complications from the bite of a brown recluse spider.

The sensory overload of her power is seriously daunting. Also one of the most powerful aspects of her power if used correctly.

She’s swarming the group, biting and stinging with the softcore bugs. Doesn’t the brown recluse rot the tissue around the bite? A fully monstrous Taylor would be an utter nightmare

I sensed the fire through the swarm before I realized what I was looking at with my eyes.  My power told me of the bugs’ recognition of the heat, but I didn’t even have time to devote conscious thought to block out the instincts the fire set in motion before the damage was done.   The primitive thought processes of my bugs were reduced to confused impulses to alternately flee and to pursue the heat and the light they so often used for navigation.  Many bugs died or were crippled by the heat.  From my vantage point, I could see Lung lashing out with streams of fire from his hands, directing them at the sky.

Flamethrower hands! That’s awesome! And also highly lethal to Taylor’s bugs, which seems to not only burn them but also reverts the bugs back to their instincts in the presence of such danger

I suppressed a laugh, feeling heady with adrenaline.  Was that all he could do?  I directed the swarm to gather, so those who weren’t already biting and stinging were in the midst of the gang.  If he wanted to turn his flames on the swarm, he would have to set his own people on fire.

Fuck yes, Taylor thinks smart in a fight! (and for those of you that have watched Code Geass, doesn’t that almost-laugh and feeling of “I can do it!” after testing powers for the first time just scream Lelouch? )

The heated air and the smells gave me enough information, by way of my insects, to tell where Lung was in the crowd.  I took a deep breath, and then sent in the reserves.  I took a share of the venomous types I’d held at bay and directed them to Lung.  A handful of bees, wasps, a number of the more poisonous spiders, like black widows and brown recluses, and dozens of fire ants.

Damn, Taylor is more powerful here than I thought! Black widows and brown recluses, fireants.... that is a powerful army right there. The goons are fucked, but I get the impression Lung won’t be so easy

He healed fast when his power was working.  Everything I’d read online said that people with healing abilities would shrug off the effects of poisons or drugs, so I knew I’d have to pump him full of enough venom to overwhelm that aspect of his power.  Besides, he was a big guy.  I judged he could take it.

Fuck I forgot he had a healing factor! Taylor’s reaction to this seems to be more of a “Let’s up the DPS and override his healing” more than “oh fuck it’s not working”

Full-on with the venom then! That’s the problem with fighting with a power such as this, you have to get a little monstruous

From the information that I could glean from my bugs, Lung already had maybe a quarter of his body covered in armor.  Triangular sections of metallic plating were piercing through his skin, where they would continue to grow and overlap until he was nigh impenetrable.  If they weren’t already, his fingertips and toes would become like blades or metal claws.

He is really becoming a metal dragon holy shit. I have a really awesome mental image of the grey metal scales draped and surrounded  in orange/red flame.

I felt a sadistic glee as I organized the attack on Lung.  I directed the flying insects to attack his face.  With distaste, I focused the crawling ants and spiders on… other vulnerable areas.  I did my best to ignore the feedback that I got from that particular attack, as I most definitely did not want the same kind of topographical map that the swarm had provided just a minute ago.  Lung was bad news, and I needed him out of action as soon as possible.  That meant delivering the hurt.

Holy hell it must suck being Lung right now. Taylor can be brutal when she needs to be. The problem with fighting with a spoon instead of a knife, you have to go for the soft areas.

Taylor has some blood knight tendencies I see. Getting caught up in the fun of combat are you?

Rationale aside, I did feel a stab of guilt about taking pleasure in someone else’s pain.  I quieted that moment’s remorse by reminding myself that Lung had spread tragedy, addiction and death to innumerable families.  He had been planning to kill kids.

Taylor seems pretty good in rationalizing and justifying her actions. That is both good and possibly troubling for the future

Lung exploded.  No metaphor there.  He detonated in a blast of rolling fire that set his clothes, several pieces of litter and one of his gang members alight.  Almost every bug in his immediate vicinity died or was crippled by the wave of extreme heat.  From my vantage point on the roof, I watched as he turned himself into a human bomb a second time.   The second explosion turned his clothes to rags and sent his people fleeing for cover.  He stepped out of the smoke with his hands burning like torches, the silvery scales that covered nearly a third of his body reflecting the flame.

He just went fuck it, omnidirectional blazing inferno, scorched earth, and wiped out alll the insects he had on him.

I think you should run, this is a baaad matchup for your abilities

Damn, damn, damn.  He was fireproof?  Or skilled enough at using fire to superheat the air around him without burning himself?  The meager scraps of clothing that covered him were burning away, and fire licked and danced around his hands without him seeming to care.

I think he probably has a power that lets him generate fire very close to his body but without it ever touching it. Either that or he becomes fire wherever he generates it, like a devil fruit elemental power.

He roared.  It wasn’t the monstrous roar one might expect, but a very human sound of rage and frustration.  As human as it sounded, though, it was loud.  All the way down the street neighborhood, lights and flashlights flickered on in response to the explosions and the roar.  I even saw a few faces peering through windows to see the action.  Idiots.  If Lung’s next attack shattered any glass, they could get hurt.

Lung: fucking bugs! what in the fuck?? I go out to do my attack and a goddamn plague falls on top of me. Whoever is responsible for this is already cinders!!

From where I was crouched on the side of the roof, I directed some of the more harmless insects to attack Lung.  He lashed out with fire the moment they started crawling on him, which I had more or less expected. He was managing to kill the majority of the bugs with each burst of flame, and knowing what I did about his powers, I knew his flames would only get bigger, hotter and more dangerous.

Are there upper limits to his power? Or does he just, get stronger. Cause that would eventually be both aboslutely OP and a spectacle to behold.

In a typical fight, you figure someone would get weaker as the fight dragged on.  They would take their lumps, get tired, exhaust their bag of tricks.  With Lung, it was the opposite.  I found myself regretting that I had used only a relatively small number of the more venomous bugs, because it was becoming clear that what I’d used wasn’t having much effect.  He had no idea where I was, so I figured I still had the upper hand, but my options and the number of bugs in my swarm were running out.  Despite my earlier glee, I wasn’t sure I could win this anymore.

Lung thrives in a fight of attrition. As his enemies gets weaker he keeps getting stronger, until you give up and flee

You have probably lost your chance of beating him, or at least you will when he gets completely covered in the scales.

I hissed through my teeth, all too aware that time was running out. Before long, Lung would set fire to the city block, become immune to bites and stings in general, or destroy my entire swarm.  I had to get creative.  I had to get meaner.

Ooor you just could go 2000% offensive to all his tender bits before he gets the chance to completely transform. Holy shit.

I focused my attention on a lone wasp, and piloted it around Lung’s back, up behind his head and then had it circle around to his face and straight at his eyeball.  The wasp touched his eyelash, and he blinked before it could hit the target.  As a consequence, the stinger only sank into his eyelid, prompting yet another explosion of fire and a scream of rage.

Again. I thought.  A honeybee this time.  I wasn’t sure if he eventually got armor plated eyelids, but maybe I could use the stings to make his eyes swell shut?  He wouldn’t be able to fight if he couldn’t see.

Go for the fucking eyes. No fucking mercy over here

Maybe I won’t have to hypothesize about ruthless Taylor, she already seems to be there

and it’s great

The bee struck home this time, sinking his stinger into the ball of Lung’s eye.  It surprised me in that it didn’t stick or kill the bee, so I had the bee sting again, and this time the barbs let it stick in the skin at the corner of his eye, at the side of his nose.  The bee died that time, leaving some tiny organs and a venom sac hanging from the stinger. 

Lung could probably regenerate this damage, but still ow ow ow it must suuuck to be him

I expected him to explode again.  He didn’t.  Instead, he set himself on fire, head to toe.  I waited a moment, poised to attack with the next wasp to attack the moment he dropped his guard, but as the seconds passed, I realized he wasn’t planning on extinguishing himself.  My heart sank.

Surely he was burning up all of the oxygen in his vicinity.  Didn’t he need to breathe?  What the hell was the fuel source for his fire?

Oh shit now he’s like a walking demon covered in flame. No need to wait for the scales to fully cover him. He’s already invulnerable

Run

Standing in the street, he turned around, searching for me, with the flames that licked and rolled over his body casting light where there had been only gloom.  Abruptly, he hunched over.  I wondered if – I hoped – the various toxins and venoms in his system had done the trick. Then his back separated into two.  A meaty looking gap appeared along his spine, followed by an eruption of long metallic scales all down the gap.  After bristling for a few moments, the scales lay flat like dominoes falling.  He stood and stretched, and I could swear he was a foot taller, now with an armor plated spine.

Still on fire, head to toe.

He’s reaching perfect form

Will he be an actual demon/dragon at 100%?

Already he is becoming less human

Aah I wish someone like Murata could draw this, it would be a fucking spectacle

If the ‘constantly on fire’ thing had tipped the balance of the fight to futile, watching Lung grow and look stronger than ever had pushed me to the point of being spooked.  I started thinking about an exit strategy.  Rationally, I figured, Lung’s men were scattered to the four winds and they were probably in pretty rough shape.  Whatever Lung had been planning for tonight, chances were he wasn’t going to be able to carry out whatever plans he’d had after this debacle.  I had more or less accomplished what I needed to, and I figured I could run and find a way to contact the PHQ just in case.

Yeaaah time to get the fuck out

His plan is probably fucked, now let’s just pray he doesn’t kill you

That was the rational perspective.  Justifications aside, I just wanted to leave, right then.  If things dragged on and I stayed put, there was a very real chance that Lung would give evidence to the rumor that he could grow wings, at which point I would be spotted for sure.  I wouldn’t be able to beat Lung at this point, anyway, which left only a graceless retreat as the remaining option.

Ooh if he grew wings, you would have nowhere left to escape to anymore. Good thing is he would probably attrack the attention of some hero at least. A flying Wyvern of flame tends to stand out

Lung had his back turned to me, so I lifted myself up, slowly. Crouching, I backed up to retreat to the fire escape, watching Lung carefully as I set foot on the gravel of the roof.

As if a gunshot had gone off, Lung whirled around to stare at me. One of his eyes was just a glowing line behind his mask, but the other was like an orb of molten metal.

A victorious roar filled the air, less human than the outcry he had made earlier, and I felt a kind of resignation.  Enhanced hearing.  The package of powers the bastard got from his transformation included superhuman hearing.

.....

well fuck

f u u u c k

Lung is OP, he now has super senses and has found you. You better pray someone noticed, cause I don’t think you can do anything right now

Aaaa, and I got cliffhangered! I’ll see you guys on the next part!

I don’t have time to do the homestuck update today, will do it tomorrow!

[savrenim]

I gotta say I think my favorite part of Jeremy as a DM is that he takes the stupid half-jokes that I make offscreen and just. turns them into things for me. that also fit perfectly into the plot and the story seamlessly but feel special 

like I was making goddamn jokes about “okay but. but I want a bloodsword. we do blood magic. please. Jeremy. Jeremy what if I could make my blood into a sword. b l o o d s w o r d. I could go to parties and never be unarmed because mY BLOOD IS A SWORD. YOU CAN’T DISARM ME YOU WOULDN’T PART AN OLD ELF FROM HER BLOOD WOULD YOU, SO LONG AS I HAVE BLOOD I HAVE SWORD.” and then, like. because it was only half a joke and I got attached to the aesthetic I actively started planning on how to make one of my own, which was pretty much going to be that there are some shadow weapon spells either on the cleric/oracle or witch lists and I was just going to take one of those as I was leveling up in Caedic magic and request that because it’s blood magic can we please flavor it descriptively as being made of my blood and not of shadows like, just as a cool aesthetic piece, and I’d have my bloodsword. 

and then halfway through Book 4 Galen fucking Torus out of nowhere makes a really fucking rad bloodsword from his own blood and hands it to me and I kill a bunch of enemies of the Empire and feel hella cool and I go “c a n  y o u  t e a c h  m e” with starry eyes the next day and he goes “okay sure” and starts teaching me how to make a bloodsword and there are cool bloodsword mechanics and just. Iria Strell got a bloodsword. after I spent six months joking about it. this is an actual legitimate bloodsword not a cheap knockoff made from a flavored shadow spell, real genuine Caedic blood magic here.

and, like, there are a couple of other obvious things (I spent a while being excited about a Feat tree that I’ve now totally forgotten because I think I was looking for some weird way to add Int to attacks and there was something similar to feinting you used bluff for a round and I’ve forgotten about it because it became irrelevant because Iria has developed mechanical combat spurs that give her a pretty similar option, not a “sooo then in five levels I’ll be able to do this!”) I guess another one was joking for months okay not joking about how much in love I was with Arcadia Dominus and holy shit she liked me back and the “gay murder elf bachelorette” bit actually becoming a part of the campaign, this campaign got literally infinitely more gay because I made a dumb joke and then Jeremy went “okay” and followed up on it, we went from no gay to one of the longest running and at least emotionally important plotlines is “oh no Iria is so gay you utter disaster fire of a lesbian how are you going to mess everything up now because Pretty Girl”

but, like

the one that is hitting me really really strongly now-now is that I have been half-jokingly complaining for months and months that I regret So Much Iria Strell’s background as a minor noble because it limits the fanciness and quantity of dresses that I can get for her and goddamnit I want to put her in all the shiny things all of them and how Painful it is to pass all these cool costumes that I Want To Pull just in fashion posts and stuff but uuurgh I can’t because Iria Strell isn’t the sort of noble who would wear all those and she kind of isn’t allowed and that just goddamnit I need to make a character next game who whatever the context wears Cool Clothes so that I would get to actually do a shit-ton of character design and costume design 

and I am 1000% sure that this didn’t change from the original plans, like, the outlines have been in place for months well before I got obsessed with noble costuming, but the big objective of this book is Iria is investigating a maybe heresy/conspiracy that maybe involves nobles, and to do so, she has to go to a bunch of noble parties, and Galen Torus gave her an unlimited credit card and went “material resources are no worry go ham request whatever you want” and what her wardrobe is actively affects all the interactions she has with people and how well she can gather the information she needs to

which means that OOC I get the chance to design a full and changing wardrobe for Iria Strell to look cool as it is now her job as the secret leader of an investigation to actually do noble business and look pretty sometimes and talk to a bunch of nobles and go to parties but just. I’m limited in interesting ways by what is tasteful, but I have been given the full resources and an active in-character reason to utterly go ham on costuming, which makes me so excited as a person

and it’s just. super tiny details like this that idk make the games feel....more than just special? or maybe it’s that I’m not used to being listened to? like. the game is so good. I’m having so much fun. we have gotten to book 5 and it is once again the coolest fucking thing I could imagine. and so was book 4, and book 3, and book 2, and book 1. it is completely unnecessary to throw in tiny things like the bloodsword in order to make me happy and it is all done so....seamlessly? like. if one of my hunches is correct. the bloodsword and a ritual that Galen Torus performed telling Iria it would make her better at the bloodsword wHICH IT DID BUT THAT WAS NOT THE MAIN POINT OF THE RITUAL, THE MAIN POINT OF THE GODDAMN RITUAL WAS TO CONSECRATE PRIESTS AND PRIESTS HAVE MORE ACCESS TO BLOOD MAGIC SO A SIDE EFFECT IS BETTER THAN A BLOODSWORD BUT A CONSECRATED PRIEST IS A SUPER HIGH RANK AND THIS MAKES HER A CONSECRATED PRIEST AT AGE EIGHTEEN WHICH IS VERY VERY VERY UPSETTING TO HER AND POSSIBLY UNPRECEDENTED EARLY 30S IS CONSIDERED RIDICULOUSLY EARLY TO BE A CONSECRATED PRIEST FOR INCREDIBLY TALENTED AND FAST-CLIMBING CAREER-FOCUED NOBLES NOT A MINOR DISGRACED KIND OF EXILED LESBIAN DUMPSTER FIRE LIKE SHE IS

but consecrated priest thing aside and that being one way or another a major plot point and that coming so seamlessly and so perfectly a surprise from the fact that she asked an Exarch if he’d teach her how to make a bloodsword

again I’m pretty sure “Book 5 is noble politics book” was always going to be a thing so it’s not “oh Jeremy wrote it into the plot that I get to be ridiculous and pick out every single dress and everyday wear and hair and makeup for my character all the time multiple times a session and have that matter” because it was always abstractly going to matter as that matters as a part of being a Caedic noble but just 

here and is everything I wanted and was everything that I was totally joking about for months except no joke I just. get to do it. which I’m just actively so excited about. I guess it just...feels weird to me because I’m... sometimes used to making my own fun? or just, like, making things happen in my own life? there have been way too many “well if you want to survive it’s only you that you can rely on” situations not even in a bad sense of my life is horrible like. I could go on a rant about how I....not don’t trust people as people but don’t trust people to be 100% reliable and so always make a backup plan so that if a person falls through I can still get what I need done to be done and it’s just more pleasant for everyone involved if I don’t pin pressure on people or things? but in a different way I do the same thing for the games that I’m involved in, I will find things to make me have Feelings and will make my own fun and write letters and befriend NPCs and insist on staying in touch and, like...I dunno I guess I’m not used to trusting any world, be it fantasy or real, to give me what I want, if I want a thing I have to carefully plan and invest time and energy to earn and take it and be prepared to fail and just because Jeremy’s my friend and I goddamn narrate everything jokes or not of how I/my characters feel and “okay but here is the 1000th picture of a cool dress that I’m sending you and because Iria Strell doesn’t get to wear cool dresses we’ll say it’s the Gothicus Maximus Spring 2019 collection” and just

I guess I’m really not used to a world that cares about what I want

and, like, is sometimes fucking brutal Iria is dealing with slowly losing her mobility and ability to fight to an injury that was her fault and she is descending into a lot of really fun mental health places that push fun buttons and Marian is spelljammer and is Marian don’t even get me started on Marian’s family suddenly reappearing or just. characters from the thousands upon thousands of words of backstory showing up but just idk it feels like even when things are really brutal to the characters......the world is still kind to me? it’s aware of what I care about and it cares about me?

and I’m just so not used to the world being kind

I don’t need the world to be kind to love it. I love this world even with how fucked up and hard it is, and I love the games that I play and the stories that I get to be a part of without them caring about me at all, I don’t need them to care about me, that’s not why I’m playing

maybe I’m just hella tired and the move has been awful my old housemate gave me a deadline less than 12 hours before when there was never a deadline in our original conversations and then she and her mother were also going through my room and my stuff I guess to try to determine how quickly I’d get out of there but, like, I do not like it when people go through my stuff and there was a scare about the landlord selling the new place and the new landlord would have to honor the lease for a year but then maybe not wanting me to have my cats so suddenly for two days even my new living place was up in the air and I was already jet lagged and stressed and barely slept to try to finish a week’s worth of work that I was under the full impression I had a week to do in a day and a half and definitely sprained my ankle but got to keep walking on it and internet took forever to set up and trying to fix my furniture and all my stuff is in boxes and I’m still walking around on a twisted ankle because it’s just me there’s no one here to help me, if I want things to be okay and to get done I have to make them be done myself and these boxes need to be unpacked by Saturday morning because the landlord wants to fix the floor and just. I’m stressed and emotional so maybe I’m hella overreacting to “oh you like costumes? well an aspect of this book is noble interactions and parties so sure I’ll let you pick out literally every dress that you’re wearing” but it just

it matters so much to me

Jeremy is really really good at the DnD thing

[starfleetdoesntfirefirst]

Philippa Georgiou headcanons, Part 1: A few different backstory headcanons

In the year and a half since I fell in love with this character, I've developed a bunch of headcanons about Georgiou, most of which I've only used in my writing or gabbed about to people. So, I thought I might as well toss them onto my blog, too. :)

So far, each of the fics I've written/am writing has a slightly different take on Georgiou's backstory, and then I have a few common elements to all of them (e.g. that she started as security track), which I'm putting in a separate post since this one got already got long enough for me to put in a cut. :D

Please talk to me about any of these at ANY time, I would love to gab more about them or answer asks or swap headcanons or anything else! :D

Backstory Headcanon #0.5

Ironically, the first time I wrote a fic about Philippa Georgiou--which I wrote after the “Starfleet doesn't fire first” trailer aired, several months before the show began--I initially started thinking of potential tragic backstories that could have led to Georgiou having strong feelings about Starfleet principles, and then thought to myself, “You know what, self? A fictional character having strong convictions because of a tragic backstory is a really obvious and common way to go. Why don't you experiment with writing a story that shows how a character could develop strong convictions about Starfleet without a tragic backstory? That would be interesting.” 

And I did that, and I'm glad I did that because it was interesting and fun, but...it is, of course, also ironic, since one of the few things we now know about canon Georgiou is that she does have a tragic backstory. (And, of course, that “I was a human who had seen a life of loss but still chose hope” is foundational to what I love about the actual character we finally got to meet; I'm not complaining about the canon there at all.)

(Like some other fans, I do think it'd be interesting if not every Starfleet officer had a tragic backstory...but that's not Georgiou; she does have a tragic backstory that she made her way through to become the person that she is, and I love her for it.)

Anyway, if I wrote a Georgiou backstory fic now with the same snapshots-of-a-life format as that first fic (which is here; blinking gif warning at the link), I'd come up with pivotal moments that fit the “life of loss” narrative, so, while technically that fic is still plausible (the character could, after all, have had other, additional horrible things happening to her as well as what's in the fic), it's on the back burner for me as far as headcanons go. Although there are some things included in that fic that are in the common-elements-to-all-my-Georgiou-backstories pile, like her having a cat named Captain Cat when she was a babby :D

(I just remembered that I also gave babby Janeway a teddy bear named Captain Tribble in a fic. Oops? :)

Backstory Headcanon #1

This headcanon fits pretty well with the beginning of that backstory fic, and is that Philippa has a pretty happy childhood and time at the Academy, then experiences losses and traumatic events in the service (and maybe in her personal life) as an adult.

I have an outline of a longfic set in this universe, which I will almost certainly never have time to write, where a 20something Philippa loses her entire team of colleagues in horrible ways on a mission gone wrong. (Sarek was also attached to the mission, which is how they first meet, and the two of them are the only survivors.) She then doesn't really get proper counseling because at this point there isn't enough oversight in making sure that all Starfleet counselors are able to address the kind of trauma she has experienced, and none of the counselors she works with are able to help her effectively. 

Feeling extremely isolated/grieving/angry, she ends up channeling those feelings into violence and gets involved with Section 31 or another similar, even shittier part of Starfleet (this plot point is inspired by mirror!Georgiou joining Section 31, as well as an arc where Seven of Nine is recruited to Section 31 at a vulnerable point in her life in Gina Dartt's “Just Between” series).

At the crux of an especially unethical mission, Philippa decides that this isn't what she wants to do or be, and makes the ethical choice on the mission. She subsequently helps unravel the Terrible Subset of Starfleet and throws herself back into real Starfleet and proper counseling and a renewed personal life. At the end of this fic-I-probably-won’t-have-time-to-write-but-really-wish-I-did, she bumps into Sarek again and they talk, a conversation that ultimately leads, many years later, to Sarek having the brainstorm that “hey, I know who can help my traumatized human daughter :)”

Backstory Headcanon #2

This backstory basically just exists in the world of my Chakotay x Philippa fic. In this universe, Philippa had a traumatic early life, joined Starfleet and went to the Academy because she believed in Starfleet principles and wanted to be part of the vision she had of Starfleet, had more traumatic experiences (and/or simply unfair and distressing experiences) at the Academy because of low accountability for staff/students from Starfleet families, and developed anger issues and got into a bunch of mutual fights as well. She ultimately decides to stick to the principles of what she believes Starfleet is/should be and channel her anger into making lasting changes, believing that in attempting to do so, she is going to not only fail to actually make any changes but also get kicked out by retaliating staff members. 

Instead, she actually does manage to kickstart some systemic change, and becomes known for having stopped a whole bunch of abuse and corruption, an achievement that jumpstarts her career. (Since I imagine Starfleet/the Federation as being a genuine utopia populated by genuinely decent people, 97% of Starfleet officers are THRILLED that Philippa exposed whatever problems had been festering at Starfleet Academy for the past few decades).

Backstory Headcanon #3

I'm using this one in a third fic that I am planning to finish at some point (it's a little crossover adventure ficlet where Uhura, Janeway and Georgiou meet)! At the end of the day, I think it might be my favorite of the Georgiou backstories I've come up with, so I might have it in mind when writing her characterization in other fics, too.

In this universe, Philippa didn't attend the Academy as (what we would currently think of as) a “traditional student,” instead joining Starfleet later in life. (Terminology note, because idk whether the same term is used elsewhere in the world: in the U.S., anyone starting their first year of college/university in the 17-to-20ish age range is a “traditional student,” while anyone older is a “nontraditional student.”)

Obviously, the whole tranditional-versus-nontraditional thing is something that I’d hope would be less of a division in the 23rd century; I'd like to think that by that point both civilian and Starfleet educational institutions would be much more geared toward serving and welcoming people from all phases of life, rather than mostly being geared towards 18-year-olds they way they are in the U.S. right now (especially at more prestigious institutions). (As a bit of a tangent--to its credit, imo the term “traditional student” is actually relatively good about not inherently holding some kind of value judgement. In a literal sense, it's just an acknowledgement of what kind of path has in fact been “traditional” in U.S. higher education up to the present.) 

However, what we see onscreen in Star Trek is that “Starfleet Academy” is an institution attended mostly by students who enroll in their late teens, just like modern U.S. colleges and universities (and modern U.S. naval/military academies, I assume, since that's what the whole idea of Starfleet having an Academy for its officers is based on, though I don't know as much them). 

That's what the student body looks like when we see the Academy onscreen, and most of the 23rd and 24th century officer characters who reference their education imply that they went to the Academy in that age range. So, my hewing-fairly-close-to-canon headcanon for Starfleet is that “traditional” students are still the majority, though older students are much more common than they are in our time. The upshot is that Philippa is still a little out of the ordinary for having had a longer, fuller adult life before she joins Starfleet in her thirties. 

The awesome thing about Michelle Yeoh being in her fifties is that this timeline is totally conceivable—she could enter the Academy in her early 30s, receive her first commission at 35 (three years older than Kirk at the start of his five-year mission, and only four years younger than Janeway at the beginning of Voyager), become a captain by age 45 (from Kirk, Janeway & co., we know that officers making captain after ten years in the service is possible and fifteen years is normal—and that's for kids graduating from the Academy as 22-year-olds with no life experience), and have been captain of the Shenzhou for several years before she meets Michael.

In this headcanon, when looking back over her life Philippa sees the value in her own path and is proud of it, though she's also a little wistful about not having had the “classic” Academy experience, and has faced some difficulties integrating with and relating to colleagues who had the “normal” Starfleet career trajectory. She tries to be especially welcoming and supportive to others outside the “normal” path, which is one reason she ends up being the captain who accepts Michael onto her ship when Michael joins Starfleet after attending the Vulcan Science Academy rather than Starfleet Academy.

Backstory Headcanon #4

This one is just a twist on Headcanon #3 where Philippa starts out (at any point in life) as enlisted personnel. (Give me a show with a captain protagonist who started as an enlisted servicemember, Star Trek. Give me that show, and have a flashback episode showing the Mars training base Memory Alpha says enlisted personnel train at. I WILL THROW ALL MY MONEY AT THIS, STAR TREK, PLEASE.)

So that’s my totally-not-excessively-long list of Philippa Georgiou backstory headcanons haha. Like I said, it would absolutely make my day if anyone wants to talk about these, or tell me about your own headcanons, or talk about Georgiou in any context, really :)

Just in case this is ever relevant, a note about credit...if you wanna use one of my headcanons in detail in a fanwork, I’d be thrilled, but please credit me! (I.e. I’d never expect credit for something basic like writing her as being in security track or having a bad time at the Academy, but would appreciate credit for using one of my backstory ideas as a whole, or for borrowing original details like Captain Cat). Thank you! :)

[adorealeclightwood]

Book Review: City of Bones.

Hey guys. So my dumbass was typing very quickly, and accidentally pressed a combination of keys that closed the tab, ultimately deleting my entire review. 

I wasn’t even finished yet, for fuck’s sake. 

*Screams angrily*

It’s okay. This is fine. Because I’m going to do it again. 

I said I’d post a review, so I’m posting it. I’ll type carefully this time. 

Alright, before we get into this, a word. 

I skimmed through a few parts. I wish I was the type to power through when I’m bored, but I’m not. I’m a premed student - I’ve done enough of that to last me a lifetime. When I read for leisure, I like to enjoy the words on the page. If I don’t, I’ll skim until I get to a good part. 

That being said, let’s begin!

Book Clary: Young, Dumb, and Broke. (Two out of three).

Book Clary gave me a headache. For starters, this is set in New York. In what world is she totally comfortable taking off with some pale blond boy she met two minutes ago? She’s fifteen, and I get that she’s supposed to have that naivety, but still. It’s strange. 

However, she did have a few redeeming moments that gave me hope for her character.

Going to the Silent Brothers. Her hesitation and reluctance to go through with it in the first place; her fears regarding the memories they’d find; the pain of the process. I’m glad it was written the way it was, because it was an unsettling ordeal. Finding out part of your memories are missing is bad enough, and on top of that, you have to go to a bunch of creepy looking, ominously silent men that are going to have to poke around in your head to dredge up some things you may or may not even want to remember in a procedure that can leave you deranged or dead. That’s some scary shit. 

Finding out Simon loves her. Not only was she completely blind to it, but she was conflicted in her own feelings as well, which helps serve as an explanation as to why she felt the way she did about the women Simon was attracted to. While she wasn’t entirely sure if she wanted him or not, she didn’t really want him wanting anyone else either, which coincides with the teenage state of mind quite well.

Knowing she was wrong for what she said to Alec, and apologizing. What? A white woman acknowledging her wrongdoings and apologizing without blaming the person she offended, or playing the victim? This is rare, people. I can’t even begin to tell you how many books/movies/shows I’ve seen manipulate the narrative or twist a character’s views in order to protect people like this, and that’s excluding how often I’ve seen it happen with my own eyes in everyday life. I loved the dialogue as well. Even after Alec points out that everything she said was true, she doesn’t disregard that she was wrong for having said any of it in the first place. “Not everything that’s true needs to be said. It was mean.” It was refreshing to read.

In short, there’s lots of potential here. I may actually like her at some point. 

Book Jace: Trouble.

Book Jace made the reading fun. I laughed out loud at some of the things he said, and also found myself rolling my eyes and mentally telling him to shut up, because that’s what an obnoxious character is supposed to do. You’re supposed to laugh and want them to stop talking at the same time. 

I like how he was presented as this cocky, irritating, too-cool-for-school guy that likes sex, sarcasm, and killing demons, but later on, we see him shift closer to that fragile boy Valentine raised. We learn why he has no desire for love (which wasn’t about another woman, thank God. That trope is overused.), why killing demons is so important to him, how he feels about religion as well as his duty as a Shadowhunter. I was surprised to see that kind of development within the first book, but I wasn’t mad at it. 

The only thing I had a problem with was how taken he was with Clary. Valentine pointed out that Jace loved her, and I was like, why? She hasn’t done anything. All they do is argue. Not the cute, teasing, underlying sexual tension kind of arguing, either. Clary voices her annoyance or snaps at him, and he antagonizes her. Even Izzy makes a comment about Clary bringing out Jace’s ability to show kindness or some shit, and I was like, where?

I mean, I guess, honey. 

Book Alec: Sad Boy Meets World.

Three words: I. Needed. More.

I made a post outlining all my favorite Alec quotes and moments. You can check that out here.

Now, I’m going to be doing a character analysis when I finish all the books, so I’ll keep this fairly short. Still, I’d like to point out a few things. 

We don’t see a lot of Alec in CoB, but when we do, he’s almost always off to the side, lingering in the background, slouching, or slinking in. He doesn’t like a lot of attention (which the book does a great job of showing, since he’s nowhere to be found 80% of the time). He’s shy and awkward, he rambles around Jace, gets excited over vampire motorcycles, finds mundanes annoying, and hates Clary. 

There were also comedic bits I enjoyed, like when he basically confirmed that he and Jace were the ones to pour holy water in the gas tank while at a party surrounded by angry vampires. 

I love Book Alec so far. More on that later. 

Book Magnus: Drippin in Finesse. 

Book Magnus was golden. He was fabulous, catty, popular, dramatic, and brazenly honest.

My favorite part had to be when Clary was in the middle of her woe-is-me spiel, and he put her in her place by sharing a story of his own, which I thought was delivered beautifully. (You can read what he said here.)

He explained that while she may be feeling different, it isn’t like the world is going to end. It’s like “tough shit, suck it up. Things could be a million times worse”. 

Oh, and don’t think I didn’t clock Magnus coming by to heal Alec when he was hurt. 

Book Simon: Lovesick Fuck. 

Book Simon surprised me in a lot of ways (all good). Usually, in genres like this, the best friend is pushed aside entirely, forgotten until they’re mentioned every five or six chapters, or killed off in a way that triggers the main character’s desire to cross over onto the dark side or some shit. I’m glad we didn’t see that here. 

I found it hilarious that Simon was turned into a rat - of all things. The parts where Clary was talking to him and his whiskers twitched were funny. I really liked how after he told Clary he loved her, he was upset that she hadn’t noticed, and when they talked again, he asked her if she could look at him and just see him for once. I know it’s fiction, but I’m a sucker for realism! 

I was pleasantly surprised that he was the one to use Alec’s bow and arrow to kill the greater demon. (Or, scare him off. I don’t remember what Jace said about it). The fact that he was even listening when they said demons couldn’t stand the sunlight was shocking, but good on him for making himself useful instead of sitting on his hands. 

Book Luke/Valentine/Izzy/Other Characters

Look, I hate skimming through anything that isn’t a textbook, alright? I do. I always feel like I’ve missed something, but holy shit. C.C can get so wordy at times, and when there’s actually something you want to spend eight pages reading about, she glosses over it in two paragraphs! 

I spent 85% of my reading time looking at my laptop like this:

Valentine was established as evil from the jump, and when he made an appearance, guess what? Still evil! Props for continuity. 

I didn’t see much of Izzy besides her flirtatiousness, lack of cooking skills, and worry for Alec when he was hurt. Come to think of it, that’s not a terrible summation of her character. Anyway, I like her. That is all. 

Hodge had me genuinely shook. I knew he was going to betray them because of the show, but when it happened it the books - and the way it happened - I didn’t see it coming. I wasn’t expecting him to actually do anything with the mortal cup until later, so that was a nice twist. I also like the fact that he mean a lot to the Lightwoods, because Jace didn’t want to tell the others what went down right away. On the show, they all turned on him the second they discovered he was working with Valentine, so again, it was a nice twist. Subtle, but effective. 

If there’s anyone else I’ve forgotten, it was probably for a reason, so...hm. 

In the future, I may do a post comparing book events to the show. We’ll see.

That brings me to the end of my review! I hope you all enjoyed it. 

City of Bones (The Mortal Instruments #1) Rating: 6.5 out of 10 Would Recommend: Yes/No Would Read Again: Yes/No Thoughts: A short, simple read. Decent set up for a complicated plot. Nice character introduction. 

My rating has more to do with the style writing, because there were a lot of passages I could’ve done without, but I promise I’ll try to get over that! 

Until next time.

- Erykah.

[iwillnotburnmyjournals]

Days 10 & 11: Coming out from under the covers

I began today like a comic-book character – throwing up the covers around my head and saying out loud, “I’m hiding.” It was 11 am and I had been snoozing my alarm in 15-minute increments for over an hour. My schedule-keeping has been very intermittent the past five days, and I had slept in after going out last night to see my friend perform in a drag show and going out with friends afterwards (hence, my forgetting to write about yesterday and needing to piggyback onto today). The hit-and-miss schedule observance was making me dislike myself. But after I’d risen, had coffee, did yoga, and ate something, I was “back on track” when it occurred to me that, rather than maintain the schedule, I needed to break it. It became clear to me that I had somehow been avoiding myself through the very schedule I’d made to ensure I be creative and self-expressive.

It is easier than anyone could imagine to avoid the self through the very activities that are made and meant to investigate the self. I am the queen at utilizing self-help in order to “get closer,” all the while closing my eyes and holding my nose at my internal divine spark. This hit me like the methodical buildup of dropping brick after brick into a pit. It occurred to me that just making the time and doing the action does not grant that the spirit and the heart will accompany.

I happened to watch an interview with Jim Carrey – the of-late open-heart-surgery Jim who speaks about the universe and faith and being yourself instead of characters. A line that that made me think, “There’s no escaping or faking now, that chased me straight home” was this: “When you create yourself to make it, you’re going to have to either let that creation go and take a chance on being loved or hated for who you really are, or you’re going to have to kill who you really are and fall into your grave grasping onto a character that you never were.”

It is terrifying to be yourself and be vocal and audacious – because, for me, all I can think about are all of the people who are going to say I’m a poser or I’m crazy or I’m an idiot or I’m an embarrassment to myself or I’m wrong. Nobody wants to be wrong. I guess I’d be willing to say that most of our unhappiness comes from being afraid to do anything because we’re afraid it will be wrong. Each time I go out and interact with people, I’m newly aware of how terrified I am to be myself. And I am not practiced in being me. My entire life has been built around creating characters and personas that I think will make people like me because it will make them comfortable. Today, it really occurred to me that if I create from that perspective, nothing is going to be compelling.

So, I stepped away from my straight road and walked off into the brush. I asked myself a question my dear friend Joel suggested for the process of re-parenting and discovering who you are. The simple question to speak to your inner child, “What would be fun to do next?” A bath was what sounded nice. I sat in the bath and looked at parts of my body and how they interacted with the skin of the tub. Sleep kept coming for me, but I kept shaking myself back because a) I’m terrified of falling asleep in the bath and b) I knew that this was not the time for my subconscious to take over – I wanted to spend time with my conscious self, the me that I always am hiding from.

Jim said ego is writing a screenplay and the working title is “I’m not good enough.” When I was sitting in the bath, I thought about how, when I pull away from myself because of that fear that I’m actually worthless, not only my brain goes hazed but also my vision. I only see the outlines of things, not their filling, which is a reason for my poor memory of events or surroundings. I was trying to see the filling of both my brain and my eyes in the bath. At one point, out of the corner of my eye, I noticed that one of my hairs was experiencing a phenomena of a water droplet gathering at the top of the hair, then traveling down the hair, slowly. Right at the tipping point, when the hair could no longer support the drop, the hair bent suddenly and deposited the drop onto my shoulder.

I kept thinking, “I don’t want my thoughts to be taken up with anybody else but me.” This sounds selfish, but it’s not. My attention has been divided and scattered all over by trying to dictate myself to please other people’s whims. This is not efficient and it serves nobody because it is not actually me. It’s like offering a rag doll to people in place of myself. I said to the universe today, “I want to act, I want to sing, I want my thoughts to be mine, I do not want to give up my brain to anyone else’s world.”

Today’s reality kept sinking in that it is simply a fact that some people will love you and some people will hate you. I have lived under a delusion these 29 years that I can make everybody like me – that if someone doesn’t like me, I’m either doing something wrong or they are. I think it comes from the Christian conception I was raised with that there are those outside of the fold and those inside the fold. You’re either in or out, good or bad, saved or unsaved. This black-and-white philosophy had split my world to a degree where I thought I was either wrong or someone else was. There had been no both/and. And when there’s no both/and, it’s not OK to live in a world where it’s just a fact that people will hate you.

These were my thoughts. Which merged sort of unexpectedly and sweetly with thoughts about singing that have been coursing through my mind the past two days. The concept of singing from the diaphragm has always confused me and has come and gone in my habit of singing. When I watched people explain that you should sing from your gut and that, when you sing, your throat should be totally relaxed, I thought, “HOW. Is that what they actually mean?” Because, to me, technique meant that you constricted or manipulated your throat. Even when I feel like I am singing capably and well, there always is a part of me that feels like I’m missing something.

For me, being able to have a higher registered chest voice and figure out how to smooth the break between head and chest has been a long-standing desire. It definitely has improved over this year of intent practice and Stevie Mackey’s singing course. But right when I thought I’d figured out that issue and gained enough technique to be somewhat happy about my voice, I discovered Cheryl Porter – trained opera singer, YouTube sensation, and regarded as one of the world’s number one vocal coaches. The way she approaches singing with her Cheryl Porter Method is to outright say that it is a physical workout – she does all of her vocal exercise videos and lessons with specialty Cheryl Porter boxing gloves. All throughout the warmups, she says, “All of the burn should be in your abs, never in your throat.” And because she said that, my throat would immediately constrict. It was like the more she talked about how your throat shouldn’t be tight, the only way I knew how to sing suddenly was by straining my voice.

Today, after watching numerous vocal coaches on YouTube explaining how to sing from the diaphragm and implement the abdominal muscles, and finding a Cheryl Porter exercise particularly for diaphragm support, it clicked. When I was doing the exercises and focusing entirely on my diaphragm, I felt the burn. Never before had I understood the burn fully and I never was practicing consistently where I felt the burn. But today I understood that the entirety of singing comes from the abdomen. The technique and the vocal fry and the runs – that all comes from the abdominal muscles. I always thought that I had to implement a grating of the vocal chords by constricting my throat and that the only way I would be able to hit a high note was to focus on my throat handling it. Wrong. Visualization and putting your attention on the correct part of the body is everything – and I’d been putting it elsewhere for a long time. When I tried singing Carole King’s “Natural Woman” focusing solely on my abdomen, I sounded totally different AND I was able to do runs and riffs I wouldn’t have even thought of or been able to just swing into before. Relaxing and letting go while paying attention made so much difference. So, I immediately went and bought Cheryl Porter’s class.

The lesson of singing is similar to the lesson of self-love – to be aware of where you are putting your attention and energy. My goal now is to be aware of how often I speak and act out of fear and compromise, and to STOP. My life will be nothing if I do not make a tireless practice of relaxing, letting go, and following myself and my capabilities.

Stop hiding under the covers.

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