#also i'm not used to make comic at all so- in case of any problems undertanding my handwritting i can add the dialogues in the image id

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[maskeddiany]

Dominoes

[autisticcassandracain]

is it just me or is batman like. significantly more tolerable outside of gotham comics than in

[zvtara-was-never-canon]

Have you noted that no one from Azula's family was shown to express love and affection towards her?

That is mostly true. Ozai's affection is clearly conditional (and full on manipulation at worse, like we see in the finale), Ursa canonically favors Zuko to the point that we never see her spending any alone time with Azula like she did with Zuko, and while Iroh gave her a toy like he did to Zuko the toy in question was so OBVIOUSLY wrong for a kid like Azula that it's comical AND show's he did not really know his niece at all.

But there is a constant exception.

Zuko's relationship with Azula is complicated. He clearly admires her strength and power, but he hates how she uses it. She lied to him many times, was seen apparently cheering Ozai on during the Agni Kai, tried to have him imprisoned and even said she'd celebrate being an only child - and then allows him to come home as a hero after Ba Sing Se, even though SHE had the control of the Dai Li and was not yet aware Aang could have survived, meaning she had nothing to gain from it.

And when she lets him know that if he's caught talking to Iroh people might think he is a traitor too, and explicitly says "Believe it or not, I'm actually looking out for you" Zuko drops his innitial suspicion that she wanted something and that's why she was helping him.

On The Beach, he just follows her when she say their old family home is depressing and they shouldn't waste their time there. When she's asking him who she is angry at, she mentions herself and Zuko explicitly says that is not the case.

He doesn't trust her and know she has a tendency to mock or full on lie to him... yet when he wants to know about Fire Lord Sozin he asks her about it, and lets it slide when she mocks him by saying he should make sure the royal painter got his good side - for a character as quick to anger as Zuko, that is a big deal. In Nightmares and Daydreams he also goes to her to find out if he'll be allowed at the war meeting.

More importantly:

1 - Iroh's infamous "She's crazy and needs to go down" line was only said because ZUKO, without anyone putting that idea in his head before, suddenly went "I know what you're going to say. She's my sister and I should be trying to get along with her"

2 - Zuko only jumped into the fight in Ba Sing Se when Azula was being cornered by Aang and Katara.

3 - Zuko looked genuinely shocked and even distressed when she was falling off that cliff. He just sounded so shaken saying "She's... not gonna make it..."

4 - In the writer's own words, Zuko felt no hate but only pity when seeing her breakdown. Katara tried to comfort him because, canonically, even though Zuko and Azula are enemies, this was never what he wanted because he still sees her as family. That's why the Last Agni Kai's music is not the epic you'd expect from a battle, but a tragic one.

5 - Aaron Ehasz, the lead writter for the show, probably the person with the most influence after Bryke, has REPEATEDLY said that he always felt Azula should have gotten a redemption arc, Zuko being an Iroh figure to give her advice and be the only one still by her side when all else was seemingly lost to her forever.

Even the comics (most of which I HATE, mainly because Azula's storyline checks nearly every box for "the mentally ill are inherently evil/less human, so it's fine if literally every other person on the planet mistreats them") didn't fully abandon their complex dynamic.

Zuko is not a perfect sibling, and for a long chunk of the story he seemed too focused on his own issues for Azula to ever be a factor in his mind (aside from the moments in which she was a potential/explict threat), but he DOES still feel a sense of obligation towards her, to the point that it made him do something no one else in their family had done before or since - actually look at Azula. Not the prodigious daughter/perfect weapon, or the problem child that is difficult to handle, or the pontentially deadly enemy that was in the way, but Azula.

His 14-year-old sister that got on his nerves a lot, was far from the kindest person alive, and that he had a ton of issues with, but that he could never fully hate or even be indifferent to. Because she's family. Because he remembers a happier time in which the gap between them didn't seem so big. Because if things had been slightly different he could have been her. Because he went from wanting to be her to seeing just how miserable her life ended up being - especially compared to the one he now had - and feeling deeply sorry for her.

Now if you guys excuse me, I'm gonna go cry in the corner. Have some wholesome/bittersweet fanart if you wanna cry too.

[actually-factually-anonymous]

Ladybug Vs Avatar's use of the supporting cast and the problem thereof.

I'm not sure if this has been covered before, but there's a serious problem with Marinette being the be-all end-all of everything in Miaculous.

And it's not just because "she's stressed" or "it's all on her". Her being the most important, talented and plot-relevant character in every situation is.

Let's make a comparison to the Gold Standard:

In Avatar the Last Airbender, Aang is the axis of the story. He holds incredible powers beyond anyone else, can bend every element and could conceivably end the entire conflict that plagues his world with relative ease- which he eventually does.

However, for 99% of the story he cannot do so. Because Aang is untrained, he cannot access that divine win-button of the Avatar State at will, and using it carried enormous risks to himself and those around him- making it functionally unusable for common conflicts. Furthermore while he does technically have the capacity to use all four elements, he had only mastered one and needed to learn the remaining three.

Indeed, Aang has outright difficulty with learning Earthbending despite his innate talents and while he's a quick study for the other two, he doesn't demonstrate the same effectiveness with water and fire as Katara and Zuko.

This means that Aang cannot do certain things as well as the others in his team. This means that for the majority of the story, even though his first and preferred element provides him with useful abilities" Aang has weaknesses that he needs others to cover and provide for.

Enter Katara, Sokka, Toph and Zuko.

Katara is a waterbender who teaches Aang and later advances her powers to include the all-important power of healing and the disturbingly effective (though situational) Bloodbending.

Toph is an earthbender who is also one of Aang's teachers, and whose tremor sense later allows her to both detect liars and invent Metalbending.

Sokka is seemingly just the comic relief normie. However his technical mindset allows him to serve as the general of the group, and even plan and lead in that role for entire armies later in the show.

Even Zuko who joins later and becomes less a teacher but a fellow student alongside Aaang in firebending is a skilled infiltrator and melee weapon expert. (This is less of a case than the others since it's not used as much, but it's more of a concrete example than his insights into the fire nation and his potential utility as a replacement Fire Lord).

They each provide far more than those short summaries, but it's important to note that in each case, even when Aang does learn the elements and starts growing into his role as the Avatar: he never gains the full range of abilities that his team offers. He never assumes the fully strategic mindset of Sokka, and even though it's downright implausible that no Avatar before him never learnt healing, he never demonstrates that ability or any Metalbending prowess even in the Avatar state.

There's also the enemy trio of Azula, Ty Lee and Mai. Azula is a powerful firebending genius, but Mai's prowess with her throwing weapons are a close match- and Ty Lee's chi-blocking can outright cripple enemy benders for any given fight when combined with her insane agility: something that not even Azula can do with her firebending. They are an incredibly dangerous combination and when Azula loses them, she becomes far less effective for their absence.

In both teams despite the leader being a powerful, talented bender who is objectively the strongest person on their respective side: there's no doubt about each member of the team contributing something that said leader cannot.

-

Now let's look at Miraculous:

Marinette is the "Greatest Ladybug" of all time despite being fourteen, only having had the earrings for less than a year, and having a list of predecessors that go back literally thousands of years and include Joan of Arc.

She is also the Guardian of the Miracle Box. Specifically she is the Guardian of The Mother Box that is the most important of all the boxes, despite there being at least a full Temple's worth of actually trained candidates somewhere in Tibet who should be far and above more capable than her or her mentor Fu. However, her supposed superior Su-Han seems entirely convinced that she's already surpassed any teachings his order has by how often she breaks said teachings in his face only for him to roll over like a dog. There's not been a single time when Marinette has been confronted by some shortcoming in her responsibilities as a Guardian where she has had to learn anything from the multi-millennia old Order of Guardians.

Marinette has also worn almost every single Miraculous in her Box at the same time, a feat that supposedly risked serious harm to her but merely made her woozy for an afternoon (if that). As of the season five Finale, she has also unified her earrings with her partner's ring: a scenario that in earlier seasons seemed to imply great risk: yet she was able to use the powers flawlessly.

As Ladybug, she is also the lone hero who has unlocked any new advanced powers with her Miraculous (unless you also include the arbitrary "adulthood" that she and Chat Noir achieved that allows them multiple uses of their Miraculous before detransforming), and on the occasions when she's used anyone else's powers has shown no sign of being any less capable than they are with them.

Ladybug does everything as well if not better than everyone else.

Marinette can not only unify with any Miraculous she needs for a given mission, she can use the powers as effectively as their "dedicated holder" can and without any restrictions. Unlike the majority of the cast who are still under the child-power limit. She can even unify with multiple miraculous at the same time without any drawbacks.

And without those drawbacks, without anyone on the cast being able to use the power of their Miraculous more effectively than Marinette: everyone else on the team is more or less superfluous.

Sure, Marinette has tossed out the Miraculous to her team like candy now. But when you get down to it: the real lesson that she should have learnt from Strikeback to just put some damn security on her Yo-yo/The Box. Because this just means that she has to wait for the hero in question to show up when she could have just pulled off whatever plan she has in mind herself.

And that superfluous label includes Chat Noir.

As frustrating as it is to come to the this conclusion: as of right now, there's no real reason for Adrien Agreste to be anything but a temporary holder. Certainly you can point to his experience with Plagg's power, and a few examples that seem to imply he can do more with it (in his second outing he was able to reconstruct part of the Eiffel Tower into a makeshift extension to catch someone from). Things that imply that if he perhaps received any actual training in the show like Marinette did from Fu, any guidance whatsoever from the Order or their Grimoire he might be able to achieve more.

But there's no solid evidence to expect that Marinette wouldn't be as effective, and the narrative precedent does not lend itself to the idea that anyone could overshadow Ladybug as a holder even of their own Miraculous. If anything, the sheer ability Marinette showed as Bug Noire implies that her having a partner instead of just keeping the ring herself is a detriment to any given situation.

If you can justify exposing the ring to potential capture in the first place considering that there seems to be no requirement to do. By all rights the practical thing to do is just keeping Plagg in the box instead of risking reality.

Of course we wanted to be generous, Adrien could still be of some use. He's the resident meatshield and narrative jobber. So long as he has a Miraculous he could continue faithfully serving in those roles, eating up mind-control beams and taking hits for Bug Noire so she can save the day as usual.

But everyone else on the Miraculous team might as well turn in their furry super-suits and go home.

-

You couldn't get a more black and white depiction of the value of others outside of the protagonist. in Avatar, Aang is literally a semi-divine being who still needs to be humble and learn while the others around him still have useful special talents and prowess that he can't simply attain at will.

While in Miraculous, there's only one person of actual true competence. From Paris to Shanghai, Marinette alone is the capable one- barring the odd episode in the limelight (Alya and Felix stand up and take a bow. Adrien can stay seated).

There is a word for a character that is impossibly more capable than any other in spite of all reason and logic. And Marinette is increasingly fitting that mold as the show goes on. There's also a term for characters that ultimately contribute nothing good or bad to a story; wasted space. You can't have an entire ensemble of characters as part of the cast and have them provide nothing if they're supposed to have even a smidge of narrative value without making them something the story would be better off without.

Just as you can't just have one person at the centre of everything, make them capable of everything and not eventually have the story they're in turn into (at best) a power fantasy.

And it's a shame. Because Miraculous seemed like it could have been a lot more.

[detailtilted]

In Search of Supernatural Fans from the Early Years

Hi! I’m looking for the legends who originally recorded old Supernatural convention panels featuring Jared or Jensen, or possibly Misha. See "What I'm Looking For" below. If you know one of them, or if you're a member of a community with people who were in the fandom in those early years, I’d greatly appreciate it if you could let them know about this post. I can be reached at DetailTilted@gmail.com or here on Tumblr.

If you aren’t familiar with my project, see the “Project Background” section below. This is not a low-effort exercise to merely repackage old videos. I’m putting many hours of work into each video to improve their watchability and accessibility. I will always credit my sources unless you wish to remain anonymous.

Even if your videos are on YouTube, I’m likely to have more success upscaling them if I can get the original video files. Thanks to the videos AgtSpooky kindly sent me, I've learned how big of a difference it can make when I have the original files to work with. That's why I’m putting more effort into finding those elusive original video takers.

The problem is that they all seem to have fallen off the face of the earth. Most of their YouTube accounts, LiveJournal accounts, and whatever other accounts I’ve dug up haven’t had any activity in 10-15 years. I’ve left a few messages on some of them, but I doubt they’ll be seen on dormant accounts. I’ve also gone down some crazy and twisted Googling paths trying to find current contact info for them, but without much success. In one case I even messaged the wrong person, who was at least kind enough to reply to the psycho asking for videos to let me know she wasn't the person I'd hoped she was. Oops!

What I’m Looking For

I’ve already finished CHICON 2007, Comic-Con 2008, and CHICON 2008, so I don’t need videos from those events, but I’d be happy to try to upscale your videos for your own collection if you have some you'd like to send me.

Actually, I could use CHICON 2008 Breakfast videos if you have any. I plan to attempt to redo that video either late this year or early next year.

I’ve been trying especially hard to reach people with original video files from either LA 2009 or Asylum 3 (2009), and I’d also be ecstatic to get some from LA 2008.

Any other old con videos you’re willing to share that have Jared or Jensen in them would be awesome. I hope to get to all the old conventions eventually. I haven’t yet defined “old”, so I don’t have a specific cutoff point.

Even if you just have audio files without video, those could be helpful too.

Length doesn't matter. Both long and short videos are welcome. Maybe I won't end up using them all, but the more options I have the better. Even if I don't put your video in my final edit, it would still be used because I always listen to every single video I can find when I'm finalizing my subtitles. Each video sounds at least a little different, and sometimes just hearing the audio in a slightly different way lets me catch a subtitle I'd missed or misheard.

Also, just to be clear, it isn’t necessarily my intent to exclude Misha. I’ve watched and enjoyed many of his convention videos and I liked Castiel for the most part, especially in the earlier seasons. I’m just not obsessed with Misha like I am with Jared and Jensen, and these videos do take quite a lot of work, so I’ve been putting my energy where my greatest interests lie. I’ll absolutely be including him when he’s in panels with Jared and/or Jensen, and in the future I may consider doing some of his solo panels.

So if you have original video files of Misha's solo panels that you’d like to send me, I’d be happy to add them to my stockpile for future possible use. If your videos turn out to be mostly complete, and if they upscale easily, then I might go ahead and do his panel at the same time I do the other panels from the same convention. If they'll take more effort to work with, I’ll probably skip them for now, but I may come back and tackle them if/when I run out of old Jared and Jensen videos to work with.

For any con videos you send me, regardless of whether I use them or not, I’d be happy to try to upscale them and send them back to you for your collection. I can’t always get things to upscale, so I can’t promise success, but I’ll definitely try.

Project Background - Enhanced Edition Con Videos

You can find my videos on my YouTube channel. (If you're already familiar with my project, skip to the next section -- there's nothing new to see here.)

I started this project in December 2023 to enhance old convention videos. My goal is to make them easier on the eyes and more accessible to both new and old fans from around the world. The videos on YouTube from that time can be difficult both to watch and to understand due to a combination of the older technology used to record them, the difficult recording conditions the fans were working with, and the lack of subtitles that make any sense.

I’m enhancing the videos as follows:

Visual Improvements: I’m upscaling the videos if possible, making color corrections if needed, and adding some slight stabilization to reduce the jitteriness. The end result is far from perfect because there’s only so much that current technology can do, but it's noticeably improved if you compare it to the originals.

Subtitles: I’m adding good, color-coded, English subtitles that can be turned on or off through YouTube’s CC button. The color-coding makes it more clear who's saying what when multiple people are speaking, and YouTube can auto-translate them into other languages to improve the accessibility.

Multiple Sources: If one video has gaps in it, then I'll try to find another that I can edit in to fill those gaps so the end result is as complete as possible. If I have more than one source that captured the same portion of the event, then I'll cut to whichever video I think had the best view of the action. In a few cases I’ve added a split screen with two different videos showing simultaneously so we can see action that's taking place in two separate areas. For example, when Jared and Jensen are on opposite sides of the stage. (There were also the infernal talking head bubbles on my Comic-Con 2008 video which nearly made me throw in the towel, but taught me a lot. 😅)

Extra Content for Context: These older videos don’t take up the full width of a modern video frame, so I’ve taken advantage of the extra space to display some still images with text to add extra context for many of the things they discuss. Some things are a lot funnier, or at least a lot more relevant, when you know exactly what they’re talking about. I clarify Supernatural episode references and pop culture references among other things. Sometimes I’ve also inserted short video clips, usually just a few seconds’ worth, if I thought it would add worthwhile clarity or entertainment to the topic at hand.

Current Project Status

If anyone has been wondering how I’m doing on my current video and what’s next… I’m almost done with the last video from CHICON 2008, which was Jensen’s solo panel. I should be ready to publish it on YouTube this Friday, May 24. I plan to use the same schedule as last time and put the Tumblr post up the following Tuesday when it’s a little more likely to be noticed here.

The next sequential conventions are LA 2009 and Asylum 2009, but I haven’t had much success in my attempts to upscale the available videos. If I were to work with what I have now, I know I could turn out something better than what’s on YouTube today, but the end result wouldn’t be nearly as good as what I might be able to achieve if I can get some original videos to work with. So I think it’s more logical to skip over these conventions for now and give it some time to see if I get any responses, in hope of a better end result.

I do intend to come back to the skipped conventions eventually, even if nobody sends me anything. Once I run out of conventions for which I can upscale the videos, if I still don't have anything better to work with for the ones I skipped, I’ll just do the best I can with what’s available. Even if I can't upscale, I can still do color corrections and stabilization, plus the subtitles and extra content. Some of these panels are split up into a bunch of very short videos, so it would also add value if I can combine them into something more sequential and cohesive. (I found 130 videos from the Jared and/or Jensen panels at LA 2009, and most of them were under 2 minutes long. 🤣) I don’t know if there’s enough footage to cover the entire panels seamlessly, but I’m itching to get my hands on that jigsaw puzzle of videos to try to make sense out of them.

So… the next videos I intend to work on will be from Vancouver 2009. This is one of the conventions that AgtSpooky attended and sent me videos for and they upscaled very well. Her breakfast video had already found its way onto YouTube, but wasn't properly credited. Her main panel videos aren't on YouTube as far as I could find, so that version may be new to newer fans. I'm only just starting to play around with upscaling the other sources out there, but my first attempt at the other main Breakfast source came out well. Both breakfast videos were taken from extreme opposite angles, so that should provide some useful editing opportunities. I’d still love to get more videos of this event if anyone has them.

If you made it this far, I am in awe. Sorry for putting this wall of text on your screen! 😅

[genericpuff]

Okay, what the FUCK is Inklore?

My ULO pals and I have been deliberating on this one since it was announced. "Inklore", the brand new imprint from Random House Worlds - which is, in and of itself, an imprint of Penguin Random House - and Rachel Smythe Presents, an in-house program of sorts that's dedicated to graphic novels, specifically those that "tell updated, romantic versions of classic stories and mythologies, and caters to readers looking for bingeable, relationship-driven stories with a distinct visual voice."

Basically it's exactly how it sounds - they're creating an imprint for works like Lore Olympus, and using Rachel as the leading lady.

But let's dig a little deeper. Because the more I searched on Inklore, Rachel Smythe Presents, and Random House Worlds, the more it started to paint a picture of what's really going on here.

INKLORE

I talked about this in my recent analysis of LO's pacing problems, but Inklore launching in Spring 2024 conveniently lines up with what would seem like a reasonable end point for LO. Rachel's always lined up LO's episodes with real life dates and holidays - even when it's been at her comic's own expense - and while we've kept our minds open to the possibility that it could end later than Spring, there's no denying at this point that LO itself is dragging itself out, which gives me stronger reason to believe it's just trying to make it to March, specifically March 20th, which is the first day of Spring in the northern hemisphere. Because of this, our best predictions right now is that LO's series finale will either release on FP or unlock for free readers on either the 16th or 23rd of March (if it unlocks for free on either of those dates, that means we can expect the series to end behind the FP paywall on either April 6th or 13th, assuming they're aren't any more hiatuses, but at this point I doubt there will be.)

Moving on, let's look at the actual Inklore site-

Already you can get the vibe of what kind of work they're looking for through their imprint. This is for people like Rachel. Now, I'm definitely not going to rag on anyone's tastes, I myself am a weeb of epic proportions, but considering you're about to see what's really the highlight of this site, you'll get what I mean when I say this isn't for people like Rachel, this is for people like Rachel. Specifically Rachel.

RACHEL SMYTHE PRESENTS

Inklore seems to be just an imprint specifically for Rachel Smythe Presents, with a couple extra series tacked on to give off the impression of it being more credible than it is. It means the whole site can be dedicated to it, rather than having it shoved in haphazardly alongside Penguin Random House's other works. You'll see what I mean in a second, but let's magnify those questions real quick, shall we?

As soon as I saw the "we are not accepting unsolicited pitches for Rachel Smythe Presents", it dawned on me that Rachel's own fans don't know how imprints work. Why do I say that? Look no further than the comment sections on her announcement posts for RSP (which I'm abbreviating, but I assure you, it stands for "Rachel Sex Party"- /j)

Of course, there are plenty of "congratulations" comments and "please do xyz myth", in which case, please, don't let her touch more myths I beg you-

But then there are also the odd comments of people asking how to get involved themselves. People who are just, by all accounts, regular people on the Internet.

But wait, how do you get involved? Thankfully there's a handy URL in that FAQ telling us how.

And holy shit, it's hilarious.

Guys, it's so easy to get into Rachel Smythe Presents! All you have to do is finish a manuscript, find an agent who's willing to work with a new unpublished author (and hope that they're not a scammer), get your manuscript prepared for publishing and submitted to editors, and then hopefully land a book deal! Wasn't that so easy?? Thanks for demystifying the process, Penguin Random House!

Listen, okay, there's something to be said about how difficult it is to navigate the publishing world. While some of those difficulties are for good reason - to ensure that not just any piece of crap thrown on paper can get published - many more are rooted in privilege, racial gatekeeping, and sexism. It is still an industry being run by a lot of nasty old fucks who take full advantage of people desperate enough to get their book published.

All that aside, it's kind of hilarious - in a sad kind of way - to see fans of this comic assume that this project and its opportunities were ever made for them. It wasn't. It wasn't made for the Canvas creators, it wasn't made for the Wattpad writers, it wasn't made for the people who work in the medium that Rachel started out in to get where she is today. It was made for the people who are already 3 of the 4 steps into Penguin Random House's "helpful" guide on publishing. It was made for the Cait Corrains and the wannabe Rick Riordans.

At best, Inklore is simply a home that's been manufactured for Lore Olympus after it's done on Webtoons. It may remain on the WT platform forever - or maybe not - but Inklore gives it a way to be seen and acknowledged outside of its niche. Because, despite Webtoons attempting to make Lore Olympus a global phenomenon, it really hasn't sold well in other countries, especially those where it was translated which people from those countries have stated it's not translated well at all.

It goes to show that much of LO's claim to fame was manufactured within North America by Webtoons itself, and Inklore is just another one of those manufactured attempts.

Still don't believe me? Still think I'm wearing too much tinfoil?

There are still only two series that Inklore has to show for itself - and remember, it launches in two months - and of course the ones leading that charge are every single volume of LO, even the ones that aren't "new and upcoming" anymore.

And then there's their Instagram, which is just more of the same-

(wonder if they ever found a Marketing Manager? Not exactly the role you want to be left empty leading up to a launch, oop-)

But wait, doesn't that site layout look a little... off? Almost cheap, maybe? Am I being too harsh-

Oop, nope, it's the exact same template used for the LoreOlympusBooks.com website.

Wait a minute, what about the imprint that Inklore is attached to? Random House Worlds?

RANDOM HOUSE WORLDS

... Uhhuh. I'm not entirely convinced that Lore Olympus is in any way on the same level as fucking Star Wars but to the average onlooker, this would make Lore Olympus seem pretty big and important simply on the virtue of it sitting smack dab in the middle of a grid of massive franchises.

So I'll bite, where do these buttons go? They all lead to external sites selling books and merchandise (except for the Marvel Studios one, which hilariously doesn't have a URL attached, so that button goes nowhere LMAO)

... Oh. It's that layout again.

Not all of them have the same layout, mind you, but it seems to be the default layout for sites they just haven't buffed up yet. It would explain why the Star Wars and D&D sites are a lot more robust in their designs, while others just link back to Penguin Random House:

Now the Minecraft one does look better at first glance, but it's still just the same template as the LO site, with a slightly different layout, but working off the same design philosophy, like they just spent a few extra hours dragging things around and spiffying them up in a site editor.

So it seems a lot of the default sites are working off the same CSS stylesheets, which doesn't exactly look good for LO and Inklore's online identity.

But hey, it's gotta mean something that LO is sitting alongside such franchises as Star Wars, Marvel, Magic the Gathering, and Minecraft, right? These are some of the biggest franchises on the planet, and while LO does make a lot of money, it's still nowhere near the billions that these franchises generate every single year.

And that's what I would be saying, if I hadn't noticed the specific products that Random House Worlds was selling - all easily churned out merch, from cookbooks to spin-off titles, which aren't exactly the main draw for these franchises, simply stocking stuffers or otherwise fun gimmicks to try out.

(I actually own the Dungeons and Dragons tarot deck. It's shit. They don't actually tell you the suit of the cards, JUST the numbers, so you have to flip through the book and match up the pictures on the cards with the pictures in the book just to figure out if it's Cups, Pentacles, Wands, or Swords, which I'm sure you can figure out, if you're a tarot reader, is very inconvenient and doesn't make for a good card reading experience)

Point is, Random House Worlds seems to mostly be an imprint dedicated solely to the cheaper products and books they can make to pump up a franchise's merch count. Even the Critical Role site doesn't offer the campaign books, those are published by their own personal imprint Darrington Press and are offered on their main - and much better designed - site:

Instead it's selling printed versions of interviews and... mad libs.

Not made or even really endorsed by the Critical Role cast, because if they were, they'd be on the main site, where the good shit is.

Random House Worlds is, at least judging off what I've found here, the "trick the parents into buying it" imprint. It's simply there for parents to see, go "my kid watches / plays that!" and then buy a Beholder puzzle which their kid will undoubtedly start and then never finish and eventually throw out half-finished after all the pieces have been lost. It's the cheap merch money generating machine, with works written by people who were simply paid to write it, and not people actually involved in the larger franchises.

And this is the imprint that Inklore and Rachel Smythe Presents is going to be an extension of.

At best, Inklore will likely just be a home for Rachel's work post-Webtoons, with maybe the odd success outside of it. At worst, it comes across as nothing more than an ego project, another artificial attempt to place Rachel and LO on the same playing field as Marvel, Minecraft, Star Wars, and Dungeons & Dragons through the only means that they can - an imprint that specializes in off-brand books, which they're truly counting on people just seeing the logos and going "wow those are big franchises!" and associating LO with that status simply by affiliation - without it having anywhere near the actual level of prestige, household influence, or brand recognition.

Its readership is dying out, its stats dropping, and worst of all, the vast majority of people - of which its a very small amount - who have heard about LO without being a Webtoons user themselves have heard how infamous it is in its bad writing and poor art direction.

It has nowhere to go but down, and if you were hoping to be a part of Rachel Smythe Presents, then all I can suggest to you is to go through the very simple process of finishing your manuscript, finding an agent, finding an editor, and then (hopefully) landing a book deal with the 'esteemed' Inklore.

Good luck! ヽ(・∀・)ﾉ

[cripplecharacters]

Hi, this is probably a stupid question but would it make sense/be accurate for an autistic character to have, like,,,,, normal facial expressions, at the correct time (like when they're happy or sad) like a neurotypical person? Without having to mask and intentionally force themselves to make those faces?

I'm autistic but I don't think I do this. I don't talk to people unless I absolutely have to and my memory is dogshit so I can't recall any times when people have commented on my facial expressions, and I definitely do make expressions sometimes, just maybe not in the right contexts or not very often.

I'm making a comic and one of the characters is autistic and very based on my own symptoms (she's the main character so since she gets a lot of screen time, I figured it would be easiest if I already knew how to represent her).

My reasoning behind wanting her expressive is:

There are already two other characters with autism who are pretty blank and expressionless.

It's a comic and I want to draw a lot of fun expressions, I want her to be able to smile softly and snarl and look baffled and make all kinds of faces, without her having to mask and constantly be miserable.

But my problem is that I want her to actually have autism. And when I look up posts online from other people, I'm really not seeing a whole lot of "Oh yeah I can emote and make facial expressions exactly like a normal person, in the correct contexts, automatically without masking."

So I'm not sure at this point if this is something we can even do? I've seen quite a few autistic people say that our brains literally do not work this way.

Maybe, would it be possible that she has the opposite problem most autistic people do? Most of us are sort of blank and expressionless and have to mask and make ourselves look happy/surprised/angry.

I thought that instead, she could be TOO expressive, so she would have the correct expressions at the correct times (looking angry when she's angry) but she wouldn't notice this, and would make the wrong expression at a bad time?

For example, if she was at a funeral and found something funny, she would unintentionally smile/scrunch her face up and everyone would get pissed because "Omg girl their grandma got killed by a dragon and you're laughing?"

So most autistics = masking to create expressions

But her = masking to remove expressions

I hope this makes sense It's midnight and I need to sleep lmao

Hi asker!

I just wanted to say that it is, in fact, possible for autistic people to be naturally expressive. A flat or flatter affect might be more common, and many autistic people mask to create expressions. But that doesn't mean all!

Me, personally, I'm autistic. I've been called expressive pretty often. I generally smile when I'm happy, frown when I'm pissed off, widen my eyes when I'm surprised – expressions you'd consider normal. This happens less often the more tired I am, and in my diagnosis debrief I was told that what I do that isn't normal is that I don't direct expressions to people: basically, that I don't use expressions to communicate with others, they just sort of happen. Which surprised me, because I saw communication as kind of a side effect of expressions as opposed to the main purpose, if that makes sense?

One of my adult family members is autistic as well. They are also very expressive, in fact kind of too expressive like you mention your character could be. They can't really hide the facial expressions they do (that generally correspond to typical expressions) and so can't really hide what they're feeling, even when it would be better to hide it. Their version of masking would be working to remove these expressions, which they don't actually do, but that would be the case.

That's two examples of people with autism that are pretty typically expressive, yet still show social/communication difficulties even in that. So: what you're describing is definitely possible.

As a side note:

Autism is two-fold: social/communication difficulties, and restrictive/repetitive behavior. Everyone who has autism experiences those two aspects. However, autism is also very varied in how these things present, so be wary of anything or anyone that says something (other than those two things) applies to either absolutely all or absolutely no autistic people. Sure, some presentations are more common – like a flat affect, or lack of eye contact, or how hand-flapping is a common stim. But no single presentation is universal. And on top of that, 'difficulties with social communication' doesn't have to mean 'difficulties with every single aspect of this.' It can! But it doesn't always.

Also, wow, I have typed the word "expression" so much that it barely seems like a real word right now!

– mod sparrow

[fantastic-nonsense]

Hi! I've never done this before but I'm new to comics (started with WFA and Zatanna and the Ripper) and I've basically got most of my information from posts on tumblr and r/hobbydrama (including yours.) I think I have a general idea of what Jason Todd is like, but I believe a lot of people are unhappy with his new characterisation.

So, if you were the one in charge, how would you write him? Would you write him with a team or as a solo character? Would you have him use the All-Blades or a crowbar or his guns? Would you have him properly rejoin the batfam or not?

Thanks!

Hi! Welcome to the fandom! I hope you're enjoying your time here.

In general, I think DC (and the fandom) has spent too much time milking Jason's death for trauma porn. They have refused to allow him to find closure, move past that, and exist beyond his daddy issues drama with Bruce. When DC has allowed him to have stories outside of that, they were often written with little consideration for what should be done with Jason beyond making him "badass."

None of this has been conducive to creating any kind of satisfying and coherent narrative or character arc for Jason, especially when both writers and editorial seem more obsessed with stealing traits, relationships, and stories from other people to give to him (most prominently Dick, Selina, and Helena). My hottake is that DC should move beyond "Red Hood" as an identity for Jason entirely, because it drags his character down and keeps him inherently tied to the same problems that have kept his character stagnant for years.

However! I don't think he's unsalvagable. I simply think DC needs to put a decent writer on him and commit to a character direction for more than 2 years at a time. I'm unsure of what Shawn Martinbrough is currently doing with Jason in his The Hill arc, as I'm not reading it, but I've heard that there might be some forward momentum finally happening there?

Anyway, my personal conception of Jason's future (as lovingly brainstormed by me and my friends in our comics discord server) is effectively this: he becomes a street-level paranormal detective who solves cold murder cases by talking with the victims' ghosts and providing closure to restless spirits. Think Lockwood and Co. meets Pushing Daisies with a superhero twist; basically, a supernatural detective noir book.

There's a lot of concepts and lore drops tied into this idea, but basically it was born out of a discussion where I was talking about Jason's many connections with the supernatural and occult across all continuities and how it's kind of a mystery why DC hasn't just formally connected him to the mystical side of the DCU. So I was like "they should just reveal that Superboy-Prime’s reality punch resurrection left him LITERALLY undead, make the event where he finds this out also spark his ability to see and communicate with ghosts, and make him an occult detective. Let him close cold case murder files and put those spectres to rest."

Which is also a great premise for a Bat book and a great unfilled niche for a Batfamily member. Kate's supernatural stories are much more high concept and connected to her family drama. Damian's supernatural/occult connections are traditionally very heavily tied to his family history and the Lazarus Pits. Dick's semi-regular magic encounters are usually stuff he deals with alongside his teammates in the course of working with the Titans. None of the other Bats have enough regular encounters with the supernatural and magic side of the DCU for it to encroach on their shtick, and a Gotham-based supernatural book is well within DC's ability to publish and market given books like Gotham by Midnight.

In terms of how that direction affects all the other questions you asked...I think Jason's relationship with the rest of the Batfam should be complicated. I personally don't think "good/bad relationship with the Batfam" is a particularly useful way to look at it because I think there are people he should never see eye to eye with, people he realistically shouldn't and doesn't have a problem with, and people he should get along with just fine. I don't think everyone needs to or should be friends or enemies with him, but his morals and past actions will (and should!) complicate those relationships in interesting ways.

And re: what weapons I'd like to see him use...using the All-Blades would certainly factor into my proposed narrative direction, as that would lean into the supernatural connections, but I generally prefer the concept of Jason using knives as his preferred weapon over guns/a crowbar/etc. That way he can still be a marksman without using guns, and I think that fits more with his character trajectory as someone attempting to be less lethal but also has no problem roughing people up when he thinks they need to be.

[ghost-bxrd]

Afraid Jason is starting to become one of the characters I'm most annoyed by.

Yeah, I hate Canon Bruce too, but in his case there's fanfic to the rescue.

Can find either Good Dad Bruce or Canon Bruce getting called out on his douchebaggery.

But fanfic Jason?

Hey, here's this drug dealing crime lord, isn't he cool?!? Don't worry, he doesn't sell to kids and he uses unadulterated product, that makes it all cool!

He'll take apart random goons who hit his brothers, and any random 'bad enough bad guy' he comes across, isn't it cool to watch him shoot them all?

Oh? Riddler and Dent and Croc and the Rogues gallery are all still around? (At most fanfics have him kill the Joker, but usually not even that)

He will kill random goons, but the mass murderers are still around? Though he's convinced Batman's no-killing rule is the problem?

But he's great, everyone in the streets love him, Crime Alley kids love him, everyone agrees he's better than those silly Bats who don't want to kill. He's way more efficient, he has brought down the crime rate.

He's a walking talking fanfic argument that the heroes should start killing.

Any downside to his methods is glossed over, while every downside of no kill code highlighted

I think it usually depends on the kind of fanfic you’re reading? Like, yeah, majority of fic likes to simplify stuff, but that’s normal. It’s fanfiction. And I adore most works anyway, because people at spouting their hearts out into it.

There’s also fics out there that dive more into the whole aspect of “moral dilemma” you’ve mentioned, but they’re usually a bit darker than what a lot of people like reading/writing so I guess that’s also a reason why there’s more of the former. And some comics also deal with this issue I think? With Jason being too violent and volatile with the small time criminals and doing his crime lord business.

But yeah, we’ve got enough canon dark/sad stuff floating around that fanfiction tends to not make that the main plot point. And, personally, I like it that way.

[anothersmilingcrittersau]

Grief

Trigger warning: Mentions of a loss of a loved one (just in case)

Does this comic make any semblance of sense?? I hope so. I suppose this is how I view it? I made the original one when I was missing my own mom, so-- (she isn't dead, I was just separated from her for a long while) Also, if the backgrounds change a lot-- it's because I did these all on one layer-- Do I hate myself? mayhaps. Do I quite care? no-- Transcript if you can't read mine shite hand writing; Holly: You're up pretty late... what's up?

Star: Well... You know that... that feeling when you miss s-someone?

Star: But- b-but you know that- *sniffle* that, one day, you'll see them again... *sniffle* Even though... I... I know that's wishful thinking, b-but...

Holly: Ah, yes, that's Grief. It happens when someone close to you disappears or passes suddenly... causing you to long for their presence again.

Holly: ... I take it you dreamed about your sister again?

Star: *cringes* Y-yeah... Sometimes... I wish I could j-just-- forget. Just so I won't-- S-so it doesn't hurt anymore...

Holly: ... But... remembering the good parts of your time together is what makes it so beautiful!

Star: *shniff* Makes... M-makes what beautiful?

Holly: Why-- Life! No matter how long someone is with us, it always makes an impact! Be it short or a majority of our time... They chose us to spend that time with! To make those memories... be it good or bad. Isn't that beautiful?

Star: I-I guess that makes sense... Thanks, Holly.

Holly: *yawnn* No problem, Star... Besides... if she is still alive... I'm sure she's looking for you too...

[pumpkinstrawbrew]

*harvey bullock's voice* : batman an' that scarecrow guy are in cahoots! i'm tellin' ya! the vigilante an' that fruitcake totally have somethin' nasty goin' on!

bullock ships it know whats up. meanwhile, gordon is like 🤷‍♂️ 'idk, they look like sworn enemies to me'. so what if batman apprehends him very weirdly.

...

(one of very lovely an’ endearing btas crane’s features for me, always gonna be how he’s a complete twerp compared to his comic counterparts. he’s not only hella scrawny, but he’s also pretty short too.

comic crane build like a pencil compared to bruce, but btas jon is this, but a small version. a real gremlin, where in the comics, he's a goblin.

him being smaller have it's +. for one, he's easier to throw around an’ manhandle. or in this case, i kinda just thought ‘hey, bruce will have no problem to just place him in his laps’. jonathan is cuddly sized for the bat. gotta abuse this advantage to the max. he can catch him this way, or can hold him too… 

an’ look at that, it might lead to one of those few *rare, very rare* times, when jon will attempt to be comforting. he sucks at this, but he does show a shine of sympathy, if he's in the mood for that. but yeah, he would only do it, when batman is all sad an’ down. if he was scared, it’s another story. 

depressed bat makes crane feel some sort of way he hates. he won’t dare to call it anything, but he would rather them do smth less…..this. being held is nice tho. so he tolerates it, telling himself that it's fine just this one time. but then, casually tolerates *basks in* it every damn time from that point on, while using the same excuse… 

he can be regal like that lol.  

an’ speaking of regal…….

i always loved, when the bat tried to catch the scarecrow for a second time in ‘nothing to fear’, an’ jon talks to him in an odd manner. almost like a teacher would speak with a student. bruce’s slightly shameful an’ vulnerable expression is everything in that scene, esp when jon stands on the upper row of stairs looking at him. the tides shift later on, naturally. but even as a kid, it was fun to see batman being kinda humbled by some short, weird guy in a potato sack. 

like, jon is so funnily rude an’ ‘argh’ through the whole ep, it’s hard not to cherish, that batman had to put up with it. the way jonathan abused his henchmen is also smth else. he literally re-broke the dude's nose, while calling him names lol. i just wish, that besides ‘lock up’, we had managed to see other sides of him, which clearly existed. love him being a rude ass almost all the time too tho, bc it suits him. an’ it’s a fun difference compared to comic crane, whose spitefulness is usually more emotionally loaded an’ childish. btas crane feels like a proper antisocial sociopath, than anythin’. but like any good sociopath, he has that one person, who he fancy *even if in a strange fashion*. so, batman has a chance to see it all, once he gets past the cold shoulder phase. 

in their case *btas universe*, i picture that jon’s wary ‘get out of my way’ fashion in which he deals with bruce, would essentially build up into proper obsession, where terrifying him is less of a curious experiment an’ method of eliminating him, but also like….he legit wanna know what batman fears. what he sees. how jon affects him an' if it affects his every-day life. fights with him getting more personal an' more crucial.

from that bit, i was wondering what jonathan might have thought about times, when batman hung out with justice league. an’ if there was a villain, who he would feel envious of. an’ idk, doctor destiny came to mind. he’s not like fear-themed villain even per say, but he can control dreams, which is scary in itself. so jon *naturally for him* assuming that dr. destiny went after batman’s fears an’ gave him nightmares. which would instantly make him possessive an’ jealous lol. it’s his an’ bat’s thing! it fully escapes crane, that batman…doesn't ever prefer whatever villain he's fighting. not in way, where he thinks that he bonds with them over being tormented lol. i mean, he kinda does it with jonathan to a degree, but he'd rather they did it in more normal way.

regardless, bruce will have to tell him, that nope, like dr. destiny totally sucks compared to the scarecrow. mostly bc if he won’t, jon might make so, that dr. destiny won’t breathe air ever again lol.)

[factual-fantasy]

26 askss!! ✨💖🐻💖✨

@milk-powrit

XD actually, Bibi never minded being the shortest. Because Jangles and I never made fun of him for it. But he's probably happy that there's now 2 people short enough to give him proper hugs 🥺

And to be honest, I haven't thought too much out about character facts :0 other than Cici is a smarty pants and can be a lil sassy at times XD But in a harmless/charming way.

Also oh yeah, Gerald loves puns. XDD Although he hasn't had any cake before.. so idk what his favorite could be. What ever is the funniest flavor I suppose XDD

@luckyglasses

AAA THANK YOU SO MUCH!! :DD Happy holidays!! :}}

@deadly-skeleton123

Oh you're new to Tumblr? Ahhh word of advice then- If I may? It might be a good idea to change your profile picture. Tumblr has a big bot problem. And a lot of the bots have default profile pictures just like yours. A lot of people might see your account in their feed and just block/report on sight. Not fun.. also I suggest you do the same though, if someone with default profile picture, banner, no bio, no posts follows you... that's probaaaaably a bot and should be blocked--

ANYWAYS! So for the Captain Barnacles/Crab comic. I don't plan on finishing it. And the reason why I abandoned it was because the way I had written the comic had everyone acting out of character. The blood was over the top, it was too dramatic,, ugh.. I got tired of my own comic half way through making it. <XD

The comic was gonna end with the rest of the crew showing up, they take the Captain to the octopod, and Peso cries because "I was too scared to help the Captain.." Which is just stupid <XD

Peso would not cower in fear in this situation. Even if Captain Barnacles turned like that and became very scary. Peso has had an extended history of getting it together and braving through anything to help creatures in need. And if his own Captain/friend was hurt? Nothing would stop him. Nothing could scare him away.

In the perfect re-write, Peso would ace this situation. He would approach Barnacles perfectly and calm him down. He would patch the wound, guide him to the gups. Guide him into the octopod and into the med-bay. Expertly deal with the wound and clean up all the blood.

Sure maybe after everything was done he would cry a bit out of the stress of it all. But originally everyone else did everything for Peso because he was too scared to help the scARy CapTAIN OOOO!!

Nah, that dumb. Peso is way stronger than that. #justiceforpeso

I made one yeeeaaarrs ago when I was into Sonic. But it centered around a Sonic OC of mine. <XD I don't tend to do much insert OC stuff anymore..

I imagine Bonnie would just sigh and try to get through it on his own. And not go to Foxy for help.. Worse case scenario he gets overwhelmed and shuts down on stage and ruins the show. Which is fine by him. He'd think, "Serves them right for puttin me on that stage. Faz-bear entertainment deserves to have their show flop for how they've treated me.. for how they've treated us."

XDD Hey! That's Veggietales isn't it?

@elegysonnet

XD That's what I was thinkin! That, and they were basically fully fleshed out characters but their bodies just didn't exist yet. Since their future existence was so set in stone Jangles was able to connect to their minds..?? XD I guess??

Thank you so much!! :DD Also CAPTAIN BARNACALES FTWWW!! ✨💖🐻💖✨

@taizarack

XD New friend indeed! Cici is technically an old friend, she's existed longer than Jangles and Gerald! XD

@manybrokenquills

JOKES ON YOU I'M ALL OF THOSE THINGS XDD

Also thank you! I'm glad you've stuck around and like what you see! :DDD

@wildwitchofthewest

AAAAAA THANK YOU SO MUCH!! :DDDDD

@smallangryartist

1: AAAA I'm glad it fooled you! When I drew it in I knew that anyone with a different Tumblr theme wouldn't be fooled.. but I'm glad I got at least 2 people! XDD

2: Also aww.. even if they were happy tears, sorry for making you cry! <XD

ALSO WAAA THANK YOU SO MUCH!! :DD Also also don't worry, I'm taking a nap and drinking water at the same time as we speak! XD

(Also also also that heart shattering might come sooner than you think..👀)

Nahh, my gnome is built different. All he needs to thrive is a steady supply of pepperoni pizza and a very large 3 inch deep puddle XD

@beryl-shade

Maybe! :0 At the very least I imagine they'd get along. My Seam is soft spoken, polite, mellow.. he's probably a nice person to share a cup of tea with! :}

THANK YOU SO MUCH!! :DDD

@coolkoaladeer @thesweetishfish

@boringa55binch

Its hard to say, I didn't ever like.. try to replicate an art style and draw something unrelated. Like- if I was drawing in the gravity falls art style, I was drawing gravity falls stuff. I wouldn't draw in the gravity falls art style and draw random ocs and stuff. If that makes sense-

But maybe one style was easier to draw hands in than another. So I.. might have adopted some stuff..?? I guess??

I guess that would mean my art style developed off of the different franchises I made fanart from? If that's the case it was likely Gravity Falls, Sonic x, and Steven Universe..? Mostly?? XD Sorry this answer is all over the place-

Many actually! Its just unfortunate because all of them are giant comic ideas but I'm too wiped out from my 20k celebration to really draw any of themmmm... 😩sighhhh

@funtimespringscare101

XDDD I'm glad you like them! And I can imagine that they might be shy to hug new people- but Gerald probably wouldn't mind! XD

@ayoshivader

Since that statement I have re-written the timeline.. So who's to say any of that still stuck and what her motives were/are now..? 👀

<XD I've never played the paper mario games so that's why I've never drawn them.. it sounds really cute though! :D

Taking the quilt off does nothing, the quilt doesn't bring them to life either! Remember that Bibi could talk when he was a still picture and was brought to "life" without the use of a quilt or even any glowy effects. Also Jangles had a quilt as a drawing and was "brought to life" using a pen!

The point I'm getting at is, Pen? Quilt? It doesn't matter. None of these methods actually give the characters life. I do. All these fancy ways I seem to bring them to life are just for show <XD

@housome

XD The first thing that came to mind was Freddy telling Fredbear about Gregory.

Freddy: "I'm keeping a child hidden in the basement.."

Fredbear: "...you're keeping a CHILD in the BASEMENT??"

Freddy: "LISTEN ITS TO PROTECT HIM--"

Also thank you! :DD

Naahhh he'll be fine 😉

And yay! Cici and Gerald!!! XDD

To put it simply, fanart makes me feel bad. And Comments make me feel good. So I prefer comments to fanart. 👌

To complicate it a bit, when I post artwork I'm just sitting there all giddy waiting for the first "AKSJKASAU WAAAAA 😭😭😭" comment to pop up. When I get fanart I immediately get frustrated and uncomfortable. Fanart feels like stealing and usually invokes a negative reaction from me. So if people want to show their appreciation for my work, leaving comments is 100% more effective and preferred. 👍

Also thank you! :DD

@scp-16217

XD These are great match ups!

[cy-cyborg]

So I'm one of those writers that falls into the trap of world building super hard. I have so many projects I spent months or even years creating, writing lore, doing art for, all kinds of stuff, but never end up telling any actual stories in so they just end up going ultimately unused. One I'm working on right now is likely to fall into this category.

The thing is, I've recently come to the conclusion I enjoy world building more than actually writing in a lot of cases. Don't get me wrong, I still love to write and tell stories and make comics, I won't stop doing that lol, but I also really love making worlds and settings just because I can.

The problem is though, without a story to attach to these worlds, I don't know how to go about actually sharing them in any way. It's fun making things, but to spending so long working on something that no one will ever see is starting to feel... I guess a bit tiering. A few I tried to use little slice of life stories or comics as a way to share the worlds and settings, but they never actually stay slice of lifey. The big comic I'm working on right now, Voidstar, was supposed to be one of these and at some point it went from "cozy space slice of life" to "gay aliens get imprinted on by a baby dragon god and travel the galaxy to fight the government" Needless to say, Scope creep is a bit of an issue for me lol and nothing ever gets done. I also tried making websites on a few occasions or showing stuff off on my portfolio website related to the worldbuilding projects, but that didn't end up working for a bunch of reasons (mainly that my portfolio is on Wix and they're stingy with space for pages/uploads). I also tried World Anvil, and used to really enjoy that, but they've locked way too many features now behind frankly ridiculous paywalls, so It's not really worth it now. Not to mention it was really hard to make WA sites decently accessible.

All of this to say, I want to start sharing these worlds (if nothing else so I stop vanishing from social media for months at a time when I get hyperfixated lol) but I have no idea how. Does anyone have any ideas or suggestions?

[kay-then-i-guess]

So, I had this idea as I'm getting close to finishing the Election arc of my Roleshuffle AU to go through my previous comic pages and point out everything I did wrong :) This is all for funsies, and I feel like my art has gotten a lot better with the Election arc. Plus, I think it's very important to go back and critique yourself to 1: see how far you've come and 2: to better understand where you tend to make mistakes. So, let's get critiquing!

Soooo starting off, I really didn't know how to make a comic. I had only done very brief, minor comic making before, so this was a completely new field of art that I wasn't used to. You can immediately see that problem in the first and second panel, since they. They aren't a panel. Nothing about them (minus the speech bubbles) indicates that this is a comic. I think the first would have benefited from each item being properly separated, and the other would have benefited from an actual image behind it; not a gradient. Speaking of the items, that's supposed to be Sam's hand at the top, and it is freckle-less (no clue why I forgot to add those lol). Some other consistency things that are weird is that L'manberg has no tower entrance, and there aren't any trees surrounding it in any other drawing. On notes of consistency, the sword there is supposed to be Techno's, but the design changed later to have a gold hilt. I guess that change never reached this panel, so now that just looks like a random sword stuck in the ground. Nobody's sword in the comic looks like that haha. Similar deal with Techno's crown: the spacing of jewels is not consistent with how I draw it in the rest of the comic.

Moving on! The next two panels of Connor aren't bad, per se, they just aren't good. (I'm mainly bothered by the fact that he doesn't have teeth in the first one.) Also, because I didn't want to draw hands and cut his arms off, it just looks like the framing of the panel is all wrong. Plus, I don't think I've seen anyone pose like that in real life. He looks like he's about to hug you, which is not the vibe I was going for. In both of these panels, we have what will become a reoccurring problem throughout: loooooong neck because I didn't draw a base figure before drawing the clothes. Connor's face should either be longer in these panels, or his shoulders should be higher. Either way, the neck does not look right. Another reoccurring problem you'll see is dull coloring/shading. I'm still working on this, to be frank, but these images all look rather dull. There's nothing unique about the lighting/colors, so it doesn't really pop like it should. Either I needed to add more dynamic lighting or be better at highlights.

Yet another case of long neck. Oh, and weird positioning on the facial features. The eyes feel stretched across his face instead of, well, where they should be. I also think in these opening panels I really fail to encapsulate Connor's personality. I was really banking on the fact that he's a silly little comic relief character in the canon dsmp, but his delivery is very dry/flat whenever I watch old clips of him. Therefore, in the early bits, he just seems a bit off because of the high energy I gave him. Next up we have a bad case of something that looked good in the sketch but did not come across after coloring. What I wanted to happen was his face to gain some anime-type shading that screams "oh no", but it just wasn't strong enough, so the end result just seems like I copied and pasted the same panel for no reason. Also, in the lower image, Connor's face does not look right. I can't really put my finger on why, but it's either because his eyes are uneven or that the facial features, once again, kind of stretch across the face.

aaaaand I originally wanted to go through the whole first part of my comic, but this is turning out to be very long. So that's a tomorrow project. Hope you enjoyed my critique!

[loopy777]

Is Zuko a Gary Stu? A lot more people are becoming anti-Zuko especially after the comics. Thoughts?

Well, it depends how we're defining "Gary Stu." I tend to prefer a strict definition for it and "Mary Sue," that of a self-insert wish-fulfillment character. I also don't personally consider it to necessarily be a negative; one of my favorite fictional characters is George Lucas' Flash Gordon Gary Stu, Luke Skywalker.

But the common internet usages for the term typically translates to "character favored by the narrative and/or storyteller(s) to a degree that harms the story." So I'll address both definitions.

I don't think Zuko is any kind of wish-fulfillment character in the AtLA cartoon, nor do I think the narrative shows him any favoritism. In fact, I'd say the story goes out of its way to make things harder for Zuko than the basic character arc demands. It could've had him switch sides at the end of Book Earth, and I don't think there would have been much complaining. Likewise, the story could have had gAang come around to him a lot sooner in Book Fire, rather than spending entire episodes (and in Sokka's case a two-parter) reconciling him with the gAang one-by-one. I think his character arc is improved and given more impact by the desire to cover this extra rocky ground, although I also think 'The Boiling Rock' didn't need to be a two-parter and all of early Book Fire's filler episodes with the gAang should have been relocated to after Zuko's defection so that they'd have the added interest of showcasing the expanded gAang's new dynamic.

Ah, but then we get to the comics. I'm going to assume we're talking about Gene Yang's comics specifically, since Zuko has not appeared substantially in anything written by anyone else. It's easy to harp on these comics' use and treatment of Zuko, but I want to be clear that they're poorly written on pretty much every level. The dialogue is bad. Major plot threads are abandoned without comment. Everyone is mischaracterized. The humor is more juvenile than anything in the cartoon. What stories are told spin their wheels until they get wrapped up in a rush. There's bad, racist, pro-colonialism messages baked into them all. Etc and so on.

And yes, I do think these comics favor Zuko to their detriment and his. Gene Yang has admitted that Zuko is his favorite character in the cast. But even if he hadn't, we can see in 'The Promise' that the presentation has a lopsided preference for Zuko over Aang, the other main character of the story. Zuko is not portrayed as wrong for pressuring Aang to promise to kill him, despite Aang being uncomfortable with it and the whole idea being against Aang's major beliefs; compare that to the cartoon, where Zuko was portrayed as wrong and bullying in his attitude to try to get Aang to kill Ozai. In the matter of the former Fire Nation colonies, Aang and Zuko have opposing approaches, but rather than the story taking the stance that they need to compromise and mix'n'match their ideas, Zuko gets to utter the line, "I was right all along," while Aang has to be lectured by Katara, admit to being wrong, compromise with the Air Acolytes, and break off his relationship with his ghost mentor.

In 'The Search,' Zuko goes on to find his mother and learn her backstory, something that ends up not troubling or challenging him at all. She gives up her new identity to become his doting mother again and Zuko doesn't have a single doubt about it. He gets an adoring little sister in the form of Kiyi, despite her having a real problem with her mother choosing to become Ursa instead of keeping her familiar form. And his questionable treatment of Azula is not addressed; like Aang in 'The Promise,' she's the one who has to compromise (or in this case refuses to compromise).

You can see the pattern here of Zuko's presentation. This is where we can start to question if Zuko is Gene Yang's self-insert, but to do so, we would have to assume a lot of stuff about Gene Yang. For example, he breaks up Zuko's romance with Mai and then starts hinting at something with him and Suki; does that mean Gene Yang wants to date Suki? Then why bring Mai back so prominently in 'Smoke & Shadow' and then both go easy on her mistakes and break her up from Kei Lo at the end? Maybe Gene Yang wants a harem with both Suki and Mai, but if that's the case, then it's pretty odd that he ends his run on the comics with Zuko dating neither.

We could do the same for other aspects of Zuko's presentation (Does Yang want a tiny powerful Firebender as a little sister? Does he think all colonizers are awesome? Does he advocate denying first-amendment rights in times of danger? Is his favorite food to eat at winter time extra-spicy fire noodles?) But we'd probably run into similar questions we can't answer, leaving us to either assume way too much that would likely be wrong or admit that it doesn't matter.

Which brings us back to the much simpler idea of the character being favored beyond what is warranted. That helps with examining 'Smoke & Shadow,' where Zuko is actually portrayed as making some wrong choices for once in all of Yang's run of comics, like ordering his people's homes invaded and trashed on a vague hope that he'll find some information about Azula- but before that, he's somehow enlightened enough to make rainbow fire, and afterward, he solves everything with a quick apology to his people.

Usually, the narratives ignore Zuko's flaws and twist themselves into weird shapes to justify things. It's like Gene Yang started with the intentions of having Zuko make mistakes and grow over the course of the various stories, but then chickens out, so we're left with themes that feel incomplete or outright harmful. Zuko doesn't need to grow beyond his desire to have a Fire Nation elite (and their pet Earth Kingdom spouses and servants) rule over the former colonies forever, he gets to say, "I was right all along." He starts by locking Azula away in a straight-jacket, but then doesn't find a way to reconcile with her and treat her more humanely, because she goes fully homicidal and then runs away so he doesn't need to deal with her. But in 'Smoke & Shadow,' we get one example where, probably because Yang doesn't see it as that bad in the first, Zuko is allowed to temporarily be wrong before returning to a state of grace.

I think Gene Yang is trying to tell good Avatar stories. But, among his (many, many, many) mistakes, I think he's letting his favor for Zuko influence the stories he's trying to tell. He's trying to give his favorite character juicy dramatic material that lets him grow into an even more awesome character- but then he shies away from depicting his favorite in too harsh a light, ruining the whole thing.

The stories don't feel like they're going anywhere with him, despite him being a main character.

So if that fits with your definition of "Gary Stu," then yes, Zuko has become one in the comics. But he didn't start as one in the cartoon, and I don't think Gene Yang writes stories out of a desire for his favorite to marry Suki because Sword Girlfriend > Knife Wife.

Perhaps that's why he never got Maiko back together; he likes Mai too much to make her the one in the wrong, but then that would mean Zuko needs to learn and grow, and that can't be right. ;)